#but i do NOT want to experience that level of pain

[unknown-cold]

"Her mother was just the final nail in the coffin. She tried so hard to do things right, and all she got in return was pain and heartbreak"

Literally!! I can't believe people are saying Caitlyn is overreacting, her mom is dead you idiot!! What do you mean she's overreacting!? You people have never seen a character go through such stages of grief, despair, and devastation. Caitlyn has been through the worst experiences of her life because of Jinx's attempted murder, kidnapping, torture, and now the death of her mother. I mean, Caitlyn's personality change and her intense hatred for Jinx and loss herself are completely understandable.

Look how scared she is, we don't know what hell Caitlyn went through when Jinx kidnapped her, but that expression on her face says it all.

And let's not forget that Caitlyn in episode 1 refused the order to invade Zaun. Even after her mother's death she still didn't want to use violence, and we later saw that she would go there for only three goals.

And indeed she did, she attacked those gangs present in Zaun "Gangs that were hurting people and children in Zaun".

(And of course we shouldn't forget that she didn't suddenly change her mind, but rather because of the attack caused by Ambessa that made her reach this level of anger)

And now Ambessa will definitely play an important role in Caitlyn's character change by inciting her to seek revenge.

Ambessa manipulates everything and puts someone in power she can easily control

Another thing I found weird is how some people think in this ridiculous way to say that Caitlyn wants to kill the child or that Caitlyn wants to kill Vi. Are you really serious? Literally, you have never seen in any show or movie a character who is angry and loses control after that, don't you know when a person is angry they don't see it in front of them especially since she didn't want to make Jinx run away again, this was her chance to take revenge on the person who ruined her life completely (Caitlyn's actions are logical and her anger and sadness did not come from nothing or came from her mother's death only, but came from other things that were piling up on Cait which led to her explosion)

And as I was saying Caitlyn just wanted to kill Jinx, anger and sadness at that moment took over her. Jinx had NO mercy with Caitlyn, there is nothing that softens her actions.

And I hope you guys remember the true core of Caitlyn, she was trying to do what is good and she gets bombed, kidnapped, and her mom dead now.

[whothehellisbecky]

I was in constant pain. It would range from uncomfortable to not being able to breathe levels. At fourteen I was told I had POS. At thirty-seven I finally found a doctor who believed me about my symptoms. He said he believed I had Endometriosis. The only way to confirm was to have surgery. Previously I had spent so much money on IVF and I now knew in my heart I would never carry a child so I decided for the surgery I just wanted my uterus removed.

The surgeon tried to pull the we need your partners consent. I said no you don't. This is MY body. I am almost thirty-eight I do not need my uterus. My partner has three kids, if we want more we can adopt, but I want it out. After that it was smooth sailing. Right before Christmas a couple years ago I had my hysterectomy. Turns out I didn't have Endometriosis. I had a sizeable tumor growing on my uterus.

This year I am two years out and it has been the greatest gift I could have ever given myself. I no longer experience that pain, I no longer bleed monthly and because they took my cervix I never have to have a pap smear again. BEST GIFT EVER.

if you're looking for a sign to get the hysterectomy, get it. if you are wondering if you will feel freer, less burdened, more optimistic, lighter without your uterus, you will. if you simply want to never get periods again, get the hysterectomy. if you want to have sex with a different person every day forever and never worry about getting pregnant, get the hysterectomy. if you don't know whether or not you want to stay on hormones, get the hysterectomy anyway. if you're afraid you're too young, and that people will judge you, get it anyway. you don't have to live in a hostile body. you are the one who gets to decide what it will and will not do.

[meta-squash]

I think two of the most important things about Jack Harkness, two things that inform almost everything he does and the choices he makes, are this: that he is a soldier NOT a leader, and that his entire life since childhood has been awash in survivor's guilt (and his whole existence after becoming immortal is an even more extreme version of survivor's guilt).

Jack is not a natural leader. He can think on the fly and he's good at getting people to listen to him, but he's not good at control, or at being objective. He's a natural second in command, he's a soldier. He was brought up to do what other people told him to, and to improvise if he had to (Time Agency, etc). But I really don't think he wants to be the leader of Torchwood. Unfortunately, everything about him means that he has to be. He knows from experience that others having control over him is dangerous, others knowing about his immortality while he's a subordinate to them is dangerous, and he also knows that his own immortality gives him an advantage as a leader. But I don't think he's good at leading. He tries to be. But he's fumbling along, in a time period he's not native to and a planet he's not native to and an unfathomable lifespan, and as charming as he is I think he's often not good with people. He's detached where he should be personal and emotional where he should be detached (or at least more level-headed). He's often too extreme or not harsh enough when it comes to things like discipline or dealing with the problems/traumas/mistakes of his employees or even civilians. He can't handle his employees seeing him uncertain/vulnerable and it makes for huge problems over and over again.

