#but how does that matter if– it does. it does matter. hope that helps

[bloggerspam]

And here it is, the epilogue! We skip back a little bit in this one, for some yummy deleted scenes. Thank you @phantomfen and @haleswallows for your lovely support, this couldn't have happened without ya'll! And thank you @ashrayus for the art that inspired it all. I hope I did you proud!

===

Cass observes BruceBatdad from her vantage point two rooftops away.

She hears StephSpoiler join her soon after, TimRobin following just seconds later.

BruceBatdad is not alone.

A woman and a boy stand before him, and Cass would be a fool to not remember that face, to not know who they are.

Even from so far away, it is hard to forget the woman who gave her candy once, all those years ago.

It is hard to forget her words then too.

I have a son, Talia Al-Ghul had said then, but I'm afraid he does not like sweets, will you throw them away for me?

Cass hears TimRobin and StephSpoiler bicker quietly behind her, lets BabsOracle's soothing voice demanding explanations wash over her in harmony.

JayHood's low timbre joins the cacophony, DickieWing's excited chatter echoing in the comms as he makes his way over. It is Sunday, that Sunday, brunch Sunday, so he is in Gotham tonight.

Bludhaven must be lonely.

She squints. BabsOracle starts to hiss, TimRobin and StephSpoiler tumbling over each other now.

DamianBabyBrother stands at attention, but his gaze is on them.

She waves. He does not wave back. That is okay.

DickieWing cartwheels onto their roof, gives Cass a pat on the head before wrangling the other two.

Cass observes their new baby brother, but does not get much. He is well trained. It does not matter, there will be time to learn.

"Show of hands," BabsOracle's voice is strict, commanding. They all freeze, trained in a better way, "New family member."

Immediately, all hands go up. TimRobin hesitates. It is okay. There will be time.

Cass smiles, watches DickieWing whoop, leading the race back to the Cave.

Cass waves again, but knows not to wait this time, twirling her way through her siblings.

She intends to win the race back home.

===

Alfred contemplates his newest ward as he wipes his hands.

The little one wants to know if there are any tasks assigned to him, which is new and refreshing.

This is, of course, sarcasm.

Master Jason refused to accept food without some kind of chore to exchange.

Miss Cass still shadows him occasionally, on alert for anything Alfred should need.

Even Master Duke is in the habit of asking Alfred if he can help anywhere.

Alfred had indulged them, of course, once in a while. Help them feel at ease.

The problem now is that Master Damian is not actually asking for tasks.

He is asking for information.

That is what intrigues him.

Master Damian stands quietly at attention, patiently, as Alfred considers the best way to navigate this.

"Well," Alfred lifts an eyebrow, "It isn't entirely necessary, Master Damian."

"I must earn my keep," the young master insists, "Blood son or not, I do not plan to waste away here."

Alfred hums. "Then I suppose it would depend on where your skills lie, Master Damian."

"I was trained in survival," Master Damian replies with nary a pause, "I can cook, and do basic cleaning." He tilts his head, reminding Alfred of a Young Master Bruce. "Admittedly, I am unsure of my skill level with no-one to compare to, as it was not necessary to my training."

Alfred lets that ruminate. He could have the young master help with dishes first, chat as he cooks for the family. It would be nice to have someone in residence to help with cooking again. Master Jason still avoids the Manor quiet often, after all.

"It is at least edible," Master Damian must mistake his silence as refusal, "And I learn quick."

"Yes," Alfred reassures the boy, "I am aware. Let's have you start with dishes, shall we?"

Master Damian's lip quirks to the side, small and so very familiar, and rolls up his sleeves.

Yes, this will do. Alfred smiles back, turning around to work on tonight's dinner.

Now, how much to reveal?

===

Steph watches the newest baby Wayne scrutinize Dick's somersault with the kind of concentration of a life and death threat.

It's impressive and at once entirely so sad that Damian executes a perfect somersault two tries later.

Once to get the feel. Twice to adjust.

Genius? Or training?

Steph doesn't really want to know.

It's the 16th item on the list that Damian has excelled at within the first five tries. Steph wants so badly for this little baby to let loose. He's been here for a couple months and he still thinks his stay is temporary.

As if Bruce would let his babiest bat go back to that asshole Ra's.

Talia might be cool, Steph doesn't know. Damian sure loves her, just from the scant sentences he's said about her. But sometimes love just…isn't enough.

Damian does a perfect one handed handstand, twirling around just like Dick did and stepping delicate down, and eyeing the tightrope Duke and Steph had set up for him to try. There's a unicycle somewhere in the gym, they just have to find it.

"Does this spark joy?" Damian tilts his head, from where he's perfectly balanced on the stupid unicycle and looking way too smug about it.

"It does not." He finally answers, dismounting with boring aplomb.

The next hobby is skateboarding—Tim shows Damian how to do an ollie, once the kid has the hang of standing on the board.

It is a special kind of delight to watch a trained-from-basically-birth assassin eat shit on a skateboard.

A pencil is tossed unerringly at her forehead whilst she loses breath laughing, and you know what?

It's totally worth it, especially when it devolves quickly into an office supply version of a food fight between the five of them.

They try new hobbies, and each time, Steph asks "Does it spark joy?"

And each time Damian considers, before he answers very seriously, "It does not."

Steph's gotta admit, the sincerity is what does it for her.

By the end of it, Steph loses the bet, but it doesnt matter.

Babybat'll fit in fine.

===

Duke comes down to breakfast and immediately realizes something is wrong.

Damian has been in the Manor for a while now, and it's been routine for Duke to see him making breakfast with Alfred every Tuesday and Wednesday.

Today is Friday, and Damian is at the stove, alone.

"Hey, little dude." Duke cautiously greets, "Where's Alfie?"

"Pennyworth went to fetch more eggs." Damian doesn't turn around, but he answers, and that's all Duke can really ask for. "Someone had used it up last night, without permission."

Duke whistles. "Enough of them to warrant an emergency shopping trip?" Alfie usually keeps a burden's amount of eggs in the fridge always stocked up.

"Brown and Grayson," Damian carefully says, smirking over his shoulder and obviously trying not to laugh, "decided they wanted pancakes."

"Oh my god." Duke laughs, already seeing disaster and trying to keep it all in to ask his question, "What—what did they do?"

"Apparently," Damian drags out, "They thought that eggs and flour was enough to make the batter."

Damian comes to the table, placing a perfect plate of sunny side up eggs, bacon, and hash in front of Duke.

"Needless to say, they made almost two kilos of pasta instead." He places the second plate at the head of the table. "They tried to fry some of it anyway, and ruined two pans before they realized that perhaps, maybe, pancake batter should look a little more…liquid."

By the time Damian has his own plate sitting across from Duke, he can't breathe from how hard he's laughing.

Bruce walks in, and they no doubt paint a peculiar picture: Damian, smirking and daintily eating his eggs. And Duke, curled over the table and trying to recover and succeeding at a snail's pace.

"Good morning Father." Damian primly greets.

"Good morning, sweetheart." Bruce's voice is confused, but amiable. He carefully picks his way to his spot and compliments Damian on breakfast, who nods in satisfaction.

"Duke, are you alright son?" Bruce asks, when Duke can finally straighten up take one deep breath.

"He'll be fine, Father." Damian waves his fork, "On an unrelated note, would you perhaps be opposed to pasta for lunch?"

Duke fucking loses it.

===

"Well?" Damian sits himself down delicately, crossing his arms and leaning back in his chair, expectantly.

They're down in the Cave, sitting across from each other at the round table in the main area, side by side.

Tim rolls his eyes, fine. No pleasantries then. "Are you considering joining the family business?"

Damian tilts his head, puppy-like, not that he'll ever say that to his face. "Which one?"

And that's a fair point. "Either. Any."

Damian purses his lips, in the same exact way Bruce does, thinking. "I am undecided. Why?"

"I was thinking that it was time for me to start making moves to…" Tim wants to be delicate here, considering the history Damian has, "…well, move on."

"Be more clear, Drake." And wow, the way Damian furrows his brow in annoyance is identical to Jason, "Use your words."

Tim huffs. "Robin, Demon Brat." Tim enunciates his words, trying not to smile at the way Damian perks up. "I want to retire."

Damian eyes him mistrustfully, darting from Tim's coffee cup, to his tablet, even to the BatComputer where Tim has a DNA sample running. "…I highly doubt that."

"UGH," Tim groans, "I want to rebrand, so I'm giving you the Robin domino or whatever."

"The Robin mantle must be earned," Damian puffs up like an irate Pomeranian, making Tim laugh for more reasons than one.

"I already retired once." Tim informs him, "Steph was Robin for a hot minute, making her own suit from a Halloween costume."

"She what." Damian's voice is dangerous, but Tim flaps a hand. He can blow steam as much as he wants, he's the baby of the family and despite it all Tim's 87% sure Damian wouldn't hurt a fly.

…Maybe a solid 66%. He'll have to run the numbers.

"She gave it up to be Spoiler real quick," Tim continues, "And then some shit happened, and though he wasn't officially a Robin, Duke was part of the We Are Robin movement."

Damian fumes in silence, which shouldn't be funny, but is.

"In other words, Demon Brat," Tim smirks, "Lots of people have been Robin. And if you don't take it now, well…who's to say someone else won't just…make their own costume?"

Tim waits out Damian's breathing exercises, patient and frankly, uncaring. He fiddles on his tablet, sips at his coffee, considers new vigilante names. With Dick now acting as Nightwing, the transition to Young Justice won't be as confusing even if he did join up as Robin, but Tim would rather not.

Just thinking about the mistaken identity issues with Dick's romantic history is already giving him nightmares. Slim as the chances are, with their builds being so different, but Tim just doesn't want to take that chance.

"Fine." Damian finally says, "I concede. When will training start?"

Tim scoffs. "You're League trained, so you'll just be shadowing for protocol. There's a manual somewhere that Bruce made, but we mostly treat it as a guideline. The Batkids have their own that they update, and you already have access to that on your tablet." Tim gives him a look. "Tell me you need access."

Damian wisely stays silent. Tim remembers that the League isn't really attuned to the intricacies of hacking and coding, but Damian has had no trouble snooping through the system from what Tim has seen. He wonders if the League just got upgraded since Cass got trained, or if Damian is self taught. It doesn't matter.

"Right. Well, Dick said he'll take you on a mission whenever your schedule is open, and you can shadow me on my current patrol, move around. You won't be able to patrol on your own for a while but—"

"What will be your new name?" Damian interrupts, eyebrow raised. Curious.

"Oh—uh. I haven't thought about it." Tim stutters. He didn't expect Damian to ask—

"Liar." Damian accuses, squinting at him.

Tim sighs. "I dunno, Red Robin?"

"That's a terrible name." Damian's nose scrunches. "A stupid name, even."

"Wha—it is not!" Tim slams his tablet down. Damian's eyes suddenly go wide, horror dripping through his tone.

"Drake—tell me you did not simply combine Red Hood and Robin."

Tim stays absolutely fucking silent, grabbing his coffee to keep his mouth occupied.

"Drake, I implore you to be better than this." Damian slaps a hand over his face, which is rude.

"Hey! That is—that is just uncalled for—" Tim pulls his cup down, almost spilling it. He swears, but Damian pays no heed to him.

"I knew you were a fan of Todd's Robin, but this cannot go on. Did you expect me to graduate and become Green Robin?"

"No! That's stupid, there's not such thing as a green robin—"

"There's no such thing as a red robin either! Unless you wish to be named after a subpar restaurant." Damian throws his hands up.

"You've never even been to a Red Robin!" Tim sputters, and tries to get a handle on the situation.

He fails.

"You have at least sixteen unique aliases with full on back stories that you successfully keep track of and disguise yourself into, and you cannot do any better than Red Robin?" Damian says, loudly, over his protests and effectively silencing him,

Tim opens his mouth, closes it. Shuts his eyes. Grumbles. "Well I'd like to see you come up with a better name…"

"Cardinal." Damian gets up, stalking towards the secret entrance, clearly done with this conversation. "I cannot fathom how little sense you have. Ridiculous."

And well. Tim hates to say it, but Cardinal is much better than Red Robin.

Gods damn it.

===

"I will name her Batcow." Dick refuses to coo. Damian is covered in blood and wielding a sword, this is not cute behavior!

How did this happen? This was their first mission. It was supposed to be easy. Tomorrow, Tim was going to take him out on patrols. The weekend after that, Jaybird was going to take him paintballing. Steph and Duke were going to teach him how to prank people harmlessly. This was supposed to be nice, easy Robin bonding!

"That's nice, baby bird." Dick tries to placate, "We can shuffle her with the other cows to their new home—"

"Nightwing," Damian's voice brokers no argument, "I have claimed her."

Dick has to wonder if he was as much of a menace when he was this age. He wasn't, surely. Sure, he got Ace in an unconventional way, but Ace was practically made for hero-ing.

Not to mention Ace was a dog.

"It's great that you want a pet," Dick tries again, "But how about we start with a dog first? Maybe a cat?"

Damian thinks on that a bit, before nodding. Dick sighs a great sigh of relief.

"I would like one of each." Wait. What? No. Nononono—

Cackling echoes in the comms, the hysterics of Steph and Jaybird loud and guffawing in his ear.

"Stop laughing and help me." Dick hisses into the comms as Damian starts flicks the blood of his sword.

"I used to put him in, in air jail." Jaybird says through gulps of air, "Y'know, pick him up wh-hen he was acting n-naughty."

"That isn't exactly applicable here, Hood!" Dick grits through his teeth, causing Steph to shriek in high pitched laughter.

"We will have to take the jet," Damian interrupts, "Batcow will not fit on our motorcycles."

"No, Robin—we, uhm. We don't have room for a cow at home—" Dick wants to tear his hair out. He's too young for this, surely.

Heedless of his words, Damian starts to gently lead the cow towards him, raising a single eyebrow.

"Okay, well. We do have room, but that doesn't mean—"

"Nightwing. Robin." Dick has never been more glad to hear Bruce's voice, "Leave the cow with the proper authorities and report back to the Cave."

"Father," Damian's voice suddenly changes, "I would like to take Batcow home."

"…Robin," Bruce starts, but is summarily interrupted.

"Father, you have missed twelve of my birthdays." Damian's voice goes wobbly, despite Dick physically seeing that his face is stone cold, "And I have not once received a gift."

There's a long silence, and Dick slumps. What the fuck do you even say to that?

"…The jet will pick you up in 3 minutes."

"And the dog and cat?" Damian's voice is smug.

Dick sighs. "I'll take you to the shelter tomorrow."

The comms peak, from the sheer volume of Jay and Steph's mocking laughter.

===

Bruce enters his study with a tablet in one hand and a glass of whiskey in the other. 

It's been a long day.

He’s tired, preoccupied with thoughts of Damian starting school soon. The rest of his children seem to be causing some kind of trouble trying to celebrate it in their own way, and it's giving Bruce a minor headache about it.

Talia's continuous demands of pictures and actual reports is both heartwarming and excessive, but Bruce can hardly blame her.

His eyes should be scanning through the documents that Lucius sent over this morning and is still awaiting approval for. 

What his eyes catch on instead is a new addition to his Gray Ghost shelf. 

It’s an action figure of the eponymous hero, one in almost pristine condition. A first edition. 

Inside the cloche with the Gray Ghost gun is a miniature version resting just beside it. The RC car also has a miniature version perched next to its front wheel. Between the trilby and the goggles lay two hands and a miniature case of the first DVD release.

He tilts his head, feeling his eyebrow raise and a smile crawl up as he picks up the action figure to inspect it. It looks old, but clean. Not quite used, but not sitting on a shelf either—there’s little knicks here or there. Perhaps found in a garage sale somewhere? It’s not even his birthday—still, the gift warms his heart as anything involving his children does.

Now, which one of his kids did this, he wonders?

No matter, he’ll find out soon enough. His children are terrible at keeping secrets, and he isn't Batman for nothing.

He places the figure gently back down in its place, and settles in for the long haul.

===

Talia sits, straight backed with her legs crossed in a highly uncomfortable chair.

Next to her, her Beloved looks lovely in his turtle neck and slacks, comfy, even.

She looks around the room, noting the whiteboard and assortment of small desks behind them,

There are motivation posters, and informational ones with equations listed upon them.

Talia refrains from scoffing, but really, what is the point of putting the answer up on the wall? How will they learn if they have such a crutch?

