#but i'll reblog it from you when you post it!!

[thecovenofcrows]

notes challenge

25: we’ll write a new chapter of our fic as soon as we get home

75: we’ll move out the cedar chest from our room

150: we’ll post more

165: we’ll post about alterhumanity more

190: well post about plurality more.

235: we'll come out to our friends from our old school about our plurality (they already know abt the alterhumanity)

256: we use discord more

340: we’ll research more for Ves’s alter space

400: we'll find a new place for Ves's hoard.

495: we’ll work on the alter space

548: we'll read more physical books

670: we work on actually befriending other plurals

700: We'll work on our sleep schedule

730: We'll begin working out every day.

777: We'll make an intro post

808: We'll change the number on this post to ones that make sense.\

860: We'll sew something new! (well Ves and Nikki will)

900: I'll learn how to bake again! - Nikki

945: we'll clean up our room.

980: we'll each coin a gender!

1000: we'll each make a userbox!

1080: we'll each make userboxes for the genders.

1160: we'll rollerblade more.

1200: we'll ask for help when we don't understand something.

1350: we'll link our ao3 acc so y'all can read our fics.

1476: we'll try to make online friends who know we're plural.

1600: we'll try to make irl friends who know we're plural.

1700: Ves will tell our friends from our old school abt their delusions.

1780: We'll work on labeling our genders.

1920: We'll start a notebook-only story (written only on a ntbk)

2010: We'll change the amount of reqs available at a time too 15 (3/10 slots filled)

2300: We'll research proper diet

2400: We'll try to start to eat icky-texture foods (for context that includes most things that’d be considered healthy)

2600: We'll try to do insys group therapy (idc what you say Nikki- just bc you were a child soldier at 17 doesn't make you not a child soldier, same for you Luka!)

2750: We'll make a list of the activities we want to do and make a schedule for them!

(No more than 10 notes per person, no you can't just letter off number in the comments/reblogs, you have to actually write smth)

---

Red Text = Notes reached, incomplete.

Green Text = Notes reached, complete.

Blue Text = notes not reached, complete due to stressful circumstance.

Purple Text = notes not reached, complete due to non-stressful circumstance.

[trainsinanime]

I sometimes reblog posts about US Americans being weird here, but honestly I don't love how angry or smug most of these posts are. It's just that angry and smug posts tend to get more traction, and so they get reblogged more, and so I tend to see them and reblog them myself. Hm, maybe there's a lesson for all of social media and for me in particular here.

Anyway, what I want out of these posts is not for any US Americans here to feel bad; it's just "funny" and perhaps, perhaps a tiny bit of consideration for how being US American means you experience the internet on easy mode.

This is not your personal fault. Nor is it ethically wrong. It's just a thing that exists, and it may be worth thinking about it.

Examples of that easy mode include:

It's your language. The vast majority of people on the internet need to know a second language to at least participate passively, let alone actively post. It's not just the internet; for e.g. my job, all documentation for all the tools is only in English, and I was required to listen to English lectures and write both my bachelor's and master's thesis in English, my second language, to pass. That's why e.g. posts about bilingualism tend to cause a bit of a discussion, because knowing a second language isn't a special skill but a necessary survival tool.

It is your world-wide culture. The list of most popular video games, TV shows, movies and songs tend to be fairly similar across the world (in particular the part of it we call it the western world, another discussion that I'll get into below), and they're dominated by the output of US media. There is no equivalent to e.g. Disney anywhere outside of the US.

It's your debates and discussions. Because of the huge importance the US has economically and culturally (not to mention militarily), we tend to discuss US topics a lot, and we tend to discuss them from an American point of view.

This introduces American oddities into a lot of the world. For example, I'm a STEM guy, I have a STEM education, a STEM job and my primary hobbies are also STEM based, so what I notice are imperial measurements like feet and inches. Those are not "one of two equally valid choices", they're the unique hobby of the English-speaking countries, and within them, increasingly only the US. But we still tend to see them here as if they were a normal usual thing, and often europeans (including me) feel compelled to provide translations into these units.

But it's not limited to that, court room dramas are another example where courts in the English-speaking world tend to work very differently from those in the rest of the world. E.g. there's no pleading guilty or innocent in most of the world. There are boundless more examples of that, and these things can be grating every once in a while.

As I said before, I don't think there's any moral value here either way. You're not wrong for being an American (but you're also not better because of it). As I hinted at before, I'm still in a very privileged position myself, being from a wealthy European country, and my culture even without Disney is still far closer to that of the US than it is to most of the rest of the world. I'm sitting in the very same glass house, just maybe a different corner (TODO fix this metaphor before posting).

For example, I'm talking about court rooms and inches versus meters, but if we're thinking about history and ethics, there's deep issues in both of them. When it comes to measurements, it's ultimately the question of whether you use the measurements of London or those of Paris. For most of the world it's a colonial imposition either way. You can make arguments for why one is better for technology than the other (and as you can probably guess, I have strong opinions here), but in the grand scheme of things, neither of them is more "ethical" or more "universal", not really anyway. Same with the way legal systems work, where again, countries either adopted (and more often than not were forced to adopt) either the English system or the French system (with quite a few countries choosing to adopt the German version of the French system as well).

I know that's a boring digression but it's something that's usually missing from these posts, especially ones written by europeans, including some I've written myself. I don't really have a conclusion to any of this either, except perhaps that this is something that's worth being aware of.

