#but i'm not like. invested in them as characters in the way that i am for es megs. if that makes sense?
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savage-sinister · 2 days ago
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Do you have any advice for writers who are paralyzed by fear of mischaracterization?
The last thing I posted to Ao3 was years ago and both pieces were fandom poetry.
But, I've been infested with S.T.A.R.S polycule brainworms and need to get the words out in a style more like a novel.
Well, for starters, I LOVE S.T.A.R.S. polycule, so I am already very invested in hopefully giving you good advice that gets you writing. 😁
My first piece of advice is of course- fuck what anyone else thinks. Don't let an imaginary audience's reaction change how you write the characters.
The truth is, everyone perceives any given character a little differently, and has an image of them in their head that doesn't quite match up to anyone elses'. Embrace that, and embrace your interpretation, because
it doesn't matter what anyone else thinks
and I promise you there are people out there right now writing the absolute worst characterizations that would make you so mad.
Stupider people with worse ideas than you have done it with confidence. So don't be afraid. You write your own interpretation with the same confidence!
And that's how you deal with the fear that other people are going to think you're mischaracterizing them.
My next piece of advice may or may not be helpful to you, depending on how your brain works, but this is how *I* deal with the struggle of making sure the characters are "in character" as I personally perceive them.
As you might guess, I have a very strong sense of 'inner voice', or echolalia or whatever you want to call it. I remember voices and manners of speech that I hear and they get persevered as if recorded to an AI speech creation tool in my head.
So what I do when I'm writing dialogue is this.
If I can "hear" the character say the line I'm writing for them in my head. If I can "make the voice actor say it", if it matches up in tonality and mannerism in my mind, I assume it's in character and I write it.
if it doesn't match up, I revise the specifics of the line until I can hear it.
Basically just try to imagine the character saying whatever it is that you've written for them.
Again, that might not help you at all depending on the way your brain is set up, but if it doesn't help then just remember my first advice.
The bottom line is, if YOU feel like it's in character, if the character is behaving in a way that you think is the way they would or should act, then you're good.
because at the end of the day it doesn't matter if they're in character for "canon", unless that's specifically what you're going for. At the end of the day it only matters if they "in character" for the story that you're putting them in.
I hope that helped at least a little bit, and please loop me in when you put some writing out! <3
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on-wine-dark-seas · 3 days ago
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Alright, we are home and ready to YAP.
Phyx, babe, I'm here to tell you that this is some truly exemplary fanfiction. Like, when I say this fic has checked all my boxes [and added a few I didn't know I wanted]??? I have never been held so tightly by the throat in a fanfic. Not like this.
The pacing for this fic is so masterful I need you to teach me how you fucking do it. Not a word or a moment wasted in any chapter, and the way you keep the tension building steadily, snapping and controlling the story and drawing us in, or shutting us out. Ah, I could ramble about this for DAYS.
Let's talk about your characterization of Sukuna. You have achieved this lovely balance of making him menacing, cruel, brutal, and wild [my favorite Sukuna flavors]. But you've also shown us how innately human he actually is. You've spun his tale so well where there are moments where he's everything like the legends say, and where he is nothing like the legends say. He is all and everything and nothing. I think you know how much I love him by now but your characterization is hands-down one of my favorites. Again, masterful work.
The Reader [I don't see myself as her] is also a masterful character. You've stoked the flames of curiosity from the outset where we learn about her in the same way her techinque works: little poisonous details that rot away the veneer to reveal the horrifying truth beneath the silk [ha, apt title]. She's stubborn, she's independent, she's stronger than she could have ever let herself realize [until this chapter], and she is so much like Sukuna that I think that's why he's so drawn to her. She's like him in that she is not a creature meant for any yoke. She will run freely or she will die fighting and snarling.
The two of them together burn like gasoline flames left untended. They want each other so badly it makes them do all manner of hurtful shit to deny their mutual attraction. I am waiting on tenterhooks for the moment they both finally accept the truth of what they are to each other because I know you're going to make it so cathartic.
The scene with the branding was tough. I can see why you needed a break. I can't imagine the headspace you had to shift into to make that scene hit like it did but again: masterful work. I am so ready to see Sukuna crash out over this because I know he's livid.
Also the white-haired demon is there, love that for him. But he needs to move, this is Sukuna country! ��️
This was such a brilliant update [and breathtaking cliffhanger] because now I'm fully invested in seeing these two end up together no matter what. I want them to destroy it all together [I'm insane].
Beneath The Silk | True form Sukuna x Reader
🔗 Masterlist
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Chapter 35: Goodbye, Little Red Flower
Content warning: Violence, gore, blood, dismemberment, Sukuna POV at the end.
🔗 Songs for this chapter:
The Breaking Of The Shell - Hunter As a Horse Doom - Alex Terrible
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Chapter 34
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The light tap on your bare shoulder almost pulls you from the haze of sleep.
Almost.
But you’re too comfortable to move. Too tired. Caught somewhere between peace and exhaustion with barely any thoughts. You drift, resting on whatever softness you lie on. It feels nice. And smells faintly of a warm, crackling fire and a deeper undertone, like marrow buried in the earth. Dense. Grounding.
Another tap, firmer this time, yet still gentle.
“Psst.”
A voice.
“It’s time to wake up.”
When your eyes drift open, you blink and are greeted by the sight of Sukuna’s messy sheets, a ridiculous mountain of pillows, and your form poured out across his futon, flat on your stomach.
Disoriented, you blink again, pushing yourself up slowly. Turning to sit, you face the room, aching in every muscle, body and energy spent. It feels like you could sleep for ages, especially here, wrapped in the decadence of this space.
A soft clearing of a throat breaks the quiet, and you glance left. Pale morning light filters through the garden doors, illuminating Ren standing beside the raised futon. She cradles a bowl of steaming liquid, her expression furrowed in thought.
“Morning,” she says, her voice polite, her head bowing slightly, but her eyes wander to the nearest wall, avoiding you.
You look down.
Oh.
Right.
You’re completely naked.
Muttering a few choice words, you grab the nearest thing—the massive blue quilt and swamp the fabric tightly around your body. It doesn’t take long for the memories of last night to resurface, and all you wish for is the heavy forgetfulness of sleep.
What do you remember?
Ceramics shattering. Sneaking into the King of Curses’ room in the middle of the night to stab him. All the truths that were finally hatched. Then, the forest battle. Your power. The fire arrow. The shouting. Screaming. Kissing. The sex—gods, the sex. Before, the quiet, whispering, “I should have stolen you sooner.” And finally, the monster letting you go, telling you to depart before sunrise, leaving you here, alone, covered in his…
You look down, cheeks burning with mortification as irritation prickles under your skin at the sticky sensation between your legs. There’s a lot. It’s everywhere.
He has two cocks, after all.
Taking a corner of the quilt, you scrub at your inner thighs, uncaring if you stain his sheets. If anything, you hope it leaves a mess—one small, final reminder that you were here. The act feels petty, but you reserve a corner in your mind that he deserves a whole lot more than this.
Let all his sleeps be ruined by crusty sheets.
Prick.
Peering back at Ren, your eyes flicker to the bowl cradled in her hands, which she seems to be directing toward you. The wafting steam smells of the earth, a grassy edge, maybe something sweet.
“What is that?”
Your prickly tone does little but draw her attention back to you. You level her with a stare. The sting of betrayal still crawls around in your mind, and looking at her directly does nothing to settle it.
“It’s a tea, my La—” Her words falter, lip tucking inward to stop herself.
You tug the quilt tighter, a protective shield.
So, the news has already spread throughout the shrine. This sham of a union is over. Eyebrows calmly arching, you wait for her to recover her voice.
“It’s a preventative,” she says, clearing her throat softly, “against anything... unwanted. Master Sukuna didn’t wish you to leave only to become pregnant.”
Her explanation barely registers before you take the bowl from her hands, careful to avoid brushing her skin—an intentional gesture after last night’s incident. No more shattered ceramics.
“How thoughtful of him,” you mumble, peering into the bowl’s murky contents and inhaling.
Despite the bitterness in your words, you know it’s true. Becoming pregnant would be foolish, and, as Ren said, unwanted. With no home, no clan, and no means of support, bringing a child into this life would be reckless.
“Is this what you and Sayuri would drink?”
You take a sip. Hints of over-brewed root and bark nips at your tongue.
“Not often.” Ren makes a humming sound in her chest. “If ever.” She moves across the room to pluck your ruined yukata that still sits as a rumpled pile on the floor. “Normally, he wouldn’t find completion inside us,” she adds, her voice calm, almost factual. “He would withdraw.”
