#but i hope i didn't forget a thing

[lifequixote]

Had anyone already done an alice in wonderland au idk but yay it was fun nevertheless!

[trashpandacraft]

I found fibrecraft tumblr after searching drop spindles because my dad *didn’t even know what that was.* And despite having been firmly of the opinion that I didn’t intend to learn it, y’all have me getting ever closer to giving in. However, I’m also growing ever more enamored with the idea of weaving - and despite recently deciding to give knitting and crochet another go - I think it looks the most fun of the fiber crafts. My issue is that I have absolutely no space.

But I’m beginning to realize there’s a lot of different looms and types of weaving. So I was wondering if you have any resources or tips for small space methods and storage?

welcome to fibrecraft tumblr! it's fun here, we have enablers.

i will admit that while i love knitting, weaving is amazing, and is much better with regards to instant gratification—weaving for an hour gets you a lot more fabric than knitting for an hour.

so let's talk about weaving, because i have great news for you: you can 100% totally weave in a small space if you want to, and you even have options for how you do it. i'm going to go through basically all the small space weaving options that i'm aware of in roughly size order, and if you make it to the bottom of this you'll have a pretty good overview of space-saving weaving methods.

the first question to ask yourself is what you want to weave. maybe you're not sure yet, which is totally fine. if you don't immediately have strong feelings about it, though, maybe consider if band weaving strikes your fancy. this is pretty limited in size, but lets you weave belts, straps (like camera or bag straps), lanyards, etc.

if you think that sounds neat, it's worth looking into tablet weaving, an inkle loom, or a band/tape loom. tablet weaving takes up no space at all—if you can fit a stack of index cards into your life, you can fit tablet weaving. the tablets are small square cards, often made out of heavy cardstock, and even with a project on them, you can probably fit them into an index card holder.

inkle looms are larger, and to be honest i've never used one and don't know a ton about them, but they're also used for making woven bands. the looms can also be very aesthetically pleasing, if that's something you're into. they can be very big, but the ashford inklette, for example, is only 36 cm long and maybe 12 cm wide.

tape looms are—in my experience, anyhow—larger than tablet weaving but smaller than inkle looms, and even the larger ones are only about shoebox size. they vary widely, from gorgeous, complicated little looms to a handheld paddle that you use to create a shed, which is what you put your yarn through when you're weaving.

if that doesn't sound like good times, consider a frame loom. these are pretty simple—if you ever wove potholders out of stretchy cloth strips as a kid, you probably used a frame loom to do it on. frame looms are generally inexpensive and readily available, and can be used for small woven objects like potholders, coasters, placemats, etc. they can also be used to make some truly stunning tapestries. while you can buy a huge frame loom, you're still only talking about huge in two directions—it might be as wide as your armspan, but it's still only a couple inches thick.

another option is a pin loom. these don't get mentioned a lot, and i'm not totally sure why. pin looms are shapes with a bunch of pins (metal points, usually) coming out of them. on one hand, you're limited to making things that are the shape of the loom, but on the other hand, if you've been hanging around fibrecraft tumblr, you've seen all the things crocheters get up to with granny squares, right? there's no reason in the world that you can't do all those things with the squares made on a pin loom. or the hexagons! or the triangles! i've been kinda thinking about getting a little hexagon or triangle pin loom and using it to sample my handspun, then turning the shapes into a blanket.

if you hate all of that, that's ok! we have more options.

you could consider a backstrap loom, which is an ancient way of weaving that's still practiced today in many places. backstrap looms are cool because you can weave probably 24 inches wide on them, but even with a project on it, they take almost no room at all. backstrap looms are fairly easy to diy, because they're basically a bunch of dowels, so they can be a good low-cost way to try out weaving. backstrap looms will let you make longer, wider fabric than anything else we've mentioned so far!

another option—stay with me—is a toy loom. there are a number of cheap looms for sale on amazon/ali express/some local places that are actually fully functional looms. recently i've seen a number of people (like sally pointer, though i'm sure i've seen someone using one of the brightly coloured harness looms, as well) who've used them and report that they're functional, if basic, looms. you're fairly constrained in terms of project size, since there's not a lot of space for the finished fabric to wind on, and there's a very limited width, but the looms are quite small and tuck away easily.

ok, but so what if you hate all of those options? don't worry—there are more options! this is the part where things get expensive, though.

as looms go, rigid heddle looms are actually quite reasonably sized. i think the smallest one i've seen is a 40cm (~16") weaving width, which is about 50x60 (20x24") in length/width, and 13cm (5") high. so that's more space than anything else we've talked about, but it's still not a ton of space, you know? a 40cm rigid heddle will let you weave lovely scarves and things of that nature—table runners, placemats, strips of woven fabric to whipstitch together into a blanket, etc.

but maybe that's enough. so let's talk about table looms. some of them are quite large—mine, for example, is about a metre square and sits on a frame that it came with. it is not what you would call space efficient. but many of them, especially modern ones, are very compact, and can even be folded up into something more or less briefcase sized. (weird way to consider it, since the last time i saw a briefcase was probably the 80s, but you know what i mean, i bet.) the cool part here is that you can weave damn near anything you want on a table loom. the less cool part is that for the compact ones that fold up, you're looking at hundreds if not thousands of dollars. the smallest one i'm aware of is the louët erica, which folds down to 42x62x42cm (16.5x24.5x16.5") and gives you 40cm (16") of weaving width. i feel like that's impressively small. you'd have to decide for yourself if that's enough to justify the $500 usd/$800 aud price tag, though.

finally, we've come to folding floor looms. i don't think someone who's never woven before should run out and buy one of these unless money is just literally not at all a concern for you, but they are basically the dream for those of us trapped in crappy rentals, and it seemed weird to leave them out when i'd come this far.

some floor looms are various levels of collapsible. to be clear, this does you absolutely no good at all when you're actively weaving, because you have to unfold them to weave, but it does you a lot of good if you'd like to have a floor loom and still have the ability to, say, walk through the living room when you're not actively using the loom.

most relevant to our discussion about small weaving footprints, some looms fold up entirely. they are incredibly fucking expensive and incredibly fucking cool. the two that i'm most aware of are the leclerc compact and the schacht wolf line, both of which fold up to about half of their unfolded depth. they're still not small—i think that they're both the better part of 75cm (30") wide and tall, so even if they fold down to 40cm (16") deep, they're still 75cm wide and tall. which is Fairly Large, though much better than having something 80cm deep sitting in the middle of the floor.

this was a very, very long post, but hopefully makes it clear that there's a surprisingly wide range of options, and they all have advantages and trade offs. if you're asking my opinion, my suggestion would be to try something—anything—with a backstrap setup and see how you feel about it. maybe you love it and keep at it forever, in which case you're in good company: there are entire cultures that weave exclusively on backstrap looms.

if you like producing cloth but don't love the backstrap setup, or don't like using your body to tension the warp, you have a lot of other options, and you're out maybe ten dollars of dowels.

personally, my next loom is probably going to be a pin loom. unless i win lotto, in which case it's going to be a house that has a weaving studio and like four floor looms in it. but probably a pin loom.