[novella-november]

I forgot to take a screenshot of the full anon before I blocked them, but if you try to send in mile-long ""polite"" rants about, and this is a very very condensed summary:

"you're my new favorite writing motivation blog, but could you please consider not reblogging so many Palestine posts? could you please consider not posting stuff for Palestine? its really fracturing for the writing community and there's plenty of other bloggers who are sharing them, you don't need to do it too. I know it's probably an important cause to you but don't you think you should try to keep the community focused on writing?"

you will just get blocked.

If you have a platform, you are morally obligated to speak up against genocide.

I am no celebrity, but this blog has reach, and I will use that reach where I can to post once a day, as I have been, links to Gazafunds where you can donate to a random, vetted fundraiser, as well as the link to where you can click a button on a page once a day for six causes and generate ad revenue to help charities and NGOs when you don't have the money to donate directly.

""Theres already plenty of people sharing those posts"" --

-- until the genocide is over and Palestine is free there will never be enough people sharing and reblogging these posts.

If you have a platform you're morally obligated to speak out against genocide. And I will continue to do so until the genocide is over and the people are freed from tyranny.

[ID: a cropped Tumblr Mobile notification for an anonymous Ask that partially reads "Hi! I'm following your blog to have some motivation..." The rest of the text is cut off by the small notification size. End ID]

Hopefully I'll only have to make *this* post just once, and after today I will continue my daily reblog of the art post, but if you see me self-reblogging this post again in the future, it's safe to say someone else *tried* to come in my inbox to complain again.

Anyways:

Don't forget your daily clicks:

If you have the actual money to spare, please consider donating using GazaFunds to donate directly to vetted fundraisers

[snowdice]

Big Bang Editing Story [Day 124]

I started writing this fic while editing my Big Bang story years ago, but am going to continue doing it for other things now that Kill Dear is out. I will write and publish 100 words of the story every time I finish doing whatever task I’m doing. If you’d like to block these proceedings, please feel free to block the tag ‘proofread stories.’ I will reblog this post with the parts of the story I do today. Edited chapters are linked; everything else I’ve done so far is under the cut.

My Master Post Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15 Part 16 Part 17 Part 18 Part 19 Part 20 Part 21 Part 22 Part 23 Part 24 Part 25 Part 26 Part 27 Part 28 Part 29 Part 30 Part 31 Part 32 Part 33 Part 34 Part 35 Part 36 Part 37 Part 38 Part 39 Part 40 Part 41 Part 42 Part 43 Part 44 Part 45 Part 46 Part 47 Part 48 Part 49 Part 50 Part 51 Part 52 Part 53 Part 54 Part 55

I have been sick as a dog since I last worked on this story. I'm not even doing any work today lol. I just want to get this chapter finished. Will probably do a couple rounds and then cook myself dinner, so there may be a gap at some point. Mostly I'll just be, like, reading when not posting. Wish me luck.

“Good day for a picnic,” Helen commented as she handed over the basket Thomas had requested from her a few days before. He was taking Logan, Patton, and Virgil to the cliffs today and it was perfect weather for it. Spring was truly here, which meant that those of Thomas’s duties that had laid dormant over the harsh winter were about to start up again.

The world had been on pause for a bit considering no armies or agents from any kingdom could get through the snow the last few months, but the concerns of last fall were showing their heads once again.

Thomas had just gotten word a day ago that the queen of Lamir had routed out a second assassin hiding in her ranks over the winter. The assassin had been sent shortly after it was made clear that the queen wouldn’t bow down after the assassination of her mother. Luckily, the assassin sent for Queen Cecil had not managed to complete her mission during the winter months.

While there had been no similar attempt on Prijaznia soil, Thomas couldn’t help but feel it was only a matter of time now that the snow had melted. They were already working on increasing security in the coming weeks and, though it was doubtful an assassin had managed to hide in the castle all winter without revealing themselves, they’d be closely scrutinizing all of the newer staff members.

It would be a stressful time in the coming months, which is why, despite everything Thomas needed to do, he was still going to take his son and his son’s friends on a picnic today. Logan had already started taking on royal duties as of late, but he still hadn’t taken them all on quite yet. Considering this was last summer before Logan was of age, they should at least try to take advantage of it where they could. Patton was a year younger, but the sentiment held for him as well.

Then there was Virgil. Despite their best efforts, they still didn’t know enough about Virgil, but Thomas was fairly sure he’d never had a summer to enjoy until now.

“Thanks for prepping lunch for us,” Thomas said to Helen with a smile.

“No problem,” she said waving them off. “I put in some of Virgil’s favorites.”

“Great,” Thomas said. “Do you know where the kids are?”

“Patton said they were going to go pet the cats, so I’d guess they’re in the gardens.”

Thomas thanked her again and told her to have a good day before exiting the kitchen. There was a nearby door that led straight towards the part of the gardens Patton and Logan had always favored. He figured they’d either still be around there, or they would have wandered towards the stables by now knowing that they’d be taking horses to the cliffs. So, he decided to simply walk the normal path from the door to the stable, hoping to find them.

His prediction ended up being hilariously correct. They were indeed on the path Thomas had chosen. It was clear they (or at least Logan) were attempting to make it to the stable. However, as was typical, a portion of the party had been waylaid by whimsy.

Logan was standing further down the path, arms crossed and frowning as he watched his friends. Patton and Virgil were surrounded by cats. Patton was sitting down, holding two of them in his lap and watching Virgil’s legs being swarmed by the rest of them, maybe two dozen in total.

Virgil looked confused, but not unhappy about the presence of so many cats. He was leaning down to try to pet them all.

Logan met Thomas’s eyes as he approached and waved a frustrated hand at the two of them. Logan couldn’t help but smile.

“Virgil fed one of them,” Logan complained as though he wanted Thomas to somehow go into the past and prevent this crime.

