What is it like to raise birds?
I really like birds and I would like to have as many as you but I have no idea if it is how I imagine it, even so, if I had some I would love them!
I'm sorry if there are spelling mistakes.
Owning and raising birds is a real treat. They are easy to understand if you're committed to learning, and are a really fun and healthy source of entertainment. Most of my childhood was me being a bedridden hermit, and getting chickens was the first and most vital step in getting me outdoors and moving more. It's amazing how much flock animals can change your life for the better.
Chickens are funny, easy to keep happy, and if you handle them right, extremely loving in their own way that makes it exciting to go out each day and see how they're doing.
Raising them from chicks yourself is the best way to ensure they'll be friendly and loving when they're older. It can be sort of scary when you have your first chicks, it's easy to think they're more fragile than they are, or that you're upsetting them, but baby birds just like to whine. Some more than others, but either way you learn pretty quickly that being consistent and easy-going with your attention is what birds tend to like.
Working with a calm hand and persistence, you will be rewarded with a fun hobby that comes with many benefits. Chickens are best for eggs and compost, getting rid of food scraps and old (but never moldy!) food turns into fresh eggs to eat and poop for fertilizing the land. Geese are great for maintaining wild plant growth, keeping grass low cut and invasive weeds at bay, and also produce a lot of feather fluff if you have use for goose feathers. Their eggs are also massive, though not as good for frying as chicken eggs. Ducks are great at keeping garden pests at bay, and can be super amusing as they're surprisingly fast paced and emotive animals.
They are very messy, though. Maybe not as much with chickens-- as long as they have a dry space they keep themselves pretty clean as long as you change their bedding when they need it. Ducks and geese however, which are waterfowl, can be much much messier. Ducks especially. They need a lot of water to be happy, and get it everywhere. This in combination with their poop leads to quickly dirtied water and muddy enclosures if you don't keep up with the cleaning. Every day I get messy and wet for their sake. I don't mind it, but it can be harder to manage in colder and wetter months.
It can be a bit of a hump to get past the grosser parts of poultry care, but once you get past that, and you have a routine, I think it's still a relatively easy thing to maintain, and is worth it for all the pleasantries the birds bring in turn.
Chickens do well with less space than a lot of other poultry, their comfortable square foot per individual radius is rather small, given they have room to run and can all get along. It is simple and easy to raise chickens in a suburban backyard. I am not sure if it works similarly for other countries, but look up your town ordiances for poultry livestock allowances, if in the USA. More towns allow backyard hens than you'd expect, depending on the square footage of your property.
Geese and ducks need much more space, they are roamers and need large spaces to walk, stretch their wings, and explore to stay happy lest they grow bored and agitated. Unless you live in rural neighborhoods, it is unlikely you can own waterfowl. And roosters; Many suburban towns that allow hens do not allow roosters, because they are noisy.
Quails are also another choice, if chickens are too intimidating or difficult to procure in your area. Many quails can live quiety and happily in an enclosure even inside, so long as they have proper enrichment. They can be a good and cute stepping stone to bigger birds like chickens or ducks.
Turkeys and guinea fowl are interesting in their own way as well. I don't have as much experience with turkeys, they're larger and sassier but they generally work well with chickens. Plus they make funny noises and are amusing to look at. Guinea fowls, kind of like geese, are really good watch dogs if you live in a place with hawks, eagles, or small predators. They are very loud and vocal, and can be somewhat assertive and protective of their flock. They're also really stupid looking.
But anyways, back to what it's like to have birds in general... If you're birdbrained you will feel at home when you are amongst your flock. If you aren't birdbrained, enough time around them will make you so. It will be a peaceful experience and the work put into them is always rewarding. Being able to sit with chickens, letting them jump up to you and eat from your hand, or petting and hugging a duck, or having a gaggle of geese follow you through a field in a slow line... it's like having a fun and obtainable experience to look forward to every day. :3
Oh, I was going to end it there but I actually have one more thing to add. This part of poultry care is the part people don't always like to hear/realise, but the biggest thing with poultry is: Do not raise what you are not willing to kill. Regardless of whether you raise birds like chickens for meat, eggs, or just as pets, you must accept that fact that at some point, you may need to humanely cull one. Unwanted males do not sell/rehome easily, and can become an issue to take care of if you aren't ready to cull. Sick hens do not always make it, and sometimes you have to decide to spare them the pain and put them down. Vets can sometimes help with this, but most of the time that requires an exotics expert, and can cost you much more than it's worth. Being able to cull your birds is also useful life experience and teaches proper animal respect.
