#but i don't like it because that's not how i've ever seen it

[always-just-red]

Hii! I've seen some Pregnancy scenario with LaD's men, but I have this HC-- personally for Sylus. That when fem!reader got pregnant, he didn't really understand how the Pregnancy hormones work, until he experienced one and he got confused how he should act or react because it's feels like he's walking on landime, one wrong move/word, she'd throwing tantrum or being sulky at him

I've heard from my Friend who got pregnant before, when she craving something and her Husband showing any form that he can't fulfill what she's craves, she felt her heart broken, and she'd sulk and acted as if he just cheated on her. The problem is, she always craved something that didn't even exist at that moment😂, she's craving certain type of Mango while it's not even that Mango season, so nobody selling it. He literally being desperate to negotiate with her cravings

So... Can I request a scenario smiliar like that? It doesn't have to be mango, or any foods. Just... how Pregnancy hormones or Cravings could make Sylus got frustated lol

Aaaaa anon this is adorable, thank you! We love making Sylus suffer in cute and harmless ways. He's always asking for trouble, so let's give him some! 😌💅

Something Sweet

Sylus x Reader 🩸

Summary: Sylus knows how to get what he wants. Getting what you want might be a little more tricky...

Genre: fluff!

Warnings/Additional tags: female!reader, IMPLIED pregnant!reader (pregnancy not actually mentioned or described- just hormones being hormones ✌), established relationship, canon pet names, a lil bit of roleplay because Sylus refuses to leave his Mystic Adventure era

| Word count: 2.1k | Masterlist |

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

“Sy, d’you know what I’m craving right now?”

“Always, sweetie.” Sylus doesn’t look up from his book. “Not now, though. I’m tired.”

Morning sunlight streams through the gaps in your living room curtains, casting pale yellow shapes over the floor. A shard of it has been inching over the sofa towards Sylus, the sharp edge now grazing the side of his face. He shifts, ever so slightly, away from its touch. His eyes are open but heavy.

“No,” you scold, leaning forwards to swat at him with your book. “That’s not what I meant, you narcissist.”

He chuckles with his usual low timbre— his gaze still not lifting— and the sound is deeper for how close he is to sleep. He wants to give in to it, you can tell. When he turns a page, the movement is languid, soft. You’re losing him.

“Sy,” you say again, then with more of a whine: “Sylus.”

His eyes flutter closed as he draws in a deep breath. His hand raises, his fingers stretching to pull his reading glasses from his face. They’re set down on the arm of the chair beside him, along with the book, and he turns to you with a smile. “What are you craving, sweetie?”

You rest your book on your stomach. Your legs are stretched out over Sylus’s lap, and his hand finds one of your feet, massaging an ache from it as you begin your speech. “Do you remember that café we used to go to? The one we found when it started raining in the park that day? We didn’t think it was open, but then the owner knocked on the window and said we could—”

“Yeah?” His hand moves to your other foot.

“Well, they make these—”

“Macarons.”

“You remember?”

His smile widens like he remembers vividly. “Kitten, how could I forget? I’m still jealous of that sweet little treat. You’ve never made that face for me, and believe me—” he wiggles one of your toes— “I’ve tried.”

That had been one of the only times you’d truly caught him off-guard, back when your feelings for one another were unnamed and uncharted. The rain had been drumming against the café window, and you’d heaved Sylus’s damp coat from your shoulders— giggled at the raised eyebrow and the sarcastic ‘…thanks’ he’d given in turn. One hot drink later, you were lifting a pastel pink macaron to your lips, taking a delicate bite and failing to stifle a tiny, almost euphoric moan.

You remember realising yourself: blushing profusely and expecting some remark, some ridicule, but none ever came. Sylus’s eyes were wide, dark, fixed upon your still parted mouth.

After a few of the longest seconds of your life, he’d dragged the plate with the rest of the macarons away from you and muttered something about how you had better not do that again.

“They’re still the sweetest things I’ve ever tasted,” you tease now, just as you’d wrestled him for that plate back then, set on eating every last macaron.

He makes a hmph as he idly runs a finger over the part of your foot he knows is ticklish. His expression is distinctly grumpy, but it falters as you laugh and try to writhe away from him.

You’re quickly out of breath. “Sylus?”

“Mmm?”

He glances up at you and you smile sweetly, head tilting. “Please?”

His coat on a rainy day. The entire plate of macarons in the end; he’s never been very good at denying you anything. For the first time since you’d stirred him from his book, however, he appears genuinely regretful. “You’re forgetting something, sweetie,” he murmurs gently. “Why did we stop going to that café, hmm?”

You shrug.

“It closed, kitten,” he sighs. “Months ago.”

“What?”

Not only did you already know that— you actually visited the café on its final day. The owner was telling you stories: he was moving somewhere warmer, closer to family, and he needed all the funds he could get. Sylus had snuck an obscene amount of money into the man’s tip jar whilst you acted as a distraction. You both had fond memories of that place; it was nice to make one more.   

It's all coming back to you and you’re struck by a wave of nostalgia. You want to go back there. You can’t go back there. It doesn’t exist anymore, and you’ll never taste sweetness like that again.

Your mouth has gone dry.

“Sweetie?” Sylus prompts, because he notices you’re far away. “Are you alright?”

“Yeah,” your voice wobbles, “I just really wanted… I mean, I really needed one of those—”

“… Macarons?” he finishes for you.

You burst into tears, and one day, you’ll tally this as another time you took the man by surprise. His face drops instantly— lost, for a moment— before he slides your legs from his lap, allowing him to lean closer. “No, no, no,” he coos, “don’t cry, kitten, please. I didn’t mean to… well, I didn’t realise…”

He doesn’t know what to say, and he always knows what to say. He set you off with a single word and now he’s stuttering like sentences are all possible landmines. He tries his luck again, putting a foot forward: “Listen to me. I’ll go to the store. Would that be alright? Or perhaps there’s another café that could—”

You explode: sobbing even more viscerally. Your whole body shakes with it.

Sylus has frozen. He watches on helplessly as you cry, blabbering about the macarons you can’t have and the café you can’t return to. Across the room, even Mephisto has hunched down on his perch, though he issues a few, spirited squawks, maybe in solidarity with your breakdown, or maybe in protest of it.

It’s like a catalyst. You cry more: burying your face in your hands because what the hell is wrong with you? It’s not a big deal. It’s not a big deal, so why do you feel sick? And then there’s Sylus— your Sylus, devoted and adoring— and here you are, punishing him for something beyond his control.

You look up from your hands, desperate to apologise, but he’s gone. More shards of sunlight paint his empty seat and catch all that’s left of him: a few crow feathers, glistening like onyx. Mephisto is gone too, and the room is quiet, save for you snivelling and feeling sorry for yourself.

“Sylus?” you call out into the empty morning.

It isn’t his fault, not really. You wouldn’t want to be around you, either.

…

Something brushes over your cheek, and your tired eyes open.

The sun has ebbed back behind the curtains and the ceiling light has taken its place, casting artificial highlights over everything in reach: the coffee table, the closed-up flowers at its centre and a mug of tea that’s gone cold. Sylus is in front of you too, backlit and soft like a daydream, and he—

He left you.

“Sy?” you whisper warily, because the context is coming back to you slowly, piece by piece.

“Hey,” he coaxes, voice as honeyed as whatever’s turned the air sweet.

You blink, rubbing sleep from your eyes and relishing the warmth of his hand on your face. Then you slap his shoulder. “Hey, really? That’s all you’ve got— hey?”

He’s kneeling for you— on the floor, beside the couch— so you can meet his eyes. He settles his chin thoughtfully on the edge of the seat, his nose almost touching yours. “What would you prefer, sweetie?” His lips are close to yours too. “Good evening, my beloved? Greetings, my queen?”

“How about sorry?” you snap, because he isn’t cute and he isn’t charming.

He pouts. “Why sorry?”

“Because you left, Sylus!�� You sit up straighter, and your phone tumbles out of your lap. Its screen is still lit-up from a few hours ago, showcasing a very one-sided conversation and a rant you never actually sent, because it’s still in the text box.

You vaguely recall writing it, so you try to snatch the phone from Sylus’s hand as he plucks it from the floor. He’s more alert than you. More co-ordinated. He keeps it out of your grasp as he reads the unsent message, an eyebrow raising.

It was a lot of things— colourful, creative— not entirely tasteful. “My, my, your highness,” he tuts, “so this is the treatment your valiant knight receives for undertaking your quest?”

“You’re not valiant,” you rebuke, and you manage to wrestle your phone from him. “You’re—”

“A heartless prick,” he finishes casually, quoting your message with a chuckle. He takes your free hand and kisses the back of it, refusing to let you pull away. “And whose fault is that, I wonder?”

“You can have your heart back.”

“Nope. You’re stuck with it, sweetie. With me, too. Now—” he sits back on his knees— “would you please ask me about my quest?”

The analogy is lost on you. You sit fully up, looking down at him. “What quest, oh valiant knight?”

His lips form a smirk; he just loves when you play along. “Close your eyes.”

You do— whether you’re queen or not. You hear him shifting aside, and then there’s a snap of his fingers. The air changes, warping like thick, liquid smoke, and you know he’s using his Evol. “Open,” he commands.

And there on the coffee table, freshly teleported, is a plate of macarons the colour of cherry blossoms. As if anticipating the comparison, Sylus pulls a handful of pink petals from his pocket and blows them up into the air so they can spiral down on the scene. He watches them. Then you. “Ta-da,” he proclaims, his tone dry but full of humour.

You’re prone to hyperbole nowadays, but this is without a doubt the best thing you have ever seen.