Patton and Virgil looked over at Thomas, noticing him when Logan addressed him.

“You’re going to make Princess Marisol jealous,” Thomas said. Logan frowned at Thomas as he used the ‘Princess’ label for the cat.

“Princess Marisol decided not to come,” Virgil said with a shrug. He continued to pet one of the cats.

“She’s probably sleeping on my pillow,” Logan said, sounding grumpy.

Thomas just chuckled. Princess Marisol was technically Logan’s cat, at least that’s what the kids said, and she did spend much of her time in the royal rooms. However, she was very clearly actually Virgil’s cat. Virgil just spent a lot of time in the royal wing as well.

In fact, Thomas still didn’t know where Virgil was supposed to be sleeping. He and Mr. Deknis had gone so far as to tail him a couple of times, but he always ended up sleeping in Logan’s room those nights.

Knowing Virgil, he might just sleep in the walls. Though that still did not answer the question of where his parents or guardians were. They still had not figured it out. Thomas would assume he was an orphan who’d snuck onto castle grounds for safety, but Virgil had told Mr. Deknis during their first meeting that he was supposed to be in the castle, and it had not been a lie.

Then again, it had slowly become apparent that Virgil was good at dodging the multrum’s powers. It was starting to seem more likely that he’d somehow inserted a second meaning into his answer to Mr. Deknis that night than he somehow had some ghost guardian no one was able to locate working in the castle.

“She deserves the pillow more than you,” Virgil said, bringing Thomas’s thoughts back to the situation at hand. The look of audacity on Logan’s face made Thomas chuckle.

Thomas cut in before it could become a fight. “I could get Princess Marisol a pillow, so she doesn’t sleep on yours. Or we can get you a new pillow if you’d prefer, Logan.”

“It’s not about the pillow for her,” Logan argued. “It’s about her inflated sense of superiority.”

“She deserves it,” Virgil declared. Thomas could tell he was just trying to rile Logan up, and Thomas was sure Logan knew it too, but still his son reacted exactly in the way Virgil wanted him to.

“You have enabled and encouraged this behavior from the start!” Logan seethed.

“She’s a princess.”

“She is not a princess!”

Patton shook his head while squeezing the cats in his arms, completely used to this behavior. He ran a chin idly over one of the cat’s heads while watching the argument.

“We’re never going to make it to the picnic at this rate,” Thomas said to him, “and after your mother made all of this wonderful food.”

“You’re the dad,” Patton said. “Make them stop.”

And, of course, Patton did just mean that he was Logan’s dad with that statement. However, when he glanced back up at the silly argument still going on between his son and the cat covered boy, it did almost look like a fight between siblings.

Especially with the dark hair and stubborn but mischievous look in Virgil’s eyes, Thomas could almost imagine the boy being his own child.

He shook away the thoughts and glanced at the picnic basket in his hand.

“We do have a lot of food in this basket,” Thomas said, pitching his voice up so that Logan (and more importantly) Virgil would hear them clearly.

Virgil immediately turned to look at him, abandoning all interest in antagonizing Logan to look at the basket curiously.

Thomas was never sure if he should be amused or worried about how food motivated Virgil often was.

“What’s in the basket?” Virgil asked.

“I’m not sure,” Thomas said. “Patton’s mom made it. We’ll just have to see once we get to the picnic area.”

Virgil nodded in understanding and began to gently extract himself from the droves of cats. Logan rolled his eyes, but didn’t seem inclined to continue the argument he’d been dragged into. Virgil and Patton got to their feet, and they continued on their way towards the stables.

The horses Thomas had requested be prepared for their trip were already in saddles, though the stable hand who had been handling Mr. Apples seemed a bit dirtier and more exhausted than the rest.

The stable hand seemed as happy to hand Mr. Apples over to Virgil as Virgil was to have Mr. Apples handed over to him. Thomas received Bella with a smile and Logan and Patton got their own horses as well.

The cliffs were about half an hour's ride from the main castle. There was a mostly well-maintained path to them, though it was easy to get lost if one didn’t know the way. Mr. Apples knew the way perhaps better than Thomas himself and seemed annoyed by the fact that Thomas was trying to lead the way. Virgil and Thomas ended up side-by-side whenever the path allowed it to placate him.

Thomas still marveled at how willing Mr. Apples was to let Virgil ride him, especially when he tossed his head in Thomas’s direction, a horse’s equivalent of giving Thomas a stink-eye.

“Are you excited for the picnic?” Thomas asked the boy beside him.

Virgil glanced over at him and nodded.

“I am too,” Thomas said. “It’s always beautiful this time of year. I’m glad I could find the time to take you all there this year.”

“Are you very busy?” Virgil asked curiously.

“I am king,” Thomas reminded, “and now that the world isn’t snowed in anymore things will be busy.”

“With the war?” Virgil asked.

Thomas paused for a few seconds. “Yes,” he confirmed. “With the war, but you don’t need to worry about that.”

“Why shouldn’t I?” Virgil asked.

“You’re just a kid,” Thomas said.

“I’m 14,” Virgil said.

Thomas glanced at him. “Exactly,” he said, “a kid, and luckily, you’re in a place that can afford you the luxury of being one.”

“What do you mean?”

“The war has been mainly fought on Mocnejsi soil in recent years. Our boarders have held strong against invasions. Unless something goes horribly wrong suddenly, it would take a long time for the main conflict to get here. The only real threat in the castle would be assassins sent after me personally.”

“Right,” Virgil said. There was an awkward pause in conversation before he spoke again. “You’re winning the war then?” he asked.

“Something could always happen,” Thomas said, “but for the most part, yes, we have quite the advantage right now.”

