#but i guess i'm still learning as i write

[deonsx]

helloo there!!♡, I really love the way you write. I'm wondering what it would be like if sae,rin,kaiser, have a gf who is a cosplayer, tyy♡!

Hiii dear!! Have a nice read and thank youuu^^

Rin Itoshi

Rin had come home early from practice. As soon as he opened the door he heard strange noises coming from the living room. When he walked in he found you sitting on the floor trying to shape a large piece of cardboard. The room was a mess with hot glue guns paints fabric scraps and oddly shaped foam pieces scattered everywhere

“What are you doing?” Rin asked with a curious expression. You looked up at him. With a smudge of paint on your face and messy hair you smiled brightly. “I’m working on a new cosplay. This is going to be a piece of armor” you said holding up the cardboard. Rin raised an eyebrow. “Armor? That thing needs a lot of work before it even looks like armor.”

“Don’t tease me!” you retorted. “This is just the base layer. It still needs painting hardening and detailing. Rin chuckled. “Alright alright. But why does the entire house look like a battlefield? Do you even know what you’re doing?”

Though you looked a bit offended you could tell Rin was getting interested. “I watched some YouTube videos and read a few guides. It’s a bit challenging but I’m learning. Plus it’s fun”

Rin sat down next to you and picked up the piece of cardboard you were working on. “If you’re going to put in this much effort at least do it properly. You need to cut this cleanly with a craft knife” he said grabbing a knife and showing you how to do it

After that day Rin couldn’t help but get involved in your project. Sometimes he’d point out mistakes saying “You’re doing it wrong” and other times he’d grab a paintbrush to help you add finishing touches

When the cosplay was finally ready you put it on and showed Rin the completed look. As you posed excitedly you noticed the surprised look on his face. “Alright” he said after a moment “I thought it was silly at first but… it actually looks really good”

“Really?” you asked your eyes sparkling with hope. Rin shrugged. “Maybe. But after all that effort I guess I can’t say anything against it.” At the convention your armor caught everyone’s attention. People stopped you to take pictures and compliment your work. Rin stood a step behind you a small smile on his face keeping an eye on the crowd to make sure no one crossed any boundaries

Sae Itoshi

when you first mentioned your passion for cosplay he didn’t think much of it. “Cosplay? You mean dressing up as fictional characters?” he asked one day his tone calm but slightly curious “Exactly!” you replied with excitement. “It’s a lot more than just dressing up though. I design the outfits build props and sometimes even compete. It’s a hobby but it means a lot to me”

Sae gave a small nod. “If it’s important to you that’s fine. Just don’t expect me to dress up” You laughed at his response knowing it was his way of acknowledging your interests without diving too deeply

A few weeks later you were preparing for a convention. Your living room was a workshop with fabric glue guns and foam scattered everywhere. Sae walked in and paused his sharp gaze taking in the scene “You’ve been at this for hours” he commented setting his bag down

“Yup” you said not even looking up from the detailed painting you were doing on a prop. “The convention is in two days and I want this to be perfect” Sae sighed softly walking closer. “Does it really need to be this detailed? No one’s going to notice if it’s off by a little”

You shot him a playful glare. “Oh they’ll notice. Trust me cosplayers have an eye for detail” He didn’t reply but leaned down to pick up one of the finished pieces. “It’s impressive” he admitted after a moment. “I didn’t realize you made all of this yourself”

The day of the convention Sae offered to drive you there. As you stepped out of the car in your fully completed costume he couldn’t help but let his eyes linger for a moment. You looked stunning the outfit perfectly capturing the character you were portraying “You’re really into this aren’t you?” he said his voice softer than usual “I am” you replied with a bright smile. “And I love it”

At the convention Sae stayed in the background watching as people approached you for photos and compliments. He observed the way your face lit up every time someone admired your work. Despite his usual stoic demeanor he felt a subtle sense of pride

Later as you both sat down to eat he spoke up. “You’re talented. I don’t think I could have the patience to do something like that” You grinned. “Coming from you that’s a big compliment.” Sae smirked faintly. “Don’t let it go to your head”

Kaiser Michael

“You dress up as fictional characters and make all this stuff yourself?” he asked, spinning one of your half-finished props in his hand like it was a trophy.“Yes, Michael” you replied, rolling your eyes at his tone. “It’s not just dressing up. It’s crafting, designing, and bringing something I love to life. And no, you can’t break that it took hours to make”

Kaiser smirked and placed the prop back carefully. “Relax. I’m just admiring your… creativity” A few days later, he strolled into the room while you were sewing fabric for your next costume. His golden hair was slightly tousled, and he leaned casually against the doorway, watching you work. “So, when’s this big event of yours?”

“This weekend” you answered, not looking up from your work “Perfect. I’ll clear my schedule” he said with a grin. You looked up at him, surprised. “You’re coming?”

“Of course” he said as if it were obvious. “I have to see how good you are at this. Besides, you’ll need someone to make sure your fans don’t get too close”

The day of the convention, Kaiser arrived in style, dressed impeccably as always. When he saw you in your finished cosplay, his usual cocky smirk shifted into something softer. “I’ll admit” he said, circling you like a critic. “You look incredible. Almost as good as me” “Almost?” you teased, raising an eyebrow “Fine” he said with a mock dramatic sigh. “You look better than me for now”

At the convention, Kaiser stayed by your side, his presence impossible to ignore. People stared as much at him as they did at you, but he didn’t seem to mind. Whenever someone asked for a photo with you, he’d step aside, arms crossed, observing like he was the one managing your image

“You know” he whispered at one point as you posed for a group shot. “You should’ve told me earlier. I’d have joined you in costume. Imagine us as a power duo unstoppable” You laughed, shaking your head. “This is my thing, Michael. You already have football”

“But you’re my girlfriend” he said with a wink. “That makes everything you do my thing too” By the end of the day, you were exhausted but happy. Kaiser drove you home, still talking about how “you stole the show” and how “everyone was lucky to witness your brilliance”

Enjoy!

[talaok]

Christmas encounters

Summary: You invite Joel, Ellie, Din, and Grogu to your and your boyfriend's Javi Christmas party.

Warnings: Javi’s a bit jealous, but other than that, it's just chaotic writing

This is my gift to @lokischocolatefountain as a part of the @pedrostories Secret Santa event Merry Christmas Eve love!! I really hope you'll like this, I tried my very best i swear. It was such a cute idea btw, I really really loved it!! (also i hope you won't mind the joel and javi dinamic im a slut what can i say)

"c'mon Joel is just a few people I promise"

"You didn't tell me"

"I-" you stuttered "I didn't because otherwise you wouldn't have come!"

"Exactly"

he was giving you that stern dad look you'd see him direct toward Ellie countless times before

"c'mon" you smiled, looking at him and his kid "There's someone I want you to meet"

He raised his brow, not even remotely interested.

But Ellie, oh Ellie indeed was.

"Who?"

You smirked... your plan had worked perfectly.

"You'll have to find out inside"

"Joel c'mon put your big boy pants on and socialize for once"

A chuckle fled your mouth before you had time to cage it.

Joel shot a look Ellie's way, but every single one of you knew that he was gonna budge, he was nothing but a pushover when it came to her.

"an hour tops"

Ellie rolled her eyes as you let them in with a huge smile, even when Joel was shooting daggers at you.

"Stop pouting pretty boy, come meet my friend"

He sighed, before grumbling "If it's another one of your single girlfriends I'll save you some time, I'm not interested"

"I'm not setting you up Joel calm down, I've learned my lesson"

"Ellie" you called for her before she slipped through the people and you'd never find her again "Come here"

The new pair was greeted with hello and Merry Christmas by every person mingling in the entrance, and as you walked, the voices of the small crowd gathered in your living room slowly got louder until finally, you had arrived.

"there she is!" one of your friends yelled, making you smile

"Hi Joel!" Jenna almost jumped from the excitement when she saw the man.

She was one of the unfortunate women you'd set him up with... only she'd remained infatuated by him, while he on the other hand... not so much.

"Hi" he forced a smile in return as Ellie snorted.

But just as Jenna approached, you caught sight of the man you wanted to present your friends and made a beeline for him, hurriedly followed by the pair beside you.

"Din!"

He was sat on one of the chairs close to the fireplace, contemplating it deeply.

He turned at the sound of his name, his helmet reflecting the fire on its right side now.

"Hey" his modulated voice answered you, as his gaze, even if you couldn't actually tell for sure, took in the people next to you.

"These are the people I was telling you about" you smiled, pointing to the men on your left "This is Joel- and this is Ellie"

"Nice to meet you" he nodded

"nice to meet ya too... Din, right?" Joel repeated his name with uncertainty.

Yes, he was grateful it wasn't one of your girlfriends, but he still wasn't exactly expecting... this.

"yes, Din"

"Hey where is Gro-"

But just as you began pronouncing his name, you caught sight of one of the firey logs starting to magically lift from its place.

"Grogu!" Din's voice was immediately followed by the log falling back into place, as a very sorry green little guy appeared from behind his dad's armchair.

"It's ok" you smiled, your voice softening at the sight of him "don't worry about it Grogu"

"What the fuc-"

"Ellie" Joel immediately hushed the girl, who was urgently tagging at his sleeve, her eyes as wide as they would go

"What is- how- I-"

You chuckled, watching the kid stutter in amazement, her gaze trained on the little green guy who happened to be curiously watching her too.

"This is Grogu" Din spoke, "He's my- uhm... friend"

"you're friends with an alien!?"

"Ellie"

Joel's sigh was louder this time

"I guess" Din simply shrugged, seeming almost bored with the whole situation

"What!? Joel, are you seeing this!?"

But just as Joel was starting to respond, surely a lecture about being polite on the tip of his tongue, a voice sounded from behind you

"what's all the fuss? what did I miss?"

An arm wrapped around your back as you felt your boyfriend slide against your side, bringing you impossibly close to him.

"hi baby" you turned your head to look at him with a smile "Ellie and Joel just met Grogu"

"oh" he hummed, a grin splitting his lips "I see"

He took his time glancing away from you, only after getting a good look at your pretty painted lips.

"Joel" he finally said, nodding to the man

Javier had never liked Joel much, something to do with the alleged longing stares he'd direct your way far too often.

"Javier"

Joel in return, never liked him much either, you'd never figured out why.

"Hi Ellie" your boyfriend smiled now

"hi there" she took an eager step forward, as if she was presenting him with a business proposal "Changed your mind about letting me see your gun yet?"

Javi couldn't help but laugh as he shook his head "I'm afraid not"

And as Ellie went back to her place beside Joel's side to grumble with annoyance, Javier nestled his head right against your neck, leaving a quick kiss on the side of it

"you look stunning sweetheart"

You couldn't help but laugh

"And you're being ridiculous honey"

I mean it wasn't like Javier was one to be shy about showing affection for you in public, but you knew what he was doing- why he was doing it now- when Joel was right next to you

"What, I can't tell my girlfriend how beautiful she is?" his hot breath was fanning against your ear as he whispered into it "How amazing this dress looks on you?" he purred, his hand on your back slowly lowering "that I can't wait to see it on the bedroom floor ton-"

"and that's enough" you stopped him with a giggle "You're supposed to be entertaining our guests, not traumatizing them"

He shook his head with a grin, as you turned back to your guests

"So anyway, Din is a very interesting man, Joel, I think you'd get along very w-"

"Y/n!"

