#but i also need all cameras to be as adjustable and free range as modded cameras
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Begging every single game dev putting a photomode in their game to look at FFXIV's gpose begging. It doesn't have to be That Good, but please. Look at it.
#but i also need all cameras to be as adjustable and free range as modded cameras#this may seem random but i'm crying in dd2
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Free Half-Life Overhaul Makes Valve’s FPS Feel Like a Modern Shooter
A new Half-Life remake has arrived, attempting to maintain the spirit of Valve's 1998 first-person shooter while enhancing and altering key fundamental gameplay elements to feel more like a contemporary 2023 shooter. Although it appears to be very identical at first glance, the Half-Life Mmod mod's minor changes to the aesthetics, gunplay, AI, and sound effects make it possibly the best way to play. The Half-Life overhaul mod has been in the works for some time, and all you need is the 1998 original to download this new version and add it to your Steam library. Developer Gunship Mark II also has similar projects for the likes of Half-Life 2 as well, if you want to give another Valve classic a new coat of paint. Check out the newest footage of the Half-Life Mmod release below. https://www.youtube.com/watch?v=ercz2xaDSL4 Half-Life Mmod built-in features There are a lot of extra features in Half-Life Mmod, and while they’re in keeping with Valve’s original FPS game, they can make your experience feel as new as ever. - Camera adjustments - Jump/Land Jolt - Camera view roll - In-game FOV - Detail textures - Weapon inertia - Performance-intensive light effects - First-person legs - Project Bullets - Death effect - Fancy crossbow scope - Extra HEV voice lines - Extra HEV messages - Chapter select - Firing range - AI tweaks - New animations - Visual, atmospheric, and pacing-related map tweaks and additions (work in progress) - New arsenal, special weapon functions (silencers, addons, fire modes) - Plenty of bug fixes - VFX redesign (explosions, bullet impacts, muzzle flashes, monster effects, etc) I missed the boat on the original Half-Life by quite a distance and have tried going back to it for years, and while the Black Mesa fan-remake is still an excellent option for the Valve game, Half-Life Mmod had me hooked straight away with these small changes. While it’s obviously down to plenty of Valve’s work, all of these additions work well together to age-up Half-Life a fair bit, enough, in my opinion, to make it still feel like a classic, but one that hasn’t aged as bad as you might think. It’s difficult to tell too, with the improvements only becoming apparent with a side-by-side comparison, but Half-Life Mmod is a marvel. We’ve also got a list of the best old games you can play easily right now if Half-Life Mmod isn’t enough, alongside the answers to whatever happened to Half-Life 3, in case you were wondering. Read the full article
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Tactics Ogre: Let Us Cling Together
HAHAHA YES I DID IT I FINALLY BEAT THE GAME THE CURSE IS BR--
Uh.
I finally finished the game this time, clocking in a time of just over 58 hours for Neutral route cleared and not really many sidequests done. While I played this run with a mod (if you’ve played the game, you’ll notice in the pictures some differences), I'll talk about that another time. I should note that I've given this game at least five prior attempts each clocking in at over 20 hours over the several years I've owned it, so this is a pretty significant victory in my eyes.
The Valerian Isles have been in turmoil ever since the untimely death of her king, Dorgalua. He passed with no heir, and a regent installed himself into rule, although his influence only really extended through the northern part of the isles. The Hierophant Balbatos has enacted a regime of ethnic cleansing in the south against the Walister, your people, and your leader has already been captured. Worse, the knights who torched your town years ago are headed your way and the only help you have are your sister and best friend...
Five versus three against your favor, and they’re all veterans versus you all never having taken the field. What’s the worst that can happen?
I'll be making a few comparisons to Tactics Ogre's sibling series, Final Fantasy Tactics, during this review and I apologize for making so many. Tactics Ogre originally was a Super Famicom game and it was ported to the PlayStation 1 and Sega Saturn before getting remade on the PSP quite a while later. I've never played any of the old versions prior so this is mostly new experiences for me.
Tactics Ogre is a turn-based tactics RPG. Field a small team of characters in a variety of classes and fight it out through a number of battles as you clear a swath through everyone standing in your way. Warriors use big swords, Archers snipe with bows, Clerics heal, Canopus wins entire maps, Wizards damage and rebuff with spells, and so on. Objectives vary between "kill all enemies" and "kill the enemy leader" with very few deviations. Instead of the almost constant limit of five troops that Final Fantasy Tactics imposes on you, you can field a maximum of 12, but the limit increases or decreases based on the map, and even maps near the end of the game won't let you take everyone along. Enemy troops will almost always outnumber yours, but you have the advantage of human intellect, grinding, and the ability to revive your troops to counter them.