But all of this does make sense because I think in the back of Jack's mind there's always this wheel spinning, these gears turning and turning and calculating the impact and trauma each of his actions or decisions or the events around him are going to have on his own emotions for far longer than normal humans tend to consider. Because the catalyst for any part of the life we see him leading is survivor's guilt. He lost his father and his brother on the same day, joined the military and lost his best friend, joined the Time Agency and lost his memories (and maybe thinks he did something terrible). Then he died, and when Rose brought him back, he was all alone on the satellite with nothing but the corpses of the people who had fought beside him and zero explanation as to why he survived, and he had lost Rose and the Doctor besides. And then all his life on earth since, he has lost coworkers and lovers and civilians he tried and failed to save and probably also aliens he tried and failed to save. And I think by the time he becomes reluctant leader of Torchwood, every action is, whether conscious or subconscious, taken with the intent of minimizing that kind of trauma and the impact of loss.

Except that I think that the survivor's guilt has another layer to it, which is that feeling of needing to sacrifice or absolve himself in some way. No one else is willing to make the difficult decisions, no one else will move forward with the painful and unpleasant actions, even if there's no other way, even though they will someday perish and no longer see the ripples of their actions. But Jack - who cannot die, who must live with the guilt or the pain or the trauma of those actions and decisions for the rest of his very very very long life - is the one who realizes that he must take on those painful responsibilities and must do certain things even though they're terrible, because it ends up being the sacrifice of one over the whole world. And every single time, he's guilty about it, and that makes him want even more to sacrifice his own hurt for the grief and loss of others.

So it's this strange cycle of wanting to protect himself from hurt and from loss and from the survivor's guilt, but being driven by guilt towards painful and/or self-sacrificing actions. Which then makes him fear being seen as vulnerable or uncertain, and he struggles to do things on a smaller scale or in a more level-headed way, because he's not supposed to be leading like this, it's not something that comes naturally, and if he makes emotional connections by being a leader, he'll end up trapped in survivor's guilt yet again each time one of his employees or friends or lovers dies.

It's just a terrible cycle and he's trapped in it for the rest of his existence. Although if he really is the Face Of Boe, then I imagine at some point he eventually finds peace with it all or something, but I think so long as he has a human-form he's stuck with this cycle of leadership and loss and sacrifice and mistakes.

I think it's really important that Jack is not good at his job as a leader. He makes a ton of mistakes, he fucks up so much and his employees or even civilians end up collateral damage, whether physically or just emotionally. He wants to be a good leader, I think, and he's trying, but he's fallible, and he's a stranger in literally every sense, and I think a really big part of his character is that he constantly is forced to live in this bizarre dichotomy where he has to be both very distant and cold and detached, and also very emotional and intense and personal. And any other person would collapse under the stress of repeating that over and over and over again for decades, but he has to figure out how to navigate this weight as an infinite existence that can't ever collapse or let it burn him up and kill him.

[nam-the-nacho]

Mit2uba's Trauma: An Analogy

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Tw: I will be discussing the abuse Mitsuba has suffered from his environment, nothing that isn't in the manga, but I want to give a heads up. Additionally, I'm fortunate to have not gone though any severe traumatic experience myself, and am instead using my general knowledge, meaning if anything is incorrect here, please point it out!

(Also manga spoilers obviously)

I'm not pretending this hasn't ever been discussed, however I have yet to see an analogy of the consequences of Mitsuba's creation and (practically nonexistent) upbringing.

I'm going to divide this post into sections, but they won't really be organized, maybe chapters is a better definition. This thing is l o n g, so without further ado:

1: Mitsuba being paralleled to a puppet:

This is done quite often, although not in the same ways. Besides the psychological aspects of being Tsukasa's "puppet", as in being forced to do as he says and overall being under his control, but there are physical correlations too.