A shout sounded from the other side of the room. Your friend Sarah was waving her arms around to desperately get your attention

Oh god, what now?

"The bathroom!"

the bathroom? What about the bathroom?

"I'm sorry, let me just check real quick"

You excused yourself and rushed toward the commotion to find a freaked-out Sarah nervously biting her nails

"I swear I didn't do anything, I came in and there was already a pool of water there"

You frowned, opening the door to the bathroom to inspect it further.

Of course the fucking sink had to break right now

"fuck" you muttered

"It's alright maybe we can just... put a bucket under it" Sarah tried to lighten the mood

But right as she spoke those words, some valve turned or something and more water started dripping onto the floor.

"fuck me, I'll have to call a plumber"

But just then, a voice rumbled from behind you

"I'll fix it"

You turned, finding Joel right in front of you, his eyes moving from the pool of water gathering on the floor to you.

"By the time the plumber comes the whole apartment's gonna be flooded," He said simply, his voice deep and casual

"No Joel I don't want you to spend the whole night repairing the sink, you're supposed to be having fun" you immediately shook your head "I'll call a plumber"

"it's no problem darlin'" he spoke, a soft smile pulling at his lips

"but..."

He let out an amused sigh "I promise"

"Joel- you a hundred percent sure?"

"'m sure, don't worry 'bout it"

You looked at him, inspected every inch of his face to find even an ounce of uncertainty, and when you came up empty, you finally nodded.

"uhm, alright, thank you, really, I'll go look for the toolbox"

He nodded, watching you walk away, but finding an obstacle in his gaze's path.

"y'know... you're not the only one who can fix a sink" Javi grumbled, walking closer to lean on the bathroom's doorframe

"Yeah? then how come you ain't doin' it?" Joel's voice was calm, collected, but Javier saw right through it

Your boyfriend scoffed "'cause I've gotta help my girlfriend host the party"

Checkmate

"Right" Joel muttered

"Right"

Just then, when the tension in the air started getting thicker, you appeared with a big toolbox in hand

"here it is!"

Both the men's eyes followed you as you set it down next to the broken sink

"thank you darlin'" Joel smiled as you turned back to him.

"Are you kidding!? thank you, Joel, you're my savior"

There was a huge, thankful grin splitting your lips as you talked

"y'know she has a name right?" Javi interrupted whatever Joel was about to say

"babe" you shot him a look, mortified

"'m sorry, I'll stop if it makes you uncomfortable darlin'"

Jesus Christ he wasn't making anything easier for you

"it's fine Joel, Javi's just being dumb, don't mind him" you shook your head, as Javi continued watching Joel as if he'd offended him deeply.

"thank you again Joel, I owe you"

"'s nothing" he promised softly "go have fun"

And with that, you smiled at him again as you exited the bathroom, dragging your boyfriend with you.

"you're unbelievable" you muttered as soon as you were out of earshot

"And you're perfect" he murmured with that annoyingly sexy voice of his as he leaned in "Merry Christmas baby"

and just like that, his lips were on yours and all was forgotten.

__ __ __

"so what do you do?"

On the other side of the house, Ellie had made herself comfortable on the armchair right next to the one Din had been sitting on all night, and she had only one thing in mind: finding out all about the man before her.

"I'm a bounty hunter"

She tilted her head, taking in his words "So you kill people?" she realized "Joel does that too"

Din gave her no answer, silence spread between the two, and she couldn't help but realize that:

"he also doesn't talk a lot- I think you'd get along well"

Din simply glanced at her, before his gaze turned back to the fire.

If she could at least see his face this would all be much easier

"Do you ever take it off- the helmet I mean- don't you get hot?"

A sigh sounded from behind the beskar

"I do, when I'm alone"

"oh" Ellie hummed "Is it like a religious thing?"

This time the man turned to her fully, and although the girl couldn't see him, she was sure he was shooting her an annoyed glare, Just like Joel liked to do... they really would get along well

"no"

A single syllable... quite the loquacious guy he was.

"Where are you from?"

Not even a second had passed and she'd already spoken again, and it was then Mando decided to accept his fate and turn fully towards the much too nosy girl... it was Christmas after all

"It's complicated" he explained, watching the girl scrutinize his hidden face "but I guess you could say Concordia"

"Is that in Europe or something?" Ellie's brow was raised as she inquired confused- she'd never heard of such a place, but then again, she wouldn't exactly be able to put the US on a map either- fedra schools and everything.

"no"

alright then

"cool," she nodded, trying to remember what else she wanted to ask "How did you get here?"

"you ask a lot of questions"

"Joel says that too" she shrugged "What can I say, I'm a curious gal"

Behind the Mandalorian's mask, a small smile pulled at his lips.

"I came here with my ship"

She frowned then "You came here on a boat? What are you some kind of pirate?"

The man shook his head "No, my spaceship"

Ellie's eyes widened so much she must have won some kind of Guinness world record

"w-what?"

"I came here with my spaceship" Mando spoke again, calm as ever

"you're fucking with me" Ellie decided

He was joking- he had to be joking. He was probably just making fun of her.

"I'm not"

"yeah you are"

The man shook his head, sighing

"it's right outside, go look if you want"

She was out of the chair in a split second, quite literally running to the nearest window and elbowing anyone in her way while doing so.

And there it was- a whole ass fucking spaceship parked just in front of the house.

"Oh my fucking god- no fucking way, no fucking way dude" she was excitedly blabbing as she ran back to him

"can... can I see it inside? please, please Mr. Din- pleasepleaseplease"

her voice had gotten higher and she was just about to kneel before him and beg him like you would for mercy when he spoke.

He let out a loud, exasperated sigh "You've gotta ask your dad"

"I'll go ask him right now!" she grinned, excitement oozing from her every pore " and he's not my dad- although he sure likes to act like it"

__ __ __

Joel was in the bathroom, kneeling underneath the sink despite his back's protests.

He'd already figured out what was wrong, so it shouldn't have taken much longer... not that he was in any rush of getting back to the party anyway.

Suddenly, the bathroom door opened to his left, and while he was expecting to explain to yet another guest that the bathroom was off limits for a while, he found himself face-to-face with the green guy that man Din had introduced as his friend.

"Uhm- Hi there little guy"

Grogu made a small sound as he walked closer to the man.

"If ya need to use the bathroom I can get out"

Another weird little sound

"I'm sorry buddy I can't understand you"

He was right in front of him now, his big expressive eyes examining him curiously.

He looked like Mando

"ya need to pee?"

Either he was imagining it, or he was getting better at understanding the creature because this time Joel was pretty sure the sound he made was much similar to a no.

"ok..." Joel murmured perplexed "Do ya need something or can I get back to this?" he asked nodding to the sink.

God what a weird fucking conversation- Joel felt like he was in a fever dream.

Once again Grogu chirped something incomprehensible, but his gaze shifted for a moment to the sink, so Joel decided to take that as a yes, and went back to what he was doing.

He was able to ignore the presence beside him for a little while. He was sure that at some point, he would just go away, but minutes kept passing, and the little green guy was still right there.

He turned around then, and as he did, he noticed that Grogu’s eyes weren't only on him, but on what he was doing too.

"I can... show you what 'm doin' if ya want"

Grogu's eyes sparkled with excitement at the proposal, and Joel couldn't help but smile

"Alright then, come closer"

And just like that, he listened, excitedly stumbling closer until he had the whole view of the sink.

“Alright, so you see this pipe here?” Joel asked “This is the cause of all our problems- now the thing is that it’s connected to here” he continued, pointing to the pieces he was referring to “so we can’t fix this if we don’t fix this first”

The man turned around to see confusion written all over the kid, and another small smile split his lips.

“‘s alright, you’ll get the gist of it as we go”

And so he started back up, fixing and turning and switching as he explained each and every single passage to Grogu, who listened avidly- and who as it turns out, was also a very helpful hand.

He did it so casually too-

Joel was trying to reach for a wrench just out of his reach when it was suddenly floating his way.

“what the he-” he’d started before looking right beside him, to the focused green guy who was guiding the tool to him with a simple raised hand

“right” he nodded, trying not to freak out “Right you can do that- thank you”

And from then on, he became his little helper

Can you pass me this? 

can you pass me that?

can you turn this?

can you turn that?

He was going faster than ever with Grogu’s help, and he was even having fun explaining it all to him- it wasn’t often someone was this mesmerized by the process of fixing a sink.

Which is why in no time, he was done.

“there we go- good as new”

It really was- he’d done a hell of a good job with the little guy’s help, and just as he admired it, a voice he knew far too well sounded from the door.

“there you are, I’ve been looking for you!”

Jenna was a nice girl, but he just wasn’t interested.

He had no idea what he’d done to get her so into him, but every opportunity she got, she would corner the poor man and make it impossible for him to escape her.

“Goddamnit” he muttered beneath his breath, his gaze turning to the door “Hi Jenna”

“Hi Joel, you didn’t even come and say hi to me, that’s kind of rude you know- how would you feel if I-”

All of a sudden, the door had shut in her face.

And as protests sounded from the other side, Joel looked to his right to find Grogu lowering his arm while looking at him with what looked like a mischievous glinting in his eyes.

“did you just-?” Joel couldn’t help but laugh now, actually properly laugh “Oh you’re a menace ain’t you lil’ guy?”

His words were only proven even more right when said lil’ guy jumped with what looked like too much strength for such a small thing, right onto his lap.

Again, chuckles spilled from Joel’s lips as he took Grogu into his arms.

“thank you” he smiled “you just saved my ass kid”

As Grogu looked up at him with those big kind eyes and emitted another one of the weird incomprehensible sounds, Ellie’s voice suddenly sounded from the other side of the door.

“Joel open up!” she screamed “Din said I could go on his spaceship!”

He was up in an instant

“His what!?”

__  __  __

Who would have guessed that this is how the night would have ended?

Definitely not Joel

Him, Ellie, Din, and Grogu were in the Mandalorian's spaceship, and while the girl was just about losing her mind, touching and switching every single thing she encountered as Grogu showed her around, the two men were sitting back, watching their own two kids.

“thank you for… this” Joel spoke first

“It’s nothing” Mando promised, his eyes trained on Ellie now “She’s a good kid” he nodded, “she asks a lot of questions…”

“don’t I know it” Joel grumbled, making Mando chuckle

“but she funny- she’s great”

“yeah, she is… great”

It felt underwhelming to describe Ellie as great, but Joel decided this wasn’t the time to focus on semantics “So is Grogu- he helped me with the sink- he’s a good kid”

And so the two men returned to silence as their kids roamed around the spaceship as if searching for a treasure.

[hyperpotamianarch]

Hello. Today, I'd like to make some random anecdotes about Rabbi Avraham Ibn Ezra - poet, commentator, linguist, mathmatician, probably not too bad at chess and cursed to be poor for the entirety of his life.

After a cursory look at his wikipedia page, I must admit I didn't really know much about his life: only that he was born and raised in Spain, went travelling, had terrible luck with everything, wrote his commentaries on the Torah for money (which I think didn't help with the "cursed to be poor" thing), befriended Rabbenu Tam in France, possibly married the daughter of Rabbi Yehudah HaLevi and promptly died... somewhere... oh, and also wrote lots of poetry in the middle.

