#but if your rude or mean to people

[shardkn1ght]

So um. I think I missed something on rottmnt Tumbler.

But.

Just wana say.

Harassing people is never OK. And if you follow me and you have harassed someone. Then please leave. I'm not about all that.

I will never be ok with anyone being made fun of or witch hunted. It's just wrong.

I don't know what happened. And tbh idk if I want to know.

But those are my thoughts, and I want everyone to know them.

OK. Love yall. Gn

[yeyinde]

touch starved reader with an oral fixation x kidnapper!Simon who’s all punishment and no physical affection? Please Simon just a little kiss? with tongues? :( (i just wanna make out with this man while my heart aches for him)

by Allah, you people are dogs. i will write the filth as usual.

DEAD DOVE, 18+ | dubcon. kidnapping. mean!Simon. dom!Simon. masking corporal punishment as affection. kissing. size kink, size difference. some thigh riding. degradation + humiliation (verbal). non-con pet play. marking (heavyyyyyy mentions of Simon biting you like a chew toy). choking. daddy kink (but in the awful, demeaning way). manipulation. forced affection. coersion. forced/manufactured dependency. brief mention of Simon stepping on your back to hold you down so he can whip you w a cat o nine tails. yanno. the usual Friday night.

idk. there's something so hot about you, completely naked, riding Simon's clothed thigh as he holds you up by your neck. tongue out, desperate for a kiss while he just mocks you the whole time.

It's survival. 

At first.  

A means of masking the innate horror of being stripped of your agency, your autonomy, by a man you barely even know. One you met once before (fate sealed), and now—outside of your apartment complex where he was idling by the foothold, smoking a cigarette as he leaned against the brick wall, head turned. Gaze narrowed as you approached. 

Waiting for someone, you assumed, thinking nothing else about the matter. 

Nothing else, except—

He looked familiar. You think you saw him before. He was staring at you. Hadn't stopped. Hasn't said a word, either. The silence was oppressive. Heavy. Your hands fumbled with the keys. Shaking. Trembling. 

He's pretty, you thought, suddenly. In the way car wrecks can sometimes be. Jarring and awful and hideous, but—

Mesmerising. 

Macabre. And that's what he is. Everything from the mask on his face (skulls, go figure), to the absurdity in his size, his width. The way space itself seemed to move around him, bending and distorting just to let him pass. His own gravitational pull. Magnetic. You feel it tugging on you as he pulls another lungful of smoke. Another. Another.  

(like an hourglass, a timebomb, almost. you wonder what will happen when it runs out—)

He gives you the creeps. Suddenly. Unexpectedly. A visceral sense of unease curdling in the pit of your belly as he keeps staring, staring. Eyes—crystalline under the broken headlamp, washout into crushed topaz—drilling into your back, sharp enough to flay skin. Everything inside of you says to run, but your key won't fit inside the lock. Won't—

Ever. 

And hindsight has always been a bitter thing, hasn't it? Cruel in her mockery. Had you known, then, that he wasn't a workman loitering by the complex, waiting for a friend; or a low-level drug dealer casting webs into the plum hewn aether, it might have saved you. Might have. 

Maybe. Because he was there, waiting for you, all along. 

Life has a funny way of paying back good deeds. All it took for your life to crumble down around you, rubble falling off of a shaking mountain, was kindness. Was seeing a large man in the pouring rain, already drenched. Black clothing sticking to the granite contours of his body, and offering sanctum in the shape of a rusting umbrella you found at a thrift store for three dollars. 

(“here,” you said, chipper. All smiles. “i live just down the street, and you look like you need it more than i do. do you want it?”

and he—

he simply stared. stared. his eyes liquid, molten, as they carelessly dropped, roaming down the length of your body at his own leisure. leering. assessing. it was odd. weird, but—

he huffed, then. seemingly satisfied by whatever you measured up to in his head. his neck lulled back, and he gazed at you from down the crooked length of his nose, tucked neatly away under the thick band of a facial mask. skulls. how could you be so stupid? 

slowly, like he was trying not to startle a mare, his gloved hand reached out, curling thick fingers around the hilt of it. he tugged once. in your stupor, you forgot to let go. embarrassment flooded in. he huffed again, quietly amused, as you untangled your numbed fingers from the umbrella. 

in your distraction, he moved closer. smelled of ash, of mildew. sweat and stale cigarettes. there was something predatory in the way he slipped through space. a preternatural quiet. an eerie stillness. 

you hadn't realised he was there, looming, until he rasped out, “more ‘n you could ever realise, pet.”

and you're sure why you do it. did it. but your hand slips into your shopping bag, eyes widen. heart thundering in your chest. 

“are you hungry? i, uh, i just bought some apples, um—”

his eyes are lavascapes. shackles. chains. “i could eat.”)

And now—

Forced to play this strange cat and mouse of his where he treats you like soot on the bottom of his shoe, and you pretend that it's affection. Love. How godless.  

Protection, he calls it. 

("mine," he whispers, orison soft, into your ear. "ain't go' nowhere else to go, do you, pet? world's big. would eat a small thing like you up. safer here. wit' me. only me.") 

You wonder what he'd do if you told him the biggest danger here was the madness nestled inside your head, the one that sometimes made you look at him like he was your salvation instead of the warden holding the end of your leash in a firm hand. Unyielding—like everything he does. Is. 

