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bunnidid-reviews · 1 year ago

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DID Book Review

DID Book Review

Facts -

Book Title: Both of Me by Jonathan Friesen

Publication date: 2014

Fiction or Nonfiction: Fiction

Was there a diagnosis of DID? Yes

Was the person with DID presented as evil for having DID? Yes, in the twist ending

Major Trigger warning list:

Ableism all throughout (a lot of infantilism and the autistic savant trope, as well as generally written in a dehumanizing way)

Incarceration

Infant and parental death

Threatening with a gun

Plane crashing in the twist ending

Neglect

Physical abuse played off as a joke(? ‘she smacked him upside the head/across the face’)

Attempted sexual assault played off as romantic (Making out with the hesitant Elias, it’s written very vaguely and confusingly but I came away feeling like he couldn’t fully consent even if he wanted it)

Forced integration/forcing him to face his memories to integrate

Kidnapping? (In general it doesn’t seem like Elias has the ability to consent to most things despite being 19. His general confusion triggered my childhood..something sorta like kidnapping experiences so I’m adding this)

Sneaky Christian Messages (main character starts praying to God)

Subjective Review(this is how I felt about it) -

Personal triggering scale from 1 to 10 (1 being not triggering at all, 10 being a badly overwhelming experience that might cause personal harm): 5. It’s not explicit in any way but there were many points I just needed to put this down

Personal relatability scale from 1 to 10 (1 being unrelatable, 10 being OMG THAT’S ME!): 2

Personal avoidance scale from 1 to 10(1 being eager to get on with it, 10 being impossible to finish): 7

My interpretation of the media(Includes spoilers):

I think this book is garbage, let me tell you why.

The story follows our main character Clara, who after her mother’s death and her turning 18, fled her home in London to live an untethered life of travel. She left being Teeter and Marna(yes, those are their names) to live with their father, who had been incarcerated for the past ten years over an Incident that it only ever vaguely mentioned, and many times.

Clara is a stuck-up bitch. She’s written as if these are attractive and heroic traits, that she looks down on the people around her so much that she assigns them numbers instead of names, gets her fill of them, and flees to the next country. She’s evidently taken hundreds of trips around the world in the past year, funded entirely by scamming people into thinking they’re paying a charity to support the travels of other children of incarcerated parents. Not exactly a lie, but I found her scamming and making literally thousands like this to be disgusting. There’s only one person she ever trusts with the truth, and that’s her online friend, FFA

She’s going to New York.. Or Minneapolis. Actually I believe she’s on a flight from New York to Minneapolis when she meets Elias, an 18-19(?) year old boy who’s seated next to her in-flight. He’s handsome, but seems.. Off in a way. He’s huddled against the window sketching away, and she measures him up to be Dangerous To Her Personally because he seems.. Interesting. Someone she might be tangled with. Especially as he sketches away at a scene that must’ve been her own trauma.

After pestering him all flight, they part ways and he accidentally takes her identical-to-his bag. Clara has to track him down in Minneapolis(I believe) to retrieve it.

Elias lives in a big boarding house with his overprotective but also negligent mother, as well as a quirky cast of various old people who live there. The Elias Clara meets here is distinctly different from the Elias she met on the plane.. He’s.. Neurotypical and Nice.

She stays overnight and overhears the Quirky Cast Of Old People gambling on time to spend in Salem, Elias’ inner world. The way they do this I’m assuming is to trigger out the Savant Elias who talks about his Inner World while they hang out? Apparently, everyone can live their dream-lives there, like a couple who’s only married in Salem, or a couple of artists who are renowned in Salem. They’re explicitly using his DID for their own selfish reasons, and they’ve justified it with Well Everyones Happier In Salem! So they try to keep him in this ‘sick state’, trapped by his inability to care for himself in ways an adult should be able to(driving, being able to read, ect. Elias’ life doesn’t pass the burrito test)

To her credit, Clara thinks this is pretty fucked up and confronts Elias about it with a plan to force integration so he won’t have DID, and then no one can use him for Salem anymore. So she steals him away into the night after some weird exposition of… travelling into an active war zone and running into someone with leprosy…? (Forgive me, none of this makes any sense so it’s hard to remember.)

But she too has her own secret uses for Jason(This is the other side of Elias, he chose the name Jason. Even if Clara outright refuses to call him by his name, I will) She has to know how he Knows about the Terrible Thing She Did. Maybe she can force the truth out of him as well as force him to face all the trauma that split him in the first place. Even if Real Elias doesn’t seem entirely onboard, Jason declares Clara to be his guide, Clarita, and off they go.

Hijinks ensue. They have a big fight at a frat party. Clara forces her friend to sell her car to her with all the tens of thousands of dollars she scraped up with ‘charity’. They buy an airplane…? They go to all the towns named Salem. Clara has a moment of Clara-ty when FFA texts her to let her know that her siblings are ill and she needs to come home. She panics about being a bad person and using Elias and abandoning her family, and feels better about everything because she.. Slept in an old prison cell by choice. She makes up with Elias for abandoning him and urges him to get off his DID medication.

The next morning, Clara wakes up to find a gun to her head. It’s a girl named Izzy, who forces her way into their journey by threat. She’s going East like the rest of them. So theyyyy goooooo onnnn

They split up for a bit then come back together. It turns out all along FFA was her father! Clara has another spiral and lays in the road and I guess passes out. Izzy, who had taken the car (hooked up with the plane) came back for them and theyyy wentttt onnn theirrr way

Izzy comes to know Elias and actually doesn’t think of Jason as sub-human. She listens to all the heavy symbolism and substitute beliefs Jason has with Salem (They must stop the evil Lightkeeper to save the Queen and all of Salem) She offers her own input to help the journey along and speaks to him on the same level, compared to Clara, who’s been scoffing and making quips about how insane all this has been the whole time. It seems like Izzy really cares about both Elias and Jason compared to Clara(thE LOVE INTEREST), and she literally broke into all this by force and seemingly without a care for human life.

As they pull into the next Salem, the group decides to stay in a newly-bought house under the guise of all being siblings and moving in early for their father, in an attempt to fool the kind neighbors who let them in. I don’t really know why they made this up if they’re all adults anyway and had multiple chances to come clean about who they were, but they stuck to the sibling story, even when…

Clara lead “Her Elias(Real Elias)” upstairs to start making out with him. He.. Doesn’t seem like he wants to, is very polite and hesitant, and rather confused by the state of things. Even so, Clara… Pulls him into it…? It’s very vague and it doesn’t seem romantic to me in the least. Theres some entitlement from her because she ‘puts up with’ Jason and is endlessly thirsty for ~Her Elias~. They’re interrupted anyway by the neighbor coming upstairs and demanding what the fuck!! To which Clara says:

“But you don’t understand. He doesn’t even know what’s going on half the time. If he was normal, maybe, fine make your judgements, but he’s not. He’s no protector. He’s vulnerable.”

O_o Clara what the fuck, if that’s what you believe then what the fuck????

Elias is rightfully hurt!! So he switches out with Jason. For some reason, the neighbor trusts Clara of all people to ‘handle’ their own autistic son because… she… Deals.. With Elias. And they consider him a lost cause.

Lo and behold, the son is actually also a genius and was only Pretending to be disabled to hide the project he’s been working on: Digging through the old slave escape tunnels underneath the whole of Salem. The trio make their getaway and leave the son behind. Clara gives him a kiss and is offended that he doesn’t really like it as much as he likes Izzy

Following Izzy’s Greek myth analogy she shared to understand Jason’s POV, they end up going to an artists’ commune and staying there for an amount of time. Elias is avoidant of Clara and he surrounds himself with people who actually like him, along with Izzy. In a fit of jealousy, Clara goes up the mountain to pray each night because she comes to…realize…God…. No, ‘Ungod’, because she doesn’t believe in God, but this is still published by Blink, a Christian publisher, so they had to shoehorn in the obligatory turning to God makes everything right trope, even if the only thing she changes is just.. being away from Elias for a little bit.

During the time at the commune, Elias fixed the plane they were hauling around this whole time. As a reward for leaving him the fuck alone for a while, Clara gets to have a nice friendly moment where they fly the plane together. Izzy decides being at the commune is what’s doing her a lot of good, so she’s going to stay behind as Elias and Clara set off once again.

They go to the last Salem, which is in Maine. At some point along their journey, they figure out that the Lightkeeper’s tower they’re looking for is the substitute belief version of a certain lighthouse. The root of all the trauma happened there. As they grow nearer, both Elias and Jason are growing apprehensive. And Clara is pushing ahead harder than ever because she wants to be done with this all.

They have a spat. They pour soup on eachother and split up. It’s kind of a running theme that Clara often abandons Elias to go have her huffs, and they’re always justified. She figures hes helpless and can’t really leave where she puts him anyway, so she goes off with a strange man to this certain lighthouse

The man’s name is Salt, a lobster fisher of course(It’s Maine after all), who takes her to another lobster fisher named Atticus. It turns out that man knew Elias’ father, the root of all trauma.

Elias and his father would go to this lighthouse to watch the stars when he was young. The lighthouse was surrounded by steep, rigid rock, so it was difficult to get out there safely. Elias adored his father. Once night, when Atticus dropped him off at the lighthouse, the father and a strange woman emerged from the lighthouse, in attempt to hide their shame: the father was cheating on Elias’ mother. Clearly upset, Elias tried to flee from his father, shoving him off the edge, where he fell and cracked his skull, dying. Elias had killed his father, and that’s when he split.

That’s when Clara went oh my god, this whole time.. those sketches!! They were about ELIAS’ TRAUMA and not her own.

Clara’s secret trauma is that she had a baby brother with down syndrome. On the way home from a hospital visit, it was icy and snowy out. Clara was supposed to take her baby brother in, but he got dropped, cracked his head open also, and died. Then police came and arrested the father for this, and all this time Clara kept the truth a secret, keeping her father in prison for the past decade. And from then on, Clara was different too… Ableist 😔

Having discovered his trauma for him, Clara rushed back to find Elias. He’s understandably hurt because he’s facing all these memories and getting abandoned in a strange-but-familiar-place over and over again. But she shuts him up and tells him all about her own trauma, using it to force Elias to reconcile with his.

But Jason.. He already knew. And revealed that the death of his father was on purpose, and he came here to seek revenge and kill the woman who caused all this.(Which is kinda implied to be like a mermaid or something because she was already Never Seen Again) Because Jason… Is a Murderer Alter!

Clara, who cannot accept the dark side of having trauma, flees up a mountain and prays to God overnight, leaving Elias all alone, who was very very upset and dysregulated.

The next day, Clara can’t find Elias. She has her father contact the police to arrest him. As she and Salt search high and low, finally Atticus lets them know..

Elias is dead.

He flew the plane into the rocks at the base of the lighthouse, injuring himself badly, but had just enough life back in him to put up sketches of Elias and his father together.

“He didn’t draw, Salt.” I sniffed and pushed myself up. “My Elias didn’t draw. Only the…Only the Other One, and he wouldn’t have hung these. He hated the Keeper… He hated…his..dad. Unless, the two, in the end, unless the two became one.”

He did.

I stared up at Orion, and whispered. “We did it. Elias, you did it. In the end it was just you.”

HES DEAD, CLARA!!! WHO GIVES A RATS ASS IF HE FUSED IF HES DEAD!!!!

The end :>

I apologize both for spoiling the entire book and also putting you through that, as well as my haphazard way of writing. This is an extremely tiring book for only having 254 pages. So much happens, and yet it’s possibly the most boring book in the world to read.

The writing itself is vague and trying to be witty, so it’s actually extremely difficult to tell just what is going on, because it feels like there’s a lot that’s not clarified. I spared you the details about Elias’s theme park machine and giant..spoon…statue..? because it’s altogether nonsense and doesn’t add anything to the already nothingness story.

Yes, I’m being very harsh. This book is a huge insult to anyone who has any neurodivergency, particularly Autism and DID, which are both mentioned explicitly in the book. The way the main character views the people around her is disgusting already, but the way she treats Elias is.. Very confusing. That’s your love interest? The one you have zero faith in, actively dislike half of and scoffs even at ‘Her Elias’ ideas. She’s mean, and it’s not reciprocated banter. She’s just a straight up bitch.

I thought maybe this nonsense world she crossed over into would make more sense if it turned out they were in Salem all along, maybe even if Clara had been the host and she’s actually coming to recognize her own DID. I kept hoping and wishing and that never came to fruition.

But no, Elias is just.. Like that. Treated both by the one who should love him and the narrative itself as something less than human, who doesn’t have choice or any impact on the world around him. And then he fused, and then he died. Because Clara’s journey of self-acceptance was over. Even the author admits he didn’t know what he was doing in the end. Oh sorry, that it ‘Came To Him’. Sure thing, buddy.

If this is your favorite book ever, I’m very sorry. But I’d also love to hear your point of view, so please do share.

What they got Right in my opinion:

The use of substitute beliefs felt slightly realistic, actually. The truth being smudged into something that looks slightly different. Like Salem being both Elias’ way of understanding the world, as well as his inner world. And the Keeper being a lighthouse keeper, his father. The use of stars and mythology coming from the stargazing days with his dad.

Since the split happened as a result of his father’s sexual affairs, it makes sense that Elias recoils from intimate touch. It seems very Trauma to me

What they got Wrong In my opinion:

Where do I even begin? It’s like Mr. Friesen picked up a list on how Not to write DID and followed it as his biblical guide, making sure that he hit every Wrong note.

The Autistic Savant trope is the trope of having the autistic person be both a genius in either a variety of skills or a specific skill, but also being unable to connect on even basic levels with people around them. (think of the movie Rain Man(1988), like being completely unable to understand danger or the world around them as not fitting in their rigid world view. Obviously autistic people with higher support needs do exist(I would love to see more of their stories told in a respectful manner), and a person can be very knowledgeable about their special interests, this trope specifically is a commonly fetishized view of autism seen in media. Especially where the only ‘use’ an autistic person in this role would have is to benefit the (neurotypical) main character and push them towards growth. This is blatant with Elias/Jason’s case.

I can’t find the exact age, but I believe Elias was on the tail end of the age of developing DID. I’m not going to say that he doesn’t have ‘enough trauma’, but DID has been directly correlated with unstable attachments with caregivers in early childhood. It doesn’t make a lot of sense for him to develop DID when he has this fairly secure attachment already with his parents, and even with autism, he would’ve been integrated at this point.

The complete blackout/timeloss with every switch trope. When Jason is there, Elias just is Not. There’s no attempt at recollection, even

DID-blocking medication, lmao

Salem being his inner world as well as.. everyone else’s? This was really vaguely explained in the book and I don’t fully understand how other people ‘have lives’ in his inner world unless he’s just sitting and telling them endlessly about his inner world.

The fact that everyone around him has full knowledge of his disorder when he just does not, it feels very.. Unsafe to me. Treating him like he’s old fashioned ‘insane’ is really… wrong. Even when this abuse of power is questioned, it just gets shut down and smoothed over anyway.

The DID killer trope :I I don’t think I have to explain why this is wrong

Elias is evidently going to a doctor regularly and it has officially been named Dissociative Identity Disorder by said doctor.. Why isn’t there any trauma therapy?