I’m apparently really bad at taking screenshots of actual gameplay, but the anti-aliasing on the text broke on the enemy’s numbers for some reason, thus the picture.
Though this is a modern-day remake, the game still uses sprites for characters and the battlegrounds, but instead of having the ability to freely rotate the map, you can instead tilt the map overhead for a bird's eye view to plan your next move. And in the process, it looks like the maps actually are 3D models textured to look like sprites. One of the final maps in the story is a translucent bridge situated over a glowing pit, and you can actually adjust the camera to look into the pit for no reason other than it looks cool. Spells also have been given a visual overhaul as have the weather effects in battle.
It might be a little jarring to have such advanced effects shown alongside sprites and pixel artwork, but they at least put the PSP’s hardware to work with these.
The biggest difference this version has to its prior incarnations or its siblings is how different the class system is. Instead of individual characters having their own character level and class level, the classes themselves level up and characters no longer have a personal level. If you have Warrior at 22 and change Denam from a level 5 Wizard to one, his level jumps to 22. More characters of one class fielded at the same time level faster, as do people of a lower level than the average.
It's an interesting system on paper, but it's got more than a few issues. While you can take a new character and stuff them into a leveled class to use immediately, you'll have to babysit anyone who switches to a new class since they'll be stuck using weaker gear until they get back up to speed, due to everything having a minimum level to use. Classes don't unlock too often so you'll have to decide if what new things the class can bring to the group are worth the trouble of grinding the characters back to effectiveness. EXP and SP are rewarded once the battle is won and it doesn't seem to matter what anyone on your side does to affect the final number, so you're not penalized for someone being dead weight. Battles where you have to kill the enemy leader can be useful for quick EXP/SP, but random battles never have these conditions.
Characters have personal reserves of SP used to unlock new skills and up to ten slots to stick into them. Skills either boost stats, like boosting defense or max HP or boosting ranged evasion, or they grant passive bonuses like weapon skills or racial skills boosting the damage done with said weapon/against said race, or they enable the use of certain spells like Fire Magic or Dark Magic, or they give your unit class-specific actions like Fearful Impact or Speedstar. New skills unlock slowly as that class levels, but not all of them can be transferred to other classes.
Some skills slowly rank up as you use them and weapon skills are no different. You’re encouraged to get at least one weapon skill up to 2 for every character to unlock heavily-damaging Finishers, so you can burst down tanky targets or other dangerous foes.
Unlike in FFT where you can reasonably allow your characters to access the skills of prior jobs so you could have a Knight with Black Magick abilities, here skills and spells and equipment is a lot more rigid. A Knight and a Cleric can both use Divine Magic to heal allies, but only the Cleric can use resurrection magic. A Knight can use Axes and 1H Swords, while the Cleric can't. They both can use Hammers, but only female Clerics get the sole Hammer the class can use. You kinda need to plan out your characters to minimize wasted SP. While it's not in short supply, it can be frustrating to want to try something new with an old character and then have several of their skills not apply to the new class. There is one special class that can use almost everything any other one class can use, but only one character can use it and it comes at a heavy cost, as well as said class learning nothing naturally. Think Freelancer or Onion Knight from Final Fantasy proper.
Combat is speed-based like in FFT. Each class has a base Recovery Time as well as how much RT is added per panel of move. Then this is all factored against the weight of the equipment you have on and the RT of the weapon. Unique characters (either fully unique or named generics) almost always have lower base RT than generics, on top of some having unique classes and dialog opportunities in some battles. Every class has HP for living and TP to fuel special abilities and weapon finishers that unlock once the related weapon skill is at least rank 2, but some have MP which start at 0 to prevent anyone from using their strongest spells on turn one, the same way FFTA2 does it. You're given a turn order on the bottom of the screen so you can try to manipulate the battlefield to your advantage, such as seeing if a character might be within range to kill a healer before they can act.
But if things wind up not going your way, another new feature to the game is the Chariot Tarot, an in-game turn rewinding feature. This unlocks in your first non-tutorial battle and allows you to rewind up to 50 turns backwards, and it even saves the 'alternate timelines' you created in that battle so if your original plan turned out better, you can jump back to it. The game records your use of this but you can do a same-turn Chariot free of charge, to perhaps try to aim a projectile spell another way or if an attack you needed to hit got dodged. The game points out that repeating the same actions the same way will only bear the same results, so if an Archer is having trouble landing an arrow for example, it might be worth it to same-turn Chariot by firing from every different tile in range until you make your mark.