Historically speaking, he lived at the end of the Golden Age of Judaism in Spain, around the 11th-12th centuries CE. This puts him right after Rashi - which allows him to snark at everything he thinks Rashi was wrong about, but before Rambam - which means he doesn't get to snark at everything Rambam got wrong. His commentary on the Torah leans a little towards the linguistic side, though he has a couple of other things going on as well, like roasting people he disagrees with (Ben Zuta is the only friend a bull has, anyone?) and dancing around verses he thinks were added later to the Torah, like every time it says "to this very day".

He also wrote one of the first math books in Hebrew - Sefer HaMispar, he wrote a poem about chess, one about how whatever he'll work at he won't get enough money. And generally, he wrote poems. Quite a lot.

I suppose at this point I should mention something: Hebrew linguists were, at the middle ages, predominantly Sepharadi. I mean, sure, there could be a non-Jewish Hebrew linguist, but for some reason I don't hear much about those. And there probably were Ashkenazi linguists, but there weren't many of them. Rashi does deal with linguistics - but half the time he does, it's using the books of two famous Sepharadi linguists. The Sepharadim, living in Muslim lands as they were, simply had a better background with learning Hebrew, since they were surrounded by speakers of a closely related language - Arabic. And Ibn Ezra's deep understanding of Hebrew led to him loving linguistic riddles, which I can never figure out - and I was reading an eddition with footnotes! Though maybe I didn't make enough effort or something.

But no, the reason I wanted to talk about Ibn Ezra was the impossible standards for poetry, as set by Sepharadi poets. You see, Jews were always influenced by their surroundings, in multiple facets. and poetry is definitely one of them. So, the influence from Arab poets includes strict rules for rhythm and - and this is what I actually wanted to talk about - rhyming.

The rythm thing is bad enough. Only once in my life have I tried keeping up with that. It was very, very hard. It's probably because I'm not used to this, but no song I write can keep a consistent rhythm and meter, and that's without trying to apply the standard Sepharadic rules. So trying to have such a strict meter... didn't work well for me. I guess I'm the frenchman from

וּמִי הֵבִיא לְצָרְפַתִּי בְּבֵית שִׁיר,

וְעָבַר זָר מְקוֹם קֹדֶשׁ וְרָמָס;

וְלוּ שִׁיר יַעֲקֹב יִמְתַּק כְּמוֹ מָן,

אֲנִי שֶׁמֶשׁ, וְחַם שִׁמְשִׁי וְנָמָס.

which was actually written about Rabenu Tam, but I'm a distant relative of his so this might still be applicable. Besides, as far as you know my name is Ya'akov, just like Rabenu Tam! (Sorry for not providing a translation, the gist is "how dare a frenchman trample all over poetry?!")

But rhymes. Oh, the Ibn Ezraic rhyming standards.

According to Ibn Ezra, one must always rhyme with the entire syllable. So no, just the last sound isn't enough. In Ibn Ezra's book, rhyme and dime don't actually rhyme - though I don't think he'd care about English at all. For the Ibn Ezra, shor and ḥamor can't be rhymed with each other; shor can rhyme with Mishor, and ḥamor can rhyme with har hamor, but you can't rhyme any other pair of those with each other. And I can't stay up to this challenge. It's nearly always impossible for me to find proper words to rhyme even without the extra demand for the rhyme to be the entire syllable. With English I don't think I even bothered or ever will. You have too many weird syllables for me. But with Hebrew... I do try with Hebrew, really. But I can't keep this up. And the most frustrating thing? It doesn't appear other Ashkenazi writers had this problem.

Now we get to the interesting part. I have been trying lately a new possible format for my very-anticipated-and-definitely-not-only-I-want-it Jewsade fanfic: introduction, preface and Haskamot to books. I just really enjoy reading prefaces for books, and one of my recent favourite pieces of writing is the conclusion piece of the Vilna edition of the Babylonian Talmud. If you're interested - it can be found in most editions of the Talmud at the very end of Masechet Nidah. The piece describes the trouble they went through to publish this edition of the Talmud and it's very interesting. Another favourite piece of mine is the preface of the Levush, a slightly obscure Halachic book from the time of the Shulchan Aruch. If you've ever seen me talk about the race to Halacha - this is my source for that, because the poor author was upstaged about three to four times by other people doing exactly what he planned on doing. I highly recommend this piece as well, though I don't know how easy it is to find. And the Levush - Rabbi Mordechai Yeffe - is a nice Ashkenazi guy. So he must be more lenient with his rhymes, right?

Well, I guess I didn't establish that part. Yes, the preface to the Levush starts with a poem. It's fun. It's great. It's also up to the Ibn Ezraic standard, while my attempt to write an equivalent is... not.

Huh. This post is oddly rambly. Ah well, maybe someone will like it. Anyway, the preface portion that really takes the cake is actually one from a fairly recent obscure book - like, this one was written barely a century ago. I only found it because one of my favourite singers, Aharon Razel, made a song out of it, but the song doesn't really capture the hilarity of the piece. Do ask me if you want to hear more, this one's great.

Signing off with a "darn you, Ibn Ezra! Why must you set such high standards!"

[mihachansstuff]

So I finished reading a danmei novel for the very first time (it's SVSSS)

Spoiler Alert

(And incoming rant...)

So I just finished reeading the volume 4 of SVSSS, and even before i finished it i knew i have to talk about it and let my thoughts out somehow and here we are. My danmei journey started not too long ago with MDZS donghua before i found myself buying physical copies of SVSSS. Although my first novel was 2ha but I read till volume 6 to keep it on hold and finished this one instead.

Now that i am done, before i make it too long i will just leave some snippets of audacious thoughts here which may or may not be agreed upon -

I really wanted to like LBH, but in the end I just couldn't, some parts and traits of his character just don't sit well with me. I mainly hate his manipulative part, and I just don't understand why someone like Shen Yuan/SQQ falls for it again and again.

Zhuzhi lang is indeed a lovable character, but I just can't forgive him for killing Gongyi Xiao. The only time I shed tears while reading this novel was when we hear about his death and how SQQ was then remembering how GYX told him he would visit his peak after everything is over. (I was still holding on to that hope that he will be miraculously alive *sob*)

I found Tianlang-Jun to be a decent character, even more decent than his own son. I mean, yeah LBH went through traumatic periods but TLJ also went through miserable times while sealed. But in the end he just let all of it go while his son kept getting jealous and vicious towards every human being close to SQQ.

SQH and MBJ is a good ship. I would love to know more about them I need more Moshang content (this everyone will agree i know)

In that one interview chapter at volume 4 SQH's comment about Bingqiu being the kindergartner and his teacher, I can't agree more. Also his comment about how dating LBH must be exhausting and annoying was so true that I just don't understand why SQQ accepts all this 😭😭

I wish I could learn more about Liu Mingyan's thought process while writing Regrets of Chunshan.

I saw a Youtube comment that said - "In SVSSS, almost every character can be shipped with SQQ" and I couldn't agree more! SQQxYQY, SQQxLQG and etc. all are good ship material.

I felt like there were more background plots that could be explored (like what happened to Huan Hua Palace after, or how TLJ was doing, or some more info and background about certain characters etc). In this way I feel like Shen Yuan, heh

The novel art is pretty, but the way LBH was described about his looks and beauty, I somehow didn't feel it through the art. My fav character ranking according to art would be Tianlang Jun→Mobei Jun→SQQ, even though I really like curly hair.

At this point people might think I am a LBH hater, but really I am not, or at least I don't want to be. But I just really think SQQ deserved a better peaceful life at CQ Mountain, around his disciples and sect brothers that really adore him like a family. I really hated the ending in Vol 3 where SQQ left the mountain with LBH in this respect. Well at least in vol 4 it said that the two come to the mountain from time to time so I guess I can calm down a bit.

I really, really like Shen Qingqiu. He's a diva. But I just don't understand...some of his choices. But I guess I will just leave it at that.

This is my first time finishing a danmei novel as I mentioned already, so please go easy on me, even though I may have said things that might spark an argument. Overall I think it was a good experience and I'm looking forward to reading more novels. Feel free to give me some recommendations!

[koalapastries-writes]

(ignore the fact that im supposed to be dead)

lando learning very quickly that reader loves to wrap him up in blankets and cuddle him silly and at first lando is all squirmy and rejectful but eventually he comes to love it bcuz reader gets all pouty and sad and worried about forcing lando or something

(okay back to ny suicidal ideation and my death)

-bear 🪦

hello bear, i'm glad you're not dead! (if you need/want to talk (about anything) i'm here <3)

reminder again that i don't usually write for lando but i will sometimes make exceptions for my beloved moots.

it's not long into the relationship when lando finds out you love to wrap him up in blankets and cuddle him. even if you're not under the blankets, you know lando gets cold much easier than you do, and you're still just as insistent on keeping him nice and toasty.

the first few times, he doesn't really expect it and so doesn't fight much. his cheeks get so red when you wrap your arms around his waist though. especially if you're behind him. he feels so warm and safe and protected and he loves it. he's a little embarrassed about how much he loves it, so he won't admit it and will definitely grumble halfheartedly.

but you keep doing it. how could you not? lando looks so cute all wrapped up and blushing and even if he doesn't say it you can still feel it when he shuffles closer to you in his lil blanket burrito.

the next few times, lando starts squirming and putting up a gradually increasing playful resistance. he's sure you know he's not really serious. he never actually rejects cuddles from his boyfriend. even if he pretends he doesn't really want them and is just indulging you.

except you don't know it's just token resistance. because it's pretty early in your relationship, you're not exactly sure-footed with the more imposing affection. lando loves it. but he still resists. it's enough to make you second guess yourself and you slowly stop doing it. it's early, but you really like lando, and you don't want to make him uncomfortable, so if the blanket burrito cuddles do that then you'll (however reluctantly) give them up.

it only takes lando a day or so to realise you've stopped wrapping him up and cuddling him silly. he's a bit like a cat who follows you around but refuses to admit that they want pats. he'll just wait for you to sit down on the sofa in your apartment and he'll walk over to you with his arms full of the blankets you usually wrap him in. lando drops them on your lap and looks at you expectantly. it'll take you a moment to understand, but when he do, lando's already looking away with a pretty blush on his face and his arms crossed.

you smile and get to work wrapping him in his blankets. when he's all nice and snug, you'll carry him (bridal style, obviously) to the bed and cuddle him. lando sighs quietly and shuffles as close to you as he possibly can before begrudgingly whispering something into the silence.

"... missed you."

[callmearcturus]

(i posted this but tumblr fucked up the formatting SO BAD and then the editor would not open so here's a re-do i guess!

bless u, bc this is the one that's gonna be Another Batshit Arcturus AU

except all the scenes I have sketched out are massive Act Two spoilers.... so instead, I'm gonna share the work-in-progress outline for Act One. or, specifically the modern day half of Act One. this story is told in approximately 2024 and 2011 concurrently, with the 2011 plotline providing vital context for the 2024 plotline.

for context: Ted is a director working with Rebecca's A24-style production company. Trent is a writer. Keeley is Trent's agent who managed to convince him to sell the movie rights to one book. act one is Ted trying to get those rights before a larger studio snaps them up. Act two is the filming of the movie. Act three is post-production and press tour.