"Now," The portly man sitting across from them behind a large desk coughs to clear their throat, "Damian has shown high intelligence, his grades are top of the class and he has shown such high promise that the other teachers and I have discussed whether or not it would be beneficial for him to move up grades."

"I believe the principal and I already had this conversation, Mr. Porter." Bruce smiles, but it isn't the nice one, "Dami has always been a smart boy, but he was home-schooled, and we were more concerned about his socialization."

"Ah, yes. Well. The girls in the class seem to find him charming, albeit stoic. He is gentlemanly for his age, and doesn't really participate in…" Mr. Porter coughs once more.

Talia rolls her eyes. "In idle immaturity?"

"Well, yes. It's just—well," Mr. Porter tugs at his collar, "It's just boys being boys really."

"Has he made any friends? Of either gender?" Bruce asks, giving Talia a warning look. She shrugs, putting on her best innocent smile.

"Oh! Yes, one boy, Colin Wikes." Mr. Porter takes out a handkerchief to wipe his brow, "They seem to get along, in their own quiet way."

"That's lovely!" Talia's voice goes high, fake. Bruce winces, but she ignores him, "So his grades are up, he's made a friend, and overall he's popular with the ladies!"

"W-well, yes, but the other boys—"

"Now, now. Bruce is a lady-killer himself, and he managed to figure out male friendships eventually!" Talia simpers,"He had such a close friendship with Harvey Dent after all, before that whole...fiasco."

Bruce sighs, but again, Talia ignores him. "Now, I hear that my son has a talent in art? I see that none of them are hung up—"

This is very important business after all.

No-one can stop her from achieving her mission.

===

Jason opens his door carefully, quietly.

His traps have been disabled and reset, and Jason can only think of two people who would do that.

Both of them came from the League, and both of them don't take kindly to being startled.

He drops his work bag, the one for his mechanic's job, down in the entrance way. He takes of his heavy boots and treads silently through the apartment to find out which sibling came to visit.

He's greeted by Damian, asleep on his couch with an open and currently in danger of falling copy of Pride and Prejudice.

Jason quickly tiptoes over, grabs the book before it can fall to the ground, grabbing the kid's bookmark—a pressed flower that Cass made for him—and placing it to the side.

The fact that the kid hasn't woken up is testament to their time in the League.

Jason's been getting bits and pieces back, ever since he got shot and saw double vision of Damian and a younger version of the kid administering first aid to him.

Talk about shock therapy.

It's not all that pleasant, the memories.

He remembers the grueling training, the pain and anguish and fear of not remembering. Not knowing who he was, knowing Robin was important, not knowing what to do.

But not all of them are bad.

He remembers forcing Damian to brush his teeth for longer than 2 minutes, remembers tucking the tyke in with the bear, even the figure.

He remembers various missions, where he would pick up Damian and carry him to the nearest food stand to make him try an assortment of street foods with a series of flailing movements. Remembers the feeling of accomplishment and pride whenever the little guy would express it was adequate, because that was as good as a 5 star rating.

He remembers carrying him, hastily packed duffle bag and all, and thinking Gotham, Gotham is the safest place to be but not knowing why.

Mostly he remembers watching Damian sleep, peacefully, like he is now.

Because it's novel, then and now, how Damian trusts him enough to do it.

He sits himself down for a moment, always a little woozy when memories come surfacing up, breathing deep and leaning back. It's getting easier to remember, and Leslie had said it would stop eventually, so he weathers it out.

A second later, something warm thumps into his lap.

Damian has his head there, hands fisted like kitten's paws, curling up like a little ball.

Jason sees double, triple, memories and memories of watching this boy sleep and feeling honored and responsible and attached to him.

Brothers in arms, Talia had said, back when he wasn't quite himself, but wasn't Damian's Robin anymore either. You have a brother—

Jason had cut her off then, yelling that no replacement could ever be his brother.

He had eaten his words then, and he's eating them now too.

He lays a hand on Damian's back, rubs up and down his tiny shoulder blades, the way Bruce did when he was first adopted.

Brothers indeed.

He shuts his eyes, just for a moment, to breathe in the peace.

He falls asleep like that, dreaming of teddy bears and robins, and deadly, deadly assassins.

some jasons and damians thats been piling up :]

(and tim and alfred the cat)

[lenaswritingandstuff]

Home ▪ Mattheo Riddle x bff!fem!reader

Requested: No

Pairing: Mattheo Riddle x f!reader

Summary: y/n wants to makes something special for Mattheo's birthday, but little does she know how special it is about to get.

Word count: 3.1K

Warnings: Fluff; English is not my first language.

A/N: Thank you guys so, so much for over 300 followers, love y'all!! That said, I don't think I like this one lol. Comments and feedback are always appreciated. Sorry for the typos. Hope you enjoy it! xx

Tag list: @helendeath @im-jesus @wolfyychan @blocked-zombieartist

Tag list for this story: @lilloves-34

“Aw, how lovely it is to see you two!”

“Hi, mum.”

Your mother held you warmly before turning to the person next to you.

“You’ve grown taller, Mattheo, dear.”

“As always, Mrs. y/l/n.”

She held him too, and Mattheo did his best to return the hug. His dark eyes turned to you and you offered him a small, affectionate smile. He suddenly looked more comfortable and smiled at your mother when she let him go. 

“Leave your luggage here, dears, it can be unpacked later. Come, I’ve made you two some snacks.”

You and Mattheo follow her into the kitchen, and you can’t help but look at Mattheo. Partly because, well, it’s not like he wasn’t the most handsome boy you’ve ever seen, but mostly because you know he’s not always comfortable in your mother’s house, despite having living here for over two years now. 

Mattheo and you had been best friends since your first year at Hogwarts. But as the years went by, knowing Mattheo was alone at Hogwarts during the holidays made you feel so upset that you started asking him if he wanted to spend it with you, which he accepted with a gratitude he had a hard time hiding. And, naturally, you also asked him if he wanted to come for summer break here as well. From the day Mattheo met your mother, she adored him and soon considered him a full member of the family, sending him sweets and gifts while at school just like she did for you, offering him gifts for his birthdays and Christmas as well, and he started coming every holiday without you asking him. You knew Mattheo was thankful for your mother’s hospitality and affection, as he always made sure to let her know, but you knew - despite him doing his best to hide it - that he felt that he somehow didn’t deserve the kindness and care you mother had shown him. It broke your heart to know he felt like that, but Mattheo wasn’t the kind to easily speak about his feelings so you never dared to bring it up, only sometimes telling him how happy you were that he was here, and that this house was his home.

But what your mother - or anyone else for that matter - didn’t know was that now having Mattheo around at all times was bittersweet for you. You absolutely loved having him in your house, where you knew he was finally loved and cared for, but it also made you two closer and made feelings for him grow - feelings you didn’t know were shared or not. It was slowly breaking you from the inside, and you didn’t know how to deal with it. Of course, you could talk about it with Pansy, who was your other best friend, or your mother, but you perfectly knew what they would both tell you: “tell him how you feel.” Merlin, no. You just couldn’t. Not only because if Mattheo didn’t feel the same way, your friendship would never be the same at best - or completely destroyed in the worst case scenario - and in both cases, you knew it wouldn’t take long for Mattheo to decide to leave your house. If I ever do tell him how I feel, it’s better to wait until we’re both out of Hogwarts and have our own places. 

You walked in the kitchen to find your favourite snacks on the table. 

“Aw, thanks, mum.”

“Yes, thank you, ma’am.”

“You’re more than welcome. Come, sit.”

The three of you sat around the table, you being next to Mattheo on one side and your mother on the other. You and Mattheo started eating while your mother asked about yours and Mattheo’s lives at school. You and Mattheo took turns in making conversation and even had a few laughs as you recalled some of the funny memories you had. After both your stomachs were full, you decided to go unpack your luggage. Mattheo had the same idea, and went to the bedroom that was now essentially his. You both finished at the same time, and found yourselves in the corridor of the second floor. 

“I’ll go take a shower,” Mattheo said quietly. “If you don’t mind.”

“Of course not.”

He walked to the bathroom, but before he came in, you called for him. “Matty?” 

He turned to you and you continued, “As always, this is your home.” 

He gave you a single nod before quickly turning away and going into the bathroom. Letting out a small sigh, you went down downstairs in the living room and found your mother reading a book. 

“Mum?”

She raised her head from her book, “Yes?”

You sat on the sofa next to her, a small smile on your face.

“You know Mattheo’s birthday is coming up?”

“Yes,” she nodded, “I already got his gifts and have everything I need to make his favourite cake. Why?”

“Well,” you said, “I thought that we could do something else for a change. We usually have quiet birthdays and it’s nice but I’d really like to do something for Mattheo this time.”

Your mother frowned, “Like what?”

“A surprise party?” you answered. “I could write to the boys and invite them to celebrate?” 

“That’s a good idea, darling. I’ll soon go to Diagon Alley to buy some decorations and, well, more food and drinks.”

You smiled and went to give her a quick hug. “Thank you, mum. You’re the best.”

The evening was nice and quiet, spent playing chess with Mattheo on the ground in the living room like you always did, with your mother playfully cheering on the one winning from the sofa. Mattheo and you laughed a lot while playing, and it warmed your heart to see him relaxed and happy. You knew he was usually shy in the first days he came here, and while you perfectly understood it, you couldn’t wait for him to be his warm, chill, funny self again. The Mattheo you knew and loved. After dinner, your mother went to bed and soon after, Mattheo and you decided to follow. You both went upstairs, and you then went into the bathroom to take a shower and put on your pyjamas. Mattheo had his own bathroom, and he was likely getting himself ready to go to bed. Once you were done, you went to your bedroom, and you weren’t surprised to see Mattheo casually laying on your bed. You went to close the shutters, and when you got in bed, Mattheo’s arms immediately wrapped around your body, and you put your head on his chest. Mattheo and you had taken the habit of cuddling to sleep since the first night he spent here, where a discussion before going to sleep ended up with you guys falling asleep and for some reason waking up in each other’s arms. You found that you slept way better in Mattheo’s arms, so much so that this situation continued in Hogwarts - and it was made easier by your roommate Pansy essentially spending all her nights with Blaise. At first, you just enjoyed the feeling of warmth and safety Mattheo’s embrace gave you, but as your heart started to feel more than friendship for him, cuddling, just like his perpetual presence, became bitter-sweet. You still loved cuddling with Mattheo, in fact you didn’t even know if you could even sleep without him now, but you wondered if it was a good idea to continue like this. But even if I decided it was better to stop, how do I tell him? 

“You alright?” you whispered, raising your head to look at him.

He nodded, “Yeah. Why?” 

“I just want to make sure you’re comfortable here. This is your home, Matty. And it will always be. But if you’re feeling something different, I want you to tell me.” 

“I’m fine, y/n, really. I’m grateful for your mum and you, you know that. Don’t worry your pretty little head over me.”

He kissed your hair, his hands started gently caressing your shoulder and the middle of your back. Soon after, you felt yourself going to sleep, and thought you heard a voice saying “sleep well, princess.” 

✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧

The next following days, Mattheo and you spent all of your time together. Every meal, every activity - playing Quidditch in the garden, reading, studying, taking a nap - was done with him. You loved it, but it made it harder to write to Mattheo’s friends to invite them to the surprise party or to prepare the said party without him knowing, but you still managed to do it while he was reading a book in the living room. Thankfully, all the boys answered your letter and said they would come, and thankfully also, your mother had time to buy what was needed and had the idea to hide it in her room, where you and her knew Mattheo would never dare to go. 

On the day of his birthday, you woke up once again in his arms, and kissed him on the cheek as he was slowly waking up.

“Happy birthday, Matty.”

“Thank you, pretty girl.”

You had managed to get Mattheo agree to go to Hogsmeade in the beginning of the afternoon to get his favourite sweets from Honeydukes so your mom could prepare everything for the party and welcome the guests. You spent some time here, and once you knew everything was likely to be ready, you and Mattheo got back home, and you had a hard time not smiling. But you also suddenly worried about how Mattheo would react. Last year, Theo had a surprise party and Mattheo was happy to help prepare it. But does that mean he wants one for himself?

You opened the door, and entered the silent house. Mattheo looked around the corridor, and put his bag full of sweets on the floor in order to take off his jacket.

“Is your mom here?” he asked. 

“I don’t know,” you shrugged. “Let’s check the living room.”

Mattheo remained silent and approached said living room, and you had the biggest smile on your face when he suddenly stopped.

“Happy birthday!”

There was some cheering and applause, and Mattheo turned to you as you approached him.

“What-”

“It’s a surprise, Matty,” you couldn’t help but laugh at his confused face. “You deserved to have your friends and your brother with you today.”

He stared at you for a long minute, and you felt your heart beat faster, and he finally smiled at you.

“Thank you, y/n.”

You smiled back at him and gestured for him to go say hi to his friends, who were quick to wish him a happy birthday and greet him warmly, and his brother Tom, who was colder and more silent than the others. You looked around the room, and what your mother had done to decorate was incredible: there were numerous small fireworks up in the air alongside big golden letters saying “happy birthday Mattheo”, small decorations all around, and the long wooden table, usually bare, was also very much magically decorated. Mattheo hugged your mother to thank her while Pansy came closer to you. 

“Well done, dear. If you’ve put it together for a friend, I can’t wait to see what you will do when you’ll be dating him.”

“Don’t start,” you warmed her. “Mattheo and I have always been friends and will always be.” 

“We’ll see,” she teased.

You rolled your eyes and went closer to Mattheo. It was now time for him to blow out the candles and make a wish, and everyone was gathered around him as your mother brought his favourite cake decorated with whipped cream and full of magic candles.

“Happy birthday again, dear,” your mother smiled. “Make a wish.”

Mattheo closed his eyes for an instant and then blew out the candles. You applauded alongside the others, and everyone gave Mattheo their birthday gifts - books on Quidditch or history or wizards, Quidditch equipment, special quills, a watch - and then came your turn. Feeling your cheeks becoming red, you handed him your own gift, scared he might not like it. He unwrapped it and then saw the book.

“It’s, um, a photo album with some pictures we took along the years and, well, I wrote down some of my favourite memories with you.” 

You heard some whispers among Mattheo’s friends - his brother Tom remained silent - but your only focus was on Mattheo’s reaction. He turned some of the pages, smiled at some of the pictures and read the memories you wrote down - and the note you had also written him about how much he meant to you and how special you genuinely thought he was. After a moment of apparently being lost in thoughts, he gently put down the book on the table near the others books he got and looked at you to give you a half-smile.

“Thank you, y/n.”

He gave you a quick, strange hug, and then turned to his plate. Feeling confused, you wondered if he truly liked the gift. You went to sit between your mother and Lorenzo, and as you ate the cake, you looked sometimes as Mattheo, who was now the center of attention, and as time went by, you saw him switching from his usual, funny self to a more quiet, uneasy self, barely listening to what Theo was saying to him. You guessed he was feeling overwhelmed, and as the others finished their plates and went to sit on the sofas, you saw Mattheo mumbling an excuse before leaving the room to go to the garden. You wanted to follow him to make sure everything was fine, but you knew he probably needed some time alone. After a while, you finally went outside, and found him sitting in the grass, lost in thoughts. You approached him slowly before sitting down next to him.

“Are you okay, Matty?” 

He nodded, “Yes. Was it your idea to have this party?”

“Yes,” you said quietly. “Why?” 

“Thank you, y/n. It means a lot,” he looked at the grass before shaking his head. 

“You deserve it,” you said with a gentle voice. 

“Actually, I’m not sure,” Mattheo said in a low voice, his head now down.

You frowned, confused. “What? Why?”

Mattheo turned to you and had a small sigh.

“Honestly, y/n. You and your mum have already so much for me. Letting me live here, giving me gifts, being there for me, and now this…What did I ever give you back? Nothing.”

You opened your mouth, but it took a few seconds to answer. “Mattheo, have you not read what I wrote in the photo album?” 

He didn’t answer, still looking at the grass.

“Well?” you insisted. “What did the text say?”

“That you deeply cared about me,” he said, almost mumbling. “And that you thought of me as caring, and kind.”