Not DID related, but my British fiancé wants everyone to know that the ‘fine English breakfast’ of sausage, bacon and rolls is just pathetic and this horrible British girl is written extremely clearly my an American.

If even people who call the disorder “Dissociative Personality Disease” feel like this is badly written, THEN ITS BADLY WRITTEN

There is probably more but I am exhausted and want to chuck this library book in the trash to spare anyone else from reading this. This review is 6 PAGES LONG

Would I recommend this to someone with DID to read?: NO!!!!!!!!!!!

#dissociative identity disorder #did in media #complex dissociative disorder #actuallydid #did in books #did media #both of me #jonathan friesen

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crystalelemental · 1 year ago

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"karnilla74: If anything, the Clefable thing makes Lillie be the one who comes across a childish. Like, why was she against it evolving? It's not even hers."

So! I talked to my wife about this, and everything I'm about to say is from her. But I think that's really it. It's not entirely that Lusamine is a different character that's bothersome. It's how that impacts Lillie.

Anime Lillie is delightful and I love her. Her big hangup is she can't touch Pokemon, due to a trauma she can't remember. Faba opened an Ultra Wormhole to bring out a beast for Lusamine to see (without her orders), and the Nihilego that came through grabbed Lillie and tried to take her into the wormhole. Silvally saved her, but the entire experience got blocked out and she's left with a fear of contact from Pokemon. Good stuff! That's actually pretty interesting.

Her relationship with Lusamine, however, is obnoxious. Because it's exactly what it sounds like: it paints Lillie as actually being childish.

The Clefairy thing is up for interpretation. Lusamine says "I was the one raising it," but it's not entirely clear if it's hers or just the family Pokemon. Lillie has it in their old photo, so it might be like a pet dog and like...okay you can't evolve the family dog but like trading it for a different breed you liked better that the kids didn't. That kind of neglect. But the rest? Lusamine will excitedly proclaim how proud she is of her baby girl, and Lillie gets huffy because "Mom, you're embarrassing me, I'm not a child!" Lusamine gets pulled into business calls, and Lillie snaps that Lusamine must not care about her, which is understandable from the child's perspective but also the plot of like every family-focused movie from the 90s.

But the way the anime frames things does tend to point to Lillie being in the wrong, or at least being over-dramatic about it. It at least never invalidates her feelings on the matter, but it sure doesn't take them seriously. Like, the episode with the Ditto? Lillie's getting irritated with her mom for not spending time with them herself and being busy with work, as literally everyone around her is like "Wow Lillie, your mom is so cool," and ending on this kind of knowing look like "See? Isn't she being a good mom still? Aren't you being too harsh?" That is a huge 180 from the games' presentation of Lillie.

To make matters worse, the callouts that are referenced in that other post? Don't matter. I haven't reached the episode, but we know Lillie's going to have her callout toward Lusamine when they get back to Ultra Space. Guaranteed. And it won't have a fraction of the weight of the callout in the games, because Lillie has been doing this the entire time. As much as the anime keeps trying to tell Lillie it's her responsibility to talk to her mom about how she's feeling, going so far as to even have Burnet pass on that advice, she already does. Lillie has been telling her mother how she feels constantly. I don't like being treated like a kid, I don't like that you're spending all your time working. It's not point for point in those words, but Lillie is very clear even as she's snappy about it. Don't treat me like a kid and call me your baby in front of my friends. Don't bother calling me if you're going to work the whole time instead of talk. Lillie is very clear, but the anime wants to treat it like this is just missed communication because Lillie hasn't made herself known. And it's...jarring.

(my words now) Because it all comes back to making Lusamine more palatable. That's all this is about. A bunch of dudebros got really excited about her design being conventionally pretty, and when she was shown to just be intense and abuse with little redeeming about her, got mad she wasn't their waifu. So you get USUM turning down the evil and pivoting more directly into "grieving widower trying to protect her kids," and the anime going for quirky playful childish Lusamine whose flaws are so tame it's literally the plot of every show and movie for kids that tries to show a strained parent/child dynamic. It's the most flaccid, easily-digestible interpretation you can provide. It risks nothing, and as a result, says nothing. But also has the audacity to present this in a way where Lillie's...kinda just in the wrong. And literally everyone knows it. Because even children are aware that work is a priority, and that not having money means things get worse. Lillie's not unaware of this either. If pressed, she gives the usual "I know she's really busy and her work is important, I just wish" etc etc. She knows. And it's presented that way because anything more extreme makes Lusamine unlikable, or at least un-waifuable. And from the marketing perspective, that's just as bad.

I bitch about USUM every time it comes up, but I can't deny its success at roping that demographic in. People really do just want to be presented with a lady character that's, at worst, misdirected. Anything beyond that is bad writing and she's just horrible for its own sake, no need to delve into this any further no sir. It's just a shame that writers so rarely present us with well-written and dynamic female characters, but at least we have a few goods ones in these completely generic, likeable girls whose worst flaw is being slightly misguided or too immature (This is sarcasm, I hate fandom).

#karnilla74 #lusamine #lillie

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gothamstreetcat · 2 years ago

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Putting under the cut what ended up being such a long sad/angry rant about Wesley and how he was treated on the show. I just want to say how I feel. A lot of this is personal and I apologize.

I’ve been thinking a lot over the past few days about how it really boils my blood that I feel there was so much pressure for Wesley to be in love with Fred. If he was not "in love" (I really don't even want to say that) with her he had to be a creep and if not that he had to be obsessed (based off of how the show was really portraying him at points). It’s almost as if he had no value unless he was in love with her or his entire being didn’t revolve around her. Like, if he wasn’t the bumbling fool for everyone to make fun off he just had to be so obsessed to the points it made him look bad. Almost as though the writers took his little "crush" from one fucking episode and decided to run a train without the tracks.

It's such a shame because this idea of Wesley being infatuated with Fred came across as though it had to be his whole personality as though Wesley himself couldn't be loved for anything else (like being smart or funny). And the entirety surrounding Fred was also used as a foil for his relationship with Lilah, which in my opinion is so stupid, because this crush with Fred was -again- so fleeting and ended so badly, yet at the same time it consumes Wesley's being.

And I know I’ve said this in the past, but Wesley during Billy was not him; and I really believe it has everything to do with his father and how he was raised and someone he was scared to become. Wesley does not come off to me as the kind of person to feel that was towards women or have monstrous/evil thoughts. Even for "dark" Wesley that's really pushing it. He's just the kind of guy "that makes the tough decisions even if he's making them alone." Not only that but Wesley constantly has moments where you know he's been abused, and for me, I see that as he's not going to be an abuser because he's already the abused, even as an adult. Even when his not-dad showed up he fell back into his old self and was suddenly never good enough. So, going back Billy it just seems hard for me to imagine Wesley ever trying again after the traumatic events that ensued for him - that also had him struggling with himself as a person. Having him be so infatuated with Fred after this - to me - is just so disrespectful to his character, especially if only to hurt him in the end and further isolate him. Wesley is not a perfect person, I know that but some of the shit he went though on the show just seemed over the top.

I don't actually know or personally understand why people even want Wesley and Fred to be together but let me say how I've been feeling that Fred is just a more loved version of Wesley - another thing that really makes me upset/uncomfortable. They were both smart but somehow Fred was smarter (during that episode when those demons came and wanted her brain instead of Wesley's) yet, at the same time everyone needed Wesley's help when he wasn't part of the team anymore. Which, of course there are different ways to smart and should be recognized but at the same time Fred was just seen as so cute and quirky for everything she did while other times Wesley was not appreciated. Anytime Fred became upset or triggered over what happened to her she was comforted and emphasized with. When she was rescued from Pylea she was given space and everyone worked with her and tried to help her. Anytime Wesley talked about his dad he was looked at as strange or talked to in such a casual manor (because the characters were so bluntly blind to his abuse (i.e when he killed his not-dad in season five). Even when he was clearly feeling a certain way after the events in “Lineage” Angel and Spike treated it as if it was no big deal and I get the assumption that when Wesley killed his not-dad it was more about protecting Fred rather then freeing himself (which is what it should have fucking been about. This man literally stood in front of him and said “don’t make me shoot you,” and I wonder how many threats were made on Wesley’s life for him to not be stunned by that.)

I will however say that when Wesley got shot he was well loved and cared for. This was, of course pre-Fred and pre-Conner but was looked after during this time (by this two best friends I might add who ended up fucking losing completely to the mess that is season 3).

Another thing I've gathered from the grapevine is that it appears losing Fred was somehow a breaking point for Wesley (but also everyone else too) and I would really like to fucking understand why. Fred is beloved, I get that but at the same time they also lost Cordelia who was very loved and had some so far as a person - and as for Wesley that man has been through some fucking shit, but why is losing Winifred some make or break for him?? Wesley literally lost his entire family because of what happened, he had his throat cut and was literally fucking dying as some homeless man dragged him into the bushes before stealing his money. He was so cut off from everyone and pretty much had the metaphorical door slammed in his face - unless of course he was needed - and I know I talk about the park scene a lot, and I know fans get mad over what Wesley did they're entitled to feel that way, of course, but at the same time - no one is going to be more mad at Wesley then the self-loathing man himself. He knows he screewed up.

On top of that, Angel, everyone's literal champion, went to the hospital and tried to fucking kill him. And a lot of people point out how Wesley never apologized for what he did, but when Angel apologized for what he did it was literally only because he needed something. And everyone was so wrapped around Angel's dick and what he wanted so nothing could be mended, mind you, this was also the man that signed them off to work for the literal Devil without their consent. Now, I get he was doing it for his son and that's admirable- he's just a tired dad trying to do his very best - but you literally didn't have to drag everyone else with you (especially since the only reason Wesley was there in the first place was to give Lilah peace he believed she deserved for her suffering. Show me a greater act of true love and I'll shut the fuck up.)

Wesley lost his best friend to the higher powers (his friendship with Gunn was so long gone at this point) and the love of his life (because the only time Wesley wasn't so wrapped up in Fred was when he was grieving Lilah) but somehow Fred had to be the be all end all. Even in his death he couldn't escape it and it still had to be about Fred and being lied to and being with her. I see a lot of fans talk about how he was in love with the idea of Fred and being a hero and getting the girl and finally being loved but in reality all those things Wesley thinks heroes get in the end are a fantasy. He's not going to be loved, Angel is not going to get over Conner and his dad is never going to love and respect him as a human being. In fact, I feel like the only thing Wesley had to resemble being a hero was the fact that he died in the end. I mean, of course he was a good person and did his best and he did help people and save them - but at the same time he went through so much shit just to die in the very end and he couldn't even have that to himself.

The Writers liked to put on this face of Wesley being happy when he sees Fred doing her little speech, and it could have easily been about missing his friends and missing people he was close to but we know that's not the case. Not only that, but Wesley went through something so traumatic and you can't always some back from that. He was literally so changed from what happened to him and he was never the same (he literally reminds me of Bruce Wayne in so many ways with the trauma and the turtlenecks and the stone facial expressions; they literally are the same person only Bruce hates guns). Even when he came back into the group or went to work for W&H and everything was erased. Yet somehow Fred just has to be what keeps him connected to something more human... and I really can't understand why when The Writers (I mean, obviously to hurt Wesley because they don't value him) would even want Wesley to be with someone who is so nasty to him.

Fred was understanding when her and Gunn were ransacking Wesley's apartment (which they didn't even clean up by the way) yet, to his face she told him never to come back and also didn't even look at him when she talked about the prophecy being false and everything being a waste of time. Telling Wesley how wrong he was but literally everyone makes mistakes (Angel literally said Conner had been smelling like food and fucking told no one until he had a meltdown). Wesley during that time was just mentally going through it and he didn't think he could tell anyone and did everything he thought he could do - and then for Fred to be upset with him for fucking being with Lilah when he was literally so alone and she was the only one to give him a crumb of human decency. She really only bothered him about the job once and every time they talked you could tell how much they really bounced off one another.

Fred was also the only one who was so mean to him after Lilah's death when he was being vulnerable and trying to open up to her. Now again, this is partly The Writers who think it's okay to compare Wesley's consensual relationship with Lilah to Not-Cordelia sleeping with Conner (which was basically Conner being raped by his unborn woman child using his mother's body), which is disgusting, but also for Fred to fucking roll her eyes and try to gaslight Wesley and his emotions when he's being vulnerable. Again, something I bitch about a lot but it's only because I know what it's like to be that person being vulnerable to their friends, only to have said friends literally roll their eyes and dismiss my feelings - it's disgusting. Wesley had literally just lost Lilah and had no one to talk to about it but he tried *twice* with two people who used to be his closest friends. But I guess that is just more of a way to affirm how Lilah is for Wesley (despite the fact that she is literally perfect for him but I don't know if I want to get into that now).

I feel like Angel never got over Conner (it being mentioned in season five) and that is what it is - I get it, but at the same time I'm also so bothered by the fact that Wesley is always going to have this big terrible thing hung over him. Gunn also made a huge mistake but that was what is was, a mistake and okay because "Gunn is a good person" (and I'm okay with that, I'm in no way trying to shit on Gunn but I am aware there was controversy surround this back when the show was on). However, I have an issue with Wesley having to be so punished for his mistake when others are empathized with. And I know what happened with Holtz was about Angelus and that Angel has a soul and he is good - but this is also the vampire with a soul who tried to fucking suffocate Wesley to death. It doesn't feel fair to entirely blame Angel for Angelus's actions against Holtz's family's, However, that's still a huge part of his past, and not everyone is going to have empathy and compassion for you just because you have a soul. I'm not trying to say that as a way to excuse Wesley's mistake but I feel that so much is always put on Wesley and him alone.

I'm sorry this post is so long and messy. I was going to spend a little bit of time talking about his relationship with Lilah, however, I want this to be more about Wesley as an individual - so I'll shut up here and save that conversation for the tags.

This was four pages long in google docs, why can't I write my fanfiction like that?

#me rambling messily and angry #not sure if I should post this or not #but here we are #i just want to say how i feel. can't seem to do anything else unless i sit with this\#also. off topic but i read this fanfic recently (honestly one of my favs)#and it was written so well character wise as well as writing wise and it was written during season three #i'm going going to go into detail bc it's awful but basically something really terrible happened to wes and in another version of events in #the fic anther wesley had the same terrible thing happen but with different results and in the end he went crazy and had to be reverted to #a child-like state and it was so awful because the wesley in the main universe was treated well but there were times when the characters #were happy to have him because he wasn't crazy and was useful to them. in my opinion (and i could be very wrong) it felt like they only #loved him because this terrible thing happened to him and there were other times everyone was so overbearing it bothered me #again. nothing to do with the writer or the story because they were both written so Perfectly but just in general it was sad to me #wesley should not have to be useful to be loved #but that is me taking this train off the tracks #angel the series #wesley wyndam pryce

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walks-the-ages · 2 years ago

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I absolutely love all the Quantum Leap blogs I follow because the complete and utter radio silence on the 2022 reboot really speaks volumes considering how much speculation was on my dash before it aired.

As someone who finally remembered it's existence and watched the whole season*, I can genuinely tell all original Quantum Leap fans:

Do not bother watching this show

It literally exists to try and make a profit off the nostalgia of the title alone, because it is shallower than a drop of water in the desert and they're trying to make up for their lack of interesting Leaps by filling the runtime with office drama in the present day that no one cares about and doesn't mean anything.