[nervocat]

(can be read as platonic or romantic, no cws, gn reader - wc: 170)

Leona with a gummy smile isn't something many people expected when looking at the prince. It's not that uncommon to see gummy smiles per se, but when some new students see Leona and his smirk and his gums poke out — it surprises them.

It added to him and his character, but also took away from his intimidating appearance a bit (much to his annoyance). It wasn't something Leona hated, but why did people make such a big deal out of it?? He doesn't know.

“Leona.. you never mentioned you have a gummy smile,” you say, looking at him as he smiled. He immediately shut his lips, his smile hidden.

“It’s something I let others figure out themselves,” Leona crosses his arms, glancing away. His tail flicked side to side, swishing almost, and his ear twitched a bit. You smiled at him, and if you yourself have a gummy smile like him, Leona's smile returns a bit.

“Well, I think it suits you, Leona. Just another thing I like about you.”

[ ★ notes - LEONA WITH A GUMMY SMILE GUYS DO YOU SEE WHAT I SEE.. I am projecting a bit bc I'm kinda insecure abt mine but LISTEN!! I love Leona and him with a gummy smile I feel just adds smth to him so I wrote a little smth tonight for my silly :33 also a bit of a different formatting bc this isn't rlly a fic and is just a late night ramble abt Leona my love <33]

★ — © nervocat || I appreciate any reblogs made, and pls don't repost or translate my works anywhere, ty — ✦

[gwenfr]

I see your "imagine Bucktommy storyline from Maddie's point of view" and I raise you with "imagine Bucktommy storyline from Lucy's point of view" (yes, I want them to be friends)

- you're going back to work after a lovely day of rest and learn that your actual coworker/friend was called by your ex-coworkers to save your former boss and his wife from a capsized ship in the middle of an hurricane and that to do so he stole one of your engines of work 😶

- you learn that your friend has a new friend with whom he goes on a few activities and you're happy for him 😊

- you learn that your friend kissed a man he thinks is adorable (is that the same man he did the cool activities with ? He doesn't want to say who it is for now... 🤔)

- you learn that it's not in fact the same guy (how many guys are after your friend ? 🧐)

- you learn so many things about this guy.... he's adorable, cute, strong, has beautiful blue eyes, is so intelligent, is a good kisser, but still no name (🤔)

- you learn your friend has a date with this guy (you're so happy for him 👌🏻)

- you learn that the date didn't go well (you're sad for him 😔)

- you learn that your friend has accepted to meet this guy for coffee after all (you hope it will go well even if they just stay friends 🙌🏻)

- you learn that the coffee date has gone well and that your friend was invited by this guy to his sister's wedding (and here you were thinking you're a "going too fast kind of person" well good for him 😶🤔👍🏻)

- you learn after you just worked on a beast of a fire for 48hours, from one of the cute hospital's nurses, that your friend was kissed very hard by a guy (surely the same mysterious guy ?) in the middle of the hospital's lobby (a little jealous but good for him 😌👌🏻)

- you learn that your friend's relationship is now known by everybody (cool, now you can finally know who this mysterious guy is 🧐)

- you learn that the mysterious guy is one of your ex-coworker 🤔

- you learn that it's the same guy you kissed one time in the past 😶😳

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[catzy88]

Le Bien Qui Fait Mal

Or, Salieri's descent into bisexual crisis and BDSM madness

[rebelcracker-s]

WELCOME HOME THEORY :D

i've been swinging back and forth between "this is genius" and "i am spitballing" in debating whether to publicize this theory. i have decided to put it out there. i hope i'm somewhat right! (long post ahead)

so user @thecolourfulkingdom pointed out the importance of this tic-tac-toe image from the guestbook page:

i know a one-person game of tic-tac-toe doesn't seem like much, but op then placed this image on top of the neighborhood map (credits to them for figuring that out!), this image becomes very interesting.

it's suspicious how nicely the two line up.

i know this could be a random detail, but in somewhere as detailed as welcome home, i think that every detail counts, especially one like this. if it is a coincidence, it's a very strange one.

the circles in the board call attention to four (or five, depending on how you look at it) characters: wally/home, sally, frank, and howdy. we already know wally and home are two very important characters in the lore, but what connection do the remaining three three have? and why is wally pointing them out specifically?

this trio made me think of a certain image from the conceptual days of welcome home: concept art of the telephone that was revealed in the july update. (i'm not going to repost it due to clown's wishes about spreading conceptual art, but you can find it on their portfolio!)

in this image, the phone has eight buttons for eight neighbors, like the current one on the website. however, this one has three buttons scribbled out. based on colors, the three characters missing are sally (orange), howdy (teal), and eddie (purple).

i know it's not exact, but the fact that two out of the three "scratched-out" characters match the ones circled on this map has me thinking that i'm onto something.

here's what i think is going on. something happened in the neighborhood that divided the neighbors in half. something happened to the four uncircled ones--julie, barnaby, eddie, and poppy. it's really not clear what's happened to them right now, but wally has mentioned that he cannot talk to his neighbors right now. i think they at the very least lack the awareness to the strange things happening in the neighborhood. at the worst, they are dead.

again, i'm not sure what happened to them, so all we can do right now is speculate.

our remaining four--frank, sally, howdy, and wally--are the ones who have retained awareness. they know what is happening in home. they know about the whrp. and they know about the audience welcome home is gaining.

we know wally and home know about us because they have both spoken to us through the "i will find a way soon" audios. but what about the remaining three?

the july website update not only included the drawings that led to wally's messages, but also bugs leading to videos of interactions between the members. while the whrp insisted that there was nothing important about the bugs, the audience could click on these bugs and find secret videos depicting a conversation between the neighbors.

the latest game theory video on welcome home points out that like how drawing is related to wally and the drawings lead to messages from him, bugs are connected to frank, from his character description to his hidden audio with eddie. i believe those messages could be from frank. the video goes into more depth about this, but for the sake of the length of this theory, i'll stop here.

in the october 13th halloween update, we got the "happy haunting to boo and yours" record. the website staff insist multiple times that there is a gap in the audio during sally's story where they can't make out what sally is saying, but we can. (if you need a transcript for the skipped-over part, i have one reblogged!)

sally's story is a very menacing one about a monster that she cannot see or hear that prowls the neighborhood at night, devouring anything it passes, confining the neighbors to their homes at night. this would seem like a normal scary story if not for how the audio changes. at every other part, the audio has a crackly, vinyl sound; however, sally's story is perfectly clear.

