#but in a much more real sense rn I work in filling out paperwork for various government entities

[bethecrayon]

So I start my new job today... hope this helps

[elprupneerg]

guess im in a talkative mood rn, so y’all get to read a rant about work now.

its really weird how different it is to work at places that actually value their employees vs ones that dont. my first ever job was at walmart, and they dont trust Anybody--not the customers, not the workers, nobody. there was a constant sense that all the managers and shit were watching you and waiting for you to fuck up. the store manager came in Maybe once a week, and HR was basically impossible to get ahold of. they put me off working retail for over a year after i got fired for calling in sick too much (cuz they kept scheduling me to work during my classes)

and now i work for a big chain hardware store and i was So Scared it was gonna end up just like walmart. but im getting paid $12/hour right off the start, and at the interview And the filling-out-paperwork-to-officially-hire-me meeting the people i spoke with made sure to ask what my availability was. the store manager lead half of orientation day (the other half was lead by the HR rep), and in the 2 weeks i’ve worked there i’ve seen both going around the store and doing things more than i saw their walmart counterparts the entire time i worked there (about 6 months ish). the managers trust me even tho i’m new (perhaps a bit Too Much in one case, he put me in charge of the self check outs almost immediately and i was Not Ready but it went fine) and everyone calls me by my chosen/real name and not my legal one

and it affects how i get along with the other people there too. literally everyone at my new job has been nice to me, whereas at walmart we were all too exhausted and underpaid to have the energy to smile at each other. i’ve met so many people who work in other departments, and i’m allowed to go a little bit away from my register as long as i can still keep an eye on it. at walmart i knew the name of like 1 person from the deli area and the guy who watched over the outdoor supplies, otherwise i only knew cashiers. and if i stepped more than a little bit away from my register it felt like id get struck by lightning. i get the feeling that if i ended up having to switch to a different job but then had to buy some paint or something, people would still say hi to me and be polite. last time i went to walmart one of my old supervisors literally turned away when i walked past so we didn’t even have to nod hello at each other lmao. also, i can’t remember if walmart had this too, but my new job explicitly mentioned gender identity in their “yo we shouldnt discriminate” policy and training video, which as a genderqueer person who’s starting to figure out some presentation stuff is a Major Fucking Relief

[shoushatohaisha]

review: hajimari no kyojin (osaka 6/1)

so. hello. i usually write up my butai thoughts as, um, 100+ tweet threads in the immediate wake of whatever i just saw, but this time around i thought i'd work them out into a proper report, of a sort. if you, too, have seen this show already and want to talk about it... please. any time. always.

about reviewing: this is my very favorite 2.5D franchise, ever. but this is also a review, not a cheerleading exercise, so not every single thing i have to say is unrelentingly positive. having said that, i respect kinoshita, wada, suga-zachou, and the staff at large more than just about any creative team in this corner of japanese theater fandom so like. i'm not here to drag, lol.

about spoilers: i talk about the plot elements covered but try to avoid spoiling any of the fun production surprises. :) happy to do a more spoilery play-by-play later if folks are curious.

about length: i just checked and it's 2400 words im so sorry.

without further ado...

first of all, i admit that based on the preview clips i doubted, and i was swiftly taken to task for doubting. IM SORRY WORRY-SAN i trust u implicitly and i should have known better. after the major changes in shinka no natsu, i was concerned that bringing back the revolving stage and the original opening theme would feel stale/regressive. it did not. while they did bring back the revolving element they also extended the stage backward and added a second level behind a full stage height projection screen – the second level was used to do some neat staging for flashbacks/parallels and the screen was used to, how shall we say this, up their projection game in a major way, which i frankly did not think was possible. i will not spoil the details but it was pretty great, on a purely technical level.

