#but if anyone specifically wants me to I can

[gay-dorito-dust]

Can’t stop thinking the tall horror men of homicipher. I’m like 5ft something, so I know damn well these men tower over me…am I discovering something? Maybe 👀👀👀but I know I ain’t alone. TRUE STORY: Also there was this guy that came into my place of work moths ago with his family and he was TALL, bending down to get through the doorframe TALL but he was lovely.

So how do I imagine these boy would react if they see that you’re clearly ogling them for how tall they were.

Mr crawling

Given the fact that you’ve only seen him stand once, it was enough to have your jaw dropping to the floor. He was taller than the fucking doorway that he had to manoeuvre himself under it, and suddenly you’ve forgotten that you were being kidnapped by Mr Stitch, too intrigued by his height and now understanding why he had lied to you about his ability to stand.

He thought he would scare you but in fact made you feel the complete opposite, you loved how tall he was and you couldn’t get it out of your head, even when he’s back on his hands and knees to comfort you. The illusion had worn off and now you wanted to see him tall all the time, but you didn’t want to pressure him into doing so unless he felt comfortable.

‘You’re tall, really tall.’ You said in awe as Mr crawling coddled you against his chest.

‘Scared?’ He asked as though he was fearing your answer, which broke your heart as you nuzzled your face against his shoulder in an attempt of comfort.

‘No, handsome.’ You replied as Mr Crawling made chirps and purrs of happiness as he held you closer to him.

While he’s still not fond on standing to his full height, the fear of his intimating stature would chase you away one day embedded in his heavily, he would find some comfort in knowing that you loved his tall stature and love you even more for not forcing him to do something he clearly was uncomfortable with; preferring to shower him in kisses and remind him that whether he’s standing or on his hands and knees you loved him regardless.

Mr silvair

The man can feel your eyes on his back constantly. He knows he’s taller than most but the way you looked and admired his full height like you wouldn’t be able to anymore.

He wonders whether this was something only you seemed to have or whether other humans also felt possessed by the need to gawk at people above a certain height. Or was it just you that has this particular expression upon seeing his tall stature in general.

He would take notes of how his height seemingly did something to you that then triggered a chemical reaction within your brain to make you find his height appealing and possibly a requirement in finding your perfect romantic partner.

Or more specifically people of similar height to Mr Silvair himself or anyone close enough to his height to qualify. Mr Silvair soon deduced that you liked the domineering presence of someone much bigger than you, someone who’s able to drag you wherever as though you were nothing but weightless to them, almost like a ragdoll.

He’d soon find that this is in most cases considered a kink amongst you humans who found the height difference between partner rather erotic.

Mr Scarletella

Finds your content ogling of him flattering and thinks that it means that you were finally, finally reciprocating his obsession with you for your own obsession with him.

He’s another one who takes note of how you like how tall he is in comparison to you, always looking at him whenever he was entering the room, eyes widening when you see him having to bed down to get through the doorway, and your eyes never leave him even as he’s walking towards you; seemingly getting taller with each step until he’s in front of you and you’re looking at him in awe and hitched breath.

He’s obsessed with your expression each and every time and uses his height to his advantage. Such as doing things like putting his hand above your head and on the wall, looking down at you with those obsessive eyes of his as his smile seemed to widen upon hearing your breath hitch and eyes widen once more.

His height continued to elicit a reaction out of you that Mr Scarletella loved and adored and wanted to see more of in the future.

Mr Hood

Finds your constant ogling of his height interesting.

He didn’t know why you were so surprised he’s this tall, he’s been with you this entire time and it was only recently did your mind seemed to inform you of your Incredibly stark height difference, and bam! Suddenly he’s the subject of your constant staring and ogling as though it would be the last thing you did.

It was humorous to say the least and will earn you some head pats and cheek caresses that has you leaning towards his comforting and gentle touches.

It wasn’t something that you hide from him as half of the time you didn’t realise you were doing it until Mr Hood pointed it out with curiosity, meanwhile your left flustered as your mind held certain thoughts towards his legs, thighs and large hands.

Poor Mr Hood, he understood to some extent but after a certain point it’s better to explain to him that you find his height rather appealing to you in more ways than one.

[thatonebirdwrites]

Gosh, I can relate to this.

I think about what fandom is a lot since I sort of lurk in a lot of spaces (until I feel brave enough to speak or share).

First off, the point of this addition isn't to guilt trip anyone, but to get people thinking about what community means. What inclusion means, and what engagement means. And how those are interconnected.

One of the crucial pillars of fandom, and the reason fandom exists at all is because of community.

Writing fanfiction and sharing it for free is about building community with one another. It's people who loved a show/movie/book enough that they wanted to play in the world longer, so they play together in that world with other people who love it too. That's what fanworks are -- it's people playing together in community because of a love toward a specific series/media.

But community requires communication. It requires building connections. It requries engaging one another.

I write long fics. In fact, adding up the word counts of my fics in AO3? It's well over a million words in two different fandoms. These are free novels written because the community had been welcoming at first and it had encouraged me to keep going.

But I made a mistake. Two of these projects (in two separate fandoms) I made into a series. Because of how each part in a series means the sequel gets less engagement, it feels like I'm watching a community dissolve, and that's painful. I don't get paid for this. It's all free, and part of the reason I went to fanfic writing was because of community.

Lack of engagement gives, often unintentionally, the author the message that they aren't really part of the fandom's community. At least not anymore (if they ever were).

Some say, "Well, don't write for your readers!"

Well, no, I don't write for my readers, but the act of sharing for free is me giving to the community and building up community.

But part of building up community requires people to give back in turn. Oherwise the community will fracture and fall apart.

The reason fandom exists at all is because of community.

It's the community part of fandom that has helped me to heal enough to write again, but when that community dries up or no longer engages with me, then what am I to do? I've lost that community, and if I continue to engage with it and get very little (if not nothing) in return, then at that point, I'm throwing my energy into a void in hopes for a scrap of community.

It ceases to fulfill the need. It leaves me feeling lost and alone. And finding out later how much people loved a fic I wrote but that fic received very little engagement? It tells me that I'm not loved as a person within the community.

I have watched and listen to people talk about how much it hurts when the work they put in so much effort in for the community gets little to no engagement. It often pushes them to engage less, to stop writing, and watching that happen? It hurts to see.

Community requires communication. Do not treat an fanfic author like a kiosk, where you grab the story and run. Treat them like they are part of your community. By doing so, by including them, you bolster their sense of belonging and are more likely to get stories in return.

Community needs to be reciprocal. And I fear fandoms are losing that understanding of what community is. They expect and sometimes demand more, but what are they doing to support that fanfic writer or artist? Are they engaging them and uplifting them within the community? Or are they not engaging them?

If you read an author's work and love it, include them in that community by sharing your thoughts in a comment. You don't necessarily have to comment on every chapter of a longer work (Though it is so lovely some do), but to at least offer up comments here and there to be inclusive of that author.