They're telling us all these things about Ben that mean absolutely nothing because it doesn't change anything, he already Leaped, and no I don't particularly care about why, even after the little "cliffhanger reveal" in Episode 8.

I was watching this show because I care about Sam Beckett and Al Calavicci.

Al was summarily killed off in the first or second episode by having them mention he'd passed away a few years ago, and while you could be generous and say it's because they didn't want anyone that wasn't Dean Stockwell playing Al.... You don't have to have a character on-screen to have them exist in your story.

Al could have been a character whose just always left the room to go attend one of his grandkids pride events.

He could be on the other end of an important phone call.

He could be the random old guy that sneaks in at night and talks with Ziggy but they've never been able to catch him because he always knows how to disable all their security measures and Ziggy refuses to tell them.

(They're secretly plotting to actually get Sam and Ben back while everyone else is just caught up in their conspiracy theories, Janis helps by sending them all on a wild goose chase so Ziggy has actual time to put her processing power to work)

But yeah. Al's been killed off for literally no reason except for bad writing, his daughter is an antagonist for no reason except bad writing, and I genuinely do not care about literally any of these characters because so far they haven't done anything memorable. Ben gets kudos for actually helping people but that's negated a bunch by him being extremely shallow of a character AND the mouthpiece for "you must forgive your abusers!!!!!" The writers are using this show to preach.

Oh and did I mention everyone promptly forgot that Sam Beckett exists and that Ben was trying to find him? So much so that when he runs into another Leaper who warns him to stop following because it's dangerous, literally every single character jumps to the conclusion that it's ... Janis. Al's Antagonist Daughter, threatening Ben, instead of the obvious conclusion of

Hello???? It's literally Sam fucking Beckett trying to warn Ben he should be focused on getting home, back to his life, instead of continuing to try and find Sam?? That Sam's trying to save him from getting trapped in the Leaps like he was??? And the show unironically took it as a threat from some unknown villain instead, and wholly expects the audience to take that conclusion at face value?

Like. Yeah, don't watch Quantum Leap 2022 if you loved the original, if you want to know what happened to Sam and Al.

Al's been summarily killed off, his wife Beth has existed for maybe 3 scenes, and his daughter is randomly an antagonist who drugs her own mother into unconsciousness to show how evil she is lol.

Sam Beckett exists as a footnote and is summarily forgotten by all the new characters.

Ziggy doesn't exist and is now just a generic computer they call "it" (instead of she/her OR he/him) and is not a character at all

Oh, and Ian Wright the nonbinary character everyone was hyping up? Just exists to be the shallow, quirky, quipping one-liner joke-maker of the episode, wearing cat ears at work, making jokes about magic mushrooms and somehow generating views for the show because apparently Mason Alexander has a cult following of people who literally just follow their work and refer to them on a first name basis and...

... I've just blocked all those people already from the tag because it's genuinely creepy how deeply these people are in a parasocial relationship with the actor. Like genuinely looking for RPF things and obsessing over them and referring to them only by their first name and just.... No. Hell no.

But yeah, the funny thing is if you go into the Quantum Leap 2022 tag and block all the Mason Park stalkers the content of the tag is just reduced by like 90%

So uh. That tells you a lot about how little substance Quantum Leap 2022 has. Most of the posts are from me and my twin liveblogging it lol.

-----update:

* I guess they're splitting the season into 2 parts because the IMBD says the next episode is in January 2023 with more episodes after that for a total of 18 episodes in the first season but uh. Too fucking bad for them I'm not wasting my time on this bag of hot air. I'm sticking a pin in it and going back to my little original show rewrite and post canon fun/angst.

#Quantum Leap #Quantum Leap 2022 #ql #ql2022 #Quantum Leap 2 #quantum leap 2 electric boogaloo #its crap ! its boring! its shallow! it doesnt care!#long post #bold text

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vore-scientist · 3 years ago

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Return of the Dragon King pt 1: Prison Break

[A non-sexual high fantasy GT/vore story with both hard/fatal+ other fantasy violence and safe/soft]

This story is a prose adaptation of an RP between @vixen525 and I. It takes place in one of her worlds and features mostly her characters.

Summary/Pitch: Separated from Sophia by the evil (and illegitimate) Prince Nero, Yonah must rescue his princess from Nero's devious clutches. With a collection of quirky fantasy characters as allies, Yonah aims to bring an end to Nero's reign and return the rightful heir to the throne.

But before that, he must escape from one of Nero’s prisons.

Story General Warnings: Return of the Dragon King overall will contain hard/fatal vore (in an intense fantasy violence style) along with soft/safe (the good stuff). Themes of abuse and torture as well. (There may be one instance of soft fatal that if I ever get that far I’ll warn for that specifically but it’s so far off from this it may never get written down)

Chapter Specific Warnings: This chapter contains all the story general warnings. This is NOT the chapter with soft/fatal. It’s hard only. It very much treads the line between hard vore and just standard fantasy violence. This part contains a very brief mention of attempted (and failed) sexual assault.

Onto the story:

----

For the 20th night in a row Yonah was replaying the moment in his mind, and like the 19 times before, this time was slightly worse than before.

It started with merriment, feasting, dancing, joking. Then transitioned to screaming, to blood, to Sophia being dragged away and him unable to stop it. And finally ended with waking up here, on a hard stone floor, in a room with no windows, with cold metal around his ankles and a chain attached to a back corner. With a terrible pounding in his head and an indescribable weight upon his core.

While he wondered why it had happened. Why this diplomatic mission to another world had been under false pretenses, however it wasn’t really worth dwelling on. He wasn't going to get answers here. All that he knew was he had failed. He had failed to protect Sophia. His charge. His friend. His princess. She was taken and he had let it happen!

After his 5th day in the prison cell he had given up trying to escape. Whatever that pressure was, pushing on his core, it stopped his magic. He had woken up without his robe, staff, and hat. For a normal wizard that would be a problem, but Yonah HaEsh was half FireWitch in addition to half giant. He had his own natural magic! Surely he could melt the cuffs and bars.

Nope. He could see the air shimmer with heat around his hands. He was generating magic, but it seemed to be… negated as soon as he tried to release it. All it succeeded in doing was make him tired. And hungry.

He was so hungry. The prison guards were giving him just enough food and water to stay alive for reasons that were beyond him. So he spent most of his time laying on the floor. Conserving his energy. For what purpose? For what event? None at all. He just hoped. And cried. Or at least tried to. His tears had long since dried up.

The screech of the prison bars sliding open grated upon his ears and he drew a harsh breath but did not give the guards the satisfaction of interacting with him. He had tried to rush at them a few times, just to have a little fun. But the chains weren’t long enough to let him reach the bars. All his antics got him was humiliation.

“Oy! Halfbreed Thing, you’re in luck,” came the voice of a nameless guard, “the warden decided to give you a treat tonight!”

Yonah didn’t respond. It was clearly sarcasm.

“He also said if you don’t eat up, you get nothing for a week!” And the door was closed again.

He still did not look. He had decided he wasn’t going to even touch what they had assumedly given him. It was probably poisoned, or drugged. Or both. He drew another breath.

That smell.

He finally looked. His heart racing. They wouldn’t… would they?

Standing with her back against the bars was a young woman with straight black hair, wearing a similar tattered outfit as himself. She must have been cold, and scared, but she was not shaking. Instead she stared right into his eyes. The fear in them was evident.

Now that his ears were no longer ringing he could hear her breathing. She was trying to calm down.

Apparently she succeeded. As she talked first.

"So... I guess they put you in here because you use magic too?" her voice was weak, and her accent thick upon his ears but he understood her well enough.

Yonah did not respond right away. Carefully he sat up, leaning against the back wall where his chains were connected, rattling them as they piled up.

“Well they certainly didn’t throw you in here so you could be my pet.” he snorted steam with his words, happy he could still do that much, and pleased him to see her concern at this display. So perhaps he could have some fun, even as her scent started to permeate his cell, leading his thoughts in another direction.

“No…” she answered, not moving any closer. “I doubt they’ve been feeding you well. I suspect they threw me in here in hope that you’d eat me.”

Yeah no shit. Had she heard the guard? Or was she too scared to listen. He had listened, even if he pretended otherwise.

“Being tossed a person to eat. How barbaric. Do they think I am some sort of feral animal?” His voice was hoarse with dehydration, and conflict. For he was considering eating her. Yonah HaEsh, despite being half giant, was not above eating smallfolk, if necessary. And she certainly smelled…delectable.

She shook her head “Many giants wouldn't hesitate if hungry enough… They may be normally polite to smaller folk but when half starved? All bets are off”

Yonah nodded, “I suppose so… Though I am only half giant.” He couldn't do more than suppose, as he did not know anything about giants of this world, though he remembered seeing one at Prince Nero’s castle. A little less than twice as tall as his own mother, and his mother was over 40ft tall! What he did know was that giants in his world would be tempted just like him, and while they were also normally polite… ish… their own survival was more important than the life of someone they did not know.

So why was he holding back? Well for one thing, she was out of reach. For another… He did not like the idea of being fed a person, it was insulting. The idea was nearly offensive enough to scare his hunger away. Nearly.

“Why you?” he hissed. Trying to chase away the remaining offensive thoughts. The mental images of grabbing her, sinking his fangs into her soft tasty flesh, and using his jaws and hands to rip her apart. The thoughts of how delicious it would be to finally satiate his hunger properly for the first time in weeks.

It took her a long minute to answer “I… keep escaping. I got out the door this time, nearly made it to the outer wall.”

“Ohhhh, curious” he breathed out, glad his ‘treat’ turned out to be interesting enough to distract his thoughts with. “You do not look like an escape artist. Or are you of hidden talents?”

She shook her head “The magic they use to… nullify the magic of others… doesn’t work on me. And my own magic doesnt like that im captive and kept… helping me escape”

Ohhhhh fascinating. He did not say out loud this time. “Sounds like you are a handful. Though perhaps you are rather, a mouthful. Or two in my case.” he smiled with all his fangs.

She swallowed nervously “Y-yes”

“Why don’t they just kill you? Are you important?”

She shook her head again “They are waiting for the execution order. That’s… why I’m here.”

“What do you mean by that?”

She took a breath. “If another prisoner kills me… they don’t lose their capital funding for executing a prisoner without the proper paperwork…”

“That’s where I come in” and he snarled “I don’t like being used as a tool. And I don't really want to eat you”

She nodded “That’s… good”

“But I am hungry.”

“Oh…”

“Why are you in this prison?”

She looked away. “I… killed someone. With magic.”

More fascinating by the second. “Why, would you do that.”

It was an obvious struggle for her to answer “It wasn’t… it wasn’t intentional. He pinned me up against a wall and started tearing off my clothes. My magic just... reacted. The next thing I knew he was dead”

Yonah snorted again “Should have been intentional!”

“I haven't had any formal training! My magic just happens!”

“Shame” he sighed. “Do you know why I am here?” he asked, changing the subject.

“You’re… a mage. A rogue one. Like I am.”

That was new to him, “A rogue mage?”

“Practicing magic is highly regulated, don’t you know?”

“No.” Yonah saw that made her very confused “I am not of this world”

She seemed to accept this easily. This world seemed to be more comfortable with the idea of other worlds than his own, which had only started to make contact with new realities. He had also decided she didnt need to know his story yet. For he had not made up his mind on keeping her alive, or eating her. If he ate her, then it would have been a waste of breath to tell his own tale of woe.

He tugged on his chains to pile them up and keep them from getting tangled. And for the next few minutes he occupied himself with this task.

“They stop-”

Yonah looked at her so fast his neck cricked. She started again.

“They stopped using shackles on me because the chains kept breaking. Perhaps I could” she took a single step forward, and seeing that Yonah did not react, took another. “I’m sure you would appreciate more freedom of movement.” She took another step.

“Well not all of us are so damn talented now are we?!” he growled. She took two steps back.

“Im trying to help you! Maybe I can figure out how to get it to work on you too!”

“A self proclaimed untrained mage!” he spat “and why would you help a monster like me?”

For as much as he wanted to be civil, he was also a monster. And as much as he tried to fight the temptation to be monstrous, he did not know if he could succeed.

“It wasn’t being a monster that got you in trouble! It was magic.”

She sounded very sure of that.

Yonah snorted “That is your own assumption”, and turned around to lay his head on the chains, facing the corner.

After a few minutes he heard her soft footsteps, and he craned his neck to look. She had gotten a lot closer than he expected and was reaching for his chains. She was clearly in the mood to help him. Unfortunately he was in a mood to play with his would be treat instead, and he did not have any confidence that she could help, so why not have fun.

“Are you sure that’s wise little morsel?” he sighed with a fanged smile.

Amazingly she did not back up but touched chains by his ankles.

“No. But sooner or later they will get the execution order signed. So my odds of survival are shit. But they are better if I free you.”

Yonah made his eyes glow with what fire he had left “Are they better? You said you were untrained.”

She looked embarrassed, “I’m hoping I can practice on these chains of yours. My magic does disable the nullification. We can work together to get out.”

“Untested magic is dangerous” yonah growled “Maybe I should just eat you!” he snapped his teeth.

Still she did not leave. Instead she stood up and glared at him “So what? I die and you survive another week until the next council meeting and your execution is approved?”

Yonah narrowed his eyes “Maybe I dont care about that anymore.” but he does not move either. “You dont know why im truly here. Maybe I deserve this!”

His fiery eyes still on hers, she retaliated “I dont care if you do! I need to get free, and I cant on my own. You want to be free to dont you? If I can use my magic, I can break these chains, disable the anti-magic on this room, save us both!”

Yonah rolled his eyes, losing their staring contest. He did not stop her from continuing her investigations of the chains. But his mind wandered, until he exclaimed.

“Maybe you’re a plant! Instead of using me to kill you, you’re here to kill me!” he jerked the chains away from her.

“I’m unarmed!” she insisted and scrambled forwards to maintain contact with the metal.

“You said they cannot chain you, that their anti-magic shit doesnt work on you, so yours does work, and it’s killed someone before!” He knew that this new panic was not helping him in the slightest, and yet he did not care.

“Most of my magic isn’t working! I just somehow break chains and disable the magic nullification! I don’t know how it works or how to activate it! But the fact I can means they want me dead so they stop having to catch me! And magic isn’t allowed and I definitely don’t have the indicator that I have special permission, those are super obvious.”

Yonah blinked “Could be lies! You could be spitting lies! Permission to use magic. How ridiculous”

“Everyone knows that the few legal mages have face tattoos to make them obvious”

Yonah breathed steam again and finally she backed away from the painful heat. “I dont! I don’t know anything about this world! You could say anything and I wouldn’t know if it was truth or lies!”

“Oh… right” she looked at her feet “You aren't from this world. That must suck as much as my own problems with my memory…”

She rambled a little more about how she was definitely a prisoner, it was obvious from her malnutrition, and that despite not being able to be kept in chains she had marks on her wrists and ankles from the failed attempts.

But Yonah was not listening anymore. Once again he turned away and was trying to cry himself to sleep.

So she took the opportunity to touch the chains near his ankles again.

