#but i just wanted to clarify something

[gregarious-cervine]

Okay, I did NOT structure those tags in a coherent manner, so let me just add some clarification: what I meant was that I think a lot of people also believe that Italian-American and Chinese American cuisines are 'bastardized' versions of the original foods.

I'd also assumed that the 'Tex' in 'Tex-Mex' referred to the modern-day Texas, and I just never looked into it enough to correct that.

everytime i tell europeans my favorite cuisine is texmex & sonoran they are like “American bastardized Mexican food?” and i feel like im going insane. its not bastardized. its their fucking cuisine.

[always-a-king-or-queen]

The ache will go away, eventually. 

That was what the Professor told them, the day they got back. When they tumbled from the wardrobe in a heap of tangled limbs, and found that the world had been torn from under their feet with all the kindness of a serpent. 

They picked themselves off of the floorboards with smiles plastered on child faces, and sat with the Professor in his study drinking cup after cup of tea. 

But the smiles were fake. The tea was like ash on their tongues. And when they went to bed that night, none of them could sleep in beds that were too foreign, in bodies that had not been their own for years. Instead they grouped into one room and sat on the floor and whispered, late into the night. 

When morning came, Mrs. Macready discovered the four of them asleep in Peter and Edmund’s bedroom, tangled in a heap of pillows and blankets with their arms looped across one another. They woke a few moments after her entry and seemed confused, lost even, staring around the room with pale faces, eyes raking over each framed painting on the wall and across every bit of furniture as if it was foreign to them. “Come to breakfast,” Mrs. Macready said as she turned to go, but inside she wondered. 

For the children’s faces had held the same sadness that she saw sometimes in the Professor’s. A yearning, a shock, a numbness, as if their very hearts had been ripped from their chests.

At breakfast Lucy sat huddled between her brothers, wrapped in a shawl that was much too big for her as she warmed her hands around a mug of hot chocolate. Edmund fidgeted in his seat and kept reaching up to his hair as if to feel for something that was no longer there. Susan pushed her food idly around on her plate with her fork and hummed a strange melody under her breath. And Peter folded his hands beneath his chin and stared at the wall with eyes that seemed much too old for his face. 

It chilled Mrs. Macready to see their silence, their strangeness, when only yesterday they had been running all over the house, pounding through the halls, shouting and laughing in the bedrooms. It was as if something, something terrible and mysterious and lengthy, had occurred yesterday, but surely that could not be. 

She remarked upon it to the Professor, but he only smiled sadly at her and shook his head. “They’ll be all right,” he said, but she wasn’t so sure. 

They seemed so lost. 

Lucy disappeared into one of the rooms later that day, a room that Mrs. Macready knew was bare save for an old wardrobe of the professor’s. She couldn’t imagine what the child would want to go in there for, but children were strange and perhaps she was just playing some game. When Lucy came out again a few minutes later, sobbing and stumbling back down the hall with her hair askew, Mrs. Macready tried to console her, but Lucy found no comfort in her arms. “It wasn’t there,” she kept saying, inconsolable, and wouldn’t stop crying until her siblings came and gathered her in their arms and said in soothing voices, “Perhaps we’ll go back someday, Lu.” 

Go back where, Mrs. Macready wondered? She stepped into the room Lucy had been in later on in the evening and looked around, but there was nothing but dust and an empty space where coats used to hang in the wardrobe. The children must have taken them recently and forgotten to return them, not that it really mattered. They were so old and musty and the Professor had probably forgotten them long ago. But what could have made the child cry so? Try as she might, Mrs. Macready could find no answer, and she left the room dissatisfied and covered in dust. 

Lucy and Edmund and Peter and Susan took tea in the Professor’s room again that night, and the next, and the next, and the next. They slept in Peter and Edmund’s room, then Susan and Lucy’s, then Peter and Edmund’s again and so on, swapping every night till Mrs. Macready wondered how they could possibly get any sleep. The floor couldn’t be comfortable, but it was where she found them, morning after morning. 