I didn’t test to see how many alternate timelines you could make, but having the ability to rewind at all is pretty handy.
There are three story routes across four chapters, but they branch off instead of being three full stories from beginning to end. There is one Chapter 1, there are two Chapter 2s, three Chapter 3s, and one Chapter 4 where they all converge again. Law route has no branches, but Chaos can branch into Neutral at the end of Chapter 2. Each branch has its own story sequences, but the roles characters play in them might change. Someone who is an ally on one route might be an enemy on another, someone may live or die or even be recruitable depending on how you go.
Once you finish the game, you gain access to the World Tarot, which allows you to travel time forward and backward, jumping to Anchor Points while you keep your gear and roster. There are several Anchor Points sprinkled through each route's chapters, but you can't merely jump to a specific story battle at-will. Don't go back to the start of the game and expect to zero-effort everyone you find though, as enemies will now scale to your level and their gear will too. The World Tarot gives you an opportunity to replay story battles or to tackle another route too. Beating the game also unlocks the CODA section of the game, four short but new chapters made originally as DLC for this version of the game, baked into the release we got here. Progress through CODA requires certain characters to be considered alive by the timeline used to access it, so you may need to replay a good portion of the game to make the new timeline 'canon'.
You still experience the routes as if you were playing them the first time, so Denam won’t try to change history even further. Though one chapter in CODA does meddle with history to save a friend...
When not fighting on the battlefield, you can buy new wares in shops, recruit new people in shops, or craft new items if you have the recipes and materials. Crafting can make very powerful equipment even early on, but the biggest caveat is that the process is very tedious. You need to make advanced versions of materials one step at a time, and it's entirely possible that something will fail and you'll lose the materials in the process. I believe one piece of Wootz Steel takes over 30 steps and again, there's the failure risk to consider. You will be save-scumming quite a bit when it comes to crafting.
You can also auction off recruited monsters for money that you can then turn around and use to buy the meat and other items processed from their bodies! Somehow it’s even worse than FFT’s Poach/Secret Hunt because you’re doing this to members of your own team...
The last option accessed on the map is the Warren Report. This is like the Brave Story of FFT, but it allows you to replay cutscenes as well as see an overall timeline of when events happen, and it has bios of damn near everyone you meet and fight and kill. And they're not one-liners either--some enemies are nth generation knights or one pirate is actually pregnant (and you killed her, you monster), and so on. The Warren Report also holds all of the Titles you earn naturally by playing or by doing specific side goals (so Achievements basically), as well as tracking the number of battles fought, Chariot Tarot uses, number of escapes, number of allied KOs, number of allied deaths, and how many people you've killed as well as to which clan they were affiliated. And finally, it functions as a music player.
War is hell. All of those people you kill aren’t just faceless goons. Just...the ones with names are the only people who show up here as opposed to every generic person having a bio.
The music in this version has been given a full orchestral overhaul, given the 70-some names used in the credits for all the instruments, and several songs have been lengthened and given new parts. The Warren Report also lists composer notes about the tracks, saying what kind of mood they were going for or talking about how difficult it was to get specific instruments to meld together. The game has a percentage unlocked stat for the songs and I want to believe that most of them unlock by hearing them and winning the battles where they play, but at least one is unlocked by the Titles you earn.
Okay, so that's Tactics Ogre. Move your troops around the battlefield killing people until you win, then move onto the next map. Buy or make new gear and spells and buy skills to keep your team in top shape, and experience the story across three different routes.
It’s been a while since I last went through FFT, but it didn’t show you dead civilians a few times, did it?
What's good? There's a lot of content here. You can be sated with a one-and-done like I've done, but if you want to do everything in this game, you might want to set aside a couple hundred hours. There's a bunch of side quests and extra dungeons, and one of them is even 115 battles long. And you need to do that one in one go or you have to start over, but at least you can save between the fights this time. And to get the most out of it, you need to do it more than once. Yeah. There is a lot to do here, to the point where I'd say that no other FFT can come close. I hope you like grid-based turn-based RPG tactical goodness because this game is full of it.
And variety too. There are a bunch of different weapons for each type, a bunch of spells for each element, a bunch of skills for each class, and a bunch of classes for each race. Even monsters have classes! Though Golems and Dragons really only get to change, but demihumans like Reptiles and Orcs get access to some classes Humans can use, while they also get classes only they can use too. And then you have Hawkmen who scoff at terrain differences and can fly everywhere, but they can only use a handful of classes.