“Sylus,” you gasp in disbelief, “how did you—”

“It doesn’t matter,” he says; the story isn’t for today, and he’s very, very tired. A few weeks from now he’ll tell you about how he tracked down the contact information of the owner of the old café. How he spent an hour on the phone bargaining for a certain macaron recipe, and several more hours in the kitchen, trying to get them perfect. “Now, they might not be exactly the same, sweetie. But I did try to—”

You surge forwards, capturing his lips in a kiss. It’s so impulsive— so reckless— that you almost tumble down from the couch, but he catches you, steadies you, and your hand is gripping the soft of his hair as he kisses you back. Slowly, his mouth not leaving yours, he lifts you back into your seat.

“Easy, sweetie.” His voice is low as he pulls away, and though he turns his face from you, you can make out the blush on his cheeks. He settles back into his kneeling position on the floor. “I have one more surprise for you. Do try to control yourself.”

He retrieves a small, complete flower from his pocket, albeit one a little dreary from its journey. Sylus smiles triumphantly as he holds it out to you, and he was right; you do want to throw yourself at him. Instead, you take the flower and lean forwards, tucking it behind his ear before he can protest. He’d tilted closer to help you, and he sits back with an exasperated tsk when you’re done.

“It suits you,” you grin.

He yawns. “Everything does.”

You don’t want to get into trouble, so you shimmy to the very edge of your seat and carefully— showing tremendous restraint— reach out to take his face in your hands. “You’re amazing, Sy. Thank you for doing all of this for me, but…”

“But…?”

“I missed you. I like macarons, yeah,” you smile, “but I’d much rather have you.”

This time, he can’t hide his face and the way it goes pink, like the blossom behind his ear. His cheeks are warm beneath your palms. “You couldn’t have said that before I spent the whole day—”

His voice is strangled as you keel towards him— slow and deliberate— to thread your arms around him and pull him into a hug. He tenses for a moment, then wraps his arms around you too: holding you tightly, keeping you from falling any further. You can feel his hand stroking your back and he hums as you give him a gentle squeeze.

“Such a lovely moment, kitten,” he muses, your head on his shoulder. “I do hope it’s sincere, and not— say— an excuse for someone to get her paws on the macarons behind me.”

There’s another moment of quiet.

“Don’t be silly, Sy,” you retort, but your mouth is full, your cheeks are stuffed, and not a single word of it is intelligible.

[mostlysignssomeportents]

Christopher Brown’s ‘A Natural History of Empty Lots’

On SEPTEMBER 24th, I'll be speaking IN PERSON at the BOSTON PUBLIC LIBRARY!

Christopher Brown is an accomplished post-cyberpunk sf writer, a tech lawyer with a sideline in public interest environmental law, the proud owner of one of the most striking homes I have ever seen, and an urban pastoralist who writes about wildlife in ways I've never seen and can't get enough of:

https://fieldnotes.christopherbrown.com/

All of these facets of Brown's identity come together today with the launch of A Natural History of Empty Lots: Field Notes from Urban Edgelands, Back Alleys and other Wild Places:

https://christopherbrown.com/a-natural-history-of-empty-lots/

This is a frustratingly hard to summarize book, because it requires a lot of backstory and explanation, and one of the things that makes this book so! fucking! great! is how skillfully Brown weaves all that stuff into his telling. Which makes me feel self-conscious as I try to summarize things, because there's no way I'll do this as well as he did, but whatever, here goes.

Brown is a transplant from rural Iowa to Austin, where he set out to start a family, practice tech law during the dotcom boom, and write science fiction, as part of a circle of writers loosely associated with cyberpunk icon @brucesterling. After both the economy and his marriage collapsed, Brown started his restless perambulations around Austin's abandoned places, sacrifice zones, the bones of failed housing starts and abandoned dot-crash office parks.

When he did, something changed in him. Slowly, his eyes learned to see things that they had just skipped over. Plants, animals, and spoor and carapaces and dens of all description, all around him, a secret world. These were not pockets of "wilderness" in the city, but they were pockets of wildness. Birds' nests woven with plastic fibers scavenged from nearby industrial dumpsters; trees taking root in half-submerged tires rolled into a creekbed, foxes and rodents playing out a real-life version of the classic ecosystem simulation exercise on the edge of an elevated highway that fills the same function as the edge of a woodland where predator and prey meet.

As Brown fell in love again – with the artist and architect Agustina Rodriguez – he conceived of a genuinely weird and amazing plan to build a house. A very weird house, in a very weird place. He bought a plot of wasteland that had once housed the head-end of an oil pipeline (connected to a nearby oil-storage facility that poisoned the people who lived near it, in an act of wanton environmental racism) and had been used as a construction-waste dump for years.

After securing an extremely unlikely loan, Brown remediated the plot, excavating the oil pipeline, then building the most striking home you have ever seen in the resulting trench. Brown is a pal of mine, and this is where I stay when I'm in Austin, and I can promise you, the pictures don't do it justice:

https://www.texasmonthly.com/style/christopher-brown-edgeland-house-austin/

Formally, A Natural History of Empty Lots is a memoir that explains all of this. But not really. Like I say, this is just the back story. What Natural History really is, is a series of loosely connected essays that explains how everything fits together: colonial conquest, Brown's failed marriage, his experience as a lawyer learning property law, what he learned by mobilizing that learning to help his neighbors defend the pockets of wildness that refuse to budge.

It's an erudite book, skipping back through millennia of history, sidewise through the ecology of Texas, all while somehow serving as a kind of spotter's guide to the wild things you can see in Austin – and maybe, in your town – if you know how to look. It's a book about how people change the land, and how the land changes people. It is filled with pastoral writing that summons Kim Stanley Robinson by way of Thoreau, and it sometimes frames its philosophical points the way a cyberpunk writer would – like Neal Stephenson writing a cyberpunk trilogy that is also the story of Leibniz and Newton fighting over credit for inventing calculus:

https://memex.craphound.com/2004/11/20/neal-stephensons-system-of-the-world-concludes-the-baroque-trilogy/

Brown is a stupendous post-cyberpunk writer, and also a post-cyberpunk person, which I've known for sure since I happened upon him one morning, thoughtfully mowing his roof with a scythe:

https://www.flickr.com/photos/doctorow/46433979075/

You can get a sense of what that means in this lockdown-era joint presentation that Chris, Bruce Sterling and I did on "cyberpunk and post-cyberpunk":

https://archive.org/details/asl-cyberpunk

Brown is a spectacular novelist. His ecofascist civil war trilogy that opens with Tropic of Kansas got so much right about the politics of American demagoguery and was perfectly timed with the Trump presidency:

https://memex.craphound.com/2017/07/11/tropic-of-kansas-making-america-great-again-considered-harmful/

The sequel, Rule of Capture, uses the device of courtroom drama in a way that comes uncomfortably close to the Orwell/Kafka mashup that the authorities have created to deal with environmental protesters:

https://memex.craphound.com/2019/08/12/rule-of-capture-inside-the-martial-law-tribunals-that-will-come-when-climate-deniers-become-climate-looters-and-start-rendering-environmentalists-for-offshore-torture/

And the final volume, Failed State, is one of the most complicated complicated utopias you could ask for. This is what people mean by "thrilling conclusion":

https://pluralistic.net/2020/08/12/failed-state/#chris-brown

As brilliant as Brown is in fiction mode, his nonfiction is unclassifiably, unforgettably brilliant. A Natural History of Empty Lots is the kind of book that challenges how you feel about the crossroads we're at, the place you live, and the place you want to be.

The paperback edition of The Lost Cause, my nationally bestselling, hopeful solarpunk novel is out this month!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/17/cyberpunk-pastoralism/#time-to-mow-the-roof

[ashwhowrites]

Hi! I'm so happy that you're inbox is open! I love your fics 💜

I have a few ideas for request but I don't want to overwhelm your inbox 😅

I thought about Eddie x fem reader where reader is not into PDA and all of Eddie's friends are telling him that reader is not into him and he should let her go. They don't believe Eddie saying the reader is crazy about him like he is about her.

She cares about him, help him with homework and even put his socks on when he's napping during movie night. Eddie's friends think that he sees her through rose colored glasses.

But one time Gareth or someone else saw how she threatened cheerleader that was telling shit about Eddie.

Or other time Gareth came to trailer park because Eddie had a cold and he was shocked when he saw reader taking care of Eddie.

Thank you for you time!

I hope this is what you wanted and you enjoy it. Thank you for requesting 🫶🏻

No PDA

Eddie found himself in a new relationship with Y/N, she was a cheerleader and popular. Their relationship was a shock to everyone and Eddie's friends were skeptical.

Gareth was suspicious from the start. To him, it was weird that Eddie and Y/N didn't act like a couple. They have been together for a few months and Gareth had never seen them do anything more than talking. He didn't think he had ever seen them hold hands or kiss, they looked like friends.

He had talked to Eddie about it many times but Eddie always said that Y/N was crazy about him and there was nothing to be worried about. Gareth wasn't sure if he could believe that without seeing it with his own eyes.

Eddie knew Y/N loved him. It was obvious in the way she took care of him. She wasn't much for public display of affection and Eddie was cool with that. He felt loved by her in different ways. She stayed late to help him with homework, bought his favorite snacks at the store, and always let him pick the movie for date night.

~~~

Gareth was walking down the hallway when he heard the sound of arguing. He looked around the corner and saw Y/N and another cheerleader getting into each other's faces.

"Keep his name out of your mouth. I'm not going to let you talk shit about my boyfriend. If I hear you say anything about him again, I'll get your ass kicked off the team."

Gareth watched as the other stomped and walked away, Y/N looked proud of herself as she walked in the other direction.

Well, Gareth had to give her a point there.

~~~

Eddie came down with a bad cold so he couldn't go to school. Gareth, as his best friend, collected all his homework and planned to drop it off. He stopped at the store for medicine and soup, just in case Wayne was too busy to grab some.