Each morning they looked sadder than before, and breakfast was silent. Each afternoon Lucy went into the room with the wardrobe, carrying a little lion figurine Edmund had carved her, and came out crying a little while later. And then one day she didn’t, and went wandering in the woods and fields around the Professor’s house instead. She came back with grassy fingers and a scratch on one cheek and a crown of flowers on her head, but she seemed content. Happy, even. Mrs. Macready heard her singing to herself in a language she’d never heard before as Lucy skipped past her in the hall, leaving flower petals on the floor in her wake. Mrs. Macready couldn’t bring herself to tell the child to pick them up, and instead just left them where they were. 

More days and nights went by. One day it was Peter who went into the room with the wardrobe, bringing with him an old cloak of the Professor’s, and he was gone for quite a while. Thirty or forty minutes, Mrs. Macready would guess. When he came out, his shoulders were straighter and his chin lifted higher, but tears were dried upon his cheeks and his eyes were frightening. Noble and fierce, like the eyes of a king. The cloak still hung about his shoulders and made him seem almost like an adult. 

Peter never went into the wardrobe room again, but Susan did, a few weeks later. She took a dried flower crown inside with her and sat in there at least an hour, and when she came out her hair was so elaborately braided that Mrs. Macready wondered where on earth she had learned it. The flower crown was perched atop her head as she went back down the hall, and she walked so gracefully that she seemed to be floating on the air itself. In spite of her red eyes, she smiled, and seemed content to wander the mansion afterwards, reading or sketching or making delicate jewelry out of little pebbles and dried flowers Lucy brought her from the woods. 

More weeks went by. The children still took tea in the Professor’s study on occasion, but not as often as before. Lucy now went on her daily walks outdoors, and sometimes Peter or Susan, or both of them at once, accompanied her. Edmund stayed upstairs for the most part, reading or writing, keeping quiet and looking paler and sadder by the day. 

Finally he, too, went into the wardrobe room. 

He stayed for hours, hours upon hours. He took nothing in save for a wooden sword he had carved from a stick Lucy brought him from outside, and he didn’t come out again. The shadows lengthened across the hall and the sun sank lower in the sky and finally Mrs. Macready made herself speak quietly to Peter as the boy came out of the Professor’s study. “Your brother has been gone for hours,” she told him crisply, but she was privately alarmed, because Peter’s face shifted into panic and he disappeared upstairs without a word. 

Mrs. Macready followed him silently after around thirty minutes and pressed an ear to the door of the wardrobe room. Voices drifted from beyond. Edmund’s and Peter’s, yes, but she could also hear the soft tones of Lucy and Susan. 

“Why did he send us back?” Edmund was saying. It sounded as if he had been crying.  

Mrs. Macready couldn’t catch the answer, but when the siblings trickled out of the room an hour later, Edmund’s wooden sword was missing, and the flower crown Susan had been wearing lately was gone, and Peter no longer had his old cloak, and Lucy wasn’t carrying her lion figurine, and the four of them had clasped hands and sad, but smiling, faces. 

Mrs. Macready slipped into the room once they were gone and opened the wardrobe, and there at the bottom were the sword and the crown and the cloak and the lion. An offering of sorts, almost, or perhaps just items left there for future use, for whenever they next went into the wardrobe room.  

But they never did, and one day they were gone for good, off home, and the mansion was silent again. And it had been a long time since that morning that Mrs. Macready had found them all piled together in one bedroom, but ever since then they hadn’t quite been children, and she wanted to know why.

She climbed the steps again to the floor of the house where the old wardrobe was, and then went into the room and crossed the floor to the opposite wall. 

When she pulled the wardrobe door open, the four items the Pevensie children had left inside of it were missing. 

And just for a moment, it seemed to her that a cool gust of air brushed her face, coming from the darkness beyond where the missing coats used to hang.