it seems to me like sally is directly talking to the website's audience here: she's trying to warn us about the strange things going on in home. i think frank's messages were trying to do the same thing too. these are glimpses into the sides of welcome home that the whrp, wally, and home have not shown us: the lives of the neighbors, and the unsettling danger lurking beneath it all. notice how subtle both of their warnings were, and how they were careful to make sure that whrp could not discover them while the audience could.

also, remember how the title of the video tabs in the july update--"answer"--led us to the staff only page? i think the title of the newest hidden video--"listen"--is telling us not only to listen to the audios for a true glimpse of what life in the neighborhood was like, but to listen to their warnings.

i don't think wally is aware that frank and sally have been contacting us in secret, but i do believe he knows that they stand apart from the other neighbors, hence the tic-tac-toe board and the map.

but there's still one loose end: howdy hasn't yet talked to the audience. i think that during the big holiday update, we will see the final member of the "survivor trio" (as i like to call them) contact us. and i'm hoping this update tells us more about what's happening in welcome home's world and what role we as the viewers play in it.

:)

[wundrousarts]

Do you think Hawthorne has some sort of connection to Morrigans's wundrous song? I'm not going off on a lot except that the song talks about a son of the morning and that Hawthorne feels like the definition of sunshine. And the fact that Morrigan is an eventide kid and she has something with darkness. (??)

Idk what the song could mean, but maybe it's like a foreshadowing to their dynamic, maybe they'll become enemies or opposites or like kids with a destiny because so far it feels like they're far too buddy buddy. Hawthorne is Morrigan's first friend. And he's her best friend. Like. Help.

Also the song talks about the son of the morning being liked, or well someone who has something good ahead of him, and that reminds me of Hawthorne's promising career in dragon riding. He has a lot ahead of him, and in that snippet of Holliday Wu with Hawthorne she said 'the kids are gonna love him', and I feel like Hawthorne is gonna be super popular and well-liked. (Like maybe that's what the song means with 'up with the sun where the winds are warming', he climbs the social ladder.) Meanwhile Morrigan seems to become more and more unpopular because she's a wundersmith. Like it doesn't matter who Morrigan is, it just matters that she's a wundersmith. And soon she'll go down to where the pale things bite or something. As in she'll be an outcast. Or worse.

But if that's the case, then what could it mean??? What will it lead to?

Can we then connect the two wundrous songs of Morrigan's and Squall's? If Morrigans's song is foreshadowing then what if Squall's song is a warning? Or another foreshadowing? A foreshadowing to what then? Is it a prophecy? Are both prophecies??

Help.

🫠

Oooh this is a great question. I don't think that Morrigan and Hawthorne will find themselves not being friends at any point, because I feel like they've already gone through a lot together and have had each other's backs, so I can't see that ending at any point.

I do love any opportunity to discuss the Nocturne songs though!!

I'm hiding my ramblings on this below the cut, because as a true "spaghetti theorist", I am truly just throwing everything and anything at the wall:

One thing I wonder is if the Morningtide nursery rhyme is derived from Little Crowling, or if both songs are derived from a third same source, or if perhaps they are two songs that existed at the same time. Why does Squall seem to recognize Morrigan's song, and Mog recognize Squall's song?! It haunts me. I wish Wundersmith was adapted so maybe we could hear both songs (because hopefully Little Crowling will be in the movie...?). Maybe as Mog trains with Squall we might learn more!

On Discord awhile ago, I said

they’re not like 1:1 but like “o daughter of night” and “with button black eyes” have the same # of syllables (and are possibly depicting the same thing/idea), and “swoops down into the meadow where the rabbits all hide” and “deep down below where the pale things bite” are similar ideas and maybe even an inversion a bit

and I really think there's something there. Maybe it's playing with who/what is "good" vs "evil"? IDK.

In one of the Garrett interviews (which are my favorite Nevermoor/Jessica Townsend interviews everrrr), there's this bit:

ASTRID: Jessica, back to Ezra Squall. When a Wundersmith calls Wunder they sing something. They sing a tune that means something to them, and we know that Ezra Squall's tune involves the words ‘little crowling, little crowling’. Look, Morrigan Crow. Crow Manor. My question here is obvious. What can you tell me? JESSICA: Actually, I can't tell you anything… but that should give you your answer. ASTRID: Look, I had to try. JESSICA: I can tell you that's a really good intelligent question and it's a good observation. Don't worry, there will be satisfaction there. All I can tell you is that there will be satisfaction.

I hope we learn more about Nocturne songs at some point, because I wonder if Little Crowling has been Squall’s song the whole time, or if it’s a new thing? He calls Mog “little crowling” a few times, so yes there’s definitely a connection there.

You sent this question at a great time because I had asked a question about Nocturne songs during the Q&A and she answered it after you sent this. I asked if there was any reason the Nocturne songs sound similar, or if I was reaching, and (in short) she said:

This is a really good question. I think they probably sound similar because they're both intended to be nursery rhymes. I wrote them as to be nursery rhymes in this world, in Nevermoor. I think you should think about the fact that they both chose nursery rhymes as their songs to call Wunder.

I have many thoughts, but at the same time, it’s so hard to theorize when there’s no info to go off of. I hope we learn more of the verses of Little Crowling at some point— I don’t care if the last verse is too grim to end up in a book!

Some ideas:

— Do Wundersmiths write their own songs? Is this perhaps how Nocturne is mastered?

— Maybe choosing nursery rhymes to summon Wunder could indicate something about their personal relationships with gathering and using Wunder?

—— Are they above Wunder, or below it? Not sure if that's the right wording, but just trying to think about what the dynamic between Wunder and Wundersmith for both Squall and Mog could be.

——— While writing this point I misremembered for a moment and wrote "Summoner and Smith", for which the full phrase is, "Summoned Wunder shows itself to summoner and smith." Are "summoner and smith" both the same person or entity (such as a Wundersmith), as "once it's summoned, any old Wundersmith can see it," or are there people out there that can be a summoner but not a smith, etc.? IDK.

— Maybe Little Crowling is a song encouraging Mog to be evil? We don’t know how long Squall has been keeping tabs on Mog.

— Lots of discussion lately about that one dream and if it could relate to Mog’s mom:

—— Maybe she was singing a song and then Squall sung Little Crowling afterwards

—— Maybe Mog’s mom was singing a happier version of Little Crowling, or it’s a song that Squall twisted.