“I meant it, alright?” you said in a more serious voice, wanting him to understand. “You’re the most exceptional person I know. You’re kind, gentle, funny, and caring. You’re a great friend to the boys, and you’re doing your best to have a good relationship with Tom, even when it’s not easy. You’re always there for me, you're always ready to spend time with me no matter the activity, and I know I always count on you whenever I need help or need comfort. You always know what to say, and you always listen to me when I have something to say. You’re also smart, and a damn good Quidditch player. I know you’re scared of becoming like your father, but I know you won’t. Because you two couldn’t be more different. And even if you started to be like him, we both know I’d smack some sense into you.” He had a hint of a smile and you went on, “Yes, sometimes you’re annoying and I think you love to fight too much, but nobody’s perfect, and I wouldn't want you to change for anything in the world. You’re the best person I know, Mattheo, and that’s why I’m in love with you.”

He whipped his head towards you, and that’s when you realised what you just said. 

Oh, no. Oh, no. Merlin, no.

“I…Just…Forget what I said.”

You quickly rose up and almost ran back to the house, but you suddenly felt a warm hand on your wrist. 

“Wait!” Mattheo said, “What the hell, you can’t leave like that after saying that to me.”

“Yes I can,” you retorted, panicking, “and that’s what I’m doing, just…forget it happened, alright?”

Mattheo let go of your wrist to run a hand through his dark curls. 

“But, y/n, I can’t forget,” he said, frowning, as if it was obvious, “and I don’t want to. Did you really mean it?”

“Mattheo, I…”

“y/n, please,” he cut off more severely, both his voice and eyes now pleading. “Please, answer me.”

Doing your best to not look at him, you hesitated before nodding, feeling the need to disappear. He looked at you in a strange way, and you wondered what he was going to say.

“Look, Mattheo,” you started, “I know our f…”

“I love you too.”

It was now you turn to look at him with confusion. “What?”

“I love you too,” he whispered. “You’re…all I want, and all I need. You said this house is my home, but the truth is, you’re my home.” 

All of a sudden, he stepped closer to you and brought his hand to your face, slowly caressing your cheek with all the gentleness in the world. You wondered what you should do next -  put your hand on his? Put your own hand on his cheek? - but he made the decision for you, suddenly lowering his head towards yours.

“Fuck, y/n…”

And after that whisper, he pressed his lips on yours. It took you a few seconds to kiss him back, but when you did, he immediately grabbed your waist to pull you closer before putting a hand on the back of your neck. You let out a moan, and he deepened the kiss. You had a hard time believing what you had been dreaming for years now was actually happening but at the same time, Mattheo’s lips on yours and his hands on your body was all you could feel, all you could think about and all that mattered. When he finally pulled away, you were both out of breath. 

“Does you saying that you love me and this kiss count as two more birthday gifts?” he suddenly asked. 

“If you want,” you laughed. 

“Then, it really is the best birthday I’ve ever had.”

You both smiled at each other before he kissed you again before taking you into his arms, holding you as if he died if he let go. You held him as well, feeling that, wherever you were, Mattheo was also your home. 

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Masterlist

[bookuce]

Change My Mind

SUMMARY: Josh and Alina are great friends most days. Other days, they want to tear each other apart. Some days, they’re in love with each other, but neither of them will admit it. 

*DISCLAIMER: This is a multi-part series. I do not own any of the characters in the writing except for the OC. The book uses actual names of wrestlers. Josh is Jey, Jon is Jimmy, Trinity is Naomi, and Alina is Alina. The book is not realistic and does not take place during real events, but some actual events (matches, storylines) could pop up in the story eventually. I DO NOT GIVE ANYONE PERMISSION TO TRANSLATE OR REPOST MY WRITINGS ANYWHERE. THAAAAAANKS. *

PAIRING: Jey Uso x Black OC

TROPE: Friends to Lovers

WARNINGS: Language

WORD COUNT: 10K

PART TEN

PART ELEVEN

Meeting parents was never fun. It was nerve-wracking, stressful, anxiety-inducing––any word you can think of that falls under that category, really. The time was winding down quickly for Alina to meet Josh's family, and she was frantically moving around the bathroom. Her hair decided not to cooperate with her, forcing her to put it up in a tight ponytail. It wasn’t what she envisioned, but it will do. 

Josh sat on the tub's edge, scrolling on his phone while he waited for his girlfriend to finish getting dressed. Just like Alina, he was full of anxiety about his family. Their reasons were different, though. While she was worried about his family's approval, he was concerned with how they would take the news of him relocating. It had been an active plan for several weeks, but he couldn't figure out how to bring it to their attention––until now. They'll take it fine, he thinks. He hopes. 

When Jon told them he and Trinity were moving to Orlando, they didn't put up much of a fuss. Then again, the twins spent plenty of time around that area during their FCW days. There were plenty of family and friends around there that could help them in their times of need. Atlanta, on the other hand, not so much. That didn't matter, though. Josh is a grown-ass man. He can handle himself.

Alina leans over the sink, her face near the mirror. She's lining her lips with her favorite brown lip liner, making sure her lips look full and even. There was a slight tremble in her hand as she traced along the natural lining of her lips. Nerves. "Lina," Josh says, looking up from his phone. "we gotta go." He informs her. They were supposed to have left about thirty minutes ago, but she kept backpedaling on what she should wear.

"I know." She says, finishing her makeup. She glances around the mess of makeup on the counter, looking for her gloss. "I just want to make sure..." 

"Lina." He calls again.

"I look good." she finishes, snatching up the lipgloss tube from the pile of lipsticks. She unscrews the cap and quickly slathers the product across her lips. Josh stands to his feet, slowly approaching the stress-filled woman before him. She stared at herself in the mirror, smoothing out her shirt and allowing her hands to travel over the front of her pants. He wraps his hands around her forearms, giving them a gentle squeeze. Her eyes would flicker to his dark ones, and they'd watch each other in the mirror. 

"You look good," He assures her. "Perfect, to be real." He corrects himself. Josh steps back, allowing his hands to skim her arms to her shoulders. He gives them three gentle squeezes before turning towards the bathroom door. "Let's go before you get me in trouble with my Mama." He informs her, making her turn around to look at him.

"Josh," She groans, nerves setting in for her again.

"Come on, honey." He says louder, ignoring her pleas. "We ain't got all night." She quickly follows after him, soft huffs of frustration leaving her lips. 

Was she ever this nervous about meeting Theo's parents? She tried to recall if she ever felt this amount of anxiety when she met them. Meeting them went relatively well. Then again, she knew enough information on them beforehand to prepare herself. Unfortunately, this was not the case with Josh. He didn't speak enough about them for her to learn who she was meeting, and because of that, she was terrified. Even when she would ask multiple times throughout the morning, he would answer shortly with little information. They're great people, he says. You have nothing to worry about, he tells her. 

Perhaps they were just like Jon and Josh: loud, goofy, and loving. Trinity never had any complaints, either. If she did, she never brought them to her attention. Then again, why would she? Alina and Josh were not in a relationship––their family issues were none of her business until now.

The drive to his parents' home was roughly thirty minutes. They made it two minutes before six, cutting close to dinner time. Alina stares up at the large house from the passenger seat. Her legs now felt like jelly, and she knew they wouldn't hold her up if she got out of this car. Was she being dramatic? Possibly. Whatever happens, tonight would set the tone for her relationship with him and his family forever. 

What if they don't like her? She's heard she can come off uppity at times, and she's been working on that. "Hey," Josh says, pulling her attention from the window. He searches her eyes for a moment before grabbing her hand. "They're going to love you; you know that, right?" He tells her. She watches him for a moment, a soft smile on her lips.

"Get out of my head." She whispers at him.

"You first." He replies. Josh presses a kiss to her hand before dropping it suddenly. "Now, come on, girl, I'm hungry. I ain’t had my Mama's cooking in months." He says, slapping the top of her left thigh. Alina would whine at the playful strike. He climbs out of the car, lightly jogging around to her side to open the door for her. She steps out of the vehicle, taking another deep breath as the realization of her meeting his parents settles in once more. She was now a couple of feet away from them, seconds away from saying, 'Hello, nice to meet you.'. There were multiple cars in the driveway, four Alina counted. 

They're going to love you, she tells herself. Just be yourself, and they'll love you. The passenger door closed behind her, and a warm hand slid into her own. Together, they approach the front door. Josh's left hand grabs the doorknob, twisting and pushing the door open. Warm white light and the aroma of food poured out of the opening. With one last glance at his girlfriend, Josh steps into the house. "Yo, yo, yo," Josh calls.

"Oh, I think that's Josh." A female voice says. "Joshua!" She calls, getting closer. 

"It's me," he replies. A small woman runs around the corner, her arms wide open for her son. Josh drops Alina's hand to fully embrace his mother, giving her the tightest hug possible. "Hey, Mama." He says against her shoulder. Alina takes a step back, clasping her hands tight in front of her while she waits for her turn to introduce herself. 

"My baby is home!" She exclaims, patting his back as she pulls back. Talisua instantly spots the eye injury, her hand going up to examine it. She knew not to question it. She would assume that her son was recovering from someone hitting him too hard in a match or segment Friday night. 

"Damn, she ain't say that to me," Jon says, walking by the hall. "She ain't even hug me." 

"That's because I'm her favorite." Josh jokes, earning a lip smack from his brother and a swat to the chest from his mother. Talisua turns her attention to Alina, glancing over the gorgeous woman standing behind her son. Alina gives a faint smile, unsure whether or not she should say hi or quietly wave. 

Josh notices that his mother has taken sight of Alina and looks over his right shoulder at her, a crooked smile on his lips. He reaches over to grab her hand, pulling her to his side. "Mama, this is my girlfriend, Alina," Josh says. 

Talisua's hands go to her hips as she takes in the woman standing behind her son. There was a hint of a smile on her lips as she peered down at her shoes and back up to her face. "So you're why I haven't seen my son in months?" She asks. The question was a playful opening, not to be mistaken as an attack. Alina glances over at Josh briefly before returning her gaze to Talisua.

"If I knew he hadn't been home, I would have sent him on his way," Alina replies, returning the smile she received. Both women turn their attention towards Josh, whose brows furrowed at the interaction. "He's been acting like he doesn't have his own house," Alina adds.

"He's always been clingy." His mother says, earning a laugh out of Alina. Josh would smack his lips at the two of them, watching as they talked about him. "He used to throw a fit when he couldn't be in my face." She tells her.

"Glad to know some things never change," Alina replies. Talisua links her arm with Alina's, pulling her away from Josh and down the hall to the dining room.

"Bruh, what?" Josh watches after the pair in confusion as they leave him in the foyer alone. He was happy his mother and girl clicked almost instantly––but like this? Oh, the deception.

"Go help the boys in the kitchen," Talisua calls out behind her. "You too, Jon!" She shouts towards the living room. Jon, whose feet were on the coffee table, a remote in hand, turns his attention towards his mom, catching a glimpse of her passing by the room. He'd suck his teeth at her command, shaking his head slightly as he stood to his feet. 

Josh steps into the living room's archway, his eyes finding those of his twin's. Jon rolls his shoulders back, tilting his head up at him. "Your drunk ass..." He says, laughing at his brother as he recalls last night's events. "Have I told you I loved you...!" He sings as he passes Josh, his cackles filling the house. "Boy, your freaky ass better not ever look at another tequila sunrise. You were trying to tear Lina up in the Uber home." He says, causing Josh to shove him forward into the dining room. 

Trinity, Talisua, and Alina peer over their shoulders at the commotion from the twins as they walk through the living room to the kitchen. "Y'all, don't start," Trinity exclaims.

"If you didn't know already, it takes a village to keep these Fatu men in check," Talisua says. Trinity sighs softly at the statement, shaking her head as she does so. "God thought I was well-equipped to handle all boys and make them like their daddy." Talisua looks over at Alina. "Do you have kids?" She asks.

Alina is quick to shake her head at the question. "Two younger brothers, though, so I do understand." She explains. She is the eldest of her siblings. Dealing with the antics of her brothers well-prepared her for this. "I don't pay them no mind anymore." She says, referring to Jon and Josh. 

In the kitchen, the Fatu men prepped dinner––er, somewhat. Sefa was seated at the kitchen island, quietly doom-scrolling on social media. Jeremiah was coming in from outside, a pan of meat in hand. Tonight's dinner was barbeque, something they tended to do often when their entire family was in the same house for once. It was a rare occurrence now that Sefa, Josh, and Jon were all on the road with the WWE. 

At the stove stood their father, Rikishi. He was checking on the mac and cheese, stirring so it wouldn't burn to the bottom of the pot. "Hey, Pops," Josh says, moving past his dad. He pats his back in passing, prompting his dad to look over his shoulder only briefly.

"Hey, son." He replies. "How are you?"

"Never better," Josh replies, leaning up against the counter. "What do you want me to do?" He asks, waiting for orders.

"Get out nine plates, silverware, and cups. Go set the table." He answers. Josh walks around his dad to the cabinets near the sink. He opens them, grabbing out eight plates. 

"Nine? Who else is coming?" Jon asks, prompting Josh to stop at the question. Who else was coming to dinner? Josh begins to count on his fingers everyone that is there right now. Yeah, he counted eight people. "Joe in town too and ain't tell no one?" Jon asks.

Rikishi is quiet for a little bit longer, turning off the stove. "I invited Málí." Josh slowly put his hands down, now watching the side of his father's head. 

"Málí, who?" He asks.

"You know, Málí. Tagaloa, Lílí?" 

"Lílí? She back in town?" Jon asks, glancing over at Josh. 

Málí Tagaloa was a name Josh hadn't heard in years, seventeen years to be exact. Málí and the Tagaloas were old family friends of the Fatus, neighbors in the first neighborhood they grew up in when they first moved to Pensacola. Málí and Josh had instantly clicked when they met as kids, attached at the hip from first grade through high school. Wherever Josh was, Málí was not far behind, and vice versa. People around them were confident they would end up together after high school. They were too––but things happened. Málí received a full-ride scholarship to her dream college, and any chances of them exploring the what-ifs and maybes of their almost relationship went up in smoke.

They lost contact when she went to college. Everything after that was history. Hearing that name after so many years, knowing he would be seeing an old friend any minute now while his girlfriend was in the other room, had scared Josh silent. 

"Yeah, she moved back home from Seattle last week. We ran into each other at the grocery store yesterday. I told her Josh was in town and asked if she wanted to come by for dinner tonight." Rikishi informs them. Josh turns to look at his twin brother. For once, Jon had nothing funny to say to his twin. They both had the same look of concern on their faces. "Perhaps the two of you can go out while you're here. You two always really liked each other––." Rikishi adds.

"That won't be happening," Josh says, shaking his head. 

"Why not?" Rikishi asks, turning to his son. "Good Samoan woman like that––." 

"My woman is in the other room," Josh explains. "You know that." Josh knew his mother updated his father about Alina yesterday. She was too excited about the potential of meeting someone Josh loved enough to bring home. Rikishi was doing what he knew best: how to insert himself in his sons' lives without their permission. Each time they caught on, he would pretend he had no clue what they were talking about––much like he is right now. 

Rikishi furrows his brows at the assumption; the thick black frame of his glasses lifts on his nose with the scrunch of it. "When did you get a girlfriend?" He asks. A look of irritation would flash across Josh’s face as he glanced at Jon briefly. 

"You so—." Josh stops himself from saying anything more, shaking his head. "Man, I can’t believe you’d try that with me." He lifts the plates he gathered from the counter. "You finna get me in trouble over some shit you said to this woman." He mutters angrily to himself as he exits the room. Rikishi turns to his other sons, his mouth agape in shock at Josh. Jon lifts his hands, shaking his head at the man. 

"No comment, bruh." He says, turning to make his way out of the kitchen behind his twin. Jon knew how his father got about them dating women. He had done the same thing to him and Trinity when they first got together. 

Josh's eyes focused on the dishware he held, not looking up once as he entered the dining room. "Josh, look who stopped by for dinner!" Oh, hell, he thought. He halts, his gaze lifting at the sight of the woman standing before him. 

Málí turns at the sound of Josh’s name, her smile faltering slightly at the sight of her old friend. Time has done them both well, but for her, Josh aged handsomely. Though his face had changed, his eyes had not. They seemed to hold the same youthfulness and innocence they had when they were younger. The grey in his beard accented his appearance perfectly, much like a garnish on a dish. She wouldn’t get into the rest of him, though––she had focused on his face and that blank stare he was giving her. After all these years, was he not happy to see her?

Málí had not aged a bit to Josh. She was like a blast from the past, a ghost of his younger days. From what he could tell, all those years away from Pensacola did the woman well. She surprisingly looks the same as she did when she left this place––not a single gray or wrinkle in sight. On the other hand, Josh showed signs of aging well with gray hairs and soft wrinkles. She looked great. That was all he would say on the subject of her. He had to remind himself that she was not brought here as his friend––but as a potential prospect for marriage by his father.