Gareth was confused when he saw another car parked in front of the trailer. He carried the bag of groceries and endless homework. He knocked on the door and called out for Eddie.

But Eddie didn't answer the door, it was Y/N.

"Hey Gareth, come on in," she said, a polite smile on her face

"What are you doing here?" Gareth asked, setting down the groceries on the table

"Taking care of Eddie," she laughed, "Homework and food?" she asked as she began to take out the food from the bags

"Uh yeah, I wasn't sure if Wayne would be able to take care of him," Gareth explained

"Yeah, he's at work, thank you for grabbing all of this. He's in his bedroom if you want to see him."

Gareth nodded, watching as she began to make soup on the stove. He walked towards to Eddie's bedroom, shocked to see how clean it was.

"I don't think I've ever seen your room so clean," Gareth said in awe as he walked in

Eddie tried to laugh but it came out as a harsh cough, "Yeah, Y/N cleaned while I slept."

"I brought you your homework and some soup," Gareth said as he put the books on Eddie's bed

"Thanks, man," Eddie said through sniffles.

"So how long has Y/N been here?" Gareth asked, standing near the door so he didn't catch anything.

"All day, once I told her I was sick she drove over here and has been taking care of me all day. Even put my socks in the dryer so they can be warm!" Eddie gushed, wiggling his toes in his warm socks.

"So she uh, really takes care of you, huh?" Gareth asked

"I told you, she cares about me and loves me. She prefers to do it in private," Eddie said, "and other things in private," he added as he wiggled his eyebrows

"Eddie, don't be a perv," Y/N said as she walked through the door with a bowl of hot soup

Eddie rolled his eyes but happily took the bowl of soup. He sat up as she set the bowl in his hands.

Gareth watched as Eddie ate his soup, and Y/N pushed back his hair to feel his forehead.

Maybe he should have believed Eddie in the first place

Tags!

@bmunson86 @mxcheese @ladymunson @michaelfuckinglangdon @z0mbie-blah @biittersweet @mirrorsstuff @somethingvicked @micheledawn1975 @ago-godance @magnificantmermaid @tlclick73 @hargrovesswifee @cityofidek @silky-luxe @lokiofasgard616 @loving-and-dreaming @eddiemunsonsbitch69 @thegemaqua @ashlynnkennedy @strangerthingsstories5255 @harringt8ns @pleasinghellfire @whoscamila @stusdollface93 @gretavankleep37 @bellaisswagger @arlxt @ineedmentalhelp123

[eye-in-hand]

Gonna be honest - because despite making it onto a "zionist" block list (which lbr. Is just a list of Jews who stand up for themselves and other Jews), I've never actually identified as a Zionist - publically or otherwise. My concern is Jewish safety. Countries come and go.

That being said however, I've opened up a space for antizionist Jews to talk about their ideas of making the world safer for Jews and have never heard from a single one. I've heard the argument that "Israel convinces Jews in the Diaspora that we need it to be safe" but I've never seen a proposal to what Jewish safety looks like without the state of Israel.

My support of Israel is less the support of a state itself but more my belief that all indigenous peoples have a right to self determination in their native land. Period. This applies to all indigenous peoples wherever they're from regardless of how long they've lived in diaspora.

But the question of Jewish safety is important, and the only ones I ever see talking about it are Zionists.

So if not Israel, what will keep Jews safe? Where do the Jews being killed or expelled from their countries go if not Israel? And why don't Jews have a right to self determination in their native land?

This is not advocating for killing Palestinians or an ethno state. If you don't know the difference between Zionism and Kahanism you have already forfeit your opinion. And if your opinion relies on historical revisionist propaganda you have also forfeit your stake in this conversation.

[reonnex]

The infantilization of book!Wylan and show!Wylan really needs to be looked at.

This isnt a call out, or trying to hate on anyone, just an overall thing I've seen throughout being in this fandom

In the books while Wylan is a child he is also 16. People underestimate him into innocent and even younger. And while he is naive, this does not make him innocent. He has his own morals, own judgment that havent been ripped away from him yet. He is just trying to survive.

People use the "we could wake them up line" a lot snd I agree! But to also look at the full lines as well

Wylan gestured to the guards. "Is it safe to leave them, you know-"

"Alive? I'm not big on killing unconscious men."

"We could wake them up."

"Pretty ruthless, merchling. Have you ever killed anyone?"

"I'd never even seen a dead body before I came to the Barrel." Wylan admitted.

"It's not something to be embarrassed about," Jesper said, surprising himself a little. But he meant it. Wylan needed to learn to take care of himself, but it would be nice if he could do it without getting on friendly terms with death."Make sure the gags are tight."

This isnt him being ruthless. Its him being logical. He is taking what Jesper says to heart. Wake them instead of killing them unconscious. Which they do end up tying the soldiers to the pole and leaving. Him having morals shouldn't contribute to claims of him being innocent.

Wylan is worried about hurting people but will do so if nessecasry to save his friends. We can see this in the show and books. In the show he does not want to make bombs for Kaz, but does so in the end because he acknowledges he has to survive. He is worried about Alby, but goes along with the plan still.

All these are what makes Wylan, wylan. It is his fundamentals, his morals and idels. They are not however claims to see how sweet and innocent he is and how he was corrupted.

Ontop of this, while it is never y it is hevaily implied that Wylan is also autistic. (Also, correct me if im wrong please, but im pretty sure Jack did talk about this.) Autistic people get infantilizated already, and I've had my own fair share of this as well. ( I am autistic and have a learning disabilitiy, as well a speech impedament that I still struggle with.) I have to work harder to make sure people treat me as a twenty year old. Because that is my age, and there is a significant difference in attitude in how people treat me when they know im autistic, and when they don't.

And for Wylan, I feel like its the same issue. While it may not be intentional, ive been people coo over the fact Wylan has done simple tasks or teen experiences. Him having Jesper read to him, getting flustered when talking to him, Wylan not understanding social cues as well as others and taking things to face value.

You can be excited for him and think it's sweet, but to also acknowledge that there is a line between "Thats adorable" and "He's adorable." Wylan is someone who is neurodivergent. He was extrmetly sheltred as a child and was never given the proper tools to help his dyslexia, due to this he has struggles that shouldn't be overlooked or seen as "cute" when he experiences outcomes due to the situation he was in. Whenever he doesn't understand social cues, i.e., "Whos mark." People giggling and saying it's silly or cute when he doesn't understand the cues. That's infantilizating! You are viewing things he struggles with in the lens of watching a child understanding the world. Which Wylan isn't. He is a teenager, no matter the circumstances. His age should be understood.

This infantilization also effects wesper in how people view the two of them. Many people view black people as "older, the man in the relationship, rugged" while the white person is seen as the "women, younger, more innocent."

Infact, I think the show only worsned it for Wylan. As now there are faces to names.

Jack does have a youthful face, but still looks his age. I have a babyface and even now at 20 I look much older then I did at 16. The same goes for Jack. He cant control how he looks but because of his youthful features people only push for this racially hetaronormative mindset more between Wylan and Jesper (Even if its untitional).

Even Kit looks his age as well and has a baby face. He's 29 right now but was in his mid twenties during filming. Season 1 was filmed back in 2019 but due to covid post production got set back, and season 2 was filmed in the beginning of 2022. But why is it only Wylan who is infantilizated? Jesper struggles just as much with his ADHD and trauma as Wylan does.

Jack and Kit are only one year apart, the same in the books but still ive been Wylan be portrayed as the "poor innocent child who was abused." and Jesper as the "he needs to get over his addiction hes a grown man/ he's too mean to Wylan."

In society now so many black teens are seen as adults and treated as such, while white teens are seen as younger and not pushed so hard. The same can be seen for wesper.

Ive even seen people on Tiktok and other socials claim that Jesper was rude to Wylan and abusive. (WHERE???). Both Wylan and Jesper have said things that hurt the other, and they both apologized for it, and get grilled as well. In the show and books they learn and grow. The infantilization of Wylan doesnt hurt just him but plays into racial stereotypes and also microagressions. Why is it that when the white character is calling someone out its "deserved" but when the black character (who might I add had no idea) makes a side comment he is labled as cruel and abusive?

In so many shows and books the black character is usually portrayed as the joker character. Six Of Crows does this as well, which is something important to not ingore. Jesper is seen as the flirty joke character. However the only difference is soc also show more sides to his character by letting him be vulnerable. Letting Jesper show his struggles to the audience as well, how his neurodivergece effects him, letting him dress in skirts and bold colors that step away from the gender norm. So many times in media the black character is just there for shits and giggles, or is used as the villan/antagonist.

It believe its really important to understand this, and to acknowledge if your infantilizating him, or even using microagressions on Jesper unintentionally, then to learn to understand why and to grow from them.

[fuck-customers]

⭐ I work in a specialty hospital for pets. We take care of cats and dogs with issues like cancer, heart disease, and major injuries, to name a few. We're not a regular vet where you go for checkups. It isn't unusual to see bills costing thousands of dollars. The smallest bill I regularly see is still $200+, while the biggest I've ever seen was more than $20k (that was a single visit, not counting the thousands they spent before getting to that point). All that said, I still hear from clients that we're cheaper than our closest competitor. It's just an expensive business to be in.

As you can probably guess, there's a lot of heartache in this business. While most of our clients can afford the $200 first visit, many can't afford to follow through on their pet's treatment, regardless of how much they love them. Which means they have to make very difficult decisions, or, more realistically, those decisions are made for them based on their financial realities. So while it's painted as a choice, it really isn't.

And that's the worst part. The fact that they're here at all is proof that they deeply love their fur baby and want them to get better. And we're telling them it IS possible, but we need that $$$. And that sucks. That SUCKS.