——— Unrelated: everyone thinks that Mog’s mom must have been nice and caring… imagine if she wasn’t really that kind, LOL

—— I think it would be interesting if Mog’s mom was singing Little Crowling (or a variation of it) because of a reference to a rabbit… perhaps inspired by a certain toy rabbit passed down from mother to daughter? And again the obvious “crowling” and a baby (Morrigan) Crow… 🤔🧐🤨

— Perhaps Little Crowling is an older (anti-?) Wundersmith song. Squall was part of the last generation of Wundersmiths so maybe when he was young people were getting tired of them and the system they are a part of.

—— The “button black eyes” just makes me 🤔 because so far the only two Wundersmiths we know notably have black eyes…

— Also back to rabbits having to stay with their mother to be safe from the crowling… y’know who doesn’t have a mother?? Both Mog and Squall!!

Anyways. I really just took a sliver of your ask and ran with it, lol. We don’t know much about Nocturne songs, especially these particular ones, and I hope we learn more soon. Perhaps by training with Squall, Mog might be able to learn more? More verses and more history and information? I certainly hope so!!

I also have to take a moment to shoutout u/AlexWigg on Reddit, who made these renditions of Morningtide's Child and Little Crowling that I really enjoy.

[the-art-cave]

Do you think Sinosauropteryx and Microraptor would have been cottage core and Goth girlfriends? The fact that scientists know almost exactly what they looked like means Microraptor is a confirmed goth, and Sinosauropteryx is a confirmed cottage-core lady.

So the question is, will you be the Microraptor to my Sinosauropteryx? 🥰

[ikamigami]

THE CYCLE OF TRAUMA

In this post I'll try to explain how Sun is trapped in a cycle of trauma and I'll try to answer the question whether he can escape it or not and how he can escape it if it's possible.

I think that I know the answer to why Sun is often pushed aside and doesn't even feel like MC in Sun and Moon Show sometimes.. it's because the show is telling two stories.

One story is the one that we see. The one which follows mostly what happens with Moon because Moon does more things than Sun. Sun is doing his own things in the background. Or he's a gag character in most of funny lore episodes. This story is the surface level of watching it and seeing the obvious parallels between events.

It's not a bad way to engage with the show but it's more like watching MCU - easy story to follow with foreshadowing, payoffs and parallels.

But there's also a second story.. a story hidden in details and subtle hints and lines which are echoes of the past events.. and the main character of this story is Sun who is a traumatised victim of abuse.

This is more deep reading of events in the show - we could say it's meta interpretation of it.

I'm not going to lie to you that I found it weird and a bit repulsive how awfully Sun is treated as a victim of abuse.. because his trauma was never addressed properly - Sun could never talk openly about what happened to him and no one even helped him with that.. sometimes they didn't even want to listen to him..

I didn't want to accept that Sun healed off-screen or just even got better off-screen because of how much he went through and things like that just don't magically disappear.. all this trauma couldn't just disappear.. especially if Sun never had a break. His life is traumatising event after traumatising event after traumatising event..

"Stop! How can you say that Sun didn't have a break when he literally did while Solar and Moon took care of everything?" you're probably asking this right now. And my answer is: yes, you're right, Sun literally had a break. Literally - a surface level of watching show.. a story that we see..? You probably don't know what I'm trying to say. But this is exactly why I'm making this post.

Today's episode helped me realize that what's happening right now is just another face of Sun's trauma.

Moon is not only acting similarly to Old Moon but he even tried to guilt-trip Sun and he minimized his trauma by mocking it which was the exact same thing Old Moon was doing during their fights.

Moon even said that only after two years Sun was able to grow a spine to stand up to Moon.. doesn't it sound familiar?

Old Moon said during one of their fights that Sun shouldn't apologize for yelling at him because he shouldn't apologize for having a spine.. hmm.. it's obvious parallel yet it's a reverse one.

Old Moon was trying to make Sun stand up for himself in abusive way.

Now Moon is trying to squash Sun's confidence by laughing at Sun's efforts of trying to stand up for himself which essentially mocks Sun's trauma.

And later when I was watching mgafs episode it dawned on me. Sun went to Monty for help when Moon is dangerous.. doesn't it sound familiar?

The last time Sun went to Monty for help was when kill code reactivated in Old Moon.. but before that Sun went to Monty for help when Lunar was pretending to be Old Moon and they couldn't switch places.

But who told Sun to go to Monty for help if situation with Moon would be too much to handle for Sun? Old Moon.

It seems that Old Moon's words still have an impact on Sun.

But there's more.. Sun locked Moon in a cell just like Old Moon did to him a year ago. Sun decided to use shocks to keep Moon from doing something stupid and harming himself.

It really seems that Sun was influenced by Old Moon's actions.

But also the only helpful thing that Sun knows is talking to Earth because Earth was the one who helped him back then.. so if Earth's words didn't help Moon what else can?

Old Moon never listened to Sun and now Moon also doesn't listen to him. So what left?

He went to Monty for help but it turned out that Monty can't help. Monty's words don't work anymore with Moon like they used to with Old Moon. Monty and Foxy's only solution is to forcefully snap Moon out of it by endangering Sun at expense of Bloodmoon's life cause who cares about Bloodmoon..

So the only answer is violence. But if you think about it Sun's life is filled with violence to the brim. Old Moon used to solve their every problem with violence. New Moon also tried to solve their every problem by killing whoever he deemed an enemy.

Sun tried to talk with Eclipse but it didn't work. The only thing that left was to expell him from his head which was a death of OG Eclipse.

He tried to warn Bloodmoon. It didn't work and he killed them in self-defence.

He tried to listen to V2 Eclipse (Eclipse with the star) but Eclipse could only threaten them and told them to kill Lunar. So the only thing that left was to push Eclipse through the portal and Moon killed him.

He tried to talk to New Bloodmoon but it didn't work either and the only thing that left once again was violence.

He convinced Moon to help Ruin which turned out to be Solar's and trillions of others' lives doom. So what left? They had to lock Ruin but it created more problems - Molten trying to kill him and now Ruin is once again working with Bloodmoon and we can only imagine that they're up to no good. So they'd most definitely have to use violence.

Sun tried to resolve things differently. He tried to help. But none of this worked. His help only made things worse. And everyone's answer seem to be only violence.. violence violence violence violence violence violence violence..

So it's not surprising at all that Sun is doing what Old Moon taught him. Even if it isn't what Sun wants. And the worse thing is that now others are trying to force him to make a decision that will have an impact on everything. It'll either work and things will get better or it won't and everything will get worse.

You may say that Sun has Earth and Lunar as a support. But while it is true that he still has them they already expressed that they don't want to help. And let's be honest, neither Earth nor Lunar did much to help Sun with his trauma. They aknowledged it but that's it. Lunar never talked about it with Sun. And the only thing Earth did was apologizing to Sun for making him sad by mentioning Old Moon's death because she knows how hard it is for him.