“Oh.”
You avert your stare to the tea again. Taking a longer sip, then two more, you drain the rest in one long swallow. Wiping your mouth, you add, “I suppose I should feel honoured, right?” You tap the ceramic dish once with a finger before setting it down on the sheets.
Again, the bitterness in your words. They aren’t meant for Ren, but they come nonetheless.
Petty, petty.
She doesn’t respond, and standing at the end of the futon, she hesitates before dropping her chin. 
“I don’t mean to be forward, but—” She smooths your discarded garment between her fingers, as if trying to rub out the stains. “You need to leave,” she continues. The new tension winding through her tone has you sitting straighter. “There’s a force advancing toward Master Sukuna’s domain.”
Your brow creases.
“An attack?” Feet finding their way to the floor, you stand with the quilt wrapped around you. “Similar to previous ones?”
Ren shakes her head softly.
“No.” She hands you your yukata, which you take with careful fingers. “Master Sukuna seems more concerned about this. Apparently, it’s much more organized—and from the capital.”
Your pulse makes a dip. Skips a beat or two.
What you had wondered about last night is coming to pass. Heian-kyō is moving to retaliate against Ryomen Sukuna. The course of events likely tracing to what you asked of him nights ago—the destruction of the Kasai clan…
Everyone. Dead.
Those were her words.
You let the quilt fall, and threading your arms through the sleeves of your yukata, you slip inside.
What would they do if they ever laid hands on Sukuna? Unlikely—but does it matter to you anymore?
Do I even care?
Pinching the front panels of the garment closed, you glance around for the sash—your binding from last night—but it’s nowhere to be found.
Before you can ask any further questions, the door slides open.
Uraume steps into the room. Their pink gaze flickers toward you briefly, but it doesn’t remain. Crossing to a chest resting in the corner, their pale hands move to pile several folded garments into their arms.
You stare at them. At the pink strip staining the back of their head.
I trusted you.
Ren shifts beside you, clearing her throat for what feels like the hundredth time. 
“I’ll prepare some of your things for departur—”  
“I trusted you.” Your voice is aimed at Uraume’s back, but your words are meant for both of them.
The pale-haired subordinate’s hands pause. It falls silent. Then they continue while a pained expression passes over Ren’s face. You bite the inside of your cheek.
“Did you all just sit around at the end of the day and laugh at me?” you add, teeth clicking shut. “Recount all the stupid things I must have done?”
With a thump, Uraume presses the chest closed. In the dim light, dust motes swirl, dance, and finally settle. They turn to you, head bowing deeply, taking you by surprise.
“I have nothing to say for myself,” they admit, tone sincere. “And whatever you believe, know this—our actions toward you were genuine.”
“Genuine?” Your laugh comes out humourless. “After lying to me this whole time?"
“Yes.”
They pause, then lift their head.
“But.” Their expression cools, and your gaze hardens. “Your intent was to harm Master Sukuna. My loyalty will always remain with him—just as yours has always belonged elsewhere.”
Loyalty?
You huff, frustration rolling around inside your chest.
“Of course my loyalty was elsewhere. I did this to protect my sister.”
Under Uraume’s white bangs, their eyes exchange a wordless glance with Ren before flitting back to you.
Of course, they also didn’t know this—none of them did. Hidden truths and lies are all that bind anyone here.
“It wasn’t something I chose for myself,” you continue. And yet—what choice did either of them have against the word of the King of Curses? Was there a choice at all?
For a moment, Uraume hesitates, as if there’s more they want to say. But they simply bow their head again.
“Be safe.”
Clutching the stack of garments, they turn, slip gracefully into the corridor and disappear.
You stand there quietly before Ren steps briskly toward the door.
“Please,” she murmurs. “It’s time to go.”
Lifting your chin, you follow her from Sukuna’s chambers, sparing one last glance at the mural—the fading seasons, the red bloom sprouting from the snow—before turning away.
Descending the corridor back to your room feels strange, yet familiar, like retracing steps through a place that no longer belongs to you. When you enter, Ren gives you space. You move quickly, taking only what you need for the journey. Everything else, and anything gifted, remains untouched.
Before changing into a dark, plain kimono and hakama, you wipe your body down as best you can with a piece of cloth, ridding yourself of Sukuna’s touch.
With your leather gloves on, you pause in the doorway. The shattered ceramics from last night have been cleaned, leaving no trace of the realizations they pulled forth. Sliding the door open, you turn left, following the long hallway toward the front entrance. You pass the central hall, passing attendants along the way. They move through the corridors with their heads drawn low, not acknowledging you.
And you wonder—had they known about your gift all along? Perhaps that’s why they kept their distance, treating you like a walking, breathing wound.
Or a sickness.
Pushing the massive front doors open, you step outside. The morning drips with light rain, drizzle clinging to the air as fog blankets the ground in a soupy veil.
Everything is grey—dull, grey, muted, lifeless.
No colour. No warmth.
You exhale.
The clipped tap of footsteps behind you draws your gaze back over your shoulder. Ren stands at the mouth of the corridor, her face unreadable.
“Take care of yourself,” you say with a nod. She bows, head lowered, never lifting it.
Forcing a tight smile, you descend the wet stone steps of the shrine. The sodden ground gives beneath your feet as you make your way to the stables. Inside, your gaze sweeps over the stalls, tracing the familiar shapes of Sukuna’s horses, one after another, all accounted for.
So, he’s still here.
You pull open the door where Ayana waits, but a dull thud draws your attention downward.
There in the hay, your sheathed tantō lies, snug in its scabbard.
You stare at it for a heartbeat. Sukuna must have retrieved it, intending for you to take it. Your mouth twitches faintly, but instead of picking it up, you step over it, leaving the weapon where it lies.
A gift given, and one you’ll leave behind.
Ayana greets you with a gentle nudge, her warm breath coasting over your cheek. Huffing softly, the corner of your mouth attempts to rise.
“Ready to go, girl?” you murmur, circling her with a reassuring pat. Her dappled coat is smooth, brushed to a shine, clear that someone has taken care of her.
“We’ll ride toward the capital. Yuna will likely be waiting there for us,” you say, running a soothing hand along her neck before reaching for the bridle slung over the nearest beam. You begin fitting it over her head, your gloved hands steady as you secure the tack.
“And when this is all over, I’ll find you a place with real pastures. Somewhere with soft grass and open space, plenty of room to run wild.” You adjust the straps. “I’ll bring you something good too. Maybe sweet chestnuts. Or apples from some market we find along the way, the kind that smells like warm honey.”
She whinnies, and you smile at her.
“Freedom. Choices.” You give her a final pat. “Sounds nice, doesn’t it?”
The creak of the stable door opening makes your head tilt slightly. You pause. The heavy footfalls arrive like an approaching storm, the rustle of fabric a whisper, sending searing heat down your spine.
Sukuna’s footsteps might as well be stomping around inside your chest—all loud and disquieting.
But instead of hiding, you keep your focus on Ayana, and don’t look up. You continue preparing her, hands moving with careful precision.
Still, you can’t ignore the faint trace of his energy brushing against you, prodding—almost as if in greeting.
You force yourself to ignore it. To breathe.
You can block it out, can’t you? If nothing else, you’ve learned this much—you are far stronger than you ever realized.
Inhale. Exhale. Deep and low into your belly.
Slowly, the oppressive hum of him dulls. Quieted, but not gone. Never entirely gone.
A stall door groans open. One of his many horses lets out a low chuff, and then his voice—deep and quiet—fills the space, murmuring soft, soothing words to the beast. The familiar clink of buckles follows, the slow pull of leather straps.
He’s leaving now too.
You quicken your pace, finishing swiftly to avoid a final confrontation.
With the saddle fastened, you mount Ayana and steer her toward the main doors, keeping your focus locked ahead—nowhere else. A firm nudge to her side, and you burst from the stables, refusing to acknowledge the flash of red eyes snapping toward you as you race past.
No lasting glances. No words. No goodbye.
Nothing.
You’re already gone.
Erupting down the dirt-packed road with the wind tearing through your hair, the rain picks up. But you don’t mind. This is a first taste of freedom.
Pressed between the towering, muted trees at your sides and the endless curve of the grey sky above, Ayana surges forward, her hooves slicing through shallow puddles.
It all blurs. You don’t look back.
But it doesn’t take long before your mare’s gallop is drowned out by the thundering of hooves from behind.