“Careful now!” he hissed without looking at her. “You don’t want to get burned” Hearing her yelp as she touched the chains, which he had put his mind to pumping his fire into. Maybe he couldn’t melt them, but he could make them painful to touch.

He heard her curse, and then the chains rustled again as she grit her teeth and grasped the half giant sized links, whining in pain and holding back tears. 3 seconds were all she could manage before she had to stumble back, sitting on the ground and blowing on her burnt hands.

Yonah sat up and looked at the chains. He did not let his face show any surprise as he found rust and cracks that had not been there before.

“Wow. It didnt work. Big fucking surprise, some help you were, but I guess you were telling the truth about being being put here for me to eat.” he lay back down. “Maybe I’ll do that in the morning.”

Suddenly the pain in her hands was not as important as what the half giant had said.

“It started to work! But I couldnt hold on long enough!” she wailed, “I tried! I really tried, to help you’re sorry ass!”

“And you FAILED” he snorted back.

“Only temporarily!” she insisted

“And look where it got me. Nowhere. I’m going to sleep”

“If the chains were just a little cooler! Then maybe-”

“I told you to be careful. You have only yourself to blame for your failures and your injuries” he stated, fully aware it was his fault. And that he was sabotaging himself. And yet he couldn't stop himself.

“I was trying to help you. You don’t have to be so rude. We are stuck in the same situation and I am trying to make a difference.”

“I dont have to be polite either. Now you’re the one being rude, keeping me awake”

She crossed her arms in defiance of her own fear “You’re kind of an asshole. I thought maybe we could work together to escape but apparently you’d rather stay and be executed.” She stood up, glancing at her hands, “Guess I’ll just try to figure out how to disable the nullification and escape without you if you really are that opposed to working together.” She turned and walked back to the cell bars before sitting down again.

Yonah looked away, no longer amused by her company, for he was too tired, and too hungry, too angry. Mostly at himself for heating up the chains.

Of course, he couldn't sleep, even though he wanted to do so. After about 10 minutes he glanced at the human, who was making hand motions at the bars. He could just barely feel the sparks of magic failing to become embers at her will.

That got boring really quickly, and he noticed that, unlike earlier, she was shivering. Not with fear…

“You’re wasting your time, little one”

She gasped and jumped from her sitting position, nearly toppling over. He was not asleep like she had assumed. And now he was staring at her with those glowing eyes again, full of fire and hunger.

“I am not giving up” she yawned and shook even worse, “I have no desire to be executed, not by the prince, and not by you!”

Yonah’s eyes dimmed with compassion, “You can try again in the morning. You keep this up and you’re going to freeze to death”

To his surprise she snarled at him, “What do you care!? You obviously arent worried about execution, and I dont have much else to do at the moment!”

Yonah rolled his eyes “Do you want a warm place to sleep or not? I’m only offering once. Can’t imagine you’ve had a warm bed in a while”

“I- what?” she paused, processing what he said, “Warmth… sounds wonderful… But you talked about eating me in the morning!” so she did not step near him.

“I said maybe. So you don't have to worry about it until then” He considers for a moment “I’m still making up my mind. I dont want to be used as an execution method, but I am starving. However” he yawned, his fangs looking larger than before, “I promise not to eat you tonight, and I am very warm if you want to sleep in my arms.”

“This room is absolutely freezing…” she admitted, “But I dont like the idea of you waking up before me to have a snack!”

She still looked hesitant so he added “Tiddles won’t be able to bring anything with you still visibly uneaten”

Now her fear was replaced almost entirely with confusion “Tiddles?”

“One of the little guards who did this to us. Sneaks me food most nights. If he comes tonight, I promise that I will let you try again, in the morning, to break the chains, before I resume considering whether or not to eat you. How does that sound?”

“How… likely is this Tiddles to show up?”

“He appears most nights, but not the last, and he never skips more than one night in a row.”

“How about you promise to let me try again, regardless of if Tiddles shows up!” she was not about to take such a chance.

Yonah scrunched up his face “Fine.”

“Alright, that’s much better.” she took a step towards him again “It means you have to let me go, and you wont think about eating me until after I get to genuinely try to free us”

“If you’re not tucked out of sight soon, I dont get fed, and I’ll have have a much harder time not thinking about it” he threatened “Tiddles can’t claim he thought I ate you if you’re standing alive at the front of the cage!”

A few more steps, she was almost within reach… “Fine… I guess… I just want to try a couple more times, it will be quick”

His patience waring thin he made his eyes flash “but I want to sleep, and to get fed”

“It will only take a moment!” she stopped just out of reach.

“Tiddles often manages to get me an entire barrel of crap! I’ll be willing to share” his mind now on the food, he couldnt think of much else.

“Im starting to figure it out though”

Why was she so insistent! This was not the time! “You’re tired, and cold, and hungry. You try any more magic and you’ll just pass out.”

He had gotten to his knees but he deflated a bit, lowering down into a position not unlike a crouching dragon “So I offer one more time than I said I would. A warm place to sleep. A proper meal. Or you refuse, and I get angrier, I get hungrier, and you stay cold and my only option for dinner”

She hesitated and finally sighs, “You are probably right... I just got so close to escaping today... I was gonna use a wind spell to blast open all the doors when one of them tackled me...” She took the step forward that got her within reach, and Yonah slowly reached around her, stopping her rambles. “But maybe after a rest I’ll have better success”

Having held back long enough, yonah scooped her up and returned to his corner to curl around his new teddy bear, thin and cold as it was. In contrast, his own embrace is soft, pillow-like even. And warm. So very very warm. She tensed in his grip for only a moment before calming down and closing her eyes with a deep sigh.

“By the way, I didnt introduce myself. My name is Savina”

Not resisting the urge, Yonah nuzzled her with his face, his normally neatly trimed facial hair overgrown and tangled and in need of a wash. He was drinking in her scent, even if he was resisting getting a taste, “I didn’t introduce myself either. Now shut up or I’ll put your head in my mouth to shut you up. I hear Tiddles”

As he was facing the back wall, it appeared as if he was alone in his cell, as the footsteps got closer, along with scraping noise and soon, a jingling of keys. Unlike earlier, the screech of the door opening was not so bad, knowing what it meant.

“You awake big guy? Damn this thing is so heavy… I managed to get a lot of scraps so it’s not mostly water this time! Probably tastes just as bad as all the rest, worse since I couldn’t sneak any salt in... but better than nothing right?”

The only response Tiddles got was a slight movement of Yonah’s head. His bushy mane of unkempt black hair shifting. Then two orange lights appeared. The giant's eyes locked on him with anticipation and hatred.

The guard, Tiddles, who couldn't have been older than 20, dragged a barrel within reach of Yonah, though the prisoner did not make any move.

“The others were laughing earlier about how you got a decent meal tonight… but I dont see any plate. Not surprised it was a lie. Im sorry again that this is not seasoned. But…” He left and returned before Yonah could investigate the food. Holding a large sack, the smell coming from which made yonah take a very intense breath.

“I did bring these… They were going to be used to torture other prisoners. Tested them on me. Just one bite and I thought my tongue would burn up in my own mouth, I drank so much water I thought I would throw up. But maybe it’s not as intense for giants!”

Through his dehydration Yonah started to drool, the spicy smell of the hot peppers filling his half FireWitch brain.

The display of hunger caused Tiddles to freeze up a moment “Um… I’ll take that as a yes to these. Great Goddess they make my eyes water!” he set the sack down and went to the other back corner where an empty barrel was on it’s side.

“I’ll take this one, yes?” Tiddles didn’t wait for an answer but said “you’re… not as talkative tonight. Usually you threaten-joke about eating me along with the slop. You alright?”

As soon as Tiddles had moved away from the full Barrel and sack of peppers, Yonah Sat up and scooted over with one hand. Revealing the reason he was not talking. Savina was tucked into his elbow, having fallen asleep.

Tiddles seemed briefly transfixed by the woman. If yonah had to describe the expression the closest would be reverence. Before cringing away.

“That’s what they meant by a good meal!?” He shook off his surprise “what a load of dragon crap. You’re not some feral animal”

Yonah didnt respond to this continued attempt to bond with him as he dragged the barrel back to his corner and stuck his finger in, building up his fire to warm up the cold scraps and water. Tiddles made no more small talk and left him to his pitiful “meal”.

Once the contents of the barrel started to steam, Yonah nudged Savina awake. She was not happy about that.

“I was actually sleeping well, what the fuck”

Yonah set her on his lap, the barrel in front of them both. “If you dont eat some of this now, I’ll eat all of it. You wont get a single drop, but if you eat now, you wont make a dent in it noticeable to me”

She nodded, understanding, and put her hands into the barrel. Yelping in pain as the hot slop made contact with her burnt hands.

Grumbling about how she was an idiot, yonah rummaged around in his chain pile for a flat piece of metal. It was a band from a previous barrel that he had broken. That was the only time he had gotten an earful from Tiddles about how if he continued to do that, Tiddles wouldnt be able to sneak him more food. He was able, with some effort, to heat it, pinch it, and bite it into a sort of ladle, which he used to scoop up the scrap soup and hold it to Savina who was very grateful.

Even with his encouragement she ate very little. Yonah had no idea how long she’d been here, but it was likely longer than himself, and it was very probable that her stomach had shrunken, so he eventually gave into his own hunger and stopped trying to get her to eat more and let her slump against his middle and fall back to sleep.

But before he ate any of it he took the peppers out of the sack and crushed them into the prison soup. It took all his self control not to just eat the peppers straight up. So he rewarded himself by licking the juice from his fingers.

He would have downed the contents of the barrel like a shot but resisted as it would have wasted all his patience preparing it for better taste. And even if it was literal scraps in unsalted water, hunger was the best seasoning. And the peppers, made this the best thing he’d tasted in the time since he woke up in this cell.

It made it much easier to not think about eating the woman in his lap as he too lay down to fall asleep.

---

He woke first, and during the hours of the night his stomach had become rather empty again. Though he kept his promise and resisted thinking about eating her. He did not, however, resist tasting her; he never made a promise involving tasting.

“NO!” she yelped and sputtered as he licked her face like a very large dog waking up it’s owner, clearly convinced he was going to eat her, panicking.

He stopped licking her, But he was not listening to her protests. The moment she yelled the world felt lighter. He felt… no, no time to dwell. He tossed Savina aside and focused on generating a lot of fire into his ankle cuffs. It wasnt enough to melt them, but it was enough to make them soft. Soft enough that he could pull and stretch them and get free.

And then the feeling was gone. Back to that soul crushing feeling that had been ever present, as if it was never gone.

“What did you DO?” he snarled as he rubbed his freed ankles, which were red and raw from the previously tight metal cuffs.

Savina got up, looking frazzled with one side of her hair sticking up and out at odd angles due to half-giant spit. “What I was trying to do last night! Hey!”

Yonah crawled to her and picked her up, putting his face close to hers to demand, rather loudly “Do it AGAIN”

Defiantly she took his gaze and his rank breath “I wish I could! Like I said before, and like you just saw, I can’t do this on purpose! It just happens!”

In a rage his eyes flash and he bares his teeth “Fucking useless!”. His urge to throw her against the wall lost out to his being touch starved and instead he sat back down to hold her just a little too tight.

He did not fail to notice that a small hint of the relief of pressure occurred when she gasped at his moment of rage.

“So. Did that count as your morning try? Should I start considering whether or not to eat you again?”

She stiffened in his grasp “that wasn’t intentional! But doesn’t it prove what I was saying, that I am too useful to consider eating, that with practice I can succeed?”

“I already got my legs free. I can reach the bars now. Reckon i can try smashing them… and if I eat you i may have the strength to do it” he huffed. With a small amount of food and a night’s sleep, what he had was the energy to be a massive dickhead again. “So you would be helping me.”

“Those bars are heavily reinforced with the prison magic! They’ve kept giants bigger than you in this prison!”

“I’d still like to try, so you’re lucky I want company more than a proper meal right now,” he chuckled against her. She was so skinny she wouldn't even be a proper meal, maybe half of one.

“Please let me try again later to disable the nullification. Then we can both get out and get decent food” she sounded both desperate and angry.

“I know exactly what I’m eating if I get out” his eyes flashed again and he licked his lips.

Savina shuddered but did not sound disgusted when she said “i think i have an idea of what… or who… that might be”

“So, are you going to try again or what?” Yonah was getting impatient.

“Will you be ready to break down the bars when the magic reinforcement is gone?” she asked.

Yonah backed up against the wall, bracing himself so he could charge. If she succeeded.

Savina went to the front of the cell, grasped the bars and closed her eyes, muttering. Occasionally she let go and made hand gestures.

Nothing.

Maybe she needed encouragement. Yonah growled at her. Low and threatening. Savina stiffened and he felt the pressure lift, very slightly, very briefly.

“Get on with it!” he hissed.

“I’m trying!” she shot back, walking to the center of the cell, it didnt seem to matter where she was.

Then she screamed, her whole body hitting the ground as suddenly Yonah was on top of her, having pinned her under a hand. He snarled in her face “Maybe I should just eat you then! At least my last meal will be a tasty one!”

This succeeded in having the desired effect. Whatever the nullification was, it lifted. However he could feel it coming back.

“NO! I’m trying, give me one more chance, I know I can do it!”

He was not listening to her. He had confirmed his theory. Without hesitation he took her left arm in his jaws. She started crying and screaming, Pushing at his face to pull away. “Stop Stop! You’re hurting me!” Her voice was shrill.

/That’s the idea/ he thought.

With a sickening CRUNCH and a shriek, it was Yonah’s turn to be thrown, against the wall.

Not that he cared. Not one bit.

The magical nullification was gone.

From the entire prison. With no signs of coming back.

Keeping his promise not to eat her, and extending that promise to any part of her, Yonah crawled over to Savina and opened his jaws to release the nearly severed arm, along with at least a gallon of bloody drool. Savina just sobbed. Hmmm she could bleed out. That would also be counter to his promise, in spirit, if not in word. He rubbed a thumb and finger together until they were red hot and pressed the tip of the finger to her shoulder.

The scent of burning flesh filled the air as he cauterized her wound. But there were more important things to take care of now.

Fueled by adrenaline, hunger, and literal fire in his veins, yonah gripped his prison bars, making them red hot. In a few moments he wrenched them apart and he was out. He barely noticed the flash of light behind him as he stepped out of his cage.

The alarms hadn't even started ringing by the time he ran into the first unfortunate guard.

----

It was the alarm bells that brought Savina back to earth. She sat up, and blanched as a sticky arm rolled off her chest and into her lap. She was still covered in blood but the wound had sealed. For all her lost memory she did recall something very important. She should keep her arm. Holding it kept her from trying to touch her shoulder. She had never experienced anything so painful in her life-

No… wait. She had experienced something more painful… Now her head throbbed too! Nevermind any of this! She had to find the half giant mage, he was her ticket out. Even with the magic nullification gone, she wouldn’t get far drained of her own magic and severely injured.

It wasn’t hard to find him. All she had to do was follow the trail of carnage and busted cell doors.

The first guard she found had no head, and a chunk of a shoulder missing. Blood pooled on the ground from the massive bite. Hmmmm. He had a nice sword. Putting her arm down momentarily, She took the sword and a belt to sheath it. It was a bit tricky to get the belt off the person and onto herself but she managed. Before she took her arm off the ground and continued on, not caring to avoid stepping in the blood. .