One piece of additional context is that Trent is a reclusive writer who keeps writing extremely location-accurate novels set in America. Ted is shocked to learn the guy's not American, tbh. Here's the bibliography i made up for Trent:

[SPOILER, REDACTED]

editor for a few anthologies

The Sarpedon EP, 1968 (moody psuedo-mythical story about psychedelic/progressive rock in Nashville)

An Aquarian Guide to Atlantis, IL (weird, almost ergodic story of a hitchiker trying to get from St. Louis to Chicago and finding a strange town)

The Tides of Static (an anthology of seemingly disconnected vignettes that wind up linked by a radio DJ working a remote blowtorch tower)

Paris of the Plains (a sports drama/romance about a journalist uncovering a massive scandal in Kansas City football while trying not to rekindle her love of an old fling who's now working on the same team embroiled in the scandal. later adapted into the film The Time After The Last Time, directed by Ted Lasso, produced by Rebecca Welton)

so here, a glimpse of how I outline a story

ACT ONE: Pre-production

Storyline A (Ted POV):

Ted, modern day: Ted has to find Rebecca. She's supposed to be on vacation and Ted would never dream of interrupting her HOWEVER there's a scoop in Variety that Trent Crimm is auctioning the rights to his latest book despite years of resistance. Ted is terrified that someone is gonna buy the rights and make a bad movie or worse sit on the rights and never make anything out of them.

finding Rebecca takes some doing but Ted is determined and he knows all her offices and hiding places.

Ted is a huge fan of Crimm's work, has read all his previous books and has been keeping an eye out for him to maybe offer something up for adaptation. That it's specifically the one about a football scandal in Kansas City with a fantastic sense of space and also is a romance? Ted HAS to direct this movie, but Rebecca's studio can't compete with the huge prices that a Paramount or Disney would be throwing around. So they need to make a direct offer before the sale.

Rebecca emails Crimm's agent. This first attempt gets a polite, impersonal dismissal. So Ted is the person to reply (as Rebecca watches over his shoulder to ensure he's not making a fool of them) and tries to convince them to reconsider bc Ted is specifically interested in doing it right.

Still no.

T: "Get me an address, I'll fly out--" R: "Fly out? The address available through his agent is in London." T: "Okay, wouldn't've called that."

Rebecca gets Ted the address and Ted takes the Tube to get there bc he still doesn't have a car-and-driver. (He claims its organic location scouting.)

The address seems to be Trent's house but he's not there, just Keeley and Adelaide Crimm. They will not reveal where Trent is.

Ted notices Adelaide's accent and is relieved Trent is American. Adelaide says no, he's super british, but he took a job in America when she was young and brought her along.

The house is fully of photos of places. Addy is a photographer. Ted is thrilled to see shots of the Paseo, the Plaza, and other KC landmarks.

Keeley explains they are not really looking to option the book out because, well. They're not.

Adelaide kind of likes Ted and how he talks about her dad's books so she texts him later, gives Ted her dad's email. the one he actually checks, not the fake ones that get listed.

A turn for the epistolary as Ted attempts to reach Trent Crimm.

Ted emails Trent, who is baffled that he found this email address. Thanks Ted for his interest but tells him it was difficult enough to decide to offer up any rights and he frankly doesn't want to talk about it further, goodbye.

Ted takes a little time to try to read/watch every interview he can with Trent Crimm. They are basically non-existent and the ones that do exist are fully text.

Emailing each other continues: Eventually, Trent admits he's hoping the book rights are bought and sat on forever. Keeley was the one to convince him this was a good way to ensure Adelaide was set up for years to come and he could write his next few books without concern about money. But actually seeing such a movie? He wants nothing to do with it.

There's something unique about this email, a slip-up: Trent mentions he's in KCMO. The moment Ted realizes, he's inbound, racing to get there in time.

All for naught: Ted makes good time, probably the best possible time a guy can make from Heathrow to MCI to Emmanuel Cleaver Blvd without use of a fighter jet.

Still: Trent's gone, and Keeley's there.

Ted hangs a lampshade on the running gag: How in the sam hell is she always there instead of Trent?! "Yanno, I ain't ever seen the two of you in the same room together, Ms. Jones." Keeley cackles. "He's a slippery one! But trust me, you'd know him if you met him. He's got that aura of irritable uptight fiction author."

Ted is extremely discouraged that he missed Trent yet again, tells Keeley he is bound and determined to make sure this movie's done right but doesn't know what to do anyone. Keeley cracks, sympathetic, and gives Ted the Actual phone number for Trent. "Do not call him. He blocks all unknown numbers. Text."

So Ted does. Takes a photo of the fountains at the Plaza at night and sends it to Trent.

TL: I think the fight between Kit and Moses happens here at night, when they turn the lights on under the fountains and it's beautiful, all that watery glow. The contrast there, it reminds me of how painfully obvious it is that Moses wanted to take her there for real, to see her son playing in the water. It's the right place and the wrong time, it's always right place wrong time with them. LONG pause but Ted sees the text has been marked as "Read". Honestly he's surprised Trent has read receipts on. TC: Why are you in KCMO? TL: Flew here hoping to catch you. Last email, you accidentally hinted you were at your rental off Emanuel Cleaver. TC: Ah. An amateur mistake, I see. But I've slipped your net again, it seems.

Ted returns back home to London, resigned to taking another project and letting this one go. Pulls his copy of Paris of the Plains from his bag, reads it on the plane back.

Gets off the plane and he's missed a call from Trent Crimm. Shocked, Ted immediately calls back.

TC: "You have one shot, Mr. Lasso, so make it count. Tell me why you're so determined. It's not the job of a director to try to cajole a reclusive, unfriendly author into optioning his book to a boutique film studio. So why?" TL: "When I first moved to the UK, I was missin' home so much, I was turning into a barely-functioning daydrinker, and I almost gave up, went back to Kansas, gave up my career. But Beard loaned me his copy of Atlantis, IL and you... knew those roads and those people. You gave me a home I could carry around in my bag. Dunno if I would have survived without. Then I read Sarpedon, and Rebecca got me an advance copy of Tides of Static for my birthday." TC: "So you're a fan." TL: "No! I mean, obviously I'm a huge admirer, yeah, but... Trent, I just flew almost nine thousand miles just for a chance to talk to you about this, so I'm not gonna split hairs here. I need to be the guy to direct this. No one else is going to get it right, and I need it to be right, 'cause I know it. If you give me a chance, I'm going to move the whole production out to KC, I'm going to take what's in my head and put it on the screen. And I-- I think it's what's in your head, too." TC: "You know, it's supposedly my worst book. That was part of the little joke of it all; Keeley convinced me to sell something, so I picked the one the critics hated. You'll need someone good to do the adapting." TL: "Heck, if I need to write the treatment myself, I'll do it." TC: "..... Alright." TL: "!!!!" TC: "Nine thousand miles is an absurd ordeal to put yourself through and the writer in me wants you to get some payoff for it. So. Tell Ms. Welton to tack on another five million and its yours."

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[little-pondhead]

The Folly of Men -

Chapter 1: #355E3B

AO3 - MASTERPOST

[GENERAL TW: Swearing, lukewarm violence, lots of POV changes, and mild body horror.]

[Fair warning, guys: Canon is a ball pit, and I’m throwing a baby into it. I have no clue what's happening. Feel free to point out mistakes!]

-

Danny was starting to hate the color green. It was the color of death.

Green reminded him of the portal that killed him, and the electricity that was constantly humming under his skin. It reminded him of being on the wrong end of an ecto-blaster and having to dodge for dear life. It reminded him of choking plants that swallowed him whole and tried to turn him into fertilizer. It reminded him of his glowing eyes and how they seemed to take up his entire face when he looked at himself in the mirror.

And right now, as he lay weakly on his side, grasping at fresh wounds with shaky fingers as he tried to ice them closed, the green blood that was splattered everywhere reminded him he wasn’t human.

Not anymore.

-

Green was a familiar color to Ra’s al Ghul. It was the color of life. 

Green reminded him of the Lazarus Pits, mostly. When it was the reason he’d lived such a long life, how could it not be the first thing he thought of? Green also reminded him of his cloak and the warmth it wrapped him in during the cold desert nights when his wife was still alive. Of the beauty he saw in the natural world and why he wanted to protect it. It reminded him of his green eyes that have been passed down through his very few children and grandchildren. Green was the color of the al Ghuls and represented the power he’d amassed through centuries of hard work. 

And right now, as he stood before the Well of Sins, Ra’s was reminded of a secret contract that was buried deep within his personal records, and the monster he’d made it with. The Gardener, the creature called itself, was a being who had crawled out of a Lazarus Pit years ago in search of Ra’s. Its flesh was made from thorny vines and grasses intertwined, and its eyes were tiny red blooms that glowed and made him feel sick just thinking about it. It had forced him into the contract, exchanging power and knowledge in return for a promise of help in the near future. 

‘Near future,’ my ass. Timothy Drake's fleeting voice flickered in his mind, and he could only agree with his subconscious's crude words. It seemed like the only appropriate term as it had already been several centuries since the contract was made, and the being had yet to claim its part of the deal.

He watched, mind racing, as the Well of Sins started swirling frantically. He was alone, with his attendants on standby. Should he call them in? No. Whatever was causing the strange reaction in the pool had something to do with that contract. He could feel it. A power was tugging at his heart, drawing him closer to the edge of the green waters. He loathed to admit it, but this was beyond his scientific understanding. He just knew that every time he tried to look away and leave, his whole body felt like it was alight with flame.

So he stood. And he stared. For hours, possibly, before the first sign of something new caught his attention. A screeching sound was echoing from the bottom of the pool. It slowly got louder and higher pitched as the stone floor started glowing so bright Ra's almost risked the pain of glancing away.

A large head was making its way through the bottom of the pool. It went slowly to accommodate large shoulders, followed by a wide chest and narrow waist. The figure paid no mind to the churning of the Well of Sins and broke the surface of the waters with the ease of a seasoned swimmer. The screeching sound echoed wildly, bouncing unnaturally throughout the chamber, sounding more like incomprehensible words. Ra's wanted to plug his ears with wax and banish the figure back where it came from. Instead, he didn't even twitch an eye.

The Gardener stood before him. And it was carrying a body.

"Master of Lazarusss," it hissed, inclining its head in acknowledgment, but making no move to exit the pool. "Too long has it been, has it not? I've come to collect on my part of the deal."

Ra's nodded in return. Higher being or not, he refused to bow to anyone. "I've expected this, Gardener." He said roughly. Despite learning their language years ago, the sharp chirps and clicks made by the dead were difficult to sound out. It was like he was trying to mimic a broken radio. "Although it's taken longer than I expected for your arrival."

The Gardener clicked its beak in annoyance. "Don't give me flowery words, Pretender. It was not my choice whether to appear before you or not. The Scepter of our realm visited me long ago and commanded me thus; I only now see her vision behind it."

"I...see." He did not see, thank you very much. That was more information in two sentences than he'd ever managed to get from the Gardener. Were there others at play in this little contract of theirs? He did not like the idea of that. "And I assume this whole thing has something to do with the boy in your arms?"