Withholding, too. Everything must be earned. Nothing given. Nothing handed out. And you know that this is a ploy, a tactic. Subterfuge meant to chisel into your sense of self, dehumanise you. Turn you into a simpering, obedient little doll for him to play with as he wishes. You know this, and yet—

It's survival, you promise yourself as he tugs on the hook latched to your collar, testing it for weakness. Survival, when his hands—bare, bare; warmed skin against skin, you could just weep—brush over your throat, nails skimming goosebumped flesh as he wedges one, then two inside, hirsute knuckles tickling your pulse. It tightens the collar to near choking. Intentional, you know. He likes it when you beg—for air, for food, water, him. 

Vile man. Awful. 

(You want to roll on your belly at his feet.)

This cold, cruel touch lights a fire under your skin. It's been months since he's last done so. Always wearing gloves when he has to. Using paddles, belts, when you misbehave. Never his bare hand. Not anymore. 

(“m’hand is for good girls,�� he slurred, words merging, meshing together, painted with exertion. He wedged his boot against the small of your back, holding you down, and cracked the end of a cat over your bare ass, thighs. Unbothered by your howls, your screams, as the whip bit into your skin. You've never so much as been hit as a child for misbehaving, and now, as an adult, you have a madman standing over you, introducing you to something called a cat o’nine tails—a favourite in the army, lovie. “bad girls,” his boot pressed down harder, heel digging into your spine. “Bad girls get the whip—”)

Bad. Bad. Because you tried to run, to leave him. He dressed you up, called you Mrs Riley, and you—

Ducked out the back door when he turned away for a second. 

Stupid. It was poor timing. A test. He set you up, measuring your loyalty to him, your commitment, and you failed. Failed. 

(“this is what ‘appens when spoiled little cunts get their way too much. they act out, don't they? bitin’ the ‘and that feeds. you'll learn soon enough, though—”)

Ghost—sir, sir (master, maker, god; you'll call him anything he wants if he touches you again)—pulls his fingers away, depriving you of his touch once more. And it's all so stupid. So fundamentally wrong, deplorable, but you follow. Needy. Whining for it in the back of your throat. 

It's been months. Months without touch. Without sensation outside of leather lashing across your thighs, your ass; harsh, gloved fingers digging into your jaw, braced against the back of your head, as you swallow down his cock in an effort to prove to him you've been good. So good. Can be good. His good girl. 

You need to touch him. Need his touch. Ache for it, for something outside of this nook he placed you inside of, denied the privilege of living upstairs with him after you tried to escape. 

You want to. Badly. Your fingers twitch. Ghost sees it. Hums. 

“Need somethin', pet?” 

Your mouth is dry. You swallow. It burns. It hurts. “Yes—”

“Yes, what?”

“Sir—”

Behind the mask he's yet to take off for you fully, only ever hitching it under his chin to devour your cunt whenever you've been good, his jaw tightens, the fabric bunching up. 

You reel back from the look of sheer displeasure etching harsh lines into the hollow gaps of his eyes. Heart thundering. Stomach churning. 

“Mas—” he cuts you off with a soft sigh. Marked with his irritation. “D—dad—”

Dad. A new one. Daddy. He didn't seem like the sort to be into this type of play, not with his sardonic, deadpan eyes. His mockery. His dessicated humour, awful and biting. You'd have sooner expected him to laugh at you—in that slow, deep hum he gives; a little chuff, full of condescension and jeer—than to get off on it. On you, kneeling between his legs with your chin braced against his palm, mouth open, tongue out, as he fucks into the tight clench of his fist, groaning as you beg daddy to give you a taste. 

It's gross. Disgusting. 

It's not done for anything else other than to humiliate you. To crush you under the heel of his boot—little bug—so that you will always know where your place is in this scenario. His little wife. Mother, mum—

He pulls on the leash, jerking you forward. Purrs, “good girl,” and then steps back, moving away from you. Cruel. Dismissive. You hate him, hate him—

(Need him so deeply. With every fibre of your being—)

You watch him as he goes, mourning the loss of his presence already, as he paces around your space, your cage. Broad shoulders barely fitting inside. Head ducking to avoid hitting his crown on the popcorn ceiling. It's strange seeing him here like this. Prowling. He usually comes when he wants you, when he needs to enact more merciless punishment on you for whatever perceived evils you committed (not greeting him with a kiss when he walked in, not letting him suffocate himself in your cunt when he had you sit on his face, not making him cum all over your face quick enough when you knew he had other engagements to get to—), or when he ruts, heavily, between your thighs, cold and detached. Seeking pleasure from your icy flesh, and giving nothing in return but white hot agony. 

Him here, idling in your presence, is revolutionary. 

“S–sir—?”

He hums, quiet. Sits in the chair as you gather the fragments of yourself littered on the ground. His mood is malleable, it seems. 

You push, fingertips sinking into the putty of his agreeable temperament. “Can I—”

You waver when his sharp eyes raze over your bare body—clothes are for good girls, after all—pupils sloshing over the edges, bleeding into midnight blue. 

Your body is a battlefield. Every inch of skin branded with his mark—pretty, thrawn rings of teeth tattooed in silver, haloed in black and red, desecrate your flesh: neck, collarbones, breasts, belly, thighs (a particular favourite of his), ass, mons; all bitten through, chewed up. It weeps when you move, has blood trickling down your skin. The cracking scabs make him coo, poor thing, all bloody fer me? and he licks at them, sucks, until only a pinkish wound in the mimesis of canines remains. 

Uprooted, turned into something new—

His chest expands when he settles his gaze on the sliver of space between your spread thighs. Concealed in tenebrous, hidden from his leering, lecherous view. He cocks his head, considers something unknown to you. His thoughts, his mind, worlds away. Untouchable. 