Tsukasa referring to Mitsuba as a "Thing"

Mitsuba lets Tsukasa hold him. This is much more then a surface-level fact considering Mitsuba usually rejects contact/uses it as an excuse to blame others. This is easily explained by "Mitsuba is simply scared of Tsukasa, he can't tell him no", except Mitsuba doesn't look scared when being held, he just looks, expressionless.

More then that, he completely trusts Tsukasa with his body weight, leaning into his touch and allowing himself to be comforted by it. This obviously occasionally backfires horribly

While Mitsuba being punched is framed in a humorous manner, the implications and weight of it are very heavy. It's all fun and games until you remember this is how Mitsuba is being raised, and it's all he's ever known. If Mitsuba doesn't want to do what Tsukasa tells him too, he gets punched. If he talks back, he gets kicked out of the broadcasting room (we'll get back to this later). If he asks to be Tsukasa's friend, he gets fireworks shoved down his mouth.

And the results of this... well:

This one in particular is interesting to me:

"It's just Mitsuba being surprised because Kou suddenly raised his voice". But that's not what's being illustrated. Upon hearing "brace yourself" even from someone like Kou, who wasn't planning on actively trying to hurt Mitsuba, he literally stiffens, pales, and begins to tremble and sweat, dropping the piece of chalk he was holding (those things break way to easily, yk he was serious). It's not shock or surprise being drawn, it's just genuine fear.

This could very well be me overthinking, but Mitsuba falls in what is almost a doll-like manner, arms and legs completely stiff.

2: Social rejection and trivial treatment:

The Mitsuba chapter (ch. 40) was worse then I remembered.

Mitsuba runs away from the broadcasting room in search of a better, safer place to stay. Only to understand he has none.

What's worse is that these are the characters we see being far kinder to the rest of the cast. We see Yako, Hanako and weirdo super-natural teacher together in his living quarters, watching tv together, but when Mitsuba approaches them...

(Tsuchigomori eventually does stay with him, but his opinion of him doesn't really change.)

"This guy's a pain, I'm out of here"

Tsuchigomori doesn't know Mitsuba, the only time we see them meet was when Tsuchigomori refers to him as emergency rations (above), and when he answered Mitsuba who asked him a question (answer starting with "You seriously don't know?" (YES SIR HOW WOULD HE KNOW HE'S LIKE ONE MONTH OLD)).

He probably heard he's a prankster from Hanako, which is why he wants nothing to do with him.

The point is despite Mitsuba needing to run from the closest thing he considers a "home", not a single supernatural actually understands his situation. Hanako borderline hates him, Nene barley understands he's a different Mitsuba, and Kou tends to accidently frame it as Mitsuba's CHOICE to stay with Tsukasa in the broadcasting room.

This is sadly something that can happen in reality, children trying to escape their less-desirable homes can often find themselves, sickeningly, returning after not finding somewhere or someone to take them seriously.

The most deranged part of this is that as a result of nobody properly digesting that he needs help, Mitsuba himself frequently convinces himself that everything is normal.

The implication that every time Mitsuba fights with Tsukasa he needs to just fend for himself until enough time has passed for Tsukasa to forget is sad. He's an outcast between the wonders for replacing the old No.3, despite his only other choice being death, which they don't know.

Sakura is probably the closest thing Mitsuba has to family, being in a similar situation to him, but it's incorrect to say she truly deeply cares about him. She's fond of Mitsuba, but never goes out of her way to help him when Tsukasa hurts him, and seems to have put her personal safety and goals as a higher priority then him (this isn't Sakura slander, I love my queen).

Natsuhiko treats him like a pet more then a human, and sometimes hits on him, which is just gross. Despite this Mitsuba genuinely appreciates him and sees him as an older brother. It's cruel to see this one-sided ordeal.

We don't actually know Mitsuba's true opinion of Tsukasa. In an almost realistic manner, his opinion is constantly contradictory. Mitsuba is scared of Tsukasa, but at the same time he only feels 'safe' when he's around.

Also, contrary to Sousuke, Mitsuba is more scared of Tsukasa then thunder, which could either mean that Sousuke's phobia of thunder was memory-correlated, or that Mitsuba is SO scared of Tsukasa that thunder is nothing in comparison.

Mitsuba freezing after hearing Tsukasa's voice

vs:

We know Mitsuba is aware that Tsukasa is not treating him okay, but by the time we learn this (pp arc), Mitsuba has half convinced himself that Tsukasa is doing everything he's doing to help him, and that "nobody else can help him anyways". Genuinely Mitsuba is one of the most subtle-yet-obvious victims portrayed in media I've even seen.