Jon stops behind him, his eyes wide at the sight of Málí. "Shit." He mutters to himself. Alina glances between the pair before her. Strange. "Lílí, what's up, girl!" Jon exclaims, trying to break up the noticeable tension in the room now. He moves by Josh, wrapping the old friend in a tight embrace. Behind Málí, Jon looked at Trinity, who silently asked about the woman her husband was hugging. He widened his eyes at her in response, hoping she'd understand what that meant. They’ll gossip about it like two old church ladies later.

"Long time no see, Jon! How have you been?" Málí asks, pulling back to look up at the tall man. He smiles down at her, his arms still loosely wrapped around her.

"I'm blessed, Uce. I can never complain." He turns the woman to face the two women seated at the dining table. Only one of them was paying attention to Jon and the woman. The other watched her boyfriend, who was paling by the second at the sight of the woman he had yet to take his eyes off. "Lílí, this is my wife Trinity. Trin, this is Lílí, an old family friend of ours." Trinity stands up––her hand extended to shake Lílí's. 

"Nice to meet you!" They exchange with each other with bright smiles.

Jon then turns to Alina, who is still watching Josh. "And this is Alina, Josh's girlfriend." Josh's gaze shifts from Málí's and to Alina at the introduction. They only watched each other briefly before Josh moved towards the table. He places the plates on the table, slowly putting them in their designated spots—Alina peers up at the woman, a forced smile on her lips. 

"Pleasure," Alina says with a nod. She doesn't offer her hand to the woman or stand to introduce herself. She turns her attention back to Josh, who now has his back to everyone.

"Joshua," Talisua calls out. Josh releases a breath he didn't realize he was holding, his eyes shut as he does so. Lord, give me the strength to get through this dinner. Forty minutes in, he was already ready to grab Alina and leave. He should do that anyway. He owed no one any explanation as to why he would head out, but if Josh had to, he would point fingers at the man who was in the room over. But for his mother, he will stay––no one else. Talisua hadn't seen him in a while, and Josh had yet to tell everyone his plans to move to Georgia. 

"Yes, ma'am?" Josh answers lowly.

"Are you not going to say hey to Málí?" She asks. He didn't want to. He really didn't want to. He could feel Alina staring at the back of his head, waiting for him to make the wrong move. She is still trying to figure out who this woman is to him. Jon mentioned that she was an old family friend, but what was with the stares? Josh looked like he had seen a ghost, and Jon also was behaving strangely. 

He wasn't trying to be rude––he didn't want to do this. His eyes pan to the wall as he slowly pivots to face Málí. He avoids Alina's intense gaze, his eyes locking with Jon's before the woman standing by him. A lump began to form in his throat, and no matter how hard he swallowed, it wouldn't go away. "What's up, Málí?" He croaks, tilting his head up slightly. Josh would sway from left to right, his hands slowly rubbing at his hips. 

The two old friends stare at each other for several moments before Lílí finally speaks up. "Hey, Josh." She says softly. "It's been a while." She adds with a slight smile. 

“Yeah,” He says, lowering his head slightly. “How have you been?” He asks, clasping his hands together in front of him. Málí takes a breath, nodding her head at the question.

“I’ve been better.” She chuckles. “What about you? You look good––healthy. You look healthy.” She corrects herself. Alina turns her attention to Jon, her brows gradually furrowing as she does so. He’d catch her gaze before dropping his head in embarrassment. He lifts his right hand to rub at the back of his neck. This dinner was already gearing up to be a mess of a situation, and they had no one but Rikishi to blame.

"Food's ready!" Rikishi exclaims, walking in with a bowl of mac and cheese. Behind him are Sefa and Jeremiah, both carrying food. One by one, they line the center of the table with dishes. 

Thank God, Josh thought, thankful for the interruption. Any much longer of that conversation, and he would have dug himself a hole with Alina. 

Little does he know. 

He looks off towards the table before grabbing his seat next to Alina. He pulls it out, dropping into the chair. Alina turns in her chair to face forward, her hands clasped tight in her lap. "Lílí, I hope you brought your appetite." He says gleefully. "Take that seat next to Joshua." 

Rikishi doesn't acknowledge the woman sitting to Josh's left as he takes his seat at the head of the table. "Trin," Jon says, still standing behind Josh. He points at the chair near his brother for his wife to sit in. Rikishi looks to Jon, catching a glare from the eldest twin. Jon doesn't say anything to cause a disturbance but shakes his head in disappointment. Whatever his father had going on was not about to disrupt this dinner. With no questions asked, Trinity stands to her feet, moving to sit in the empty chair next to Josh. Jon takes his seat by Alina, separating Málí, Josh, and her.

Josh turns to his girlfriend, who is intently staring at the table. Alina was never good at hiding her emotions––giving herself away with facial expressions or tones of voice. At that moment, Alina felt conflicted. Was she angry or sad? She wasn’t sure, but she was holding in tears. 

Alina wasn't trying to read into what was happening here, but with how everyone was acting suddenly and how Josh was staring at this Málí person, Alina could only assume this woman was an ex. The seating arrangement, her boyfriend avoiding eye contact with her––context clues. It is only a matter of time before she's searching for an exit from this dinner. 

"Lina, can you pass me the salt?" Sefa asks, forcing Alina to look up from the table. She would give him a tight grin and nod, reaching in front of her for the salt. She lifts it into the air, allowing Sefa to take it from her. "Thanks." 

"Welcome," She says quietly, her eyes scanning the table. She could feel Josh's large brown eyes on her, pleading with her to look at him, but she couldn't. The interaction between Sefa and Alina would prompt Rikishi to finally acknowledge someone other than their other guest for the evening. He looks at the woman seated near his son––his lips slightly parted as he thinks of something to say. 

"So, you're Joshua's girlfriend," Rikishi says, earning the couple's attention. "What is your name, sweetheart?" He asks. Josh leans forward slightly, his head tilted down at his father. He has one time to disrespect her, he thought. One snide remark and this dinner was over.

"Alina." She answers with a grin. "It's nice to meet you, Rikishi." The slump of her shoulders would vanish as she sat up straight for the conversation.

A grin matching Alina's would curl onto his lips at her. "Likewise." He answers with a single nod. "Alright, everyone, dig in." He says, looking around the table. Alina would relax into her seat again, the light in her eyes dimming once more now that she was not being spoken to again. He had moved on from talking to her and was now conducting the food traffic. "Pass me the chicken, please." He says to Jeremiah. 

"So, Alina, you work with the boys and Trin?" Talisua asks from the opposite end of the table than Rikishi. Alina looks at her with a smile, nodding her head. 

"I do! Coming up on three years here soon." She informs her.

"We celebrating?" Jon asks, nudging Alina in her side. She looks back at Jon, shaking her head. He smacks his lips at her answer, muttering words of persuasion to her, hoping Alina would change her mind. She knew he didn't want to celebrate the milestone––He just wanted a reason to party.

"Do you wrestle?" Rikishi asks.

"No, sir, I'm on the broadcast team." She answers, getting only a singular hum from the man. He says nothing else, returning to the meal in front of him. Slowly, Alina's eyes began to shift back to her plate. Was she reading into this too much, or did it seem like Rikishi didn't like her? Perhaps she was reading into it too much and still reeling from the nerves of meeting Josh's family, but then again, she was always good at reading people. He was coming off cold and disinterested in her, the opposite of how you should be with your son’s new girlfriend.

Alina wasn’t the only one who noticed his behavior. Silence fell upon the dining room––glances exchanged between siblings. "So, Lílí, how's your parents?" He asks, seguing back into Málí. He seemed more interested in what Málí had going on rather than the fact his son finally brought home a woman––and Josh didn’t like that.

"Yo, are you good?" Josh asks suddenly.

"Josh," Alina says, shaking her head.

"Nah." He dismisses her. "You've said no more than ten words to her all night. You've known she was coming since yesterday." He says. Rikishi looks up at his son, his brows furrowed in faux confusion. 

"Josh," Jon says now. 

"You know what you're doing, bruh––." He says, ignoring his brother. He points his finger at his father.

"Joshua," Talisua calls out now. His mother's stern tone was enough to silence the angry twin. "It's enough." The room became silent again, but no one resumed eating. The tension in the room was enough to steal the appetites of everyone present. Alina clasps her hands in her lap, her eyes falling to her plate again. 

What a weekend, she thought. Was there a full moon, mercury in retrograde, or something? Was she cursed? Is that what this was? A curse? She attempts to think of who she could have wronged in the past, but no one comes to mind. Well, unless karma works quickly in Tasha's favor for her,––wait, that could be it. "I apologize, son," Rikishi says, throwing his hands up.

"You apologizing to the wrong person." He says. "We can try this,” He motions a circle with his index finger. “again in a minute." He informs him, cueing his apology.

"That's not necessary––," Alina says, shaking her head.

"Like hell, it ain't," Josh almost shouts.

Alina twists her mouth to the side, becoming quiet again. For the second time in a span of three days, she was at the center of a fight. “I said it’s enough, Joshua.” His Mother says. She looks between her husband and son. “Both of you.” She points her index finger between the two men. Josh turns his glare towards the table. 

“So what’s new?” Jon says, trying to break up the tension in the room. “Anyone got anything they want to share with the class?” He asks, glancing around the table with a big smile. “Sefa?” He asks. Sefa stifles a laugh at Jon, pushing his food around his plate. What was happening wasn’t funny, but it was.

Trinity reaches around Alina and Josh and strikes Jon’s shoulder, startling the twin. He leans back, making eye contact with his wife. “Not the time.” She whispers at him. 

Under these circumstances, in this mood that he was in, Josh did not want to announce his departure from the state of Florida, but because Rikishi was with the shit, right now was the perfect time to do so. Josh peers up from the table, taking in the faces surrounding him. Beneath the table, Josh’s hands rubbed against each other slowly, a self-soothing mechanism of his. “I’m selling my house.” He announces, gaining everyone’s attention at the table. 

“You’re moving?” Talisua asks. Josh nods slightly, licking his lips. “Where?” Alina gazed at the side of Josh’s head, waiting for his words. She wasn’t aware that his family didn’t know about the move. This conversation should’ve been a private family matter that didn’t involve her.

“Atlanta.” He answers.

“Atlanta? What’s in Atlanta?” Rikishi asks. Josh hangs his head at the question, pressing his lips together in a thin line. Here he goes, he thought. Rikishi points his hand at Alina. “Her?” He adds. A chill would rush Alina’s body at his tone. Oh, she never stood a chance with this man.

“Me for the last year,” Josh answers, looking up at his father. Rikishi wanted to hear Josh say Alina was the reason for his relocation, which she was, but Josh was not going to give him that. “I’ve been in Atlanta more than I have been here. That’s home now. All the back and forth adds up––.” 

“Let me get this straight. The two of you have lived together for a year, but this is the first time we’ve heard of this girl?” Rikishi questions. “Does anyone not find that a bit strange?” He continued, lifting his hands as he spoke. Rikishi looked around the table at everyone, not receiving a response or reaction from a soul. Alina didn’t expect Josh to talk about her to anyone while they were still friends.

“Look at how you’re acting, bruh. You’re doing my girl like you did Trin when she first came around. You did this up until they got married.” He points out. Trin and Jon would smack their lips simultaneously at being brought up in the argument. “You ought to be lucky they even let bygones be bygones with your––.”

“Enough!” Talisua shouts the moment Josh starts to raise his voice again. “Solofa, I don’t know what has gotten into you, but it stops now. It’s the first time we see our son in months, and he is happy. Why are you trying to take that joy from him?” She asks. It was a question that Rikishi knew not to answer unless he wanted to sleep in one of the guest rooms tonight. “And Joshua,” She calls, requesting his attention. Slowly, he looks up at her. “I’m disappointed in you.”

Josh knew he shouldn’t have said most of what he did or behaved how he did, but Rikishi crossed boundaries. The things he said were consequences of his father’s actions, and he could not bother to be sorry about it—at least to him, he couldn’t be. Only for Talisua, Josh was apologetic. She did not deserve to see them act like this, and how he acted was not how she raised him. “Sorry, mama.” He says quietly. She doesn’t answer him, her glare shifting from her son to her food. Josh looks away from her, his eyes finding his plate as well.

The room was quiet for the third time tonight, thanks to Rikishi and Josh. This dinner wasn’t supposed to go this way, but it did because Josh came strolling in with Alina. Rikishi would have been happy if Josh wouldn’t have brought her home. His plans of having his son’s long-lost best friend and almost lover come back into the fray instantly diminished because of this random girl his son brought home, whom he had no idea existed until yesterday. If Rikishi were happy, Josh would have been happy. If the two of them had been happy, Talisua would have been happy. All of this is because he brought Alina McLemore home. 

It was all her fault.

Alina was at the root of each issue, from Tasha and the wedding to this dinner. She spent the last twenty-four hours panicking about her boyfriend’s family’s approval and the prior twelve panicking about her appearance. All this meant so much to her, these last few days being the most important, only for her to be disliked and disregarded. 

Slowly, Alina stands to her feet, drawing attention to herself. “I’m sorry, excuse me.” She apologizes, stepping away from the table.

“Alina,” Josh calls, turning in his seat as she moves towards the dining room entryway. He turns in his seat to watch her walk, his eyes full of silent pleas for her not to be upset. It was only a matter of time before she went running, and Josh knew it was coming. The last few days hadn’t been kind to her, and just when she thought she was escaping it in Atlanta, issues seemed to have followed them here into his parents’ home in Pensacola. His plan had failed to take her mind off what happened this past weekend. 

“I’m just going to the bathroom. It’s fine.” She promises, vanishing down the hall before he can say anything else. Josh stares after her for a moment longer before turning his attention towards Jon. Their eyes locked with each other before the eldest twin started shaking his head at him.

“Just give her some space, Uce.” He tells Josh. As much as he didn’t want to, he knew Jon was right; Alina needed some space. He turns to face forward in his seat, a huff leaving his lips. This is some bullshit, he thought.

Alina enters the guest bathroom, closing and locking the door behind her. She moves over to the sink, placing her hands on the marble countertop. She leans her weight onto her arms, her eyes closing as she does so. “You’re not going to cry. You’re not going to cry.” She whispers, shaking her head at the sting that fills her eyes. “Think about your makeup.” She reminds herself, opening her eyes to look at herself in the mirror. “See, you look so pretty. You’re going to ruin that if you cry.” She says, encouraging herself with tears forming in her eyes. If only those words were helping.

A knock at the door disrupts her emotional mini-pep rally, causing her to go still at the sound. “Lina, you good, girl?” Trin says from the other side. “Josh sent me to check on you.”

“I’m fine.” She croaks, fighting against the lump forming in her throat. On the other side of the door, Trinity furrows her brows at the sound of her voice. Was she crying? It sounded like it. Trinity grabs the doorknob, attempting to twist it.

“Can I come in?” She asks.

“No,” She sniffs. “I’ll be out in a minute, I promise.” She tells her. “You can go back to dinner. Tell Josh I’m fine.” No sound would come from the other side of the door, but Alina knew Trinity was still there. “Please?” She pleads. 

“Okay.” She replies after several moments of silence. “Love you, girl.” She adds.

 Alina smiles at her words, a few tears escaping her eyes. “Love you too.” She replies. Yeah, she wasn’t going back out there––not like this. 

Trinity stepped away from the bathroom door, a sigh coming from her lips as she did so. She’d shake her head, bringing her index finger to her left temple. “Child…” She says to herself. Tonight was enough drama for the week for her––hell, maybe even for the month. Jon comes dashing around the corner, colliding with his wife. He was on his way to check on Alina because his brother was starting to get antsy. “Hey,” she breathes. 

Jon looks past her and down the hall towards the bathroom. “Y’all good?” He asks with a lifted eyebrow. “Where’s Lina?” He asks.

“She’s finishing up in the bathroom. She’s fine.” She says loud enough for Josh to hear in the other room. “Come here, though,” Trinity says, grabbing his arm and pulling him into the living room. Once in the room, she releases his arm, looking back to ensure no one is coming. “Who the fuck is that lady, and don’t lie to me.”

In all the years that she and Jon had been together, this Málí character has never been mentioned. “We grew up together,” Jon explains. “We lived next door to her family when we first moved here.” 