Engagement bolsters the community bond.

The lack of engagement breaks the community bond.

And that's a sort of grief. Us writers came for community and to share our love of the fandom with others. When we fail to be included in that community, it will hurt. It's a type of rejection that people may not even realize they are doing.

Community requires communication, and for fandoms, part of that communication is comments, kudos, (and gosh, even tumblr asks).

I hope that helps give people another perspective to consider.

Think it over. Think about what you'd like to give back to the creators in your community.

And please understand, if you can only give back one or so comments? That's okay and valid, and that too builds up community.

Even little actions matter.

Never think your small action doesn't matter or that your comment or kudos doesn't matter. It does. It helps build community too.

Thanks for reading. Be safe.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[makingqueerhistory]

":')))))))) you realise that gen AI is available to everyone though right??? Queer creators can use it just as much as anyone else??? I just don't understand this post... It really feels like a cheap way to get on the 'AI Bad's bandwagon, and coming from such a thoughtful and insightful creator that's incredibly disappointing... It's okay to not comment on subjects you're not an expert in y'know...?"

Y'all know the drill, I am replying to this publicly but that is not an invitation to send any negative messages to the person I am replying to.

Anyways, let me start by saying that the original context of the post you're replying to is discussing an event where a queer org used generative AI to steal an interview with Keri Hulme. So let's start there. To be clear I don't even know if the original interviewer was queer so let's put the identities of stealer and stolen from to the side. I want to explain the harm done in this example specifically and I hope this is illustrative of what harm generative AI can (and does) do.

The original place I saw generative AI was a queer org that explicitly says they are using generative AI "for good", and as a way to bring more queer history to light. So let's take them at their word, and assume they are not out to cause harm. This is the best example of generative AI that I can imagine, so I hope that makes it clear that I am not coming at this issue from bad faith in any way.

Here is the harm they are causing:

Decontextualizing and rephrasing an interview: I am not going to pretend that I am an expert in academic best practices, but I do believe one thing, if a person is speaking on their own identity and lived experience, it is always much better to directly quote than it is to rephrase. As I read this source, I initially didn't know that it was AI, and I was already upset. An interview that is widely available on the internet with no pay wall, was poorly sourced and made more vague than it was in the initial text. By creating one degree of seperation between the original words of A WRITER (whose literal job was largely based in choosing the right words to describe experiences they had) harm is already done. It makes vague what was once clear, and removes Keri Hulme's voice from her own narrative.

The original interviewer is not paid, or given proper recognition: I get it, sometimes just copy pasting an interview doesn't feel transformative enough, but something that one would learn if they worked in the queer history field and weren't a literal robot rehashing what has already been said, is that not everything needs to be transformed. In those cases, we give credit to the person who said the original words (in this case Keri Hulme), and the interviewer who facillitated the conversation (in this case Shelley Bridgeman). This case (again a best case scenario), takes the attention and byline away from the original interviewer and gives it to an AI.

The original publisher of this story is deinsentivised from paying interviewers in the future: The original publisher of this interview has ads on their website. As a person who also has ads on their website, taking an article like this and rephrasing it for no good reason (the orginal word count was not prohibitive and the rephrasing did not make it more readable), takes money from the publisher. It's pennies, but it's also removing numbers could have been used to justify further interviews with asexual people and archiving of asexual stories. The org that stole from this publication does not interview people themselves so the money and numbers that could have gone to continue to preserve asexual stories goes to stealing them instead.

These are just the active harms that I saw in this specific case. As you said, I am not an expert in generative AI, and will not be speaking as if I am. But I will say that asking me not to speak out on active harm that is being caused in queer history spaces, is disrespectful to my many years in this field.

To illustrate this even clearer: if you were a patron, you would know I recently took down an old article. I have been rereading and editing our backlist of articles, and I found one that no longer fit my standards of sourcing. My standards had recently raised due to a video made by HBomberguy about someone in the queer history space who was stealing from other creators. I watched this video not as a work project, but because I watch most of HBomberguys videos, and this one made me think more critically about sourcing. An AI can't do that. All an AI has is what has been inputted, and it is right now impossible to input every available peice of information about ethics into an AI and get a coherent ethical basis on which it will function.

It is a distinctly human trait to absorb information and change in that way. AI can rephrase information that already exists, steal it, recontextualize it even, but it cannot create something altogether new.

Do I believe that there one day might be an ethical use for Generative AI? Maybe. Do I believe that coming into a queer history space, stealing the words of a Maori asexual author, rephrasing them, and giving the original interviewer and publication no form of compensation for their work, is accomplishing that? No.

On a more personal note: I am coming at this issue with a bias. As a queer history creator, I do not want AI in my space, because it is literally damaging to my financial prospects. It has been like pulling teeth to try and get patrons in the current state of the global economy. I don't blame anyone from that, but I feel very disrespected that I am being asked to compete with a machine now. Not only that, but I am being asked to shut up and be fine with it? No, absolutely not. I cannot and will not stay quiet as space that I have fought tooth and nail to create in mainstream discussions is taken and given to AI.

AI was not supporting me when I was sent gore to try and scare me off of discussing queer history. A person did that. AI was not there to tell me I had written too many sad stories, and I needed some happy endings to remind myself of the good in the world. A person did that. AI was not there when I was being harrassed for supporting and including asexual stories on my website. A person did that.

And after all that, I am being asked to lie down and take it when my ability to pay the people who supported me in those ways, is being threatened. Nope. Not going to happen.

An AI doesn't have to make rent. An AI doesn't understand what it feels like to have to stop holding their wife's hand in public. An AI didn't get calls from people needing comfort in reaction to the election. Pay me for my work, and get this AI nonsense out of my face.

[silversnake888]

Astrology Observations

DISCLAIMER: i cannot guarantee these observations are absolutely correct. this post is based off of sidereal placements (but its awesome if you relate either way!)

if you're curious about your sidereal placements use cosmic insights app and/or prokerala website!

please read to the bottom because i have a bonus question ! (anyone and everyone can answer this question it is not placement specific!)

being an ashlesha rising is not fun. you get extreme reactions out of ppl especially men (which tends to be overtly sexual if you have 8th house placements). its not for the weak.

aquarius rising is the most mysterious ppl i've ever met especially if they have a debilitated moon (scorpio moon and/or jyestha moon) it's hard to figure out their emotions. its okay to talk about your feelings haha.

ever heard that gemini risings are one of the tallest ascendants? i agree! they're the tallest ppl i've met regardless of gender, and this rising reliably creates tall people. even if they're from a culture where the people tend to be short they will somehow defy norms haha. unless there is saturn aspecting their rising then they'll be taller than everyone. (ex. rupaul, margot robbie)

similarly, aquarius risings tend to be very tall but it hasnt been as reliable unlike gemini. however, if they are tall they are insanely tall.