(only to bad girls, he’d snarled out when you asked why—)

“Testin’ my patience still?” He doesn't rip his gaze away from your cunt, speaks to it sometimes more than he speaks to you. “Thought this alone time might’a cleared your ‘ead.”

You flush. Embarrassment roiling through you. His displeasure is a palpable thing. Heavy. You hate the weight of it. 

“I need—I need you.”

Another toneless hum. “‘Course you do. Ain't got anyone else.”

He's awful. Hideous. You want to rip his tongue out of his mouth. “I—I want you. Please.”

Ghost doesn't answer. You stopped expecting him to a long time ago, his moods odd measures of ebbs and flows; passive and mild, cracking terrible, awful jokes as he strokes your back, hands riveted to your skin, and then biting and caustic the next. Pushing and pushing until you lash out, snap, so he has a reason to push you down, punished and smothered under his bulk, as he ruts into you like a beast, a man starved. Tells you it's for your own good. That you need him. Would be lost without him. 

Bludgeoning a hole into you wide enough for him to crawl inside of. Poisoning you from the inside out with the same nocuous rot that flows in his veins. 

Maybe that's been his agenda all along. Maybe. To make you want him as badly as he wanted you. Desperate, obsessive. Going so far as to follow you home, lost little mutt waiting in the shadows outside of your door until you threw him another bone. And when that didn't work, when the food stopped being enough—

He took you. Held you captive in his house deep in the wilderness. A place so endlessly green that you sometimes stare out at it—unfathomable sea of phalthos and jasper—and feel dizzy. You'll get lost out there—

just like he says. 

As he turns your obsecration over in his head, you wait, supplicant to this man as you rest on your knees. Pretty pet with a golden collar adorned in gems. 

Fitting, you find. With his head cradled against his thick knuckles, you can't help but shiver at the way he looks shrouded in the gloaming embers of a fading twilight. Leonine. A king perfectly at ease in this thick, caliginous atmosphere.

His eyes burn, magmatic, in the low light. Vats of endless ink. Black holes that will swallow you whole if you get too close. But he's poised. Contemplative. Assessing. 

And then grips the end of the leash tight in his other hand. Tugs.  

You obey the wordless command, crawling on your hands and knees to where he's spread out on the recliner. Laxed, dripping with a careless indifference as you wander to him, resting your chin on the spread of his knee. 

Looking up, up, at him, waiting. Wanting. 

There's so much of him—a fact that has been the catalyst to your downfall the moment you saw him standing under the awning; this massive creature. Thighs wider than the width of your body. Burly forearms. Broad shoulders. He's big. Indomitable. Thick, endlessly so. But there's a give to his body. Valleys of softness hiding corded muscle. Firm, but—

Your fingers sink into the soft give of his belly when you reach out, bracing against stomach. Pulling yourself further into the bracket of his spread thighs, inching closer to him. 

He meets your reverent stare, eyes liquid along his lower lash line.

“Thought you were gonna keep me waitin’ all night,” he muses, giving another pull on the leash. It destabilises you. Your nose bumps into his sternum, and you moan at the sting. 

There's a dissonance in the back of your head. A hairline fracture in the line that keeps a degree of separation between pleasure and pain. They meet against the crack in the divide, merging into a abysmal polyphony conducted by his hand. 

He watches, amused, as you whimper, sniffing harshly against the burn. It's not bleeding, and not broken—small mercies, you suppose—and you let it simmer into a dull ache as you slowly clamber into his lap.

Ghost leans back as you settle, greedily taking in the sight of your thighs stretched wide over his leg, cunt pressed, tight, against the rough scrape of his jeans. The touch burns. He hasn't touched your pussy in weeks—

“C’mon,” he urges, hand spanning the width of your lower back. Coaxing. “Show me ‘ow good you can be.”

It's all the permission you need. Slowly, slowly, your hips start to gyrate, dragging your slit over the coarse material. The friction is agony. You need more—

He draws his other hand up, curls it around your neck, forcing your head back, back. You gasp, staring at him, dizzy, from down the slope of your nose. The clasp of the collar digs into your skin. It hurts. It's too much. 

you don't want him to stop. 

His hand is huge. It spans the entire length of your neck, thumb to your pulse, pinky grazing the hollow of your throat. It forces you to lift your chin higher just to let him fit.

He likes it, too, you know. His eyes darken as he takes in the sight of his bare hand, scarred and thick; dusted with a cropping of fine hairs along his scabbed knuckles, sitting against the whole of your throat. Swallowing you up. Can feel how much he enjoys the sheer depth between your sizes when his cock twitches, stiffening more

The look on his face is appraising, anatomising. There's a cold measure of distance in his gaze. A barren polynya. You want to cross it. Chart these untamed lands until they're deeply ingrained within your being. Cimmerian effigy burning to keep you warm. 

It's survival, you think, and arch into the palm of his hand. 

He holds you like a doll. One hand on your lower back, pressing your cunt to thigh. The other tightening around your throat. Bare skin against bare skin, and oh, you could just cry—

But this is not what you need. What you want. And he knows. He always does. Knows the inside of you like it's written down—inked on paper. Thumbs through the makeup of you, chapter by chapter, until no mystery remains. 

“Tell me what you need, pet. Beg for it.” 

“Let me—” his hands tighten, choking the air from your throat. Crushing your collar against your neck. “Lemme—kiss you, please, please—”

Tighter. Tighter. The world around you swims under a thin ocean. Phosphenes swim, untethered, in your periphery, ghosting along the curve of his shoulders. He might kill you yet. Keeping going, going, until those brittle, bird-like bones in your neck snap—

You'd let him, you think, muscles falling lax. Submissive. Just the way he says he likes even though you know he fucks you harder, touches you more, more, when you act out. Misbehave. 