[astradyke]

I would adore a deep dive into your thoughts on Phil’s quiet but wonderful way of showing his love for Dan being through photos

hi, i’m sorry i’m responding so late to this, but i really appreciate you enabling me here because i do seriously think about this constantly. i don’t know if i have the words to articulate it, though, so… bear with me. i'd quite like to try.

nobody loves in just a singular way, that’s the preface to this. when i say that Dan loves through words and Phil loves through photography, i don’t mean that Dan doesn’t use photography as an act of love— because there is a polaroid, in their house, of Phil that Dan took— and i don’t mean that Phil has never said something profound about Dan, because we all remember how he talked about Dan’s book at the end of the haircut video (19:13). i, at the very least, never really left the parts at the end of what Dan and Phil Text Each Other 2 where Phil constantly amplifies the work Dan is trying to do, unmasking his own frustrations at the struggles Dan has to experience, and meets Dan's self deprecation with affection (here's that dissertation) (19:57). Dan may use words in a very abstract, artistic way, professing his love for Phil as a ‘soulmate’, an unmatched connection, but Phil still has a careful, casual way of endlessly maneuvering himself to stand by Dan’s side. etc. and of course, there are five thousand other ways to adore a person. Dan and Phil do a little bit of everything; we are lucky to see a spare few snippets.

all that said, let’s talk about photography, yeah?

there is a permanence to photography, even if it’s not always a tangible permanence. they are timestamps, living commitments; i refuse to accept the idea that photography is somehow a ‘stand in’ to ‘true human connection’, rather than a critical facet of it. ex. i know that my best friend is real even if i didn’t have a photo of him sitting beside me on a wayward bus, but it’s still important that i inscribed that memory distinctly into the fabric of my life by taking a moment to chronicle it.

Phil Lester uses photography as a way to immortalize a thousand different fragments of his forever with Dan. there’s a distinct thought process, right, to see someone you love and decide— i never want to lose this moment. that decision, in of itself, is enough of a love confession, but there’s another layer when you decide, on top of all of it, i want the entire world to see this. when Dan described his love for Phil as "more than just romantic", he opened up a piece of himself to show the world, this is how i love this person. this is how i see him. when Dan calls Phil bubby, or dear, this is him cracking a hard exterior to say this is how i see you.

the two of them, upon first meeting, took a selfie together at the Apple store— Phil was the one to press the button. when they sat at the top of the sky-bar, Phil was the one to take a photo of Dan amidst the golden hour light. maybe he didn’t know that Dan loved him back, yet, but he had a certainty in his own adoration of Dan— that regardless of whether Dan wanted him back, Phil wanted him. the image feels timid but assured, like swallowing down anxiety to look yourself in the mirror; you can feel that through the pixels of it, so transparently. Phil’s love of Dan was not conditioned on anything: it was a terrifying but beautiful thing, and he wanted to preserve it, so even if it all went wrong he could say this is how i loved you. this is how you are loved, to me. you don’t have to want me back, but know that you were wanted, here, crawling into your own head sitting across from me in a city i’d like to call home with you, someday. so let me. and when you look at this photo of heart eyes Howell, cradling a bear, it’s louder than a blood rush: i love you.

[ID: Dan Howell sitting in the sunlight, looking outside the window while holding his phone. end ID.]

[ID: Dan Howell in a fuzzy hat, holding a stuffed bear against his face and looking at the camera with a small smile. end ID]

(sorry. it was necessary to include).

every year, Phil spills this oath into his camera roll. when Dan’s birthday arrives, Phil has a thousand candids to show for it, a thousand of silly and unflattering photos— a “loving” selection (7:41). exposing my heart a little here, but when you are someone who struggles with insecurity at some level, photos of you that are unflattering circling around feels horrifying. you want to be composed, and pretty, and loved— but then, maybe, it settles in that you are loved someplace beyond conditions. Phil chronicles these casual, vulnerable moments with Dan, and he shares them, because he loves Dan to a level past the flat logic of if he is composed, if he is pretty, then he is loved. Dan may be unattractive at points, but he is never unloved. never again.

these photos also demonstrate how much Phil romanticizes the little moments with Dan. watching him play Skyrim in VR; sitting beside him while he plays Elden Ring (3:40); admiring an oddly-shaped tear in his pants (missing citation); taken aback by a large poodle jumping into his lap. there are hundreds of photos of Dan taken by Phil which have escaped. imagine how many more linger. if we can go off of this (admittedly horrifying) tweet, we can envision a camera roll overflowing with him.

when they go on vacation, Phil takes soft photographs of Dan. here’s this love in a new city, just like we did fifteen years ago in Manchester, before i knew the right way to hold your hand, the right way to counter your cynicism, the right way to systemically reject every pet name because saying your name like a promise is enough— i’m putting this love into the world because i no longer live in a world where i go a second without it. Phil saves photos of Dan looking at him like he hung the stars, and he saves photos of Dan walking in front of him— he would never save them, as an Orpheus, but thankfully he doesn’t have to anymore, not after 2019— and he saves photos of Dan happy, because he wants to save that, too. Phil will save photos from every era of Dan’s life, but he wants those photos the most.