if you want to "glow up" then use famous celebrities with your rising/moon nakshatra for inspiration. rising is best for appearance and moon is best for aura. further explanation:

rising for: makeup, clothes, hair styling etc

moon for: demeanor, how you should interact with others etc

it's even better if u find a celebrity you love with the same rising + moon as you! you'll find it easier to mimic them because this energy is inherent within you. all you need to do is follow their wisdom.

mars in taurus, talk about a temper! they can get angry super fast!

ever heard that sun and mars is best in the 6th house? i agree. these ppl are the ultimate work horses, but also, the best survivors. they will survive anything.

the most reliable house to tell if you'll have a foreign spouse (jupiter for women, venus for men) is 12th house. there is other placements which indicate this but this placement gives you 90%-99% chance you will marry a foreigner (and this will hold for multiple marriages, ex. donald trump, elon musk). The other house is the 9th house.

there is a high possibility you will share at least one placement with your parents. the placements with the highest possibility is: same moon sign with your mom, and/or the same sun sign with your dad. similarly, it's common for you to share the same rising with either parent.

Feel free to tell me if you agree/disagree with my observations!

Bonus question(s): look at your third house. 1) do you have younger siblings? 2) do you have any planets there? if so, which planets are in ur third house?

[multipleoccupancy]

Theo studied her as she turned to look at him, Davidson's warning ringing in his head about revealing the organisation to anyone and the consequences of doing so, however Theo had entered a new phase of his coping with what had happened to him. Most importantly he didn't want Violet idolising a life he had only allowed her to see glimpses of.

"Not the missions specifically," he gently shook his head, trying to word things in his own mind. He had even rehearsed what he should say that morning but of course as was the way, it had all gone out of his head now he was actually supposed to start. "The reason I don't go into details about them with you is because sometimes even hearing of these things can trigger episodes like the ones we talked about." Four days ago? But it felt longer.

"So when you ask me about them it's not just that I am being secretive, it's also to protect you from more than just knowledge of what I do." He drew in a breath, thankfully it was not shaky anymore but he was clearly trying to steel himself.

"You saw how it was I was recruited, Agent Davidson arrested me and put me in that ward for just over seven months before you turned up." His jaw knotted in the memory, "This was the basis of my working for them as an agent. They funded my education and for a short while between collage and the FBI I was working with the police as a special." No authority but all the training, "The ward was constantly held over my head as the threat it was meant to be, that if I did not do well in school, if I did not train properly or if I failed the academy I would be put back there and left there."

He chewed his tongue of course he was angry about what had happened to him and he hoped he could muster up the courage and strength to take himself with Samantha to the shooting range to let out some of that rage but for now he had to wait. "It was a very real threat, it wasn't until about twelve years ago that I was able to close that ward down once and for all and free myself from that threat." Theo studied her, carefully. "But now there is a new threat they could use, not just to ruin my career but I have six children, Rea, parents, in-laws, friends." There was nothing really noble about how it was they kept agents in line. "So I climbed. I worked hard for Delta Green and showed my loyalty by doing whatever it took," a darkness crossed his face for a moment as he thought on that and what he knew now of cultists. "I am not a regular agent but I am also stuck from progressing any further because I have given them everything."

𝐓𝐇𝐄𝐎 & 𝐕𝐈𝐎𝐋𝐄𝐓 @multipleoccupancy

Violet's eyes widened in surprise. "You want to talk about... your work as an agent?" She couldn't believe her ears. He didn't want to talk about the ward or her recklessness after all; he wanted to talk about Delta Green. He never talked about it. A few things here and there, sure. But never in detail, and definitely never without her prompting it.

"Of- of course," she stammered, shifting in the bed so she could look at him, "I'd like that very much." Violet had always been so curious about his life as an agent, and she was astonished that he suddenly wanted to tell her about it.

She wasn't sure why he wanted to talk about that. Samantha and him had mentioned the toll that this work had on them. Was that what this was about? Or was he trying to deter her from ever joining the Program? Either way, she wanted to know what he had to say. "What... what do you want to talk about? Your missions?"

[olderthannetfic]

What's a good place online to get decent-quality yarn at a reasonable price?

--

Knitpicks.

Assuming you want wool and that kind of thing, your idea of reasonable is box store prices, and you're in the US. They regularly have amazing sales too, on top of the already-low prices.

The snobbier you are, the more you'll need to look for other people's destashes. I was just at a reuse place today and they happened to just have gotten in some nicer-than-usual yarn with the labels still on.

The ideal is to find someone's grandma who is drowning in her stash or, better yet, someone with a dead grandma and no interest in knitting who needs to dump a bunch of yarn fast. But, of course, it depends if you're the kind of knitter who finds that inspiring or if you just want the correct yarn to use on a project you've already picked out.

I got some Wool of the Andes worsted early in my current phase of knitting, and it's quite nice, especially for the price. I'm currently trying out some of the sport weight because I have a specific Christmas sweater that needs it. I'm finding it scratchier and less nice, but I haven't blocked it yet, so we'll see. The whole Wool of the Andes line is beloved by thrifty knitters.

If you're willing to do some work and you like an adventure, unraveling a thrift store sweater is by far the most cost effective way to get a big lot of yarn. You can check the tag for fiber content. Some of these yarns will be rather thin, so you might hold them double or even triple for hand knitting.

For me personally, it usually makes more sense to chase super deep discounts on ultra premium stuff and then see what I can figure out with the yardage I end up with. It's really going to depend on you and your priorities. If you're longing for cashmere, it makes way more sense to try the thrift store approach. If you have a very specific Christmas colorwork pattern, Knitpicks or the like is probably a better bet. I got a big lot from fabulousyarn.com once when I needed that exact yarn. They seem fine. I don't know a lot about these big online stores, but there are a few of them, and they tend to have good deals.

You also have to consider whether you're going to be able to get continental US shipping (probably free from a US store) or not.

Anyone have thoughts on this?

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[dissapointu]

“Faulty Wiring” sevika x reader

The first time Sevika darkened the doorway to your workshop, you thought she was there to intimidate you.

The dim light behind her only heightened her imposing presence: tall, broad-shouldered, her prosthetic arm sparking faintly as she leaned against the frame. She scowled, not at you specifically, but at the world in general.

“You’re the tech Silco sent for?” Her voice was low and gravelly, her words clipped.

You nodded, gesturing toward the workbench. “That’s me. I hear your arm’s acting up?”

Sevika grunted, stepping inside. “Keeps seizing up mid-swing. Useless in a fight.”

The sparks popping from her shoulder joint painted a grim picture. You set to work without delay, trying to push past the nervous flutter in your chest. Sevika’s presence was overwhelming—everything about her screamed danger—but there was something about the way her gaze lingered on your hands as you adjusted the wiring that made you wonder if there was more beneath the surface.