But it isn't what Sun needs. He needs help. You may say "why he doesn't talk to them about his trauma?" The thing is he tried. But when he needed help the most - after Old Moon's death - they told him to move on or Moon straight up yelled at him for just simply mentioning Old Moon.

So it's not surprising that Sun doesn't try to open up about it anymore. Because he learned that it's better not to do that. And that's why he thinks that his issues are less important than others' problems. Because no one cared to help him. But because Sun knows that they love him so there's only one reason why they didn't help him. And this reason is that his issues aren't that much of a big deal. Why should he bother others with his issues when others don't seem to care that much? They probably don't care that much because these issues aren't real problems.. I bet that this is what Sun thinks about that.

Let's get back to the main topic of this post. Sun is trapped in a cycle of trauma. From the beginning of his existence the only thing he knows is trauma. First with Old Moon who abused him physically, mentally and emotionally. Later Old Moon promised to change yet he left Eclipse in Sun's head which created another trauma for Sun and Old Moon didn't stop being abusive. Later when they thought that they defeated Eclipse another problem appeared - Bloodmoon. But it wasn't enough because it turned out that there's new Eclipse who activated Old Moon's kill code reopening Sun's trauma.

Eventually Sun's already poor mental state worsened even more and he experienced psychotic episode. And what others did at that time? They abandoned Sun and because he was too detached from reality he wasn't able to stop himself. And in such state he did things that he regrets. But even if he regrets them he can't do anything about it. He has to live with consequences of his actions even if he wasn't at fault for neither Old Moon's nor Lunar's death. But it only deepened his trauma.

At that point Sun thought that the only solution is to die hoping for fresh start like Moon had. Hence why he decided to be conduit for star's power and tried to sacrifice himself. Thankfully he survived and Eclipse was gone. Things seemed to get better. Unfortunately Sun's family didn't help him with his trauma at that time. Even if it was the best time to adress his issues considering that he was still suicidal back then.

Though Ruin already was a threat. After all he kidnapped Sun and the way Moon dealt with it wasn't the best - reminding Sun of his trauma once again. Yet back then Ruin's threat seemed so distant. Until he decided to bring Bloodmoon back. And also Solar's appearing disrupted dynamics in the family regardless of this being unintentional. Then Ruin blew up the Daycare and Sun and Moon were sent to Ruin's dimension.

And even if later things seemed to get better once again it wasn't long before Bloodmoon completely mauled Earth's body and they had to deal with them and also Stitchwraith threatened that if they'll try to interfere he will do worse things then simply kidnapping Earth.

At that time Sun seemed very distanced from everyone. He had serious memory issues and he wasn't answering any messages and calls. It didn't seem good.

And then Eclipse returned once again. And we all of a sudden found out that Sun was feeling great until Eclipse's return.. it doesn't add up.

And later Sun decided to leave everything to Moon and Solar to deal with while he was spending time alone in their house, drinking wine and relaxing with his cats.. and he seemingly got better. He just needed a break.

It doesn't make much sense when you consider everything Sun went through. Yes, on surface level Sun seems to be doing much better and break helped him.. but is it actually true?

If we look at it deeper through lense of a story of very traumatised victim of abuse.. it seems that this was Sun's another attempt at breaking the cycle of trauma. The first attempt was sacrificing himself. Second was to try and avoid getting engaged with anything. After all when he tried to help everything got worse. So he naturally tried to do the opposite.. which turned out even worse.

Solar died because of Ruin's plan and he wouldn't be able to do it if it wasn't for Sun convincing Moon to help him. Moon is now losing his mind because of Solar's death and like Sun said he wishes that he said more to Moon when he had mental breakdown. And now Moon is acting worse than Old Moon and Sun is basically reliving his trauma. Sun is trying his best to keep his family together but is he actually able to do that?

You may think that he is.. but when you consider Sun's mental state - depressive psychosis and delusions centered around guilt and unworthiness making Sun feel like he's the one who is bad.. it doesn't seem likely.

You can disagree with me but there's plenty of evidence that support my claim. Also Moon told Sun that he has a little bit of Eclipse in him still.. and not so long ago Eclipse told Sun that he would make a good Eclipse when this is exactly what Sun was afraid of a year ago. And Lunar back then told him that he's acting exactly like Eclipse.

I'm pretty sure that it's affecting Sun. As much as he tries to say otherwise. That Moon's words doesn't have any impact on him anymore. It's not true. After all, we can still see how much Old Moon's words affected him.

Having all of this in mind, I wouldn't be surprised if Sun ended up blaming himself for what happened. Also considering that things will get worse soon. After all, Taurus is after Lunar and he'll either execute them immediately or put them to test.. which probably won't be anything nice. And Earth is hiding that she's friends with Eclipse and she trusts him more than her family because she tells Eclipse things that she wouldn't say to them. And who knows what Ruin and BM will do. And lastly.. Sun will find out soon that Dazzle is victim of July 16th incident. It doesn't look too good for him.

Even if Sun keeps going for his family. Will he be able to take more of this?

I don't think so. Because why then showrunners didn't let things to get better even if a bit? Why everything seems to get worse?

But is there a way for Sun to escape the cycle of trauma? He tried to sacrifice himself which even if it'd ended with him being dead he still would do something good, right? He'd protect his family. He tried to distance himself from everything to not make things worse with his help. But it ended up making everything even worse. So is there any option left for Sun to break the cycle?

Yes, the help of others. Unfortunately it doesn't seem likely. Even now when Sun is clearly suffering he still chose not to talk about his own feelings but focused on Moon. Even when he's hurting so much that Monty and Foxy found Sun crouching outside Monty's house. Yet he didn't say anything. And what they did to help him? They told him that he needs to make a decision that he isn't capable to make in the state he is right now.

But what about Earth and Lunar? Like I said Lunar will have a much more concerning problem soon enough. And when Sun will find out about Earth's secret.. I doubt he'll trust her to talk about his own issues. You may say that he can change his mind about Eclipse. Maybe normally he could but not now. Not when he's reliving his trauma and his mental state is threatening to worsen. Sun isn't in any condition to deal with his own issues with Eclipse unless Eclipse will surprisingly not insult Sun and will be able to convince him that he wants to help. But Sun isn't in the right state of mind to deal with it, to rethink everything between the two of them and try to forget about trauma Eclipse caused him and his family.

And when Sun will learn the truth about Dazzle.. I wouldn't be surprised if it'll be a final straw for him.

So what else left? How can break the cycle? The answer is he can't. He could with a help of his family but it really seems not to be an option.

Though there's one thing that will stop the cycle of trauma once and for all. And it's death. You may say that Sun already tried to do that. Yes but also no. Back then Sun thought that he'll be lucky if he get reset and if not he'll at least sacrifice himself to protect his family.