i also realized that a lot of the repetition – opening with the bike scene, bringing back the original opening credits music, the staging, etc – is the "look back" over the last couple years that i'd expected to come this fall. they are very obviously already preparing for the end – you could think of this as part one of their last show, with the fall as part two. the show opens with a restaging of sixth grader hinata seeing the little giant on tv for the first time – then the current karasuno team take the place of the tv and hinata joins them for a team jog. "karasuno, fight!" "oh!" "fight!" "oh!" only then each character calls out their signature line from the show so far. "uchi no renchuu wa chanto tsuyoi" / "mou tobenai karasu nante yobasenai" / "murabito b mo tatakaemasu!"

and haha. let me tell you. BOY, DID I FEEL THINGS. a lot of things. i think yachi got me the worst but they were all real bad. (i have so many feelings about yachi's story and what a beautiful job saitou ami did with her character on stage. god. ;_;)

the theme of this play was the role of captain – what makes a good captain, what a captain does for the team, and how to step into those shoes when the captain is gone. the johzenji match is fun, but here, in a sense, it exists more or less to set up the wakutani match – (re)establishing daichi's importance so that his absence feels like the gut punch it is. and fully settling the weight of that responsibility on ennoshita's shoulders, as both daichi's substitute on the court and the captain-in-waiting.

with that in mind, the rival schools: imo it wasn't strictly necessary to cast full teams for each school – each match got its own dedicated act, and unlike, for example, nekoma/datekou in karasuno fukkatsu (which had a similar story structure), there aren't really any individual characters on these rival schools who have a role as such other than terushima and takeru. (you know, the captains. see above. XD) so in theory one could get this done with, like, one actor for each captain and then an ensemble cast playing the rest of the team across both matches. HOWEVER, having all those bodies allows them to do super cool stuff visually, and why force yourself to create the illusion of a full team if you don't have to? i.e., /i/ sure am not complaining, isn't it nice to have $$$ to achieve the max vision of your choreographer. XD

i also have no doubt that the kids playing these other characters are doing whatever they can to create a character within the ensemble, and i suspect there's plenty for repeat viewers to pick up on, esp during say the johzenji match (see below). however for the first time viewer following the main flow of the story it's more or less a very large ensemble cast.

the johzenji chaos was well expressed, haha, there was so damn much going on all the time that i hardly knew where to look. (i've also seen opinions on j-twitter that that diluted the impact and i can see that too – it worked for me as a "funny" match that didn't cross the line into comic relief, but ymmv.) i thought the final scene with misaki would pack more of a punch, but i fully expect them to cry at daisenshuuraku so that might fill in the last 10% that's missing rn.

wakutani are another Good Dance Team. one did get a sense, stylistically, of fukurodani- and nekoma-lite with johzenji and wakunan, respectively – i assume that was intentional. mirroring the cats vs owls match, as it were. yanagihara rin's takeru was like… scary?? i had to rewatch those episodes this weekend to see if i'd just forgotten something, but no, stage takeru is not so much reliable middle brother as scowly quiet tough guy. he looked like a kyoutani tbh, and looking at the kid actually cast for kyoutani, one wonders if someone in casting mixed up some paperwork or something. having said that, yanagihara was great at being the character he was, i enjoyed what he did on stage. i'm just not sure that character was takeru. XD (edit: ok having just rewatched, i have to revise this somewhat, i think a big part of my impression was due to being too far back to properly see his expressions the first time around -- up close he was much smilier, and bc i was thinking about it i noticed some nice details like him going over for a family hug afterward.) otoh big post-match scene – all of wakutani, actually – was really good. v effective, i heard sniffles around me.

during this match, johzenji reappeared dressed as takeru's family: FUCKING HILARIOUS omg, everyone involved has clearly learned how to do this right wrt blocking, the very fine line between comic relief and intrusion, etc, after the, er, shaky shousha to haisha experiment of kuroken doubling as oikawa's fangirls. seichou shita na, errone.