Over the next few months, Sevika became a regular in your workshop.

It wasn’t that her arm was particularly faulty; it was that she pushed it to its limits, testing every weld and circuit with her relentless lifestyle. Silco’s enforcer didn’t take breaks. She didn’t show weakness, at least not outwardly.

“Does this hurt?” you asked one night, prodding the exposed joint where metal met flesh.

Sevika gritted her teeth but shook her head. “Pain’s just noise.”

You frowned. “Still, I can adjust the connection to make it less—”

“Don’t bother,” she interrupted, her tone sharp. “I need this arm to fight, not to feel comfortable.”

You sighed but didn’t argue. Sevika wasn’t the type to let anyone take care of her, even if it was your job.

The Cracks Begin to Show

Sevika never talked about what she did outside the workshop, but the signs were hard to miss. She’d show up with blood on her clothes or bruises blooming across her skin. Her jaw was always tight, her shoulders tense.

“You’re going to burn yourself out,” you said one night as you replaced a damaged gear in her elbow joint.

Sevika scoffed, lighting a cigar with her flesh hand. “Worry about the arm, not me.”

You set down your tools, staring at her. “I am worrying about you, Sevika. You can’t keep this up forever.”

Her eyes flicked to yours, hard and unyielding. “I don’t have a choice.”

It wasn’t the first time she’d shut you down, but something about the way she said it—like she truly believed it—stung. You wanted to press further, but you knew Sevika well enough by now: push too hard, and she’d disappear for weeks.

The rift between you began subtly, like a loose bolt slowly working its way free. Sevika started showing up less frequently, her arm in worse condition each time. When she did visit, she was quieter, more withdrawn.

One night, after a particularly brutal repair session, you finally worked up the courage to ask, “What’s going on with you?”

Sevika didn’t look at you. “Nothing.”

“Don’t give me that,” you said, exasperated. “Your arm is falling apart because you’re pushing yourself too hard. You’re barely talking to me anymore. Just—talk to me, Sevika.”

She finally met your gaze, her expression unreadable. “You wouldn’t understand.”

“Try me,” you said softly.

For a moment, you thought she might open up. But then her jaw tightened, and she shook her head. “It’s not your problem.”

Her words felt like a slap. You tried to hide the hurt in your eyes, but Sevika saw it. She just didn’t do anything about it.

The next time Sevika came to your workshop, she wasn’t alone.

A young recruit followed her in, wide-eyed and fidgeting nervously. “This is Kess,” Sevika said gruffly. “She’s taking over.”

You froze, your tools clattering to the floor. “What?”

“I need someone I can rely on,” Sevika said, avoiding your gaze. “Someone who doesn’t get… attached.”

The words hung in the air like a death knell.

“So that’s it?” you asked, your voice barely above a whisper. “You’re replacing me?”

“It’s not personal,” Sevika said, but the tension in her voice betrayed her.

“It feels pretty damn personal,” you snapped, your chest tightening.

Sevika didn’t respond. She just turned and walked out, leaving you standing in the middle of your workshop with nothing but the sound of the recruit’s awkward shuffling to fill the silence.

You didn’t see Sevika for weeks after that.

Your workshop felt empty without her presence, and though you tried to focus on other projects, your thoughts always wandered back to her. What had you done wrong? Why had she pushed you away?

One night, there was a knock at your door. You opened it to find Sevika standing there, her arm sparking and her eyes bloodshot.

“I need your help,” she said, her voice hoarse.

You wanted to slam the door in her face, but the vulnerability in her expression stopped you. Without a word, you stepped aside and let her in.

As you worked on her arm, Sevika sat silently, her shoulders slumped.

“Why did you leave?” you finally asked, unable to keep the question bottled up any longer.

Sevika exhaled sharply, running a hand through her hair. “Because I can’t afford distractions.”

“Distractions?” you repeated, your voice laced with disbelief. “Is that what I was to you?”

“No,” she said quickly, her gaze snapping to yours. “You’re… more than that. And that’s the problem.”

You stared at her, stunned. “I don’t understand.”

Sevika looked away, her jaw tightening. “I can’t afford to care about someone. Not in this line of work. It’s dangerous. For both of us.”

The weight of her words hit you like a punch to the gut. “You think pushing me away is going to protect me?”

“It’s the only way I know how,” she admitted, her voice barely above a whisper.

The silence that followed was deafening. Finally, you spoke.

“Sevika, you don’t get to make that decision for me,” you said, your voice steady despite the lump in your throat. “I care about you, and I know you care about me too. So stop running.”

Sevika’s eyes met yours, and for the first time, you saw the cracks in her armor. “I don’t know how to do this,” she admitted.

“Then let’s figure it out together,” you said softly.

Sevika didn’t respond with words. Instead, she reached out, her flesh hand brushing against yours. It was a small gesture, but it spoke volumes.

[crossdressingdeath]

Ah, I think what we're getting into here is the difference between Andrastianism and the Chantry. There were a lot of different Andrastian sects(? Cults? Not entirely sure what the right word is, but I'm gonna go with sects) when the Chantry was first founded; most of them aren't around anymore (at least some of them gone because of the Chantry and its habit of wiping out every other religious group it can, see the codex entry on the Daughters of Song for an example; that one's especially nasty since they were pacifists and the Chantry steamrolled over them anyway), but even in the games' time period there's still a couple, most notably Chantry Andrastianism and Tevinter Andrastianism. Orlais chose a very warlike sect to follow right from the start, which might just have been because that's how Orlesians are but it's still a thing to keep in mind: the sect the Chantry came out of was already one that glorified war above most other things. How convenient for an expansionist empire! The Chantry itself was absolutely created from that initial sect with propping Orlais up in mind, and it has stuck to that mandate pretty consistently throughout Thedas's history (even up to the occupation of Ferelden, the Orlesian king put in charge had a Chantry advisor; as far as I'm aware there was no significant Chantry presence among the rebels, at least not in any official capacity). It's also important to me to keep in mind that in the games there is a vague acknowledgement of how Andrastians don't necessarily follow the Chantry and many don't agree with it; Anders is a devout Andrastian, and he understandably despises the organization. Varric is Andrastian, and Cassandra comments he wouldn't be caught dead in a Chantry. Basically the Chantry as an institution and Andrastianism as a religion are not the same thing, the Chantry was created with a specific goal that Andrastianism did not share, and after a point they have to be discussed as separate entities.