The Gardener let out a low humming sound that seemed to originate from its chest and echo in Ra’s bones. It glanced down, turning the body over gently to let Ra's see his face. The boy was just a child, no older than sixteen. He was deathly pale and seemed eerily stiff, just as if rigor mortis had set in. His white hair was plastered to his forehead from the water, and his clothes were nothing more than rags. Thick green blood was leaking from several wounds and pooling underneath his skin. It wasn't hard to guess what the Gardener was about to ask.

"This is our Guardian and one of the last of his kind. His haunt is not safe anymore, and I task you with his care for the foreseeable future."

Without waiting for a response, the Gardener sloshed forward to set the boy oh-so-gently upon the edge of the pool, taking care that his thorns did not pierce the child. A few vines cupped his face gently as if the Gardener was sad about the boy's state of being.

The assassin made no move to step forward and claim him. "What iske?" He asked. Ra’s voice caught on the last syllable, and he had to repeat the question again properly. Annoying.

The Gardener didn’t seem to mind and just stepped back, relinquishing its hold completely. "He is our Guardian." It repeated. "Care for him well. His fraid will be on the hunt for him and return any harm tenfold. But earn his loyalty, and the power of the Infinite Realms will be at your fingertips. Good luck, Master of Lazarus."

With that, the Gardener disappeared beneath the waves of the Well of Sins, and the waters calmed. The only proof that someone had been there was the sopping wet teen that lay at Ra's feet.

Ra's stared at the boy. The tugging in his heart was a bind, he realized. And it was tying him to the boy. Well, caring for a dead child shouldn't be that hard. Despite his disagreement with Talia over the matter, Jason Todd had turned out just fine, hasn’t he?

With the contract heavy on his mind, Ra's turned and left the boy lying there, clicking his jaw and calling for his attendants to collect him. The Lazarus Pits had gifted him with a new heir, it seemed.

-

“WHAT DID YOU DO?”

In another world, a redheaded girl was on the edge of a rampage. Her scream echoed down the suburban street her house was on, and the neighbors sighed quietly and locked their windows shut, not realizing the severity of the question. They were used to this family's antics, and the girl's screaming as a result.

But this could not be written off as 'family antics.'

Jasmine Fenton, nicknamed ‘Jazz,’ was positively furious. Red-faced, she stood before her parents with steam coming from her ears and a bat in hand. 

“Jazzy-pants, we-” her father tried.

“Nope!” Jazz put up a hand to stop him. “Never mind, I don’t want to hear it. I already know.” 

She whirled around, tuning out her parents' protests as she stormed through their house. Correction, her parent’s house. If she had her way, Jazz would never see these metal and unloving walls ever again. Neither would her brother, once she found him. 

Her phone rang, and she flipped it open with a snap, leaving the bat at the end of the hallway. Only a few people had her number, and it sure as hell wasn’t her parents calling her. “What.” She barked, shoving the phone between her shoulder and ear as she dug through Danny’s closet. His bug-out bag hadn’t been moved. 

“It’s Tucker.”

“We have a code green and a code yellow.” She ground out. Good, the ecto-dejecto shots were up to date. The less time she spends in that god-forsaken lab, the better. 

“Fuck.” Tucker swore. Rustling was heard and she heard another voice in the background. “I’m putting you on speaker.” 

Jazz re-packed the bag quickly, adding in some non-essentials that she knew Danny would appreciate. After it was settled on her shoulders, she switched the phone back to her hand for a better grip. “Is Sam there?”

“I’m here.” The girl responded. 

Jazz tripped over her bedroom carpet in her rush to her room. She cursed but recovered and started ransacking her closet and drawers. “Good. One of you needs to contact Danielle. Our parents sold Danny out, and the GIW took him while I was gone yesterday. I’m going ghost and getting him back. Tell Danielle she’s in danger since they have her ecto-signature now.”

“We’re going with you.” Sam said firmly. There was more rustling, and Jazz guessed they were looking for their own emergency bags. “I don’t care how long it takes; we’ll get him back.” 

“Are you going to shut down the portal?” Tucker asked. 

Jazz paused, considering it. In the original plan, Danny was in charge of shutting down the portal while Jazz and the others took care of the Fentons, GIW, and everything else. It was personal for him; his final resting place. But now that Danny was missing, and they needed a reliable escape route. 

“Not permanently.” She decided. “I’ll figure out how to turn it off temporarily, or put a shield up, but Danny will need to be the one to make that call.” 

Tucker started typing furiously on his laptop, muttering under his breath until he got to the file he wanted. “Sam and I will take care of the town defenses, and Dani’s on her way from New Zealand. She’ll be here in a few hours. I’m sending you a bug; plug it into the Fenton’s security systems, and it’ll lock them out of the house for now. Only do it after you’re done in the labs. Sam’s gone off and is pulling some strings to get all the ghosts in town back to the Zone. I’ll start tracking Danny and shutting down all the Fenton and GIW equipment I can find.”

“Thanks, Tucker. I’ll meet you guys at Nasty Burger in two hours; pass that message to Danielle.”

“Sure thing. Oh, and Jazz?”

“Yeah, Tuck?” Jazz started counting her hidden wads of cash, making sure it was all there. They never wanted to believe the Fentons would go this far, but she was glad they’d made contingency plans just in case. 

She could hear Tucker’s silent snarl as he said his parting remark. “Leave enough of them behind for the rest of us.”

Jazz laughed, a little hysterical. “I’ll try.” She said, bidding him farewell. Honestly, she wasn’t even sure she could look at her parents ever again. But she knew, deep in her bones, that if they tried to stop her, there wouldn’t even be ashes left from the hell she would raise. 

-

Gotham was caught in a storm. It was one of those ugly, howling summer storms that threw water in your eyes and bit your skin with a vengeance. Damian squinted, trying to make out the sight of Spoiler and Signal through the rain, but even their bright uniforms were lost in the shadows.

He tightened his grip on his grappling hook as a particularly harsh wind tried to throw him around like a ragdoll. Water seeped into his collar, making him shiver. A beep echoed in his ear, and he risked taking one hand off the line to answer his comms.

"Robin," Oracle was practically shouting in his ear over the storm. "Signal made it to the Cave. Spoiler is rounding up Condiment King, and then she'll do the same. You can go back now."

Damian tsked. "Father is still out here," he replied. "I shall not return until he does."

"Robin-" Oracle sighed.

Another gust of wind made him grunt, and he cut the call to refocus on scaling the building. The only good thing that came from such a wild storm was that most of the villains were smart enough to stay inside. Splitting up in such conditions always left a sour taste in his mouth, but Damian understood it was necessary to cover as much ground as possible during times of emergency.

He wasn't sure this counted as an emergency, but Todd was certainly treating it as such. The citizens of Crime Alley were being hit hard. Enough to the point where Red Hood had openly invited the Bats onto his turf to help with the flooding and evacuation from some unstable buildings. Batman and Red Robin had gone, leaving Robin and Orphan to cover their patrol routes.

Finally, finding purchase on the rough brick, Damian quickly hauled himself up to safety. Some of his equipment was ruined, and his costume was soaked. Truly, this storm had come out of nowhere.

His comms clicked back to life. "Robin." Cain's clipped tone was somehow louder than Oracle's voice.

"I'm here," he replied, scowling at the oily mud on his shoes. Damned pollution.

"Home," Orphan said simply.

Damian scowled even harder. He could argue with Oracle without issue, but he barely won when it came to speaking with Orphan. "...Fine." He sniffed. "I shall return."

"Good." Damian could hear the smile in her voice. "Agent A has cocoa."

"I'll consider it." He said stiffly. He imagined his adoptive sister smiling slyly and glancing toward the sky before the comms switched off, leaving him to his thoughts again. After checking his grapple to ensure it still worked, he started picking his way through the building at a snail's pace, letting himself get distracted whenever he spotted someone in trouble. The Batcave would be warmer and dryer than the streets, but not everyone had a dry place to return to. Every little bit helped in the long run, and even Damian wouldn't pass by a lost child in the rain.

The only thing that bothered him more than the dark clouds overhead and fresh hail on the way home was the unnatural feeling on his spine. It felt like someone was watching him, judging him. But when he looked, nobody was there.

-

The stars were gone.

Danny felt weightless as he floated, staring at the space where the stars were supposed to be. He felt lighter than normal. Danny was surrounded by colors that flowed and ebbed like the tide, taking him deeper into this mysterious space. Golden fish and silver deer wove past him as fire and ice trailed behind, and yet he couldn’t seem to muster up the energy to get up. He just laid there silently. A bone deep exhaustion was settling into him, but sleep refused him.

“Ghost Child.”

Oh, Danny was dreaming. He was already asleep.

He didn’t turn his head, nor acknowledge when the stars returned to his line of sight. The stars wrapped around him like a curtain, cutting off the rest of the dreamscape. Two bright eyes, burning like red giants, peered down at him as thin hands cupped his body.

“Ghost Child.” The voice repeated again, speaking in his mind even as the words were swallowed by the silence of space.

Danny turned his head slowly. “Nocturn,” he murmured. These too, were snatched from his throat and lost. The cold seeped into his chest and he hiccuped. He couldn’t speak. Not that he really wanted to.

Luckily, Nocturn seemed to understand him just fine. He cradled Danny gently, bringing him closer to his chest. Something shifted in the fabric of space, and suddenly Danny was being laid to rest on the smooth stone of a crescent moon, as pearly white as his own hair. He sighed as the coolness of the moon seeped into his body, soothing aches and burns he didn’t remember getting.

“Where are we?” He wanted to ask.

Nocturn blinked slowly at him, his face twisted down towards Danny. His ram’s horns glinted as a glowing blue jay landed on them and started preening itself. Danny wanted to fly with the bird. His body didn't move.

“Sleep, Ghost Child.” Nocturn hummed. The moon vibrated beneath Danny, soothing the electric currents that kept him awake no matter what he did. Danny’s eyes started sliding shut as Nocturn’s song wrapped around him like a lullaby.

The others… Danny’s mind whispered.

Are safe. The song replied. Rest, young guardian. Your people are safe. You did well.

That was all he needed to hear. Danny let himself fall into slumber, relief flooding his mind. Yes, his people were safe. He did well. He deserved some rest.

As the young ghost fell into a dreamless sleep, a real sleep, Nocturn gently tucked the boy in with a blanket made from his own starry robes, shifting the fabric once more to hide away his core, and the boy who was resting on it. The bluejay on his head chirped indignantly from the movement and flew away, leaving a trail of smoke behind.

Nocturn paid it no mind. Warnings from Fate were never a good idea to ignore, but the bird was but a memory of a life that had long since passed. It only stuck around because of the dreams that kept feeding it. The ghost let his lullaby continue as he returned to his work, taking care to move slowly.

Undergrowth was taking care of his physical body, so he would care for the boy's mind. Vortex was off to round up the little ghostlings who had scattered like dandelion seeds, and the Master of Time was keeping an eye on the rest of Phantom's fraid while they rampaged in the mortal realms. After the stunt he pulled to protect the Realms, it was the least the elder ghosts could do.

