#but i slogged through this one a bit until i got to the 70% mark
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Red Country was defintely my least favourite of the standalones so far but seeing Cosca have a meltdown might just have made up for the first 60% of the book
#‘where iS MY GOLD????!!!!!’#like honestly I found the first half pretty boring#did not care about dab sweet#did not care about pit or ro#did not really care about logen as much in this one because he was just back on his bullshit#cared a lot about shy and temple but was frustrated the whole way through#which i guess is sort of the point but i think he did it better with monza/shivers#i think the last 30/25% is really really good tho#asks some good questions gives some good answers#but i slogged through this one a bit until i got to the 70% mark#i just dont think it hits as hard as the heroes did 🤷♀️#anyway on to the short stories ive already read the one about glokta before his charge god i love him#joe abercrombie#red country#logen ninefingers#nicomo cosca
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hi comet!
i posted my first bit of heavy duty headcanons! and boy oh boy is it fun to think about this stuff!
but also, at least my little blurbs are received well, turns out i am a completely shit writer outside of rambling on about things i like… i have to write multiple position papers for one of my courses and i’ve done two so far. i knew my first one was rough, but i got a decent grade and lots of feedback to work with. i wrote my second paper and felt so much better about it because i had all that feedback to use and i felt that i used it well! just got the feedback on the second paper and it was exactly the same as my first paper, technically worse but i got some pity marks…
i feel so crushed by that feedback, to feel like i did so much better just to be told it’s still not good sucks! thank god i don’t want to write academic papers for a living. and i know i’m being extra hard on myself, i got 70% on both papers and those are good college grades! but to be told you’re stagnating and not improving at all hurts when you thought you were.
at the very least i am in the home stretch now, my semester ends on april 6! and then i’m free from university! (until i decide to go back for masters) I just have to drag my miserable ass through one more month.
anyways, i’m going back to my cave to continue making headcanons because holy shit do i not want to work on school anymore lol
(wow i read this back and i am being way too hard on myself. i’m getting really decent marks. c’s get degrees and all that lol. but as an anxious perfectionist i hate not improving, and it’s a class for my major so i care extra about doing well in it)
I'm so glad you had fun with your headcanons and they were recieved well! That always feels SO GOOD.
Academic papers are HARD. I hated them. Like I went to college FOR WRITING and I was not always good at them and they were always a slog. It's a different kind of writing. And honestly some professors are just so fucking picky. I totally get you about the perfectionist thing. It's so hard to feel like you're just not doing it right and you don't know how to fix it.
You've got this though! One more month and your FREE. And 70 is a good grade (as a fellow overachiever I know it doesn't feel like it sometimes) !! You're doing great. ♡♡
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this is gonna be just a mash of things this article made me think about - “why chinese is so damn hard”
In it, they wrote that: At the end of three years of learning Chinese, I hadn't yet read a single complete novel.
Ok so. To be fair to them, one of the books they tried reading for pleasure (as in without a dictionary) was The Dream of the Red Chamber after 6 years of study. Which is like reading Shakespeare - its literary, its older, its fair if that is difficult especially for pleasure. (As in english speaking countries, we’ve been in school 9+ years before we’re asked to read Shakespeare and other classical type literary works).
But back to focusing on the “end of three years” thing.
When I started learning chinese, I was basically motivated by a person who wrote an article about how they looked at a little grammar, some radicals explanations, then brute forced 2000 common words memrise decks, then started reading with a click dictionary for pleasure. And it worked for them! And so, being me and very curious to ‘test’ if things work: I wanted to try it too. I did more prep work, more extra hanzi work than that article mentioned. And I don’t think it felt pleasurable with a click dictionary (I used pleco) for a while - but it was doable with a click-dictionary at that point so I do think that person who wrote the article was pretty honest about the progress they’d made. For me, and I think them if I remember correctly, that was around 8 months to start reading with a click dictionary.