“Oh,” Virgil said.

Thomas shook his head as they were coming up to a narrowing of the path. “Anyway, today is a day to not think about war. Today we’re going to have a lovely picnic and do some bird watching.”

“Right,” Virgil agreed from behind Thomas as Bella took the lead (to Mr. Apples discontent.)

When the path widened again, Thomas did his best to direct the topic to lighter subjects and soon they made it to the cliffs.

Chapter 57 (Virgil)

Virgil had never been to a picnic. At least, that’s what Patton had informed him when Virgil had described his past experiences of eating outdoors. Logan had agreed even though he’d admitted that the definition of “picnic” was only eating a pre-packaged meal outdoors which Virgil had done plenty of times.

From what Virgil could tell, the main difference was just how much stuff one brought to a picnic.

In addition to the basket full of food (that Virgil still hadn’t gotten to look in yet), the king had brought a large soft quilt that he had Logan and Virgil spread out on the ground for them all to sit on.

Patton and Logan had also packed some things themselves to bring along. Logan had brought along a book to read, and Patton had brought along a board game (thankfully not checkers but something Virgil did not recognize). Virgil hadn’t brought anything (except for the fire knife he was definitely not supposed to have and was definitely not letting the king see) because he hadn’t known he was supposed to bring things. He wouldn’t have known what to bring anyway.

The blanket was soft and a much better alternative to sitting on the ground, especially because, while there was grass at the top of The Cliffs, there were also a good number of rocks.

The king set the picnic basket in the middle of the blanket once it was spread out and then lowered himself down to sit on one side. Patton quickly followed him, already fiddling with some of his board game pieces, though he wasn’t setting it up yet. Virgil highly doubted that Logan was going to be allowed to read his book unless Patton eventually got bored of the game.

However, they would, hopefully, be allowed to make use of the basket the king had brought along.

Virgil followed the king and Patton’s lead and got to his knees on the blanket across the picnic basket from the king. He peered at the basket curiously.

He didn’t quite know what picnic food was, but Patton had told them they’d be getting ‘picnic food’ and he was very curious about what that meant.

King Thomas smiled at him. “Let’s see what Patton’s mom packed us, huh?” He reached for the basket and flipped it open as Logan sat next to Virgil. “There is a lot more food than usual in here,” the king said, sounding amused. “Let’s see.”

He began to pull out packaged food and glanced in each package to identify it before setting it out.

“We have a few types of mini sandwiches,” he said, putting them down, “and some pasta salad.” He set down the bowl.

“We also have… er something else.” He showed it to Logan.

“They’re hot cauliflower bites,” Logan said instantly upon seeing them. Virgil perked up in excitement. That was one of his favorite foods.

“Ah,” King Thomas said, but shrugged and set it down. “We also have two desserts apparently: cookies and mini apple pies. That last one’s a bit extra for a picnic.”

“They’re very good,” Virgil said happily.

“And we also have.” King Thomas paused, looking confused. “Chicken alfredo?”

“Yes!” Virgil said.

“Why do we have chicken alfredo for a picnic?”

“It’s a Virgil picnic,” Logan groaned. “She packed us a Virgil picnic.”

“Hey, at least momma sent us something too,” Patton said.

“I think I’ll stick to sandwiches for today,” King Thomas said. He looked at Patton and Logan. “Do either of you want…?”

“No,” Logan said. Patton shook his head.

The king nodded and offered the entire covered bowl of chicken alfredo to Virgil. “Here, this one’s yours,” he said.

“Really?” Virgil asked tentatively. It wasn’t exactly strange for people here to offer him food, and he’d expected and anticipated getting to eat on this venture, but the king of the country offering him an entire bowl of his favorite food was something else.

“It’s not really my idea of a picnic food and you seem excited for it,” King Thomas said with a warm smile, still holding it out.

Virgil took it reverently. Despite the time it had taken to get to the cliffs, the bottom of the container was still warm. Virgil assumed it was one of the heating spells the kitchen sometimes used.

“Thanks,” Virgil said, setting it in his lap.

“Of course, Virgil,” the king said.

The bowl was enough for four people to have a little bit, but for one person it was a lot. Still, Virgil was offered a little of every other food in the picnic basket (and he ate a good number of the hot cauliflower bites).

“Where do you put all of that?” the king asked when Virgil finished polishing off the chicken alfredo bowl.

Everyone else seemed to have finished eating long before Virgil, though Patton still had a small plate of grapes, and he occasionally popped one in his mouth. King Thomas was currently setting up the board game they’d brought on the blanket between all of them.

Virgil shrugged in answer to his question. “It’s good,” he said, “and I don’t want to waste any of it.”

“You know we can just take the leftovers back to the castle and eat them later,” King Thomas said. “You don’t have to eat it all now.”

Virgil just shrugged again, watching as the king set out a group of 8 figures on the board.

“Here, which character do you want to be?” the king asked Virgil, gesturing at the group of figures. Virgil had not noticed the figures were different at first glance. They were all copper colored and about the size of his thumb, but they had slightly different shapes. He squinted at them each carefully, finding they all looked like people, but with different clothing. Some worse pants and some skirts, a few had hats, and one was even carrying a book.

After a few moments, he pointed at one that looked like it had vines wrapped around its arms and was wearing a floppy hat that almost covered its eyes.

“That’s the druid,” King Thomas told him with a grin. “Good choice, and luckily not one that anyone usually fights over.” He glanced at Logan who didn’t react to his father’s gaze. He just plucked the figure clutching the book off the board for himself.