Phil has seen Dan perform in front of thousands. he has seen Dan pass out from standing up too quickly in their living room. he has seen Dan stumble home from a unexpected solo walk, he has seen Dan try to hide his fear-to-death in Phil’s childhood bedroom, he has seen Dan try to use a laundry machine, he has seen Dan in every way a person could: i love you.

Dan knows all of this. Dan sends Phil photos of himself when he’s solo traveling for his tour; the two of them almost never call, not unless Dan’s in a cab, but they regularly facetime. Dan winces at old photos of himself, but Phil coos at them.

Phil Lester is a romantic. he likes to hold his love to his chest— sharing photographs, but careful not to share too much. i think we under-estimate the shift Phil had to make, sometimes, in 2019: coming out was a major deal to him, too, even if he had already been out to some. more than that, coming out while Dan was also out is a very different experience. still, he likes to stay private, which is why we’ve not seen what i imagine to be hundreds of photos of Dan in Phil’s arms, or Dan kissing him on the cheek, or Dan asleep beside him in his bed (because we know how often he takes photos of Dan asleep, but i can't even begin to get into that right now).

even still, from what we can see, God, it’s everything, isn’t it? i can’t imagine what it felt like, for Dan, first trying to reconcile all of this. when you go so long without experiencing a safe kind of love, your reality fundamentally shifts. everything is brittle: you have to be hard enough to survive it, but not too hard to break the little you have entirely. half of you is a secret, the other half of you feels like it should be— who you are shifts, when you are loved, so in the reverse: when you go so long without it you feel displaced internally. when you find that love, you throw yourself entirely into it, expecting nothing but wanting everything. you punch a wall only to feel the plaster cradle your touch; you tell yourself you’d never turn back and you hate that need to; you expect to hit the sea but the wax never seems to melt. impossibly, you are okay. maybe i showed too much of my own heart there, but when i look at 2009 Dan, i see all of that. eighteen years old, and for the first time since he was a tiny child, he actually felt safe.

because Phil says Dan like it’s the sweetest word in the world. because Phil has a hunger for everything Dan creates. because Phil held Dan when he dropped out of university, picked up his first radio job with him, moved in with him, and never left. because Phil never treated Dan like an experience to hide away. Phil loved parts of Dan back into life.

because Phil takes photographs of Dan, everywhere in his life, to say: this is my world, now. you can’t take a photo in the daylight without capturing the sun. you can’t take a photo in the nighttime without capturing the absence of it. Phil says Dan’s name in every video, and he takes another hundred photos, because he’s so fucking sure about this love. there’s not even a question to be asked.

this is only a fraction of what there is to say about it, some messily constructed analysis, but it's hard to capture. i'd call Dan a lucky bastard, but it's hardly luck, is it? Phil makes the decision to love Dan every single day, and it might look quiet, but it's so unfathomably loud.

[ruegarding]

i don't really think of percy as cynical or pessimistic bc he's so bad at it. like, even when he's at his lowest, when he's lost everything in tlt, he looks at the world and is angry bc it's so beautiful.

[blackpearlblast]

honestly one of the things that's been wild for me to learn lately is that israel was responsible for enforcing the idea that the holocaust was an unparalleled genocide that stands apart from everything else that's happened in the course of human history. even before i understood well enough how deeply interconnected all genocides are, when i was a kid, i really fucking hated it. it felt so wrong to me for the holocaust to be The Genocide of human history. it felt disrespectful to other groups who had gone through genocide and it felt like weirdly dehumanizing and tokenizing to us. i didn't want to think of jews as The Group Who Went Through A Genocide, i wanted to see us how i was familiar with in our culture our holidays our art our singing our prayers. that's how i wanted other people to see us too! not that i was ashamed of what we had gone through but i just didn't want people's perception of us to just be that we were victims and i didn't want other peoples victimhood denied to them through that either. but yeah kind of wild to learn that israel and zionist rhetoric seems fairly responsible for this pet peeve of mine from childhood before i even really had a greater consciousness of solidarity or anything.