I read another article back in the middle of this, by Timo (who made Timo’s All in One Chinese anki deck), where he said he’d learned enough to pass HSK 4 in somewhere between 6 months to a year (I can’t remember exactly how long but it was a year or less). I think I covered all the HSK 4 words in memrise by 10 months, and probably felt comfortable with most of them around 14 months? And Now its been almost 2 years and if I were to take an HSK test that’s probably the one that I would pass with some study (I imagine I could try an HSK 5 one with some prep beforehand maybe?). HSK 4 is what I “aimed for” since I’d also read articles around that time of people saying that’s about when simple webnovels got “doable with a click dictionary” and when learning words FROM what you read started helping reading percent comprehension more than HSK. Which is a statement I agree with - I learned vocabulary mainly from reading after that point, and as a result it has definitely improved my reading comprehension and vocabulary (like it made Xiao Wang Zi pretty readable without dictionary etc, Zhen Hun is now readable without a dictionary, Daomubiji is), but these words I’ve picked up only matched maybe 50-70% with HSK 5-6 words (which is why I’d need to prep if I wanted to take an HSK 5 test probably).
So. I do think: if you WANT to read, if your GOAL is to read chinese novels? That is doable in 3 years. Certainly doable in 6. Especially if you are willing to study, and to read a LOT.
General opinions I’ve found surrounding the topic of reading in Chinese include: reading through several books (10,000 pages) will help reading speed/ease, the more you read the easier (and faster) it gets. The more words you know, the easier it gets (WORDS not hanzi, and words generally being 5,000-15,000 for ease-feeling depending on your own tolerance for ambiguity). So basically: yes it will be super slow going at first, YES the speed will improve, yes you don’t need to dread not being able to pick up a book until X years into studying. I’ve seen people who started reading after 8 months (the guy who used a click dictionary who inspired me), or people that started after 1-3 years (me at around 1 year, a lot of people around HSK 4-6, a lot of people once they’ve learned 2k hanzi or 2k-5k words etc).
I personally noticed a page used to take me 30 minutes... then 20... then 15... then 5... now a bit under 5 minutes (and ‘easier’ books less time). So reading speed will eventually get better. Mine still has some improvements that need to be reached eventually lol. I can say at about 1500 hanzi reading and picking up hanzi IN reading (provided you have an audiobook or click-dictionary with audio to hear the hanzi sound) seemed to start working pretty well. So I do think 2000 hanzi is actually a fair estimate of ‘reading will get doable without a dictionary by then.’ I may be around 2000 hanzi known now, and most of the time the hanzi I see are either brand new words (which I SHOULD learn) or part of descriptions/similar words to things I know and I can guess (and with audio also learn them). Hanzi have gotten easier to guess now, to remember, to make connections with.
My point is just that if you want to read - read early, read often, you do not need to be afraid it’s impossible.
There are people who got into reading way faster than me, people who did much slower. And also tolerance of ambiguity is a big deal - I do think chinese requires more tolerance of ambiguity when making the transition to reading native content (versus learner materials and graded readers) since there’s unknown hanzi you won’t be able to avoid. I’ve got a pretty high tolerance, but yeah there might be ‘slogging’ for a while depending on where your tolerance level is. If you can comprehend the ‘overall main idea’ of paragraphs, sentences? You can understand it enough to learn from it (though how ‘draining’ it will feel will depend on difficulty of the reading and your own tolerance for ambiguity). I saw one translator estimate 3-4 years to read webnovels for pleasure (so no dictionary necessary) and I think that’s a pretty fair estimate (if you’re studying regularly, trying to practice reading with graded readers and click-dictionaries). I’m at almost 2 years and some webnovels I can read for pleasure without a dictionary, many feel better with one but somewhat doable without one, and some I slog through even with a dictionary. I think 3-4 years is a pretty good estimate if you’re studying regularly.
My other main thought is just... oh man. Reading that someone did not complete their first chinese novel in 3 years MAKES me want to finish a chinese novel before August (that’s my 2 year mark -3-)! I mean technically I finished Xiao Wangzi and a Xiao Mao book but those are both for children and quite short. But yeah nothing motivates me like a challenge to see if something is doable or not...
Somewhat related to this, but I got a new version of Zhen Hun recently (the traditional character version because the covers are SO freaking lovely). And it seems to match up to the webnovel chapters?? So unlike my simplified copy, this one doesn’t have extra scenes and changed scenes and added details in each chapter. I only skimmed (and its chapters are broken up differently than the webnovel which is pretty normal) so I’m not sure if my traditional version has the extras or Shen San extra (my simplified copy does). It does not have the Kunlun prologue my simplified copy has. But, since this traditional copy matches up to the webnovel pretty close (just a few wording changes like next/then/after etc), I could read it very easy! It’s my first time reading traditional chinese in longer novel form since MoDu or The MDZS, so its cool seeing my progress from 6 months in to now.
