#but i just don't like where these movies are going anymore

[lostinlovingrevery]

Being Domestic With Logan

Just some ramblings of everyday life with logan,

lazy mornings waking up in each others arms, half asleep, muttering good mornings, logan kisses your shoulder, before pushing himself out of bed

brushing your teeth together. You both are still asleep, bedhead all over the place. You're wearing one of his shirts, he pulled on a pair of sweats (Wait, does logan actually need to brush his teeth? wouldn't cavities heal over? how does bad breath work)

cleaning, either you do it together, or you take turns. just going around the house and vacumnning, doing dishes, dusting.

logan cutting the grass if you guys have a house with a lawn (ooh, sweaty logan, doing yard work? imma faint)

this is gonna sound gross but bear with me- becoming comfortable enough with each other to talk while one is on the toilet. CMON COUPLES DO IT ALL THE TIME. at least talking through the door?? logans 200 years old, i don't think much grosses him out anymore

you're watching funny videos while logan doing his own thing, youre giggling and kicking your legs at the stuff you're watching, and logan ends up watching you and admiring how happy you are

quick pecks on the lips as you both as busy with your own stuff

dancing when you're alone together, in the kitchen, in your bedroom, the halls of the mansion- wherever, whenever

he doesn't let you carry anything heavy- as much as you insist your fine.

booking vacations together, swiping through your phone at cabin rentals, as he and you point out the things you like at each cabin you find

dates. just regular dates. to the movies. to fairs. a simple walk in the park. nothing grand- but something that you both appreciate having the time for. logan prob isn't huge on pda but he loves to hold your hand or your hip and show everyone that your his and hes yours

cooking together- and ending up arguing bc honestly you're both too much of a control freak in the kitchen to relinquish control over food. either one of you is in charge and the other just hands them the ingredients, or the other is banned from the kitchen till dinners ready

just existing in the same space. I def believe logan is a snugglebug even if he wouldn't admit it, but sometimes you're both doing your things and just knowing the other is near can be enough

That said seeking each other after a certain amount of times passes to get a few smooches and cuddles in

logan walking by while youre watching tv and he just stops and leans over you from behind the couch, complete deadpan expression until you tip your head up to look at him, and he leans down and kisses you, pecking your lips over and over until hes satisfied, moving away and going to get his beer

These are just a FEW I could think of. I mean, the mans 200 years old. I think the only time he probably lived something domestic-like is with kayla (ugh). give him a quiet soft life where the most pain in the ass thing to deal with is bills. (Unless you live in the mansion, then charles pays for everything lol) let him have quiet ordinary days!! get him out of the cycle of violence and stress!!

let him and you be in love and you spoil him and spoil him and spoil him over and over until he doesn't even remember what it was like to NOT be spoiled with affection and treats and all the things he likes and wants.

[lucy---lou]

Continuing my last blog.

"No we haven't cuddled yet, let's watch a movie"

"I really don't like movies or anything like that but we could play a cardgame", I say blushing again. Why would she cuddle with me? I've known her for 2 hours top.

"Oww ok, let's play this old terran game uno, but FLORET Editon", she first pouts then beams at me.

Floret Edition oh no, either two possibilities in that. First the good one. Nobody can lose and the reward is cuddels. I'm sort of ok with that. The other option is we're getting drugged. Stars NO.

"what makes it the floret Edition?", I ask already shaking.

"I'll tell you in the Livingroom, you're going to like it", Ellie says with a smirk.

I move to jump of the high bench as I normally would and before I really leave the surface,"iiieeep", I'm caught in a lot of vines.

"Little one I won't let you possibly hurt yourself, now behave", miss Duralis says with a stern but playful voice. Her eyes flashing bright colours at me, locking me in for a few seconds.

"Y-Yes Miss Duralis"

She picks up Ellie as well and we are both deposited on a huge couch.

"Mistress can you please get the playing cards while I explain the game?", Ellie asks looking absolutely adorable.

"Sure thing my petal"

"So you have to get rid of the cards on your hand. We play in turns. You can lay a card of the same colour or the same number as the previous one, if you can't you have to draw one from the stack. -thank you Mistress- There are special cards like this one. You can always lay it in your turn and you can choose the colour. And this is the best card if I lay it you have to draw 4 cards but you can also stack them and if I have one aswell it you would have draw the cards unless you had another one. And for being so brave in drawing a card you'll get petted by Miss Duralis for every card you have to draw"

Ah thats the catch in floret edition.

"Did you get everything?"

"Yes I think so, but I don't want to be petted", trying to save myself.

"Don't be silly Lucy everyone loves being petted"

"First round no pets for Lucy, ok?", Miss Duralis says but with a smirk?

Halfway through the first round everything is alright. Ellie gets a few pets, I refuse everytime. I stare a little at them, then Miss Duralis winks at me.