I'm a fan of the music. I now wake to the Warren Report theme as opposed to E.S. Battle from Xenosaga Episode II like I have for the past forever. And speaking of sound, the death cries are pretty lacking, especially compared to the PS1 FFT's anguished screams, but that can be ignored...even if you hear them quite a bit.
If you're into customizing your troops, then this game will definitely scratch that itch, even with the restrictions on the skills I mentioned above. There is actually a strategy revolving around recruiting enemies off the field in order to get their gear and to get their skills. When enemies die in this game, they leave either a bag of loot containing some of their gear or valuable coins, or they leave a tarot card that increases stats of whoever picks it up and said card becomes a usable item in combat. Instead of crystals you pick up to learn skills, you instead intentionally kill these recruits and then Scavenge their skills onto someone compatible. And this doesn't get into the ridiculousness of Snapdragons or Cursed Weapons either, of which I didn't touch at all.
There is some good scriptwork here too, though it has the same quasi semi-Elizabethan/Medieval bent the way War of the Lions did.
What's bad? Strangely, I felt like at least Chapter 4 dragged on a little too long, and that doesn't even count the multi-stage final dungeon. This wasn't the first time my interest flagged since at least two other runs have gotten to the final dungeon and I just...stopped. I imagine part of it was due to me somewhat rushing through the game (at a snail's pace?) and just wanting to finally be done with it this time, but I kinda dreaded the final part of the game since I knew it'd take a while--but I was wrong there.
There are several fights where you're unable to leave, sort of like Riovanes in FFT. You assault the castle's gates, then you enter the courtyard, then you break into the throne room, etc. You can always save into another slot in case things go south, but then you have nothing to show for your efforts other than a little bit of knowledge for the next try and a need to get levels/gear/skills up to snuff. The final dungeon is also set up this way, with maybe 12 fights if you don't take any shortcuts, and that many more you have to plow through if your team can't take on the last enemies. At least it's a nice touch that there are sometimes alternate routes to the same goal, and yes the Warren Report tracks each of these different approaches if you’re a completionist.
I mentioned crafting's tediousness, but that's at least optional. A major gripe I had with the shop was the inability to compare the stats between the gear my people had on with what the store was offering. So I'd save, buy a few things, go to the Party menu, compare, maybe reload the save and buy less or different things... I get that it's a remake, but a Fitting Room option really would not have hurt this game one bit. Because each tier of gear gives boosts to different stats, it's hard to tell how effective something would be until it's in your hands, and I found money tight enough that I couldn't just keep a copy of every weapon and armor on hand just for this reason. You can use the page feature to see if whichever class is leveled enough to use the item in question, but there's no stat comparison and stats are kind of important here.
It would have been amusing for people you kicked out to get revenge, but this never happens.
I didn’t like how you still couldn’t see your starting position and the enemy before you commit to battle, the same way that FFT did it but not either FFTA. Being able to change your gear or classes or skills or so on this way would’ve been a nice quality of life change, if to just make things a little less tedious. Like knowing if you should keep your regular gear on or swap to Baldur while diving into the Palace of the Dead, to exploit Baldur doing heavy damage to the undead.
So yeah. Tactics Ogre is pretty good. I think I still prefer the FFTs more but this isn't bad. It still plays like its sibling games, just the differences can trip you up a bit if you don't adjust to how TO works its classes and all. I think FFT and all are more accessible and more flexible, but if you've interest in other games like them, then Tactics Ogre is definitely worth a try. It'll keep you busy for a while, especially if you decide to dive into all of the content here.
Final stats.
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what's the best green screen software
H.B. Video Photo Magix title>
You sent too many requests so Linguee locked out your computer.
Those who already have all the basics and want to add one to the top are well served with the following specials. Gradually, you can make your home streaming studio complete. Anyone who wants to buy a green screen set is well served with models such as Fancierstudio Lightning. However, you can also make simple green screens yourself from green cotton towels. You don't have to dig too deep to get good lighting. Your customers, employees and partners expect modern digital and mobile applications. But replacing proven systems with Windows or Linux systems can be expensive, time-consuming and risky, and can result in high running costs. Import the green screen video, as well as the image or video that should replace the green background. Drag the media files into the first two tracks on the timeline. Click "Add Media Files" to add both the green screen video and the background video or image. Drag both videos onto the timeline. The selection ranges from free software to expensive professional video editing programs. However, you should know that when it comes to VSDC, green color is the only option as the multi-color chroma key tool is an advanced feature for premium users. Back to video editing magic. Click anywhere on your video background to select the color you want to remove.