-

"Is the boy awake?" Ra's asked sharply, entering the private rooms he had set aside for the boy.

The attending nurse, an older man born with no tongue, bowed his head and signed, 'No, sir. Vitals are off. He is a cold corpse.'

Ra's regarded the boy. It has been several weeks since the Gardener dropped the boy off in his care, and he hadn't awoken once throughout the entire time. He truly looked like a regular dead teenager, if you exclude the unnaturally white hair.

The Demon's Head bent over the boy's bed, tugging open an eyelid to see if he would react. Nothing. However, he noted the boy's eyes were green, which he was mildly pleased about. Green was such a lovely color, and this boy seemed surrounded in it.

A sharp knock echoed from the door, and Ra's granted the other party permission to enter. His best phlebotomist, a man named Paz, entered, holding a stack of papers as thick as his thumb. He bowed to Ra's as soon as he saw him.

"The results?" Ra's asked.

Paz immediately handed over his work, fully confident that Ra's understood everything he'd written. "For all purposes, the boy is dead." He said in a thick accent. He spoke in halted Arabic, as he'd only lived in 'Eth Alth'eban for a short time. "He has no circulation. No heart to move blood, or lungs to breathe. We must move him every hour to prevent postmortem lividity. He has undergone an extensive autopsy process, but it seems it was stopped before his brain was removed. No organs remain in his body otherwise.”

Ra's examined the papers. They were reports from different scientists and doctors, all of whom had been assigned to examine and work on the boy. Most of them said the same thing. The boy was dead and had been for a while. If the Well of Sins didn't do anything when he first exited the waters, what good would it do now?

He flicked his eyes up. "But you think otherwise," he stated.

Paz nodded enthusiastically. "The boy is dead, but his blood is alive!" He tapped a green folder that was poking out from the bottom of the pile. Ra's shuffled the papers off to the nurse and opened it. Printed off charts had been scribbled over with Paz’s frantic notes, documenting his thought process.

The phlebotomist rambled excitedly as his boss read his work, gesturing wildly. “It’s incredible! Most of his red blood cells have died off, and he has an abnormal amount of white blood cells, which indicate some kind of infection. But his plates-“

‘Platelets.’

“Platelets,” Paz nodded his thanks to the nurse for correcting his speech. “The boy’s platelets are still alive, and are actually trying to heal his injuries! We recorded a time-lapse last week to confirm it. The process is incredibly slow, even compared to human healing, but there’s a difference! Because of the absence of red blood cells, the plasma left in his body has practically doubled in volume, even though there’s no circulation to keep it moving. We’ve noticed a collection of stem cells at the base of his skull has started growing as well, and whatever it’s producing is being released into the body at regular intervals.”

“What kind of cells are they?”

“Unsure. At first, we thought it was cancerous in nature.” Paz tapped the corner of the folder again, prompting Ra’s to turn the page. “And while these cells are certainly growing as fast as unchecked cancer, rather than doing harm, we’ve taken samples and noted that they’re merging with whatever original matter has been left in the boy’s body. Bonding, like glue! The healing process is periodically speeding up with every release, the plasma has started circulating on its own, and the white blood cell count is diminishing. Honestly, I’ve never seen anything like it! It’s filling in for everything that’s missing, and keeping what is there, alive. Dr. Vanessa hypothesized that within the month, it may even start replacing the boy’s organs.”

Ra’s looked up from the research. “These photos look like plant cells, is this an example or actual recordings of the activity?”

Paz wrinkled his nose. “Those are evidence of the activity. For some reason, cellulose is present within his body, and the mysterious stem cells seem to be a mix of both plant and animal matter. It’s hard to track even with our technology, but it looks like the cellulose is forming a sort of…skeleton? Frame? I’m not sure what the right word is, but Dr. Vanessa says they might start regrowing in another month. If that’s true, this would be a huge breakthrough in the realm of organ transplants and other medical fields!”

The Demon’s Head hummed, flipping through the work again and considering the man’s words. “Very good,” he praised. Paz beamed like a child at his words. “Unfortunately, I shall be releasing you of your duty, and your tongue is too loose for your head.”

“What-“ Paz’s eyes widened as he gurgled, his words cut off. Ra’s twisted his wrist, driving home the dagger he’d planted in the man’s heart. He had no use for men who talked too much.

Paz fell to the floor, convulsing as he tried to weakly remove the weapon still sticking out of his chest. His eyes rolled back in his head, and he went pale as his blood seeped out onto the floor.

Ra’s barely spared the dying man a glance, taking back the extra stack of papers from the nurse and neatly stepped around him to exit the room. “Clean that up,” he said over his shoulder.

The old nurse bowed his head, waiting patiently for the foolish doctor to finish dying before he got out the mop.

This is why the nurse had survived so long; he knew how to stay silent.

-

[Nocturn tucking Danny in to rest. Ghost speech says, "Rest well, ghost child"]

[laugtherhyena]

Ngl it's so funny to me when i see people wondering why on earth i ship those two so much like, oh buddy your guess is as good as mine

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[sosadraws]

Anyone has Mynah fanfic recomendations?

Or at least fanfics where they're plot relevant or recurring characters. I'm not picky regarding genre or ships

[thelovers-thedreamers-and-me]

the downside to being a sitcom neighbour sort of person is that when rough things happen and emotionally fuck u up a lil bit, it also sounds completely made up

[moe-broey]

Some. Sort of spectrum. From most likely to least likely.

And by kitten-pile I mean This

I'll put a transcript under cut for easier reading! 🫡

How Likely Are They to Kitten Pile?

__

Mirabilis: "are you tired..? do you need a break...? ohh we could take one together..."

If she likes/trusts you even a little, she wants to cuddle about it!!!

-

Sharena and Peony: "Okay! 💖 Yay! 💖"

Shari: The only thing stopping her is social conventions -- making her MORE likely to jump at the opportunity!

Peony: Learning social awareness as she goes, and is surprisingly good at it?

-

Triandra: "Aren't we a bit old for that...? But... even so..."

Embarrassed, conflicted, but feels strangely nostalgic at the notion...

-

Plumeria: "I'm not so petal-soft that I'd resort to such INDECENCY, I mean even if your intentions are Pure USE YOUR HEADS YOU FOOLS!! Girl, the IMPLICATIONS!!!"

Desperately wants to join the kitten-pile, but her Issues and Pride gets in the way.

-

Moe: "aw, so cutes!"

Generally touch adverse, extremely picky even with the people it likes/loves -- everything is entirely on its terms.

[moonshine-nightlight]

Hi, I'm always very impressed by your world building skills, even in shorter stories! Do you have any advice for aspiring writers on how to build their fantasy world?

So i drafted a response to this in between working just far too much and then my computer crashed and i lost it. Then i was even busier so i never got around to writing it again but i am making some time this weekend, so worldbuilding post - take 2

My main, high level worldbuilding tips are:

Rule of Cool: worldbuild things you think are fun and interesting. not only is that the best way to get ideas you like and are motivated to write about, but other people will also think they're interesting too. have fun with it.

Iceberg theory: know more about the world than ever makes it into the story. people can sense when worldbuilding is shallow, so even if they never see the true depths of the world they can often sense it's there. plus if u know the whole picture, everything the readers do see will seem more coherent

Integration: i heavily integrate the world i'm building into the story i'm telling--so dig into the plot and characters and make sure that the world and the story serve each other well. your world is there to contribute to the story so make sure its fulfilling that purpose

For more specifics about how i personally world build and for some examples from my stories of the above guidelines, see below.

So firstly, i love worldbuilding. i just think its a ton of fun and could easily spend hours just thinking about worlds in my head. (i mean what else is there to do when ur commuting to work, amiright?) i think that does make it easier for me to take the time to do it right and makes the world come through more vividly in my writing. it can get annoying or tedious or be more challenging at times, but since i like it/find world building interesting, i'm more willing to put in the time and effort to whip it into shape and i get less frustrated with that part of the process in general.

i'm also always thinking about world building to some degree in the back of my mind. picking up interesting information, facts, snatches of cool ideas or images or whatever. then i throw all that in like a junk drawer in my brain so when i sit down to more officially write or flesh out a world, i already have spare parts at my finger tips to use or drawn on.

Reading and consuming other art and worlds also makes it easier to make your own, just lik reading is a key part of writing practice. i don't just mean fiction, but just anything about the actual world makes it much easier to make up your own--that can manifest as awe at the fireflies that actually exist or spite that dragons dont. Whether that's random youtube video essays about the history of musicals or drinks or fashion to books and articles and documentaries or just my friend's niche interests (or their regular jobs). i'm always taking worldbuilding notes in the back of my mind.

For a more writing specific example, i read this short guide '50 Ways to Kill a Mermaid' (its locked for AO3 so u hav to sign in to read it) and it was super fun and cool to read that info from a writer who had studied marine biology. then when i was fleshing out Don't Shoot the Messenger a year later, the problem of Satrasi being a sea demon in a fresh water pool and bloating came to my mind because i'd stored that tidbit from the article away for later use.

My personal method for worldbuilding and plot outlining is sort a brainstorming/Q&A i have with myself (i hope this makes sense when i'm done writing this all out lol).

I've mentioned this before but the prompt that inspired Dale was: "You’re pretty sure your boyfriend was replaced by an eldritch being that can barely emulate being human. Weirdly, you enjoy a better relationship with them than your actual boyfriend."

So when that idea grabbed me, i started brainstorming about the world and asking myself questions. Why is the reader with the boyfriend if they don't really like them? What would make someone stay in a relationship like that? Do i want to make this a dark story? And i did not, i wanted it to be fun, so the arranged marriage angle came to mind. And if that's the premise then when is the story? is this our 'past' or another world entirely? diff world means more freedom so i automatically leaned in that direction.

Can the reader tell the 'boyfriend' has been replaced? Are demons a thing people know about? does the reader know that's an option? which is more fun? if the reader is worried about Dale getting caught, that's more room for hijinks so then yes, demons are known, but not common otherwise too many people would notice.

So my plot and worldbuilding are evolving in tandem and informing each other, based on the type of story i want to tell and how the characters i have in mind will react etc.

i run through a lot of ideas and turn them over in my head--trying out diff pieces to see if they fit--and am always willing to drop an idea or save it for another story if i don't think its working for the current one

For iceberg theory, i mentioned above for Dale would be the religions in that world. When i decided to introduce a priest like character (for discovery danger) i knew i needed to focus more on the religions than i previously had noted. the majority of what i came up with isn't int he story, but i think the fact that i know it helps me write when did end up in there, helped make it consistent, and means i can more easily work in allusions to it without having to work so hard those singular times.

For example, i'd decided to call the demon realm "the Depths" early on, which to me already invokes deep water and darkness, so i followed that through to sort height and air and light as being perceived more positively. fire and light are important symbols in this world and they primarily burn their dead--to bury someone below ground would be seen as almost condemning them and someone drowning is also seen as like, not good for their soul because what if it is 'pulled down' rather than 'ascending'. some of this was alluded to in the chapter, but most of it is not. this also helped me come up with the various "by the light" "dawn's ire" and other similar little 'religious' phrases and exclamations different characters use at times.