I sort of agree with the "institutions are at their heart the people" thing? But also that only goes so far when we're talking about an institution that is fundamentally not in it to do good, or at least not for anyone who isn't already wealthy and in a position of power. I think the best example is Mother Giselle; she was working in Jader during a famine, and she demanded the Chantry step up and offer aid to the people who were starving. She's the epitome of someone determined to do good within the Chantry and fulfill their supposed mandate of charity. And... the Chantry refused to help. Just straight up refused to send aid no matter how many times she entreated them to help these desperate people. Eventually Mother Giselle fell back on a hunger strike, and that worked (although the Chantry insisted she feed herself and her fellow sisters first, which they merrily refused to do; I have issues with Mother Giselle but this is very good, gotta respect the determination). But the Chantry was so furious with her for "shaming" them and forcing their hand that by breaking that famine she ensured she would never be able to move any higher in the institution than she was already. Mother Giselle was fighting the Chantry the whole way and was punished for succeeding. That's kind of the running theme in the Chantry; there are a lot of genuinely good people who are genuinely determined to help! But outside of the individual level they consistently find themselves stymied and slapped down by the organization they serve, because the Chantry does not actually exist to help and does not actually want to. There comes a point where you can't take the intentions of people who join up as the true purpose of the institution, because the institution absolutely does not agree with those intentions and will do everything in its power to shut them down. (Also I mean there comes a point where it's like... hey if you people are in this to help people why aren't you quitting when it becomes clear the organization is going to demand you hurt people at every turn, Keran DA2 you will always be famous to me.)

FINALLY SOMEONE SAID IT. Thank you Dorian for being the best once again and pointing out that hey maybe if the Chantry didn't treat their mages like shit and traumatize all of them they'd get possessed less often.

[ode-to-fury]

Other Plans for the Evening

Pairing: Lucanis x Rook

Summary: Scene after the Illario fight, but the way I would have written it. It's not that deep or different, but I think it's better. My Rook but mostly I wasn't specific.

Disclaimer: Whoo first Lucanis fic! I'm still trying to find the DA companions' voices so you might have to bear with me a little bit. This has been in my brain since the MOMENT he said "I have other plans for the evening". I tried to make him that weird mix of awkward and smooth so lmk if I did that or if I need to work on it. Might come back and edit.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"You came back here just for coffee?"

Rook's voice startled him out of his thoughts.

When he looked up at her, his heart gave a lurch, the same lurch it had given every other time he'd laid eyes on her.

Her hair was damp and sligtly wavy from her bath, still, and she wore leather trousers and a shirt. It was difficult to see in the dim firelight, but he knew the blue of the shirt would be reflected in her eyes, twinkling above the bemused grin she was giving him.

"What, the stuff in that gigantic villa wasn't good enough for you?"

She folded her arms across her chest, eyebrows raised and dimples clearly visible as she grinned down at him. Mercifully, Spite was being quiet for once. He idly wondered if demons ever got tired, or overwhelmed after a long day. Something to ask Emmrich about, perhaps.

"It's better if I make it myself," he said, not quite managing to smile back at her, despite the lightness that smile brought to his chest.

"And besides, I wanted some quiet."

He hated that her smile melted slightly, her shoulders tightening ever so slightly. He doubted anyone else would have noticed, but he did.

"So," she said, "First Talon?"

"First Talon," he said, and if he was honest with himself, it did not fit right in his mouth.

"I still cannot believe Caterina did that."

Lucanis is the new First Talon. His decision stands.

The corner of her mouth lifted slightly, but her fingers tensed where they rested on her arm.

"Does that mean you're leaving?"

Ah.

He almost grinned.

"No," he said simply. "We have a contract. Besides, Caterina might have named me First Talon, but there's no stopping her from giving all the orders."

This time her smile was wider, and she tilted her head to the side so her hair shifted, glinting golden in the firelight. He ached to run his fingers through it.

"You know," she said, her eyes twinkling with laughter again, "You could have said, 'Of course not. I would never leave with you still here.'

Her Antivan accent was good. Too good. It made his chest feel tight whenever she pretended to be him. He grinned back at her despite himself.

"I would never leave with you still here," he said. "You'll have me for as long as I can put off the Crows."

He saw her brow furrow slightly, but she hid it quickly.

Before he could let his nerves interfere, he stood up, setting his half empty cup down on the table as he did.

"I may have had another reason for leaving the party early," he said, letting his voice drop slightly. He saw her eyes narrow, but then she gave him a crooked grin.

"Besides coffee, you mean?"

He walked past her, to the open space between the dining table and the door, and held out his hand to her.

"Dance with me," he said softly.

It was the first time he'd seen her truly taken aback. To his delight, her mouth even dropped slightly open.

"Dance with you?" She asked, as if he'd just asked her to jump into the Fade.

"What?" He asked.

"There's no music. Also, I told you," she said, shoulders tensing again, "I'm a terrible dancer."

She had. Technically she'd told all of them.

You'd have to get me drunk first, I'm afraid, it's mortifying otherwise. I got told I have about four left feet.

"You did," he said, still holding out his hand. "But you also said you loved to dance."

She tilted her head to the side, almost pleading.

"It's only me," he said softly.

"That's what's worrying me," she said, almost too quiet for him to hear, and he remembered that this was as new to her as it was to him.

What would a first kiss taste like?

Like hope.

She held back for a moment longer, then hesitantly, she placed her fingers in his hand.

They were warm, and her callouses scraped against his own as she allowed him to pull her close to him. His heart thumped in his chest, as if it was trying to get to her.

"I don't know how to do this," she said, and he knew she wasn't only talking about the dancing.

"Like this," he said, curling his left hand around her right, and placing the other one on his shoulder.

"Your elbow has to stay up," he said seriously, lifting said elbow so it was almost in line with her shoulder before dropping his hand to her waist. "Caterina would smack me with a cane if I got it wrong."

"If you try and smack me with a cane..." she started, leaving the threat unfinished.

"I couldn't find one," he said. She tried to hide a grin, but her dimples gave her away, and suddenly those hours with Caterina and her cane seemed worth it to him.

"Now," he said, "step back with your right foot."

She did, looking at her feet, and he followed, relishing the warmth of her hand on his shoulder, the way his hand fit perfectly on her waist.

"Back and to the left with the other."

She did so, and he followed.

"Now bring your feet together, and do the same with the other foot."

They went slowly, and he enjoyed watching the crease between her eyebrows as she concentrated.

Gently, he let go of her waist so he could tilt her face up to his own.

"You should look your partner in the eyes," he said, aware that his voice had dropped lower, but not really caring, "Not where you are going to step."

"And if I step wrong?" She asked, her voice slightly breathy. It felt like soft fingers tracing their way down his spine.

"Trust me to guide you," he replied, his hand going back to her waist.

The corner of her mouth curled up ever so slightly.

"Alright," she said. "I trust you."

As they moved slowly through the room, the firelight caught her eyes and hair, gilding her in gold and taking his breath from him. In fact, breathing felt suddenly like a very big effort.

"What is it?" She asked quietly, almost as if she was scared he would run if she spoke too loudly. He wasn't too certain he wouldn't.

"You are so beautiful," he said, before he could think about it too much, though his voice was markedly less smooth than it had been.