Jon planned to leave it at that, not wanting to explain the rest of the story. He pushes his hands into his pockets, looking beyond his short wife towards the hall. “And what else?” She asks, lowering her eyes at him. Her husband had a bad habit of avoiding eye contact when he was lying about something, a reason why he just chose not to lie, but this was his brother. Jon would remain silent for a few seconds longer, hoping she would just let it go. He knew she would not. “Babe.” She says sternly.

He would sigh softly, his shoulder slumping in defeat as he met his wife’s demanding gaze. “Her and Josh liked each other back in the day.” He confesses. “It didn’t go anywhere because Málí moved off for college, but everyone knew.” He finishes. In the same fashion that Jon’s shoulders dropped, Trinity’s would too. She lifts her hand to her nose, pinching the bridge of it. Málí was the original Alina. 

“Are you serious?” She asks, looking up at him. Jon confirms with a nod. “This is a hot ass mess.” She says.

Jon scoffs at her words. “Shit, you can say that again.”

In the dining room, Josh and Málí were alone. Jeremiah and Sefa clear the table of all the food while Talisua and Rikishi are outdoors, squabbling about what had transpired tonight. The family dinner was over now, thanks to their father and him. Josh’s leg bounced anxiously beneath the table as he impatiently waited for Alina to return. She had been gone for five minutes, and his brother and sister hadn’t returned yet. “She’s pretty,” Málí speaks, initiating the conversation between the two friends. Josh’s leg would stop bouncing at the sound of Màlí’s voice. He briefly glances at her from the corner of his eyes before returning his focus to the wall.

“Thank you.” He says.

“You’re welcome.” She says, turning to look at him. Lílí’s tongue danced behind her lips as she contemplated her following words. “You think she’s the one?” She asks, prompting Josh to look at her now. 

“I know it.” He replies.

“Good. A big-hearted man like you deserves only the best kind of love.” She says. Josh would scoff softly at her words, shaking his head. Málí smiles softly. “What?” She asks.

“You know why you were brought here, right? Man, that man was trying to set you up with me.” He says, pointing to the outdoors with a grin. It was now Málí’s turn to laugh, her eyes following his point out the window. 

“I know.” She admits, wiping the little grin off his face. Josh would turn his attention to his old friend again, now watching her with the same blank face as earlier. She would watch him back, her smile shrinking in size. “Honestly, part of me really thought that when your dad said you were coming to town and that you weren’t seeing someone, this was the Universe giving us a second chance.” She confesses. “But now that I’m here and see Joshua Fatu all grown-up and in love, I know that that is not true, and this was much-needed closure.” The more Málí spoke, the quieter Josh got. It wasn’t that he had nothing to say to her, but because he didn’t know what to say. Knowing her love for him never faltered despite spending several years apart with no contact racked his brain in a way Josh hadn’t felt in years. Suddenly, he was an eighteen-year-old boy looking at an eighteen-year-old woman again. First loves, first everything. But none of that mattered. Who he was then is not who he is now. 

“I probably could’ve reached out years ago.” She says.

“I could’ve too,” He says, not allowing her to take the blame for their time apart. “I’ve been in Seattle plenty of times throughout the years, and not once did I think to look you up.” He confesses. “My bad, Uce.”

Málí giggles at his apology. “It’s all good.” She assures him. “We cool now, though, right?” She asks. With a grin, Josh leans across the chair between them, his hand extended for their old handshake. With a grin just as big as his, Málí would effortlessly perform the handshake. To know neither of them forgot the greeting made them laugh. 

“Yeah, we’re cool.” 

“Damn, Alina still ain’t back?” Jon says, looking around the room. The pair, still united at the hand, would look up the couple that had entered the room. Trinity’s eyes would focus on joined hands before looking between the pair they belonged to. Josh’s smile would diminish at the mention of his girlfriend. For fifteen minutes, he’s forgotten all about her. Josh’s gaze shifted from his brother to his sister, who glared at him with crossed arms. 

“I thought you said she was good.” He says, dropping Málí’s hand finally. 

“Boy, that didn’t mean you can carry on!” Trinity shouts at him. Josh stands to his feet, moving past the couple. Trinity turns to her man, flexing her hands at him. “Ooh, I want to ring his neck.” She says to Jon. 

Josh makes his way down the hall towards the guest bathroom. “Lina.” He calls out, hoping she’ll answer him before he gets to it. No response would come from the other side of the door, but he could tell the light was on beneath it. “Baby.” He knocks at the door, his ear now pressed to it. When he hears nothing on the other side, he moves his hand down to the doorknob. He twists the handle, cracking the door just a little. “Alina, you good?” He asks. No response prompts him to open the door further, revealing an empty bathroom. He steps in, looking around the bathroom for her. “The fuck…” He whispers to himself. 

Josh comes out of the bathroom, looking up and down the hall. “Ay!” He calls out to his brother and sister. He would see their shadows before they came around the corners. “I thought y’all said she was in the bathroom.” He says, pointing down the hall.

“She was,” Trinity answers.

“She ain’t in there now,” Josh says, opening the door on the wall across from him. His hand skims the wall, hitting the light switch to see if she is inside. “Help me find her.” He tells them, fishing his phone from his back pocket. In three swipes, his thumb unlocks the phone, opens his contacts, and calls Alina’s phone. His phone would hover near his ear as he exited the room and marched down the hall to the next closed door. He was listening for the ring of her phone but heard nothing.

“I’m sorry, but the person you called––.” He ends the call and redials. 

“Lina.” He calls out once more. Still no answer.

“I’m sorry, but the person you––.” Josh ends the call abruptly, slipping his phone back into his pants pocket. He swears under his breath, pivoting in the room he stood in. 

“Uce, she’s not outside,” Jon says, stopping at the door. Josh furrows his brows, his face contorting in anger. He’d suck his teeth in response to him.

“Man––.” Josh starts, charging forward out of the room. He was about to give his old man a piece of his mind. Jon had other plans, though. He pushes his hand into his twin’s chest, slightly shoving him back. “Bruh, watch out.” He says, pushing his brother’s hand away.

“Hollering at that man ain’t going to do shit but make Mama mad. Just go and find Lina. I’ll tell Mama you got an emergency.” He tells him. Josh stands there for a moment, grimace still prominent on his features. “Go!” He exclaims at him, stepping to the side to let him exit. Josh would squeeze past his brother in the door frame, marching angrily towards the front of the house. 

                                          —––––––––––––

Alina was curled into a ball on the couch, her arms wound tight around her frame. The light from the television bounced off the walls and danced along her face, her eyes catching the light stunningly. She returned to Josh’s house about fifteen minutes ago via an Uber she ordered and has since turned her phone off. It didn’t take long for Josh to notice her absence, maybe about fifteen minutes down the road if she had to estimate––at least that’s when his calls started coming in. 

Between his father and this Málí woman, tonight was a lot. It was more than what she could handle at this time. She had spent the earlier hours of the day panicking about his family’s approval, trying to make sure she looked presentable, only for his father not to give her the time of day. At least his mother liked her, or it seemed like she did. Talisua probably thinks the poor girl is a drama queen because of the way she left the dinner. 

The front door opens and closes, followed by heavy footsteps, drawing Alina’s eyes towards the living room entryway. Josh was home. He comes around the corner, stopping in the archway at the sight of her. Josh spent twenty minutes driving around his parent’s neighborhood looking for her before eventually checking her location. When he discovered she was home, he raced all the way here. The couple exchanged brief stares at each other before Alina looked away, turning her attention back to the TV. Josh walks into the room, approaching the couch she is lying on. He leans down, snatching the remote off the table and turning off the TV. 

Silence replaces the ambient sounds of the television, prompting Alina to rise on the couch. Josh sits down next to her, laying his elbows against his knees. His head was low. His shoulders rise and fall with the heavy sigh he releases. “Why’d you leave?” He asks, his voice husky.

Alina watches him for a moment, pondering over her response to him. “I wasn’t wanted––.”

“I wanted you there.” He cuts her off. “I wanted you there.” Alina becomes quiet again, her eyes unblinking as she watches Josh’s back. “You’re always thinking about yourself, putting yourself first, and shit.” He says after several seconds of quietness. Alina’s eyes would venture off to the left while her brows furrowed in confusion at his words. Was he calling her selfish?

“Is that not what I’m supposed to do?” She asks, fixing her gaze on him again. He scoffs at her question, lifting his hands to push his fingers through dark coils upon his head.

“Are we not a team?” He asks, turning to look at her. “Teams communicate, right? So, if something is bothering you, we talk about it, right?” His leg angrily bounced while he watched her. “You abandon the team, and the team falls apart, right?” He says, his tone gradually growing. He was angry with her––rightfully so. She knew he would be when he found her and mentally prepared herself for all the shouting he’d do.

“Josh, I wasn’t going to stay where I wasn’t wanted––.”

“I did for you!” He exclaims, turning to look at her. “You had me off in that damn room with an ex I knew nothing about. He’s sitting here pressing me day into the night, and you couldn’t sit through a family dinner? You had me out there fighting over you, but my pops being an asshole was the line?”

Slowly, Alina began to shake her head, lifting her left hand as she did so. “I didn’t ask you to do that.” She says, earning a laugh out of him. “I told you to leave.” He shakes his head, shifting to turn his whole body towards her.

“Man, you don’t get it, do you?” He asks her. “I stayed because I love you. Despite what you wanted, I stayed for you.” He points. “That is what you do for those you love, right? That was a sacrifice I was willing to make for the sake of our relationship because I want this,” He motions between the two of them. “to work. Love requires sacrifice, Lina. It requires effort.” He explains.

“I understand that––.” She begins.

“Shit, do you? Cause it doesn’t feel like it.” He admits, cutting her off for the third time tonight. Alina would furrow her brows at his question, his doubt baffling her. 

“Are you serious right now?” She asks. “Your father made it extremely clear where I stood with him!”

“Don’t nobody give a damn what he is talking about!” He says, raising his voice. Rikishi is known to be a bit controversial in his interactions with people. Josh was foolish to think he wouldn’t do that with him over Alina. He had hoped that his father would learn from his mistakes with Trinity and Jon, but that was not the case tonight. Same person, same old mistakes. 

“I do!” She says back in the same loud tone. “I care about your family’s approval! If they have to see me for holidays and birthdays, I don’t want to feel like I’m not supposed to be there!” Alina elaborates. It might’ve not meant anything to Josh, but it meant everything to her to have his family’s approval. Josh had already met her family; there was no avoiding it with how often he lingered around her home. The McLemores welcomed him into their family without any issues, objections, or shade. She was not expecting what she got today.

“Then why did you leave? That only made things worse!”

“I’m not staying where I’m not wanted!” She shouts back. “What’s not fucking clicking, Joshua?” Alina snaps her fingers in his face, making him lean back slightly. “You wanted me to sit there and watch him brush me off all night? Make me feel insecure?” She asks. “You wanted me to hear you shouting at him and upsetting your mother? Give them more reason to dislike me? They haven’t seen their son in months because he’s playing house with someone he wasn’t dating six months ago! ” Josh becomes silent, turning away from the woman next to him. He lifts his left hand to the bridge of his nose, gently pinching it. 

Alina would watch him for a moment longer, her eyes unblinking. “You wanted me to watch you stare at your ex the entire night?” Josh’s head snaps at that question, his brows furrowed in confusion. He sucks his teeth at the woman.

“Bruh, what?”

“The girl at dinner. She’s your ex, right? That’s why Trin and Jon had to switch up their seating arrangement. No one would say what was going on, but I was able to catch on.” Between how Josh and Jon were acting and the speed round questions Rikishi was asking her, it only made sense to Alina to assume she was an ex. You don’t move around people like that if they weren’t their ex. Alina gave Theo not even a second at the wedding despite his multiple attempts to talk to her. For the majority of the day, they were apart. The exes were two ships passing at night until he started floating too close to her. 

“She ain’t nothing to me.” He dismisses the assumption after several seconds of quiet.

“I’ve heard that before––,” Alina shrugs.

Oh, how the tables have turned in two days. What Josh was saying to her about Theo, she was now saying about him. Both accusations were untrue, but only one had a higher chance of being true. Where Alina had no contact with Theo, Josh did with Lílí––but he knew who he wanted, and the fact that she said those words infuriated him. He was not him. “Ay, ay, Lina? Don’t fucking compare me to that man. I mean that shit.” He says. “I ain’t nothing like him.” His name and Theo’s should never be in the same sentence, but it was thrown in there, all because of something out of his control. He wasn’t about to plead his case with her over Málí either. He has never given Alina a reason not to trust him––why would he now?

“You know what,” She breathes, “I don’t want to argue anymore, Josh,” She states, standing to her feet. “I’m going to bed.” She wasn’t about to listen to this. 

And there she goes, running away from her issues instead of facing them head-on. It was one of her greatest flaws and the thing about Alina that pissed Josh off the most. “Who said we’re done talking?” Josh asks, standing up to block her path.

“You don’t have to be done with shit, Josh, but I am.” She says, moving to the side. He would take another step to block her. Her eyes would find his chest––her lips twisted as she bit back acidic words. “Can you move?” She requests.

“Nope, we’re talking.” He says. No, you’re yelling, she thought. “I’ve spent two years chasing your selfish ass––.” Now, it was her turn to cut him off. Her hands go up in disbelief.  

“Selfish!? Really? Really?” She shouts. 

“Yeah, really!” He nods. “You got me embarrassing myself for you, trying to prove to you that I am worthy of your time––and you’re going to sit up here and compare me to a bitch that didn’t have the balls to tell you he wasn’t feeling you anymore? Huh?” She sidesteps him, only for him to block her way again. “All because your stupid ass Ex fucked around on your ass don’t mean I will.”

Alina takes a step back at his words, slightly tilting her head at him. “Mm,” She hums, taking a few more steps back. His last words cut through her like a blade. She didn’t like that. Well, damn. Tell me how you really feel, she thought. “Maybe we shouldn’t be doing this.” She voices. She averts her eyes from the man, looking from left to right. “Things were a helluva lot peaceful when we were just friends.” She confesses.

Those words felt weird coming from her mouth, probably because she did not believe a single word she was saying. She loves this man who stands in front of her, loves him with every fiber of her being, but these last few days were too much for her to handle. They’d only had one day of peace in the three days they’d been home together, and she was exhausted. She was tired of crying. She was tired of feeling like she did something to deserve any energy she got from people. She’s done nothing. 

Josh’s shoulders would slump at her words––any anger that he had previously was now gone. He smacks his lips at her words, shaking his head. “Lina––.” He says, reaching to grab her hand. Alina slips out of his grasp, pulling her hand from his. She didn’t want him touching her.

“No,” She says, shaking her head. “I’m cool. We’re cool.” She assures him, stepping around him. He allowed her by this time. “I’m going to sleep in the guest room tonight, get my stuff from your room in the morning, and I’m going to head out after. Save you from embarrassing yourself anymore.” 

Before Josh could say anything else, Alina had rushed from the living room, leaving the regret-filled man standing in the center of the room. Josh brings his hand to his mouth, clasping it tight over his mouth.

He needed to sit down. 