#june#june progress#articles#so the thing is. chinese IS hard to learn to read in that it just takes more hours of study as a language#for english speakers (compared to say french). and i do think#4-6 years to read real novels without it feeling draining is very much realistic. especially if you dont want to use a dictionary#with a dictionary? yes by all means start earlier and its DOABLE earlier!!!#and if you want classics? yeah 6+ years sounds reasonable. since even in our native language it takes 6+ years to get to classics#but i don't think its by any means impossible or so hard u have to wait years to start#also reading this article was kinda funny in that? i think the combo of my honors-english classes since childhood#plus french reading practice at low levels of comprehension. plus japanese study bg. plus my idk very visual mind?#makes hanzi a much smaller issue than perhaps it may be for some. especially cause? with chinese hanzi#the radicals are SO useful and mostly helpful for understanding sound and or meaning! which is like how parts of eng spelling are#usually (but not always) helpful for the same reasons! because with japanese? this would usually only be partly or sometimes the case#so just seeing the overall logic in hanzi they. seem to make sense generally to me. i still learn them slow because it takes TIME#but i don't think they 'dont make sense' and i get why they'd be useful over an alphabet for multiple reasons#i even Get why kanji/kana combo in japanese makes sense for japanese (tho i think its hard af to learn ;-; )#like. just glancing at korean and hearing all the 'similar cognates' the language has. it sounds hard with less distinguishing features#with japanese. shimasu to do and shimasu to KNOW are the same exact spelling and both common words so using kanji to distinguish does help w#reading. and chinese hanzi? they make a lot of sense when it comes to reading compound words. or 2 syllable words that are just two hanzi#that mean 'shook' or 'rushed' etc. and reading syllables in general since at one point a radical indicated sound hint#also idk i was used to. reading and guessing from context since idk i was small? then in french. then in japanese (brutally hard ;-; ) then#i had a few chinese textbooks where some used traditional some used simplified some used the awkward half simplified old simplified forms#and i was already used to japanese where some characters were altered or simplified Different so. i've gotten used to recognizing and guessi#if its a character i know or not
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Nata Lodge to Tuuthebe Lodge, Letlhakane, Botswana. 320km. 5/2/19.
Today was a very memorable day. I rode so hard literally the wheel came off my bike! But first, I woke in the "foreigners" chalet rooming with my Aussie mates Andy & Jim. Great place with both toilet and shower placed in separate but outside rooms. Very nicely appointed with some sliding glass and screen doors out onto the back deck. The whole lodge had loads of sand around and after getting out of my kit the previous afternoon, I was barefoot the whole previous day as it felt like being at the beach. At least until you try to ride a motorcycle through it! Made to order breakfast at 7AM kitted up and I also need to mention that we had a bush baby looking over us last night at dinner. https://en.m.wikipedia.org/wiki/Galago 👀
We met some more Americans and some part time Americans who live 3 months out of the year in Cape Town. We were planning to make it today to the Makgadikgadi salt pan today. https://en.m.wikipedia.org/wiki/Makgadikgadi_Pan
The tar road route there was about 400km but Gavin had scouted a path with the GPS and some locals, I don't think I can call it a road though it was, to cut the distance and to challenge the group to a bit of sand and exploration across Botswana. The first 40km or so were manageable for me. Not one vehicle seen all day on this path. There was some sand and some rutted river crossings (dry riverbed) and detours but we all made it. Apparently one of the rocks must've pinched the tire and tube pretty hard because during one stretch I could feel my front wheel not tracking as well and started to gear it making sound as it dies when losing air. So fortunate I was that within about a km or so the group stopped. By now my tire was properly flat. Gavin unstrapped his tools and he and Baz went to work. Within twenty minutes my tube was replaced. Very impressive. So my early comment 👆 about the wheel coming off may have been a bit misleading. But now with the wheel back on and tire inflated we continued along dirt, rock, sand, dry river beds, cows and fencing. Lots of elephant dung and trampled fences due to their presence but we saw none. A few hills and some wide open spaces. I hit one river crossing particularly hard and wasn't standing. I just find it tough to stand when my brain is telling me I am in imminent danger of being hurled from the bike... To this point I thought I was gonna lose it a couple times when I would lose the track through a deep rut and get tossed violently. The bike is really fantastic when you are confident enough to accelerate through so many obstacles. Massive holes, sand, huge bumps, etc. At this one spot, where I hit hard I immediately felt pain. I don't know what I did but I felt it the rest of the day and needed to stand more to keep it from hurting which was better for my riding technique. Now at the end of the day it has subsided and I suspect just a muscle strain. Phew. For the rest of this group with more off road experience they really enjoy this technical stuff. Most of the unpaved stuff is and has been fun for me. However the other 5% has been unnerving. I feel as if I have survived those stretches by will, and acceleration and by sheer good fortune. Two more guys laid it down in the sand today. 