Her eyes, her beautiful, sparkling eyes, widened slightly.

"Really?" She asked.

"Would I ever lie to you?"

She smiled. It was small and soft this time.

"No one's ever called me that before," she whispered.

"Good," he managed to whisper back. "I would have to kill them."

And she laughed. By the blood of the Maker, she laughed and every terrible moment up until just then seemed as though it had a purpose.

"There's that smile," he said, when her laughter died down.

"Yours too," she replied, still grinning happily at him.

"Thank you, Rook," he found himself saying.

"You don't need to thank me."

She leaned in slightly, mischief in her eyes.

"For you, it's on the house."

His stomach tightened slightly when she did the accent, but he tried his best to ignore it.

"Did Illario hurt you?" He asked. "I'll skin him if he did."

She touched the scratch on her neck from Illario's, thankfully unpoisoned, blade.

"A scratch," she said dissmissively. "He hurt my pride more than anything else."

They moved for a few seconds in silence while he waited for her to ask the obvious next question.

"Do you regret..."

"Giving him a chance?"

He'd been thinking about it since they had left Villa Dellamorte.

Didn't you tell me he was basically your brother and your closest childhood friend?

"No," he said. "You were right. He's family."

Family. The word tasted sour in his mouth.

"I didn't even suspect him," he said. "When the Venatori caught me on the boat in Tevinter, it never even crossed my mind."

Almost without meaning to, he brought her right hand to his heart, his fingers tightening over hers. She lay her head on his shoulder as he pulled her closer, a solid weight against him. A comfort, for the first time in his life.

"He's better than I thought," he said, absently resting his cheek against her head. Her hair smelled of lightning, and a faint, almost unnoticeable trace of honey. "Maybe there is hope for him yet."

She snorted a soft laugh through her nose, making him grin. It vanished quickly, though.

"But this wasn't a mercy. Being watched by all the Crows, with their knives out? He will never live down being the Traitor Crow, brought down in front of everyone. There is nowhere he can run."

"I was surprised you listened to me," she said. He felt her breath tickle his neck, involuntarily clutched her closer against him.

"So was I," he said. "But... I don't have a lot to lose. What there is... Caterina, this team... you, even my idiot cousin. I'm not giving that up."

She stopped moving, lifting her head up to look at him. She wore the softest smile he'd ever seen on her face.

"What's that look?"

"You have a big heart," she said softly, "For an assassin."

He tried to look away at the tone of her voice, at the emotion in it, but she gently turned his face toward her again.

"That's not a bad thing," she said.

"If it brought me here," he said, taking her hand again and kissing it on a whim, "To this moment with you, then it cannot be a bad thing. I just... I cannot believe he would do all of this, only to be First Talon."

She frowned up at him.

"He said you didn't want to be First Talon."

"I don't. But how am I supposed to trust him with it now? How is anyone? The funny thing is, he might have finally proven he has the abillity for it."

"Right before getting humilliated in front of everyone," she said, grinning slightly.

"Exactly."

He sighed, though it came out as more of a frustrated growl.

"Fucking Illario."

"Hey," she said, gently reaching up and smoothing out the crease between his brows. The gesture made his chest ache.

"We'll work it out," she said softly. "Together. But for now... "

He took her hand again, holding it to his chest so she could feel his heartbeat.

"Just be here with me," she said. "Just for a little while."

"I can do that," he said. "For a little while."

She smiled, and he could see the day was starting to get to her, the tiredness starting to reach her eyes.

"Rook..." he started, not sure what he was going to say, but needing to say something before his chest caved in on itsself. She cut him off before he could.

"Shhhh," she said gently, kissing him for a long moment before laying her head back on his shoulder. He forgot, sometimes, that he could kiss her. Usually, Spite was there to remind him, with enthusiasm. It scared him, how much he ached to feel her lips against his own.

"Don't ruin it."

So he held her close, and kissed her forehead, and later he let her fall asleep on his lap in the chair, savouring the way she held on to his hand even in sleep, and finally letting his fingers run through her hair, softer than silk against his skin.

[fenrysmoonbeamswife]

Some rando tiktok comment that made my eye twitch: "I love Feyre and Lucien's friendship and want them to be best friends forever. He's not to blame for her suffering but he should have done more, she would've done anything to help him."

*deeeeeeeep breath*

All of this is disproven in the text. Lucien was willing to die for Feyre, multiple times, while Feyre literally has a quote ignoring all of that and only praising Rhysand, you know, the guy who abused/s her.

Lucien was also a victim of Tamlin yet he still stood up to him for Feyre while she actively used him as a pawn and put him in harms way with Tamlin.

Lucien stuck with her and even went through the Autumn Court knowing he could be killed. Then when they finally got to the Night Court, Feyre left him tired and hungry and in soiled clothes so she could *checks notes* have sex.

She gets him to come to Solstice twice and doesn't get him a gift either time, but he brings one for them both times

For whatever reason he is supposed to put her first always, go to extreme lengths for her, stand up to their abuser, and more. And even when he does do all of this, it's dismissed and ignored. Nevermind that she never once considers him, considers if he is okay after UTM, considers him as a victim or that he might be suffering too. I actually do like Feyre but she can be extremely self centered and frequently fails to consider anyone outside of herself or the Inner Circle throughout the series (Lucien and Nesta being huge examples)

The only thing I can think of that she has done for him was hurting Ianthe and even at that it was implied that she only intervened after thinking of how Rhysand was hurt in a similar way, not because of Lucien

She allows everyone else to treat him like dirt and violate his thoughts without even blinking, and for some reason it's perfectly okay that she found new friends but it's not for him? After she basically abandoned him he managed to find these new friends and her response was to mock him and bully him?

But sure, Lucien could do more and Feyre is the perfect friend. Please.

It's also crazy that in ACOMAF Feyre calls Lucien out for "not doing more to stand up to her abuser" yet she's in the exact same position now with Rhysand and the Inner Circle. Except with Lucien she was blaming a fellow victim, now she's in a worse position stuck with her abuser and his lackeys and she doesn't even seem to notice

And don't get me wrong. I don't expect Feyre to be a better friend, I don't even expect them to stay friends or particularly care if they do because I think Lucien deserves better. And Feyre doesn't owe him any specific behaviour or treatment but to say that she's a better friend or would do anything for him is a complete and utter joke

[a-dragons-journal]

With all the gentleness in my heart, and I hope I don't scare you off with a long answer because I promise I'm not trying to lecture you: you are making a huge generalization equating a vast swathe of furries, therians, kinksters, and hell, even non-offending zoophiles with bestialists, which is untrue and unfair to all of those people. With that phrasing (in a context where we're talking about artificial things), you include people who think anthropomorphic animal characters are hot (and may or may not create and/or consume porn of them), people who use animal-shaped sex toys, people with species dysphoria that includes genital dysphoria, people who fantasize about wolf dick or whatever but would never touch a real animal, and probably a good few more but you get the idea. None of these people are hurting anyone or anything. The vast, vast majority of them will never touch a real animal in a sexual way in their life. They are not the people you're afraid of.