Before you can turn, Sukuna suddenly appears beside you, his massive warhorse cutting across your path. Ayana rears back with a startled cry, and you grip the reins tightly to steady her, heart pounding as he pulls alongside.
Slowly, he comes into focus.
You haven’t met his gaze since last night, seen his face since that vulnerable moment when he was buried deep inside you, when he turned you away.
Now, eyes finding yours, they move across you, and something fractures behind the scarlet hue of his stare.
He looks so different from only hours ago. Before, he had been lost in pleasure—or whatever other tumultuous emotions had circled in his mind.
Now, he looks ready for war.
A dark charcoal kimono and hakama stretches over his broad frame, the long spear strapped to his back a promise of violence. He appears as a shadow against the pale morning, cut from a deep wound, a stain.
And yet—
Tiny droplets of rain cling to him, softening the edges. Beads dot his lashes, dampen his pink hair to a deeper shade of blush. His eyes blink against the drizzle, and for a moment, the storm touches him too.
Hands loosening on Ayana’s reins, you part your lips to ask why he’s come—only for him to reach forward and crush something against your sternum.
Your chin tilts downward. Pressed against your chest is a thick stack of parchment, its edges curling from the damp. Reaching for them, your gloved fingers brush against the soaked paper, and you avoid his hand. Then your gaze drops lower, catching on the seal pressed into the front. A snake, coiled in red.
They are letters.
Your letters.
The ones he took.
Your eyes snap back to the King of Curses. He looms over you, his upper left arm still closing the space, palm flat against you. He looks out of place, oddly quiet, like he wants to speak but can’t quite force the words free.
Your grip on the reins shifts, leather creaking—the only sound above the steady patter of rain and the breath of the two horses.
Three heartbeats pass before he finally speaks.
“Be careful,” he mumbles lowly, pressing his hand more firmly as though unwilling to let go. His brow furrows. The way he looks at you—it’s there. If only he could unburden himself, let the words crawl free, you might listen.
You wait.
But his mouth and throat are fortified, his eyes fixed on you with an intensity that aches.
“Stay off the main road. Don’t ride east, it’s dangero—”
“Goodbye, my Lord.” 
Composed. Formal. Chin lifted.
Your interruption makes him hesitate, lip twitching—before, at last, he releases you. Slowly. Reluctantly. And it’s that reluctance on his face that makes him look like a man who’s taken another blade to the neck and doesn’t understand how.
What does he expect? 
Again, you’ve given him pieces of yourself. And again, he has taken.
The thought twists.
Ruiner.
Tucking the letters deep into the front panels of your kimono, you turn away. Without a backward glance, you guide Ayana forward, and the space separating you stretches wide—like the unseen divide that always existed between your two rooms at the shrine.
Ayana surges ahead. The world blurs into gold and brown. But you only get so far before something inside tugs—an invisible thread pulling too tight.
You risk a glance back.
There’s a final flash of red clinging to you before vanishing, swallowed by the fog and rain, and the four-armed demon dissolves into the grey.
* * * * *
You don’t ride for long before finding a place beyond the main trail to dismount. Under the shelter of a sprawling oak, your mare slows, and you pull the letters from the safety of your kimono.
Settling onto a cold slab of rock, its damp surface seeping through your layers, you decide it’s time to read through them—if only to chase away the feeling clawing at your chest.
An odd ache of sorts.
Glancing down at the parchment in your hands—there are many. Some remain folded and untouched. While others have been folded and refolded, their creases worn soft, as if read over again and again.
Why Sukuna felt the need to keep them hidden, you’re unsure.
Taking the first from the top, you ease it open and begin.
Dearest Sister, I hope this letter comes to you well. Court life has been a marvel—every day feels like stepping into the poetry of a dream. The noblewomen are endlessly graceful, and I’ve started lessons to refine my own gestures and speech. Did you know there’s even a proper way to arrange robes for an audience? It’s all so fascinating, and I feel I’m learning so much. Yuna
Your brow drops. You set it aside and retrieve another.
Dearest Sister, I’ve had the opportunity to meet several suitors from other clans, Zen’in, Kamo. I’m still waiting to meet a man from the Sugawara clan, said to have silver hair and striking blue eyes like the open sea. The others carry themselves differently, some with charm, others with an air of superiority. I wonder what they saw when they looked at me. Yuna
You drag your eyes away from the elegant script, rifling through the stack before selecting another.
Dearest Sister, The dango here is unlike anything I’ve ever tasted. Soft, sweet, with just the slightest hint of char that, regrettably, left me with a terrible stomach ache. I lack restraint, but how could I when they were served on—
Enough.
Your fingers curl into the parchment.
What kind of letters are these? Not a single word asks about your well-being or safety. Not a single inquiry into how you are being treated at the shrine. She speaks only of herself, every sentence orbiting around her.
Jaw clenching, you shuffle through the rest, searching for a kind word—anything that isn’t self-indulgent. But there’s nothing. It’s always about Yuna. It always has been.
She is the protected.
You, the protector.
She, the gem.
You, the trinket, shoved into a corner.
Her, lovely.
You, anything but.
You’ve convinced yourself time and time again that your needs were never worthy, that you were deemed undeserving. Yet despite her volatile upbringing—one so similar to your own—she could still show you some hint of compassion, some fragment of concern. Couldn’t she?
You keep searching, keep looking, and still, nothing.
A crack runs through your heart, a fractious crumbling. Ridiculous to feel this way. All this from a few damn letters. But you swallow and flip through the papers once more, unfolding and refolding.
There has to be something. 
Your fingers halt on a small, unmarked letter, the parchment lightly stained, its surface rough, absent of any emblem. Discreet. You unfold it slowly, revealing the familiar ink strokes of your father’s handwriting.
For a moment, you simply blink, looking down at the ramblings of a dead man—a man you killed—staring back at you.
To my youngest daughter. I will make this brief. If I am no longer here, I have one simple and final request to offer you. Do not trust the next head of the Kasai clan. Trust no one. Trust yourself. Trust your memories, but know that the mind is a terrible thing when touched. While you remain in the south, under the creature’s eyes, remember your mother. Remember her. Remember. And for all the harm I have caused you, I can only hope that one day you will find it in your heart to forgive me. Your Father. Kasai Takuma.
You stare at it, chest tight.
Forgive him?
Forgive him?
The thought alone feels impossible. A delusion he has no right to ask for. A fucking fool’s errand.
Your eyes sting.
Crumpling the letter, you toss it aside, letting it sink into the wet grass.
The thought burns at you, picking. You push to your feet, pace in agitation, eyes fixed on the wadded paper while the damp earth begins to swallow it whole.
“The mind is a terrible thing when touched…” you murmur, watching the letter start to cave in on itself. “What the hell does that even mean?”
The ink starts to bleed.
Your mouth twitches.
With an exhale, you step closer, grabbing it before moisture can fully soak through, then stare at it again, reading it over and over until his nonsense is memorized.
Because something about this feels wrong. Bone-deep, wrong.
The Kasai clan was destroyed days ago. There is no clan head. No power. No influence.
Once, I think I cared for you, just like your mother had, but I forgot what that felt like.
Your father’s words wander back, unbidden. The same words he spoke before you stabbed him in the throat.
“You’re not making any sense, you bastard.”
Sighing, you let your head fall back, neck tilting as your eyes drift skyward. The rain has passed, but the clouds linger heavy, dragging their swollen bellies close to the earth.
Your heartbeat slows.
Remember.
Remember…
Remember what?
Closing your eyes, you take a long, deep breath. Calm.
Remember.
Remember…
I remember a breeze. A whisper in the dark.
“How are you feeling?”
Your gaze snaps open as a choking scent invades your nose.
A smell.
That smell.
Smoke.
Leather gloves creaking, you curl your hands into fists as your eyes lift to the east, catching sight of thick, dark plumes rising, streaking the sky in an ugly stain of ash.
Something’s burning.
* * * * *
Elsewhere, in a village to the east, some time later…
Screaming. Yelling. Crying.
Flames lick at the grey sky. Huts on fire. Villagers running in every direction.
The King of Curses knows no mercy. Even surrounded by ten, twenty, fifty men, he fights. And when Sukuna fights, he fights viciously. Violently. He fights alone.
From across the burning, crumbling village, five assailants throw themselves toward him all at once. With Hiten out, the demon’s hold on his cursed energy is loose, and he responds in kind.
The first man arrives, swinging his katana with misplaced triumph, aiming for his weapon hand. The sharp edge of the blade descends with a high-pitched wail, but before he can take another step, his blood and guts are already smeared across the ground.