also, some great wire work for hinata and takeru – you could tell kenta is really comfortable up there these days. the first time the wires came into play one of the women behind me went "UWO!" which, when a japanese theatergoer makes a noise out loud, that's a true sign something's impressive. XD

nekoma vs fukurodani: Yeah, That Happened. it is a testament to how well done karasuno vs wakunan was that i didn't just spend the entire time screeching BRING BACK CATS VS OWLS because fjkdajfkdlsfjd KYAA. another good staging moment – they used mirrors to create the effect of two full teams playing at a crowded gymnasium, it was brill. i won't spoil some of the fun details but vvjakdlfjdf. and tbh i think the best performance of the four was probably shouri's?? not that this is news but istg idk how someone so soft offstage does THAT on stage. is it this "acting" thing you speak of.

new bokuaka: i mean it was clear some of this material was meant for yoshimoto kouki and i did kinda miss him – i appreciate higashi-san's pinch hitting and he did a solid job. but. ah well. HAVING SAID THAT. fucking "michi wo tsukurimasu yo" i mean we should all be grateful it wasn't kouki and yuuki or it would have just been a fucking fanfic on stage. it was still bad and i don't even go here. XD

and last but not least, arita ushiwaka kenji: not exactly the world's most natural line delivery but that's fine because, i mean, he's ushiwaka. and his physical presence was perfect. which was about all he was called on to do in this particular show, ahaha.

now, for karasuno. and specifically, for my son, kawahara kazuma. remember what i said approximately a thousand words ago, about captains and captains in waiting and stepping up to the plate? (or onto the court, as it were.) ennoshita's story was the heart of the wakutani match and kazuma carried the second act. he was. so. good. he had good material to work with, of course, but he made it even better. i was saying to a friend that in retrospect i think this is one of the very very few parts of the series that actually played better and more emotionally affecting on stage than in the source material (as opposed to differently good/differently affecting). in the manga/anime, you can only see what the paneling or the frame shows you, and those initial paneling/framing choices are focused on the drama of CAPTAIN DOWN. but on the stage, daichi goes down… and off to the side you see ennoshita freeze. and from that moment on, for kazuma, it's go time. he doesn't let up until the end of post-match scene in (here) the locker room – which, jesus, that scene. it packs ten times the punch it does in the anime. because of kazuma.

sorry if i sound like a crazy person here ahaha. but like. like, imagine you have been acting since childhood, you've studied dance with famous choreographers and innovators, you had a main role in The Franchise That Changed 2.5D as a teenager, you've done a solo album, you have a serious history in performing arts... and you get cast in what was initially the smallest role of the entire karasuno team. and you take it! and pull your weight! kazuma was a team player for three years and he deserved this chance to let his actual skills shine so much. ;_; because i don't necessarily think he would have been better in any of the other roles than his actual teammates – but i do think he is a much better actor than several of his actual teammates. and he finally got the opportunity to show that.

anyway, when it came time for curtain calls, the applause swelled noticeably for kazuma – a louder ovation than anyone except kagechan and kenta. and one of those people clapping her hands off, say in row 20, just a random row choice, was definitely tearing up at the same time.

IN OTHER KARASANEWS. kt-san. LIVE IN PERSON KT-SAN BACK IN THE ROLE HE WAS MEANT FOR cries into my hands i love him daichi-saaaaaaaaaan. very occasionally his delivery reminded me he's a model not an actor, if you know what i mean, but like, for the vast part it didn't matter because he is naturally such a perfect fit. have i mentioned i love him.

new suga: mmmmm. he looked and moved fine but his line delivery did not convince me. tbf it's not like suga has a huge role to play in these matches so 1) it's not a huge deal 2) he didn't get much chance to get into the character. either he'll get better or he won't, and if he doesn't it's not going to sink the next play or anything. he seems like a nice enough kid, i wish him well!

kageyama tatsuya: still can't yell and enunciate at the same time. loved that they brought back the archer analogy from shinka no natsu though!! it was one of my favorite things about his kageyama, and it's nice that it's something he "owns" instead of imitating/inheriting from tatsunari.