That all brings us to today. A new client came over to pay his $1,500 bill (which I personally could not do, so he's clearly better off than I am) and starts complaining about the pricing. I don't set the prices, but I understand wanting to complain. But then he said "what happens when someone can't pay?"

And it's like. I mean. It's not some mystery. It's quite easy to figure out on your own. If someone can't pay, then their pet doesn't get treatment. If their pet doesn't get treatment..... well, that depends on the specific issue, but a lot of the time it means they die. Maybe not immediately, but they're on their way, y'know? If they can't pay, they go home.

So I'm trying to tastefully explain that, and he gets more upset and starts yelling that our prices are killing pets. That we could save more pets if we lowered our prices.

GOLLY GEE, WHY DIDN'T WE EVER THINK ABOUT LOWERING THE PRICES? IT MUST BE BECAUSE WE DON'T CARE ABOUT PETS. WE DON'T CARE ABOUT POOR PEOPLE. IT DEFINITELY ISN'T BECAUSE THIS IS THE REALITY UNDER CAPITALISM AND WE'RE DOING OUR BEST. AND OF COURSE OF COURSE OF COURSE, ALL OF THIS IS MY FAULT, SPECIFICALLY. CLEARLY I, AN ENTRY-LEVEL EMPLOYEE, AM THE ONE MAKING THESE DECISIONS, AND IF YOU MAKE ME FEEL BAD ENOUGH, I'LL FIX IT.

Jfc man. Go yell at someone higher up. Go yell at your elected officials and demand universal healthcare for pets. But this shit is already hard enough, and yelling at me while also asking very emotional questions isn't remotely productive. Fuck you. I hope your dog is doing better.

Posted by admin Rodney

[utilitycaster]

Do you think the god debate and narrative around it in C3 would be more compelling if Ludinus only focused on killing the Betrayer Gods a la Cassida? As many pointed out, the impact that Primes have on mortals is largely positive. Aside from cool abilities, they give healing, meaning and comfort to their followers. Up until very recently (Braius) we haven't seen Betrayers do much of that and their followers are, more often than not, people who would cause great harm to others.

I actually do not. There's multiple questions in here, and honestly I could probably write 5000 words on any of them, which I'm not going to do, but I will split this up into components.

First: I don't think Ludinus is the problem at all. He is unambiguously the villain, but he is always narratively compelling. It is fun to make fun of him because he is genuinely a fantastically crafted villain. When I dunk on villains who are boring, it's nowhere near as fun because all you can say is "wow what do you even do. boring-ass" whereas Ludinus is full of interesting possibilities and hooks to be like how can you be so smart and have lived for so long and seen so much and come to the fucking worst conclusions. There's a reason why people have been side-eyeing him consistently since at least his first speaking appearance in Campaign 2, if not his first appearance ever, in Felderwin, and it's because he's a great character who I hope dies horribly. So his motivations are fine. I'm not saying the possibility you suggest wouldn't be a very interesting different story, but my complaints about narrative and the gods debate do not require anything different from Ludinus, who has been a consistent bright spot within the muddied narrative by being a consistent blot on Exandria and also sometimes the moon.

The narrative and the god debate are intertwined - the issue is a dull indecision that plagues both of them - so I'm splitting this one up a little differently.

What do I as a viewer think is the most reasonable stance regarding the gods based on my understanding of the worldbuilding of Exandria?

What is interesting to watch?

And therein lies the problem. I, as a viewer, think that killing the gods is a bad idea, and I've articulated this in various spaces and am not going to write another 5000 words about it right now, but between the events of past campaigns; the events of this campaign including Downfall; who within the narrative supports the choice to not kill the gods; and the complete uncertainty regarding the fate of existence let alone mortaldom should they be killed or chased away I have come to this position. Any counter-argument tends to rely either on entirely false statements, or a nebulous "a better world is possible" without any assurances that the allegedly better world is, in fact, probable. Ironically enough, I am not willing to take a leap of faith.

But as for what's interesting to watch? That's an entirely different story. My issue with the the gods debates is that they are endless, circular, indecisive, and between the least informed group of PCs we've had by a large margin. They say the same 5 sentences in different words over and over. It's like watching a bunch of high people while you're sober. It only hits hard if you're stupid. For more on this see here and here. If Bells Hells had decided 30 or 40 episodes ago to side with Ludinus, or to try to only kill the Betrayers, or to oppose Ludinus but kill the gods? Great. Fantastic. I'm not saying I wouldn't have had my critiques of it given the worldbuilding setup as described above, but I think it would have held up infinitely better as a standalone story, at least, than it does now. My problem is that instead they had endless circular indecisive conversations during a bunch of (comparatively much more interesting) fetch quests, finally came to some kind of conclusion that gave the end game some structure and direction like 4 episodes ago, and then had yet another wrench thrown at them. And convention panels and Cooldown have consistently confirmed my suspicions about the lack of planning in the places where this campaign really needed it. In my conversations after the latest episode, multiple people independently used the term "sludge" to describe their feelings about the plot.

In actual play, I want characters who have clear conviction and make bold and decisive moves because handwringing forever in such a slow-moving medium is excruciatingly boring. Like, do I think Percy in the Briarwoods arc is making good, informed decisions that make him a moral person? Absolutely the fuck not. Do I think the story where he's shooting first and asking questions later is infinitely superior to one where Vox Machina can't decide what to do for 50 episodes? Yeah.

The god debates are ultimately a symptom of this narrative aimlessness. The lack of an answer is the problem, not what the answer is.

[factual-fantasy]

27 asks! Thank you!! :}} 🔮

Oooo very cool! I hope you have fun with it!! :DDD And as for how I make a story it kind'a depends-

For Grimace, Sylvester and the rest of the gang.. well that was just my Violet team. I gave them personalities that I thought would suit them and just.. went from there I guess? <:D

For Conkeldurr, Zuora, Emboar and the 4 piglets.. well, it started with just thinking about Conkeldurr and how much I like that Pokémon. I pictured him as a Gentle giant and imagined how fun it would be to draw him with some other tiny Pokémon that he adopted. I went through the Unovan pokédex and picked a Zuora because she was small and fluffy <XD

After making a post about them I wanted to give Conkeldurr a friend. Well I like the Emboar line so hey why not do that? She can be a mama Emboar to switch it up and she can have 4 kids. Why not? Since I didn't draw her in that first post, I made the story they they went their separate ways for a time but now they're back together.

I honestly don't have solid concrete advice I can offer- I just think "hey this would be neat" and slap it on there. Or I think "hey this scenario would be fun to draw" and so I structure the events and story to make the characters run into this scenario in a reasonable way. That's really all I do.. <:D

@beryl-shade

I've seen Markiplier play it :0 Its.. well its something! <:D

(Referencing this post)

<XD I never understood why they made him Spanish, the sudden guitar noise is always a jumps care XDDD

@shiny-is-miney

Humans do not exist in any of my Octonauts AUs, nor have they ever <:/

@catain-skyler1987

I do not <:/ sorry!

@nwo-metalscottic

Daww,, thank you 🥹🥹🥹its been rough these past.. how ever many months- my health is still poor and I still am glued to my bed/the couch 24/7.. but I'm hoping to finally see some improvement soon.. and I hope you feel better too! <:))

Any who, I'm glad to hear your views on Conkeldurr! :D Some people can be kind'a harsh :x As for the Tepigs, I can see them sticking around even after evolving into Pignites. They love their mama and would have no desire to leave her.. 🥺

As for what threatens them.. when they were apart, I kind'a image any meat eating Pokémon that thinks they could take them in a fight would be a threat. Or perhaps territorial Pokémon or protective parents that would see a big Pokémon coming near and just attack on instinct.

Now that the two of them are together, they have a lot less trouble with random Pokémon. They're a much bigger challenge to take on as a team. Plus I can see Zuora walking with them disguised as a second Emboar or Conkeldurr. Creating a group that looks like three macho parents that will fiercely protect their piglets.

As for the Minecraft movie, here's the thing about the Piglins. In the actual game they turn into Zombie Piglins the moment they leave the Nether. Why are they still normal Piglins despite running through a village??

And a Netflix show... uhg.. I'm just not interested. I feel like Minecraft looses all its charm when you convert it into a show or movie. And especially if you mess up Steve as badly as they did. Jack Black.. that's the worst casting I can think of.🤦

This is so cool! It feels like it could be canon to the Pokémon universe! :DD

Also thank you so much!! :)))

I have! :0 I watched 8-bitryan play some of it! :) ALSO THANK YOU!! :DDD

@cicutagreninja

WOW!! :00 THANK YOU SO MUCH!! :DDD I plan to return to it someday!! :)))

@astaherussy (Referencing this post)

I think I put that on almost out of habit <XD when I picture old abandoned houses I imagine notes stuck to the door warning of debts and bills that need to be paid lest the owners get evicted. So I drew that because it felt fitting!

..Only just now did I realize that the old owners were supposed to be a mystery.. if there was any at all. So having that note on the door doesn't really make sense.. 😅

ALSO WAAHG THANK YOU!! :DDD

I've seen the FNAF movie and I've seen multiple Youtubers play all the FNAF games. Though I haven't played through any of them myself. :00

As for what I thought of them.. I have a place in my heart for all the games. From the lore jumbling ruin DLC, to the classic first game, I'm a total sucker and I love them all.💞💞

The movie wasn't as bad as I feared it would be. I adored the inclusion of MatPat and the intended inclusion of Markiplier. There were some aspects I didn't like and a lot of missed opportunities in my opinion. And of course the lore is all outa whack..