[thingscanalwaysgetworse]

love that it's called nerdy PRUDES must die but everyone that died was unashamedly horny

Edit: Please read the tags

[peridots-pixiwolf]

[Start ID. A digital drawing of Gabriel and V1 from Ultrakill in super-saturated, pixellated colors. It seemingly takes place during phase two of his second fight, judging by Gabe's bright yellow-cyan wings and the consequent blush shining through his helmet. Gabriel is pictured on the left, facing the left side of the screen with his head turned to V1, preparing to strike them with the bloodied spear in his right hand. Small but frequent splatters of blood dot his armor and outstretched wings, fabrics torn through in places. V1 is on the right, aiming its piercer revolver at his face. Their arms are stacked in pairs on either side, idle Feedbacker and Knuckleblaster on the left and Whiplash tucked atop their default arm on the right. Both parties are stylized to resemble insects, Gabe with beetle wings and a halo in the shape of antennae, and V1 with the four wings, four arms, short antennae and bristles expected of a dragonfly. End ID]

woah.... happy 1 year anniversary to gay people

also a couple alts (background removed, just gabe, and just v1, respectively) in hopes it'll be a little easier to understand what's going on and all!

additionally once again: special thanks to @magnumopos and @muzzleroars , neither of which I have actually spoken to in my life but both of which are credited with partially inspiring this! (dedicated section under the readmore due to the fact I do not generally tag people at all ever and wasn't sure if I should, but thought it was worth mentioning!) The former for giving me the wonderful idea of dragonfly V1, the latter for drawing V1 like a strange little creature + for the feedbacker plate, I enjoy both your works :]

(retroactively, on march 27th of 2024, assigning them a full bingo with credit to deep-space-lines. ehehehehe)

[angelbaby-fics]

Ooohh! Late night (maybe secret) milk and cookies fresh from the oven! 🍪🥛🍼

ooooh i love the idea of this.... and not just because i made milk & cookies tonight!!

maybe its past your bedtime but daddy hasn't turned off the tv yet, he can sense that you're just not tired yet, and not in a good way either. most nights when you stay up late its because you're far too energized to sleep, running and skipping and dancing around the house insisting you don't need to rest, until next thing you know you're half asleep being carried into daddy's bed... but tonight you're just angsty. you already had your nighttime bottle, you've been cuddling with your stuffy while a calm cartoon plays, but your brain is elsewhere, half small and half spaced out.

then you hear the oven beep on.

"come here angel, i got a surprise"

daddy takes a packet of cookie dough from the back of the fridge, high up on the top shelf where you can't even reach. he puts two squares on a metal sheet, one for him and one for you.

"don't tell... but these are dada's magic cookies. sometimes when you're already asleep, daddy makes a special cookie before bed as a little treat... maybe they'll work for you too!"

cookies are one thing, but a magic cookie? and right before bed?? you couldn't believe how quickly your night was turning around. your sour mood dissipates as the kitchen fills with the smell of sugar. daddy pours another bottle for you to wash down your cookie, and your tummy feels just as warm as your heart as daddy rocks you to sleep.

[iwritenarrativesandstuff]

hey. uh, sorry, but can we drop the notion that Dazai arranged for the Flags to die in Stormbringer? Look, I'm too lazy right now to go back and pull up the direct scenes, but that was never stated, it is heavily implied Dazai gave Verlaine the information after they had already died, and if you look at this post by @/popopretty, you'll see that Chuuya only punishes Dazai for doctoring the intel so that he got tortured and Murase died. There is no mention of the Flags.