5 of the 7 bikes have been down. After that painful river hit I had to go even slower. One after another I would reach a technical river crossing and just shake my head. You can't stop to really dissect the terrain since your momentum is key to carrying you through the ever changing challenge of where your tires are gonna track. So in you go. Twist the throttle and pray that the seemingly 30° arcs both wheels are taking independently from each other don't cause you to do a tank slapper. After 50km we came to a flat area that didn't look too bad from afar. But the tracks had washed out and been replaced with lots of loose sand. I must admit I was swearing to myself a bit as I was tossed side to side unexpectedly through this section. Then I noticed 6 bikes on top of the next hill about a half km ahead. Both feet out pretending to my brain that it might help me from wrecking even though it would prolly only cause a fractured leg if serious calamity had arisen. I plodded through the thick stuff. Venturing far left of where the road was supposed to be at times. But I wobbled my way through with plenty of close calls and scaled the last hill to the welcome cheers of the group. I did feel good I hadn't laid it down as the guys said it was tough and technical to a man. But I don't feel I am mastering deep sand at all and I'm just feeling my mortality when I get in it. The last 15 km or so to the tar was fortunately not nearly as technical and we hit the tar aiming for Orapa. We had our second chat of the day with a veterinary guard who came over to talk with us and wish us a nice journey since we opted to stop just past her post. The other one was really personable (early in the day right where we started the dirt/sand road after leaving Nata) and was after us for conversation and sweets. 🍬
The next stop was at a crossroad. Right was towards the Makgadikgadi pan with the massive alluvial diamond mine looming a mile or so ahead of us. As a side note at one of these mines near here just 3 days ago the worlds second largest diamond was just discovered! 1761 carats. 💎 We needed fuel since it was about 70km each way to and from the pan, so we went left and maybe 10km into Letlhakane. First traffic we have seen in a while. Not a lot of cars, but a stop sign and everyone turning in somewhere and just slow. We got gas and for the fourth day in a row (at least) grabbed a bite at the gas station. There just are no decent places to stop for lunch. I grabbed an egg salad and tomato sandwich and some sort of green tea drink. This trip to the pan was always a question mark. Not much of a road to it. Perfect time of year to visit it as it is and has been dry. Like Bonneville, you could ride anywhere on the salt and there are some islands (as these flats fill with water in the rainy season) with big rocks and baobab trees. We waited about twenty minutes or so for the bakkie to meet us as they were restocking in town. After that we ran out of tar after maybe 20km of the 70 to the salt. We had to ask some folks how to go since it seemed most sandy trails were on someone's property last Kubu station. After about 2 km more the sand got deep. I really didn't think it was a good idea to try and make it. I stopped and took a pic of the sand. I told the guys in the bakkie that I was turning around. We set a place to meet back at the same crossroad and I slogged my way for a bit before finding some firmer sand then soon after on the tar. I was doing some reflection today. The deep stuff was over my head, at least figuratively. It is a fine line between adrenaline and fear when pushing yourself in unfamiliar areas and surfaces. I decided I didn't want to risk the rest of my ride to try and make it to the pan. I was just organizing my thoughts to pen this post thinking I would have at least a couple hours when I thought I heard a bike. Yep. Barry then the rest of the crew showed up not 15' behind me. They had reached a similar conclusion due to depth of sand and length of daylight since it was already pushing 4PM.
We rolled straight to the Tuuthebe lodge and were pleasantly surprised by the size and quality of our rooms. The guys had bought stuff for a braai and we had a great night outside with John grilling up sausages, ribs, and chicken. We also had baked beans and potato salad and plenty of beer. I streamed some decent music on Sean's Bluetooth speaker and the icing on the cake was when our neighbor Seabi who works for a diamond mine got down on one knee and proposed to his girlfriend Atlang. She said yes! 💍 And it's time for me to say goodnight. Well after midnight. 😴 Baz' word of the day is strafdop. It is a punishment drink required to be bought by the person that screws something up.