3: Ok-yeah-that's-not-okay moments

Do I really need to add anything.

I will anyways. Mitsuba is a dramatic by nature, unrelated to any of the emotional damage he's suffered. The fact that Tsukasa can make him stop crying just by demanding it really shows how bad he messed up Mitsuba. The ability to stop crying on command out of fear..... somebody save him.

Stay away!

Can't add to many pictures because of the tumbler limitations, but in every one of these scenes Mitsuba totally freezes, only regaining control and suddenly snapping once someone (aka Kou) does anything intimidating to him.

Going in-depth about the similarities between Kou and Tsukasa is an entirely different ordeal, but in short summery:

There's a carefully built connection between Tsukasa and Kou, that deserves a post of it's own.

4: Symptoms of trauma:

Trust issues are heavily associated with a problematic childhood, so it's not very surprising that Mitsuba struggles to trust anyone besides Tsukasa, even if he doesn't want to.

Very commonly appearing alongside trauma, self destructive behaviors are a tragically common coping habit. I don't think I need to add any pictures for this one, as practically every other sentence Mitsuba says have some 'Just let me pass away' coding to it.

Lack of memories is a symptom that appears in very severe cases, and while it isn't completely accurate to Mitsuba it's an interesting addition considering Mitsuba has no memories.

5: Character design:

Mitsuba has lots of chains and locks in his wonder form, a lock on his neck (which has multiple interpretations), one preventing his heart from beating, which could be a clever metaphor for Mitsuba further constricting his humanity by "choosing" to become a wonder, but most interesting:

What looks to be the remains of a leg shackle.

Mitsuba in a box labeled as fragile.

6: This definitely isn't symbolism for an eating disorder:

"I'm always hungry, no matter how much I eat" -M

"You starved yourself from all this moping around, just because you didn't want to eat something different?" -K

Can we talk about how the fandom collectively just skipped over the huge reveal that Mitsuba STARVES HIMSELF. Because I feel like that really wasn't talked about. As if this guy doesn't have enough going on, he now has to deal with constant starvation, dehumanization at new never-seen-before-pace, and the loss of his will to exist in the first place.

He is both metaphorically and physically falling apart, constantly in physical pain. When he isn't in physical pain it's because he's experiencing gut-wrenching psychological torment as he can't stop eating live beings. I don't blame this guy.

The only person who knew of this was Tsukasa, until he "told" Kou. Told is in quotation marks because it was never really Mitsuba trusting Kou enough to open up about the hell he's enduring, as mentioned before Mitsuba doesn't exactly know how to trust. The fact was forced out of him due to a dire situation, but Kou could not have reacted in a worse way:

Pro tip: If your reaction to learning that your best buddy is suffering from a complicated relationship with food, is shoving said food into their mouth violently, you might need therapy just as much as they do.

Kou is still unaware that Mitsuba's diet contains living things too, but if we're being honest that doesn't really put Kou in the right here. Like, man, I know you're freaking out because your friend just asked you to end him, but please take out your anger on something that isn't him.

And don't act surprised when this is his reaction:

This is arguably the a result of post traumatic stress disorder. Mitsuba didn't just escape, he hid in the nearest corner, making himself as small as possible, hid his head and trembled. The reason I'm calling this out as PTSD is because the only other time he panicked like this was right after Tsukasa shoved the bird heart down his throat.

So for both situations it's:

Tsukasa force feeds Mitsuba -> Mitsuba loses control (starts attacking everything)

Kou force feeds Mitsuba -> Mitsuba bites Kou

And the results are the same. He reacted the same way because mentally it was the same situation to him, It doesn't matter what the intentions were, Kou triggered an event(s (considering he's eaten multiple supernatural and is absolutely repulsed by it)) that Mitsuba had no intention of revisiting.

Summery:

Mitsuba's trauma is often overshadowed by more obvious displays of mental scarring, like with the Yugi twins and Kou, and is often represented with irony or humor, including by the creators themselves.

Even without everything he's gone though, Mitsuba was always a hopeless character. He just existed one day. He doesn't have anything, anyone. He's never been told he's loved, he's never felt sunlight, he never got to play, he's never had anyone tuck him into bed, or read him a story. He was robbed of his childhood, and any connections besides the few who remember him for someone that he isn't.