tsukishima & yamaguchi: miura kairi continues to get even better, i'm so pleased. <3 also, i love love love that they still use the musical motif from shousha to haisha for yamaguchi's jump float serve. it was the same in shinka no natsu, it's the same here. THE TSUKKIYAMA WAS REAL CUTE, great detail work before and after the serve as well as after tsukki's block(s). as for tsukishima, much as they brought back kageyama's archer imagery, they brought back tsukki's fancy katana kill block. (they didn't waste kondou shouri, either, i'll leave it at that.)

last but not least, MY ACTUAL SON AND FEELINGS TWIN, SUGA KENTA: ok like. to set the scene here. i have mad respect for this kid and also love him to death as a human. i think he puts more thought into this production than anyone else in the cast – he is practically worry-san's AD. and he clearly has a lot of real deep thoughts and feelings about the source material. so deep in fact that it took a while for me to come around to his hinata because while, for example, tatsunari's kageyama could have walked straight off my television screen, kenta went down to the manga and built hinata up from there. he didn't have a choice – he's nothing like murase ayumu's voice. all too often we, and i include myself here, think of the two dimensions in 2.5D as anime, rather than manga... but just as there's a big gap between the two dimensions of animation and the three dimensions of live theater, there's as big a gap again between static black-and-white drawing, and movement and color and sound. and when i looked at kenta's hinata as something created solely from furudate's art style, it all slotted into place for me. (naturally, ymmv.)

it also took kenta longer than some of the others, i think, to portray all of what he wanted to. shoen hinata was pretty yelly, and pretty single-register yelly. hinata is a yelly character, of course, but the balance between that hinata and Serious Match Hinata was out of whack at first. this got better and better with every show. and then—

his encounter with ushiwaka here. was IT. it was what i was looking for all this time. his delivery of hinata's big line there was like – i think maybe i clapped my hands over my mouth, unclear, bc it was like the final missing piece and i was so happy. kentaaaaa. ;____;

part of me wonders if this is what kenta's always had in his head but maybe couldn't get his face/voice to express the way he wanted it? OR, IT'S KENTA, SO MAYBE IT WAS ON PURPOSE and his previous Serious Hinata was meant to be like, just a feral hunger child whereas this is the kid who experienced the heartbreak of losing to seijou. i would love to ask him tbh. XD

anyway, my son, after five plays continues to grow in his portrayal of this character. kenta is the heart of gekidan haikyuu in so many ways, and i will be at their graduation show if it kills me.

(breathes out) i think that's. everything. a best setter award to anyone who read this far, and feel free to ask if there's anything specific you want to know about? i will be seeing it again this weekend for daisenshuuraku and will be sure to report back on who cried, etc. all hail volleyball stage the end. 🏐

[idealisticrealism]

Blindspot 3x05 recap

Aka the one where all my sons are idiots and all my daughters are precious angels who deserve all the hugs.

Late again, because when am I not? Again, I blame the travelling.

So I’m kinda intrigued by this pair; the bleeding, accented woman and the young guy with an American accent in what seems to be a  super-dingy bathroom? What is going on here??

Patterson has been doing some fancy analysing of the adoption records and yeppp, Jane definitely had a kid. And ugh Patterson is so sweet and gentle about it and has done so much research so she could give Jane ALL the info and Jane is just Not Dealing. But hmmm Patterson tells her there’s no way to test if she’s had a child and lbr that’s not exactly true? A good ObGyn could generally tell just by looking at the cervix. Not a perfect measure, but it’s definitely an option. But anyhow Jane is too busy flipping out anyway, and ugh she mentions the Taylor Shaw thing and already having everything ripped away from her multiple times and man my heart just hurts for her rn. And Weller’s so at a loss for what to do or how to comfort her ugh my poor babies