Patton and the king picked pieces for themselves. Patton picked one with an apron that kind of reminded Virgil of his mom and the king picked one that was in a suit of armor before putting the other 4 figures away.

Unlike checkers, this game wasn’t just for two people, and so no one had to sit watching people play while bored out of their mind.

85949

They played a practice round so Virgil could figure out how the game worked, though honestly it wasn’t that complicated, so it wasn’t really necessary.

The theme of the game was all about stealing. They were supposed to steal special tokens from other players as well as characters in the game and the first person with 20 tokens won.

The other three players argued that stealing was not the point and not the main mechanism of the game, but considering Virgil was consistently winning the entire time, he would argue they were just playing it wrong. He managed to collect 20 tokens before anyone else. In second place at this time was Logan with 9 tokens.

Logan insisted on continuing to play the game to determine 2nd and 3rd place, so Virgil ended up watching them play for a bit. Virgil didn’t mind sitting and watching other people play this game, mostly because he still had the joy of victory running in his veins.

Thomas was definitely going to lose, he noted. He kept wasting his money feeding the nonplayer characters who lived on his lands. Virgil didn’t mention this faulty strategy to him in case Virgil ever played him again.

When Logan took too long thinking about his next move, Virgil took in their surroundings.

86167

He’d been a bit too distracted by the prospect of food and then trying to understand (and then win) the game to truly take in The Cliffs. They were settled a good distance away from the cliffside but Virgil could still see how quickly the edge dropped off. He couldn’t see the large river he was told was at its base from where he was sitting, but he did see a few of the promised wild birds (including doves) flying around. The king had promised they’d bird watch for a bit, and Virgil figured that would happen after the game was over.

A cool spring breeze brushed across Virgil’s face, and he put his hand in his hoodie pockets to warm them. Instead, his fingers hit something icy cold.

For a moment, he didn’t remember what it was. The crescent shape of it was familiar when he put his hand over it, but he had never felt it cold before.

It was the protection charm: the first charm Virgil had ever made with Logan so many months ago. It was meant to ward off small threats as well as warn you about larger threats by changing temperature…

It had always been warm.

“What?” Patton asked, having noticed Virgil suddenly tense. Virgil, despite how he drilled into his friend’s heads to stay alert had gone soft. He’d let himself be distracted by a full belly and warm blankets and fun games.

He didn’t answer Patton. He filtered the other boy’s worried face out as well as Logan’s face as he glanced at him and the king’s still focused on the game for now. He filtered out the picnic blanket and smell of food still lingering in the air and the vine covered figure set in the middle of the board on the winner’s space. He filtered out the sound of the breeze and the breath of his companions and the distant chirping of birds.

And he heard a whoosh.

Chapter 58 (Patton)

If Patton hadn’t already been looking, he probably wouldn’t have had any idea what happened.

Everything had been fine. Virgil had been sitting cross legged, idly watching the conclusion of the game they’d been playing when his posture had suddenly changed. Patton had looked over at him only to see an expression on his face he didn’t recognize, but it didn’t seem good.

“What?” Patton had asked, but the question didn’t seem to register to Virgil.

Logan had glanced up confused and also noticed Virgil’s face. He’d just opened his mouth to also ask what was going on when chaos descended.

Virgil was suddenly moving, crashing into King Thomas who hadn’t even looked up to see something was wrong at that point. Patton realized after the fact that Virgil had swiped up the board of the game they’d been playing as he jumped over it, the pieces previously stacked on it scattering all over the blanket. There were three thumps as some things hit the thick board, imbedding themselves into the surface.

When Virgil discarded the board in favor of the picnic basket, Patton saw there were small darts in it oozing a dark black liquid. The parts of the board they touched were dissolving, the grass under the new holes beginning to wilt rapidly.

Logan seemed to notice the oozing liquid the same moment Patton did and was quicker to realize what it was. He grabbed Patton’s arm and yanked him away from the board so hard he almost dislocated Patton’s shoulder, not that Patton was too worried about that. He scrambled away from it when he realized what it must be himself.

He could hear the sound of glassware smashing above them. Logan and Patton had rolled off the blanket in their quest to get away from the smoldering, melting board and apparently Virgil had pulled the picnic blanket fully over the king at some point.

Virgil himself was now gone from where he’d been the last time Patton had looked and it took him a moment to figure out where the boy had gone. The person who had been shooting poisoned darts at them had been drawn out of the wooded area they’d been hiding in by Virgil’s attacks.

They were cloaked in dark green from head to toe, explaining why they’d been difficult to spot when they were in the woods. Whoever they were, they were significantly larger than Virgil, possibly an actual adult or almost adult assassin, but they were also clearly a long distant fighter. They had not been expecting resistance let alone resistance in the form of a so quick he was almost a blur fellow assassin.

They had a bow strapped to their back, but they hadn’t had a chance to get it. Instead, they were trying to fight Virgil off with an arrow they’d managed to draw from their quiver. Virgil, meanwhile was lunging at them with a broken piece of plate in one hand and the picnic basket in the other.

Virgil dodged out of the way of the arrow striking towards his arm, though Patton didn’t think it was because he was afraid of getting scratched by an arrow, but because it may also be poisoned tipped.

Virgil was distracted by dodging for long enough that the older assassin managed to hit him in the face with the arm not holding the arrow.

He went down, but he took the older assassin with him, sweeping their legs out from under them. Patton hadn’t noticed (his mind working too slow for how fast they were moving) but they were on a slight incline. They went rolling in a tangle of arms and legs towards the edge of the cliff and skidded to a stop only a few feet away.