He doesn't even know what snow is, yet he knows how blood tastes like

This entire post wasn't even scratching the tip of the iceberg in terms of how much grave emotional turmoil Mitsuba has faced. And will face. Yeah I don't know how well his trust issues will cope with Natsuhiko leaving him to die. If he lives.

The idea of this long rant was to point out that Mitsuba's trauma and mental struggles are just as, if not more, relevant then his physical ones. And they do affect him, and they do have consequences. And they will most certainly come back 20x worse later on in the plot. I would say to prepare mentally, but I know tbhk fans can handle just about anything.

Thank you for reading!

ヾ(≧▽≦*)

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[the-dumpster-fire-of-life]

Hiii!! I saw your requests were open & was wondering if you could do a hurt/comfort vi x f!reader (romantic but could be platonic I don’t mind). Reader could be from the undercity and have similar experiences w vi so they relate and understand each other on that level. Not rlly sure what the angst could be but there’s a lot of canon to work from (like maybe vi sees smth that reminds her of her time in prison? Or smth idk), and reader is there to like, comfort/ground her. Like overall vi has a shitty time but has someone in her corner to listen/comfort her and maybe give her a hug yk? Anyways tyyy!

Sure I can! Enjoy!

To Be Loved

Vi hadn’t seen you in so long, at least, that she can remember. The alcohol did that.

All she remembered now was the shame of you finding her in the cramped apartment, after seeing her brutal pit fight.

The blood coating her knuckles, the makeup and black hair dye. But under it all, it was still your Vi.

Your hands cradled her off the floor, and she couldn’t understand why, but the feeling of your hands on her skin once more, brought tears.

“Oh, Vi…”

“I’m- I’m so tired, (Name)…I can’t-“ Vi cried, snot rubbing onto your shirt as she sobbed and gripped onto it with all the strength she could.

“I couldn’t protect her- I let him down… I let everyone down.” Vi insisted. It was unspoken of the people she spoke of, their names were never said out loud but it was practically screaming.

You told the stories, shared the memories and the pain, but never said their names. It made it real. It seemed like it was barely hitting Vi just now…

That her life would never be the same. Powder wouldn’t come home after playing with Ekko, Claggor and Mylo wouldn’t be clambering around on the floor, and Vander would never call them for dinner in The Last Drop.

Ever again.

Her family was gone.

The realization made her ugly sob into your neck, the sound crackling throughout the room as you held the back of her head and rubbed her back as you both sat on the ground.

The ring was her way of punishing herself. To feel the pain in her mind she had caused Powder, caused Jinx and Vander and Mylo and Claggor, even Ekko.

“You didn’t fail them.” You insisted, shaking your head as you shushed her cries and holding her to you. She tried to rebuttal, shaking her head but you simply pulled back.

You cradled her face in your hands, the look on her face so similar to seven years ago.

You mustered up your best smile and shook your head as you wiped her tears and she stared and cried at the feeling.

“You were a kid, Vi. Nothing was your fault.” You whispered gently, pressing your forehead to hers. Your lashes almost tickled her cheeks, almost mixing with her tears as she sniffled.

“Vanders proud of you. Powder…she’s not dead. She’s still here…” You whispered softly, your hand faintly ghosting over her heart.

Even if Powder changed, no matter how much she rebutted her name and past, grew her hair and grew taller, she couldn’t rid herself of the prescrnse you and Vi had on her life. She was still Powder. Just different.

“I hurt her.” Vi stated, trying to avoid your gaze. You frowned, looking her over for a moment as you saw the shame. She never wanted to hurt Powder.

“You love her.” Was all you could offer, pressing a gentle kiss to your loves forehead as she closed her eyes.

Everything inside her hurt, everything was aching and she hated herself. She felt guilty for indulging in your comfort, in taking it.

But even if everything was falling apart, her home, you, was still standing.

Your soft hands cradling her, your lips ghosting over her cheeks, her nose, her lips, her forehead and brows and lashes…she couldn’t help but drown herself in it.

She held onto you. Gripping your shirt and fisting it between her fingers as she hid herself in the comfort you provided.

In your comfort, Vi knew she would be okay.

The steady beat of your heart just made it all the more real. The hands that cradled her made it all the more real.

And you sealed it with a kiss.