“Kiss me?” He taunts, words abrasive. Strident. Scrubbing hard against your skin. “Ain't that jus’ the sweetest thing I ever ‘eard.” 

You burn, blister. “Please—”

“Reckon I ought to. Kissed your pretty cunt ‘fore I even kissed your lips, huh, pet?” 

Your chest folds over itself. Stomach knotting. Balling tight. Unease is a razor blade scraping your nerves. 

“Simon—”

“Ah, ah—” his hand tightens. Vicious. Chiding. “You ‘aven’t earned the privilege of sayin’ my name, ‘ave you? Cheeky thing. Might ‘ave to take a cane to you next.” 

“No, no, no—! I'm—”

“Sorry?” He mocks, cocking his head. Condescension drips from the corners of his eyes. 

“Please, sir—”

“Dad is gettin’ tired of this attitude of yours, pet—” his fingers dig into your skin, hard. Biting. A warning, you know. The blunt press of a blade to your jugular. But it thrums along the suture line to your desire, a wellspool of murk coiling low in your guts. You throb, cunt clenching down around nothing. Achingly empty. “Thought we got rid of it this time ‘round. Learned our lesson.”

The words are frank, prosaic. Had you any sense of self still malingering in the back of your head, you might have struck him for the blatant disrespect. But as you struggle to reach for it, pawing around in the vacuous abyss for any fragment of who you were before this, before him, you know—without any doubt—that none exists. Nothing. He’s too ingrained in your marrow, hewn into your skin. Copper sutures holding his filament within you. Cradled between your thighs, nestled in the rotting vacancy of your heart. 

He knows you. Every part—

“We did—we did, da—daddy, please—” 

It’s shallow. Muffled, like he’s trying to swallow it down, but you feel it rumble through his broad chest. A guttural sound. A groan. Drenched in pleasure, in want. So thick, you could almost taste it. 

He hides his need under a layer of derision. 

“Such a needy thing, ain't you? Desperate little slag like you wouldn't last out there, would you?” 

His hand digs into your hip, pushing you off of his thigh. Eyes skewering into the wet stain on his trousers. A huff spills out—the sound a near perfect mimicry of crushing charcoal in your hand. 

“No. You'd be eaten alive. Torn to pieces. World's too big for somethin' like you.”

Mindless, dazed, you nod. Arching into him. The leather leash snaps against your chest. “Yes, yes—”

His cock presses into your thigh, hard, fat. Your mouth waters. Drool dribbles down your chin. 

He smells of tinder when he leans in close, blood drenched words biting into your skin. “messy today, aren't you? Be lost without me. Tha’s why you wear a collar, isn't it?”

Pitifully, you nod. Eyes full of tears. Each word is a bludgeon into your resolve. Into your sense of self. 

But it earns you his affection, and his thumb presses into the corner of your mouth, unhinging your jaw until it falls open, lax. He holds you like that, mouth lax with his hand still around your neck. The other lifts away from your lips, goes to the thick band around the bridge of his nose, slips inside. 

There's no buildup to it. No lingering sense of anticipation. Practical, detached, he merely tugs it down, and lets it snap under his chin. 

Your breath is punched out of your lungs at the sight of him. Barefaced. Scarred. His nose is crooked; a jagged hook with scar tissue delineating the spots where it's been broken too many times. His lips are—

Full. 

Mangled. 

Scars run in thick slashes over them, denting the flesh in places. Burn marks line his pale flesh. Charcoal rubs into his eyes, highlighting the whites of his lashes against smeared soot. 

He's—

Pretty. 

Like a car crash. Calamity. The broken remains of a town after a hurricane, a tornado, ripped it apart. Ugly, brutal. His face looks like it's been mauled by a bear, a tiger. Scarred and hideous, and—

You shiver. His eyes drop, landing on your own lips. The soot on his brow flutters down, lands on his eyelashes when he lifts his brow up mockingly. Derision curdling an awful smirk on the corner of his mouth. Crooked. Like him. Like his teeth. His nose. His boxy jaw. His lips—

You kiss him. 

Can't help yourself, really. There's a pull. Gravitational. Magnetic. You need, need, to taste him. To quench this ache in your jaw that makes you want to wrap your tongue around something, play with it between your teeth. Soft and sweet—

Ghost's lips are plump beneath yours. The thick scar tissue is almost velveteen when it glides over your bottom lip. You moan into it, into the feeling; victory—however pyrrhic—swims like mercury in your veins. Finally. 

And he doesn't kiss you back. Doesn't make any effort to reciprocate at all, but he's not tense beneath you. Not stunned. Or reluctant. He’s pliant. Malleable. Agreeable, willing to let you devour his mouth, his taste, as much as you want. Doting. Letting you spoil yourself on him. With him.

Because you need him, don't you? 

Like the air you breathe. The food he gives you—apples, always, on rainy days; salmon and rice in a pretty bowl with your name etched into the porcelain—and the attention, the affection—

(suck my cock, pretty girl. don't make me put a gag on you—deeper, you can take it, can't you? take my fat cock all the way up inside your sweet little cunt—my pretty girl—)

—it’s all so divine. 

His hands on your body, your throat, spasm. Once. Just once. Against your leg, his cock twitches. Leaks prespend into the demin. You rut against his thigh, aching for it. Whimpering—

And then he's groaning into the kiss, snarling out your name until it wedges between your lungs, syphoned in from his scorching breath. Another brand in the shape of him. 