Virgil ended up on top, his piece of broken plate in his hands. He moved to slash it across the other assassin’s throat and managed to draw blood, but the assassin’s fist came out to shove at Virgil’s chest at just the right moment, causing the strike to veer off course and slice across the assassin’s cheek instead.

Virgil jerked to the side to avoid a second strike to the chest and went back for another slash. The other assassin rolled to the side as he did and the plate only managed to nick their ear. The point of the motion hadn’t been to dodge, however. They were lunging for the arrow they’d dropped a few feet away while they’d rolled. They grabbed it with their right hand and in the same motion stabbed back behind them towards Virgil.

Virgil rolled to avoid the hit, already slashing up with his plate as the assassin turned back towards him.

87295

He didn’t hit them this time but his swipe managed to stop them from stabbing him when they tried again. They shoved themselves back to avoid Virgil’s swing, putting a bit of distance between them. Both of them managed to make it to their feet during the momentary reprieve, but both also stayed crouched, eyeing each other.

They both lunged towards each other at the same time. The assassin went for a stab to Virgil’s neck with the arrow, but Virgil was already ducking down. This time, he wasn’t going for a kill shot. He grabbed the assassin’s wrist and at the same time drove his piece of plate into the assassin’s arm, slicing down from the elbow to wrist. The assassin spoke for the first time, cursing in a language Patton didn’t recognize as they were forced to drop their arrow.

Virgil took a moment to kick the arrow away from the assassin and it ended up falling off the cliff.

However, this pause gave the assassin enough time to regroup. Despite their arm bleeding profusely, they still decided to use it to backhand Virgil across the face viciously, leaving a long line of their own blood across his face.

Virgil lunged back forward, but the assassin was able to get a leg between them, kicking Virgil squarely in the chest and sending him flying back a few feet parallel to the cliff’s edge.

The assassin went to grab their bow and another arrow from the quiver still strapped to their shoulder.

Virgil, however, apparently went for another weapon too and he was much faster with a knife than any archer. A knife appeared in his hand, having been strapped to his ankle and was embedded into the assassin’s chest before they could even full remove an arrow from their quiver.

The assassin promptly burst into flames, fire catching their clothes (and from the smell of it their skin) ablaze. Panicked and dying, they stumbled two steps to the side. They stepped directly off the cliff.

There was a second of silence. They heard the sound of the body hitting the ground far below and then the flap of wings and screeching as birds below fled from the startling sound (and possible soon to be forest fire).

…

“Uh, Virgil?” King Thomas said. He had managed to get the blanket off his head at some point. When, Patton didn’t know, but seeing any of it was probably enough.

Oopsie.

Chapter 59 (Logan)

Logan and Patton had been useless during the fight, but that may have been for the best. Considering the skill differential when it came to fighting (and that differential had never been as clear as it was in this moment), that was probably for the best. They likely would have just gotten in the way.

The moment Logan’s father spoke, however, they both jumped into action.

They both knew their jobs in a situation like this. Patton pushed himself up to his feet ungracefully and all but sprinted over towards Virgil. Logan, on the other hand stood to face his father, putting himself very purposefully between the man who had no idea what was going on yet and the boy who was two seconds away from remembering what was going on.

“I can explain,” Logan said.

His father was still sitting on the ground. “You can explain,” he said slowly, “how Virgil just threw an assassin off a cliff.”

Logan thought pointing out that Virgil hadn’t thrown anyone off a cliff and instead had set them on fire with a magical knife causing them to walk off a cliff, would not be useful in this moment. He glanced back briefly towards where Virgil and Patton were standing and then turned back to his father. “Yes.”

“And what would that explanation be?”

Before even starting to speak, Logan found himself making large dramatic ‘explaining hand gestures’ that he’d thought he’d long since trained himself out of. When he was younger and in trouble, he always used to give himself away as guilty by being overly expressive with his hands (and arms).

“So,” Logan said. He was still not able to stop the hand motions. “Virgil was an assassin. He came here to kill you last fall, but he accidently went to the wrong room in the royal wing. Patton and I were having a slumber party and caught him in the act. Then we reformed him and now he doesn’t kill people anymore.” He paused and glanced back, remembering the body that had just toppled off the cliff. “Er, uh, he doesn’t kill people who haven’t shot poisoned darts at people recently anymore?”

“What?”

“Look,” Logan said. “You’re going to have to tell him you’re not going to execute him soon. Patton can only keep him from bolting for so long.”

[fatal-blow]

How Does the Neander Foot Cause Pain?

More well-known as Morton's Foot Syndrome, the Royal Toe, or the Greek Foot, and not to be mistaken with Morton's Neuroma. Here, though, I will be calling it the Neander Foot, based on my own theorized origin of this piece of human anatomy.

But basically. Look. Humans are basically just animals that made themselves into towers and started walking around like that. What happens when a tower has a poor base? It falls. But because animals have muscles and crap, WE don't fall, or at least not in the same way a tower might.

But first, why the Neander Foot? Well, plenty of research has come about Neanderthals, how they interbred with us, and how we carried many of their traits with us from those interbreeding events. It stood out to me, however, that Neanderthals had feet made for sprinting--they were ambush hunters, built for explosions of speed rather than the Terminator-esque persistent hunting that we attribute to ancient Sapiens. This difference is notable in their feet, which were narrow, with elongated toes, and, most importantly for this post, had a short first metatarsal--the bone behind the big toe.

And so it seems their foot anatomy has persisted into modern humans, which has drastic effects on our own mobility.

Here is the anatomy of the typical Sapien foot, the one most well-known and referenced by science and especially the medical community:

And this is the Neander Foot:

In medicine, the Neander Foot is known as Morton's Foot Syndrome, flat-feet, and often leads to what is known as overpronation. Many theories have floated about the cause of this, from malnutrition to improper footwear, but none of these explanations never made sense to me.