[max1461]

@deaths-accountant I will, if I remember, think carefully about your thought experiment and respond to it soon (although I will probably change some details so that it is less similar to current events because I don't want people to misunderstand the nature of the discussion and get mad at me), but, in the mean time, here is a counter-thought-experiment for you:

Suppose there is a guy Bob, currently hanging out in the heavenly realm or whatever, and he is presented by an angel with the following choice:

Bob will be born into the world, and live an ordinary-seeming life. Over the course of his life, the net utility (under whatever form of utilitarianism you endorse; hedonic, preferential, etc.) which he contributes to everyone else in the world besides himself will be 0. In other words, the people of the world (not including him) will be no better off nor worse off for his being born. However, he himself, under the same conception of utility, will receive -ε net utils. He will have N (for reasonable large N) utils worth of joys, triumphs, etc., and -(N+ε) utils worth of pains, failures and so on. Thus, he will live a net-negative life.

Bob will not be born into the world, he will cease to exist.

Implicitly I'm discounting here all the thoughts and feelings that Bob experiences here in the heavenly realm before he is born (or not) as irrelevant, but if you don't feel comfortable with this you can just adjust the numbers so that the net utility of each choice comes out as intended above.

It is possible, I think, that in light of the above choice, Bob would select (2) and cease to exist. But I think it's also possible that Bob would say "no, I'll take (1), I want to have the joys and triumphs even if there turn out also to be a greater number of failures and losses". In particular, I am almost certain that I would choose (1), and not just for fear of death (the above scenario is an abstraction of choices that I have actually made, where no risk of death was involved).

The question is: would it be moral for the angel to override Bob here, "for his own good", and choose (2) for him?

By construction a utilitarian has to say yes. If ε is small the utilitarian might say "well, it's not a very big deal; the normative force behind overriding Bob and choosing (2) is low". But I can think of scenarios in which I would chose (1) even if (I believed that) ε was pretty significant, where this excuse doesn't work.

Also consider for instance... the archetype of the starving artist. The man who is committed to producing his Great Work even at significant cost to himself. Suppose that he has made many sacrifices in order to hone his craft, he's given up financial success and a social life, he lives in the mountains and, you know, carves statue after statue in pursuit of perfection. Suppose that he can rationally conclude that, when (if) he does complete his masterpiece, the satisfaction will be relatively small in the face of all the sacrifices he's made. I mean, yeah, he'll be happy, he'll feel fulfilled and genuinely, deeply satisfied. But on a literal, summative level, that just won't add up to the lifetime of late nights, missed opportunities for social connection, etc., either in terms of net pleasure or net preference satisfaction or whatever. But suppose also that on the day to day level he doesn't feel miserable, he's not suffering. He's toiling in pursuit of a deeply held personal goal, and it feels... well, "good" isn't always the word. But he is plenty motivated to keep going; he's out here in the mountains of his own accord. The fact that he judges that at the end of his life the utility tally won't come up positive for him doesn't weigh on him much. "Why should I care about some number?" he says. "Maybe I'd be net happier if I went out on the town and found a wife and settled down, but I don't want to do that. I want to complete my Great Work."

Is this artist doing something immoral by living his life the way he has? Would it be moral for a third party to step in and prevent him from pursuing his endeavors?

In both of these thought experiments, my extremely strong intuition is that the answer is "no", making choices for other people "for their own good" in this way is not moral. But this seems like a necessary consequence of any kind of utilitarianism, so I can't get behind utilitarianism.

The starving artist example gets to a more fundamental issue, too. I kept saying things like "he really wants to complete his Great Work, and it will make him very satisfied, but he will be more net satisfied if he gives up on that and lives a normal life". Well... what the hell does "net satisfied" mean? How do you measure the strength of a preference? He "really wants" to complete his Great Work, and materially that corresponds to a certain neural state, but how do you put a number on that neural state which is fungible with the numbers you put on all the other neural states of human life? You run into this problem in both hedonic and preference utilitarianism, because "preference" is a neural phenomenon. Is there even a well-defined abstraction here, is there even a coherent thing to which "preference strength" can possibly refer? Maybe, but I don't know that there is. And the problem is that if you pick the wrong abstraction, if you pick the wrong way of getting a fungible quantity out of a fundamentally non-numerical arrangement of matter, then what you have doesn't correspond to "ethics" anymore, right, it lacks normative force. It's just some number.

