#but i'm back. i'm here.

[a-boy-called-micah]

now cracks a noble heart. goodnight, sweet princess, and flights of angels sing thee to thy rest.

[trans-ralsei]

[poorly-drawn-mdzs]

Hey now, Let her cook!

[1v31182m5]

// Book of Bill spoilers //

But that's even more sad

[weabooii]

⛩️✨DAN DA DAN ✨🛸

zoom in below

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[maeamian]

Part of the reason that Republicans are so desperately acting like they will never lose again is because they are deeply terrified that this is their last real chance to win. The big orange dipshit came in and gutted the party of everyone who wasn't a loyalist, which left it full of nasty little gremlins who have gaping voids where charisma and human decency is supposed to go.

They still hold a lot of power, but if we stop them this year the next presidential election may not be the Most Important One Of Your Life™, that's not a guarantee or anything, but if they don't win here and now their future looks grim, this dipshit is the only guy they have left and he's extremely diminished and has his brains leaking out of his ears at this point. We can beat him into the ground.

So that's what we're gonna fucking do. We're gonna break these fucking fash. They will crash upon us and we're gonna break their fucking necks. When they come for us they will lose because they're fucking losers and we have each other's backs which is something they fundamentally are incapable of comprehending.

[dragonpikachu]

List of old Gravity Falls things

because fans today probably don't know about all the batshit stuff that used to happen, here's some of the stuff I remember in no particular order:

People theorizing Robbie was a zombie

People also theorizing Gompers was connected to Bill because his eyes looked like that

Mystery trio

That time when Dipper got possessed by Bill, he stuck Dipper's arm in a silverware draw and then there was an avalanche of fan art with forks stuck in the poor kid's arm

The fact people guessed Stan had a twin actual years before the reveal, somehow even getting the name Stanley right, and then it turns out the names were swapped (there's so much old fan art calling Ford "Stanley", how could we have known)

All the crossover art with Over the Garden Wall

The fact Tad Strange's name was leaked and people came up with an entirely made up story about who he was, thinking he was some kind of weird shape demon like Bill, only for him to be a small 8 second gag character

When "Not What He Seems" can out and Stan's quote of "The Author of the Journals, my brother" somehow became a meme

When Steven Universe ended and somehow we got a bunch of fan art of him working at the Mystery Shack

That time "A Tale of Two Stans", the Steven Universe episode "Cry for Help" and the FNAF 4 trailer were all released on the same day, July 13, 2015

This:

I know there's other shit I'm forgetting so feel free to add some if you know any

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[literarymerritt]

Thinking about Them 🥺

Art Tumblr | Twitter

[chittychittyyangyang]

Listen, you should never film strangers in public without their consent, but I swear there need to be fines or something for people who do that shit in some spaces. For example: I had to go to the ER last night, and some jerk filmed a woman who just came in and was clearly having an asthma attack. She immediately got to go back, and he was unhappy about that. Believe me, I get that it sucks having to wait when you're in pain, but you don't get to pick who deserves care when. The medical system in the US is a nightmare, and the ER could be the worst moment of someone's life. No one deserves to be recorded because some jack ass believes someone doesn't look like they need care.

This is fine to reblog. People who film strangers should be shamed if nothing else.

[eats-a-berry]

i wasn't sure exactly what i thought adult gideon should be doing, but i DO quite like the triple combination of cowboy-biker, drag queen, and used car salesman at the same time. she's always a busy person!

[slfcare]

every time you assume that others are thinking negatively of you or judging you behind your back, you are bullying yourself through them. at the end of the day, you don't know what thoughts are running through their heads unless they verbally express them to you. until then, every one of 'their' opinions about you is nothing more than your fear, and whatever assumption is born from your fear is yours to let go - not theirs to disprove.

[spielzeugkaiser]

[MASTERPOST] - witcher!Jaskier is back!! I can't believe I finally did it, yesss, I finally drew something for those two again 😭

Also: Jaskier is 5 seconds away from being thrown at the next drowner.

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

[Small Update: Follow-up Discussion on why everyone feels OOC.]

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.