Just, keep that in mind if you ever look into owning birds. You need to be strong for their sake, you are the one they depend on the most.
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Genshin characters age headcanons masterlist (updated)
Yeah. I could give you many reasons why I believe some of the more debatable/"controversial" ones are very sensible and Good based on just freaking paying attention to context given in the game but for now I'll just compile a basic list. If you'd like to hear my reasoning for some of these you're welcome to ask as long as you're polite about it.
List under the cut.
Aether/Lumine: 19
Amber: 18
Kaeya: 22
Lisa: 33
Barbara: 17
Razor: 16
Xiangling: 16
Beidou: 29
Xingqiu: 15
Fischl: 19
Ningguang: 31
Bennett: 18
Noelle: 18
Chongyun: 16
Sucrose: 20
Jean: 21
Diluc: 22
Qiqi: 6-8 (Hard to tell given she's a zombie and talks and acts differently from normal)
Mona: 20
Keqing: 21
Venti: 20 (biologically)
Klee: 7-ish?
Diona: She's so hard because she literally runs a business and acts like an adult but she's super short. I have no idea.
Tartaglia: 21
Xinyan: 19
Zhongli: 37
Albedo: 21
Ganyu: 23
Xiao: 20
Hu Tao: 18
Rosaria: 23
Yanfei: 21
Eula: 24
Kazuha: 20
Ayaka: 18
Sayu: 9- or 10-ish maybe?
Yoimiya: 18
Kujou Sara: 24
Raiden: 28 (biologically)
Kokomi: 18
Thoma: 20
Gorou: 18
Itto: 26
Yun Jin: 19
Shenhe: 23
Yae Miko: 30
Ayato: 26
Yelan: 24
Shinobu: 20
Heizou: 21
Collei: 16
Tighnari: 22
Dori: Super hard to tell, because again, she lives alone and runs a business by herself despite using the short girl model.
Candace: 24
Cyno: 23
Nilou: 21
Nahida: 7-9
Layla: 18-19 (she seems to maybe be in her first year of college - definitely in college, I'm just guessing the year here)
Faruzan: 24 (I know she's like a hundred years older but she was stuck and didn't age and I'm talking biologically still)
Scaramouche: 21 (biologically)
Yaoyao: 7-ish?
Alhaitham: 26
Dehya: 25
Mika: 17
Kaveh: 27
Baizhu: 34
Kirara: 20
Lynette: 20
Lyney: 20
Freminet: 17 (Don't know how much younger he is than his siblings, just guessing based on context and the way he talks and acts)
Furina: 21 (biologically)
Neuvillette: 36 (biologically)
Wriothesley: 32
Navia: 26
Clorinde: 27
Sigewinne: Basically impossible to know as she's a Melusine and not a human
Charlotte: 21
Signora: 29
Dottore: 33
Arlecchino: 31
Dainsleif: 22 (biologically)
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hey! i was sort of reading “something to rely on” lyrics, and i remembered that you analyse some of miles, monkeys and tlsp songs. so, i just wanted to ask what are your thoughts on this song, cause i particularly think it’s about alex or some of it. anyway, other songs from cdg can be fully about alex, but barely no one talks about this one, so i thought it’d be great to discuss about it.
there’s also “adios tara tara” that i also think it’s about alex, as other songs from change the show, but that’s for another time! i also love your blog, your fanfics and song analysis, they’re always really good! 🫶
sooo first of all sorry for being this late lmao this is kinda embarrassing because this ask was sent MONTHS ago maybe almost a year ago it was so long ago i literally don't remember. i'm only just answering now BUT better late than never i guess skgshdfh
(as usual don't take this too seriously lmao this is just a silly theory, i'm in no way implying it's the truth. it's just delusion o'clock)
now, if you follow me you know what i think of coup de grace as an album - and that is, the fact that it's soooo about alex it's crazy like. bro was so angry and in love and heartbroken????? and he wrote a literal masterpiece of an album????? that's iconic if you ask me
so to no one's surprise, let's follow the usual theory - them having some sort of falling out after eycte because of miles getting serious and alex consequently chickening out, which led to Peak Gay Drama Year, also known as 2018, when they both release albums that - more or less explicitly - contain images that could easily be interpreted as references to each other. something to rely on is no exception:
"crescent moon, left in my drive / all too soon, you made your point"
the reference to the moon creates a pattern, since the semantic field of astral entities is also present in songs such as killing the joke, with "interstellar, dressed in leather, drinking bitter boy" - which as we all know is one of miles' most direct lines when it comes to referencing alex, and it can easily be linked to am's own space-themed album, which miles definitely got to listen before its official release date.