–––––––––––––––––––

A/N: Yay, new chapter! Who cheered! 🤭

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[mythalism]

more me verbally processing my feelings on this game and it's story that i sent in discord but i know reading these things can be helpful to others processing so im sharing them here <3

even though i think i personally am able to find coherent meaning in solas's ending, specifically the status of the veil, and i do think its good and i like it, i really have to work to do it. the way its written is kind of confusing because the message is like ok. let go of your regrets. but you also have to atone for your mistakes. but solas believes he is atoning by taking the veil back down and bringing immortality back and making sure more spirits are not turned into demons? but the story tells us that version of atonement is Wrong, but why is it wrong? because people will die? but people also die because of the veil? mages are mass incarcerated and lobotimized bc of the veil, elves have been enslaved for millenia, PEOPLE AGE AND DIE, BECAUSE OF THE VEIL? so he isnt supposed to atone for that mistake by fixing it he's just supposed to accept it and let go? so are we supposed to atone for our mistakes or not? what determines whether or not we need to atone? he has to atone for what he did to the titans but not what he did by accident to his own people i guess? and he is going to atone by maintaining the status quo that he created because people have gotten used to it?

i think the answer based on the regret prison scene with rook escaping with varric's help and that banger line of varric's is to take accountability and own up to your choices, they are yours and no one can take them from you. rook says something to one of the regret statues (for me it was harding) thats like "i made a choice and so did you and you knew the risks" or something so i think that is the key. solas cannot accept his choices and so he is desperate to undo them no matter what kind of harm it may do. he is trapped in regret and the past to the point that he cant accept them and move forward, and varric is the perfect contrast of this with how readily he accepts his death as a consequence of his love and hope for his friend. even mythal accepts her own choices when she tells solas that she turned him from his purpose. and she doesnt apologize or even express regret at all, partly because shes a crazy bitch (affectionate) but partly because i think her quiet, cold acceptance is part of the lesson solas needs to learn in that moment. solas is constantly saying, "im sorry, but", "ir abelas, vhenan, but i cannot". mythal just states her actions plainly; i forced you to take a body, i brought you into war, these burdens are ours to bear together, i release you. no apology, no rumination, she is at peace with her decision even though it is wrong. i think this works wonderfully on a personal individual level of personal regrets. it is a good lesson; regret does not serve any purpose other than to hurt you. it brings no one back, it helps nothing, it does not make the world a better place. solas has to let go of his regrets so that he can become the hero that varric sees deep down in him. it is an essential part of his personal journey as a character... but it gets stickier when we are talking about systemic change. obvi a lot of dragon age's modern, young audience is very much in favor of "tear it all down!!" and i am too but i think with solas they are trying to tell a very personal and individual story of a man and his regrets rather than make a social commentary on radical change, but they also dont make that clear enough, so the two get muddied together when it comes to the question of the veil in a way that feels like they are advocating for maintaining the status quo, which i dont think was their intention.

i think this is so muddied because inquisition very much makes clear commentary on systems and institutions with the chantry, the orlesian empire, ferelden monarchy, mages and templars, and the inquisition itself being all vulnerable to corruption, and solas has a lot to say about all of this and he is very much presented as being right (like when he tells you about the corruption in your own ranks in trespasser and how hes spying on you lol) and then veilguard does not do this AT ALL, all of the issues are very personal ones of people and their identity, people and their family, people and their regrets etc. so i think a lot of us are in this mindset from inquisition of like.... yeah disrupt the status quo install a puppetmaster elf to rule an imperialist empire, make leliana pope and radicalize the chantry even if its bloody, dissolve the inquisition, abolish the circles etc. etc. and the question of the veil is very much an extension of these philosophical questions about systems and organizations. and for those of us who leaned towards dissolution of all of those corrupt structures, dissolution of the veil is the logical conclusion to a story thats sending us that message. but then veilguard just. does not even engage with these topics at all. like its not even a question. it takes the question of the veil and translates it into a personal issue of solas's psyche (which is super interesting, just different) and connects it to his past actions, his relationship with mythal, and his perception of himself, rather than a macro-level question of what is best for the world when pursuing change, and the answer for solas on a personal level ends up being different from the answer that inquisition was asking us, but it feels disjointed as a result.

so the veil staying up was the right decision because it forced solas to let go of his regrets and the game is about him. so it was an exercise in his therapy session with his two ex-gfs and some annoying kid who wont leave him alone. but the problem is it doesn't answer or engage with the greater questions and themes about systemic change that the series has been building up to.

veilguard is interesting because it wants to be dragon age 2 so bad while simultaneously being terrified of dragon age 2. solas bringing down the veil would have been the answer to the question that anders blowing up the chantry asked, but veilguard decided to ask a completely different question instead. and i think it did a good job in that specific goal, but it doesnt satisfy 15 years of build up and instead just throws it out the window in favor of something else.

[trans-androgyne]

This is not about a sex strike. I do not expect that will be particularly effective either (since when do the men* who most objectify us take "no" for an answer anyway? how would this stop abuse/assault? what effect are we hoping for?), but this is not the matter at hand here. I am talking about sentiments that men are inherently evil and should never be around women--beliefs that men are women's enemy and should never be in feminist spaces. Care about how this affects men or don't, fine, but you should care about how it affects women, gender minorities, and the feminist movement overall.

My Wild Extremist Belief is that feminism's enemy is not men, but the patriarchy itself. Believe it or not, support or lack thereof from half the population is meaningful to our cause. We've seen what happens when the majority of men overall vote against our interests. Men being feminists is only a good thing for us. How does it help us to reject them from feminism, to declare them irredeemable monsters who should never speak to us much less learn feminism from us?

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[nakylvr]

hiiii can I request gp!sophia x fem!reader with angst prompt 1 + smut prompt 10 where basically reader just had a huge fight with her ex bf and went to sophia bc she’s her best friend (that she’s also lowkey really attracted to) and sophia tries to cheer reader up (by fucking her) but she’s really sweet and fluffy during it🫶🏼

(sorry if this doesn’t make any sense but I hope you get what I mean😭english is not my first language💜)

bestie this is so good...you made perfect sense i understood completely 🫶 thank you so much for requesting!

— ALL I WANTED ⚓️

sophia laforteza (katseye) x fem!reader

summary: angst prompt 1("i didn't know where else to go") + smut prompt 10("don't worry, i'll take care of you") from my 100 follower event OR you have a big fight with your boyfriend and break up. going to your best friend sophia, things take a turn by how she "cheers you up"

warnings/tags: language, nsfw content, g!p!sophia, soft dom!sophia, sub!reader, soft sex, lots of praise, unprotected sex, cumming inside

you stood in front of the door of your best friend's apartment. your arms were folded in on yourself, practically hugging yourself as you waited for the door to open. it was cold outside, feeling the chill breeze as you wore merely a thin sweater and leggings. you glance away for a split second, and suddenly the door opens revealing sophia, whose expression quickly goes from happy to concerned at the sight of you.

"oh my god, are you okay?" she immediately questions. "here, come inside. you're probably freezing." she grabs your arm and pulls you inside, closing the door behind you.

"sorry for showing up like this," you apologize quietly as you look down at the ground. "i didn't know where else to go," your voice cracks as you say this.

sophia can instantly tell something is wrong. the first thing being you apologizing when she would never be upset with you for randomly showing up in the middle of the night. second being the way your eyes won't meet hers. and third, the crack in your voice.

"hey, hey," she says softly, placing her hands on your shoulders. "what's wrong? what happened?" her tone is so caring and genuine like she always is with you. she hates seeing you upset to the point of near crying, but she doesn't know how to help if she doesn't know what's wrong.

"it-it's just my boyfriend and i got in a huge fight...he broke up with me and basically kicked me out so...i came here," your voice is quiet as you speak, still not being able to meet her eyes.

sophia's eyes go wide for a second at your answer. but when you finally look at her, eyes filled with tears, her breath hitches in her throat. she can't lie and say she doesn't think this is a blessing in disguise given the fact she's been pining for you for years now, but couldn't do anything with that stupid boyfriend of yours around, cause she does think it. she knows you feel the same, at least she thinks it with the lingering stares you've been giving her more recently and the way you've talked to her lately. she tries to think quickly of what's the best option to do right now, too many different thoughts running through her head as she stares back at you. hesitantly, she moves her hands from your shoulders to cup your face in her hands, seeing the way your eyes subtly widen at her action and hoping she isn't fucking this up. "how about i help cheer you up?"

you're frozen in your spot as sophia asks you the question, and you're not sure how to respond. you don't have a complete understanding of what she's meaning, your mind going in a direction you assume would never happen ever no matter how much you wanted. "what do you mean by that?" you respond quietly.

"whatever you want it to mean," sophia answers in the same voice. "i'm here for anything you need or want."

those words are enough reassurance you need to finally say what you've been wanting to say for a while now. "kiss me," you whisper.

sophia tries to fight the smile that creeps on her face at your reply, but fails miserably as she leans in and closes the gap between you and her. she can taste the remainder of your lipgloss on your lips that you applied earlier in the day, sighing softly against your lips. your arms wrap around her neck, pulling her closer to you before parting from the kiss. your face is inches away from hers, and your fingers play with her hair as you stare into her eyes.

"you're a really good kisser," you murmur. "how were you planning on cheering me up?" you ask next.

"will you let me show you?" sophia responds. "let me take care of you like you deserve." her hands move to your waist, somehow managing to pull you even closer.

"please," you say in a quiet voice.

that's all sophia needs to hear before she's pulling you to her bedroom, kissing you continuously and almost tripping when she hits the bed. she swiftly picks you up and lays you down on the bed, crawling above you and peering down at you. her hands find the hem of your swearer and she looks at you, silently asking for your permission to remove it. you nod your head, and she slowly pulls it up over your head, leaving you in your bra and leggings.

"you're so beautiful," sophia murmurs, her hands drifting up and down your torso. they stop at the waistband of your leggings, her fingers hooking around it and lightly tugging them down your legs and off along with your panties. "you have no idea how much i've wanted this," she says, her eyes wandering over your body, her cock throbbing in her boxers at the sight of you in front of her. she quickly discards her shirt and shorts, leaving her in her boxers that had a wet spot from the precum leaking from her tip. she brings a hand between your legs, fingers dragging along your folds before slowly slipping two into your wet heat.

"s-sophia," you whimper out when she slowly thrusts her fingers in and out of you.

your walls suck her fingers in greedily, making her only want you more as she pulls her fingers out after a few seconds, needing to feel you around her cock. she strips off her boxers, her cock springing out, the head red and dripping beads of precum. supporting herself up with one of her arms near your head, the other holds the base of her length, sliding up and down your dripping pussy, collecting your slick on her tip. "don't worry, i'll take care of you," she tells you softly. "are you ready?"

you nod your head, whimpering at the feeling of her rubbing against you. "yes- please i need you so bad," your voice comes out whinier than you wanted, but you can't find it in you to care seeing the way sophia's eyes darken at your words.

slowly, she pushes inside of you, watching the way your eyes roll back at the size of her filling you up. sophia curses under her breath at your walls squeezing around her tightly, stopping once she was fully in you. "you tell me when you want me to move, okay?" she presses a quick kiss on your lips.

your jaw falls open as you feel her stretching you out, a quiet whimper coming from you when she stops. you nod again at her words, taking a few shallow breaths before speaking. "y-you can move now."

inch by inch, sophia pulls out before sliding back in, the wetness of your pussy making it oh so easy for her to build a slow pace. "you're so pretty," she says, leaning down and kissing you. "god, you're so tight," she hisses against your lips.

quiet moans fall from your lips as she sets a slow pace, almost embarrassed of getting too loud, whimpering at her words as she kisses you. your arms hook around her neck, pulling her closer. parting from the kiss, you breathe heavily as you stare up at her, biting down on your lower lip to try and keep quiet.

sophia's eyes don't leave yours once, keeping eye contact while maintaining her slow pace. she didn't want to get rough with you in your current state, she was happy enough for this to be happening in general. plus, she seriously doubted your dumbass boyfriend gave a fuck about whether you actually came or not. so she was going to make sure you would. "don't be shy, princess," she pushes some of your hair out of your face. "let me hear you, my love. i wanna hear the pretty noises you make."

your face heats up at the realization that she wants to hear you, finally letting go of your lip from your teeth and freely moaning like she wanted. "sh-shit sophia," you whine her name. you're surprised at how slow and gentle the girl above you is being, as if she was worried she would hurt you when you know she would never even think of hurting you once. but, it was nice. she was right, she was making you feel the way you deserved.

hearing her name coming from you in that whiny tone has sophia's cock twitching in you, letting out quiet grunts with her gaze still on you. "how does it feel, baby?" she asks you, genuine. she needs to know she's making you feel good, she needs to hear you say it. she doesn't know how she's keeping up this slow, almost agonizing pace, but seeing your reactions each time she slowly pushes back in is enough for her to keep at it. "tell me how it feels."

"g-good," you manage out through moans. "it fe-feels so g-good- fuck- you're making m-me feel so good," you emphasize on 'you're' so that she knows that she's the only one on your mind. it was true, you couldn't even think about anything else except for the way she feels like this. you didn't even remember why you came here, and you didn't care, either.

"fuck," sophia breathes out at your response. she can tell you've long forgotten why you originally came to her place, and that mixed with you emphasizing that she's the one making you feel this good has her swelling with pride. "you're so beautiful like this. i love you so so much," she mumbles, not realizing the way her words could sound to you.

you can barely process her words, only hearing the 'i love you', and that alone has you clenching tightly around her cock, somehow getting even wetter than you already were. "i lo-love you too- o-oh my god!" your eyes roll back when you feel her tip nudge against your g-spot. "fu-fuck!" you feel tears welling in your eyes as you feel yourself getting closer to cumming.

seeing the tears in your eyes has sophia cooing at you, cupping your cheek with one of her hands and wiping the stray tear that falls. "shh, you're close, yeah?" she says quietly. she slowly speeds up her thrusts just a little bit, pushing so deep into you that she can practically see the outline of her cock bulging from your stomach making her twitch again. "i'm close too- shit!- tel-tell me where you want me," her words are starting to get interrupted by little whimpers escaping her throat as she feels herself get closer.

you nod your head quickly at her question, murmuring out, "ye-yes," through your noises that are getting louder and whinier. her next words have your head spinning to come up with a response. staring up into her eyes as she stares down at you, you know the answer you're going to give. "i-in me, please, i'm o-on the pill, please cum in me, please," you're begging for her in a way that would be embarrassing to you in any other moment, but you can't find it in you to care.

sophia's eyes go wide when you tell her what you want, but she isn't going to deny your requests in any shape or form. "don't worry, my love," she tells you before kissing you, moaning into the kiss and speeding up just a little bit more.

whining her name as she kisses you, you pull her down impossibly closer to you, your bodies practically pressed against each other. your legs wrap around her hips, bringing her even closer to you. pulling out of the kiss, you rest your forehead against hers, looking deeply into her eyes as short breaths and moans of her name leave your mouth. "f-fuck, sophia 'm so close,"

"go on," she pecks your lips quickly. "cum for me, my pretty girl. so pretty for me like this, god," she groans quietly.

after one final thrust, your eyes roll into the back of your head as you cum so hard you end up seeing white, your hands clawing at her back. not even a minute later, sophia is putting her face in your neck and letting out a long drawn-out whine as spurts of her cum fill you up to the brim. she stays there for a moment or two, breathing heavily into your neck before slowly pulling out of you. a whimper falls from your lips at the feeling, your arms still hooked around her neck and holding her close to you.

"do you...really love me in this way?" you whisper quietly.

sophia pulls her face from your neck at your hesitant question, looking down at you and nodding her head. "of course. i just didn't want to do anything while you were with him," she answers truthfully.

you nod slowly, clearly hesitating about asking the next question you were thinking of. "do you want...to be with me?"

there's a look in sophia's eyes that you can't figure out, as if she's struggling with a response. "yes," she says in a quiet voice.

"then i'm yours," you smile at her, moving your hands to cup her cheeks. "i love you."

sophia's face instantly lights up when you speak, a wide smile tugging on her lips. "i love you too, so much."

[shytastemakerthing]

I saw that requests are open and read through the requests rules post, so I hope this is okay!

Could I ask for Pomefiore + Lillia (or any characters you think would be best) with a reader that has cubital tunnel? To put it simply, cubital tunnel is a nerve condition where a nerve running through one's elbow is inflamed or irritated. The condition acts up when writing, typing, or really anything where you bend your elbows. You can usually tell it's about to when the area from your elbiw down starts to tingle. Flares usually present as a shooting pain running from your elbow to hand, numbness from elbow to hand, or both. When it's agitated for a prolonged period of time (like typing an essay or something) it can lead to the inability to properly move your fingers. Thet get stuck in a claw like position and moving them is like operating a jerky pulley system. (This is just personal experience, so it may be different for others)

Sorry this is so long! I just throught I'd try and save you the long confusing research. I've been seeing more fafics/hc/etc. with disabled readers but mostly just the more severe conditions. I think any representation is great, I just wish there was more for the less severe and lesser acknowledged ones.

Please feel free to just delete this if you don't want to do it! Hope you're doing well <3

Hello and thank you for this request! I happen to have a friend who has cubital tunnel, and as someone who has carpal tunnel (recent diagnosis as we finally found out what was going on, on top of a cyst having formed within the same wrist XD), it is well known that it is not at all fun.

Tw: None

Prompt: Pomefioren trio + Lilia with s/o who has cubital tunnel

Vil is someone who knows all about taking care of yourself, especially when you have physical limitations that actively cause you pain daily that limits what you can and cannot do throughout your day

He knew of this condition of yours long before the two of you got together, he does notice things, after all (he also has Rook)

As he grew more interested in you, he took much more notice in just when this pain flares up, especially through such simple tasks that most wouldn't struggle with

And once together? The man is a God sent.