As easy as splitting an overripe peach.
Sukuna grins at the mess and laughs, then lifts his chin from the warm, wet, glistening heap. 
Three more follow.
He’s ready. Muscles in his chest swollen, the upper half of his kimono slung at his waist, four arms draped at his side, he steps forward to meet them.
For a heartbeat, as he moves, the energy of a lesser sorcerer rolls up against him in annoying fits and spurts. It’s distracting, a bit of a nuisance. Lip peeling back, he ignores it, his focus returning to the rushing of feet toward him, the advancing trio moving with well-trained precision.
But training means nothing in the presence of a many-faced monster.
Garments snapping in the heat of battle, Sukuna takes in the insignias woven into their attire—men from Heian-kyō and the Zen’in clan. The latter, he knows, is behind the constant attacks on his domain. For the past month, they’ve pushed his patience, having sat in league with the Kasai clan. Were.
There’s a bright red flash.
A spasm of energy hurtles toward him.
Dodging, he slides into a wide stance, sandals gripping the damp soil. His upper right arm lifts, two fingers poised. Scarlet eyes burn.
Flick!
A sharp hiss rips through the air.
The three men stagger to a stop, shudder, then split apart—torsos sliding cleanly from their hips, their bodies fall in halves to the ground with meaty thuds.
Veins, cartilage, bone, tissue, muscle.
Sometimes, Sukuna enjoys dragging out a fight—testing his opponent’s limits, squeezing out every last drop of potential.
Not today.
Today, he fights to kill. Today, he wants to see eyes wrench wide, watch insides spill pink, feel flesh tear under his hands. The slick heat of blood—he needs it. Needs to drown out the colour of snowmelt, the vision slipping long out of reach.
Pitiful.
He lets himself feel fucking pathetic for one second before turning to the last man in his vicinity.
There are still more to kill.
Lots more.
“Come on!” His canines flash.
He feels insane. Drunk. Blood drunk. Bloodlust.
He wants more. So much more.
The final man raises his hands, fingers aligning into some kind of hand sign.
“Thrilling.” Sukuna’s demonic grin pulls wider.
With a smooth motion, his lower left arm draws back, halberd poised.
He releases it.
The incantation barely leaves the sorcerer’s throat before the blades sink snugly into his windpipe. The man’s cries mutate into animalistic sounds as he crumples to his knees, then collapses onto his back, eyes fixed on the ashen sky.
“How boring,” the King of Curses mutters, stepping closer to the body.
Planting his foot on the lifeless chest, he leans into it, dislodging Hiten from the ruined neck with a slick, hideous squelch.
“Such a waste to use this here,” he scowls, turning the bloodied weapon in his hand with a reverent eye. “It deserves far worthier opponents…” Lowering the haft to the dirt, he lets the blade rest upright. “Perhaps another time.”
He lifts his attention from the spear, falling on the remains of the sprawling village, surveying where the chaos takes shape.
The pests of the Zen’in clan and men from the capital swarm the dirt paths between ruined huts, fire stinging the air as they rip the place apart. He catches sight of others lingering at the edges, biding their time, waiting, but he’s not sure for what.
Four eyes sweeping to the fields beyond, he sees they’re smothered in ash, the homes already burned to the ground before his arrival. This village—once the heart of this domain northeast of the shrine—is as good as lost. Survivors, mostly women and children, pick their way through the wreckage or scatter into the surrounding wilds. Few converge in the distance, forming a group as they attempt to flee toward the tree line—only to be cut down or dragged away.
A month ago, the situation wasn’t this dire. Then again, a month ago, everything was very different. But this assault feels… calculated.
As he moves toward another cluster of assailants, that same flicker of lesser energy brushes against him, making his brow crease in irritation. Again, he ignores it, too busy weighing his next opponent.
Out of nowhere, two horses rush past, their riders racing in the direction he came from. 
South. 
A warning rings out inside his mind, and he doesn’t hesitate to move.
Abandoning the village, Sukuna tracks them, his massive form cutting through the terrain. With a flick of his wrist, the first rider is ripped from the saddle, slamming against the earth.
The second man continues, veering deeper into the brush. 
He doesn’t make it far. 
With a single swipe, Sukuna cleaves through flesh and bone, severing the rider’s leg mid-gallop. The limb hits the ground first. The man follows, crashing into the undergrowth. His horse bolts, vanishing into the trees, leaving its master mutilated in the dirt, groaning in agony.
Through the thicket, the King of Curses moves slowly. Blood pools beneath the mangled figure, staining the rain-softened earth dark. Sukuna reaches him and kneels, fingers curling into the man's battle attire—a layered mix of padded silk and hemp, suited for a warrior of Heian-kyō’s polished courts yet built for combat. Hiten shifts at his side as Sukuna hauls the man upright, their faces close enough that he can taste the sour tang of his breath, can see the fear stretching lines in his features.
“Why are you here?” Sukuna’s voice is a bored, guttural drone.
What he said must have been funny, because his trembling prey smiles at him, baring a row of gummy teeth.
Oh.
Sukuna chuckles.
How sweet.
Canting his head like an animal, the monster’s lower right hand finds its way to the dismembered leg. His fingers crawl deep into the raw, bleeding cavity until the man’s mouth opens in a scream.
“I’ll ask again,” he drawls, pinching an artery between firm fingers. “Why are you here?”
“To collect!” the warrior croaks in pain, blood bubbling onto his chin, some managing to spill onto the mossy ground.
Sukuna’s grip loosens—slightly.
“To collect what?”
Sweat slithers down the man’s brow to settle in the hollow of his cheek. 
“You,” he wheezes, then the grin from before returns, overtaking his shuddering expression. “And to take that whore of a wife off your hands.”
Sukuna’s face turns solid. Emotionless. He says nothing. Even when he imagines tearing the man’s jaw free from its roots, leaving him to choke on his own bile and blood.
“You are sentenced to death for the crimes against the Kasai clan,” he continues, glee painting his words even as his skin pales like a corpse. “Your wife stands accused of conspiracy and treason for instigating a coup.”
Sukuna’s jaw sets. He removes his fingers from inside the bloody stump.
“But, she’s wanted alive.” The man pauses. “There are far greater plans for her.”
The monster’s expression darkens.
“And who said she had anything to do with it?” His teeth are bared despite himself.
Patience.
“A witness,” the warrior sneers. “Someone of higher influence than both of you.”
“Fuck your so-called witness. It means nothing to me,” Sukuna hisses, yanking the man forward until their noses nearly touch. “The Kasai clan is gone. I took them apart.” 
“No.” The man wheezes out a laugh, then licks his bloodied bottom lip. “Not all of them.”
The King of Curses already knows this. And he doesn’t care. He doesn’t care about the accusations, the sentence placed upon him. Let them call him a criminal, a demon, a cannibal, disgraced, wretched—he’s heard it all before. But you? That’s… a different creature entirely.
His fingers flex around the warrior’s clothing, crumpling it further in his grip.
“Who?”
The man’s grin spreads grotesquely wide, every tooth on display.
“The new head of the Kasai clan.” He starts to laugh, his head lolling back in wild abandon.
Only then does Sukuna notice the eyes, the pupils—blown wide, unnaturally so.
“And she’s magnificent.” She. “You’ll see. You’ll see when—”
With a harsh twist, the man’s face is wrenched sideways. His laughter cuts off. Bones splinter. Flesh stretches. Pulls. Tears. 
Sukuna doesn’t stop.
He rips the jaw clean from the warrior’s skull. Blood sprays across him in a fine mist. Holding the chunky mass of bone and tissue in his hand, he turns it slowly between his fingers as though admiring a beautiful flower. Below him, his victim collapses to the ground, his hands flying up to claw at the gaping red hole where his mouth once was. But there’s nothing, and his screams are reduced to wet, gurgling sounds as his body twitches in pain.
“Magnificent, was it?” Rising to his full height, Sukuna drops the shattered jaw. “Let’s see how magnificent Yuna Kasai is when I’m done with her.”
Without sparing another look, he turns, leaving the man to suffer, and saunters back toward the village.
As he walks, he collects everything, thinks about the manipulative little bitch who has finally revealed her hand—turning against you, usurping what remains of the Kasai clan, setting everything into motion.
Like a slow-working poison. And by the time you realize what she’s done, it will be too late.
Once your eyes have opened, it will destroy you.
And after all this, he let you go—knowing full well you were no longer safe.
Safe.