opening the song with a reference to the moon could be a way of @ a certain someone, letting him know that yes, this song *is* in fact about him, if he didn't get the other billion hints in the whole album. (however, for the sake of keeping it vague, i won't be referring to him directly but rather to a ~mysterious person~) (i'm sure you get my point tho *wink wink*) [gunshots]
mentioning the moon could also be a way of referencing the ever-present theme of nighttime encounters in the entirety of mk/am/tlsp's discography: sometimes those encounters are described as fun, sometimes they mean trouble; sometimes, they leave the people involved with a sense of guilt and/or shame, on which we'll come back later and which often leads to bad decisions ("all too soon, you made your point"). in this particular case, the first image that comes to my mind is someone leaving sneakily after a (series of) one-night stands, with the song obviously being from the pov of the person being left, who also gives us a reason why they think the other person left:
"keeping off the radar, how does that make you feel? / keeping it clean, through all the things you wanted me to be / out of touch, with all the rumors i keep hearing of you / keeping off the radar, how does that make you feel?"
this person doesn't seem to want other people to know about their affair, and that's why they keep it secret; it seems that they want miles to be something he's not, or something he can't be - or maybe they ask all these things of themselves, which would maybe make it easier for them to accept the relationship going public. this person wants to keep it neat and clean, picture-perfect and fitting to everything everyone expects from them; but as much as they try to stay lowkey and not attract attention, the narrator informs us that no matter how much this person tries to hide, there's still rumors going around about them, as an individual as well as their relationship(s) with other people, most likely with the narrator too.
"all aboard the guilt train / last call before we leave / last call before we learn to love / the last call before we leave"
the line referring to guilt is insanely queer-coded and i will die on this hill because it just SCREAMS internalised homophobia, with which the other person might be struggling. it wouldn't make sense otherwise - because what would that person feel guilty about, if it were a straight-passing relationship? unless it was a cheating situation, of course... but it could be a cheating situation AND also a queer one, with this person being in another (het) relationship while having a same-sex lover (the narrator), which would give that line a double explanation. also every time i listen to this song i just can't help but think about 'all aboard the kane train' WHAT WHO SAID THAT
however, the narrator tells us that this is the "last call before we leave" - meaning, he's giving this person an ultimatum to make up their mind and decide if they want to be with him for real or not, since the latter possibility would result in him leaving - not necessarily for good, but... just trying to get over that person once and for all. at the same time, though, it's also the "last call before we learn to love" - which is incredibly soft imo, because it's him still putting trust and hope into that person and a positive decision on their part. he believes they will eventually choose to be with him, he hopes for it and trusts the other person to make the right decision, which would lead to them being together and learning how to love each other without limits nor second-guesses. the repetition of the leaving line could also be seen as a way for him to give it a new meaning compared to the first one: if they ended up together, they could leave that world based on nasty rumors and appearances, ignoring them all to just be happy together. because, after all, miles declares it openly:
"you're all that i wanted / all that i need / you're all that i wanted / you're all that i need"
i mean. does this even need an explanation. bro is down BAD
"something to rely on / something to get high on / i don't want to beg or steal, i don't want to borrow hearts / i just want to make it real / something to rely on / the making of a mystery, wishing on a falling star / i don't want to let this sadness rule my heart / your actions from the start / in spite of me insightfully inviting me to fall apart"
i left the chorus last because imo it captures perfectly the whole vibe of the song and what i think is miles' outlook on life in general: the narrator wants something stable and secure, an established relationship with the other person; he doesn't want to have to beg and argue and make it more complicated than it probably already is, he doesn't want to be a pastime or just some lover. he wants something thrilling and intense, almost addictive - but most importantly, he wants something real. this complicated situation with the other person is making them both suffer, and the other person's behaviour doesn't make it any easier; but in spite of everything, and in spite of his sense of self-preservation, he still finds himself unable and unwilling to resist them, to let them go for good. and no matter how self-destructive this might be, he doesn't want to be ruled by negative emotions; he's already fallen for them, too deep to even consider letting them go. he just keeps falling, and yeah, the outcome of their situationship might still be a mystery, but he chooses to be hopeful - "wishing on a falling star", bringing the song to a circular end by mentioning other astral entities that inevitably remind us of the "crescent moon" that opens the song. which also evokes the idea of circularity that is typical of situationships like the one described here, where the moment he seems to have made up his mind (or maybe the other person finally did?) it's like rinse and repeat, and once again they're back to square one.
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