More dead guards lined the halls as she progressed. Most of them were missing their heads, some of them burned to a crisp. But many were only missing their limbs, or had a bite taken out of the side. Some of those were still living. One in particular had been bitten from the hips down, their guts spilling out onto the floor. She decided not to use her sword to put them out of their misery. Her excuse being that it would be too much effort to put her arm down every time.

Finally she caught up to the large mage. He was in one of the storage rooms where the more dangerous items confiscated from mages were kept. He was ransacking it, shoveling items into something, but finished as she entered and stood up, putting a hat on his head. If he wasn’t so large and didn’t have such a distinct physique, she might not have recognized him.

Dressed in a stunning outfit of mostly blues and golds, with a massive wide brimmed pointed hat to match, his hair now shining and tied back in a segmented pony tail, standing up to his full height and holding a majestic wooden staff, the once brutish creature from the cell was looking more like a person. Except for the fire in his eyes and blood and viscera hanging from his jaws.

With misplaced confidence she walked right up to Yonah and holding the shoulder end of the severed arm she swung to smack him in the ankle. He had on boots now and she wasnt sure he felt that until he looked down at her.

“You FUCKING ASSHOLE!” She bellowed “You TORE my arm off! Why would you do that?!”

He looked at her angry and quizzically “The anti-magic field is gone. It worked.”

She did not back away from his gaze, since he was not currently trying to eat her she figured he wasn’t going to. Clearly he had not hesitated with the guards. She waved the arm around in frustration "you didnt have to BITE IT OFF"

Yonah crouched down to snarl “Clearly I did. You weren’t in enough… danger to disable the field. I’m rather clever you know.” Without asking he scooped her up to hold her up to his face with a cheeky, blood stained grin, “After you told the story of your assault, I started to put the pieces together. Mortal peril seems to do the trick nicely”

“I still dont think you needed TO BITE MY ARM OFF,” she repeated.

Once again she used the severed arm to slap him, now in the face.

He blinked in a kind of shock and then bared his teeth “I think you’ve lost your arm privileges”

His first instinct was to get the wrist between his teeth and gulp the arm down. But… he still felt like he should keep his promise. And now that his belly was half filled with chunks of prison guard he could think clearer.

“WHAT THE FUCK YOU BASTARD!”

Savina shrieked as the giant man pinched her arm, the severed arm, plucking it from her weak grasp. His eyes flashed and it was lit up like a match.

Lost for words she watched as her arm burned into ash before her very eyes, the giant man grinning once again.

Now she was shaking with rage “I COULD HAVE RE-ATTACHED THAT”

His grin became a scowl “How in this reality was I supposed to know that?”

“Weren't you listening, you didnt even need to bite it off in the first place! My magic was starting to work!”

He talked as he placed her onto his shoulder, securing her to the harness he had found with his belongings.

“Didn’t I? We dont know that. Guess we will have to experiment later” he smiled wickedly, marching out of the room “But right now, I’m still hungry and there’s still more guards left alive.”

As he said this a guard rushed around the corner with a crossbow and fired. Yonah, having heard the footsteps just jerked his staff and the bolt exploded. He snatched up the guard, put the poor fucker’s head in his mouth and bit down, while pulling the body away. The sound was similar to when he’d bitten her arm, and blood spurted from the neck onto his face, and Savina’s entire person.

Yonah swallowed the head and tossed the body aside “I can’t eat them all at my size even if I only eat pieces. I can burn them, or crush them” he explained as yet another guard appeared which he simply squashed by slamming his staff down upon, “but I think we need some help. The human prisoners do not seem so eager to get back at their tormentors as I had thought.”

“They are running away from you. If you weren’t on a massacre they would probably be taking the advantage to riot and get revenge.”

“So we need more monsters.”

As he continued through the prison he broke every occupied cell, letting the prisoners run, and killing every guard with an intense savagery. But the most horrific thing, in Savina’s opinion, was when he picked up whole and alive guards and tossed them into his hat.

Eventually he broke into a cell and the prisoner inside did not immediately cower or run, but stood up, eyes reflecting in the darkness. A tall pale man with dark hair smiled with sharp fangs.

“That’s a vampire!” Savina informed him. The vampire bowed.

“A very blood starved vampire, and I could smell the flood coming from the other side of the prison, yet I was too weak to break myself free once I felt the magic nullification just, go away. Was that you?” he stared at Savina, not Yonah.

Savina gingerly touched the raw, burned flesh of her shoulder and looked very annoyed, “Yes. it was me.”

“I’m going to feast now, as I see you have been doing, mysteriously small giant”

“Don’t fill up on the ones I’ve killed, take out the ones still alive” Yonah instructed.

“Wise words,” said the vampire, “though I will take a little of this one, just to gain back my strength.”

Before leaving yonah sniffed at the vampire. Then reached up into his hat and pulled out a fancy, though sadly wrinkled and dirtied, suit. And tossed it at the vampire.

“Smells like you”

The vampire stood up from taking a drink of blood from the guard who Yonah had decided to merely kick against a wall.

“My clothes! You are a gentleman monster!” And with a snap of his fingers swapped out his prison outfit for his old one. “I feel more like myself already!”

Done with the small talk, Yonah moved on. It was time to get out of this place, with hopefully minimal distractions. He would still make a snack, a charred corpse, or a bloody pulp out of any guard he came across.

But it was only a few cells later that again, the prisoner did not immediately scream or flee. Yonah could sense a very eerie magical aura from her, she was pale like the vampire but he suspected she was not one. She smiled at him like the vampire but her teeth were flat.

“My dear emancipator, did you come across a spider necklace during your rampage? I would very much like to have it back.”

That was odd enough that Yonah decided not to ignore it and instead reach into his hat. He did not recall a spider necklace so he could only think the words. An object indeed fell into his hand. Which he tossed to the woman who squealed like a giddy teenager as she caught it.

Putting it on she rubbed the shining black thorax of the obsidian spider inlaid on the silver medallion.

That eerie aura from before increased 100 fold, followed by the chittering, skittering, buzzing of millions of tiny legs and wings. Unlike Yonah’s cell, this woman’s had a window. And through it marched or flew an unimaginable number of insects and arachnids.

Yonah took a step back. But the plaque of bugs was swarming into the prison from every window, every crevice, every crack in the wall, every broken pipe.

“My children will clean out this place” she giggled, though it was closer to a witch’s cackle.

Yonah backed away from her. Deciding that it was now time to leave this wretched place, confident the bugs could take care of the rest. It was by her merciful magic that the bugs avoided him entirely, and seemed to be able to scramble away from his footsteps even as he started down the corridor.

Ah, another guard, coming out of a nearby door, a good distraction from the creepy crawlies. He rushed and shoved the guard up to their torso into his mouth and got ready to bite down. As the ribs started to crack between his teeth the taste of this guard matched up to a familiar smell.

Releasing his jaws he held a gasping, screaming Tiddles.

“If you dont want that one, my babies will happily take him!” The bug witch called from behind him.

Ignoring the creepy aura yonah wheeled around snarling “He’s MINE” and he secured the flailing young man to his shoulder.

“Suit yourself” said the witch, “but he seems to not like you very much, and I am not overly fond of him myself”

Tiddles was indeed trying to free himself, earning him a swift flick to the head. “Probably hurts with those broken ribs to struggle like that, little one. I will keep you safe.”

Without another word Yonah turned back. Enough of this. He pointed his staff at the wall and blasted a hole through, stepping outside. Still in the walled compound he did not take a fresh breath of freedom just yet. He ran for the walls.

Arrows and crossbow bolts rained down at him. Fine. It was time for some big magic. Yonah stopped and took his staff, raising it into the air he found in it the perfect spell. He swirled it around and chanted. The morning sky, which was clear, crackled, and a swirling storm cloud gathered overhead.

The guards on the ramparts screamed as bolts of lightning struck them, leaving Yonah free to take down a section of wall and flee into the forested mountains.

It was after he had been half running half jogging for 15 minutes that he stopped and sat down against a cool boulder shaded by the trees. Or rather he nearly collapsed. One big gorey feast after weeks of starvation would not immediately restore him. That would take time. He had been running on the reserves of his magic, adrenaline, and a bloodlust.

The moment he closed his eyes to rest however, he felt Tiddles renew his struggling.

“Why do you keep this up” Yonah mumbled, not looking at Tiddles, but feeling him freeze.

“I dont want to die!” the young man squeaked. “I saw you eat the other guards!”

“Well then aren’t you in luck that I filled up on them? I had enough to be satisfied for a while.”

That did not calm Tiddles down any more, the struggling was back “You kept me as leftovers!” he shrieked.

“Naw” Yonah said and reached into his hat to draw out an intact, but dead, guard, “I already did that.”

He felt Tiddles faint at that declaration. This did not bring Yonah any joy, as Tiddles’ terror had done before. Being so full Yonah just returned the corpse to the pocket space that was his wizard hat.

“So, where to now?” Savina said after five minutes “We need to get going, surely someone will try to follow! There is more than one shift of guards and they will be looking for all the escaped prisoners, especially you, who was responsible!”

“I think the bug witch will make sure no one does” yonah said, though it was more likely that at least one idiot would manage to slip away. “But I am tired, We need to find a cave or something to hide out in to recoup my… I mean our strength”

“I can help with that”

As if on cue the bug witch stepped out from behind a tree. Yonah eyed her suspiciously. Savina was too hurt and too exhausted to do the same.

“Oh really? And why would you?”

She just laughed “You saved me? And you returned my amulet to me! I owe you big time. By the way, you look just awful. Would you like my children to clean you up?”

“What do you mean?”

Before she answered there was more buzzing in the air as wasps swarmed around her “these little gals are very efficient! I promise they will not sting”

“They cannot hurt my humans either!” he said, nervous about what was about to happen.

“Of course”

He still held his breath as the wasped charged at him and his companions. Savina screamed as well before she smartly held her breath too. Tiddles was the luckiest, unconscious for the whole thing.

It was over in just a minute, thank the gods, as Yonah would have to take a breath. Still, he sneezed and a few bugs flew out. Savina was breathing heavily.

“So, bug witch,”

“Cait!”

“Cait… What’s a nearby place for a big monster to get some rest?”

The woman considered “Hmm… The woods that way are decent. Bears will be scared off by you. Humans should leave you alone. There’s a cave in those woods if you want extra shelter. I want to get back to my home but I can have one of my babies guide you there”

“That would be much appreciated” Yonah focused and gathered up more strength to stand up. And then froze in place as the largest drider he had ever seen came into sight.

“Babe!” he called, ignoring yonah and scooping up the witch into a hug that transitioned into messy kisses.

“I got out of the prison!” she declared, “this nice big fellow helped me! Got my amulet!”

The Drider was a full head taller than Yonah and eyed him over with all 8 eyes before nodding. From between all of his feet a smaller, but large dog sized tarantula, scampered up to Yonah.

“Charlie here will lead you to shelter!” said Cait, “Now I haven't been home in a long time”

And with that, the witch and the drider left.

Charlie made a hissing sound while scraping her feet on a rock to get Yonah’s attention. She led Yonah to a large rocky incline and eventually to the mouth of a cave.It was large enough that if he crawled, he could get in. Which he did without hesitating.

The cave was larger in the inside and he probably could have stood up but he stayed sitting.

The spider stayed at the entrance of the cave, made a little dance, and then disappeared.

“Seems safe enough…” Yonah said. He unharnessed Savina so she could sit in his lap. “Guess what, I was lucid enough during my rampage that I picked up food that wasn’t dead guards!” and from his hat he got out some bread and cheese, and even a barrel of water.

“Um… no thanks” she said.

“You must eat, Savina”

“Im too nauseated from the pain.”

She did look a little green now that she said it.

“I have a healing potion… it should numb the pain a bit.” This he took from a sleeve. A small vial. Just a single ounce. It was like a grain of rice in his palm “It will even help with your shoulder, to at least regrow the flesh around it and stop infection”

She took it, and still looking like putting anything in her mouth would make her vomit, she downed it like a shot.

30 seconds later she felt much better. Or at least, felt less pain… She still felt like complete shit. But took the food with her good arm and started eating.

“I dont know why you brought him along…” she said, referring to Tiddles through a mouthful of bread.

“I doubt someone as kind as him works at an evil prison if he has a happy home to return to. Plus if i had let him go.. The other prisoners might not have been so kind to him. He was still a guard.” Yonah yawned, “Fuck. Im tired. Didnt we just wake up like, an hour ago?” he asked.

“Sure but you just broke a prison” Savina pointed out.

“I did… didn’t I…” Yonah tried to lay down but found that didn’t work with Tiddles on his shoulder. So he resigned himself to sleeping upright for now.

Still half starved, Savina did not manage to eat much. So yonah put the food back. He found a outcrop of rock that he could lean against and put an arm protectively in front of Savina. She put her own remaining arm over his. And they both fell asleep at the same time.

Even through the exhaustion of his over half a month in prison, and the torpor his kind got from a full belly, Yonah HaEsh heard the quiet footsteps of someone entering the cave.

Yet his brain was still slow to react. He opened his eyes and stared down.

Kneeling in his lap, holding Savina’s arm to his fanged mouth, moments away from biting down, was the vampire.

----

[FIN]

UHHHH thanks for reading. If you liked this please let me know. If this fits your blog theme please reblog it!

I hope you enjoyed this. and I hope to have more of it for you in the future. lots more adventure to come!

#sfw vore #hard vore #fatal vore #nonsexual vore #ROTDK #sfw does not mean NON FATAL #there is nothing here that wouldnt be in LOTR #well maybe it's a little more intense than LOTR #I work on a sliding scale of LOTR to GoT and this leans more LOTR

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senadimell · 3 years ago

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The Mysterious Benedict Society as an adaption

So far, The Mysterious Benedict Society adaption feels very faithful to the books. There are definitely changes (Constance, for instance, has been aged up, and likely has a different background. This is understandable. It would be nigh impossible to portray her as she is in the books in live action format--for example, none of the kids in the book suspect she’s a toddler, let alone two years old). However, most changes have all felt reasonable and add to plot and pacing.

I especially enjoy the additions: showing the adult side of the team, for example, or Ms. Perumal’s growing concern about Reynie’s whereabouts, or the girls’ nighttime conversations. Some changes are more extreme. The Mr. Curtain of the books is clearly a villain. He’s condescending and rude, and the only people who like him are bullies. Mr. Curtain of the show is much smoother. It’s easy to see how he’s managed to influence people. Similarly, the L.I.V.E. curriculum is much less obnoxious in the show (not just memorizing nonsense by rote), and as a result, the school’s students seem less stupid and cruel. You can see why they enjoy attendance.

I’m particularly pleased that Number Two’s weirdness has been amplified. Mr. Benedict’s found family is delightfully strange, and I love watching their unusual rhythms. It will be easy to believe when (or if) it’s revealed that the women have been legally adopted into Mr. Benedict’s family.

Similarly, I love how they intensified the quirky feel of the setting and characters. Of course Number Two built a house in the woods in a day because she has a woodworking hobby. Of course there’s secret tunnels and drawers and compartments in Mr. Benedict’s house. Of course Milligan’s disguises and mannerisms are wackily memorable instead of just matter-of-fact. The books themselves have a stylized feel at times (they kind of remind me of Lemony Snickett’s A Series of Unfortunate Events, though with none of the grimness).