While well-adapted for sprinting (many runners have the Neander Foot!) it is poorly adapted for walking. The Sapien Foot is well-made to transfer weight across the foot with ease, making standing and walking low energy. For many with the Sapien Foot, they might be so stable that the phrase "falling asleep on your feet" could apply quite literally!

The Neander Foot on the other hand (foot?)...

There are many other ways someone with the Neander Foot might compensate for their lack of balance. Sometimes, the ankles bend outwards. Some use the middle of the foot for push off, which can cause pain and callouses. Some might even turn their feet inwards. The goal is all the same, though: attempting to force the body into a more stable position.

And regardless of the compensation patterns one might have, they all have the potential to form Triggerpoints--the REAL cause of most aches and pains.

And there are many other conditions that are co-morbid with the Neander Foot, which can make symptoms worse. Hypermobility is one I know intimately--loosened ligaments force the muscles to work even harder to maintain balance, and the combination of Neander Foot and hypermobility could disable someone by the time they're 20.

But the real reason I made this post is not only to explain what is wrong, but also to tell you how to fix it. Triggerpoints are the cause of many, if not most, aches and pains, and are very treatable using methods such as self-massage and targeted physio.

Furthermore, you can modify your shoes to help you stand and walk better! A cut rectangle of moleskin padding, from 3.5-6.0mm thick, can be placed inside the shoe underneath the first metatarsal and the big toe, like this:

This extra padding allows the metatarsal to reach the ground, without having to turn your feet outwards. Many with the Neander Foot (so far my entire family, both my partners, and several friends) find that this padding immediately improves their stability, and even without self-massage have found that their pain lessens and standing and walking become much easier.

If you'd like to know more, feel free to send me asks! I'll also reblog this and attach links and resources where I've learned this information, so y'all can check it out yourself. I'll also include a link to a website that sells insoles designed specifically for Neander Foot--commercial insoles DO NOT address it correctly, and many prescription i soles are very expensive and also fail to address it.

And finally, I am not formally trained in medicine. My experience comes from treating my own disability, treating my mother's disability, and the research and work I've done with my medical care team to address my illness.

[apoloadonisandnarcissus]

Adar’s Fate - Speculation and Clues

@valar-did-me-wrong asked for my opinion on Adar’s fate in Season 2, and while I’ve already responded via reblog, I think this deserves a post on itself. I'll start by saying that I love Adar (I got a thing for the villains, they are always my favorites), and I don’t want to see him go.

There are lots of theories floating around: Adar dying at the siege of Eregion (as collateral damage, almost), at Arondir’s hands (revenge for Bronwyn), his Orcs mutinying and kill him, or Sauron killing him at the forest outside of Eregion (or whatever). All of this is incredibly lazy writing, and while I know many criticize “Rings of Power” show writers, I don’t think they’ll go with any of this.  

I believe that Adar’s fate is connected to Sauron (I mean, duh?), but he might survive Season 2, depending on what happens. Allow me to elaborate:

Sauron is sadistic but he’s not wasteful and he hates frivolous friction (as Charlie Vickers puts it). Sauron is Lawful Evil, not Chaotic Evil (like Morgoth was, for instance). And so, I don’t see him randomly killing Adar at a forest in a fit rage. You know, like he wanted to do back in Season 1 when everyone thought he was “just Halbrand”, because that boat has sailed and things have developed from there (and that scene was more foreshadowing towards Halbrand’s real identity than anything else).

I might be wrong, but I don’t think the show writers would go with such a lazy ending for Adar.  

Look at this face and grin: this fallen Maia is plotting revenge, and it will be served colder than Forodwaith.

In 2x01, we saw how “creative” and patient Sauron was with Waldreg’s death, and he was pretty much an extra/background character at that point. He planned it, and he did it carefully. Even though he was “Lord of Werewolves” back in the day, he didn’t immediately call the Warg to him when he first saw it. He lured it with food, and casted a spell to gain control over him. And then he waited for the perfect oportunity to kill Waldreg.  

To me, there are two scenes in particular who might provide clues towards Adar’s fate:

Sauron poising as “King Halbrand of the Southlands” swearing his fealty to the Lord of Mordor, in 2x01 

And this exchange between Galadriel and Adar, in 2x06 

And so my bet is: Sauron will forge the One Ring before he kills Adar, because he'll want Adar to witness him becoming "Lord of Mordor" and enslave/take the Orcs legions for himself, in a big “gotcha” moment. And then, yes, he might have the Orcs collectively kill him, as the ultimate revenge, of having Adar killed by his own precious children.

Sauron coveting Adar’s armies is what Galadriel has warned him about, and she’s correct, that’s Sauron’s plan. However, he can’t control these armies without the One Ring, because Season 2 pretty much established that every Orc and former servant of Morgoth wants him dead, at this point of the story (with the Orcs actually destroying his physical form in the past). Hence, Sauron needs the One Ring. And since the Orcs are at Eregion, Sauron has the chance to go to Mordor and forge it on Mount Doom.

And, to me, Adar might survive Season 2 if Sauron only forges the One Ring in Season 3. If he does it in 2x08, I believe Adar is toasted (unless Sauron forging the One is the final scene of the Season, of course).  

[jesamjdbutfurry]

UNBELIEVABLY cute piece of a Robo Jesam by @gnot-art, as an artfight attack, thank you so much i die 😭😭😭😭

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 4: Deranged Bedfellows

(Part 1, Part 2, Part 3, Part 4.5)

[starlene]

Musical theatre questions for old and cynical musical theatre fans

How did you first get into musical theatre?