Ghost kisses the same way he eats—messy, sloppy; all teeth and tongue, and full pretty lips. Clumsy, like no one taught him how to properly hold his silverware and he's trying to mock what he saw on television. Brumish. A broken, contemptuous pastiche of sumptuosity. A starving dog, snarling around its plundered morsel. Protective. Possessive. 

It coils around you. Thick, smothering. 

He sucks your tongue into his mouth, catching it between his teeth. The sting brings tears to the corner of your eyes, and when you pry them open, you find him already staring at you (always, always, always—), lidded. Heavy pools of desire shaded in the brume of a winter dawn. A bonfire flickering in the distance of a whiteout. Sanctuary from the cold—

He seems to catch himself. Expression flickering. Warbling around the edges. It closes off in a blink. He pulls back. Locks into the ashlar veneer of this indifference he wears like a suit of armour. 

But you saw it. It was there. Within reach—

“Need me, don't you?” He drawls, timber a needlepoint between cruelty and desire. Sultry, low. Husky. He knows what it does to you. How he can unravel you at the seams with just his voice alone. “Need me so fuckin’ much, pet. Would be lost without me—”

“Please, Simon,” you whisper, feather-soft. Cunt throbbing, pulsing. Needy. “Please—”

The strident reprimand for using his name doesn't come. His hand tightens around your throat, unconscious. A paroxysm that has pleasure carving itself down your spine, electric. 

“Come get it, then,” he rasps, voice wrecked. Raw. Curling at the edges, thickening his accent until the words elide. 

Hand to your throat, he drags you close. Closer still. Keeps you sat pretty on his lap as he pulls you in for a bruising, hungry kiss. Tongue shoving between your teeth when you gasp.

His kisses are always hungry, but this is different. Greedy. He devours you whole. Eats you alive. His hand falls to your lower back, holding you tight to his chest.

You moan into it, fingers digging into the fabric of his shirt. Squeezing until your knuckles blanche, joints twinging in discomfort. 

After months of nothing, this alone is bliss. His taste soaking onto your tongue, drenching it in the bitter tang of sage, wheatgrass, and stale cigarettes. Intoxicating. It leaks into you, nocuous. Infects from the inside out. 

His plan coming to fruition, you think. What he sought out to do all along, ever since you wandered close to this untameable Tartarean guard, and offered yourself up to the jowls of a starving beast. 

He pulls away with a heavy breath, eyes charing around the edges; brittle briquette. 

“Gonna be a good girl from now on? Come upstairs, be a good mum for dad? Or am I gonna ‘ave to cane this—” his hand drops, grabbing a fistful of your ass in his hand, fingers digging into the skin between your cheeks. Possessive. It cracks like a whip down your nerves. “—tight lit’le arse?”

You shake your head instantly. Quickly. “I'll be good,” you whisper into his chin, tongue flicking out to lick across his scars. The dried sweat on his skin tastes briny. Reminds you of the ocean on a brumous November evening. The incipient yawn of a ravenous hurricane gathering its lot on the shore. 

Sirens blare in the distance. Fear curdles in your guts, sits heavy like a stone. An anchor. 

“So sweet f’me,” he mutters, words deepening as his head falls back, letting you pepper kisses across the underside of his jaw. Mouthing along the constellation of scars. His voice is rumble. It shivers across your lips, tongue. Shakes the marrow in your bones. “Better stay this way, pet.”

Into his pulse, you murmur, “I think you like it better when I’m bad.” 

You can feel the snarl brimming in the back of his throat. Your ass stings with the phantom burn of when he lashed out with the whip. It drags a whimper out from deep within your chest. 

His hand tightens around your neck. A warning. “Got some guests over f’dinner tonight. Would love to finally introduce them to my sweet little wife—” deft fingers slip across the dewy skin of your folds, knuckles grazing over your drenched hole. The touch makes you squirm. “But if you’re gonna be bad, then I’ll leave you locked up down ‘ere.”

“I’ll be good,” you swear, words a hushed breath over his jugular. His finger flattens, drawls soft, slow circles around your clit. “Ah, I’ll—I’ll be so, so good, Simon—”

“Good girls deserve rewards, don’t they?” His palm flexes possessively around your throat when you nip at old scar tissue. “Maybe I’ll let you sleep in our bed tonight instead of in your dog house. We can ‘ouse together. I’ll fuck you proper—” he roughly shoves two fingers into your hole, leering when you gasp, back arching in a bow. “Know this pretty pussy has been achin’ for me, ‘asn’t it? Gonna breed it full—”

There’s static in your head, ringing in your ear. The noise distorted, pulled underwater. You think you say something, plead—no, no, no, anything but that—but his hand tightens around your throat, fingers pushing up, up into you, notching against that spot inside that makes your head swim, your vision flicker. The abyssal chasm inside of you aches, rages; its waters swell, currents frothing, slamming against the ceiling of its iron prison, and—

Simon pulls away. Fingers stilling inside of you. No friction, no relief. Hypoxia renders the world silent. Muted. Held in stasis, stagnating at the edge of a gaping precipice he holds you over, secured by the fragile curve of your neck, fine bone china. 

Phosphenes swim by. The chossy wobbles.

This distance is agony. You need to be closer, closer, to crawl inside of him, to live in the brackets of his ribs, safe and protected from the world he warns you about. Stone cold. You mewl, whine—

“Gonna be my good little wife?”