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I was answered TWICE in this Q&A
Helps also put in perspective their production, aims, and the influences
Helps as really unpacking along with @pirateshenani and @cartoonemotion the influence and differences and aims with the adaptation
Thanks to all the Toonzone Forum Members for submitting questions to the Fangbone! Fan Q&A! Your questions were awesome and so were the creators’ answers! We hope you enjoy reading through the answers as much as we did. Participating in the Answers portion of the Fangbone! Q&A were the creator and book series writer, Michael Rex and the tv showrunners Simon Racioppa and Richard Elliott. (Editor’s Note: Questions asked were edited for brevity and clarity.) Will Fangbone! be renewed for Season 2? (superkeegan9100 and SparkleMan) Simon Racioppa and Richard Elliott: By Grom’s bottomless dimples, it shall be so! (we hope) Michael Rex: Fingers crossed! --- Will Fangbone! air on any additional countries, networks and in other languages? (Ryan, RandomMe, NeoplanDan, I.R. Shokew) Simon Racioppa and Richard Elliott: Absolutely. Fangbone! will appear across the world in a multitude of tongues in a multitude of places – that are too numerous for us to list (or remember). Perhaps one of our many traveling salespeople who criss-cross the world with a suitcase full of Fangbone! might chime in here… In all seriousness, Fangbone! Distributor DHX Media, has currently sold the series into Disney XD US, South East Asia, Taiwan, and Latin America. Hope to announce additional countries in the near future. Stay posted. Will the books be translated into other languages? In what other languages/regions can we expect to see the books published? (RandomMe) Michael Rex:Right now, there are no plans for translating the books. I’m hoping as the show starts playing in different countries, the publisher, Putnam, will solicit the books to foreign markets. --- If you could be one of the characters on the show, who would you be? (D-nice is the man) Simon Racioppa: Drool’s giant badger monster. He’s clearly just misunderstood and trying his best every day for an unappreciative master… Richard Elliott: I would definitely be a Shadowstepper – skulking in the shadows and outwitting barbarians sounds like a good time to me. Michael Rex:I’ve always thought of myself as Bill. At the end of 3rd grade, my school closed down, and I was sent to a new school. Literally all of my closest friends went to another school. So, when 4th grade started, I was very lonely and desperate for a best friend. Eventually, a boy named Mark moved into my hometown in New Jersey, and we became great friends. He was fun, and a bit wild, and had long black hair. We’re still friends today. Will Fangbone! have Christmas and Halloween episodes? (Ryan) Simon Racioppa and Richard Elliott: Skullbanians don’t celebrate Christmas or Halloween. But they do have many other holidays – like Troll-smasher’s Eve and The Feast of Stoneback’s Feast. Endless possibilities for fun and adventure as you look at, compare and try to understand how Skullbanian’s celebrate versus how we do things here on Earth. What would Fangbone! think of Halloween? What would a Holiday Tree look like in Skullbania? Stay tuned. --- Does Fangbone! have parents? (Eggy) Simon Racioppa and Richard Elliott: He has the mightiest of parents! But they are away in far off lands on an epic quest. However, those of you with the eyes of a blood-eagle may catch a glimpse of them in an upcoming episode. If you do not have the eyes of a blood-eagle, they nest on sharp mountain peaks. But be careful – they peck! Michael Rex:Yes. They’re on a great quest somewhere in Skullbania. Also, how did Venomous Drool become Fangbone! and Bill's worst enemy? (Eggy) Simon Racioppa and Richard Elliott: If someone was keeping your detached big toe from you and wouldn’t give it back, you probably wouldn’t be pals with them either… Michael Rex:They’ve got his toe, and he needs it back. And, they keep beating him, and they’re only kids. It drives him nuts. --- How do you take an episode from concept to it airing? (martikhoras) Simon Racioppa and Richard Elliott: Let us explain… No, there is too much. Let us sum up. First, five or six NERDS gather in a small room and try to imagine what insanity could happen to Fangbone! this week. They argue and fight and cry and hiss at each other until the showrunners (that’s us!) are satisfied they’ve worked their butts off to come up with the best of all possible stories in the universe and beyond. They’re sent away to dank dark holes to write their scripts, which are then torn apart by the rest of the nerds and reassembled until they’re so full of adventure and comedy that they leak all over the floor. Then trumpets are sounded and ACTORS assembled in a recording studio – where they ACT with such passion it drives