The second that he notices that wince coming to your face, knowing that the pain is flaring once again, he is at your side (he knows better than to touch the area in pain knowing that it could be made worse through such actions)

You are taken to his room (away from the prying eyes of others), and would begin to help you to relax as much as possible. Ice packs, heating pads, gentle massages, maybe even a numbing potion here and there to help the pain (as much as he would love to always have you take the numbing potion, as he hates to see you in such pain), he does not want you to grow too dependent on them)

Whatever it is that you need, he is there. If you happen to be in class when this happens and he is there with you? He will casually help you with the writing. Now, he isn't giving you all the answers either, you still do that part on your own, but as it is less stressful for the afflicted limb, you have no complaints

All that matters, is that he is the hero in your eyes

Also knew of the affliction before he ever actually met you..... it's Rook, of course he already knew

Even if he believes that there is beauty in pain, there is no beauty in seeing the one you have grown rather fond of being in such a state, that renders even the most simplest tasks as nearly impossible

Once together, if it had been possible, he was with you or at least watching you every step of your day. He merely wishes to know what makes the pain worse and what may seem to help

At one point, a rare time where he wasn't able to keep an eye on you, Rook even used his own UM to be able to locate you (as you somehow, even he doesn't know how, manage to know how to stay hidden from the hunter), and it was safe to say no one had seen him move so fast

When he found you, safe within the confines of his room (how did he not think to check there? It had become a favored place for you to visit), your face was dried with tears, giving small hiccups in your sleep as he saw how your afflicted limb was tenderly wrapped within a heating pad

The pain must have been rather bad today if you came here to avoid being anywhere else as well as being away from everyone (honestly, who would ever willingly come to his room??)

Not wanting to disturb your slumber, Rook merely slid off his jacket, removed his hat, and would reside on the floor next to you

He would be here the moment that you woke up and needed him

Honestly had no idea as to what this condition was. Working on orchards for as long as he could remember, Epel had seen all types of pain and injuries. It came with the work, but this was certainly new to him

As to better help you, this man certainly did his research. He wanted to show that he could protect and care for you, after all

Learning that pretty much anything so simple can become virtually impossible without severe pain certainly made his chest tighten. Something so simple as writing or just brushing your teeth could cause the pain to flare

Also learned to not touch anywhere that the pain is currently residing as that could easily make it so much worse

The last thing he wants to do is cause you more pain

Once the two of you are together, he carried a backpack with him, aside from his school supplies being in it, it also holds anti-inflammatory medication, a brace, and anything else that could help

While some may mock or ridicule him, he sees it as him being a great partner for the one he loves

Vil praised him for this and it honestly felt really nice to hear. While Epel wasn't looking for such praise, it was nice to be recognized, especially when he was taking care of you

If there is anything that you need, anything at all that could help when the pain begins to flare once again, or even something simple, just let him know and he will get it for you

With how long that this fae has been around, it would honestly be a surprise if he had yet to hear of a condition such as this. Chances are, he has encountered many people in his time who suffer from this affliction

And now that he knows that you also suffer from such affliction, knowing just how hard it makes things, how much pain that it puts you in everyday?

If you thought he was doting then, this is a whole new level

As much as he really is wanting to help, it does seem a bit much (never eat anything he brings to you, just in case)

If it gets to be too much, just let him know what you really do need, and he will listen

When you show up in the middle of the night, eyes red from tears, Lilia automatically knows what is going on and ushers you gently into his room

He quickly leaves a message on his game, turns everything off, and climbs into bed next to you

Holding you carefully in his arms, he summons whatever magic he can to help numb wherever the pain is located

When you finally fall asleep, the pain now decreases to more of a dull throb, all he wishes, when he looks at those stars, is that this pain be taken away from you. It absolutely shatters his heart.

It takes him another good hour before he finally falls asleep next to you, after gently placing a kiss to the top of your head

Thank you for your request!! Have a wonderful day/night!

[libraryofgage]

@skullrockbi i hope you don't mind that i wrote a little thing this idea literally haunted me in my dreams and became my paralysis demon (affectionate)

---

Steve didn't even want to go to Vegas. He got dragged along because he's technically an executive-to-be and this whole trip is some networking/ass-kissing venture to secure that executive position. He doesn't know what the point is when his mother owns the company, but here he is.

Worst of all, this trip was scheduled for the summer. In Las Vegas. A literal desert.

Steve isn't some newbie when it comes to Vegas; he's got some family out here that he used to visit every summer. In fact, he'd rather be awkwardly catching up with them right now than standing in front of the Bellagio fountain surrounded by...friends...he guesses.

Honestly, he'd trade just about anything to be back home right now, sprawled across his couch with Robin and a box of pizza.

"Let's visit the Venetian next," Jackson says, grinning as he watches a pair of girls walking by. His eyes linger on their asses, and Steve elbows him roughly.

"Is the casino good?" Eric asks, tugging at the collar of his polo to air out some of the heat.

A breeze pushes by, ruffling Steve's hair in the wind. He huffs, running his fingers through it as the fountain begins its water show. A chorus of oohs and ahhs and camera noises start around them as a cool mist lands on the back of Steve's neck.

"Does it matter? A casino's a casino," Phineas replies.

It does, in fact, matter. Steve bites his tongue, holding back the urge to explain that some casinos are better than others. He's not going to gamble anyway. He's just going to watch the others spend their money and try not to cringe when they jokingly ask him to lend them more from his endless supply.

"Great, Venetia--"

Jackson is cut off by some guy shoving him and Eric aside. The guy completely ignores the offended noises and shouts, coming to a stop right in front of Steve.

He's wearing leather pants and a slightly cropped shirt for some band that sounds vaguely familiar from Robin's ramblings about up-and-coming musicians. Chunky rings decorate his fingers, and Steve tries very hard to not get distracted by them. His hair is wild but utterly defeated by the dry heat of Las Vegas and a subpar shower routine.

Steve opens his mouth to ask what the guy wants when he drops to one knee, staring up at Steve like he's some kind of deity sent from above. "Will you marry me?" he asks.

His voice is rough, like he spends most of his time screaming. Maybe he does, considering the band shirt. A few feet away, Steve can see three other guys in similar outfits sporting the pained grimaces of second-hand embarrassment.

"Are you drunk?" Steve asks.

"On love."

Ignoring the mocking laughter from around them, Steve finds himself inexplicably saying, "You don't even have a ring."

The guy blinks, curses, and quickly yanks one of his rings off. He holds it up with a grin, his cheeks slightly flushed as he asks, "How about now, big boy?"

The ring is shaped like a bat with rubies for eyes and diamonds for fangs. It's so ridiculous that Steve finds it endearing. The guy is being genuine, and that combined with the nickname makes his cheeks warm.

"You don't know my name," Steve says. "I don't know yours."

"Eddie Munson, but I'm not attached to Munson if that's an issue."

Steve can't help laughing, pushing his fingers through his hair again. He watches Eddie's eyes track the movement, his lips slightly parted as though he's breathless from something so innocuous.

He's about to introduce himself and tell Eddie to stand up already (that can't be good for his knees), when Phineas nudges him. "Steve, man, knock it off. You aren't gay," he says, his lip curling in slight disgust at the word.

Steve feels something in him snap, some tight hold on his control just giving up. He has a sudden realization: he hates his job, he hates his coworkers, and he hates who he is around them. He's just never done anything about it.

On the other hand, he finds himself utterly enamored by Eddie's clearly impulsive audacity to approach some random guy on the street and ask for his hand in marriage.

He ignores Phineas and looks back at Eddie. "Why?" he asks.

A hopeful smile tugs at Eddie's lips, and he starts to fidget with the bat ring. "Honestly, you're gorgeous. I've literally never seen anyone as pretty as you, sweetheart," he says.

"Can we have a chuppah? And break a glass?"

"I'd marry you in a vat of tapioca pudding, Stevie."

Steve snorts and reaches out, tugging on Eddie's arm to pull him up from the ground. "Let's just stick to the chuppah and glass," he says.

"Wait, is that a yes?"

"Well, it's not official until you put the ring on," he says, offering Eddie his left hand.

With a shell-shocked awe like he didn't think this would actually work, Eddie slides the ring onto Steve's finger. It's an odd, unexpected weight, but Steve likes it.

Corroded Coffin are celebrating an album release in Vegas. Eddie gets bored of the VIP area at the club & wanders The Strip. Standing at the Bellagio fountain is the most beautiful man he’s ever seen. Eddie pushes past some douchey looking dudes in business casual to reach him.

Eddie falls to one knee. “Will you marry me?” Steve who is bored with his business man life and hates his friends takes one look at this random proposing man with wild hair and leather pants and says “Yes.”

[blueberryredbullwithlime]

+18. age gap but yuuji and megumi are like 20

yuuji likes megumi's mama.

she's long since divorced toji and she's beautiful -she lives further away from yuuji's house than toji does and megumi feels the need to apologize for the extended effort. but yuuji swears it's no big deal, "honestly i prefer your mom's house anyway!"

megumi shrugs it off as a kindhearted yuuji-ism, thinking nothing more on the matter.

he should've looked into it more. yuuji's insistence on helping around the house; carrying in groceries, dusting fan blades and hard to reach shelves, washing dishes after dinner, mowing the lawn and skimming the pool without a shirt. yuuji's apparent sudden restlessness in the middle of sleepovers, which always somehow mysteriously wound up with him in the kitchen with you. his doting mother.

"you're so pretty," yuuji swoons, "i always wondered how megumi looked dainty when his dad's..."

"a brute?" you suggest, "that guy's oafish, total rocks for brains!" yuuji finds the hissed insults funny, "you know, megumi would probably hate hearing you call him dainty."

"eh, he's gotta know what he looks like," he waves off the concern, then leaning forward on the table, arms crossed over one another, "but, i kinda have to ask... why'd you and his dad separate?"

"so blunt!" you gasp, shrugging soon after -something about sharing this with a boy no older than your son feels wrong, but yuuji's face is so round and trustworthy, sincerity dripping from every pore. you don't have many friends anymore, the ones you do have are tired of this same old rant, but just remembering your ex's sharp face, that lashing bastard tongue oozing lies- you cock a hip against the table, subtly rattling the two steaming tea cups you'd set out, "ugh, he wanted to trade in for a younger model, go figure! he's already greying but wants to prowl around college campuses for poor girls that don't know any better! i hope one of them cuts his eyes out when he breaks their heart. stupid gambling jerk, just wants eye candy when he's out on the tracks!"

"a younger model...?" yuuji mumbles, adjusting so to lean his cheek on his fist, "i didn't think he was that dumb."

"aw, you're a flatterer, huh?"

"no, really!" yuuji pushes up from the table, nearly knocking his cup over at the sudden movement, "you're amazing, if we got married i'd be on my knees every day to keep you around."

that declaration gives you pause. eyes widening and knees wiggling, "yuuji! you can't say that!"

"huh?! why not?" his tone is far, far from suave. eyebrows raised and palms splaying flat against the table, "what's so wrong with that? it's the truth."

"i'm over forty, yuuji..." you sigh, praying your disappointment is masked as exasperation. you're not even sure you should be trying to masquerade, this is yuuji!

he's your son's best friend. he's sweet. he's helpful. he's strong. he's half your age.

yuuji's eyes dart from your face, shining beneath the honeyglow oven light, down toward your pelvis, "what? does pussy retire or something?"

"woah!" you have half a mind to whack yuuji upside the head, "you definitely can't say that!"

"you're acting like being over forty is death," yuuji abandons the chair, circling the table until he's right in front of you, "i don't get that. megumi's dad, too. 'younger models' and stupid things i can't say. you're hot-blooded and breathing, aren't you?"

"yuuji..." your own gaze flicks upward, piercing through the ceiling to where your son sleeps, "you're megumi's best friend."

"so he'd be happy if i restored his mom's confidence, right?"

"i don't think..." you whisper, voice webbing off into a mere hum.

"i do," he counters.

yuuji draws his hand over your shoulder, the palm is clammy and his face is flushed: completely erradicating any mirage of calm. though when you don't push him away, he grows bolder. stepping further into your space and twitching into your shape, as if to push a thigh between your legs. a hand itching to cup your chest. lips urged against yours.

"hmm? the hell are you two doing down here?"

yuuji slips off as easily as he appeared, shouting, "planning your birthday!"

you shudder back against the table, both hands clutching the edge for support, "megumi! you're up!"

"woke up 'n' yuuji was gone..." he scratches through his wild hair, blinking at you two through a thick haze. examining your proximity, he narrows his lashes at you judgmentally, "what was he doing down here?"

"he said- "

you're cut off by yuuji launching back into megumi's side, slinging an arm around your son's shoulders, "we were planning something! for your birthday!"

megumi glares at his friend, eyes softening when he looks to you. he nods, "yeah, okay."

yuuji forcefully turns them both as you call up a sugary "goodnight, 'gumi!"

"'night, mom!"

yuuji coos, poking his friend's cheek, "what a softie."

"whatever," megumi shrugs the boy off, scoffing while leading them into his room -pausing just long enough to sock yuuji in the shoulder, "and stop trying to bang my mom, you fucking weirdo."

[asha-mage]

Okay I have about eighty billion things I want to say about Metaphor re: Fantazio, but what I most want to say is this-

The question the game keeps coming back to, again and again is 'What is the value of fantasy? Is it something can move hearts and minds, inspire people to make a better world? Or is it just a comforting escape, a way to make the anxieties and fears of our world bearable?'

And the answer it comes too is well, that depends on you. You the player, the reader, the listener, the person gazing at this piece of part. Every fantasy artist hopes deep down that they are creating something of meaning and value. But it's the viewer that decides, every day that value.

Do you take the lessons and the ideas and the questions of this piece of fiction with you into your day? Do you keep walking towards a better world because of that hope? Or do you cast it all aside to live in delusions?

That's the difference between Luis and Will ultimately. Luis has given up- he believes the world will never live up to his ideals, that he will never be able to prevent the injustices and cruelty he suffered from being repeated, that the only cure for the world is to tear it all down. The game doesn't dismiss that belief, and that pain. He's not a nihilist, he doesn't believe that nothing matters. If Luis didn't care, down to the marrow of his bones, he wouldn't have gone to the lengths he did. But despite all that care, despite all his strength and all his convictions, he can not believe in a better world. He can not believe in fantasy. And so with only cruel reality to behold and imprison him, and no hope of escape- he decides to destroy it all.

Will on the other hand, never gives up. He never stops believing in a better world. He lets the fantasy inspire him, drive him, motivate him. When Brigitta is sobbing with rage and sorrow on the floor of her shop it's More's book he reaches for, in an effort to comfort her. When the problems of the world seem insurmountable he retreats to read his book and refocus. And he shares that fantasy with others- almost like a right of passage in their party- in the hope it will do the same for them, and it does- providing inspiration or clarity or a moment's respite when his friends need it. More then that no matter who comes to him with what problem, he never turns them away- even though he has every reason to do so. And that's because he wants to help everyone, because like Luis he cares but unlike Luis he believes that things can get better, that the world can keep moving forward, and so their is a point to helping others, to making their lives better.

What is the value of fantasy? What we choose to make of it. It may seem silly or futile or naive in a world full of inequality and bitterness and injustice, but if we can not dream of a better world- no matter how much we might care, no matter what power we might have, or how smart we are, or what we might do- we will never be able to make one.

[baron-von-slipped-on-soap]

Reblogging w the tags bc they’re important too

“#personal

#this doesn't account for everyone but it's something to think about

#also please be nicer to people. leftists especially on social media have a tendency to be mean in a very unconstructive way to each other

#and i don't want to discount what they tend to be angry or mean about because it often does matter but i hope our first reaction toward

#a dissenting opinion or behavior is a little grace instead of immediately dunking on each other for points

#i'm also not saying online communities and spaces aren't any good for support but. it might not be enough. put the work in to prep yourself

#it sucks how when right wingers lose they blame leftists. when leftists lose we blame each other.