He scrubs a hand across his face, then runs it through his hair, fingers dragging through clotted blood and sweat. With another hand, he grips Hiten, shifting its weight as he slides the weapon’s haft into his obi, the blade rising over his shoulder, still within reach.
Walking out of the tree line, the village comes into view, and that same pressure as before pushes against his senses—a slow, drugging pulse in his veins. Drugging in the way that it’s familiar... 
Sukuna slows, then stops, cocks his head to the side, all his senses straining.
That lesser energy he’s been feeling. Not lesser, just untamed energy. It reaches across him like a stranger but still familiar—known, but not entirely. The face of someone he once knew but never fully understood, even if he wished he had.
But that’s impossible.
Because it’s yours.
Your cursed energy. Here.
You are here.
Why the hell are you here? You can’t be. You were far from this place. He had told you not to ride east. So why does it feel like he’s breathing you in again? Hadn’t he finally rid himself of your presence?
And yet.
Spurts of it tell him something else.
You are here. And you are… fighting.  
His four eyes roll across the surroundings, searching. There’s a wisp of it. He feels it. Then, he moves.
Carving his way through any assailant even as they lunge at him, he slips past every strike, every arc of steel, and every flicker of energy that flares to life.  
Delving back deeper into the village, fire cracks. The wind shifts. Smoke spills down his throat, and the warm scent of death thickens, layered with fouler scents.  
Decay.  
His gaze narrows.  
He moves faster.
The ground slopes under his feet. A natural dip in the land, where runoff pools from the rain. Down past charred remains of a market stall, he steps over a corpse. 
More signs.
Footprints trailing through the dirt, the grass at their edges reduced to black husks. Ash curling over withered reeds. It only goes so far before the rot stops.
Your work.  
He lifts his head.
The village stretches forward, its wreckage bisected by a narrow road snaking through the center. 
More corpses litter the ground. Not just dead—ruined.
Darkness eats at the edges of their skin, flesh slack and mottled, collapsed inward. Their chests yawn open, ribs gaping, organs spilled like spoiled fruit.
So this is the full extent of your power—all from a single touch.
He pauses, taking it in—the tattered scraps of the dead’s clothing, the insignias barely visible through falling soot and ash.
Heian-kyō and Zen’in.
Sukuna steps over the bodies. Another corpse shudders in its final moments, a rattling hiss as bones slump into a heap of innards.
Fresh.
You were here moments ago.  
He breathes it in, takes it in, the reeking taste of sick life on his tongue.  
You’re messy. Inefficient. Brutal. Room for error.
His lip curls.
Reckless woman.
“Where the fuck are you?” he growls, stepping over another pile of split torsos and soured meat. But there it is—your pulse, steady through this slaughter.
Skirting a half-collapsed hut, he follows its pull.
Then, a desperate cry cracks the air.
He stops.
Goes still.
Listens.
His ears catch the sting of metal, the shuffle of hurried feet, and a crowd of voices. 
But it’s you. 
He knows this.
Through the shambles, down shallow alleys, past collapsed walls where fire has eaten at wood and thatch—he moves.
The pulse of your cursed energy bleeds stronger.
The noise ahead swells.
Laughter.
Jeering voices. Too loud.
He rounds the last ruin and steps into an open stretch of the village square.
In the distance, a cluster of men stands in a tight mass all shouting and revelling. Teeth flashing, voices raised as though they’ve just brought down something great.
As though they’ve won.
He moves closer.
The ravenous crowd parts like a vein split open, but there’s no beast lying at their feet.
There’s only you.
The Zen’in clan and men from the capital have you.
Their hands claw at you—pulling, dragging, yanking—before shoving you face-first into the slick mud. Your arms are wrenched behind your back, leather gloves missing, exposing discoloured fingers and hands.
Beside you, one man yanks Ayana’s reins, his knuckles tight around the leather. The mare screams, bucking wildly, panic twitching through every strained muscle. Kicking up dirt, she fights to break free.
But it isn’t enough.
She is losing.
And so are you.
Thrashing, you fight like a wild creature ripped straight from the forest, meant to be bound and butchered.
And you don’t stop. Not even when a man straddles your back, his knees digging into you as he shoves a dirtied strip of cloth between your teeth, wrapping it tight around your head, forcing your cries to collapse into muffled rage. Then he adjusts his grip and pulls. Your spine wrenches into a painful bow, body buckling under heavy weight.
You scream.
And—
Livid. Fucking. Fury.
Clarity comes to a sharpened point.
Jaw clenched, it's incredible how the violence hits Sukuna all at once—so forceful he's certain his teeth crack down to the marrow.
But that isn’t the worst of it.
Another man steps around your struggling form, gripping a branding iron. Its tip glows—a hot, furious thing. Your right arm is wrenched back, palm up, pinned to the ground.
That’s when he understands this condemnation.
裏切り
Traitor. Betrayer.
They’re going to brand you. 
You must feel the heat licking at your skin because he sees your eyes go wild with terror. Sees the moment the screams rip harder from your throat, gag soaking with it.
This sight before him.
The sound of you struggling, fighting, handled like prey—after everything—this is all it takes.
He understands it instantly, viscerally, and an ugliness crawls within him, a weapon unsheathed. That same feeling, the one that gripped him last night slides over his being, the one he felt before he followed you into the forest. That repetition of tiny words all to form a much grander thing.
His.
Always.
But he doesn’t name it. Doesn’t think it. Doesn’t breathe it back into existence.
You were never truly his to begin with.
Sukuna takes a step.
Something must alert you to his presence, because your gaze cuts through the crowd and finds him. And you are furious. Eyes screaming into him, eyes screaming at him. And with that look, the first threads of his restraint toward you fall apart.
The King of Curses takes another patient step. 
He doesn’t need to run.
Time bends for him.
And everyone here will be dead in a heartbeat.
If only he knew of the quiet blade being drawn behind him.
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themoonking · 1 month ago
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you know the way starscream is written in the second and third seasons of earthspark actually takes away potential character development from megatron, which is a shame because i actually quite like es megatron.
(aka, my attempt to prove that my issues with es s2/3 aren't just because i'm a bitter starscream stan. but also it’s still mostly about starscream </3 warning: long!)
in my opinion, s1e21 "what dwells within" deliberately set up a little mini character arc for megatron regarding his attitude toward starscream that (at least as of right now) was never followed up on. and in fact has lowkey been completely dropped. while earthspark megatron saw the error of his ways and changed his behavior before the events of the series, and is generally depicted as being very aware of the harm he has caused and wanting to atone for that harm, he has a very obvious blind spot when it comes to starscream and his treatment of him.
in "what dwells within", when starscream escapes from prison and megatron + optimus prime are discussing next steps, optimus directly asks megatron to bring starscream in without excessive force (the implication being that he believes this will be difficult for megatron), to which megatron replies that he will me when i lie. however, when megatron first encounters starscream later in the episode, his immediate reaction is to blast him with his cannon, even though in that moment starscream is literally just standing there. this clearly demonstrates that while this version of megatron is typically very calm and measured (being a grandfatherly source of stability for the malto children, rarely raising his voice, and also himself being the one to advocate for moderation when dealing with the other decepticons), he is unable or perhaps unwilling to temper himself when dealing, specifically, with starscream.
while the audience has only ever seen es megatron as gentle and caring, starscream describes a megatron that "ruled... with fear and intimidation", one that did not hesitate to use violence against those he had authority over. and that version of megatron is directly shown to us in his eagerness to use violence against starscream. near the beginning of the episode it was megatron who was very angrily pushing hard for croft to focus on recapturing starscream, specifically; he's so persistent about recapturing starscream that he, personally, sets out to do so despite croft's commands and optimus's obvious hesitance; as mentioned, his immediate reaction to seeing starscream is to beat him to the ground, despite the fact that when he sees starscream he is just hanging out and despite his earlier promise to bring starscream in "without excessive force". it's very deliberately shown to the audience that however many strides megatron has made in bettering himself as a person in the last ~15 years, the "old megatron" is still very much present when it comes to starscream.
however, "what dwells within" then depicts megatron as coming to some realization about the harm that he has caused to starscream, and as having potential for growth in that regard. when hashtag defends starscream against him and is clearly distraught at the way he's acting, megatron is forced to see how his actions toward starscream appear to others (particularly, others who he cares about). when starscream deliberately puts himself in danger to protect hashtag, megatron is forced to consider if his internal conception of starscream as "too unpredictable and dangerous" to be allowed to exist out in the world is, perhaps, off base. most especially, at the end of the episode when megatron offers "somewhere safe" to starscream and is rejected with the line "nowhere is safe if it's with you", the "camera" lingers on megatron's expression. we are very deliberately shown megatron's reaction to starscream's words; upon hearing this, megatron is either surprised or contemplative or something along those lines.