This is why I say that utilitarian-ish ethics are fine on the large scale, they're fine for the policy maker or the economist, who for methodological reasons simply needs to pick an ok enough abstraction on run with it. But on the scale of individual humans, individual minds, and what it "really means" to treat people right, I don't think utilitarianism can possibly hold up.

I might have made this exact post before somewhere, if so apologies for repeating myself.

[your-senpaaaai]

jokes about arcane jesus aside i really want to talk about viktor’s role in season two and how i think the direction the writers chose for him is the most logical thing everrr 🙏

so starting with s1 – viktor is introduced as a genius inventor who’s main goal is to help people in need. he’s really careful and thoughtful about what him and jayce are doing like ofc he is ready to take risk to test something if needed but it’s never about reckless decisions which could hurt anybody. and that’s until viktor realises he’s sick and time is really really limited for him – that is the moment he decides to go big or go home and starts experimenting with the hexcore capabilities on a deeper level. it is the moment of desperation and panic when he tries not only to explore possibilities of hexcore but to save himself too and then BAAM the whole thing first starts to hurt viktor himself second wipes his childhood friend into dust (im still absolutely DEVASTATED about sky’s death 😭) anyway that’s the moment he literally wakes up and realises he’s gone too far. his beliefs and plans of helping people were overshadowed with this blindness

and that’s where my actual point starts so bear with me ! viktor decides to leave his dream and idk just wait when his time comes because he doesn’t want to hurt anybody else including himself – jayce promises him not to experiment with hexcore and not let this thing act on it’s own anymore. and then he fucks it all up. not only jayce brings viktor to life in some frankenstein style but uses hexcore for this even though he doesn’t have the slightest idea of what that action could cause.

and of course viktor is absolutely broken by this like you’ve literally just come to terms with the fact nothing could save you from the death without hurting other people and you make a deal with your best friend to let it be that way and not do anything stupid BUT your friend does it anyway by bringing you from the death by force (while transforming your body into sth unrecognisable in the process) and messing with dangerous powerful magic like IMAGINE HOW BETRAYED AND DEVASTATED VIKTOR MUST HAVE FELT AFTER THAT

i believe that leaving jayce and going to the undercity was the most logical and right thing to do because with all that guilt and pain the only thing that could somehow help viktor is the act of help to other people. literally his original life goal before all this mess.

and i thing that’s absolutely BEAUTIFUL like yes viktor become a savior and hope for those who need it because you literally always wanted to do such thing

[certainwoman]

I was quite idealistic in my approach to education which is why I got a master’s degree in humanities / social studies. I really did not consider the difficulties in finding employment as something that will happen specifically to me. Also I did not count on university classes contributing to my overall anxiety and self-doubt. At this point, I am quite jaded and would really tell any working class person not to do what I had done (and get a master’s degree that isn’t exactly sought after) and I feel simultaneously awful about this bitterness I acquired within time. I think education overall is wonderful and I wish everyone got to experience gaining knowledge in a field of your choice. However, I do not wish the poverty, disappointment and humiliation that comes after. It is ridiculous to say that I wish I hadn’t followed my dreams.

It isn’t exactly that following my dreams got me to a worse state than I was prior to graduating. It is the fake job listings, the networking, the issues that come with living in a geographically remote area, the humiliation of being a certain age and living with my parents, the feeling that I could have and should have be the one helping my mother who is going through menopause and is in pain. It is also the horrible professors I encountered at university who made me feel afraid of writing, it is the bad relationship I was in that made me feel the smallest that I had ever felt. I am trying to maintain hope. It has been a year and one month of unemployment-post-graduation. Of arguments with my mother. Of job interviews that made me feel hopeful but ultimately did not amount to anything. I tried to seek therapy but all I got was an increase in my medicine dosage. I tried to apply to jobs below my educational level and I got the “overqualified” remarks. I got in contact with people who claimed to be able to help me but it turned out they just wanted the attention. Everything sucks and I feel like I am just drowning. I am supposed to be grateful for my physical health, for having family that did not kick me out, for things not being even worse. I am not living but just merely surviving. How to feel grateful in such a state? If I did not have hope, I would die but how to maintain hope in the face of constant disappointment?

[heartshapdlover]

the only redeeming quality of menstruating is the gore of it all: unintentionally recreating the psycho shower scene! a concerning amount of blood in the toilet! tissue and giant blood clots and goo! witnessing the entire spectrum of the colors that blood can be! the carnal feeling of your body destroying itself!