None the less, I think the movie is charming. And my love for FNAF has only strengthened upon the movies release :))

@i-only-created-this-to-read

Since Metagross isn't in Black/White (Its in Black/White 2) I wont be looking into that species for a bit.. and I wont be looking at Mega evolutions-

As for a Quantum slime equivalent, I have no intentions to make equivalents for all the slimes- I didn't add trubbish to be an equivalent to pinks. I just noted that Trubbish are a common slime that can eat anything, just like pinks are :0

The slimes and foods I add will be their own thing. Not intending to replicate or replace any of the canon slimes or fruits/veggies/meats from slime rancher. If that makes sense-

@petrichormeraki

I don't really have any proper name ideas for them 😅 I've just been calling them the shiny one, the normal one, the runt and the big one. XDD

Also thank you!! :DDD

Oooo that's really interesting actually! :000 That would have been a much more tame version of my Zuoras story <XDDD

@pigeonsplural

SLAKJDJ THANK YOUUU!! :)))0

*plotting noises......

(Referencing this post)

This ask will be very relevant soon.. 😈 Also thank you! :)))

@roughsketch2010

WAHGG THANK YIU SOMUCH!! :DDD

@kermit-ydafrog

Daww 🥹 Thank you! MY question is why are you so kind?? :DDD

I've heard of it and seen a lot of fanart, but i never got into it myself😅

Thank you for remembering my boundaries and respecting them! <:) And yeah that paints a pretty vivid picture in my head XDDD

@holly-opal

He would have been a better voice for Bowser then Jack Black in my opinion..

@fandomcenteral

WAAHHG THANK YOU SO MUCH!! :DDD And its still a surprise to me that I'm considered a celebrity :00 I hope people aren't intimidated to send me asks because of that.. <:D

@muncho1234 (eye post in question)

Peso, Dashi, Tunip and Ranger Marsh have no eye bags because they have decent sleeping schedules and diets. :0 The rest of the characters either have poor sleeping schedules, deal with a lot of stress, or are very hard workers and burn up all their energy throughout the day.. :(

Oh boy 💀

@minnesotamedic186 (Eye studies post) (Kwazii and Calico Jack hug post) (Ranger Marsh jump scare post)

WAAHGG THANK YOU!!! :DD I ALWATS LOVE IT WHEN PEOPLE NOTICE THE DETAILS I PUT IN!! :))))

@caronaro-flipaclip

<XD While I agree with this, I cant help but get red in the face when people like/reblog my old artwork.😅😅 And there's nothing wrong with that! It just shows how far I've come! :)

[downbaddetective]

I'm finally coming back to one of my previous posts. (Thank you to @m-eowdy for the reminder to finish the thought. I'm sorry if it's a little disappointing after the wait.)

Specifically these two shots of Edwin being completely covered in our two most important colors, because the symbolism here is significant to me.

I lost the original thoughts that I had (unfortunately migraines make me forget things) and by the time I was feeling kind of okay I knew that there were things I wanted to say but couldn't remember how. So, instead, I sat and rewatched the show, taking notes so that I could make sure that I wasn't making anything up.

So, color symbolism in this show is so stupidly important, and it's called out by characters in universe (thank you, Niko). We obviously see our characters in their colors, Edwin in blue, Charles in red, Crystal in purple, and Niko in pink. But it's also not that cut and dry. Edwin, in all reality, is very grey, Crystal wears a lot of different colors, and so does Niko. Obviously, part of that is because the girls aren't dead and have to change their clothes, but the colors that are worn are still significant to their state of mind and the events happening around them. With Edwin and Charles, it's very similar, though a little different. Charles' red gets darker as he is more and more affected by what happens at the Devlin house. Edwin, though, barely shows his blues most of the time, but when he becomes vulnerable, he sheds his grey layers, and we see it a lot more.

Now, I think that it's worth mentioning that Edwin and Charles swap their afterlife colors, so when they look at each other, they see their afterlife. The red and blue also give us clues as to things that they're hiding. Red being often associated with anger and blue with sadness. That being said, I'm now getting to the symbolism in the fact that Edwin is one of two* characters to be washed in both hell's red and death's (heaven's?) blue like this.

Edwin's entire journey is kind of impeded by the fear of getting caught by the afterlife and being sent back to hell. Red is his constant source of fear, hell being the biggest example, but Charles in his red is also the cause of Edwin's issues. Charles is the reason why both the Cat King and Monty have some type of red associated with them during interactions with Edwin. These colors are omens for Edwin. Charles essentially shared his blue afterlife light with him. They were meant to be detectives together, and that's where it all starts, right there in that attic. The red, on the other hand, is indicative of the bullshitery that is incoming, including the worst-case scenario, aka BEING DRAGGED BACK TO HELL. RIGHT THERE. IN THE APARTMENT THAT THEY GO LOOK AT RIGHT AFTER THIS. (Even though it is definitely at least partially his own darn fault.) The fact that we see these two scenes out of order also indicates that by the end of it all Edwin has overcome the previously stated bullshitery. We see Edwin interact with these two colors as a collective much more in the show, and it's seems it's because this was Edwin's time to learn and grow, and I suspect that if we get a season two at some point, we will see that flip so that Charles can have his turn.

All in all, I am absolutely in love with the colors in this show and I will probably have more to say later but I wanted to finish at least this part of the color analysis so that I could have a resolution to the previous post. I don't think I was able to recover all of my original thoughts about the significance of these two, but I think I got a pretty good chunk of it. I do want to say that I've seen the other color analyses floating around. I will be taking a look at some point, but before doing my own, I will be avoiding them for now because I want to write about my own perception rather than accidentally just stealing other peoples work.

(* Ngl, a little worried about Jenny if we ever see a season two)

[blakeswritingimagines]

Dear Y/N

My love for you is fierce and all-consuming. I would do anything to keep you by my side, even if it means going against everything and everyone. I would follow you to the ends of the earth and back just to be near you. Your every action, every word, every gesture is like a drug to me. I become obsessed, obsessed with every move you make, and it drives me crazy. I want to protect you, possess you, and make you mine and mine alone. Don't ever think of leaving, because I'll never allow it. You're mine. I know every little detail about you. Your favorite color, food, and the way you laugh. And the way you bite your lip when you're nervous, the way you twirl your hair when you're thinking. I've memorized every scar on your body and the way you move. And I would do anything to ensure that no harm comes to you. You're the most important person in my life. And don't forget it.

I've watched you from afar, studying you, and learning every part of you. Your fears, your dreams, your hopes, your secrets. I know your favorite books, movies, and music. I've watched you grow and change, and it's only made me love you more. I know your every move, every step, and I will always be there, watching and waiting. You're the center of my world, the reason I breathe, and I won't let anything or anyone take you away. I know you better than you know yourself. I know your strengths and weaknesses, I've seen every side of you, and I love them all. I've seen you at your best and your worst, and it only makes me love you more. Whenever you're away, I wonder if you think of me. Do you dream of me at night like I dream of you? I hope you do, because you're all I think about. I think about how your hand would feel in mine, how your lips would feel on mine, and how your body would feel against mine.

I wonder how it would feel to hold you close, to feel your breath on my skin, and to hear your heartbeat against my chest. I'm counting down the seconds until I can see you again. I count the days, the hours, the minutes, and the seconds until I can see your face until I can hear your voice, and until I can touch you again. You complete me, and I can't stand to be away from you. I'll wait as long as it takes, I'll fight as hard as I need to, just to be near you. Every time we're together, I feel like I'm in a dream. Your touch, your smile, the way you look at me, and it all makes my heart skip a beat. But the thought of ever losing you, of ever being apart, is enough to drive me crazy. I don't know what I would do if I ever lost you if I ever lost your love. The thought alone fills me with a sense of dread and desperation. I need you like I need my next breath. I know I'm a little intense, a little obsessive, but I can't help it. You do something to me. You make me feel things I never thought possible. You make me feel alive, and I'd do anything to keep that feeling going. I'd burn the world down just to hear you laugh, just to see you smile. I'd fight off monsters, or gods, or anything that tried to come between us. I sometimes wonder if I'm a little too much for you. I know I can be intense and maybe a little overprotective. But it's just because I care about you so much. I'm scared to lose you, to lose your love. I see the way other people look at you, and I want to hurt them, to make them pay for even daring to think about you. I know it's wrong, but I can't help it. The thought of you with anyone else drives me crazy.

I can be a little possessive, I admit it. I'll watch you like a hawk when you're around other people, especially other men. I'll study how they look at you, how they talk to you, and how they touch you. And if I think they're getting too close, I'll step in, and make my presence known. I know it's not fair to you, I know it can be suffocating, but I can't help it. I just can't risk losing you, not even to another person's harmless flirtations. I know it's not healthy, but I sometimes go through your things. Your phone, your purse, your diary - I go through all of it. I want to know everything about you, every secret, every thought, every dream. I know it's not right, I know it's a violation of your privacy, but I can't help it. I need to know every part of you, even the parts you try to hide. I find myself watching you sometimes. When you're sleeping, when you're showering, when you're getting dressed. I know it's creepy, but I can't help myself. You're just so beautiful, so perfect. I want to know every inch of your body, every freckle, every scar. I want to touch you to feel your skin against mine. But I know I can't, not until you're mine. So I just watch, and I wait, and I dream. I know I'm not perfect, and I know my love can be a little overwhelming. But I hope you can see that it's a love that comes from the depths of my soul, a love that will never fade, never die. I'll wait for you, I'll fight for you, I'll do anything to make you happy, to make you mine. And if you ever doubt my love, just look into my eyes, and you'll see the truth there. Because there's only one person in the world I love, and that's you.

Yours forever.

[not-too-many-eyes]

A Study on Mesmer Jr.

(Also Known As: Nott is obsessed with the bigot autistic girl from the time travel gacha game and its her birthday tommorow so lets talk about her.)