What is the oldest musical you love?

What is the newest musical you love?

Who is your favourite musical theatre composer?

Who is your favourite musical theatre lyricist?

Who is your favourite musical theatre director?

Who is your favourite musical theatre actor?

What is your favourite Broadway musical?

What is your favourite musical that's never been on Broadway?

What is your favourite non-English musical?

What is your favourite overture?

What is your favourite opening number?

What is your favourite act 1 finale?

What is your favourite act 2 opener?

What is your favourite act 2 finale?

What is your favourite female solo?

What is your favourite male solo?

What is your favourite female duet?

What is your favourite male duet?

What is your favourite mixed-gender duet?

What is your favourite trio?

What is your favourite group/ensemble song?

What's a song you love from a musical you don't otherwise like?

Which three cast recordings would you take with you to a deserted island?

What catches your attention in a musical and makes it interesting to you? Is there a subgenre of musicals you especially like?

What's the latest musical you've seen? What did you think about it?

What's a musical you're looking forward to seeing?

What's a musical that you saw ages ago that you're still not over? What about it made you love it so much?

What's a musical that you used to really like but don't anymore? What made you fall out of love with it?

What's a musical that's grown on you since you first saw it or listened to it? What made you appreciate it more?

Is there a musical that means a lot to you that isn't one of your favourites? What made you feel that way about it?

Talk about the worst production of a musical you like that you've seen.

Talk about a performance in a role that you can't forget.

Who's your musical theatre blorbo? Talk about them.

Who's your musical theatre otp? Talk about them.

Do musicals in general make you cry? Is there a musical, a song, or a scene that makes you cry especially hard?

Is there a musical lyric, line, moment, etc. that lives in your head rent-free?

What's the weirdest musical theatre related experience you've had?

Share a happy memory related to musical theatre.

Talk about something musical-related that annoys you.

Share an unpopular opinion about musical theatre.

Do you own any fun musical memorabilia, or do you maybe have a musical-related tattoo? Show and/or tell.

You have to do musical karaoke. Which song are you singing?

If you got to direct any musical, which one would you choose? Talk about how you would stage it.

What's a musical that doesn't exist yet that you would like to see?

Is there a musical you like listening to but not watching, or vice versa? What makes you feel that way about it?

Is there a musical that you looked forward to seeing that disappointed you? Why did it fail to live up to your expectations?

What's the worst musical you've ever seen? What made it so bad?

If you have to choose just one, what is your favourite musical of all times?

[sihtricfedaraaahvicius]

taglist: @foxyanon @alexagirlie @sihtricsafin @neonhairspray @gemini-mama

@lexwolfhale @sigtryggrswifey @skyofficialxx @djarinsgirl27 @m-a-s-h-k-a

@verenahx @mrsarnasdelicious @diiickbrainn @little-diable @maii777

@urmomsgirlfriend1 @dixie-elocin @elle4404 @bubblyabs @ylvie50

@hb8301 @willowbrookesblog @apolloanddaphnis @jennifer0305

@carnationworld @justanother-sihtricgirlie @stark-head @reidsbookstore @thenameswinter99

@deathbluestar113 @ladyinred2248 @zaldritzosrose @maryelle-cats @penumbrie

@solinarimoon @thatawkwardlittlefangirl @yungpoetfics @legitalicat @stupiddarkkside @volklana

if you want to be added to/deleted from the taglist, message me 🖤

[jawsplitter]

EDIT: no longer doing slots, just having these open indefinitely! i accept $app, v3nm0, p4yp4l, and k0-f1!!! i also do writing comms you can DM me about those as well 🫶

[here's my k0-f1, if you'd just like to kick me a buck or two]

[angelsdean]

ruthlessly deleting old 2021/2022 posts (not by me) from my dean studies tag like *click* un-incorporating that from my beliefs system! also the way SO many posts have me like ok uh-huh good aaand then say one completely wrong thing that loses me. it's so many posts.

[octubreazul]

I love how you find posts or reblogs of mine that I'd forgotten about. Makes for a treat in my notes to rediscover stuff :)

Haha I'm glad you enjoy it, I scrolled through your blog and put some posts in my queue so it will probably keep happening XD

Also if you feel like it, may I have another fish? I'll trade it for a flower or a pokemon, whichever you prefer (it may take me a few days tho)

[dragon-tamer-1]

I want to be able to reblog people's art without having to worry about people's negative reactions when it's someone that a majority of people don't like, is that so much to ask?

Why must it be a problem if I like someone's art even if the person believes in something others don't? Why must people treat people like they're bad for liking someone's art and writing when others don't like that person because of their beliefs?

I'm just hanging out and reblogging art and writing that I find enjoyable. In the end that's just what I'm doing when I reblog stuff. Enjoying it. If it's something I don't enjoy/like to see, I just block the tag or, if it's a specific blog that I decided that I didn't enjoy and don't want to see I block that blog as well. Otherwise just vibing. I don't hate anyone that doesn't like someone else of course, but the way people talk about that one person, it's like they think it's the worst possible thing for someone to enjoy that person's art and writing. I just can't hate someone based on that person's beliefs, it just goes against my own personal beliefs, and I can't help that I still enjoy those things.

I try to keep the drama and stuff off my blog cause I'm not about that. And it shouldn't be treated like some kind of crime to still enjoy someone's art/writing/etc just because other people don't like that person, in my opinion.

[wa-royal-tea]

When you tried to cheer your infant sister up but she cried instead.

You tried, Dami. Lili was just sensitive 💀

[carolinanadeau]

In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light. 

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped. 

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