everyone to tears (of joy). At the same time, ARTISTS design all the new locations, characters, and props that the writers say they desperately need (liars!) to make their script work. Then trumpets are sounded again and the finished script, designs, and recorded actors are handed over to a story-bored artist… Sorry, story BOARD artist – who listens to the writers explain how amazing their script is, then drinks enormous amounts of coffee and draws PANELS from the script one by one, matching the recorded actors and making that ‘amazing’ ‘script’ and ‘amazing’ ‘acting’ even better. Those panels go to the DIRECTOR, who along with an EDITOR, assemble it into an animated and voiced storyboard that we call a LEICA on Mondays, Wednesdays, and Thursdays, and an ANIMATIC on Tuesdays, Fridays, and the weekend. When the animatic/leica makes everyone giddy with excitement, it moves onto ANIMATION, where thousands (twenty-five) animators fight each other to animate the most exiting scenes – matching the animatic as closely as possible. The episode gets a few more passes to make it even better (fix all the mistakes) and then moves on to the real stars of the show – sound effects and music – who make everything approximately one million and a half times better. Then it’s a final pass for last minute mistakes and TA-DA! One finished Fangbone! episode ready for people to share for free on the Internet (please don’t share it for free on the Internet). What are your favorite parts of the show’s creative process? (Harley) Simon Racioppa and Richard Elliott: Seeing a goofy idea that started in the writers’ room as a “what if…” become a real finished episode. Also, the creative process of deciding what to order for lunch. Then the creative process of regretting what we ordered for lunch. --- As a fan of the tv show, how familiar will jumping into the book series feel? (jfoley85) Simon Racioppa and Richard Elliott: As familiar as traveling to an alternate reality where everything’s kinda the same but your parents are snakes. So mostly familiar with some specific differences. Michael Rex:They’re actually pretty close. One of the things that I am most happy with about the show is that it IS the books. While the stories in the books are a bit more involved than an 11-minute episode, the entirety of season 1 goes much deeper than the books. On the down side, the books don’t have a cool song at the beginning. Every adaptation is a challenge from visuals, to performers depictions, and direction and framing. I'm noticing some changes from the two GNs (1st and 3rd) I've read to the episodes I've seen (pretty much up to Back of Stone). What would you say has been added, changed, or dropped and what is the purpose of these changes? (martikhoras) Simon Racioppa and Richard Elliott:While the books are wonderful gateways into imagination, there’s only three of them. The television series is a hungry monster that requires more. Always more... MORE characters. MORE stories. MORE episodes. MORE human sacrifices to GROM! Michael Rex:Everything that has been added was done to open up the show, and allow for more varied stories. Skullbania doesn’t get much time in the books, but the creative team felt that it needed to be a big part of the show. Twinklestick was created as a way for Fangbone! to stay a bit more connected to his home world. Drool was greatly expanded on as well. He only lurks in the background in the books. Even though his actions are constantly felt, he doesn’t really get to do much. --- What did you read and watch as a kid? What were the inspirations for Fangbone! and Skullbania?(martikhoras) Michael Rex:Growing up the early 70’s, “Planet of the Apes” was everywhere. 5 movies, a TV show, and an action figure line made it easy to get wrapped up in. “Star Wars” came out in 1977 and it affected me deeply. Like many others in my generation, it felt like my 9 year-old imagination had been transported directly to the screen. I started reading about movie making, and I tried to understand the mythology Lucas was using in his films. (As a 10 year old, Joseph Campbell was a tough slog, but I tried.) Fangbone! is directly inspired by the 1982 film, “Conan The Barbarian,” which I saw in 8th grade. It was funny, gritty, violent, and exciting and I just loved it. Conan had always been around when I was younger, I’d see his comics and cheap paperbacks in drugstores, but I didn’t know much about him until the film came out. When I was older, I eventually got around to reading the Conan books by Robert E. Howard. As I was gearing up to write the first Fangbone! book, I devoured a huge pile of Marvel’s “Savage Sword of Conan.” Oddly, now that I think about it, Skullbania’s vast deserts and rocky vistas are probably inspired by “Planet of the Apes.” It’s hard to escape those early influences.
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