"Jealous?"

I blush and look away. I feel a prick, my body flinshes. But I think nothing of it.

"Everything alright Lucy?", Miss Duralis asks me looking a bit sad.

"Yeah everything good. Just caught my skin in the zipper. Let's continue"

Everyone nods

Since when do my clothes feel so good?

"Lucy your turn", Duralis giggles.

"Oh sorry"

Wow this cough is really comfy I could live on here. I wiggle around baking in this sensation.

"Ellie to Kitten it's your turn again"

"ooops", I blush. Why can't I keep track?

I can here this really nice rhythm. I could listen to it for ever and close my eyes.

"Lucy you have to draw eight cards"

"Hmm ok", I slowly look up again giving Duralis the puppy eye look.

I see something approaching me not really processing anything, something touches my head.

"mmmmhhrrrpf", a quiet moan. I feel my cheeks burning.

"mmmmmmrreeeeeeowwwww", a not so quiet moan and I fall forward onto the playing cards between us. Whatever was touching me, isn't anymore.

"Nnnyyyyo", trying to grab where I think the thing touching me was.

"Oh you need more, sure thing kitten. You'll get as much as you want", Miss Duralis says with a smile. I can't see it but I can feel it.

"Wow Class-As really did a thing on her and I can tell why you say she's a kitten. Mistress, do you think she will mind if I cuddle with her"

"No I don't think so, she likes you alot even if she doesn't admit it."

I feel somebody brush along my body and hug me. I don't care and drift into blissful sleep.

[dappercritter]

So... Revenge of the Kongs now, eh?

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[franollie]

bring back technicolor and practical effects now im so serious

[heymacy]

💛

[burningcomputerpersona]

second night of not being able to fall asleep since the new semester started. now im remembering why i stopped taking my adhd meds

[sallykie]

I've decided. I don't like the HTTYD movie sequels' xenophobia era. I don't think the themes should have gone that way.

[keeps-ache]

ouhhh i'm turning into my grandmother [chewing on wriggley's gum]

[elytrafemme]

i feel like such an asshole for being so frigid and neglectful of one of my back-home friends but i am still not past the part where every time i mention that i have friends in college she starts crying or just the general like. cyclic conversations and over-earnesty. which isn't a bad trait like, being nice isn't a bad trait, but she's nice in a really weird guilting way where like. if i was ever upset she would do nice things so i would have to respond emphatically after even if i asked her to leave me alone. or if i send her one text she sends me three saying that she misses me. i really don't know what to do because i think she will be literally fucking impossible to reduce my friendship with, because i don't want to lose her but i really hate that i am still her Best Friend Ever and i'm not allowed to have new friends.

[vraska-theunseen]

im genuinely so frustrated right now the way i always am about this one thing but i can't even sustain the misery right now because i've never been able to come up with any kind of answer no matter how many miserable drafts i write and hours i stay up thinking so it's just making me laugh how the posts im writing to keep in my drafts keep turning into my fucking. autobiography. "...i remember a stage kiss with a tall girl in theater camp (her name was ashley or jennifer or something she could do the splits)" that's literally so funny. jennifer or ashley do you remember playing spin the bottle at the arden theater camp in 6th grade it's apparently pretty core for me

[thesoftboiledegg]

Since the Hogwarts Legacy narrative was "haha jkr's not involved or making any money from this, go ahead and buy it, she's going to be SO PISSED when you buy the deluxe edition 🤪", how much do you want to bet that the TV series narrative is going to be "haha look at this [woke thing in the show], jkr is OUTRAGED, the series is roasting her right to her face, it was all a coordinated effort to take her down, hurry up and subscribe to Max!!! 🤪", pretending to forget that she's an executive producer?

...in fact, thinking about it now, I'm not convinced that WB didn't have trolls/bots spreading that false information about JKR somehow not making any profit from Hogwarts Legacy. Even people I know in real life fell for it, and one of them is almost twice my age!

[persefoneshalott]

i don't watch biopics so this might be something they do a lot, I just think if you aren't going to be faithful at least go more fun, just make her Cathy or Heathcliff in this

[robertsbarbie]

idk if my mother's brain rot is slowly creeping in but the internal beef i'm having with my favorite brother and his wife right now is crazy

[fxckinemo]

once again can't sleep because I'm out of real weed and alcohol just makes me cry about my ex best friend if im not distracted enough

[here-there-were-dragons]

i know this is sideways of the point but it feels spiritually related in a "facepalming misuse of dead dove tags" sense- but literally less than 8 minutes ago i saw a fic thoroughly dead dove tagged for “graphic descriptions of brutal murder”.

it was a couple paragraphs long short oneshot with about one sentence dedicated to an extremely basic undetailed description (more like just mention of it happening really) of someone stabbing another with a spear.

hate what people did to the dead dove tag