(CWs: Ableism, racism, child abuse) I Love Mesmer Jr. Which isn't a secret to any of my friends who have had to listen to me talk about her at length. I cannot get her out of my head. I think she's fantastically written, fun to read about, and just an all around interesting character.

As such, I want to take a moment to pull apart Mesmer Jr, and consider her place in this story. To contemplate why she acts the way she does, and to connect to the themes relating to her character. I hope you enjoy reading this.

A Curious Impression

Mesmer Jr makes an interesting impression when you first meet her. For one, she immediately causes alarm bells to rings when she talks to Sonneto, one of her earliest conversations, who she says she enjoys talking to because of their "shared values" she feels the need to say that she would have liked talking to her more if she were a "full-blooded human."

Which is something that you see a lot whenever she's complimenting an arcanist, or considering arcanists in any positive light. Even if it's inappropriate in the context, she feels the need to assert her beliefs, to say that:

Mesmer Jr, Praise: As an arcanist, your performance really amazes me. Wish you were a pure-blood human.

Of course, as we know, Mesmer Jr is an arcanist. She's a full-blooded arcanist. Being noted to be from a very Important family, and even being implied to be more talented than most of her family in their line of work: (The Fallacy of Idealism)

Nobody is more talented in this than Mesmer Jr. Her bloodline gives her outstanding ability and keen senses, which makes everything clear and intelligible to her.

She's also startlingly obedient. She has no noticeable outward negativity towards what Constantine has ordered her to do to Vertin, despite it seeming to cause pain or stress. Insisting that this is the normal treatment given to patients despite Madam Z's opinion, and we learn Much Later that her boss had an ulterior motive to all this.

She's even noted before we meet her to seem like a:

(Open Sandwich)

???: It is the other one- the one with indifferent outlines that makes her look like a refined machine.

Evoking images of perfectly programmed robots and droids that do what they are ordered to perfectly without question.

Of course, in the same part this line is from, the game is already nudging us to be open-minded when it comes to interacting with her. As the first thing we learn about her isn't her personality, isn't her appearance, isn't even her Voice.

It's her abuse.

Dirtied Hands

Open Sandwich is one of my favorite bits of writing in this game. It creates this incredible tension where you just waiting for the bad thing to happen, the line about how the child labor laws were turned into paper to wrap the sandwich is wonderful, and I love it.

But it's also the first time we ever actually hear about her. It depicts her having a Sensory Meltdown. Caused by her family's uh- blatant disregard for children's rights, and exposing her to a patient at age 12 because her skill was useful for the treatment. The trauma of the event marking the start of her "nightmare."

Of course this isn't the Only Thing she has gone through at the age of 12. The entire events of Nouvelles et Textes pour Rien happened during when she was 12. She might of had even more traumatic experience before that, considering she went to SPDM, a school that we know Very Well for their child abuse, and she Certainly had traumatic experiences afterwards.

She Is a 16 year old therapist taking care of The Foundation's most "unstable" patients, after all:

Mesmer Jr, Suitcase Climate: Those insane people screamed and rushed out of the guardroom. They kept meaninglessly and repeatedly roaring. Then, their blood shed on the snowy ground. I've seen that a lot.

The Rights of Children Don't Matter when there is Scarcity. Her needs are secondary to The Company's. Her welfare simply isn't important for the Foundation's Beautiful Future. Only the skills and infromation she can provide.

Constantine even manipulated Mesmer Jr into telling her the plan. Purposefully traumatizing her so that she would become scared and anxious. She Asked her to help them, trusting that Constantine, an adult she trusted, would be able to help. Constantine just lied, and made her continue to treat these people even when the experience mind numbingly traumatic for even fully-grown adults.

As a result, Mesmer Jr has developed multiple mental illnesses. Most notable OCD, but she seems to hallucinate in her Monologue.

She's not exactly a healthy person, which really compounds how much you Don't want her to be a therapist.

Of course, it's not like she would ever seek actual proper treatment for it.

For many reasons.

For one, Reverse 1999 is not exactly a kind world to the mentally ill, and she herself is a good example as to why.

Proper Treatment

Let's go back to the first thing I mentioned about Mesmer Jr. She's a bigot, she's a certified racist to every arcanist she ever talks to. She thinks humans are the superior race that will overtake arcanists.

She's also ableist. Just horrible ableist. These two bigotries are intertwined in Very important ways. Her hatred of arcanists is informed by her hatred of the mentally ill, and is further informed by what she has been taught about arcanists.

Reverse has established that the way arcanists and humans are generally viewed is that arcanists are the more emotional, unstable, immature ones and humans are the more logical, stable, and mature ones.

Now, this is a stereotype, one that has been proven wrong time and time again. There is nothing logical, stable, or mature about being so upset at a 12 year old you think killing her friends is a good idea.

And similarly, there is nothing actually inherently wrong about being a weirdo, or mentally ill. For one, uh, everyone is a bit of a freak sometimes, and two, Mesmer Jr treats it as if for the world to get better arcanists need to fully disappear and be replaced with human rationality, but Madam Hoffman says it best:

(Chapter 6 Part 15: With Hope Rekindled)

Hofmann: We have all heard it, humans are more rational and arcanists are more emotional. Hofmann: Their sensitive to the darkness of the world, so they can easily become absorbed in their own emotions and ignore reality Hofmann: But, if we put a human child in the position of an arcanist, who always takes on the world because of his uniqueness, who is never understood for his talents... Hoffmann: Maybe he too will become impulsive, sensitive immature and unstable Hoffmann: And that's why it sometimes dawns on me that if we put an arcanist child in the position of a human being who receives enough love, education, and positive feedback... Hoffmann: These 'instabilities' might be controllable. At least enough to keep them from hurting themselves or others.

But Mesmer Jr really does believe wholeheartedly that being a "freak" is bad, and that being an arcanist is to blame for why she is one.

Mesmer Jr, Hat and Hair: Thanks to it, we are all freaks now. Haven't you ever blamed your brain? Haven't you for once vomited due to the sound or whisper in your brain? How naive and ignorant.

That being an arcanist is something inherently wrong, and as a result of that inherent wrongness, that inherent "insanity," they need to be controlled by humanity.

Mesmer Jr, Chitchat II: I can only stand those arcanists from the Foundation and the Laplace. After all, their insanity is contained by humans.

She believes that humans are destined to overtake arcanists like it's natural selection. That it's only inevitable that arcanists will be overtaken by a species that in her eyes, is logical and understandable.

Mesmer Jr, To the Future: Just like Homo sapiens wiped out Neanderthals, arcanists will be eliminated as well. This is not a prediction, but a predestined fate.

This is, of course, due to the systemic part of Reverse's world constantly pushing this idea that arcanists are Inherently more immature and chaotic.

Constantine and her family deeply traumatized Mesmer Jr and then told her it wasn't actually their fault but this Other Group that She is also apart of but Don't Worry it can Be Controlled.

Mesmer Jr: It's not just about age. It was never going to be suitable for me. Mesmer Jr: Unless one day all the arcanists are gone. Pandora Wilson: Then you and I will be gone, too. Mesmer Jr: Exactly, along with the source of my pain

However, Mesmer Jr's own mental illnesses and susceptibility towards being overwhelmed by others emotions does really mean that she finds being around highly emotional people Taxing. She also finds that the unpredictable of life and other people Tiresome.

She was friends with Vertin in the rest when she was younger sure, but even then she did find arcanists overwhelming and "scary," even when she wasn't in the full thick of it, she saw them being treated and found it unpleasant and painful.

(Nouvelles et Textes pour Rien)

Mesmer Jr: But I'm not interested in arcanists. They are all mad people, and we had to treat them after all...They looked scary.

Now, usually, you grow out of this. She's not Born To Be Racist Forever.

In a better world she very much could have, I dunno-

Be able to actually internalize that arcanists aren't actually inherently a harmful thing, but that her needs sometimes conflict with the needs of others and grew up with the tools necessary to understand that this is a fixable problem that doesn't actually need a whole group of people including herself to die to be solved.

Or, something like that.

However, this isn't that world, this world thinks Mesmer Jr is a good therapist, and that her treatment is humane.

So she's seeks to create stability in the world as a result of that lack of support.

Mesmer Jr, Hobby: What you see is the alignment and tidiness. What I adore is this orderly state.

As much as she understands that it's a sign of her own "franticness" that she does this, it gives her comfort knowing that she has things that she Can Control. That her life isn't actually dictated fully by things out of her understanding. That she has the ability to direct her life in a small, maybe even insignificant way.

Cause, she really just doesn't have much control over her life.

Press the Button

Mesmer Jr, Clothing and Torso: ...Achieve the function.

A lot of Mesmer Jr's idolization of humanity comes from this idea of efficiency and simplicity. She talks so much about rationality and "tidiness," but as I've already established Reverse is full of so many instances of "human insanity" so it's plain ignorant to ascribe this trait to humans.

Which, well one she is ignorant, and also racism isn't rational and Mesmer Jr was taught human supremacy of course it's not going to be aligned with actual reality.

Which is true.

However, I do think it's interesting these traits that she idolizes are not from humans but from:

Mesmer Jr, Clothing and Torso: Humans are like machinery, simple and efficient. Arcanists are quite the opposite.

That's who she's actually idolizing here, isn't it? She's not really idolizing humans, that's just the framework she was given. She's idolizing machines and going "Wow humans are so cool."

Her Udimo is a machine.

Not just any machine, but a machine invented in part By Her Workplace, and even when she was 12 the narrator describes her as a "refined machine." Indifferent and rigid.

This is the beautiful controlled being that she is seeking! The beautiful tidy, orderly, calm being that just proceeds with whatever order is given to it. One that has...completely no control over it's life, and what to do with it.