I love the overall aesthetic. When I first read the books, they didn’t strike me as being set in the past, but the vaguely vintage feeling works excellently. (I was also a fully grown adult before I realized that the Incredibles wasn’t set in the present, so...) The color schemes, costumes, and sets have distinctive feelings and coordinate well. The effect is stylized rather than naturalistic, which is appropriate and amplifies the tone of the scenes. The bright colors and rough textures of the wooded hideout and its inhabitants’ costumes contrast nicely with the clean lines of tL.I.V.E.’s vintage-pastel interior and sleek exterior.

I also enjoyed the way they did Kate’s flashback as rough home footage. Similarly, I enjoyed the way they showed four kids solving problems on the same screen, how they illustrated Reynie’s thought process with overlaid sketches of the problems, and the way words show up on the screen during the tests for emphasis. The combination of animations, showing multiple things at once, and creative angles for emphasis did a great job conveying the feeling of the tests. (Unfortunately, I lack the vocabulary to describe the techniques they used here).

There’s two things I didn’t enjoy. The first was killing Sticky’s parents to make him an orphan. It mattered in the books that he felt rejected by his own parents. Making it his aunt and uncle who (seemingly) care more about money and fame than the child they’re raising feels a little too much like the wicked stepmother trope. I don’t know why the showmakers decided that Of Course They’re All Orphans, because while most of the book characters are orphans, Sticky isn’t, which serves to show that you can feel rejected and hurt by your parents even when you’ve got an ordinary, non-abusive nuclear family. It’s about feeling isolated, whether or not you’re technically alone.

Secondly, all the wheelchairs have been removed from the adaption. I’m not sure why this was done. Sticky’s mother has bad arthritis and requires a wheelchair. In the books, this was done without fanfare; it was as normal as anything else to oil Ms. Washington’s wheelchair in damp weather, or load and unload it from cars in later books. She was more of a background character, so it didn’t affect the plot, but the casual background representation was a welcome contrast to many books that assume being disabled is strange and uncommon, and that disabilities only exist when they’re plot-significant. The aunt who replaced Ms. Washington used no mobility aids, which disappoints me, especially as the woman she replaces in the books is ultimately shown to be a flawed but loving parent who’s dedicated to making up for her mistakes.

The other person missing their wheelchair is Mr. Curtain, the villain. I’m also not sure why this was removed? It could be to avoid the Evil Disabled Villain trope, but in the book, I didn’t feel like his disabilities were treated as a moral flaw or an excuse for his villainy. He shares his narcolepsy with the unquestionably benevolent Mr. Benedict, so it didn’t feel like his condition was used to vilify him.

He and Mr. Benedict act cope with their condition differently: Mr. Benedict relies on trusted family members for support and chooses to sit on the floor and avoid positioning himself in tall places from which he could fall, whereas Mr. Curtain disguises his narcolepsy by wearing mirrored glasses and using a wheelchair that secures an upright posture, so that no one knows when he has an episode. He does use his wheelchair aggressively, banging through doors and zooming around and forcing people to jog and keep up, but it felt like his use of mobility aids grew naturally from his character.

The books also include a scene where he shocks the children by leaving his wheelchair to chase them. They assumed that using a wheelchair=completely unable to walk, a common view in US society. Importantly, I didn’t feel like the scene was framed as particularly deceptive, like he was lying to them by using a wheelchair when he could walk. Rather, it fit into a pattern of Mr. Curtain managing assumptions and expectations: he doesn’t want people to take advantage of his weaknesses, yet wants to hold a few cards close to his chest. He doesn’t have to lie to people, just let them see and hear and assume what they will.

I don’t use a wheelchair or have narcolepsy, so I’m not in a position to say whether or not the books have good representation. Maybe the fact that Mr. Curtain is evil, and also zooms around and bangs through doors, is uncomfortable. Maybe the fact that his nefarious devices are wheelchair-accessible and in fact designed around his chair sends the wrong message. Maybe using mobility aids to conceal a disability sends a bad message, or maybe it would be better if the good guy was the one to use a wheelchair to cope with his disability. I don’t know. I do know that Mr. Benedict’s condition is played for laughs in both the book and show, and that might be uncomfortable. I do think it’s worth noting that Mr. Benedict’s narcolepsy is seen less and less as funny as the books go on, and grows to be seen as an endearing quality that emphasizes how much he loves people, since his attacks usually underscore with strong emotions and convey worry for his loved ones or joy at their company.

My own sense is that both approaches to narcolepsy make sense, and neither is shown to be inherently faulty. Rather, it’s Mr. Curtain’s character that’s to blame for his villainy--his arrogance, condescension, and mistrust. Both characters feel well-developed and consistent, and their disability is only one part of them. Their disability is colorful, but it’s colorful in the same way as the main characters (Sticky’s anxiety and memory, Kate’s gusto, eye for measurement, and bucket, Constance’s precociousness, etc).

As for why Mr. Curtain’s wheelchair was cut, I’m not sure. Maybe the show writers just didn’t want to deal with the ramifications of depicting a villain in a wheelchair, and decided to cut it altogether (a lazy reason, I think). Alternatively, it seems like they’re depicting narcolepsy without cataplexy, eliminating the need for a wheelchair (a better reason).

On the other hand, Mr. Curtain’s attitude and mannerisms bear the least resemblance to his book counterpart of all the show’s characters. They’re incorporating some backstory from the other books to build a secondary plotline, and I’m not sure how it’s going to play out. From what we’ve seen of him so far, S. Q. Pedalian is also drastically different (shy, cloistered, and openly acknowledged as Mr. Curtain’s son, instead of the gregarious, bumbling, misfit Executive of the books). The TV dynamic between him and Mr. Curtain is largely unrevealed as of yet. Since these changes constitute departures from the book, I’m not sure how the future story’s going to play out around them, and what that reveals about why the wheelchair was cut when it was so characteristic of Mr. Curtain’s mannerisms while other things (like Mr. Benedict’s use of plaid) were included.

Still, it does disappoint me that two wheelchairs were erased, and no one in the show uses one, not even background students.

Overall, though, apart from the orphan and wheelchair situation, I’m very pleased with this adaption and think that the pacing works wonderfully. It’s a near-ideal format for a video adaption (I think animation would be best, but this is a close second).

#the mysterious benedict society #the mysterious benedict society adaption #tv adaption #the mysterious benedict society show #ledroptha curtain

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cherubchoirs · 4 years ago

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I just finished strikers! I just I love sofie so much and really enjoyed the game and i felt like she got one of the best awakenings in persona 5! but! just really did not like EMMA while I was playing that it kinda feel like a less good persona 5 (it made me just wanna replay royal) like the room with the ark being like exactly the same as the cup was ugh like I was hoping so much for a Yaldy was now using EMMA twist or something! not just EMMA being a different Demiurge, but it was still fun!

it’s ok!! i love hearing how people felt about strikers and i agree with pretty much everything you said lol like. the plot was basically copy-pasted from the first game and when i was first watching the original speedrun stream...i sincerely thought that it was going to be yaldabaoth. i was going with the theory that yal had been left so weakened from their previous encounter that he couldn’t create a new game, so he instead took over emma and restarted the plan over essentially. i kind of,,,,really wanted them to reach the shrine again to see a damaged, rusted holy grail or even yal there with the bullet hole still in his head sdfhdg i was already primed for it since sophia is yal’s mother in gnosticism AND i had seen datamines that included file names with “demiurge” in them - given that yaldabaoth and the demiurge are the same figures in mythology, i thought he was guaranteed!! but. nope. a completely unrelated demiurge. i do have this headcanon though that emma was programmed based on yaldabaoth, even if unknowingly, as she starts as the ark and then transforms into the demiurge in a jail of worshipers...it just seems like ichinose unconsciously had him as a blueprint and so it makes a bit more sense that the plan was beat for beat what yal had done in the previous year.

BUT that aside, i honestly really enjoyed the game because it gave the thieves a lot of development as a friend group and it let most of the them grow as characters too or at least let us see another side of them. plus, the combat system is SO much fun, i loved how fast-paced it is and i really enjoyed being able to play as different characters! and tbh i like in a way that the story didn’t require too much of me since i was mostly in it to enjoy a lighter game and see the characters interacting again. totally agree too that sophia is an ANGEL i adore her so so much as a character! they really balanced quirky and cute with a true amount of heart, so i hope we’ll be able to see her in future games 🥺

as for goro, i did miss him too and i basically have a whole au in my head that he’s there lol i like to think the thieves found him just TRYING to hide out and mind his own business, but akira is like “no i need ALL my thieves or else i can’t shift into leader mode” so they just kidnap him to go along with them jsdfhdjg bc like fr...goro and konoe??? hello???? he would have had SO much to say in that jail, i would have LOVED to see how he took it. the only reason i’m ok with him being excluded is bc...my team is always akira, ryuji, and ann + another character, and it would have been really hard to choose between goro and sophia,,,,i love them both so much,,,,,but he’s there in my heart, so i can make it through

and finally, the jail rulers, for me, were a bit bland but i do like that they took a different angle from the palace rulers while keeping them parallel in a sense. like the palace rulers, the monarchs were traumatized people that became twisted in their pain and so harmed others with a sense of justification. however, the palace rulers were irredeemable people, ones that had committed crimes or hurt others so egregiously that nothing in their history could excuse them for what they did, and they don’t deserve a second chance from anyone. they made their choices, they caused damage that can never be reversed, and so they shouldn’t be forgiven. however, the monarchs aren’t so far gone yet that they’ve become truly evil people - they are people in a deep amount of pain that have become abusers, but it’s not too late. it shows that even if you’ve made mistakes, even if you’ve hurt others in what you’ve done, you can grow and become better, you’re not automatically condemned. no, the people that were harmed by the monarchs have no obligation to forgive them, but they can start making up for the pain they’ve caused and they can change. so i do like that they added that twist instead of just making them palace rulers 2.0, and in general i really enjoyed a whole game focusing on trauma and how it impacts different people

#overall i really did love the game #and i STILL need to get going on my ng+#the story was the weakest element by far #but the new characters and the development were great imo #plus i. love my yaldy au for....#and what about it he should have been on the team!!#p5 #p5s #p5s spoilers #persona 5 strikers spoilers #cake answers #Anonymous

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kestrel-of-herran · 4 years ago

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about Vincenzo having a female director, I think it really shows in the drama because not only does the show emphasize how hot SJK as Vincenzo is, it really focuses on Vincenzo as an object of desire instead of Chayoung or any of the female tenants in Geumga Plaza. would that be considered female/feminine gaze? I just like how the women are portrayed and it reverses the roles sometimes you see in kdramas or tv in general.

that plot line in ep. 8 is unfortunate and homophobic from my viewpoint but making Vincenzo the homme fatale falls in line with this too. sorry, that was a lot but I love your posts abt the show very much!

that’s exactly how i see the impact of vincenzo’s female director, anon! i’m happy to know that all the beautiful, aesthetic shots i’ve been appreciating are her doing, and that she’s interpreting the characters along with the actors during filming. and i agree that this is exactly how the female gaze works - if anyone is briefly objectified in this series, it’s vincenzo himself, never the women characters, which is always a pleasure to (not) see. and the script itself is very feminist and focused on the female gaze, with such a wonderful, quirky, flawed, powerful, all-around human character as cha young in the equal position of protagonist alongside vincenzo.

to be perfectly honest, i don’t consider the ep.8 plot homophobic, though i can understand the backlash. as a disclaimer, i’m not a member of the lgbtq+ community, so feel invited to ignore my point on the matter completely, it’s just an opinion!

i enjoyed the homme fatale plot point in that episode, i found it very fitting and refreshing, and i definitely connect it to the female gaze as well! after all, it was literally cha young’s gaze that transformed vincenzo into that role.

but the reason i don’t consider the episode homophobic is because, to me personally, the inclusion of a marginalized character in a negative role is not necessarily meant to equate all characters from that marginalized group with ‘evil’. take a look at myung hee (the prosecutor) for example - just because she is a middle-aged, career-focused woman with no family who loathes the female protagonist and is placed in an exclusively negative role, i don’t consider her representation to be a form of sexism meaning that all unmarried career-focused women are corrupted by their ambition and become less than human. if anything, it is a commentary on what surviving in the patriarchal corporate world can do to a person’s morals. but such women exist, because feminism does not mean that all women are good or that all women should treat each other like sisters, it only means that women are men’s equals, and that includes equals in evil as well as in good. so i’m glad that myung hee is allowed to be a horrible female character, because i love to see that representation as much as i loathe her. (i really recommend margaret atwood’s fiction, particularly the robber bride, for an interrogation of the representation of evil female characters as a form of feminism.)

in the same way, the representation of a rich, abusive homosexual character seems to me a very specific reflection of the fact that relationship abuse can be conducted regardless of the class and gender of the abuser and the victim, instead of a condemnation of all lgbtq+ people as abusers. it’s just such a particular situation - a spoilt rich boy with a bad temper who just happens to be gay - that i can’t take it as a universal representation of homosexuality as something ‘bad’, and i don’t believe it was intended as such.

i think there might even be some positive lgbtq+ representation in the show - mister ahn the nis agent? i’m getting major gay vibes from him. but i agree completely that kdramas need to do more to represent lgbtq+ people, and vincenzo doesn’t have this as its goal.

again, this is only my honest opinion, so please feel free to disagree with me completely. i’m so glad that you enjoy my posts, and thank you for the ask!

#lilly gets an ask #vincenzo #we can agree to disagree and that's okay!

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kitkatopinions · 4 years ago

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I'm tired of fantasy world writers being like 'oh, this is my allegory for racism in my fantasy world where actual racism doesn't exist, also I'm going to not do any research on how to properly include said allegory, badly portray it, make my main characters affected by this white or white passing, and then use racist stereotypes later.' Long post full of RWBY criticism ahead.

RWBY is terrible with the Faunus racism they chose to make part of their story. They made the White Fang an evil terrorist group, they made Blake lecture fellow Faunus about how they're the ones actually hurting themselves by using violence against each other, they framed comfortable and peaceful protest as the only good way despite establishing that peaceful protest didn't work, and they made their child slave coded character who literally got branded turn into nothing more than an abusive stalker and then had him killed without ever addressing the aforementioned child slavery. Also, the only Faunus among our main cast now that Sun is gone is one of the most privileged of the Faunus. Blake can pass as a human if she wants to, she grew up fairly rich, she has two loving parents, and she comes from an inherently powerful position as the daughter of the Chief. Having Blake be privileged would be absolutely fine, if she acknowledged her privilege, wasn’t the mouthpiece on Faunus rights, if she wasn’t the only Faunus in our main cast, and if she didn’t repeatedly lecture other Faunus.