Free green screen software for Mac - iMovie
It is not uncommon for you to end up with errors and an unacceptable risk.
Click on the green screen video and select the "Sony Chroma Keyer".
You can also easily use the green screen effects "at home" if you follow these simple instructions.
That means if your background color is not dominant (e.g. the scene object needs more space), you have to remove it manually.
Here are a few tips on how to brighten it up properly. In the properties, adjust the Chormakey settings until you are satisfied with the result. Click "Add Video" to add both your main video and the background video to the timeline. If your computer is only on a large network in which many users access Linguee at the same time, please contact us. For next level streaming, we have compiled a list of recommended partners who offer advanced solutions. Use features like green screen / chroma key, filter application, adjusting transition effects and changing the size and color of borders. In the camera viewfinder, you select a color that you want to replace and then the video that you want to display instead of the color. When you have finished creating the video, you can upload it directly to the app on Facebook, Dropbox, Twitter or by email, or today there is hardly a movie without green screen effects. Some blockbusters are even almost completely rotated in front of the green wall in order to be able to insert computer-generated effects later. But is the green screen only for large productions with a budget of millions? LegaSuite Web makes web development quick and easy. With drag-and-drop tools and runtime components that extend any IBM i application into a user-friendly HTML5 web application. In contrast to other solutions, LegaSuite allows you to use existing developments without having to install or change code. In addition, it automatically extracts and synchronizes all screens of a legacy application with every modernized user interface. Some community members have badges that show who they are or how active they are in a community. Select one of the following categories to discover the latest GTA 5 PC Mods. Logitech Capture makes creating content with your webcam easy, fast and intuitive. By using remove.bg you agree to the use of cookies. You can find details on this in our Privacy Policy. Third, you need to spend some time finding the best place for yourself (or the scene object if you are not). Your shadow is almost inevitable, but your goal is to either have it outside the camera frame or even inside. To do this, make sure there is a solid space between you and the green screen.
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“how did you use media technologies in the construction and research, planning and evaluation stages”
Research and Planning: September
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Planning - (post planning phase), Construction Editing and evaluation: April
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Media Green Screen Script:
Technology has played a vital role in all aspects of the construction of my short film and ancillary tasks, being my film poster and magazine review page. Throughout the researching, planning, construction, editing and evaluation of my media coursework pieces I have used technology and has played a quintessential role in everything that I do in media. This year I have improved in all aspects in using technology, both becoming much more knowledgeable, efficient, to a more professional standard and using more varied tech.
Construction:
While filming I have used several online cloud based solutions when storing my raw footage and creating rough edits when filming. The cloud storage that I settled with was iCloud, as I was able to store everything seamlessly by simply saving my work to my desktop on either my laptop for on the move, or on my home computer where I would do a majority of my editing later on. The main reason for why I had decided to use Icloud was because of the efficiency and ease of use – being able to use multiple computers and having a synchronised workspace I found fantastic when organising my narrative. This year I have use predominantly all my own technology – such as my own DSLR this one here. I decided to purchase and use the canon 700d as the camera had a large sensor and better low light filming with less noise than the Nikon camcorders at my school. Most importantly, I was able to make full use of the tilting and adjustable screen on my DSLR that allowed me to use a wider range of shots – such as low angle shots, extreme close ups and much more with ease. Additionally, I was able to inject a mod of the canon firmware called “Magic Lantern” that allowed me to have full access to every setting of the camera – from a histogram display to forced higher bitrate recording and fps “overclocking”. All of which I have used in the construction of my film. Additionally, I have used my camera to recreate certain scenes in front of my improvised green screen – taking photographs specifically for my film poster and magazine review page. The use of the histogram I found extremely helpful, as I was able to see if I was overexposed in my shots when filming location shots throughout London as it was an extremely bright day – and conversely when filming in my house at night I was able to identify if I was underexposed and if the shots would be too noisy as a result. Although did have a new camcorder, I still found that I was using my phone to record some of my film – as I could not reach a high enough fps (120 fps to be exact) on my DSLR to be able to film slow motion, something that I used in my introductory shot that enacted as my “hook”. This very much proved to me that we are all prosumers and that technology is almost certainly in the hands off all (democratisation of tech) furthermore – I have found that only to a certain extent does technology seem to be rewarding in that you will only be paying for incremental improvements for an extremely more expensive product. This means that the most expensive might not always be the best, so narrative and purpose is the most important factors to consider when making a film – not what expensive things you are using to create the media. In the words of one of the most successful examples of this, the filmmaker Casey Neistat who stated: “I am not bothered with technology. The pros for using new technology is only 60/40, only providing a 10% improvement to my work, but the 10% is worth it to me”.