Because, traditionally speaking, Machines do not have the ability to self-determine. They don't exist as people with conscious thought and emotion, but as Things and Tools that can Achieve Functions.

I noted way back in the start that Mesmer Jr is startlingly obedient. She does what she is told, and encourages others to do the same.

She's glad that Vertin:

Mesmer Jr, 100% Bond Conversation: ...Anyway, I'm glad you gave up on those insane plans.

Before saying that she doesn't want to be forced to Lobotomize Her, and that she doesn't actually want anyone to end up in Artificial Somnambulism.

But she doesn't say she won't do it. Just that she's happy Vertin did "give up" because it means that she probably won't have to. This seems to be her general approach. Even if she's not happy, she'll do it, her wants don't matter.

She assumes that she has no other option and that her only path forward is following orders from her boss. That the only path forward is the one set for her. There's no point in fighting it so she's just gonna continue on that path, and others should do the same or else they'll get Hurt. Learned Helplessness.

Sonetto is similar to her in this sense (Mesmer Jr says so herself,) and Sonetto is shown to hold quite a lot of repressed emotions, and to deviate from the rules or what is logical when she feels something is at stake.

After all: (Is ABA Really “Dog Training for Children”? A Professional Dog Trainer Weighs In.)

We all know that we can feel angry without expressing anger. That we can smile when inside we are crying. You can stop someone from expressing an emotion, but that doesn’t make the emotion go away. A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.” When you read about a dog attack that came “out of nowhere” and “without warning,” it is because this sort of method was used to handle “problem behaviours.” Studies show that dogs trained with these sorts of methods actually have an increased rate of aggression, because punishing aggressive behaviour doesn’t deal with the underlying fear and anxiety that caused the aggression in the first place.

But Mesmer Jr, in contrast to Sonetto, who has an interest in poetry and curiosity in the outside world and has the aforementioned repressed emotions. Has no real distinct personal identity. She does not own anything that shows her interests, unlike her other coworkers who usually have at least Something on them. All of her items are stuff made by Laplace and exist unaltered. Even her cute little headband is a EM amplifier is part of the uniform.

She holds no control, no identity, no agency. She exists as a machine that someone can press the buttons of and achieve whatever function she needs to achieve at the given moment.

This is her current state of existence, and it's not something that's exactly sustainable. The cracks in this machine-living have been showing since she was 12. How many more do you think have been created now that she's 16?

The Foundation

Now, this is really depressing, but that's because Mesmer Jr is just a bit of a depressing character. She can't really get away from her job. For one, her parents are horrible, two The Storm means that the world is always on the verge of ending. Where else will she go?

But, as said previously:

A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.”

Similarly, a girl trained to not develop any sort of identity will crack Someday.

I have no knowledge of what could happen next in her story, nor am I interested in theorizing about it. But I do find it interesting to think about.

[specss00]

ALTERHUMAN SLANG DICTIONARY

MAMMALIAN

Got on my back paws - got on my hands and knees. Like how animals can stand up as a trick.

ex: yeah, i really wanted that necklace, i had to get on my back legs so she would get it for me.

Showing fang - standing up for yourself/being assertive. 

ex:  he’s really tough, and he’ll show fang at just about anything.

White eye - going crazy/really scared. Like how animals show the whites of their eyes when very agitated.

ex: haha, i saw how scared you were during that movie, you went all white eye at the end!

Howling at the sun[wolf/werewolf] doing something completely ridiculously/incorrect

Ex: dude did you see how that movie ended? Mc was really howling at the sun

Could hear someone purring[cat, any other purring animal]  noticeably becoming relaxed around someone/something

Ex: I saw you with your new plush yesterday, I could really hear you purring

Treetop chaser - (herbivorous) someone who chases unattainable things.

ex: they’re way out of your league, don’t be a treetop chaser

Bellycrawler - someone overly submissive.

ex - you have to stand up for yourself, don’t be a bellycrawler and let them take advantage of you.

Downy - young, referring to the soft fur of young animals. 

ex - she shouldn’t be out til midnight, she’s still downy!

Sit on your wag - means the same thing as swallow your smile.

ex - i got accepted into college, but my sister wasn’t, so i had to sit on my wag.

Go for the ruff - do something harmless/gently.

ex - the shirt was really ugly, but i went for the ruff so i didn’t hurt his feelings.

Flea - an insult meaning antikin, or a bigot in general.

ex - oh, you have him in your class? Be careful, he’s a total flea.

AQUATIC

Riptide Rider - (aquatic) someone who lives dangerously.

ex: stay away from her, she’s a riptide rider, you’re bound to get hurt.

Current crazy - someone who just follows other people, same as flock brain

ex: my brother joined the football team, and now he’s all current crazy.

Bottomfeeder - an insult for a low-class being.

ex - the boys at my school are such bottomfeeders, they make all the girls uncomfortable.

Floater - an insult for a superior or snobby person.

ex - ugh, they’re such a floater. They brag about their promotions ALL THE TIME.

Seen the whale fall - someone who is very experienced, now become a word for old among younger aquatics.

ex - my gramps has really seen the whale fall, he’s almost 95!

Play remora - like devil’s advocate, because remoras stick close to sharks.

ex - i don’t wanna play remora about this, but i think he was lying.

AVIAN

Flock brain - (avian) someone who can’t think for themselves. 

ex: ugh, she’s only hanging out with them now, she’s being a total flock brain.

A hummer with an eagle - (avian) someone who is clearly out of their depth.

ex: are you sure you can handle advanced classes? No offense, but you’ll be a hummer with the eagles.

Mantling over [smth] - [avian] being possessive, traditionally over food items 

Ex : Sarah is really mantling over that burger menu, I tried to take a fry and she almost bit my head off...

All preened up - [avian] well dressed, well groomed, the state of satisfaction and confidence that comes with A Good Look

Ex : Wow, Eric was all preened up this evening. I don't think I've ever saw him take this many selfies. 

And just for fun...

Going for the rattler - [roadrunner] choosing the hard or dangerous option, with expectation of either great fun or a great reward

Ex : "Huh, this park offers either a canyoning session over rapids or a day in the sun near the lake" "well I'm definitely going for the rattler" 

flare(s) my wings - (avian) makes me tense/nervous/angry 

"i don't like him, he always makes me flare my wings" 

makes my wings flutter - (avian) makes me happy/excited

"pasta always makes my wings flutter"

im pretty sure "ruffles my feathers" is a preexisting one

messy wings (with no time to preen) - (avian) having a bad day/stressed (and haven't had time to cool down)

"yeah today my wings are so messy and i haven't had time to preen"

Having a blood feather - [avian] being particularly irritable 

ex : Don't bother with this guy, he's been having a severe case of blood feathers. He'll jump at you for anything.

Riding the updraft - [flying creature] taking advantage of good opportunities, being lucky in life, having an easy time.

ex : I've been really riding the updraft recently ! Got both a promotion and a new car! 

Beak agape - [avian] furious, about to throw down.

ex : Jesus, this dude really left me beak agape. The audacity to say that !

Feeling clipped - [avian] feeling restless and anxious, like there's no way out

ex : Honestly these last few weeks have left me feeling clipped, between the news, and being dropped from my job. 

REPTILIAN

Makes my scales itch - (draconic) said about something unsettling or that just feels wrong deep down, a gut feeling that something's wrong

ex: We should get out of here. This place is making my scales itch.

Blow fire - (draconic) be extremely angry about something

ex: Did you hear what went down the other day? John was really blowing fire at Derek over that one.

Rattle someone's scales - (draconic) to unsettle or upset someone

ex: Can't stand that guy, he really rattles my scales. 

Cloudy day - (reptilian) usually used as a question, if someone is acting tired or unusual. Like how reptiles need the sun to stay warm, if it’s cloudy, they can’t warm up.

ex: woah, cloudy day? You look like you haven’t slept in months.

[jolapeno]

I’m embarrassed to ask but so many fav’s are going there so how do you use ao3?

hello hello!

do not be embarrassed at all! and hopefully, i can try and help.

now, i wish to preface this by saying there's likely guides already on tumblr and i don't mean to be rehashings what they might already say/have shared, but I'm going to try and give a run down of things that might help. now, I've done this as if you're a reader, but if you're a writer and want help, pop back in!

I asked my good friend @toomanytookas for help with this one so I knew we was covering off a lot and she lovingly helped me with finding some additional resources to support my bits!

searching for your people

there are a few different search options available on AO3 to find the things you want. if you know the name of the user, you can use the search bar (as seen below).

or if you're after a certain pairing, you can use the search option.

you can then search from: works, bookmarks, tags or people.

i tend to use "works" but, others may have their own preferences. but i find this is the easiest way for me to find the things i'm after.

i don't tend to fill in every bit of info, but the ones i do are in 'work tags':

fandoms

relationships

additional tags

i might check 'single chapter' (in work info) if i just want to read a one shot, but most of the time i just see what spits up. for me, additional tags is what makes navigating AO3 so much easier because I can filter by a trope (friends to lovers, colleagues, second chances) or i can filter by a "mood" (smut, fluff etc.). when you've filled in your desired bits you can click search and then your results will show.