I get where you're coming from here, I really do. Bestiality is a deeply horrifying thing, and it's hard sometimes to not knee-jerk react when something resembles it at first glance. And hell, you can think any of the above is gross and weird if you want! That's your right! But gross and weird don't mean harmful. It does feel strange, that's completely fair - but stop and think about that, really chew on that feeling, before you decide that means it's a bad thing.

Again, to put it a little more seriously: stop and look your disgust in the eye and ask it, why do I care about this? Is it actually dangerous, or is my survival instinct misfiring here? (Because that's fairly common - pattern recognition sometimes sees patterns that aren't there, and it's safer to alert on something that isn't really dangerous than to not alert on something that is! It's a natural thing that we all have to keep an eye on.) Is anyone (or any animal) actually getting hurt here, and if so, who and how, and is that actually inherent to the thing or is it a specific use-case where things have gone wrong?

(Hint: If your initial answer is "yes, this is harmful," but you can't explain who's getting hurt exactly and how, then it may not actually be harmful, your survival instinct may be misfiring. Stop and dig deeper. Is it harmful or is it just gross?)

As a side note: if someone wants a packer shaped like a human penis, do you assume that they find that sexually appealing on other people? If no, why is it different when it's a different packer shape? Why are you jumping to the conclusion that it's a sex thing the minute it gets a little weird, and might that jump be partially fed by internalized things society thinks about being trans being a sex thing in general? (These are genuine questions, but you don't have to answer them to me unless you want to; you can answer them to yourself privately, that's fine. I'm asking to get you thinking and dissecting your own logic a bit, that's all.)

why is there discourse now about nonhuman packers. genuinely, 100% genuinely with my whole heart: grow up. have a little fun with life. what are you afraid of? who cares if the shape someone stuffs their pants with isn't a photorealistic model of a human dick? literally why does it matter to you? who exactly is getting hurt by this? why is it any of your business what is in someone's pants? stop and look your disgust in the eye and ask it why the fuck it cares about this. you too could have something fun and artistic and maybe even species affirming in your pants if it so suits you. you have nothing to lose but your chains. be free my brethren

[knife-eared-jan]

Except that we are currently able to watch live irl that that's not true and never was. And DATV not getting that is actually getting to the core of what's wrong with it... and, if you wanna be melodramatic, with angloamerican perspectives on morals in general.

It really doesn't need that much for ordinary everyday people who might have been decent under slightly different circumstances to willingly run into the arms of tyranny and not even realise the immorality of it. Unfortunately, tragically, that's something intrinsic to the human experience, no matter how much we don't want to face it.

[When could it have felt more poignant than right at this point in time, to get a video game exploring the literal manifestation of tyranny and how it snares people in, how perfectly ordinary people can be lured by its appeal, can cave under the horrible pressure of it, didn't think it could get that bad, can break against the heartbreaking sheer overwhelming number of willing allies. (No tyrant lasts long once they really have their people against them - that's why they invest so much in censorship and controlling public opinion.)]

I'm not saying it is that critical for the game to specifically explore Elgar'nan's character more or whatever, even though that would have been cool. But everytime this banter comes across my dash I get apoplectic bc this line is so symptomatic of the ridiculous black and white, evil people are just evil because they're evil vs. all good people never do anything wrong and intrinsically know not to be wrong ever that the entire game falls prey to.

Spirits would never support Elgar'nan bc spirits in this game are good innocent victims and Elgar'nan is evil so he would never appeal to anyone who is on the "good side".

Like, I'm sorry I know I carry more religious trauma than average, but does this not reek of the same kind of bullshit we were fed for centuries to anyone else? Have we really gone so full circle? It's actually ironic that the game gets so much shit for being too woke, when this, to me, actually screams the very opposite.

[bonefall]

It's both so funny and unbelievably exhausting that these Bramblestar fans think Moonkitti is the root of all evil or something, like it's truly impressive how much they care about this 💀 do you people have nothing better to do. They act like she personally hacked into the Google form and wrote down "Brambleclaw" into everyone's answers

Also thanks to the weirdos who are misgendering Akira just because she doesn't like your favorite character. Really mature of you and definitely not at all disrespectful (can you hear my eyes rolling into outer space)

I've said this before with more ire (here, as a follow up to this), but I'll say it again, more calmly.

You're "allowed" to like whatever character you want, no one has ever been capable of stopping you, and it's impossible to know at a glance why someone likes a given character. That doesn't mean that those reasons why you like that character says nothing about you.

In fact it's the opposite. Those Reasons Why say a lot about us, our tastes, our feelings, sometimes even our beliefs. Art and fiction is an extremely valuable way for us, as humans, to engage with ourselves and connect with others. That can be a powerful thing.

And... the Reason Why a lot of Bramblestans like him (not all Brambleclaw fans, just a lot, enough for this to be a trend with what I specifically call "Bramblestans") because they relate heavily to him, in a very personal and defensive way. The narrative being interrogated for maybe having some misogynistic or abusive bias becomes a personal attack-- ironically causing people to double down in denial.

Misogyny persists, and transphobia is usually not far behind. Add in the cultural reality that everything progressive (such as critically analyzing media, generally) is "wokeism" now, mark my words, in the upcoming years that trend you're noticing is gonna grow. The "weirdos" are completely unsurprising to me, they're exactly what I expected.

In any case, I'll be clear-- there's a thing or two about the video that rubbed me the wrong way, but anyone misgendering BGA is a freak. The fact that Bramblestans act particularly toxic towards real women who dislike their not-real boy character is not lost on me.

[thatstoomanysausages]

My favourite activity to indulge in recently in non-stop binging The Crane Wives' songs, especially the new album, and tallying how many times I can somehow link the lyrics to Desert Duo.

At this point it might be a talent of delusion, and I am winning.

Here is a list of lyrics in the newest album that I am particularly delusional about (it's long. It's 2am)

(btw it's every single new song. I am tired as fuck)

Scars:

"All the love, all the kindness, all your best-laid plans/Couldn't stop me from becoming the way that I am" (3rd Life reference referring to Scar inevitable turning red despite all of Grian's plans to keep him alive and safe)

"A fatal fault at the start/Tell me it's inevitable that I'd end up with scars" (3rd Life, when Scar is quickly killed in the beginning by Grian)

"Nothing could have been done/Is that right?" (3rd Life. Conversation between Grian and Scar after the creeper prank)

"Nothing could have been done" (3rd Life. After Scars falls to red)

"Nothing could have been done/Is that right?" (3rd Life. After Grian kills Scar with his own bare hands)

"End up with scars from falling/Down, down" (3rd Life, Grian's final death via suicide)

"We were always meant to fall apart" (Not even one specific series. Every single one of them actually.)