Meanwhile, in Sacrifice, the people living their are relatively non-religious--thats why they both don't pray to any other deities and it takes 5 years of problems to even bother trying an old god. it's not sacrilege because they're desperate people trying a long shot, not violating or abandoning a different belief. because i wanted the reader's main problem with it all to just be that they didn't think it work.

And why is she a translator? because i wanted to use the idea from that one post that goes around about how ridiculous it is in movies when their translated prophecies rhyme in english. why are they arguing about the translation? because its a dead language so no one really speaks it, that means the people who came up with it were here a century ago or longer. why aren't they here anymore? nomadic so they left and ended up staying away because of a natural disaster elsewhere. why is this town here now? a particular export/resource in this area became valuable enough for people to try to live here. the fact that its a lumber town due to some rare wood native to the area doesn't come up in the story, but i know it and i think that i know that about the town helps it feel more real, makes it easier for me to reach for new details when i need them

and going back to anything can be inspiration, let's talk about the doorlock in the very beginning of Finally Woken. its literally just a magical keypad/number pad but with different colored tiles instead of numbers because i wanted the reader to be able to get in, but i felt it didnt make sense for them to hav a physical key. and i thought it would look cool in Heshi's door and it went well with the fact that he's a glassblower . also, why is Heshi a glassblower? because i frickin' lov blown glass - i just think its so cool and pretty. that helped lead into the sort of artisan economy feel that world has.

Each of these stories has an outline and notes doc at a minimum. the notes doc is where i throw lik pics, inspiration posts, random worldbuilding ideas etc. only much shorter stories or stories that are heavily based in 'modern' world don't hav extensive random notes.

my Dale folder has subfolders for characters and the setting, as well as random worldbuilding files such as "demon summoning/magic" "spiritual belief and org" "fashion - feminine" and so on. Even excluding the plot outline and chapter notes (and not counting pics) i've got like, over 4k of random notes saved. dale is the one i hav the most of that for, but all my fics have some little section with stuff like that jotted down

in the end, i think the best way to sum up all that is with my three original rules of: put stuff u think is cool in your world, known more than you tell to help everything fit together and seem deep, and build your world around your plot and characters because they should all be working together to tell the story you want to tell.

honestly, i could ramble about worldbuilding all day so if anyone has any questions or wants more examples, just let me know ^^

[lord-squiggletits]

I need to reread the comics again to have specific arguments/evidence for this, but like

I feel a bit like I could've been sympathetic to the way other Cybertronian colonies view Cybertron, if it weren't for the fact that at least several of them (as in, ones that get notable dialogue/screen time) are so low-key self-righteous?

Like, idk... there's a lot of criticism of Cybertronians because they're so "warlike" and how their obsession with violence and vengeance is just dragging the whole galaxy down with them, but uh. The Autobot-Decepticon war was basically a product of societal ills bubbling over for like 6 million years beforehand and then finally boiling over into a 4 million year war that lasted as long as it did because the people involved had immense social/psychological trauma from being "raised" in an oppressive society.

So when the colonists come in being all 'omg you people are so violent and uncivilized why don't you just like, stop fighting' it kind of pissed me off a little bit as a reader/person like. Idk the colonists really came into this society of people full of massive amounts of trauma where even before the war society was super oppressive and no one has any experience of living "normal" lives unaffected by violence and bigotry. And the colonists were like "ummm wow why don't you guys just??? stop fighting???." Like idk it wasn't EVERY SINGLE MOMENT, in fact I think that when it was played for laughs it's quite a funny "fridge horror" type element. It was just annoying because like.... IDK???? It's just really annoying to watch a bunch of people who lived relatively sheltered lives on their own planets come to a different planet full of traumatized people and be like "omg why are you people so fucked up" IDK BRO MAYBE BECAUSE THEIR SOCIETY WAS OPPRESSIVE AND THEY LIVED THROUGH A LIFELONG WAR???

It also doesn't help that the colonies were literally founded based on imperialism and conquest so like, it's fucking rich to hear colonists scolding Cybertronians for their violence ruining the whole galaxy while literally sitting on planets that their Primes colonized from others. The hypocrisy of this is briefly mentioned in Unicron (literally the FINAL STORY OF THE SERIES) but like, that's basically the only time Cybertronian characters are given a reprieve of sympathy from other characters in universe and it's so tiresome.

I've talked to other people who didn't like the colonists and thought they basically (narratively speaking) existed just to shit on the existing characters, and it's actually really easy for me to sympathize with/outright agree with that assessment of the story considering how much of exRID/OP seems to be preoccupied with "Cybertron/the Primes/Optimus sucks" with very few reprieves for anything positive happening and even fewer chances for characters to get to explain themselves and experience a little bit of justice? Like, as the audience, it's just very frustrating to see the characters you spent hundreds of issues keeping up with get shit on by a bunch of "literally-who"s and then not really get a chance to ever defend themselves, either by literally defending themselves in conversation or having some sort of narrative thing happening that vindicates them at least symbolically

[faislittlewhiteraven]

Undertale/ISaT crossover thoughts 3

(aka the 'Sif and family explore The Island' edition)

Had a lot of Undertale/ISaT crossover thoughts (here's the post for how I'm crossing them over in general, and here's the post for an overview of each of the three major plot lines) but most of my actual thinking has been about Sif and family exploring The island so I'm gonna go into some depth for once rather than overview and hope this is useful for ideas for anyone writing any sort of 'Sif and family go to Sif's homeland' fic rather than the Undertale crossover centric stuff most of the other posts have been.

Side note: Location names in my notes is very minimal at this point as I generally look up names last when plotting anything. But er, working name of the Island is The Isle of Chara (because Undertale's Chara is kind of a big deal in this actually and good odds the final name will probably have Chara in it) so please keep that in mind in case I somehow end up typing that somewhere here in my notes.

---

Start:

Sif and family's plot starts with the return of colours and memories (caused by the breaking of the Barrier by the monsters). A day is spent kind of just 'emotionally reacting' to all that (Sif's kind of overwhelmed and in tears) but next day the group actually sit down and discuss whether it's worth them going or not because, yes they are the Saviours of Vauguard and yes they're right next to Bambooche but well, who knows what state the Island is in right now and if it turns out to be... Unpleasant, it is definitely going to hit Sif hard.

Siffrin, naturally does want to go, but am definitely having Sif mentally going over all the potential horrors of the situation (everyone just... Vanished without a trace leaving empty streets and homes? Piles of skeletons because everyone died in an instant? His parents completely untouched by the passage of time wondering why he, an adult stranger covered in scars is claiming to be their missing child?) before confirming with the others he's up for this and that they'll need his Island language skills in case of survivors and for reading signs and records anyway.

How do they get there:

At first the think of taking a boat but well, turns out the Island wasn't the only thing erased from memory and as they reach Bambooche it becomes apparent that- Oh! That 'spooky hill everyone just avoids' is actually a really big and complete with steel, concrete and 'our world modern' tar road bridge, that goes all the way out over the ocean and clearly extends towards the Island.

Cue Party stopping by Bambooche's harbour and the local House of Change to get an idea of options: The House also wants to send people to Vauguard's new/old neighbours (in general all the Houses in Vauguard are very curious and there's a ton of messengers and 'Message Craft' going back and forth everywhere right now) and they promise to get the word out to everywhere (including the press) that the Saviours of Vauguard are investigating so no one has any reason to worry. Cue awkward/nervous Mirabelle laughing and trying not to freak out at the pressure of being so important... Again! While many local sailors are willing to make the trip but well, prepping the ships for an unknown landing will take a while and everyone is nervous about the 'was apparently always there' giant bridge looming overhead (what if bits of it fall?).

So after a bit of back and forth the party go for the bridge. It needs people to check it for structural damage and Sadnesses anyway and the party have people capable of handling both (gives Nille construction analysis skills) so welp!

Bridge:

Actually approaching the bridge the party spy some weird 'metal lumps' that as they approach several members of the group (not just Sif) recognise as long abandoned cars. Which are everywhere, to the point its genuinely hard to get around them, and the group realise the 'little building next to the bridge' is actually the entrance for an underground car park. Cue the group finding a 'building' built into the base of the bridge; sadly the door is locked and despite Isabeau and Nille's best efforts they can't smash it open, but Sif's pretty sure it's probably the door to a train station judging by the glass and metal tube they can see running from the side of the building base all the way under the bridge.

Cue talk on what the crab a train even is as they make their way back onto the actual bridge and start climbing and hopping over the sea of cars (Odile wants everyone to know she hates all this jumping btw), but the silly vibes stop dead when the groups starts seeing the remains of car wrecks and some never buried corpses left at the wheel/caught between two lots of crumpled metal (it's been like 18 years so they're pretty much all picked clean skeletons but yeah, Bonnie is definitely having their eyes covered by Mira). ...Isabeau points out that all the cars and remains here very definitely indicate that the people of the Island were not instakilled/frozen in time by whatever happened and, most likely, they were hit by the memory erasure effect and those who could remember how tried to flee the Island for places less detrimental to their psyches but... It's honestly kind of amazing that there aren't more crash wrecks and bodies given how mentally distressed everyone driving must have been.

It doesn't help cheer anyone up but the observation is noted (Sif keeps getting shoulder pats from everyone since well, this isn't the worst case scenerio but it's pretty bad), and the group continue walking until finally they reach a 'Craft' Station (think gas station but like, magic wish stuff for fuel or something. Thinking there's a favor tree 'tank' next to the building and everything) where they find a few scribbled notes in Vauguardian from the last worker there (bilingial type, lived on the island, trying and failing to remember the island and 'something, someone?' important they left there, decided to head for Vauguard but only after noting down everything they can and making sure all the 'time preserving seals' on the food storage containers are working properly. Just in case someone needs them) and a whole heap of fridges and 'glass cases' with somehow still fresh food inside them. Sadly the cooking implements in the building weren't nearly as resistant to the flow of time but the group decides they'd rather spend the night outside in their tents anyway so they set up camp, Sif shares more of what they do and don't know about all this weird stuff they keep encountering (some but not a lot; Sif recognises the appliances and roads but their coastal hometown was much more 'traditional' and they don't have a clue how all these high tech craft machines actually work outside of making sure they're set up right and flicking a switch) and have a nice dinner before going to sleep.

Next day is walking, with a side order of more walking. Mood is a bit better after talks and rest, but most of this gets skipped (during which the precipitation that collected on the bridge during the cold night evaporates into a thick fog, and then starts slowly clearing up under what looks like strong sunlight) until the group finally see the actual island itself for the first time and- Oh wow. That's an actual city (for an idea of the visuals please imagine the city in the background of the Undertale credits scene where Papyrus is driving along a bridge in a car). Group are blown away because, damn, somehow they weren't expecting that (this is waaay too big a place for them alone to explore, thank goodness the Houses will be sending teams in soon) except for Siffrin who promptly recognises the place as something of a tourist/heavily Vauguardian influenced city that he used to visit on rare occasions with his parents: Usually for big events like going to see a big theatre production on his birthday or to attend the Island's biggest Change festival (brought over by the large Vauguardian immigrant population) which his mom's family always loved attending.