Gasping with broken lungs, you nod. Nod, nod until you’re nauseous. Dizzy. Sick—

His spit cools on your lip. Your hackles raise, body shuddering in revulsion—some primal part rears, hisses it’s infectious. Wrong. Get rid of it—

“Not gonna run?”

Slowly, you lick your lips, catching his sickness on your tongue. Swallowing it down until it sinks like a stone to the bottom of your belly. Heavy, for such a small, damning thing. 

How absurd, you think. How absolutely mad. 

Then you whisper, paperthin, “kiss me again, please, Simon—”

And he moves. Liquid in the gloam. Made more for shadows, midnight, than for golden apricity, where the light is harsh on his face, unveiling ruins and ravines; monoliths meant to be paid tribute to in the dark. Your hands lift to his jaw when he moves in, catching your lips in a bruising, biting kiss. 

His touch is searing. Owning. He isn't laying claim: no, you're already his. 

It's possessive and angry. No finesse. All slate teeth and tender tongue. They slide together in a strange game; little fawn stupidly nipping at the tiger's heel. He lets you, groaning into your mouth when you arch back, hips pushing into his fingers, taking him deeper. A pale pantomime of what's to come when he lays you on his soft bed, sweet and divine, and buries himself deep. 

It should scare you. Ought to. And maybe it does. Survival, you think, but you still pull him closer. Deeper. Because it’s bliss, you find. The world around you falling dead. Silent. Pulled into a vacuum. Teetering on the edge of a black hole, event horizon. He drags you in. 

Simon hums, pulling you closer. Touching you—soft, sweet. Palms a gyve. Shackles, chains. His fingers lift from your neck, trailing down the slope of your throat until he reaches the golden loop of your collar's hook. His gaze glides, magmatic, down to where your leash dangles between your heaving breasts.

It's almost tender when he grabs it into his fist. When he pulls, pulls—

Your back arching. His fingers slipping deeper inside your cunt. Obedient little doll.

When he lifts his eyes, the look you find is hot enough to char bone. You taste blood in the back of your throat—

Into the seam of your mouth, he purrs, “good girl.”

—and you swallow it down with a moan. 

(after all, you know better than to run from starving dogs—)

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[rohirric-hunter]

Genuinely amused when people who don't know anything about Christianity try to draw on it as a source for their fantasy -- "Oh this is my half-demon OC who takes damage from holy things and is stuck in a church, better hope that communion wine in the back doesn't spill anywhere!" You mean the regular. wine in the back? The very normal alcohol that is completely indistinguishable from any other alcohol to anyone at all until the actual communion ceremony? The Mogen David? That wine? Okay. Sure. *is imagining your OC screaming and running from a liquor store*

[black-quadrant]

ADHD isn't silly or quirky. it can hinder productivity, create a cycle of overcommitting and overextending to keep up with life, can give rise to feelings of guilt for things like resting and overall impacts relationship health (just to name a few). it's hard to manage and it's miserable.

[worstloki]

Mu Qing ascending is objectively so funny considering Feng Xin and Xie Lian also do. Out of the people in your kingdom who accomplished immortality there’s this guy who used to be your servant but is now on equal rank to you and he‘s super rude now and also thinks you hate him because he remembers when you were 18 and lacked socioeconomic-interpersonal awareness

[theminecraftbee]

can i request three somehow forced into a fake dating situation

Three stares directly into Martyn’s eyes. They are blue and of an average size. It feels as though maybe this should be against the rules, but according to the book it had read, this was… normal. A normal thing to do on a date. Look deeply into someone’s eyes. It would not be suspicious at all, even though Three isn’t really sure how to look more or less deeply into anyone’s eyes at all. Eyes are not flat, but even when Three Looks, it isn’t as though there is anything interesting in there.

Martyn is sweating somewhat. He looks away first.

Three’s pretty sure this counts as a victory, especially given Martyn can’t see Three’s face behind the mask anyway. It is good Three has now won the game of ‘staring lovingly into its date’s eyes’, because that had been a strange, threatening mortal ritual. It would rather not do that again.

“Haha, thanks again for agreeing to this date,” Martyn says, very suspiciously looking around the small cafe in a bustling semi-private Origins server. “It’s been so long since we’ve gotten to hang out like this. Gods, do I sound stupid.”

“You do,” Three says.

“You don’t have to answer those,” Martyn says.

“Will comply,” Three says.

“Oh, for the love of—we’re on a date. A date!” Here, Martyn winks obnoxiously. “It’s not a mission.” He winks obnoxiously again. “Besides, you should lighten up!”

“Will comply,” Three says.

“You know, I had forgotten how obnoxious that was,” Martyn says cheerfully. “Anyway, I should order us some drinks! Have some conversation! Keep an eye out around us, yeah, for our waiter?”

“You are not very subtle,” Three says.

“I don’t know what you’re talking about,” Martyn says. “Besides, honestly? I am really glad to just hang out with you. Because we’re dating! On this server for fancy couples. Yep.”

The problem is, of course, that a fancy origins server is a great place for the strangest of people to hide.

When Martyn had asked a favor, Three had been… uncertain. This was not because Three doesn’t care for Martyn—it does, greatly—or because Three didn’t want to see Martyn—they’d met up a few times before now, tentative and quiet and frustrated and all the things that were hard to explain, and then in all the ways they were okay again—but because Martyn, for all Three cares for him, is still an idiot.

Three is its own handler, now. It does not have to follow handlers that are morons. It had told Martyn this. When Martyn had stopped wheezing, he’d explained that it’d be fun. Not Listener business, he promised; he still hadn’t quite gotten out, but he wouldn’t drag Three in, Scout’s honor.