Bitter Medicine:

"Are you ashamed of me, or did you buy what I'm selling?" (3rd Life reference about Scar's scamming nature and Grian's disappointment that hides the fact that he's charmed by Scar. Every. Single. Time.)

"Made my bed but I'll sleep anywhere, anywhere" (Wild Life reference. I think we all know. Pillows smelling like waffles? Yeah.)

Higher Ground:

"I gave up the truth and now I can't take it back" (3rd Life. Grian telling Scar that he was the one that brought the creeper over. Or. Double Life Grian if he ever told Scar about his Secret Soulmate. OR. Wild Life, Grian telling Scar literally anything about the wildcard)

"I didn't wanna hurt anyone" (Oh.)

"The corvids are calling/Warning the forest a predator is approaching/Am I in danger, or am I the threat" (Grian is often characterised as a corvid if not a parrot. Basically any scenario in Wild Life where Grian is warning Scar about the wildcards despite the fact that he is at fault of making them happen)

Predator:

"What were you thinking?/Shouldn't you know better?/You opened a door for an apex predator" (Any scenario in which Scar welcomes Grian into his home and doesn't think twice about the danger the other could be harbouring. His trust for Grian is unimaginable)

"I keep forgetting the lessons I've learned/So I keep getting hurt" (Before Scar won, he never remembered what had happened with Grian, so he went back to him for safety multiple times, teamed with him, didn't mind his company, not knowing the dangers that Grian represents just by existing)

"Your heart is a nasty place/I'm afraid to say no to you" (...Yeah)

"Keep your lies and your denial/I am fighting for survival/My heart is a changing shape/What if I said no to you?" (DOUBLE LIFE DESERT DUO TAKE ME HOME. The 'changing shape' line implying that their soulmates could change their soulbound partners if they really wanted to, and could adapt to being with another if they desired it)

"You took advantage of another anxious people-pleaser" (I can't keep doing this. Honestly, depending on your point of view, this could go either way for them in varying seasons, they're doomed in every universe)

"I keep forgetting that you wont learn/So I keep getting hurt" (And now it switches to Grian on this paralleling line. He forgets about Scar's undying loyalty and falls into the trap of his safety every time, only to come out hurting him or not protecting him like he swore to in 3rd Life. This line goes so hard)

Say It:

"Say it/If it's over, say it/So I can move forward/Please don't leave me in the dark/Praying for a wayward spark" (This whole chorus screams them. They won't communicate. They never officially separate from one another, always somehow intertwined, but neither will finalise their allyship. I need therapy)

"I'm haunted by your tenderness" (3rd Life Grian traumatised by the half-hearted hits Scar was giving because he was letting Grian win, he never wanted to fight, he felt Grian deserved to win because he had done so so much for him. He was completely smitten)

"And if we meet as strangers again/Would you refuse to meet my eyes?" (Grian internally questioning Scar after he killed him in the 3rd Life finale, harbouring more guilt than he can comprehend, literally)

"You know I'm loyal to a fault" (Scar and Grian interchangeably in 3rd Life...)

"I will sit here waiting/Waiting for the axe to fall" (Scar submitting his life to Grian after they are left the last two alive. And also, if you're insane for Treebark, there is a glaringly obvious implication of Martyn feeling incredible guilt after axing Ren down to red, even if he asked him to.)

Mad Dog:

"Keep looking for the end of the tunnel/Never seems to get any closer" (The two waiting as winners for the games to end and alongside it, their suffering as well. They will never be free from circling around each other, over and over and over again)

"We both know the ship is gonna sink/But I keep reaching for the shore/Never seems to get any closer" (They both keep reaching towards each other, knowing that they will never truly be able to be together, especially after the first time where they did, and it ended horribly for them)

Arcturus Beaming:

"My sanctuary to worship the pain" (References the panda sanctuary that Scar built to help the soulmates heal their bonds, only to never complete its purpose with the two that needed it the most, ironically including the one that built it)

"And I am tired of forming a cliff face/Inside of my chest now" (Grian remembering jumping off of Monopoly Mountain and the weight that it now burdens his heart with. This line is diabolical with the right context)

"I'm grieving all that I gave" (Both of them grieving the sacrifices they made for one another, their sacrifices only making their relationship more strained overtime)

"A mirror image of us here, but they're pointing up at our sun and/Asking themselves/What exists beyond, beyond, beyond, beyond?" (Other versions of themselves in different life series looking at their 3rd Life selves and wondering what it was like to be so tightly allied)

"But there's still time, it's not too late/Nothing will change until I change" (Grian's attempt at teaming with Scar in Limited Life, savouring the time he had with him before killing him. He will never change their bond, he is always destined to kill him one way or another)

Time Will Change You:

"Planting hearts in a grave/Pray they grow after it rains" (Grian burying all his allies, hoping that as he digs their graves, he can heal their broken bonds, the cracks only caused by himself. This can unfortunately apply to a lot of Grian's allies, but Grian and Scar's relationship tries to heal itself each season)

"Someday/Time will change you/You'll leave behind what doesn't move" (Someday Scar will remember and he'll leave Grian behind once he realises that Grian was never able to move on, and that his heart is still stuck neck deep in the sand where both their bodies laid at the end of 3rd Life)

"Give me a chance to get this right/I'm learning how to let go" (They're learning, but they'll always fail, no matter how many chances)

Black Hole Fantasy:

"There's a black hole in the living room floor/I keep trying to ignore, but it's growing" (Their need to team and interact is overwhelming, and the longer they ignore one another, the larger their need will get)

"If love is just a chemical reaction/Is there a pill to take? Something to quell this ache?/ Is this the real thing or a distraction/Is it worth the risk?/My life would detonate" (Mmmmmm I'm losing it here)

"I'm on my way to your house, I can't wait anymore" (Yeah.)

"My knuckles hesitate an inch away from the door/What happens when it opens?" (They've spent so much time apart and away from one another that they feel fear that the moment they reconnect, it won't be the same as it was in the desert)

"And on the other side is another life/A version of me with a spark in her eyes that I don't have" (Looking back to 3rd Life when everything was simpler and happier)

"You pull me in your arms and I feel your heart pounding/I take a step back to catch my breath/And we look at each other and double over/And laugh, and laugh, and laugh" (Yeah. Just yeah. This whole verse makes me sob)

Red Clay:

(Already I want to make a link to 'red' and Scar's existence in 3rd Life being very red)

"Blistering sun, my sweat soaking my clothing" (THE DESERT???)

"We don't have to do this the hard way" (We don't have to battle to the death bare handed. We don't have to.)

River Rushing:

"I know I can't grow with a hand around my throat/Hold yourself steady/Whenever you're ready" (Reference to their fight to the death in 3rd Life)

This entire song is just a narration of their fight honestly and it makes me violent.