Lol Reade and Zapata and their little Wizardville rivalry is super cute. And then she’s completely open with him and asks him directly about the State Department Guy thing and wow Reade just harshly shuts her down. I’m glad Patterson interrupts this little moment because it was definitely going nowhere good. But speaking of things that ARE good,  omg I love her pun about the ‘backbone’ of the case and Weller being all killjoy about it haha. That’s right, honey, just ignore him. Your humour is too good for him anyway. And so anyhow the tatt leads to a NYPD evidence log number, though Zapata notes that the code is different to what the NYPD uses now, and Reade gets super snarky at her for it. Geez son, learn some manners! Patterson backs Zapata up tho (yaaassss my girls), showing that the code is like 20 years old. Jeller go to check out the warehouse it points to while Zapata is given paperwork by Reade (wow, petty), though tbh Zapata ends up with the better deal since Jeller have to fight some bad guys and literally put out a fire. Ugh the way Jane yells for him as she tries to fight the fire alone-- it’s only when its the two of them together that they manage to extinguish it. Symbolism, much? Patterson calls right at that moment to warn them to get out, and it’s a little late, but well, it’s the thought that counts haha. Other warehouses have been burned, which means someone is trying super hard to destroy evidence but doesn’t know where it is. Jane, because she’s amazing, finds the box they nee-- and in it is a whole bunch of untested rape kits going back 20 years. I love the conversation the guys have about the low priority assigned to sexual assault testing-- it’s some good commentary from the writers about the state of the real world. 

Meanwhile, Stuart’s phone has been found in the river, and both Patterson and Zapata are very suspicious of the way Reade basically tells her to leave it alone. Looking super suss rn, bro, and I do not like it at allll.

However, I really DO like listening to Jane speak in other languages. So damn cool. And as someone who is currently staying in a foreign country and communicating solely in the local tongue, I have a renewed respect for her fluency lol.  Their Russian suspect conveniently elects to speak English though haha. How handy. He’s a bit of a tough guy but through a sneaky move on Jeller’s part, he gives them the info they need-- how he got paid, which gives them a lead on the people hiring him. Patterson also drops another pun, which is three so far this ep and I’m so proud. She also figures out that the the victim was likely linked to Kazarus, which as far as I’m aware is a fake place though tbh my geography is not super great. But anyhow, that narrows their search to two sexual assault survivors. 

And then aww Patterson pulls Weller aside and tries to support him about the whole surprise-kid thing, and ugh she’s just so sweet and wants to help both him and Jane as best she can. But he’s upset bc he knows he can’t fix this; no one can. I guess it all just takes time, right? Meanwhile Jane’s in the locker room, getting a call from Roman, and dude he really knew the whole time??  And ugh if she was sixteen when she had the baby (to her high school sweetheart aww) then he was probably about 14 at the time, just a kid himself who had suddenly become an uncle, and man I’m so sad for them both?? But lol she gets to the bullpen and covers the phone while practically yelling for them to trace the call. Not super subtle, Jane. And he tells her she initially fought Shepherd on giving the baby away and then she just ran away? I’m confused.  I guess we now understand a bit more about why Remi joined the army though I guess. Not sure how she ever went back to working for Shepherd, though, but maybe she saw the memory wipe as a way out? And Beardy was meant to fill her in on everything including the kid.  Idk. Jane’s now having a small breakdown in the locker room and decides she has to go see Shepherd, but Weller’s right when he says that Shepherd would just mess with her head. Don’t give her the satisfaction, Jane! And oh look, a mention of Bethany, haven’t had one of those in a while. And tbh that’s the way I like it, show, so keep ignoring her existence please haha.

In the lab, Patterson admits defeat about Stuart’s phone-- it’s as dead as he is. (Too soon??) But Zapata didn’t spend all that time at the CIA without gaining a few skills in the realms of deception and deviousness, and so they hatch a plan to bluff and lure out the possible mole. And then a lab tech in a headscarf calls them to see something, and the panning shot of the lab also shows another tech in a turban. Firstly, I approve of some diversity happening here, and secondly, I hope that this casting choice was deliberate so there would be people that looked at those characters and went “the traitor has to be one of them” so that when it’s shown that the traitor is someone else, the people watching have to examine just why it was that they thought either of these two background characters were guilty. (Hint: it’s racism!). Anyhow, the rape kit in question has been tested, and it turns out the rapist is the king of Kazarus. Or, the former king, since he died and his brother has assumed the throne. The only spanner in the works being that the rape resulted in a child, who, as per the Kazarussian monarchy, is the rightful heir to the throne. Which naturally means that Scar’s gotta have him taken out. Now we know who we saw at the start of the ep-- the kid and his mother, who was clearly attacked by the assassins but escaped. Now it’s a race for the team to find them before the Kazarussians do. 