On top of that, two of our main cast have been racist (within the narrative of the show) towards our main Faunus character, one of them learns from it (even though that as well was badly handled) and became the only member of Team RWBY to ever call out human's being racist after season three. Oh wait, except the other member of our main cast that was racist that never had it addressed because it was treated like a joke now has yelled at a racist once, in an incredibly tense situation, so I guess her racism is gone. It’s good that it’s gone, since CRWBY is pushing her and Blake as a couple, but it’s frustrating that her racism never even got a ‘that wasn’t funny’ and we never see Yang learn any better, because it feels like CRWBY brushed it off and acted like it was fun and quirky instead of treating it like the casual racism it was. They do a similar thing with Robyn in season seven which came out in 2019, when she calls Marrow ‘Wags.’ Also none of our main cast are ever seen protesting for Faunus rights (sans a two second flashback of child Blake at a rally and a non canon RWBY chibi cartoon.) I don't think Ruby - our main protagonist - has ever even mentioned Faunus rights. In a world where Adam was branded with the SDC logo under fifteen years ago at the most, racism and fighting racism should be a big part of the story, and instead, it's brushed to the side and used for the occasional 'we don't like racism btw' moment now that Blake got rid of a Faunus run terrorist group. To me, this implies that the number one threat to the Faunus… Was the Faunus, and although some humans are still anti-Faunus, no one has to devote their time or energy into fighting for equality. In season 7, Blake doesn’t even attend the rally of the political figure running against Jacques Schnee - who as far as I’m aware, is the only business owner or person in power who has ever displayed anti-Faunus racism in the show. By the way, please feel free to correct me if I’m wrong. It’s been a hot minute since I watched through the show.

Instead of attending a rally that seems very important for the Faunus, Blake goes dancing with her crush. It’s like she stopped caring about politics and rights after the White Fang got removed. That feels so bad. Also, I'll note that most of the actual POC Faunus that can't pass as white in this show are on the bad side (Sienna, Fennec, Corsac, Lionheart, Ilia, Marrow.) And either they die, or they must learn to give up their destructive ways and become better people. I’m not saying this was intentional, I’m saying it’s a pattern, it’s alarming, and the writers should’ve known better.

I believe Miles Luna and Kerry Shawcross have admitted that they mishandled Faunus racism, but first off, it still doesn’t excuse them because they were grown people putting out a product that premiered in 2013 and they should’ve known to do research and do better. But second off, I still feel like they haven't done the research they need to and continue to mishandle the racism by ignoring it when they want to and bringing it up only to let us as an audience know Weiss and Yang aren't racist anymore. They can’t just cut the Faunus from their storyline now, but they can’t just ignore it, and need to actually make it a better allegory. Honestly though, one of the big reasons I'm convinced that they still haven't done any real research on how to properly portray POC or racism is because of how terribly they're handling the Ace Ops.

They're writing a fantasy show, they aren't tied to real world portrayals of law enforcement, but they went the route of commentating on real world police, corrupt police, and use of excessive force. That's fine. But things are already pretty dicey just starting off because of how they've mishandled and continue to mishandle Faunus racism. Outside of Jacques Schnee and his company and business partners, I don't remember seeing Faunus racism in Atlas (not Mantle, Atlas.) If I'm wrong about that, again, please correct me, I may have missed it. But without seeing actual discrimination against Faunus within the police force, right off the bat, that's a mishandling of commentating on police brutality. But also, other than Clover who is now dead, the Ace Ops are all people of color. CRWBY made their bad cops all not white. Even Ironwood - who is white passing - is voiced by a person of color who has said he believes that James is Chinese American. I'll point out that being a Hunter is pretty much just being a cop with more freedom and seemingly less rules. Qrow (a Beacon Huntsman) goes around destroying public property and comments on how some hunters work outside of the law, and yet it's only the Ace Ops who are held to real world ACAB rules and everyone else gets to be a good cop/law enforcement officer. Ruby gets to proudly proclaim herself a Huntress, Weiss gets to arrest people, Jaune gets told that he deserves his Huntsman license, we've been getting told for seven seasons that Hunters help people and do what's right, and we're given long time Hunters and mentor figures like Oobleck, Glynda, Qrow, and now Robyn is being framed that way, and they back that up. Even training Atlas soldiers like Neon and Flynt are fine and fun. But only the Ace Ops are bad, corrupt law enforcement officers. So that way, we can have the entirely white passing Team RWBY beat up the entirely POC, not white passing Ace Ops. Even though Team RWBY is a byproduct of the same kind of program and even though we’ve seen the police discriminate against Faunus in Vale. If CRWBY wants their allegories to be taken seriously, they need to recognize that RWBY and co are also certified police. Also, it’s really not funny to see people use ACAB as a reason why the Ace Ops are of course bad, but then turn around and simp for Winter, and be like ‘We want Winter to be redeemed, but Harriet? What a bitch!’ Like… I’m side-eyeing that pretty hard.

Speaking of Winter, now she’s in charge of the Ace Ops. But unlike Marrow, Winter doesn’t just look sad sometimes and blindly only follow direct orders without protest. She’s actually feeling all kinds of things, and she’s actually being framed as strong, intelligent, and reasonable. I’m sure no one forgot this, but I’ll note it anyway; Winter is white. Having Winter be the only Ace Op to actually listen to JRY and do things without James explicitly telling her to (although I don’t consider what she did a betrayal or going behind his back) is dicey. They could’ve given this moment to Harriet and nothing would change. ‘This lady typically follows orders, is short tempered, and pushes down her emotions, but she can still recognize a fairly good idea when she sees one and can actually think for herself, so although this isn’t a betrayal, she compromises and lets Team JRY go after their friend.’ Yeah, idk guys, I feel like there was literally no reason to slot Winter in with the Ace Ops to be the lone voice of reason when Harriet could’ve become the new leader and played the exact same role. Instead, Winter gets to have a power move where she puts Harriet in her place. Winter is given actual depth and gets to put down the black woman who the writers have made display nothing but anger for the whole season. The fans rally behind Winter because she was given depth and hate Harriet because she has none, but that’s the fault of the writers. Btw, ‘this black woman won’t show any emotion besides anger’ is a racist stereotype. It would probably have taken like five minutes on google for Luna and Shawcross to have realized that it was a bad idea to write a black woman in any sort of position of power to be constantly angry + hiding her emotions. Elm is in the same boat as Harriet, and I was going to say it’s less severe, but then I remembered that she literally attacked Ren for talking about their emotions.

Look, my point is that RWBY as a show has never handled allegories like racism and corrupt police well, and either they should stop trying and stick to ‘make believe land is just different than the real world’ or start putting in the work and fix this. By the way, I’m not trying to make anyone feel bad for watching or even enjoying RWBY, but I hope people can watch it while recognizing that some of the things CRWBY has chosen to put into their show are destructive and that the creators need to be called out. I’ll continue to hope that most RWBY fans do recognize that RWBY is deeply flawed, but I’ve just been stewing recently about someone who told me that I shouldn’t have expected the show to address Faunus racism in the Atlas arcs because that ended when Adam died.

I want to make it totally clear that I agree with and support ACAB in the real world and I'm not against it being used in fantasy works, I just think CRWBY is doing a poor job of portraying it and many fans are misusing it and it feels disrespectful. This is an actual real world movement with actual real world consequences. It feels very bad to see people use it to argue that the writers who have never handled allegories of racism well can make an all POC group be a destructive, violent, easily controlled, easily beat group of corrupt cops that need a white woman and fellow cop to be the voice of reason.

#RWDE #rwde content #rwby criticism #rwby critical

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hatchetfield-scarecrow · 3 years ago

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I posted 152 times in 2021

79 posts created (52%)

73 posts reblogged (48%)

For every post I created, I reblogged 0.9 posts.

I added 214 tags in 2021

#hatchetfield - 42 posts

#starkid - 41 posts

#nightmare time - 36 posts

#nightmare time season 2 - 24 posts

#nightmare time season 2 spoilers - 15 posts

#tgwdlm - 15 posts

#black friday - 11 posts

#nmt s2 spoilers - 10 posts

#the owl house - 10 posts

#paul matthews - 10 posts

Longest Tag: 79 characters

#it looks interesting but i know nothing about video games or what its based on?

My Top Posts in 2021

Instead of a voiceover or an action scene or an intro to the villain, they started the trailer off with Venom making Eddie breakfast while singing and then started playing One Is The Loneliest Number...

2707 notes • Posted 2021-05-10 15:04:53 GMT

2818 notes • Posted 2021-10-06 20:54:51 GMT

NONE OF the Shadyside Killers were actually killers, they were victims of forces beyond their control who got blamed for crimes they weren’t responsible for, and THEN they were labeled monsters by the WHOLE FUCKING WORLD after they died, WHILE THE ACTUALLY EVIL PEOPLE GOT TO BE RICH AND SUCCESSFUL AND ADMIRED!!!

3273 notes • Posted 2021-07-19 04:39:57 GMT

I think it’s very telling how much fanboys loved Harley Quinn when she was a ‘fun, quirky psycho’ and thought of her as one of the sexiest female comic characters while she was stuck in a toxic relationship where she was abused constantly but still loved and defended her abuser, but now that she’s away from the Joker and no longer loves him, and is making important relationships with other women, she’s been ‘ruined’.

18068 notes • Posted 2021-02-23 18:29:40 GMT

65231 notes • Posted 2021-11-04 01:58:50 GMT

Get your Tumblr 2021 Year in Review →

#my 2021 tumblr year in review #your tumblr year in review #banger year wow so proud of myself

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dappercritter · 4 years ago

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Random She-Ra Season 5 Thoughts: THE FINAL RAMBLING

Yep. I finally got all my crazy absurd thoughts about this gay adventure-romance-drama cartoon summarized into one incoherent yet fun to read computer document/article! ...four months after the show itself ended. Oh well, no one’s perfect. Anyways, there are a whole lot more insane observations than ever before, so I had to put it below a link so this thing didn’t back up my blog or any of yours. Hope you enjoy reading through these as much I enjoyed spouting them for no discernible reason other than I felt like it!

-I feel that since is the last season, I ought to talk about an important part of the show that I’ve been putting off: the animation. It’s… okay. It’s definitely smoother than what the original 80’s show and it’s brother series (heheh) looked like, but at the same time it still seems to suffer from similar limitations which causes some distracting moments of stiffness. But other than that, it’s pretty good. It’s no Titmouse or Studio Mir but it looks good and it gets the job done.

-After all, let’s not forget: “Imperfection is beautiful!”

-Even when things are at their lowest, Adora is a jock with a heart of gold.

-Horde Prime and the Galactic Horde’s aesthetic feels like a mixture of Catholicism, Scientology, Heaven’s Gate, and modern Microsoft, and honestly, that just makes him creepier.

-Speaking of Horde Prime, he didn’t waste any time with destroying Bright Moon. …apparently.

-Furthermore, on the topic of his giant holographic messages, WAS THAT A FREAKING MASTERS OF THE UNIVERSE MOVIE REFERENCE?!

-Boy, Glimmer and Catra sure got along quickly! It’s almost like they magically understand each other because they both assumed leadership roles and screwed up big time! …I guess.

-Either that or this season is going to be a speedrun.

-Wow, the Rebellion sure got used to having a once-thought-dead king as well as a known enemy general/abuser running around their camp awful fast, didn’t they?

-Mara’s got a spaceship, a cyber girlfriend, a magic grandma, a dragon, a tragic backstory, AND a force ghost?! Dang, even in death, the girl’s got it all. No wonder everyone likes her!

-(*me looking at the TV rating at the start of episode*) “Why is language in there? Is there surprise cuss words or something in this season?” (*sees Horde Prime seize control of a clone for the first time*) “HOLY FREAKING SH—oh that’s why.”

-Applause to the crew for making the “dinner with Prime” scene for making a meal between a sparkly princess, a catgirl, and alien cult leader feel even more uncomfortable than it had a right to.

-(*me throughout the season whenever a clone was onscreen*) Is that Hordak? Is that him? Is that him? Is that him right there? Oh it is—oh no wait. … Is that h—

-Extra applause for having Glimmer learn from her grey-area wetwipe phase and refusing to sell out her friends again whilst telling the imperialist cult leader where to stick it.

-I would pay a sizeable portion of my life savings to hear what a Scorpia and Swift Wind duet would sound like.

-In fact, I’d double it if it was just Scorpia singing.

-Ah what the heck. I would triple it for an entire She-Ra musical!

-As happy as I am to see to see Entrapta interacting with the other princesses again, I have to say that their big reunion left me with some mixed feelings. Here’s a quick rundown:

-Entrapta, a grown autistic woman, being led around on a leash by non-neurodivergent teenagers—again: that’s bad.

-The Princesses confronting Entrapta about joining the Horde: that’s good!

-The Princesses blaming all their problems with the Horde bots on Entrapta’s actions and her hyper fixations alone: that’s bad.

-Entrapta explaining herself, admitting that she regrets her mistakes, and getting the Princesses to understand that she thinks and communicates differently, but in spite of that, she really does want help find Glimmer: that’s good!

-Entrapta never gets to call out the Princesses for how poorly they treated her: that’s bad.

-Entrapta saves the day and goes to space: that’s good!

-Scorpia and Entrapta still haven’t interacted even though the former is with the Rebellion in the first place because she went to look for her because she is her best friend: …can I go home now?

-How nice! Michah finally got to shapeshift!

-And he’s rocking that She-Ra outfit to boot!

-So is Darla a back up of Light Hope or do they just run on the same operating system and have the same voice?

-I could watch an entire season of Adora, Bow, and Entrapta going on space adventure in a rundown ship with their custom-made spacesuits, tbh.

-Is anyone else weirded out that Catra’s younger self looked at her in her flashback(?).

-Actually what WAS happening there, anyhow?

-(*watching Bow’s spacewalk to save Glimmer*) “Is that a Gravity reference?” asked the man who never saw Gravity.

-Speaking of spacewalks, how did Glimmer survive those precious few seconds in space? Does the teleporter teleport a breathable atmosphere too?

-Also, Catra, WHY did you think it would be a good idea to teleport Glimmer into space? I know you had a plan and the ship was right there but… Ah, never mind.

-Not that I’m complaining but Glimmer’s apology to the rest of the friend squad for her HORRIBLE plan last season went… surprisingly quickly.

-You know as cool as The Star Siblings are, being a quirky band of space-travelling siblings with cool powers and some trans rep to boot, I only have one small problem with them: weren’t there already Star Sisters on Etheria back in season 1?

-That doesn’t sound right, but I don’t know enough about Masters of the Universe characters to dispute it.

-Entrapta confirmed pan, objectum, AND horny on main. Dang girl, you’re gonna have fun whether you got Hordak back or not…

-“The Velvet Glove” is both a menacing and stupid name for a decadent overlord’s mothership.

-Wait, it’s from the 80’s canon? Oh. That kind of explains it, actually.

-Goshdangit, I wanted Catra to face punishment for her crimes, but I didn’t think that would involve going to evil alien conversion therapy!

-Nor did I want her to die! For a second. Actually, since it obviously wasn’t going to last I was… weirdly okay with that part???

-Horde Prime seems awfully okay with Catradora. I mean he’s still super creepy and manipulative about it, but also oddly progressive for an evil brainwashing cult leader.

-(*Adora transforms into a She-Ra through seer will*) First of all, called it. Second of all, WOAH MAMA now that’s a glow up!

-Wrong Hordak did not have to be a thing, and yet, I’m glad that he is.

-Hordak remembers the LUVD crystal and Entrapta… Hordak remembers Entrap—! It’s happening! Oh my gosh, it’s happening! Everybody stay calm!