ANOTHER great way to search is if you already know the pairing you're after. so say you're reading a Francisco morales x reader and you want MORE of that, click that tag on a piece of work and a new search will show up of all the works with that pairing.

you then have a new filter choice on the right where you can 'exclude' tags or characters too.

there's also this guide i found from 2020!

there’s also this way of searching too! with an addition from @burntheedges

another cool resource on excluding too

-

2. supporting your people

so, you've found yourself a writer you adore, and you've read a piece of their work. if this is a one shot, you can:

drop a kudos (like a like, but you can only ever give it once)

leave a comment (even writing "love it" or an emoji makes a day)

bookmark (this is more for you if you loved it, you can bookmark things and they save to YOUR bookmarks and you can read again without searching for it - like a lil library)

now, say that piece is a multi-chap/collection, and you want to subscribe and be notified, you can 'subscribe' at the top of the fic

bookmarks do not notify you of a new chapter, but a subscribe will.

if you love the writer and want to know as soon as they drop anything, you can click their name, go to their profile and click 'subscribe' just under their name in the top right.

here’s a resource too!!

here’s a resource on why bookmarks/comments are cool

-

3. going back in time... the AO3 way

okay, we've all been there when you're engrossed in something and then life happens and you close a tab or your phone crashes (tumblr app, grr) and then the work is lost. on AO3, if you're logged in, you have a thing called 'my history' and in this is every work you've clicked on. wahay! this has saved me so often because i flick between phone and laptop a lot.

-

4. a final thing to be aware of...

warnings - a writer can choose to give a warning to the piece. many will use 'creator chose not to use archive warnings' or 'no archive warnings apply', but there are a few to keep an eye out for, such as:

graphics depiction of violence

major character death

rape/non-con

underage

'choose not to use warnings' is a read at your own risk, and i always recommend checking out the additional tags for the piece just so you know if there's any trigger warnings.

a resource on excluding (mentioned above too)

-

this is just a top level thought process of what i thought might help, but if there's any specific questions i will deffo try to help. this resource has a ton of helpful things too. there's also AO3 FAQs which might be able to help if i didn't actually help. and this absolutely brilliant guide created too!

thank you for the ask, and happy AO3'ing 🧡

[fictionadventurer]

Why did no one tell me about Cats Don't Dance? I had to hear it mentioned in an off-hand line in a Youtube video as an example of a good movie that flopped because it was screwed over by the studio, then I had to seek it out for myself, and only then find out:

It was the first non-Disney movie to win the Annie Award for Best Picture (it beat out Hercules).

It's an animated tribute to 1930s movie musicals done in the 1990s, which gives it a very Animaniacs vibe.

It has an insanely energetic and stretchy animation style.

It gives us the story of a starry-eyed song-and-dance man (who happens to be a talking cat) who leaves small-town Indiana hoping to make it big in Hollywood, only to find that talking animals don't get any starring roles. And then of course he meets a motley crew of eccentric animal actors who've had to content themselves with stereotyped bit parts and inspire them to try for better.

It has a romance where the cynical girl who had her dreams crushed gets inspired by the innocent, wide-eyed idealist to chase after hope again. (Which happens to be one of my special favorite kind of romances).

It's directed by a guy who'd go on to direct The Emperor's New Groove.

It's got songs by Randy Newman.

Scott Bakula voices the lead (and has a surprisingly decent singing voice).

Don Knotts plays a superstitious turtle.

There is a piano-playing elephant voiced by John Rhys-Davies.

The actress who voiced Cruella de Ville came out of retirement to voice a chain-smoking elderly fish (who might be my favorite side character).

Gene Kelly did the choreography (and it was the last project he worked on before his death).

The villain is an utterly insane Shirley-Temple-type child star who gets some of the most over-the-top animation I've ever seen.

She has a giant monstrous butler--like, it is absurd how giant this guy is.

And there are wild setpieces and big musical numbers and a scene with a clever use of color to show inner emotions.

It's not like the greatest movie ever made or anything, but it's a solid B-tier story that's a lot of fun and happens to perfectly fit my taste in so many ways, so I'm upset no one bothered to alert me to its existence.

[reyreadersblog]

ALRIGHT Y'ALL MADE ME DO IT!!!

My unpopular tig/tgg opinions!!

FIRST!

These are MY opinions and i'm allowed to have my own thoughts on certian things, just as you are, okay..? Just wanna..get this out of way, i know everyone is respectful in this fandombut still.

1. this is something that should NOT be an upopular opinion. AVERY IS THE MAIN CHARACTER FOR A REASON. okay? She is a girlboss, and she needs more appretiation, cus literally search up tig on tt rn. Everybody and their cat named Stewie is talking about Grayson and Jameson? WHAT ABOUT MY MG AVERY? And if you see any post about her, it's probably a hate vid about how Avery should've kept the money...SHUT UP. Read what she said carefully..."no one deserves that kind of power.." and then think about it deeply.

2. I DO NOT WANT TIG TO TURN INTO A TV SERIES (or even a movie). i can't name all the reasons 'cus then the the list would be endless. First of all, i know, I JUST KNOW, they'll choose the worst cast ever. And even if they find the most accurate cast for the Hawthorne brother i will still be dissapointed, because the images of them i have in my head...THEY'LL NEVER TOP EM. second of all, they will leave out important moments, just as simple as it sounds, and trust me they will, just like they do with most of the live adaptations of books. Third of all, SHIP WARS!!! I phisically can't with ship war, like I'VE HAD ENOUGH OF EM IN THE PAST WHEN THE BOOKS WERE STILL COMING OUT. And just the thought of Averygrayson shipper saying "yeah Avery and jameson were endgame in the books but they might change it in the movie..." GIVES ME NIGHTMARES. and overall, not everything needs a live adaptation yk? sometimes things just have to stay the way they are.

3. ...this is a bit contrevertial.and i don't want to sound like a hater since i've said this a multiple times before but Rohan's pov was my least favourite in the grandest games. Purely bcs whatever Savannah and Rohan had going on...don't get me wrong, i like Savannah (even tho she did and said some fucked up things) and Rohan, SEPERATLY. But them being together...idk man, they were too..."booktokish" for my liking, yk? and i do love banter and teasing, but they were like basic "i like you but i like winning more" "couple". Not to mention they were so random...like where did they come from? I remember when we first saw Sav and Rohan having the same symbols on their cards i was very excited, i expected a different dynamic between them...PLUS THE WHOLE GAME THEY JUST WANTED TO FUCK💀

4. Hating Alisa Ortega and loving Grayson Hawthorne is CRAZYYY, and i'm saying this bcs they're pretty similar in different ways. And the thing is people are mad at Alisa for "saying mean words to Libby" (she was literally doing her job, you would understand if you were at her place) MEANWHILE GRAYSON LITERALLY THREATENED A HEIRESS! (sayin this as a Gray stan) *sigh* y'all are something else🤦🏻‍♀️.

5. Ohh...this one is risky...BUT CAN Y'ALL STOP ACTING LIKE JAMESON IS BLAMELESS?? all i see is Grayson slander, AND I UNDERSTAND, he fucked up, but saying "Jameson was so much better than Grayson" is a lie, at least for me. (He was better for Avery tho) he fs made mistakes that fandoms chooses to ignore. Like lets not act like treating Avery like a toy wasn't wrong. Lets not act like him blaming Grayson for everything wasn't wrong. Let's not act like him reminding Grayson of Emily's death wasn't wrong. And i know that later on both him and Grayson had a great character development, but still, i've never seen anyone talk about this.

6. This isn't about tig. But LIKING JLBS WORK AND BEING HER FAN DOESN'T MEAN YOU'RE GLAZING HER💀 (talking about an argument i had a while ago...) like is it so hard for your brain to understand that it's called having an opinion. Idc if it's JLB or any other author, okay? Like i've read almost every Jlb's books and i love them, AND i also publicly talk about how much iblove her work, does that mean i'm glazing her? UHM NO WTF💀.

7. LET. PEOPLE. HAVE. PREFRENCE. (I'm talking about ships btw) . Someone prefers LyraGray over Averyjameson, and that's okay. Someone loves Averyjameson the most, and that's also okay, someone likes Libbynash more then Xandermax, AND THAT IS ALSO OKAY.

I'll probably do part 2, i have more to say i'm just really tired rn.

Also it's not proof read so sorry if there are many mistakes.

[the-catboy-minyan]

You do realize those pagers killed bystanders, including children? Not that someone with an Israeli flag in their name will care about innocent children dying, go on continue making your jokes.

oh hey the "Jews are baby killers" thing again, thank you! I missed getting antisemitic hate mail 💙

did you mourn when Hezbollah rockets hit a playground, killing 12 Druze children?

do you care that Hezbollah rockets are aimed towards northern Israel almost daily? that over 60k people have been displaced from the north due to the barrage of rockets?

this was a targeted attack on Hezbollah members, do you realize how fucking nuts that an operation like that is? show me a better way to attack with less collateral damage. a pager is meant to send urgent messages, you're supposed to have it on your person at all times, the vast majority of Hezbollah members would have it on them. the explosions were also very contained and caused minimal damage to bystanders and surroundings. you can't make sure a mass ranged attack has 0 collateral damage, but this one is the closest I've ever seen to that 0.

only 8 put of 3000 people have died, which again, it's a targeted attack on Hezbollah members, it's currently 11pm for me so I didn't check if they revealed any data but I can guarantee you that most - if not all of the casualties were active members of Hezbollah.

you already think I'm not human because of the country I live in, so I don't give a fuck, I have nothing to prove to you. we don't even know if it was the IDF/Mossad that launched that attack, but this was a successful operation against a massive and powerful terrorist organisation that is harming both my family in the North and their own fucking people. also fyi if you ever made a 9/11 joke your opinion is invalid to me.

do I care that children were harmed? as much as I care that any child in the world was harmed. I'm more concerned that these children were in such close proximity to terrorists to get hurt. but I thought the "globalize the intifada" crowd were all in favor of "sacrifices" for the Glorious Revolution™, weren't you? or is it only when the victims are jews?

watch me get put on a blocklist for this, because I made a joke about terrorists getting what's coming for them and didn't think of the ~three civilians that got hurt. those weren't even my memes, I reposted them from reddit. frankly I don't care about this blog anymore so like call me a zionazi or whatever rocks your boat.

2/10 for the hatemail