my reading of these moments (and particularly that ending moment), which i don't think is that controversial, is that megatron never really considered the damage that he has done to starscream. if i may theorize a bit: i think megatron conceptualized the conflict between starscream and himself as one between matched equals, while what starscream presents it as (and, let's be real, what it actually was) is a conflict between an authority figure and his subordinate, who he had both physical and social power over. therefore i don't think megatron ever really stopped to consider both the physical harm and the enduring psycological harm that he inflicted on starscream, even after his redemption arc where he presumably spent a lot of time thinking about how he has hurt others. you know, the large scale societal harm caused by starting a multi-million-year long interplanetary war is perhaps easier to recognize than the intimate, personal harm inflicted by one individual onto another in a complicated relationship between two people.
in this episode, however, megatron is forced to consider this. the fact that the reality of the situation may be different than how he's been conceptualizing it for ~15 years (if not millions of years) is brought into acute focus both by starscream all but directly telling him how his treatment had long-lasting negative effects on him and also by hashtag all but directly telling him how deranged his violent fixation on starscream looks to outsiders.
and i think it's a massive shame that this (in my opinion) deliberate set up was unceremoniously dropped between seasons.
first of all, while to be clear i do not believe that megatron's redemption happening off-screen before the events of the series is a flaw with the series itself, it still would have been interesting to see some kind of microcosm of that redemption arc through his relationship with starscream. especially considering how much of earthspark's first season was about change and redemption and second chances, it would have been. i don't know. nice. if they continued that theme into the rest of the show. and particularly this would provide an opportunity to send a message to the show's intended audience of children about how redemption is an ongoing process, and a process that isn't perfect. you know, just because megatron has changed doesn't mean there isn't still room to grow. just because he's recognized his faults in this area doesn't mean there aren't other areas that haven't gotten that same attention. we should always be working to better ourselves, don't let yourself become complacent and too self-assured of your own goodness to see where you need to change, et cetera. the closest we get to this is his changing dynamic with prowl, but that simply doesn't have the same punch because (1) neither the audience nor megatron have any kind of pre-existing relationship to prowl beyond knowing that he exists and (2) megatron's attitude toward prowl is that of being a little mean and jealous - it's just not the same. it's not as strong of an impact if the starting point that megatron needs to grow from is "having a mutually catty antagonism with a new addition to the friend group".
and second of all, the dropping of this storyline kind of leads to some gross unintentional messaging lmao?? like, season one very deliberately presents starscream as a victim of abuse from megatron, and presents megatron as needing to change in regards to both his physical treatment and also his mental conception of starscream. but when this is dropped, and starscream is rewritten between seasons to be so cartoonishly evil in contrast to his s1 portrayal that it's almost laughable, it kind of just validates megatron's earlier attitude - the attitude that was clearly presented in s1 as being off base and in need of altering. like, no, actually, megatron doesn't need to work on his obsessive and at times violent fixation on his former victim, because his paranoia about what starscream would get up to if left unsupervised was correct and warranted! no, actually, megatron doesn't need to feel bad about the physical and psychological violence he inflicted on starscream over the course of millennia, because starscream is "worse than [he] ever was"! very upsettingly, it almost sends a kind of... "look what happens when megatron isn't around to keep starscream in line; wasn't it better when megatron was in charge?" message. which is, again, gross as hell considering s1 all but explicitly stated that the way in which megatron treated starscream was abuse. like, to be clear, i do not believe this was intentional on the part of the earthspark writing team - i don't think this is what they were trying to say. it's just that, much like with the 😬 stuff surrounding the chaos terrans, i do not think they thought about the implications of their own writing in conjunction with the previous season before metaphorically hitting send.
anyway. the complete assassination of starscream's character also dominoed into megatron having his own little character arc pulled out from under him, which is just sad :-( i would have wanted to see some emotional development for megatron. and they should have given that old man something to do besides bitch at prowl for a season. and i'm making this post on my birthday so you're legally not allowed to disagree with me /lh
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amelikos · 2 months ago
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I am already a big enjoyer of Friede and Amethio's rivalry and dynamics in general, so if Crave turns out to be Amethio's father, I feel like this knowledge would reframe their rivalry in very interesting ways and give additional readings and perspectives..
#something something about amethio rejecting his father and friede stepping in to be the positive male figure in his life at that point#Not saying friede takes on that role (dad) because i don't interpret him that way at all#however he is very much meant to be someone amethio takes inspiration from#most adults in amethio's life aren't inspirational i think so friede is probably the first person he met who is free and independent etc#i need to be moderately invested in that theory so i'm not disappointed if it doesn't turn out to be true lol#but i think it adds a lot to the narrative.. amethio and liko's parallels etc and even friede's character!#the thought that he is giving back to the younger generation after being nurtured by teachers and mentors#oh friede the man that you are. the coolest guy ever that you are.. luv you#horizons tends to be very intentional about its writing.. the mentor character (friede) has been helped by Very Specific People#and feels indebted to them. before his rvt era. those people are liko's mother (lucca) and roy's grandfather. and director crave.#hmm. i wonder what that means!#(not saying friede isn't helped by the rvt. but they act as equals. lucca was a hiearchical superior as a teacher etc.)#also. on a personal level. i think it's funny if friede knew amethio's dad before meeting him#crave going like 'i'm glad my son has taken a liking to you professor friede :) i hope you can continue to get along'#and ame being like 'we don't get along? smh'#we'll see where that leads. but hz doesn't really trick its audience. it expects us to pick up on all these themes and hints here and there#like how this ep points out that yeah gibeon still being alive at this point seems odd and for him to be ame's grandpa too.#it's intentional! so i'm just pointing out reocurring patterns.. but yeah. we'll see#friede#hz074#character notes#episode notes
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cluescorner · 8 months ago
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They fucking did it again those bastards. Jason Todd fucking dies 2: Electric Boogaloo. Fuck it, let's go for a threepeat at this point. It'll be funny as hell.