-Wow, Entrapta didn’t have to be so forgiving of Catra for everything she’s done to her but she did. Only I’m not sure if that was Entrapta taking the high road or the low road.

-Or which road the crew took for that matter.

-I remember when I thought those “Chipped AUs” floating around here on tumblr were just something the fans came up with and that chipping people was not an actual despicable thing Prime does in canon. I miss those days.

-I know it’s not the same as before or the original design, but True She-Ra’s designs and powers? I think they slappin’.

-Hooray, Adora and Catra are finally making up! And it only took four and half seasons worth of communication failures, toxic villainous behaviour, and physical violence for Catra to snap out of it!

-…We can go back to Entrapdak now, right?

-Poor Elberon. First they unknowingly adopt a double agent then get invaded by the Horde and now they’re getting brainwashed and chipped by the Galactic Horde. They might be a cute village, but they got some pretty lousy security.

-You know it’s cute that Micah is doing his best to be friends with Frosta and get back in touch with his dad-side, but look I can’t be the only one worried about how the local King is a less proactive leader than the princesses or the known war criminal/abuser, right?

-“The Perils of Peekablue” or as I like to call it, “You Thought ‘Boys Night Out’ Caught You Emotionally Off-guard? Hah! Watch This.”

-You know I didn’t think Scorpfuma would be a thing aside that one moment of flirting near the end of season 4, but they really pushed for it to be a thing! This is… actually pretty great! Perfuma’s not perfect, and I would have appreciated giving them a little more time to bond and form some real chemistry, but at least she reciprocates Scorpia’s sweetness instead of rebuffing it in increasingly aggressive fashion.

-I’m not sure what’s more concerning: that Mermista set a boat on fire, that it’s worded like she had a fling as part of some experimental phase, or that Sea Hawk is turned on by this.

-Peekablue might not be real, (I think?) but he is one dapper dude! Female-to-male redesigns could learn a thing or two from him.

-It involved them getting stung and seizuring, but that was a heck of a way to reintroduce Double Trouble! I swear I got watching them cycle through their transformations in some sort of physical reaction.

-Or maybe that was just me worrying about their wellbeing…

-Okay, I get the Chips are huge, and actually rather clever threat, but how do these characters get chipped in the first place? I get there are chipped people who spread the chips throught the population but where do they get those from???

-Do one of those Horde Prime drones just sneak behind someone, slap a chip on their nape then hand them a whole bagfull and say, “Beep boop beep, Horde Prime’s Light, blah blah blah. Alright have fun, kiddo”?

-Or is it some sort of Alien: Covenant deal where they’re just floating around and Lord help you if one sticks to you?

-HOLY CRAP THEY ACTUALLY GOT SCORPIA TO SING! AND SHE WAS GREAT!

-Oh shoot. Guess I owe the crew twice my life savings now…

-Entrapdak might be what got me into this show, but it’s Double Trouble that kept me around, so you can imagine how happy I was to see them make their grand reappearance!

-Conversly, you can imagine my disappointment when they just disappeared until the finale.

-And on that note: HOW DID YOU GUYS LOSE DOUBLE TROUBLE?!

-You forgot to cherish them, didn’t you?

-So, Scorpia sacrifices herself just after finding a new girlfriend and gaining some newfound confidence, Mermista and Sea Hawk are split up,and Double Trouble didn’t join the main cast. Why can’t you just have fun like a normal cartoon, show?

-Gosh, I love me some shifting title cards!

-Is it just me or did they sneak in some more Annihilation references on Krytis?

(-Said the guy who was too chicken to watch the movie and just read about it and watched a few clips online.)

-(*audibly sighs*) FINE. I guess I like Catradora now. Are you happy now, SPOP Crew? ARE YOU?!

-Hooray, Catra’s got a emotional support animal! And they’re a shapeshifting magic alien cat. Those are the best kind!

-Is it weird that I knew that weird glowing stuff on Krytis was just magic all along, or was it just not hidden very well. Anyways, I like Krytis. I like that we got to see a truly alien world with its own form of magic.

-Plus, we got a logical advancement of the magic versus science subtheme with magic being Horde Prime’s weakness! Neato!

-Getting back on the “which is worse?” wagon for a second, I don’t know what feels less right: that Wrong Hordak’s big revelation and his resolution to free himself and his brothers and friends from Horde Prime’s control is played humorously, or that Real Hordak should be the one having this moment.

-That bit with Castaspella and Shadow Weaver where she tells Casta about Etheria being a living thing with inherent magical property, or whatever, while we got a peaceful shot of some boar creatures sleeping was actually kind of nice. It would have been nicer though if it wasn’t part of a power hungry abuser’s obvious scheme. If only there was a kindly old witch lady character who was in touch with nature and knew just what to say when someone was feeling downOH WAIT.

-Furthermore… Why did Shadow Weaver and Castaspella need to have romantic tension?

-Seriously though, where’s our Madame Razz quota this season? Where’s my supportive magic grandma timelord at, yo?

-Yup, they speedran this season.

-I’m actually really disappointed we didn’t see more of an intergalactic new rebellion rising up to fight Horde Prime’s forces across the universe. Especially if it meant we got to see more Star Sibling action!

-Again, I adore Wrong Hordak but I keep wondering what was keeping the crew from just bringing in Original Flavour Hordak. (You know, aside from teasing us Entrapdak fans and trying to distract us with a loveable new character in the meantime.) I mean he could have done the whole infiltrating the clone squads and tricking them bit, too.

-Heck, he could have done the wink, too!

-I’d gleefully point out Loo-Kee’s cameo this season but apparently, they already made some several seasons ago. That’s what I get for not rewatching the 80’s show and training my eyes first.

-(*sees Erelandians*) Are those freaking Toads and Toadettes?

-So, what’s keeping them from just hitting Spinerella’s chip again? Besides emotional baggage and gale force winds, I mean.

-Perfuma coming out of a cave scared out of her wits, demanding to know who’s there, clinging to her friends as soon as they come back, and balling her eyes out is a big, BIG mood.

-Frosta absolutely decking Catra in the face was nestled somewhere between cathartic and excessive.

-Netossa spraying her with a bottle of water on the other hand…

-Oh, so Greyskull was the name of a Rebel Squad! I think. Meh, the important thing is we got an explanation and it still sounds cool.

-Leave it to a couple of dads to make a secret message out of a dad joke.

-You know I made fun of Light Hope for being creepy, but I swear that avatar from the Spire is even creepier. I don’t know if it’s her face—those dang blank eyes, man—or just that it she’s less animated than the real thing, but it just felt… off.

-Aww, Noelle made Netossa’s princess weakness illustrations! So cute!

-Forget episodes that deserves Emmys, Keston John deserves one for voicing Hordak, Horde Prime, all the clones, and several minor villains and giving each and every single one a distinct voice! Where my king’s respect, eh?

-Yes, Catra you had a small disagreement with Hordak. …Over sending his girlfriend and your “friend” to DIE IN A LITERAL LIVING HELL.

-Sorry, I just had to get that out of my system.

-Why does Perfuma get pressured to get angry and go wild when Entrapta’s the one who’s had it the worst out of all them? Why can’t my gamer girl go berserk, dammit!?

-Okay, but really, how do these fricking chips work??? Are they parasite devices who store Horde Prime’s Baptizing Dew then slowly pump it into their host’s bodies? Do they have their own nervous systems? Are they technorganic? Also, how and why do we need to make these chips are bigger threat then they need to be?

-Horde Prime showing up on Hordak’s throne in grand Killing Joke style and casually throwing shades at his brother’s overblown attempts to impress him is pretty awesome, but it feels strangely underdeveloped. Hordak’s not there to have his hard work insulted and we never got to see Adora have any similar encounter with Hordak here before, so unless you look at it from the perspective of someone who has been here before in the Horde story like Catra it lacks the dramatic weight it should have had.

-Scorpia resisting the chip to save her new friends was pretty great, though.

-I swear, when they got to the scene where Adora and the others figured out that Shadow Weaver was grooming her so she could use her to get to the Heart of Etheria, I was mouthing “You B***H” through the whole thing.

-They really brought back Etherian deep magic just so they had something to make Micah threatening. …okay.

-Okay, the rest of “Failsafe” messed me up, so here’s a rundown on all the other messy thoughts I had while the show ripped my heart and ground it to dog food:

-Entrapta and Hordak reuniting: Yay!

-Swift Wind yanking her away before she can get through to him: Boo.

-Catra encouraging Adora to try and take care of herself for a change: Yay!

-Adora hurts Catra and she runs away: Boo.

-Adora finally calling out Shadow Weaver on what an utterly horrible person she is: Yay!

-Adora resolves to risk sacrificing herself to save the world: Bo—okay, seriously, was all this suffering really necessary, show?

-I know I mentioned in my previous She-Ra random thoughts that I supported Glimmadora, but I am okay with Catradora and Glimbow ending up canon. The only problem I have is how rushed they feel—moreso with Glimbow. With Catradora, the crew had an entire season to make it work again and they took it. Glimbow it feels like they were down to the last few episodes and went, “Oh right, we were gonna do something with these two!” then did their darndest to fit in some chemistry in between all the other stuff going down.

-As ominous as it was, the music where Horde Prime starts hacking Etheria honestly SLAPS.

-Okay, I know everyone is magic or something, but I am legit surprised getting electrocuted in water didn’t kill the heroes right then and there.

-Sea Hawk tries to flirt with his girl even as she’s trying to kill him. Truly, he is a man of taste.

-What do you know, Shadow Weaver can only do good when she’s (canonically!) punch drunk.

-You know a whole lot of this could have been avoided if Holo-Mara was Adora’s mentor instead of Light Hope.

-When I think about it, it was actually really clever to make Horde Prime the final villain for Adora to face: a domineering decadent man who’s been in power forever against a humble emotionally vulnerable compassionate young woman.

-Not to mention the divide between cult-like oppression and progressive freedom. Or something.

-Holy crap, did the First Ones get a great freaking a Great Old One for a guard dog?!

-So, you guys seriously didn’t bring Angella back to reunite with her family OR mention her all season after the impact her death had on everyone all last season until Glimmer needs a power-up at the last possible minute and then you never bring her up again. That is absolutely a dick move in bird culture.

-Entrapta’s hacker sticker gives me life. Gamer girl gremlin princess forever!

-On the one hand, I’m disappointed that Adora and Catra don’t get to have an awesome couple battle against the security monster and win. On the other hand, Shadow Weaver is finally dead. YAY!

-With apologies to the writers and especially Lorraine Toussaint. She did splendidly bringing this character to life and even if I hated Shadow Weaver, I adored the effort she put into making her one of the most emotionally complex villains I’ve ever seen.

-Words cannot, will not, and will never describe the pure joy that I experienced when I first saw Hordak’s big scene: standing up to and disowning his tyrant brother, saving Entrapta, declaring his love to her (albeit in a nicely lowkey fashion), and then throwing Horde Prime to his apparent doom Disney style with Entrapta cheering him with sheer glee. GOSH, it was everything I could have hoped for from this season!

-Now if only they kept the deleted scene where they got a moment to themselves before Prime body-jacked him again like the creepy sonuvabich he is.

-Horde Prime just wouldn’t be a religious villain if he didn’t tell everyone to burn.

-Bonus points for actually trying to burn the frigging planet.

-Aside from the idea of Adora switching to wearing a She-Ra themed dress everywhere in the future, the future vision was really quite sweet, and seeing Prime step in to ruin it made it all the more impactful.

-Can I just say that it’s absolutely wonderful that the show, for all it’s flaws, said “**** senseless heroic sacrifices”?

-BREAKING: Lesbian cat finally makes up with her jock ex, has a canon kiss so pure it saves the world!

-In other news, Catradora fans are still spoiled rotten.

-Wow, look at all those character comebacks they skipped through! Look, there’s the chefs from Dryl, Double Trouble, Huntara, the Horde Trio, Imp, Madame Razz—are you kidding me?!

-Grumbling aside, I actually find the idea of the Horde Trio and Imp getting involved in a G-rated science-fantasy version of the first Hangover movie quite amusing.

-Oh dang, they pulled a Castle in the Sky with the Velvet Glove!

-As nice as it was to see Aodra save Hordak from Horde Prime and destroy the latter through exorcism via sheer compassion, I’m rather disappointed we never got to see She-Ra go full Metal Gear Solid Rising: Revengence on any creepy old cult leaders.

-Yeah, it would have gone against the “love conquers all” set up, but love takes on many forms, does it not? So, why can it not manifest as cleaving your mortal enemies with extreme prejudice to save your loved ones?

-Furthermore, in addition to Holo-Mara being a better mentor, Hordak raising Adora instead Shadow Weaver could have prevented a lot of similar problems. Maybe. Possibly.

-Eh whatever, he has a lifetime’s worth of fanfiction to make up for it.

-ENTRAPDAK IS CANON, ALL IS RIGHT WITH THE WORLD.

-And so is Catradora and Glimbow! That’s nice, too.

-Aww, how sweet of them to skip through Catra and Scorpia, and Glimmer and Micah’s big reunions! It’s not like we’ve been waiting forever for this stuff or anything. HahahahAHAHAHDHAHAHFHAFHKSADJHFKAJHDfine.

-And so it all ends with everyone either friends, in love, or both, as heroes decide to make up for it all with a grandiose sequel promising more exciting space adventures we probably won’t see! HOORAY!

-All snarky ranting aside, I actually really enjoyed the finale. It was exciting, heartwarming, and above all it ended on happy, hopeful note without leaving too many frustrating questions unanswered. (*glares with utmost contempt at Voltron and Star vs. The Forces of Evil*)

-You know, this wasn’t bad for a final season, but I think this might have worked better as two seasons. Not in Netflix’s cheap “split a regular 13-episode season in two 6-7 episode long seasons” strategy, but I mean two full seasons with their own storylines leading up to the grand finale:

-First, one that starts out with Horde Prime’s arrival the downfall of Etheria, focuses on the space adventures, ends with their return to Etheria and gives the characters time to recuperate from season 4.

-Then, we have one final season that focuses on the Best Friend Squad’s Return to Etheria, Horde Prime’s plan, gives everyone more time to properly reconcile before ¾ of the entire cast gets chipped, sets up a new Rebellion made up of Princess Alliance and former Etherian Horde members, maybe even set up a proper Hordak redemption arc or something, and then our big happy ending.

-On a mostly unrelated note, I also feel that the whole show could have turned out even better if it had been either a dedicated science-fantasy war drama with some levity (like the good Star Wars shows or Avatar: The Last Airbender) or a lighthearted yet empowering slice-of-life action-adventure romcom (i.e. basically a well-made remake of the original show in the style of Adventure Time and Parks and Rec or something).

-My final random thought for this whole thing: we really could have used a triumphant end credits song or something. Aside from obviously recommending Fabulous Secret Powers, I would have also recommended the original 4 Non Blondes “What’s Going On,” a reprise of “Warriors,” Gorillaz’s “We Got the Power,” or (my favourite) Talking Head’s “(Nothing But) Flowers” since the ending scenes remind me of it.

Thanks again to the crew for giving me something to live for and/or complain about!

Now, let’s hope the He-Man reboots do as well...

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