(Three believes him. It’s never been that Three doesn’t trust him.)

It was a friend of Martyn’s that had gone missing. Apparently, on some fancy modded server? And now, Martyn wanted Three to come help him do some recon because, quote, “Jimmy laughed at me until he cried and that hurt me a little bit, not going to lie, and I’ve used up the favors Ren owes me, and Oli was busy. Have you met Oli? You’d like Oli.”

(Three did not like Oli.)

Three agreed, despite its better judgement. The reason it thought this may be a poor plan was because—

“Ah, the lovely Valentines,” the waiter says. He gives them a plate of lovely heart-shaped calamari. Three wonders if they had belonged to heart-shaped squid. “It’s a lovely evening, isn’t it?”

“Yes, it’s wonderful here with my beloved!” Martyn says.

The waiter and Martyn both look at Three. Three doesn’t say anything and sits perfectly still.

“Um,” the waiter says.

“It’s for a health condition,” Martyn says, which technically isn’t a lie.

“Very well, sirs, although it may get in the way of the kissing competition!”

Martyn, who had just started sipping some wine, chokes on it.

“I will win the kissing competition,” Three says.

Martyn chokes harder.

“I will see you to it!” the waiter says. “And of course, our patented species comparability exam is the highlight of the evening.”

“Oh. I am not sure I can produce viable offspring,” Three says.

The waiter stares at Three. Three stares back, although not into the waiter’s eyes, as to not cause any confusion. The mask somewhat prevents that from working, though.

“Very well then,” the waiter says. “I suppose just—do you need help?”

“It knows what it’s doing,” Martyn hisses.

“I did do research before coming here,” Three says.

“I’ll just head on,” the waiter says, in a tone that suggests to Three that maybe it did not do enough research before agreeing to help Martyn.

Oh well.

At least the mask means it doesn’t have to keep a straight face as it picks Martyn off the ground and, completely flat in tone, says: “Do not die. I would be sad if you died of something as stupid as choking on wine.”

“I asked for this,” Martyn says.

“Yes,” Three says. “You did. That is why I am here.”

(Beneath the table, it grabs Martyn’s hand. Martyn squeezes Three’s hand back. It had missed him, though. For all they do not see each other often—)

(Well. It had missed him, though.)

[muzzlemouths]

not to sound desperate on main but since it's disability pride month it'd be really nice to see some art or fics with disabled Y/Ns.

[griem]

ijbol idk man releasing screenshots of very polarizing things said in a private discord server between friends in a public "callout" post is #the most #tumblrific thing ive ever seen LOL.

#opinion 😱 in tags

[lucabyte]

i am looking at nohats au 👀 please share more

So! NoHats! I'm going to grab you and use this to ramble. A Lot.

The NoHats AU is @samhainian's it's just that I'm the strange little freak who takes the words said unto me and executes on them. But I can still do a little explainer on what our overall thoughts and vibes are. (And, that we are in fact propping up a little box with some cheese under it here. 🪤 Please (PLEASE) feel free to pick up what we're putting down.)

We're far from the only ones exploring a "what if siffrin fucking died" AU, though the main difference with NoHats is the placement of the death in the timeline. Instead of being 'Mal Du Pays Wins' or 'Act 6 encounter goes horribly wrong', the death is… Just after the (literal) falling action.

(This placement is because Sam is a comic book fan who thus has become used to characters being ripped away at the cruelest times by shitty writers. THANK FUCKING GOD adrienne is not that and isat is delightful yippieee, but, back on topic.)

Giving the party the full understanding of What Happened that you get by putting the death after black hole siffrin, but before the A6 encounter leaves an interesting gap to be filled. See, making Siffrin's death very much not Loop's fault means that… this once again reads (when not read as simply a tragedy...) as the universe doing what it sees fit to fulfull Loop's wish… Thus making Siffrin's death Loop's fault again, but only in their eyes. And only in a way they could express if they were honest about who they were…

And this is where having had excuse to waffle about my general Postcanon Loop thoughts the other day comes in handy, because Sam and I have that as our canon-compliant reading to begin with, NoHats plays off of a lot of the same readings of Loop's character. Namely: Uh Oh Somebody's Lying By Fucking Omission Again. (BECAUSE TO BE FAIR THIS TIME… HOW THE FUCK WOULD YOU HANDLE THAT?)

Now, neither Sam nor I are fanfic writers, so this has been a little bit trapped in our heads and DMs (and my unfinished art but,)

But our thoughts on how NoHats like… Goes.

Siffrin's death is peaceful, but that does not mean the aftermath of it is. I can't imagine the party takes it well, especially after understanding the circumstances of the Loops. (And, of note, in A5 where nobody had the discussion on what to do with each other's bodies should something happen…) But I'd imagine it traumabonds them somewhat (understatement of the century) and now knowing how the rest of the party feels, they resolve to travel together for the forseeable future.

The party track down Loop to deliver the terrible news, since they were clearly Siffrin's friend too, and invite Loop along to travel at least long enough to (let them grieve) get the burial over with. Loop, here, can be helpful in knowing what Siffrin would've wanted where the party would be at a loss. Loop, I think, takes a bit of a lead on the funerary aspects of it all, because, um. (Performing rites on your own body, huh?)

Then, as things are after a death, life just… Kind of has to continue on as normal. The party travel, pick up Nille, and get to know Loop as this mysterious new person. Maybe in this situation they might stay in Bambouche for a while to give Bonnie more stability since. They are probably taking it the worst. It would've come out of absolutely nowhere for everyone in the party obviously but god, for a kid? For A Kid?