#tuesday spoilers#jason todd#in all seriousness though like...what the hell#I'm not even a Jason superfan. I like him but I'm not like INVESTED in the way I am with Steph's stuff#but I am so upset on y'all's behalf. Damian and Jason have gotten so thoroughly fucked over by Zdarsky.#And not even in a way that makes narrative sense or is the logical conclusion to their character flaws#it really is the 'X is the best Robin disease so fuck everyone who isn't them'. Tim is Zdarsky's fave so these other guys need to fuck off#Update: Jason is not dead. which is somehow even worse#because it means they wrote a fake-out death for a character who's defining thing is that he totally actually died#and now they're having a character who LITERALLY DID DIE THAT IS HIS WHOLE THING have a fakeout death#why couldn't it be Dick? Or Tim? Or Damian?#Obviously it wouldn't be Cass or Steph or Duke because Zdarsky doesn't even pretend to care about them#but a Tim fake-out would make sense because Zdarsky is actually really good at writing Tim's whole 'I am Batman's caretaker/keeper' thing#so having Tim 'sacrifice himself' to protect Bruce would make sense and it would also fit with how he's characterized#and because (credit where it's due) Zdarsky is good at writing Tim it would probably be at least interesting if not straight up good#and a Damian fake-out would have made sense to do a while ago because it makes sense logistically and would have#allowed Zdarsky to take him out of the story. which imo is preferable to writing him poorly. it also would have raised the stakes#I'm opposed to a Dick fake-out because like...nah. we've gotten so many of those and I don't want to be reminded of Ric if I can avoid it#but it would have been better than fake killing the guy who DIED FOR REALSIES AND IT'S HIS DEFINING EVENT#Damian also died for realsies but IDK if that's been retconned and also it's not literally his whole thing#Damian is a Robin who died but he is not THE Robin who died
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icewindandboringhorror · 2 years ago
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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astrxealis · 9 months ago
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sorry to ffxivlovepost always anyway Man the way the devs & game did so good in making an mc that is Basically a blank-slate for the players, and there's so many opportunities to make your oc However you like but. the game itself adds so much story and character to that blank-slate guy. amazing
#⋯ ꒰ა starry thoughts ໒꒱ *·˚#⋯ ꒰ა ffxiv ໒꒱ *·˚#i think abt this a lot. and also a lot of other ffxiv stuff LMFAO#it's amazing ..... drk is a huge example of this i think#bcs it plays into the guilt and whatnot the wol feels and all that. spectacular#endwalker !!!!! shadowbringers!!! the way the game uses the concept of hope is just always so beautiful and fascinating to me#and yeah bunch of games may have like. mc you create & design but not always can you like. ehvejfhsjf idk how to explain LOL#it is 4 pm i woke up 2 hours ago but priorly woke at 7 am after havingn a rlly. weird sleep.#to which my twin told me 'i wont tell u what time it is' as we went to sleep so it def was Really late#bcs we were going thru re2 and she was also playing games on steam i've been telling her to play#(to which i got her fav characters right and knew fr how'd she'd like the game LMFAO. twins amiright.)#actually that is also smth so fascinating to me bcs. i always have had someone w me in my life. i am literally never alone.#to which what i'm getting at here is Wow... it's like having a sleepover every single day. and i was a kid always sad never to have#sleepovers bcs my parents were strict (they r cool tho!) but i was a kid who wanted to experience all the kid things#but i didn't rlly but that's fine :P i am a grateful person LOL anyway back on track back on black#ffxiv... the game that u are.....#it's the 1st game that rlly actually made me invested in the ocs of others and also make a fully fledged oc that wasn't just originally mine#but for a fandom or something. and also it got me back into writing and Into making poetry and prose so. yeah.#it's amazing how much. oc x canon ???? yeah. ffxiv is so Wow#like eveyrhhting w themis or graha and how u can AAGGGHHH shit w your oc . so many possibilities#and that character. those possibilities. are already in game but also expanded by the player and the fanbade and#idk it's so beautiful to me WHAGHSGDJDH. and yes me saying themis or graha up there is self-indukgent bcs#both of them are so Insane it's so. insane!!!!! i will never forget what happened in abyssos in particular that Broke me#and anabaseios... :)) i cried so much it is almost embarrassing. and wow. asphodelos. wverything w themis just. yeah#anyway graha... self-explanatory if u know..... idk he's the character of all time to me. simply said. but themis is crazy bcs going thru ab#yssos made me think for a bit 'hey themis might be my fav character in ffxiv now' but No but also Wow. wow#kinda cute bcs me and my twin have a thing where she has a certain type of chara she likes and me too#so sometimes. most times. all times. we have our own characters we like anyway but sometimes they overlap but either the case we kinda#lowkey 'segregate???' idk if that is a good word but we do that w our fav characters. so like emet is her fav elidibus is mine.#and that was all the way in arrr alr and we barely knew spoilers so that's kinda crazy! anyway
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rivilu · 4 months ago
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Another negative side effect of this release is that filtering d///a//i content out of my feed has become impossible again
#river rambles#negative#I cannot even pretend I like a single character from that thing I'm sorry#I am willing to give josephine a C+ passable score but that is IT#every single other person I actively want dead and i'm so serious#my inq included btw#half of them because taking part in the inquisition in itself makes them hateable 2 me#the other half because they on TOP of that are deeply personally unlikable#and unlike the asshole characters from previous installments (or other franchises) they don't even have the decency of showing their depth#unless you bend over backwards to kiss their ass and throat their boots agreeing with everything they say#I make it sound exaggerated but no you need to understand. Micromanaging shit like this is crack to me.#when playing da2 im basically the always sunny whiteboard meme. I invest even in the characters I don't like at all and I still have FUN#in inq It's way more than just needing to micromanage.#because you're literally doing quintuple the legwork for what?? to get a crumb of non-hateable personality??? a normal conversation???#legitimately. i really feel that any person out here on tumblr that's written any analysis post has put more thought -#and personality into those characters than the writers ever did#except solas ofc but that's the writers pet he doesnt count#(not that the thoughts they came up with were any good but they definitely did think about him more)#everyone in the game itself is a mess of contrasting traits that are supposed to make them feel more dynamic and ReAliStiC#but only really make them frustrating unless again. YOU do all the legwork and write those analysis posts#Leliana in origins has more personality in her pinky finger than the entire cast of inquisition combined.#and she's one of my least favorites in origins#dai critical
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starfieldcanvas · 15 days ago
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yes!!! as an exr shipper myself, can we please stop giving other people's plotlines to grantaire. if the two of them ever managed to get together it would be so, so much messier and less rational than any of those options
it’s so so funny silly. “grantaire is a working class person who inspires enjolras through new perspectives” so close, that is feuilly. “grantaire is enjolras’s intellectual equal who has complicated and conviction-informed feelings about revolutionary violence and his articulations of these feelings round out and supplement enjolras’s perspective” so close, that is combeferre. “If grantaire had joined in the fighting he would have been super awesome at it and earned enjolras’s respect and admiration” so close‼️‼️ that is MARIUS!!
#it's like that thing where somebody takes the main couple apart and just gives the role to their other preferred character instead#and literally nothing about the plot changes whatsoever#like. what are you doing here#why do you like this character if none of the actual canon details about them matter to you#grantaire has a hell of a lot going on with him#it's messy and interesting#if you just want to give him the template of a different character then why am i here#everyone who's ever written 'grantaire corrects enjolras during meetings and it strengthens his positions' owes me twenty dollars#including all my favorite authors. yes i love you yes i enjoyed the fic but i'm still annoyed#i just think!! that 'guy who keeps showing up to activist meetings because his friends go' is fascinating!#having him actually be politically engaged enough to nitpick is not going to lead enjolras to think r isn't politically engaged!#being the party guy who just goes because he loves his friends is SUCH an interesting character note#for ARMED INSURRECTION#i think my favorite little fanfic snippet about this#is the one where grantaire stops hanging out with the amis for some reason and goes to hang out with another group#and realizes he's kind of upset by how racist and sexist they are bc he got used to hanging out with hyper progressives#and his overton window has moved radically left without him realizing#that MIGHT be if music be the food of love? idk#grantaire already being a snarky leftist who can keep up with enjolras from the start is#much less interesting than his imagination being captured by enjolras#'without him being clearly aware of it'#and his growing genuine investment in enjolras and all these other people being a transformative force#but simultaneously his persistent personal attachment to enjolras being something that affects enjolras in return#love and attraction don't have to be logical!#grantaire doesn't need to be super admirable for enjolras to experience desire or interest#like. there are lots of ways to do this#of course#it's not totally unreasonable to give SOME traits to modern AU grantaire that overlap with canon era feuilly/ferre/marius etc#but it does often feel like somebody just fuckin gave up on it being realistically messy and decided to make it pat#sigh.
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moe-broey · 6 months ago
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Oh. Huh.