But what about now? There's a plan to put Sun in dangerous situation that will cause Sun harm in order to snap Moon out of the state he's in. But if it won't work Moon will kill Bloodmoon and then I doubt that he'll stop at that. And then what?

This plan is messed up because no one can be sure if it'll work and there are very high chances that Moon's mental state will worsen either way. I bet that Sun will try to help no matter what.

Edit: I forgot to mention that Foxy wanted Sun to decide when he'll say enough is enough and he let them kill Moon which isn't an option for Sun - imagine keep going with this in mind that the life of your brother depends on your decision.

But when things will get worse will he be able to keep going? After all he wasn't able to help anyone, to stop anyone, to comfort anyone.. he tried everything yet things only got worse. And because of Sun's mental issues I'm pretty sure that he'll blame himself for everything. So even if Sun will still have Earth and Lunar (maybe).. can he be sure that his decisions won't end up harming the rest of his family?

I wouldn't be surprised if Sun will consider taking his own life as an answer to how stop this madness. If he thinks that all of this is his fault and he even expressed that himself that he was wondering if it'd be better if Moon and him never separated.. and even if Sun went to dimension where they separated but Eclipse never happened and they seem to have happy lives. That Moon didn't help Sun that much and even if he said that deep down Moon still cares.. now Sun learned that it isn't true. Sun can't handle this anymore.

Sun's mental state seems to be not good but considering what is about to happen it'll only get worse. I doubt that Sun will be able to think it through and stop himself from doing it while everything around him is collapsing and he thinks that it's all because of him..

I won't say that he'll succeed because there's high chance that someone will stop him or even if he'll attempt it he may end up heavily injured or in a coma and not dead dead.

But seeing how showrunners keep making things harder and worse for Sun and knowing that Davis wanted to include topic of suicide but previously received backlash for that though it seems that the issue either got resolved or they decided to implement it anyway it seems highly likely that Sun may try to kill himself.

I'm not saying that he'll do that but this is just my hypothesis based on the analysis of events in the show and meta analysis of Sun's character and that his character represents a story of traumatised victim of abuse. I'd rather have them addressing it even if it'd mean that Sun will attempt suicide then them completely ignoring it showing viewers that "screw victims of abuse".

We may argue about whether VAs are doing good job with portraying this things in the show but I don't want to immediately say that there's no hope and that they just don't care about the fact that they made Sun to be a victim of abuse.

I'm trying to be positive about this and I hope that Sun's trauma eventually will be addressed. I'm trying to trust the process. Maybe I'm a fool for doing so but whatever. I don't care about it.

[glouris]

need the current hotd ao3 economics explained to me like I'm five, what happened there with aemond and luke?

and like don't get me wrong, I understand that those targs are built different and there's no avoiding alabama dynamics, that's okay ig. but the least y'all could've done is chosen the velaryon brother that isn't 13, come on now 😭😭 the bar was already low, how did y'all manage to still be limbo dancing with the devil

[girlivealwaysbean]

it's not sinking in that today might be the last day in my house and town for many months to come

[moonchild-in-blue]

I haven't really done much art for tumblr (at all) lately, cus life, but! Here's a lil something I've been working on (it's a Xmas gift) 💙

(also peep that lil January calendar painting 👀 i did mini squares for each month for myself, because I need to have a physical one always, and they each have their own colour 🥺)

[hihopelessromantics]

making an nnt "god" a concrete thing with lore / biology. substance if you will. because committing to the bit is fun and nakaba missed out

inspired that the idea that not only should Meliodas and Elizabeth have a less human form but Tristan too! I love the different takes on their designs.

chapters cause this is long! and control f is our friend

canon adjacent lore

children of the gods

awakened god designs

the gods' chosen helpers

extra pet theory because I love y'all and I love elizabeth angst

@kalopsiakey @7-ratsinatrenchcoat thank you for helping out with the brainstorming for the tristan and melizabeth 'eldritch forms'! Hope you like the finished product!!

- - - - canon adjacent lore anyone ? - - - - -

In my aus, I usually go with the interpretation that the SD and DK are the latest two in a line of governing deities, with the others dying to various means. And the SD and DK blotted them out from public memory to establish the maximum amount of control for themselves.

In order to govern their realms, I propose it was a long-standing practice that gods would retain only a percentage of their power, and lend out the rest to trusted ones who help them ensure the safety and health of their realm. There might be other groups that the Archangels and Ten Commandments are in charge of!

Theoretically, this would also allow them to retain a form suitable to walk among their people. None of this taller than a castle shtick. Perhaps the DK and SD are physically magnified with their power. Part of their appearance is morphed by their will - the DK's armor, and the veil across the Supreme Diety's face seem to be symbols of their power. They can also be representative of how the DK was seen as an invincible opponent, and how now one knew the SD's true intentions but thought she's "too holy to look upon and find fault in."

To a god, sacrificing and dividing up your power (especially) in a time of peace is symbolic of trust and humility. In war, it could be neccessary to maintain one's prestige and honor as a monarch., Could mean that you value the ability to live as one of your people as one of them rather than as someone they worship.

- - - - children of the gods - - - -

What's the difference between something like the Supreme Diety and her daughter? Biologically, nothing, I'd assume. In nnt, "god" seems to be a state of being, asserted not simply by having power but by coming into your own and claiming it as you.

I propose that the gods are a conduit for that portion of their realm's magic that would otherwise roam freely, and that the other life in that realm has already absorbed, at birth, the limit each individual can handle. Biologically, that is.

For a goddess or demon to maintain that state in Britannia without cracking holes in the fabric of reality, there'd need to be some way to both reign in that power and dilute it down to a level that's manageable for that individual. And there probably are ways. Let's see what happened to Mel. His 'original powers,' when he accepted them, were raw and undivided; additionally, he had no clue how to manage a power influx of that extent and his mind was NOT in a good place to try and manage an extra extreme stressor. And uh. He has priors with letting his demon powers run amock in a destructive manner. If there's also a psychological component to how your godly powers act, that's the first uh-oh. Second uh - oh: he'd maintained complete certainty that unlocking them would have that kind of disastrous consequences for 3,000 years. self-fulfilling prophecies are a thing. especially if you believe that a demon's powers, specifically, their darkness, is deeply involved with their subconscious. Being 'a god' doesn't seem to logically coincide with being helpless. I think the real reason the DK and SD were trapped in their "bubbles" in their respective realms is their refusal to set aside that power, and walk as a simple demon or goddess even temporarily. A lack of will (in the gods' place) or a lack of control (Mel), rather than a lack of possibility. It makes it more interesting, I think!