And then who appears but Weitz, who is now a congressman, and conveniently an expert on Kazarus. I love that everyone looks at Hirst and she’s all “Don’t look at me, Darlins” and how is someone using ‘darling’ in plural like that so damn endearing??? The accent is what truly makes it though, obviously. But nope, it was Reade who called him, which is just another in the list of things Reade has done lately that we do not like. Weitz manages to make everyone hate him even more within mere seconds of showing up, and tbh I love to hate him. His antagonism towards Zapata is hilarious.  I like that even Hirst gives him some shit lol. Atta girl. Anyhow Weitz informs them that the ex-king’s brother Cyrus is a Bad Dude and there’s a bunch of american soldiers in Kazarus that are now at risk, and yep the stakes have just been raised

Reade gets called into the principal’s office to discuss his little spat with Zapata. How exactly does Hirst know about that, though? Though I guess if she’s paid attention to any of their interactions today then she probably could have figured it out. I’m offended that he calls Zapata a busybody?? But then he does at least say that she’s nothing to worry about and that she’s a friend. What do you two have to hide though??? Meanwhile in the lab, Patterson has found the kid by examining the curtains in a video that the kid sent to his gf. That’s my lil genius. Of course it’s super convenient that this type of curtain is only made for a specific motel chain, but whatevs, I’ll let it slide as I do with many things in this show haha. I love Zapata teasing Weitz though, suggesting that it was all too smart for him and went over his head haha

Jane’s clearly taking this case pretty personally-- and tbh it does seem veeeeeeeery convenient that there’s a case that resonates so closely with her current situation, until you remember that this time around, all the tattoos are specifically designed by Roman to be revealed in a certain order, so it makes total sense that the case matches stuff going on in their personal lives. More sense than when it happened in the last two seasons, so touche, writers. You win this round. Anyway they get to the hotel, and the kid immediately pulls a gun on them. His mom’s not looking too good though, kinda bleeding out a little on the bed, and ugh Jane does her frightened-animal whisperer thing and convinces the kid to let her help his mom. Naturally he chooses to trust her bc lbr wouldn’t you?? They get his mom to the hospital where she’s super well guarded, and he tells them about only learning at 18 about his mother’s attack. And he only learned yesterday about the whole king thing, and tells them he’ll never go to Kazarus. You just know that Jane is thinking about her baby and how the kid probably wouldn’t want to know her as they must think she abandoned them, and ugh it hurts. Why must you do this, show?

Back in the lab Patterson and Zapata have set their trap, and are waiting to see who falls into it-- only they don’t like the answer. According to her computer, Reade logged into the system to delete the files. Patterson is grim; she doesn’t like it, but she’s ready to believe it. When Zapata tries to insist that Reade wouldn’t do it, that he’s family, Patterson just reminds her: Borden was family too. And ugggghhhhhhhhhhhhhhhhhh I do not like this at all. I am so done with leaks and moles and traitors and all of it ugh.  I do appreciate Weitz for making me smile here; Zapata is back at her desk and he throws a paper airplane at her, then feigns confusion, looking around for who could have done it. Tbh I actually do ship these two a little bit. All the bickering just does it for me lol. She gives him shit about probably not going to be re-elected, but he says he’s doing great in the polls. She says polls have been wrong before-- and is that some political commentary I hear? Man who was the writer of this ep because they are not pulling punches today. Reade comes over and tries to mend bridges, which tbh tastes a little sour after he was such an asshole this morning... give him nothing, Zapata!