#they moved nagamas to ao3? which makes sense all the reasons given for it ect ect#idk if i really wanna go That out of my way for it though........ it was really fun/a huge test of my abilities when i participated#but like. this is my confession. my cardinal sin maybe. but i barely if ever read fic (and obvs ao3 is more than fic it's a whole archive)#and if i do. i'm only doing it about characters i like generally but am not really that heavily invested in.#like i can read an ike/soren. have a little fun w it. maybe aa fics. kinda fun.#but i live in a beautifyl world on an island in my mind palace where alfonse is ambiguously but distinctly queer/mlm#deeply elaborate inner world about it. so much internal lore. the alfonse that lives in my head is so important to me.#if i see anyone doing him wrong i'm going to kill them on sight. i'm so sorry. i won't even lie or joke i'm straight up not normal about it.#LIKE it used to be WORSE ACTUALLY..... i have had to grow as a person. to be nicies. so we can all play touys and hold hands.#i'm not even being dramatic. it is that serious.#i'm not vaguing i'm jusf trying to find a way to explain that sometimes.#transmasc who had an emotionally devastating breakup on account of incompatibility 🫵 are you being normal about women.#like my core point here. sometimes you do gotta self reflect on the load bearing coping mechanism#and sometimes your world gets a little fuller for it! wow! so beaitfylf.... congrasts on being nicies 😊��#but you could not pay me to venture into ao3 about a character i'm heavily invested in. i will kill us both.#and. obvs. what. started this ramble. nagamas is probably its own thing on there#but that is too far out of my comfort zone. you cannot pull me out of this dark corner. i live here. i'll die anywhere else.#huge props and shoutouts to fic writers though like! cool valid art medium i've even considered myself#i'm too comic brained though. i'd have to hone a whole ass other skillset also. like. i'm not a stranger to writing#but i'm def rusty. and really again my one true love is words WITH images#i just. don't wanna come off like i'm shitting on fic i respect fic so much. i just don't often indulge in it#and i am. such. a high strung bitch. that is entirely a me issue. you don't gotta worry about that! 🫡#we can ALL play touys ... with each other or side by side or separately. peace and love 💖
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fragmentedblade · 8 months ago
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#I can't stop thinking about the parallels between Eden and Kalpas#Was it done on purpose? At times it doesn't feel like it#At times it feels more that instead of very conscious and intently weitten like that it was more a coincidence#derivative from the recurring themes and parallels in ideas roles character and situations that thread all the Flame Chasers together#and make of them a cohesive whole#But wow the parallels bwtween Eden and Kalpas specifically are so good#I've been thinking about them for days sometimes quite intensely#I haven't even reached that part of the story yet and still here I am#At this point the actual development of the story and the writing of these details is bound to disappoint me#It shines so beautifully in my mind and with such a particular glow#Like one of those cups or calices made our of seashells#I talk too much#I can't believe an idol and an alien are all I've been thinking of for hours now#Normally alien and idol are tropes I couldn't care less for#Yet somehow I'm invested#And somehow I am very invested in this lame ass man#I can't believe I initially disliked and found kind of disgusting then got very fond of a man with white hair with black details#and something over his face that has a lot of anger issues but is sort of very gentle in his way‚#fact that shows not only in his behaviour but even his preferences and hobbies#but nonetheless he is quite shy and detached from people with a few exceptions‚ a pink haired woman his closest most trusted person#and sort of friend but not quite but also deeper than that at the same time#And this has happened twice#I can't see Guzm.a without seeing Kalpas now and the other way round#They both sit the same way‚ wear short sleeved jackets over a t-shirt with a wide neckline‚ both are obsessed with destruction#and breaking things and the sound they make while doing that‚ both screan rude things all the time‚#both find pretty much everyone stupid and annoying both share a feeling of alienation and unbelonging#Both take care of a bunch of kids in a way#Guz.ma's ending in the manga may be my favourite writing in the whole history of Pokemo.n‚ and N exists!#Otto/Kalpas situation tbh I can't stand myself#Get a grip look at that very well written character with all the traits and thematic you most enjoy. What are you doing with this guy
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outromoony · 2 months ago
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"I'm not like other girls." Well, that's good for you, but I am. I love reading books and fanfics. I love obsessing over fictional characters and screaming music at the top of my lungs. I love fangirling over celebrities and getting overly invested in ships that will never be canon. I cry over sad endings and laugh at memes no one else understands. I love getting way too excited over small things, daydreaming about impossible scenarios, and staying up late to finish just one more chapter. I love getting lost in fictional worlds, losing sleep over them, and rewatching my favorite shows a million times. I love spending hours scrolling through fan art and feeling alive through the stories, music, and love for people I will never meet. I love being like other girls.
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montanabohemian · 1 year ago
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i know this is a nitpicky thing to complain about fics, but when you read something and it's just so obvious that the author is not from the country where it's set. and i'm not talking about like getting overall locations or whatever wrong, i'm just talking about the language that's used. makes it so obvious. and if something is clearly set in middle america and the characters are from the states, but they speak like they're from the UK? buddy that can pull someone out of the story so fast.
also, can authors just let me go through their work with a red pen and do some editing for them. please just let me do that. for the love of christ and my peace of mind.
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teiasviago · 1 year ago
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seeing bg3 gameplay makes me feel 11 again bc it feels like all the popular games that were age appropriate but also touched on the depth/scope I've always loved were the turn-based RPGs (i did in fact play some wizards 101 and pirates 101). like not the cutscenes just the (default) distance of the camera from the player the automatic circles around the party members (i think i spotted some)......................... obviously you couldn't [redacted for spoilers] in those games. or [redacted for spoilers] either. i'm definitely nervous to get it for xmas bc it's always so hard to deal with expectations for things when the expectations are from when you were a kid LOL. anyways. doing this for the kid inside me who had zero interesting lore-heavy games to play bc they weren't old enough for them.
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pmpwbrrs · 1 year ago
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GNNNNNNHHHH hkKKKKKH!!!!!!!!!
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off string au - meeting ten silver roots
rivers and phrases meet somebody new in the wastes while making a perilous escape.
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i have put these guys through some real situations everyone!!! you have no idea!!!! :D who is dune????? whar????????????
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icewindandboringhorror · 1 year ago
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Hrmm... Revising my game and I feel like there's still sooo much writing left to do, for something that probably won't even amount to much, so.. I do want to narrow my focus more (especially given my health problems seeming to get worse/less energy the past few years), but I'm not sure how would be best to...
I currently have 5 characters as the Main ones with full planned questlines and such, with each character having 6 quests you can do for them. But I haven't really started the writing for the 5th main character. So then I was thinking, if I were going to write 6 full quests worth of content anyway... is it better to allocate that time on just doing a Complete 6 Quests for ONE single character, OR would it be better to do something like.. choose THREE side characters and do 2 quests for each of them? So that people have a wider variety to interact with and sort of sample around (of course with the idea that, once the first version of the game is released, IF people actually care about it enough to make it worth the effort, I would then add additional content to complete those 3 characters stories as well)
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SO... If you were playing an interactive fiction sort of game centered around talking to & doing quests for a cast of characters (like there's no larger plot, more it's just about interacting with people, every character kind of has a self contained story, the focus is just learning about them and the world and exploring the area) --- Which would you rather have?
(and of course it would be stated up front which characters have only partial questlines, so people don't expect them to have full quests like the others and then get disappointed, or etc. etc.)
Basically, is it better to just focus in specifically on having one fully complete questline? Or for there to be a few stories that are not complete yet, but have more initial options available?
#I guess I just feel weird about investing too much into characters if possibly nobody will like them. so the idea of being able to sample#around a wider variety opens up the option of like 'hey even if neither of these 4 are your favorite - you have 3 other options soon too!'#or whatever. BUT I also am very anti-the trend of releasing half finished games or shit like that where people preorder and then#the game sucks on actual release and isn't fully playable or good until 5 updates later#HOWEVER.. those are giant companies with hundreds of employees and millions in funding. I feel like it's different for someone#if they're just like ''hey I am getting zero money for this and doing it entirely on my own in my free time and before I do like 50+ hours#of work on top of the 100+ hours of work that I already did - I would like maybe to at least see some proof#people are interested in this - so I'm releasing the game with like a small amount of the originally intended content removed#that I still have planned out and hope to add later and the game is still entirely done and completely functional#except for just a few quests I might add later.. sorry'' etc. etc. ??? like I think that's different. but maybe some people dont see#it that way and would still be like 'grrr.. how dare there be unfinished options..>:V" idk#And the nature of the quests is such that it's not weird to have it be partial like.. again.there's no major plot. it's not like the quests#are leading up to some dramatic thing and having them half done would make it feel like a cliffhanger. It's meant to be very casual just#chilling and doing little tasks and such. And last thing to clarify I guess - by 'side character' I don't mean taking some unimportant bac#ground character and forcing them to have quests. I mean like.. originally the game had 8 full characters and I thought that was#too much so I cut it down to 5. So I still had everything planned for all the side characters too. Id' just be like.. re-giving them#quests and focuses that were already planned from the beginning but that I got rid of.. former main characters banished to the side lol..#ANYWAY... hrmm... hard to decide... It's just so niche I think. I feel more and more like I should just get it to a 'proof#of concept' state and get it out there to interest check rather than invest in it soooo much for nothing. Because I really do not have the#tastes other people do or interact with games or have interest in things in the same way. A lot of the stuff that I love (slow. character#focused things with basicaly no action or plot where its' just about getting to explore a world and learn about#people in a casual low stakes setting but ALSO not romance) I think people find very boring so... lol...#This year as I try to pick the project back up again after abandoning it for like 3 years I keep looking at stuff and going.. ough...#yeah... cut this maybe.. I should cut that too.. I should make them a side character.. remove this.. blah blah..#Though I did ADD a journal and inventory system and other things that like People Expect Games To Have so.. maybe#that will count for something.. hey..you can collect items.. it's not just 'talking to elves for 600 hours simulator'.. are you#entertained yet? lol.... When I was making my other tiny game for that pet website and I gave it to the play testers and someone was like#''it should have achievements so I feel I'm working towards something concrete'' I was literally so blindsided like..??... people WANT that#in games..? is the goal not simply to wander aimlessly &fixate on world/character lore& make your own silly pointless personal goals? I did#do them though because it IS fun to make up little achievement names and such but.. i fear i am out of touch so bad lol..
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