In that case, the natural disasters we saw after Mel stepped into that power would be a result of the vast amount of demon realm magic accompanying him running completely amock in the wrong realm, interfering with the other magics present and the balance.

- - - - For "awakened god" designs! - - - -

I think Meliodas would want to keep his appearance mostly the same . . . just with more pizazz. Same with Zeldris, he seems to have it down pretty well already judging by his dramatic entrance in 4kota. If they're able to channel their powers well enough for this, I think they'd leave most 'monstrous' features toggled off while using this form except for their aura, and other associated demonic features such as wings, horns, and claws. They'd use the extra power boost to help their darkness roam with more versatility. Perhaps it'd form a tail behind them and coil about their horns and nearby loved ones like decorative, protective wreaths. It might lend a dragonlike flair to Meliodas, with several sets of horns about his face and dragonlike spines; and likewise, for Zeldris, some regal feathers and a simple, elegant floating crown - irremovable but loved - floating like a halo above his head.

I think Elizabeth would gain another pair of wings (if not more), and a dress of light in the same theme as Meliodas's assault mode outfit. She would have a magnificent crown of light, and she would hate it, she would complain that she didn't even wear a crown at her wedding, why does her magic think she'd want one? and she'd tear it off. every time. Maybe one day she'll accept it. Her brother-in-law tells her it's a symbol of how she'd given her heart, blood and breath to her realm, and to protecting the peace in Britannia, and that it's something she earned. But all she can see is this form is more grandiose than her mother's ever was, regardless of how much more like herself it looks than like some plain, no-faced worship-demanding statue. (That's how Meli describes her mother). Maybe one day! In the meantime, she released most of her original magic back to the Celestial Realm to assist in its revival. And covers up the crown with ribbons her husband sewed for her whenever she's prepping for a serious battle.

The special feature I came up with for what I'm calling Tristan's "awakened god form" is based on a biblical angel's wheels of eyes. That, except Twinkle stars, bright as a goddess's magic but as maneuverable as darkness, and they point in whichever direction he's focused on.

Wings would be feather-based, with darkness that weaves around them like the tounges of flames.

I think even the most high-level demons and goddesses would have less humanlike teeth in the back of their mouths accompanying their molars. Maybe just a little sharper, and much more durable. Maybe a second or third row of teeth that gets less prominent or even more retractable as it nears the lips. sharks come to mind. I'm jealous of their teeth. Why are ours so flimsy. Anyway. 7 rats proposed a demon / goddess child's noticably inhuman teeth might be like that of an anglerfish. Interesting idea.

Like. Uh- puts on a poetic narrator voice Like a wide smile, almost uncannily wide but almost like the way you walk with your feet pointed outward and not an emotion. And when he moves his mouth to speak or frown you can see little gleaming edges along his jaw like a set of jewels in a necklace. You're not sure what they are. Like spikes or horns but… from within. That ought to be decorative, you think, but you've thought the same about the demons’ sets of horns and their fangs and now that you think about it, the shapes surrounding the powered-up goddesses'… is they really magic or something supernatural beyond your mind’s comprehension. . . ?

As for the eyes - dark, demon-colored with swirling golden triskeles in the center. Since in normal form he already has the duality - and it makes sense considering how goddess and demon powers present themselves in their eyes - I think hiding the heterochromia in his eldritch form would make it more horrifying. Like, now we are stepping away from physics into what a “god” is in this universe. The darkness spills out of his eyes like the whisps of dry ice ofc!

- - - the gods' chosen helpers: examinating the the SD's blessings and the DK's curses - - - -

3/4 Archangels' Graces channel a certain element of nature: wind (Tornado), water (Ocean), light (Sunshine), with Ludociel's Flash being the odd one out. I propose this is because Ludociel has such a tainted mindset the only Grace that would take him is the one representing swift, determined action (because hehe). The Ten Commandments, unlike the Graces, have a further element of control - their double-edged nature - suggesting the DK isn't as thorough of a manipulatior (deadbeat hehe) as the SD and cannot rely on his command alone to gain 100% of the TC's focus. There's been clear tampering with the power it gives them, and less trust; they're artificial compared to the Graces, one of which was said to have chosen Escanor of its own free will. As for what they can do - they represent values that are considered virtues. Except for purity. what the hell does Derieri's purity do again? Not that she NEEDS that extra power, for the love of god the brute force trauma of this woman's second blow would probably cause permanent damage. Anyway, love forces those with hatred in their hearts to stand down from a fight (objectively not a bad thing), truth does the truth thing, etc.

These are not neccessarily combat-focused powers, though they are used and intended as such. It's not a stretch to say they could be utlized in a different manner in times of peace. The Demon Realm has probably countless small villages and intellegent species for the King to oversee and keep the peace between. It makes sense for him to have more vassals from that standpoint. Meanwile, the Celestial Realm from what we can tell has fallen into disrepair without the routine care of its people. I'm gonna go ahead and headcanon that the natural phenomenon here is at least as 'extreme' in human terms as the demon realm's, and that effectively managing a system of islands in the sky with probably dozens of intellegent migratory creatures like sky fish, etc. does take some supernatural effort. And that most of the goddess population here is centralized in one main area. Pretty much all nakaba has given us is an implied lack of diversity in the celestial realm (why everyone look like that except for Tarmiel) (it's fine we can make the creatures ourselves). Anyway. A not-double-edged-sword version of the Commandments and the current Graces could be repurposed to aid in civil relations (people), and enviornmental mangement (nature) respectively.

-- - - - - extra! pet theory as to why Elizabeth is an only child - - - -

I have a pet theory for my holy war au that Elizabeth wasn't made like a human child and is, rather, a genetic clone the SD shaped of herself (think shaping a living being out of clay) as well as just one in a succession of rebellious (and very dead) attempts at the perfect daughter. This is why there's only one of her, while Meliodas has a sibling, and why she's older than Meliodas. Until Elizabeth, there was no proof that what the SD and DK wanted could be managed without serious consequences. The SD learned that just having the one is important for the amount of control she wants over her daughter. She only has so much patience, and the sisters tended to back each other over her. Thank - well, herself - that they were so young. . . all those times. This is why the DK insisted on totally eliminating his children's emotions; he thinks so long as they don't care for one another, and don't even think to, he can manage as many as he wishes. Otherwise, he thinks the SD is a loon who failed like four times in succession, and refuses to acknowledge that he specifically waited for her to succeed, "learning" from her mistakes, before having his own children.

[micechicken]

Eyes by Bastille

This is every use of the word "Eye" and variations in Bastille songs (and covers + Dan's solo work). I may be missing something but I tried my best.