Looks like Yasmine is gonna live, which is nice. She and Jane bond a little over protecting kids etc while Weller and the kid go to get something from the vending machine--- and ugh when they’re coming back Wller notices their guard from the door is gone and pushes the kid behind him. I love protective Weller. I also love Weller throwing an injured woman over his shoulder and carrying her to safety. Damn. He also proved pretty smart-- when they realised that the baddies were on their FBI comms, he bluffed and reported that they were headed for the roof while they escaped out the front door instead. Nice. Though why do I feel like that escape was too easy?

Patterson has figured out that it’s not Reade that’s tampering with their evidence, but someone else using his login. She confesses to Zapata about the backdoor that Wizardville gives her into people’s phones, and says she’s never used it before, which isn’t true though right?? Didn’t she use it on that Lowie guy’s lawyer a few eps ago? Anyway Zapata doesn’t care about the illegal biz, she just wants to hear her best(?) friend’s name cleared.  Turns out he wasn’t even in the building when someone used an FBI computer to access their files, so that’s at least looking good for him, even if it is bad for them as a whole

Weller reports in, and the team tracks their phones and immediately sends backup-- but too late, considering that the baddies have laid out a trap for them. Was this why it was so easy for them to get away?? Jeller manage to take out several bad dudes on their own, but not before one of them manages to molotov-cocktail their car, which blows up moments later. Dude that’s one potent cocktail… but ugh they all make it to safety, with Weller again literally carrying Yasmine, and ugh the mother and son hug and the husband and wife hug and it’s just a very poignant moment okay?? Also there’s just something really beautiful about the way Jane hugs, I can’t even really describe it. Anyhow they all make it back to the NYO, where the rest of the team (plus Weitz, in his own way) are super glad to see them alive. After a minute Zapata and Patterson sneak off, because Patterson needs to tell her the news-- the person using Reade’s login was Hirst. She’s sure because of biometric software that she runs on all of their computers, and again, man I’m super glad that these powers are in the hands of someone trustworthy like Patterson haha. But ugh this means my honey-accented cool aunt is a baddie?? She even knew that Lowie guy from a few eps ago. Well, bummer. Still holding out for the possibility that there’s more to it, but things aren’t looking great...

Oh dear, King Cyrus was murdered, and the Kazarussians are demanding their heir. Which really sucks for the kid, and Jane and Weller try to protect him, but he’s determined to go and to make things better for his fellow Kazarussians. And lbr, to have to go become king is not the worst thing??  

Wow Patterson and Zapata actually went to Reade to warn him about Hirst. I don’t know why that surprises me, but it does. I would have done some more surveillance or something first? But anyway he is really not taking it well, and kinda attacks both of them a bit over it. And wait he’s known Hirst since he was in Quantico??? That’s news to me.  And not good news, either. Please don’t be dirty, Reade. Please…

Jeller are recovering at home after a pretty damn rough day. Jane has changed her mind about finding her daughter-- she wants her just to have a happy, stable life, and that willl be far easier if she never knows Jane exists. And he just hugs her bc what can you do to make that pain better? Nothing, that’s what. She’s going to mourn her connection with her daughter for the rest of her life and ugh it just really sucks

Oh no a time jump, nothing good ever follows a time jump. And oh shit it’s Berlin. Weller’s having no luck with a rude hotel employee, which I find super unbelievable because a) he’s front desk staff at a fancy hotel, b) the person asking him for help is a man clearly traumatised about his missing wife, and c) he’s German. Him being rude makes no sense. But it does give this girl a cool opening to come help Weller out, and man I am jealous of her German speaking skills. Like I said earlier, it’s not easy!! But wait, there’s more. The girl is not only American, but she’s looking for Jane. Her mother, Jane. And oh Weller, you stupid, stupid boy. You foolish, well-meaning idiot. I am sure that your reasons for not telling Jane about this are all purely to protect her (although I also suspect you’re trying to protect yourself from her leaving you again) but dude. DUDE. This is not the kind of secret you should ever keep, and honestly if Jane leaves your ass when she finds out the truth I’m gonna be on her side of the split. Ugh, my stupid son when will you ever LEARN