With regards to the audio of my short film – I used the music and audio editing software Logic pro 10 to capture my voiceover, using studio microphones to capture my voice for my main protagonist. Moreover, I had used my laptop to present to my voice actor with his lines, characterisation and showing my film its self so that the process was swift and effective. I had also used my iPad to show my actors on set coincidentally my redrafting’s of my current script, shot lists and other extracts that I have already posted on my Tumblr on the move.
There are numerous ways that I have improved from my previous year in the construction of my film. Firstly, I had used all the school’s camcorders, all on automatic settings (point and shoots camera). I had used premiere pro, however was not confident in the software and additionally did not move or back up any of my data in the process of making or editing my film. Last year I had recorded my voiceover in my dining room that gave a bad echo, and was not of a high standard/quality. When filming the outside shots in Spirit Quay, I had also experiences severe wind muffling and this year compensated for this with an external microphone with windscreen muff. I had also Printed all of my scripting drafts, and sketched my storyboard and and shot lists previously, that made my planning hard to understand and easily misplaced unlike this year.
Photoshop – took photo of the white-millers and doctored the photo, making the image look old.
Editing:
In the editing process of editing my media coursework, I used two main editing softwares: Adobe Premiere Pro and Final Cut Pro. I had used premier pro for editing my my short film, as I have the most knowledge in the adobe ecosphere. I used Final Cut for the more modular elements of my coursework such as montages and other shorts that could be constructed quicker, as the software is much more simplistic and offers less options but is much faster and intuitive to use. However, I did find it useful in adding my titles for the final parts of my film, as I could place simple titles over my already rendered film – and because of this, could be done on my laptop which was really convenient and therefore an efficient process.
I have use the adobe ecosphere extensively in my second year – using almost all adobe applications in my film and ancillary tasks. There are several instances where I have furthered my competency with technology with the application. This including the overdubbing of diegetic sounds, as one scene shown somewhere around me is constructed completely of post production sound, from the creaking of the steps to the television is all placed after the footage had been shot. The way in which I was able to do this was through several layers of sound that I had modified from gain, panning of the television and so on. One thing I found extremely useful within the Adobe ecosphere was the harmony between other adobe applications. I was able to directly open and edit audio sources from Adobe Audition and export them back into wherever they were exactly in the premiere pro timeline. One example of where I had done this was my “kitchen scene” where I had to overdub my main protagonist with a voice actor, but had to account for real life elements such as echo and the effect of the room. I managed to use adobe audition to increase the bass in my actor’s voice and adjust dynamically the reverb from when he is speaking in the room to when he is speaking with his head inside a fridge – all in order to create a more believable overdub. Overall, I believe I have improved my competency in editing, as I have used much more complex post production techniques in my film. Examples of this range from the use of montage in the opening of my film, compiling differing scenes between each other to create a thick texture to what is happening in the narrative, giving a strong introduction to my short film. The use of an external adobe plugin called the “neatvideo” noise removing application, that I used in scenes where my film was rather dark and as a result produced noise. Other advanced techniques such as the use of ellipsis, timelapse and synchronicity in my shots.
Throughout the year I have also become more acquainted with adobe photoshop, illustrator and adobe lightroom for my photographs that I had taken for my film poster and magazine review page. In Photoshop I have been able to: Manipulate with several effects such as saturation vibrance, and cut out my main protagonist to place in my film poster and magazine review page using the magic wand tool. I also used feathering, the use of an inner stroke to match my desired colour of my background all to create the most professional looking product as possible. Of course make the poster and magazine review page its self
I had also made use of a second monitor this year to edit my short film and media products, as being able to see my products as an audience would next to me I found extremely helpful.
Whereas previously last year I had only used one post production technique of using a “three-way colour corrector” to under saturate my image in order to give an eerie atmosphere, I had also done this this year but have improved in my use of the technique, using only in moderation so that I didn’t lose both verisimilitude and video quality. Last year I had a very simple narrative and timeline and therefore did not need to do as many post production techniques such as the manipulating sound and so on. I had also taken royalty free music and inserted the sound into my film, whereas this year I had researched and composed the music myself on Sibelius using a virtual romantic orchestra in the style of Stravinsky and Shostakovich.
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