[starflungwaddledee]

Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)

exactly like that! though she's not the only one...

edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭

[blondeaxolotl]

Laptop is still being a bit of an ass still so I've been doodling traditionally again like the old days again 💔

Have this sloppy doodle of Idia in a witch costume and a mini Ortho in an astronaut costume, they're going trick or treating eheheh

[princessdarth-vader]

I think my ultimate thoughts re; Kipperlilly is that I wish we got a scene where a character was allowed to show her... sympathy. I know there's a tone you wanna hit with a victorious season finale, and a somber note of a teenager falling into a deep well of rage doesnt match that tone but it would've been nice to see.

In my dream world, we get an extra epilogue scene where Riz goes to see Jawbone to go and talk to him, and brings up the thing he mentioned about "seeing Kipperlilly in himself" -- relating that to what Jawbone said at the beginning of the year, and wanting to talk about that deeply set in need for control, and the latent anger he has, and all the ways he is like Kipperlilly, and doesn't want to be.

And in response, Jawbone is able to address the ways in which he failed Kipperlilly, and let her down. That she needed more help than he could provide, that she needed someone who wasn't too afraid of their own biases to shut down her anger, someone who could maybe have given her a support system to turn to instead of Porter. Someone external to the school and the social dynamics within it. Just an acknowledgement from, as far as we know, the only adult in Kipperlilly's life who earnestly tried -- and earnestly failed -- to help her find a better path than her rage.

Just a small moment of acknowledgement that Kipperlilly was a child, an angry, scared, biased and deeply insecure child who was looking for help when she first walked into Jawbone's office, and because of all the adults who failed her, she was turned into something unrecognisable by the time she was 17.

[langdonss]

MEDIA: ❛ AMERICAN HORROR STORY ❜

THEMES: Evil government, abduction, corruption

The moon stares down upon you, bright and eerie, piercing through your window in all its fullness. The slight red tint of it casts a shadow on your tired face that is smooshed into your pillow. You’re off somewhere else, lost in a deep deep sleep whilst your body has sunken into the bedding, completely unaware of what’s about to happen to you… Your foot glides softly across the cool sheets of your bed, the perspiration causing messy hair to stick to your forehead in the humid summer night air.

The floors creak in the dead of night amongst the crickets chirping near your window, their singing coming to an unnatural halt which make the air feel… Eerily still…. The wall goes bump, another floor board creaks and then there’s nothing… Until, your bedroom door slowly sways open, not making a single sound.

Suddenly, two sets of arms lunge toward where you lay asleep in your bed, quickly and securely grabbing your body. You jolt upwards, your eyes snapping open in a panicked haze. Not a word is uttered, but your screams pierce through the entire house like a banshee and not a single grunt is forced from either man dressed in black while they effortlessly take control and hold of you, picking you up from your mattress. Something swiftly swoops down over your head faster than you can comprehend, and their hands work fast to tie your struggling arms into tight ropes before carrying you off from the confines of your room through the halls, their boots stomping.

❝ You're only making this more difficult for yourself. ❞

A mans deep voice speaks out as you yell and struggle, a hand clamps over your shrieking mouth firmly shutting you up. Every kick and flail is counteracted by an iron grip that makes your fighting limbs go limp.

You muffle through the fabric, but no answer is given. Instead, you're thrown against a cushioned surface, and the sound of a large car door slides shut, the sound pounding in your ears whilst the earth shifts from under you quicker than you can stomach, your body sliding against the seating as the vehicle takes off. Your pulse is pumping faster than it ever has in your entire life that you’d swear your heart could explode and give out any second now. A million thoughts race in your mind of what is happening, are you being kidnapped? Trafficked? You don’t want to find out. You scream again, your plea falling on uncaring ears. The silence eats away at you, it’s so fucking quiet in the cloth bag that’s wrapped over your head, each and every bump and creak sounds so far off in the distance, and the air is constricted just enough so you can still at least breathe. The drive to wherever the men are taking you seems to last forever, and eventually you give up, all the squirming and calling out for answers gets you absolutely no where. You lay there on your side, you can’t imagine how pathetic you look all curled up back there, a bag over your head, your arms tied at your front. Tears have stained your face to the point it’s burning your cheeks and the insides of your confinement is annoyingly moist. How much crying can you do before you run all out and dehydrate yourself?