It should be stated NoHats is not intended to be grimdark, just y'know. An exploration of grief. This is also why it's got a bit of a lopsided focus on Bonnie vs the rest of the party because hhrrhghghhghghhhghhghhh <- incoherent

Now, a crossroads.

How does the party discover Loop to be Siffrin? How long does it take. How much have the party embraced them as part of the family (especially with something as intense to bond over as this)?

There's the Odile option. Have her put it together and have to bring it up somehow. This could also be done by Isabeau, perhaps. He's smart. (which. God. If anything's the real Isabeau Torment Nexus it's this)

Then there's the other option batted around by Sam and I. The: The Universe Dislikes Duplicates option.

The items in the house that fzzt away when inspected. The Universe doesn't like there to be two of something, at least not when they're acknowledged. But one of something is just fine…?

Which is to say. I'm not a personal proponent of 'Loop getting their body back'. EXCEPT …… except this one time.

There's only one Siffrin now, so they don't need to be obfuscated to exist.

Consider, if you will. Loop swallowing their guilt for long enough to be comfortable. Falling back into old habits. Without another Siffrin around to compete for the niche of, they actually begin to act like Siffrin again. Not intentionally, it's just… The party is as welcoming as they've always been. And the party swears they keep catching glimpses of a face under all the light.

Then, one day, while still not fully human again, the resemblence becomes undeniable. Loop having not even noticed until everyone looks at them like they've seen a ghost.

Has it been months? How long have they kept up this lie? Is it even a lie, to them? They're Loop. But they were, once, Siffrin.

Even after explaining it, does that make it better or worse?

Bonnie cuts through the betrayed, struck-nerve reactions with a sobering "I missed you."

… Anyway !

Yeah so that's the vibe for NoHats. As for LoopLoops? That's more nebulous. I think it can go anywhere really in the NoHats timeline. I err personally toward the "Loop continuously replays the last 10 minutes before Siffrin's death almost immediately after they find out and have to parkour their ass up the House in the most distressing situation possible to try and get them to hold on, just please hold on." (Remember! Siffrin can remember the contents of Loop's loop backs in the A6 fight!)

But there is the possibility that this happens months, or worse years down the road. One last Loop back. Throw it all away for the chance to just get that one thing you didn't know you even wanted but now know you NEED.

Misc:

Okay miscellaneous time.

This is where I admit that I have a bunch of unfinished NoHats art that I haven't gotten around to yet because I feel like a right tool being so obviously Loop-Centric with my fancontent (I AM . . I REALISE I AM NOT DOING MUCH TO BEAT THE ALLEGATIONS.) So like if people want to see that please say because euaghghghhfh <- the nervous.

this is like the most fucked up place to do isaloop fr. anyway.

one of Sam's mid-game observations that I'm just going to share for no particular reason is that Bonnie's hair shares a bunch of shapes with Siffrin's. The flick up at the top, the 3 pronged shape of the fringe… just something to think about.

Without 2 Siffrins around to compare each other to it'd likely be a lot harder to notice Loop's similarities. Doesn't mean that those similarities don't sting more in this context though.

If you do NoHats without LoopLoops. The concept of this all fading into memory years down the line while they just have slightly-glowy but otherwise regular Siffrin hanging out is fucked up to think about. Just like real grief. Augh

6. a peek into the original dms as a treat from us

[deoidesign]

something that makes me sad is when people tell me the healthy communication in my writing is "unrealistic."

like guys this is how me and my partner talk with eachother... I'm writing from personal experience...

[tatck]

for some reason i was just scrolling through sonic twitter, i must hate myself

[dee-daa]

as shitty as what in hell is bad is as a game (especially due to pb's greed), the community on this site is absolutely wonderful so far and seeing all the posts on my home page makes me so happy ^^

[beanghostprincess]

I mean… wlw content get overshadowed by mlm ships everyday so it is insensitive a little

Not to sound too mean but what do you expect me to do? I get that sapphic ships get overshadowed and underrated all the time in comparison to achillean ones. Believe me. I am a lesbian who is constantly pushing their sapphic ships everywhere.

But you can't expect people to suddenly stop posting about the achillean ships they enjoy just because they're more popular than YOUR favorite ships. Is it bothersome that achillean ships get more attention for the sole reason of being a male pairing while sapphic ships get ignored or not even suggested? Yeah!!!! It's frustrating.

But if you want some change in the amount of content you see then it's YOUR fight only and others should be allowed to post whatever they like. If you want to post only sapphic ships or you're bothered by them being talked in the same light as achillean ones, then it's YOUR choice to make.

Fandom is NOT activism!!! Fandom is meant to be enjoyed in whatever way you want. Fandom is to interpret media in your own way. So, honestly, if I want to make a simple post comparing two ships I like, why should I be trying to defend myself here for that? If people don't like it, then they can just block me, scroll, move on, etc.

To think a post about comparing fictional ships is insensitive is insane to me, tbh.

[lucienarcheron]

Seeing some of those comments on the fairyloot edition of tog gives me the ick so bad. this fandom can be so disgusting sometimes.

[skitskatdacat63]

In the Pre-Quali show, Will Buxton and James Hinchcliffe discussed the team orders controversy from today's sprint. I agreed with some of what they were saying, but at the same time I felt they were being a bit too harsh in the way the talked about it. Commentators are allowed too be opinionated, of course, but I was curious to see if anyone else was a bit put off by this, or if I'm just being irrational/oversensitive(sry in advance for it being four mins lol)