#leftists blame liberals and liberals blame poc voters and it can be completely true and warranted and then we all get killed

#please resist doing that this time

#be a friend; show some grace; look out for each other please

#an example from my life would be i've been going to munches and queer/kink events and meeting friendly people

#it's pretty tiring socializing and working through those interactions and by the end i'm also pretty tired

#but it's worth it because not only do i know someone irl who's like me but if they're ever in trouble or need help

#i can be a potential lifeline to them in an immediate way. and vice versa”

this is coming from the position of a student, so don't take my word as gospel, but i want to strongly encourage people to prepare for the coming years and look outward to find communities in real life. this can be big like getting involved in fundraisers or organizations or small like going to poc/queer/art social spaces and talking to people. making friends and connections will help you and others build support networks, something you will need as we enter the new term. i know talking to strangers in real life can be scary, unfamiliar, or difficult (depending on where you live especially) and it may take a lot of compromising and work –– and i don't want to condescend –– but we have to try starting now. this is about your safety and welfare, as well as the most vulnerable people's.

if leftists/progressives/minorities want to survive and beat back what's coming, we need to do our work offline too and take up space. an example of getting involved would be (if you're an artist) reaching out to fundraising organizers and making prints of your artwork to donate for raising funds.

[universe-friday]

EXCERPT #56:

Hello. I hope somebody is listening.

[…]

Is it weird that I still think about you all the time, February?

I suppose I haven’t been very good at hiding it, have I…?

But, despite everything going on in the City right now… Still, there is yet a day to go by where I haven’t thought of you.

When I first arrived in the City, everything reminded me of you.

I would see a simple streetlamp and start to remember our nightly performances. We were so young… The empty road was our stage with nothing but the houses of sleeping neighbours as our audience, we danced underneath the streetlamp like it was our own personal spotlight.

I would see a bright, yellow car and hit my own arm each time, now that yours was no longer there to pester. I stopped when I realised the City was one big loop. I don’t know how long ago that was now.

I’d look up at the sky and… Before I saw you up there, February, I just talked about you. I told the stars about you. And now it is where you reside.

Despite that… Despite not seeing you in everything anymore, February, instead, it’s as if you… You have infected my mind like a parasite and, some days, I can’t help but hate you for it.

I never wanted to hate you. I- I don’t hate you.

I don’t know what’s wrong with me.

Perhaps I will just pretend this is another symptom of a disease that must be killing me. It’s either myself or the City, February, my demise will have nothing to do with you.

In fact, if something does happen to me, February, no matter what - it was never because of a sinkhole. Never.

Do not let anyone think that I would-

[Paper slides across the room hitting Radio’s feet, Radio sighs]... Now…? [Paper rustles] Solus, this is my one time-

[Murmuring] “Who is February BTW? - Solu-”

Not- not right now. Solus. Not ever, actually… I need to put up some boundaries - for myself and these stupid sinkholes for that matter.

When will the City ever allow me a break…?

[...]

[travelers-ward]

I wish... I wish we could get the chance to tell G'raha how loved he is.

Romantic headcanons of each player (which are valid) notwithstanding, he is loved so deeply by so many people in canon, yet he is so singularly-focused on his mission that he doesn't seem to notice. This man, who sought to sacrifice himself for the sake of the world and us and intended for neither us nor the world to ever find out. This man, who asked if he would merit a footnote in our story someday. I just wish we could make him see.

How Rammbroes talked about him after he shut himself in the Crystal Tower. The final letter from the Ironworks crew in the alternate timeline, locked away in the depths of the Tower, addressed to him, entrusting him with all their hopes. How contrary to his expectations, WoL remembered him, and cried out his name desperately when he was about to sacrifice himself. The city that he watched over for a century, generations of people who loved him so very, very dearly. Does he know how they cried when he left? How Lyna cried? How she worries about him still? (that part, at least, we did tell him). They way Alisaie teases him like he's family, her absolutely devastated scream when he sacrificed himself at Ultima Thule.

This man who constantly devotes his all to helping others, because he can't help but love the whole world, yet thinks his efforts are insignificant in comparison to everyone else, thinks he won't be remembered by others even as he gives all he has to save them, never seems to notice that his kindness has mattered to so many people, who care so deeply for him.

I just wish we could tell him, you know?

[luesmainblog]

i hope it's okay to add my thoughts as well, as this is something i think about a lot as a System(multiple people in one body, which the majority of people see as inherently a delusion) and a Kinnie (essentially "i was this character in a past life". again, most people consider that delusional).

it does not matter how stupid or obviously fake the delusion sounds to you, and it is not your responsibility to bring someone back to reality. in many cases, that can actually be worse for them, not better. what matters is, are they Functioning? do they need help from you in this moment to function? if they are distressed, how do you alleviate the distress? you do have to pick your battles carefully when it comes to delusions. it's relatively easy to show somebody, based on evidence, that they are not turning into a werewolf. it can be much harder to convince them they aren't poisoned, especially if there is no food left to test and no rational reason why they would be. but you know what you CAN do? put a bunch of black food dye in a drink, give it to them and tell them it's activated charcoal and that'll disrupt anything they've ingested. hell, if they're not currently on any oral medication, you can give them the real thing. yes, it's treating the delusion as Real, but it's also performing a harmless action to make them feel safe again. "monster spray" type shit. one that people in other mental health circles may be familiar with is the delusion that you are an evil, horrible person who just poisons everything around you and is better off dead. this one is often hard for people to deal with, because it can come from a number of different places, each with their own approach needed. of course for a normal highschooler you can usually just ask them if they've done [terrible thing someone real did] and when they say no you can declare that CLEARLY they can't be the worst person in the world, then. sometimes it comes from intrusive thoughts that a lot of people are uncomfortable talking about; convincing someone they're not terrible just because they fantasize about fucked up shit is largely an excercise in teaching them that actions are what actually matters, which many people inherently disagree with due to their upbringing. but i honestly think the hardest one has to be people who've ACTUALLY done something wrong - or, at the very least, people who are convinced they did in a past life or another dimension. because with them, you have to focus on moving forward as a better person and living with the guilt, and that one can either be a lot to ask, or it can be extremely frustrating because you don't personally believe this guy was actually dracula, so why is he so worked up about killing people who were not real? sorry, big wall of text; my point is, there are some delusions where if you want to address them and help, you need to be prepared to be uncomfortable and possibly even grapple with some genuinely hard questions. or, you can try and find a way to distract them from their thoughts. it won't always be possible to reality check someone, and you need to be okay with that if you're going to be close with a delusional person.

and i've said this before, but i'll say it again: who cares if the lady at ihop thinks she's cleopatra stuck in the present. what does it matter? let cleopatra work at ihop, it's not your business. if it's not hurting you, and she's managing the stress of time travel just fine, leave it be.

also, i feel like this should go without saying, but one of the worst ways to make someone's distress even worse is to accuse them of faking their mental health issue. seriously, the amount of times i have seen somebody have an anxiety freakout like OP describes and be told "you just want attention, you know damn well there's nothing wrong with the food, sit down" is genuinely heartbreaking. if that's ever happened to you, from the bottom of my heart, i am offering you a full serving of your favorite food.

I want to add to the post I just reblogged about delusions and how to help people with them, but op was specifically schizophrenic, and the last time I tried to share a related story on a post like that, a different OP got extremely angry that I didn't have an identical disorder to them and accused me of derailing, so I'm making a new post.

I have severe anxiety. The things you can believe when you are going through an acute anxiety attack or panic attack can be so extreme they can be classified as delusions. I've been convinced I poisoned myself, I've been convinced I had rabies, I've been convinced a building was going to burn down, I've been convinced my blood was full of bug eggs that were going to hatch and kill me.

Doctors and family members who have helped me the most were people who took those fears seriously, who examined me no matter how irrational my fear was, and who told me why, based on what they observed, my fears were unlikely to be true.

Instead of "you can't possibly have rabies", it was "the dog is vaccinated, so it can't have rabies, and the skin where it nipped you is not broken."

Instead of "Of course your blood isn't full of bug eggs" it was "bug eggs would have hatched by now" which was so coldly logical it completely snapped me out of my panic.

Instead of "I'm sure you didn't poison yourself", the doctor looked at the bug spray and the ingredients and listened to how I used it and said "based on your exposure, you haven't been poisoned".

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward

[ 1 ]

Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(my davrinmance is going great as i try and collect every codex, thanks for asking!)

Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.

Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.

I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.

That said, today I hope to cover:

What Veilguard Demanded of BioWare's Writing Team, and Why

The Protagonist: Why Rook's Perspective Matters

The 3 Act Structure: Our Lens

The Companions: Paths to Our Answers — and Future Games

What Veilguard Demanded of BioWare's Writing Team, and Why

Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.

That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):

Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.

Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.

Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.

Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).

Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.

And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.

Specifically, they needed Rook.

The Protagonist: Why Rook's Perspective Matters

Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.

That's why it's essential that they don't know everything—especially after a ten year interim between games.

Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)

That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.

And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.

It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.

Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...

The 3 Act Structure: Our Lens

Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.

Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.

Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.

Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.

First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.

First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.

"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.

Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.

Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.

Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.

"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...

"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?

Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.

Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)

Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.

Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.

This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.

The Companions: Paths to Our Answers — and Future Games

Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.

Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.

Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).

These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:

Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.

Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.

Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.

Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.

Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.

Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.

Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).

This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.

You know what else happens, upon completion of these companion quests?

You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.

And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.

From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.

_____

If you got this far, thank you, as always!

This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.

Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3

[mm-lurking]

Malfunction: Heart Mode - Boothill

Based on this post. fem reader. Praying this is not ooc. Writing is kinda choppy, I tried my best. 1.6k words. tag: @nvuy hope you like it -- Boothill is one strong muddle-fudger. He does not give a rat's behind when it comes to romantic love, affection, and all that fudging nonsense. Even if it has crossed his mind, he's too busy dealing with the forking problems of the cosmos and most importantly trying to find that son of a nice lady who is responsible for killing his sweet angel and destroying his planet.

Yet here he is, standing in front of you at the bar with a drink in his hand as he hears his machine heart starting to whir. You both were regulars at the bar and often ran into each other from time to time. Your encounters were akin to something like being seatmates; there was enough information exchanged to know about each other yet it was nothing personal. While you didn't quite understand why he would disappear for long periods before returning like nothing happened, you never questioned it and were simply happy to see him again.

He too liked meeting up with you. He couldn't help but flash his razor-sharp teeth whenever he saw you; calling you “partner!” out loud before greeting you and asking how you had been. The little interactions you both had were always a pleasure and as time passed, he seemed to grow more attached to seeing you.

Today was a little different. Compared to your usual outfit, you were dressed up all fancy and the more he looked at you, the louder the whirring of his heart got.

"Fudge."

He mutters under his breath. You look at him inquisitively as he turns his head sideways and sighs.

"Something the matter Boothill?" "It's nothing partner."

You watch as he chugs down his glass and sets the empty vessel down on the bar counter before ordering more.

"I haven't even finished my first drink yet and you're already done?"

You laugh a little as you take a sip of your drink. The dim lights of the bar made your jewellery glow and alongside the reflections of other shiny things, you looked heavenly in his eyes. He doesn’t answer so you look over and find him dazed.

"Boothill...? Um, do you need some space?" "Fudge!"

He can't help but say it out loud this time, covering his face as he scrunches his eyebrows and frowns. This was not how he normally behaved. What in the hot diggity fudge was going on with him?

"Yes- I mean no, ugh fork me!"

You stand there confused (and slightly amused) at how he seems to be fighting himself like a madman. He almost looked possessed from how he kept going back and forth with himself as if he was surprised at what he was saying. Like his tongue wasn't his own.

"I'll give you some space."

The last thing you wanted was for him to hurt himself or those around him. You finally decide to leave just to make sure everything's alright only for him to grab your arm and then quickly let go in shock.

"Sorry 'bout that partner.”

Boothill awkwardly apologises for his unusual behaviour. Before you can reply, a drunk accidentally pushes you from behind and you lose your balance causing you to fall straight into his arms.

“I-!?” “Um…?!”

Both of you are speechless. He swiftly holds your waist with one hand while the other firmly holds onto malt juice. Your hands are tightly gripping his shoulders from the fear of falling. No coherent thought is spoken but the flustered look on your faces has got some of the bar regulars around you giggling.

You don’t even hear the apology of the one who accidentally pushed you. It's as if time has slowed down and nothing exists outside you both. Strangely, he doesn’t let you go and you don’t move either making things even more awkward.

The strong alcohol you were sipping on makes you tipsy and somehow gives you the courage to lift your head and gaze into Boothill's unique eyes. You've always admired how dashing he looks; from his physique to his dressing style and even his interesting way of speaking. And now here you were up close, staring disrespectfully at his face and how handsome he looked.

Boothill is no different either, he's gazing at you hesitantly as he tries to find something to say but the only thing that comes out of his mouth is-

“Fudge me…” “I'm sure the ladies at the ranch think about that regularly.”

You mumble without thinking and he tenses up.

“I- what?!”

He stutters as his cheeks turn slightly red and his eyes widen.

“Uh?! Nothing!”

You mentally slap yourself for blurting that out loud. Even if it was true, why did you have to say it and make things awkward? Come on! You both were having a somewhat endearingly awkward time together! 

You attempt to conjure up something to smooth things over but your thinking is disrupted by a strangely loud machine sound that seems to be coming from nearby. The whoosh is accompanied by irregular beeping sounds, almost like one of those technology things Boothill had told you about. 

You glance around to see if you can find the source only to realise-

It’s coming from Boothill.

“Oh.” You whisper under your breath but the cyborg (who still doesn't let you go nor drinks his beverage and is as still as a statue for some reason) hears you loud and clear.

“Something the matter, pretty lady?” “Yes. Do you plan on us staying in this position until the bar closes?”

Instead of answering his question, you deflect it with another. He turns red again and stammers badly which makes you giggle and further confirms your theory.

“Gotcha.”

Before Boothill can ask what you’re doing, you slowly drag your hands down his shoulders until they rest on his chest. You feel the rapid whirring of his heart through the vibrations it emits through your fingertips. A tiny smirk spreads on your face and you look back at him.

“You’re pretty cute.”

You flirtatiously speak. The look of confusion and embarrassment on his face makes you laugh harder.

“What- hey what- I-”

Boothill’s stammering only gets worse alongside the overheating of his heart. He tries to reply with a snarky comment but the only thing he’s capable of doing is squeezing your waist harder and propping himself up with the bar counter to avoid falling. You, being the woman you are, do not stop the teasing.

“You can’t handle affection, can you? Look at you sweet thing, your heart is overworking and your synesthesia beacon has already overheated.” “Shut…” “I barely said anything and you’re malfunctioning already? How amusing.” “Son of a nice lady…” “I am indeed the daughter of a nice lady.”

“You-!”

He is bewildered at your unexpected behaviour but that painfully obvious blush on his cheek tells you he's not mad about it.

“Oh dear,” you chuckle and pry yourself off his metal chest, “I should stop or else your…eccentric friends…will hold me responsible for any severe malfunctions.”

This was enough teasing from you today. If it were up to you, you would go on and on but you feared any dire consequences that would affect Boothill. You lift and steady yourself up nonchalantly as if you just didn't cause the ranger to nearly pass out from your shenanigans.

Despite the cold metal exterior, he feels the loss of warmth from you moving your body away. His hand slowly retracts from your waist but lingers as if he hesitates to let go. The overheating of his system rapidly starts to decrease, however, he is unable to calm his emotions down completely. He turns his attention away from his mechanical heart and gazes at you curiously while you fix your wrinkled dress.

“You are one hell of a woman.”

A long sigh leaves his mouth as he speaks as if still processing your chaos. A sly smile appears on your face when you (finally) hear him speak properly.

“Took you a while to get talking didn't it mister?”

That grin on your face screams ‘this wasn’t even my best attempt’ but he shrugs it off. He unknowingly takes a step closer to you as if wanting your presence as close to him as possible. The (welcomed) intrusion into your personal space causes you to sharply inhale. He simply places his hand over the rim of your filled glass and whispers gently.

“You think I'd let any lady come close like that?”

Your mouth practically foams as you try to formulate a response. Eventhough you're not looking him, you can feel his gaze on you which makes you nervous.

“I'll tell you something sweetheart. I've got some fudging business to attend to in a bit but the next time we meet, I'll finish what you started.”

His voice is low and rumbly as he subtly warns you of the consequences of your actions. He follows it with a tight squeeze of your hand and then steps away from you. Your mind protests his leave but you're too stunned to speak; had you put yourself on his wanted list now? 

There is a devilish smile on his face as he checks his gun and locks it before walking away with it casually. Next time, he'd show you what a cowboy is capable of.

Hey, at least you were living out the dreams of those ranch ladies. ⋇⋆✦⋆⋇ ©mm-lurking 2024 do not copy, steal or reuse my work.