The City:

Takes the group another hour or two to actually reach the city itself (walking takes time alas) but when they get there, yep there sure are a lot of signs in Vauguardian and little Change God statues everywhere. ...Also a lot of signs of looting and unchecked plant growth and 'feral' animals everywhere but most of the buildings look pretty good (Odile is still instantly 'none of us are entering going up or down any floors past ground level in any of these without good reason before Nille/other professionals can check them over for instability' though), and though it takes a bit of awkwardly trying to read a rotting signpost map, Sif is able to guide everyone to the central train station...

Which still has its automated trains working!!! (Sif takes a moment to brag about how 'of course they're still fine! All public transport systems are safe guarded by the best protections applied Wish craft can manage' before wondering why they feel so proud of that something their dad used to say a lot?) Cue party quickly finding the 'Vauguard line' which, yes is working and is just waiting for passengers, and (before proper discussion of 'do we take the train back to Vauguard and unblock the station doors on the other end' can be had) a trainline that stops by Siffrin's home town down by the Island's Southern coast.

...Needless to say, they go for Sif's hometown first (they're 100% planning on unblocking the Vauguard station's door at the nearest possible opportunity afterwards though).

Cue silly scenes of everyone boarding the train, comments being made of the silly 'mascot' figures in black and white everywhere (thinking I may cameo Ingo and Emmet in setting), Odile mentioning that she remembers riding trains -much less sleak and automatic than these ones- in Ka Bue during her youth (presumably their use being associated enough with the Island they were forgotten about when the Event happened), Isabeau turning out to be majorly freaked out by the closing doors and general nice vibes before whooosh they're off to Sif's hometown.

Siffrin's hometown:

Party get a nice scenic view of the coast and a lot of 'old fashioned if fancy' looking coastal buildings as the train zips along and pulls into an elegant if overgrown looking station (I'm thinking greek column/smooth plain stone everywhere vibes and IDK why).

One side of the station leads away from the coast in the direction of what looks an actual town, while the other goes towards the coast and in general seems like a much quieter 'district', with lots of more old fashioned looking buildings (some clearly more damaged by the years without care than others), lots of trees, boat houses and cobbled pathways.

Naturally Sif immediately heads in the direction of the coast, at first slow then running ahead as he recognises the streets and houses before finally stopping at a house in very good condition. Party catch up and yeah... This is Sif's home. That tree had a swing, the marks on the door are from when Siffrin got it into his head to try carving 'stars' on everything for 'good luck', that over there is the 'public door' to Dad's observatory he left open to the public because all Islanders deserve to have unrestricted access to the stars but just as often people from town would just walk right through the house to get there because Mom loved having so many guests and their 'private family rooms' all had locks so letting people freely wander their home was fine and-!

...Yeah Siffrin is terrified of going in alone but fortunately their family of choice is there and well, in they go.

Everything inside is in equally good nick (the place itself is simple and homey but also clearly high quality stuff everywhere) and somehow only very barely dusty, though the group are quick to notice that all the cupboards are bare, there's clear signs of someone searching and packing away things (books all over, things left open, scattered things like bowls and cups -someone trying to decide what to take?) and well. There's a bunch of notes, written in Vauguardian on the kitchen table. Odile reads it out:

The writer cannot remember her name, or where she is, her family which she knows she must have because there's three plates here, just as there are three bedrooms and one of each is for a child she can't remember she can't remember but. She can think enough to write things down, to check on her neighbours and get them to eat. ...No one can stay here. She remembers Vauguard so it must be safe, and... There's a boat, in the warehouse, she and others can take. She and the friendly boulanger she can't remember he's her friend but she can't remember know how to rig and sail it and they're more coherent than most everyone else so... If they head there, maybe things will be fine? She's always liked Vauguard and the Change religion, always thought about changing herself a little even if he likes her as she is She can't read that last line and Changing would be nice, she thinks. ...though, if the family she must have are looking for her, she'll need to keep some things the same. Darkless kinky hair is unusual isn't it? Especially with the darker skin she inherited from her Vauguardian mother so she'll keep those, but... Oh what if she makes herself really stand out in other ways? Then. Then maybe they'll notice and be drawn to her even if they can't remember any better than she does! She lists the things she does remember about herself once more, where she plans to lead everyone (Dormont is a nice place. The quiet slow pace there might help the others adjust), all the supplies she plans on taking (a porcaline doll. Her 's favorite. Hugs it constantly even though it feels awful), a few complaints about people who absolutely refuse to leave even though they're every bit as mindblanked as the rest of them and leaves an end note inviting anyone who reads this account to please enjoy their rest in her home but to please, please please not damage anything because- Someone else might not want it damaged and. She can't remember, can't handle even entering some of these rooms it hurts too much but. Please. She wants everything here to remain where it is, until the people who belong here can return.

...

So um. Yeah.

Big group hug and tears are had but Sif being Sif tries to push on quicker than they should, group reluctantly accept that he might just need some time to process and with Sif's blanket permission ("It's my family house. You're my family, so you can go wherever you want") most split into smaller groups inspecting all the rooms and things, with Odile and Isa checking out Sif's dad's study, Bonnie immediately poking their nose into Sif's childhood room dragging Sif along to tell them all about everything in there (Sif is having like all the nostalgia, heart ache and 'genuinely wanting to show Bonnie all the cool things, oh! The toy aeroplane that actually flies =D' moods right now), and Nille and Mira giving the more rummaged areas a quick look over since well. Good odds they may be here a while and knowing where stuff is might be handy.

During this period thinking Mirabelle should have something of a mild freakout for many reasons over the thought that Euphrasie -her mother/mentor figure- could possibly be Siffrin's mindwhammied birth mother because Dormont was mentioned, and the Head Housemaiden never really talks about her past and she knew of Wish Craft, and has that genuinely really rare darkless kinky hair and the hand writing on the note seemed familiar and aaaaaaa!!!! Cue giving Nille a scene of trying to help calm Mira down' mostly by pointing out there's no way they could possibly know the truth right now, pointing out that post the return of colours they can't really be sure what 'darkless' they're even talking about here, and Sif still flinches whenever Euphrasie is mentioned due to how much he associates her with the loops so if they ARE related... It's probably going to be a good long while before they can even consider reconnecting anyway so Mira has plenty of time to sort through her feelings on this, talk to the related parties to confirm if her suspicions have anything to them, and Euphrasie would probably need even more time to process it all than Sif and Mira will put together (good odds she'd currently be going through a massive breakdown/freakout back in Dormont over realising she has a kid she has no idea the identity, well being or anything of).

Mostly out of direct 'scene to scene' stuff at this point but thinking the group end up spending the night in the Observatory, which is MASSIVE and Siffrin sort of manages to awkwardly get across that observatories not directly used for study are always like that because they're basically public churches for Islanders since viewing the guiding light of the stars with others is a holy/community kinda thing but... Also Sif's family on their Dad's side have owned this observatory/the 'star viewing area' on these cliffs for generations and it IS totally normal to spend every other night stargazing with random strangers and to be given near constant lessons on stars and proper behaviour by your Dad so all the other families know you're being properly pious and- Cue everyone being like: 'hey Sif, I think your family might've be a little less 'humble coastal folk' and more 'stupid rich' than you might've realised from the perspective of being a 13 year old, also the notes and diaries in your Dad's study scream political work and someone who arranges a lot of religious stuff' and Siffrin trying to wrap their brain around essentially being the Island's version of Mira but with like, a lot of money on top of that.

Other:

They 100% find the body of someone who killed themselves recently when looking around... Somewhere. (too many days ago for them to have possibly stopped this person but definite confirmation that survivors of the Island might've been hit hard by suddenly remembering and having no support)

Probably meet Undine on the rail system while looking for pockets of survivors still on the island - Undine is doing the same on behalf of the monsters trying to set up a new government so um. Yay happy first contact?

Once Sif's group has met up with the Undertale characters there' definitely gonna be some Sif and Frisk friendship stuff, though probably not before Frisk and Bonnie (and MK?) friendship causes mild craziness.

(...Must have Sif, Isa, Toriel and Sans pun off. I can't write for beans but I MUST! For the PUNS!!!!)

Scene where Siffrin learns the Elder guy who's been looking after all the kids in the Village by Mt Ebott (main area the monsters have set up shop so it'll probably be renamed by Asgore 'Home Town' soon), is their grandfather on their mother's side and a bit of family history. - namely that Sif's mother was half Vauguardian (grandma was sickly and died before Sif was even born), that travelling to other countries and marrying 'outside the island' was seen as something very odd (slight xenophobic attitudes to outsiders?) back in Grampa's day, and a lot of little tidbits about Sif's parents like how his mom loved fishheads so so much, it was Sif's dad who cooked amazing Malanga Fritters with green peppers, the two of them had something of a whirlwind romance bonding over making enchanted things together (dad better at ritual work while mom could just boom! Make things off the cuff without thinking too hard about it) and... yeah. Just... Sif finding one living relative who never, ever expected to see any of his relatives again to boot (also Elder immediately being all 'introduce me to your family- Ah so just like your mother you favor big handsome men! Oh and your little one Bonnie is precious!' the second he gets over the weepy 'I cannot believe it' awkwardness because dang it, Sif deserves to find some additional family on this otherwise incredibly heavy trip)

The exploration into the space warped and Sadness filled Island Capital eventially leads to a lot of weird/heavy revelations about the Island for Sif:

Sif on his dad's side is basically the heir to one of THE big families of the Island (they don't like royalty but the Asterion and Chara families were arguably that in all but name).

His dad was very concerned about the heir of Chara because they were never really seen in public despite the Chara family living in/basically owning the Capital.

There was a genuine fear of the Monsters returning and waging war for the sins committed against their ancestors and a union between the Asterion and Chara families was seen by many as 'Universe ordained' protection against this (Cue Sif having a lot of 'trying not to wonder if my country practiced arranged marriage' squick and really appreciating their parents' choice to keep them well away from the Capital/the really religious types here...)

The Chara family was apparently in charge of protecting and aiding any Monsters found outside Mt Ebott (of which there were actually quite a few!) but according to the official paperwork all of them requested to join the rest of the Monsters under Mt Ebott? (All monsters helping the party point blank state that no one, monster or human, entered the Underground from the Surface before Chara fell)

...Notes on how Monster dust is raw Wish Craft in physical form in the Chara house...

Notes in the Chara house on how the Chara heir wasn't particularly liked, to the point they weren't being given a personal name until they did something to earn it.

Horror lab eventually found in the Chara house. Lots of dusty cages, notes on how people injected with monster dust react to it, etc.

Chara's room. Bare and empty aside from a few potted golden flower plants, a few letters and pictures stuck up on the wall (cue Sif doing a double take recognising their childhood name on some of them -Chara was that penpal of theirs that never responded?), and a few loose floor boards which underneath have scribbled escape plans, very expired food rations, carefully drawn and folded pictures of non human figures crying in cages, and bandages.

--- And... yeah. That last part is very much the 'Chara plotline' stuff kicking in hard but trying to think of little puzzle pieces for Sif and Co to find and slowly piece together into a big old ball of 'Wow, I DO understand why this otherwise very nice and did not deserve this country got accidentally ERASED by this kid actually' hints so um yeah.

Hope you like all the world building/stuff before it gets all 'period horror/drama' at the end there and do feel free to use any of this/give feedback as well. I've spent too long typing this out, my brain is pudding and I'm done on this thinky think train for now XD