❝ We’re heading near the base, prepare the gates. ❞ One of the mens voice calls out in the dead silence, causing you to snap out of your depressed dissociation and become alert.

The vehicle enters on a gravel path, slowing its speed as it approaches toward a giant gate in the middle of nowhere. A man, Mr. Langdon, awaits your arrival at the other side of the gates as it swings open at a snails pace. The men take the drive further up ahead and the gate closes behind them, before they jump out from their seats to walk around to either side of the car to fetch you.

The doors are forced open, and you hear another persons foot steps approaching in the gravel of the driveway.

❝ I see you’ve gathered her in one piece. Your handiwork is much appreciated. ❞

A new voice speaks out in a smooth and almost elegant tone. You stay still and silent, but your breathing hitches with anxiety at the nonexistent context of what’s going on or where you’ve been taken to. The men grab your body up, dragging you from the back seat and propping you on your feet before you begin to scream and throw your legs out just as you did earlier.

❝ She’s not going to cooperate. ❞

Mr. Langdon remarks snidely. You can hear the amusement in his voice as he watches the men pick you up and throw you over their shoulder. They begin walking off, and your body is moved back and forth with each step they take as they hold you down with a strength that is unmatched.

You sob, feeling the man carrying you come to a halt while he waits for the other to follow, his hand quickly retrieving into his pocket for a key card, sliding it into the lock of the door before where they stand. A mechanical swoosh and a beep fill the air, followed by a loud sound of something opening before they resume their walk down a dimly lit corridor of a facility.

Their stomping boots echo off the black walls, and his hand tightens on your back side. Quicker than you can understand, something sharp jabs into your upper arm, the surroundings begin to blur all into one.

You’re almost at your destination…

…. Brightness envelops your surroundings in a quick flash, your eyes close shut tightly to block out this new harsh lighting, turning your head to look away as a groan escapes your lips. A deep breath fills your nostrils, you can breathe, you can see. You thought the time would never come. But you fail to recognize where the hell you are, and your half concentration is disrupted by the sound of heavy boots approaching against the cold floor of the dim and chilling room.

Clack.. clack… clack..

A tall, and brooding figure steps from the confines of the corner of what you can only guess is some sort of government facility. His jawline, sharp, protrudes with amusement at the distressed little sight of you where you sit, still tied in place. You squint, looking around. Your wrists burn in the ropes that hold you back.

❝ You put up quite the fuss earlier…. I’m not sure that warrants you insight on the situation at hand. ❞ Mr Langdon teases, his voice deep and mocking. He steps closer, the flourescent lights up above flicker down upon his features; Sneering lips, golden blonde hair that curls perfectly around his ears, icy hues that stare into your soul.

A gloved hand delicately reaches out down toward you, the mahogany leather on his fingers shining in the light. ❝ Poor thing, bound and tied with no idea what’s to come…❞

You interject as best you can, the effects of the injection from earlier still barring its toll on you. Lips move slowly and your words come out in a slur.

❝ What… what is this… place…? What do you want? ❞

The man only stares at you with a widening smirk, taking a moment to carefully articulate his answer in a way you will understand best.

❝ Our exact motivations are none of your concern, for now. The only concern you should have is your future here, with us. What you can give the Cooperative. ❞

You swallow a knot in your throat. Nothing could prepare you for what was coming…

[lewikdraws]

*slaps the roof of 1899* this show can fit so many triangles in it

[goldensunset]

i’ve been wanting to make this joke since august

[malenjoyer]

Sorry I’m not replying to messages. I do see them. I’m answering some asks and posting a bit of random thought stuff on twitter but I’m feeling kind of like I’m retreating to my old hermit state of internet usage.

These past few weeks I haven’t had energy to do a lot of stuff. It currently takes a lot out of me to reply individually because I’m trying to secure a job for myself again. So a lot of my energy is put there and worrying about my finances and future…

Thank you for the support as always and I’ll try to respond as soon as I feel I can give a decent response to DMs.

As for art stuff, I thought about starting to post again but due to the recent AI stuff that was released about sketches being converted to lineart easily, I got a bit paranoid again so it might take a while. I’m reading comics between breaks and rediscovering my love for stories so that’s good