It uses variations of the songs too, but not ALL of them cause that's just much lol. Ironically the song with a music video with a lot of eyes (Blame) doesn't have the word, but I used the picture of eyes from it lol. Naturally the easiest one to compile was Weight of Living Pt. I and the hardest was Starry Eyed with 12 😭

Here they are in order of apperence:

Poet 4x Family Ties 4x Haunt 1x Haunt (Dan's version) 1x Weight of Living Pt. I 8x The Draw 2x What Would you Do? 1x Skulls 1x Run for Trouble 1x Eight Hours 2x Pompeii 6x Irreverence 1x Starry Eyed 12x Bite Down 1x Thelma and Louise 4x Back to the Future 2x Give me the Future 1x Those Nights 2x Joy 1x Laura Palmer 1x Good Lesson 1x Basement 2x Drop it like it's Royal Mashup 1x Fake It 2x Good Grief 1x I don't want to miss a thing / It's the End of the world as we know it 3x Send Them Off! 1x Thinkin Ahead 1x Two Evils 1x Warmth 1x Would I Lie to You? 7x Falling 1x Forever Ever 1x Pompeii MMXXIII 6x Free 1x Love Don't Live Here 1x Requiem for Blue Jeans 1x Sweet Pompeii 3x Killing Me Softly with His Song 1x Beating Heart (Laura Palmer Demo) 1x Laura Palmer Simlish Version (Sims 3 Supernatural) 1x

[dazais-guardian-angel]

alright I've thought about it for a while, and I'm fairly confident that is in fact Bram, and that Aya isn't hallucinating/seeing an illusion.

The biggest thing casting doubt, aside from the obvious different outfit, is the fact that the chapter ends on this reveal, suggesting it could be a cliffhanger bait. However, BSD's cliffhangers always involve something terrible happening that gets rectified in the next chapter(s), to scare us before giving us back hope; there's never been a case of the other way around, where something good happens to get our hopes up, only to have the rug pulled out from us at the start of next chapter to show that we were foolish for hoping. Asagiri is never that cruel. He loves his death baits and his dangerous situation baits before letting us know that everything is okay, and he'd never suggest that it was wrong for the audience or the characters to have hope, when BSD is quite literally about having hope even in the most absurd situations.

But more specifically, just.... what would a fakeout like this accomplish? The only way I could maybe see it was if this is Fyodor, and we think Aya is safe but she's actually not, but there's no way it's him, because we see him with the singularity and Kunikida/Tanizaki at the same time as this, he's wearing Bram's outfit and not the one this person has, and we've established that he wants to protect Aya, not hurt her. Granted, he obviously doesn't care enough about protecting her since he let her escape and get hurt all on her own lmao, so that's exactly why I ask what would be the point of him suddenly showing up just to save her from the rubble, only to then just hurt her anyway? None of that is logical.

And then, if it's Akutagawa, then that means we had our emotions played with for a twist that is just.... mildly disappointing but also not outright bad for the characters? Disappointing because Bram isn't back after all, but also not a net negative because Aya is still being rescued by someone we know and trust. If that were to happen, Aya hallucinating Aku as Bram, I just can't see it happening as a chapter cliffhanger fakeout at all; it would just feel cheap and cruel, playing with our feelings (not to mention Aya's feelings!) regarding a character we want to come back, for a reveal that isn't really worth it and doesn't change the status quo (because she's still safe regardless if it's Bram or Aku).

Aside from the lack of narrative justification, I also believe that if Aya were to hallucinate Bram, she would see him exactly as she knew him back when he regained his body — I mean, she basically does see him like that when she's remembering his last moments with her in this chapter and in the previous one when she's yelling at Fyodor; sure they're just repeated panels as flashbacks, but they're still her memories of how she sees him. I was unsure for a while about the figure's identity, but it was seeing it pointed out that Bram no longer has his nails that was really the final nail in the coffin haha get it, it's a multilayered joke, please laugh- for me: why would Aya hallucinate Bram not only not in his own outfit, but with his body altered from how she knows it? There'd be no reason why she would, and no way she could. She's never seen him in a different outfit, with different nails. Note that every other instance we've gotten of characters hallucinating significant figures in their lives (Atsushi, Mushitarou, Dazai), they're always wearing the clothes they're most known for and what the person knows them to wear. There's no reason to assume this would be different for Aya, and that she'd imagine him wearing a completely random outfit from the one she associates with him, and randomly without his signature long black nails.

This closeup panel of Bram's collar right when he first begins speaking pretty much proves my point. It's inconsistent with the new outfit (Aku's outfit) we see him wearing on the last page, but with the framing of this, with him being entirely in shadow in the rightmost panel when he first appears, it's clear to me that Aya can't see him clearly yet, so she's imagining him the way she remembers him. And then he gets closer/lifts the beam higher so that the shadow starts receding from him, and his feet and hands and different outfit become visible. The tone of this moment and the way it plays out is exactly as I've seen in numerous other visual media, where a character thinks they're on the brink of death and has lost all hope and is ready to accept it, before the slow, grand reveal of the person they thought they'd lost rescuing them, often with them posing a philosophical question to challenge their current despair or their belief that their loved one couldn't possibly still be alive, just as Bram does here. If you've seen enough movies and TV, you can probably imagine exactly the kind of scene I mean, and exactly how this moment would play out if it were animated I say "would" because it's never a given that Bones will adapt it with the right tone like I imagine.

This is framed as a triumphant, hopeful scene, of a knight coming to rescue his princess after he was thought to be dead. Aya has hurt her leg here, she's trapped, she's realizing she's about to die, and she's at last fully convinced herself that everything she so staunchly believed in was wrong and that everything she fought for all that time was for nothing; firstly, why would she suddenly hallucinate Bram if she had already lost all hope, but most importantly, why would the narrative have Bram defy death and return to her and challenge the idea that all her ideals and actions were meaningless, only for it to turn out that it isn't really him, when she misses him so bad? That just.... wouldn't be right at all, that's not the feeling this scene gives at all. This is their moment, Bram has to be the one to say these things to Aya with their history together, not anyone else, and I can't imagine Akutagawa saying something like what Bram says to her here, about royalty carrying out their pledge to protect someone without fail, even if he has inherited Bram's protectiveness towards Aya like Fyodor has. No, I'm 90% certain that is indeed Bram. It can't possibly be anyone else.

...And so, all that to say that yeah, I believe that Bram has Fyodor'd himself into Akutagawa's body, since he's wearing his outfit. We don't really know the extent of Bram's powers, but it's looking likely that he can bodysnatch any of his vampires for himself if something ever happens to him, or perhaps Aku might be special since he was the first vampire Bram created at the start of all this. Needless to say I'm not at all worried about Aku though; this is probably the beginning of why he ends up with that suit of armor later on, since Bram has his clothes... I just have no idea how we get to that point. But Aku will be fine, I'm sure; this may even be the only way he can come back from being a vampire.