#but his personality is so far outside my understanding

[chemicalkatz]

I saw someone asking about the circle of magi as the game struggled to capture any lore that was so vital to the games prior to it, especially DA2 where it came to a head and caused a full mage rebellion. An angel lost its wings.

Even if the game is set in the North where there is less issues with templar and mage conflicts, being replaced with mage cults and corrupted templars- the fact there is no real development within it other than say a line talking about the south once or twice in the story. (and typically it just concerns the blight).

Veilguard comes off as both a “baby’s first dragon age game” and “you need to play the first 3 to understand the lore” at the same time. It will repeat the most basic information such as Bellara feeling the need to point out the very first ogre of the game to- What is the blight? What is blood magic? Circle of Magi? Templars? The chantry?

Did I hate Veilguard? No, I don’t actually hate it so far. My biggest complaints are this-

1 . ) the romance is sad to a point, Lucanis is typically the main offender. But I don’t hate it, though Fenris and Hawke I think ruined any other romances in this game for me.

2. ) World State is GONE. What was the point of the keep if you only had it for one game? Even if it took mostly in the south choices such as a friendship/rivalry with Varric could mean something- references to past characters, especially Inquisition (outside like 3 choices). and The Grey Wardens …. there is so many times where a good reference to a origin could mean something- Perhaps Darvin mentioning a dalish HoF when he discusses leaving his clan, comparing it? or how the Inquisitor possibly had banished them a while back?? Idk it’s just so disappointing I miss my character specific references.

3. ) The nonbinary scene with Taash. I surprisingly don’t HATE Taash despite them being an ass, but I suppose it’s biowares sad attempt at giving them a different personality from the rest of the cast who many are mysterious or disney levels of good. their scenes need heavy work, especially when I saw a rewrite of their coming out scene that involved lore- When I think of it I think of Iron Bull and Krem, a canonical trans man, and how their conversation compares to the one between Taash and their mother.

4. ) building up on the last point I hate the modern terms did we suddenly forget what era of life we’re in? We are in a mostly medieval society with magic and dragons and mythical beings. the writing sucks in so many ways compared to other games.

In short Veilguard is not entirely a bad story game, but it is a lackluster dragon age game and we either need a redemption or dragon age finally being laid to rest with this last game.

Long story short, turns out that I don't really like Veilguard. Like at all. So it's been cathartic to read some of the criticism here to feel like even if I still love the series and I'm mourning the lost lore and worldbuilding, I just can't say "hey I respect this game" cause... I don't. No, it's not a Dragon Age game.

Like for example, I can't believe that I just read a post in which op rightfully critics how big of a problem it is the lack of the Southern (or as a whole, honestly) Chantry representation in this game, and the tags are full of comments like "Good. I hate the Chantry anyway, it sucks"

Well you are exactly part of the problem here. Because it seems you are saying "it sucks so Im glad it is not there" and that's exactly what they did with every complex problem in DA in this game.

Because you know what? The core of this franchise is that, YES. It HAS to be there and it HAS to suck. This is exactly what the original setting was telling us. You don't get to ignore it because you, as a character in that world, has to live there and it affects you. And like a player, it had the goal to make you think and feel complicated stuff.

And also religion is a fundamental pillar of fantasy medieval settings like??? Wtf are you talking about being fine with being non-existent here? Did you ever like Dragon Age at all? Because you sound like the big questions in ethics and faith it always presented bothered you enough to be okay with this game erasing it.

Sure, let's gonna devoid of every representative aspect that made Dragon Age the setting we all enjoyed, sure it will be the right choice to do.

[ladylokianna]

I have read many posts about Aemond, but what about his wife (not counting Alys and the plot of the book)? Do you have any headcanon?How does she behave towards him? What is her character like? Is she accommodating or does she argue when Aemond goes too far?

✦ Her behaviour toward Aemond changes accordingly to the level of their intimacy: at the beginning, when they both need to adjust to their marriage and to each other's presence, she was a little shy and stiff, but with time, when they're used to one another, she enjoys a lot his company and is more outgoing and passionate.

✦ She respecting his boundaries about pda, knowing that Aemond doesn't like to show any kind of feeling outside their private, so she simply exchanges gazes with him during dinner or interwine a hand with one he usually places behind his back.

✦ When they're in public, she use to communicate with him with a secret code of their own, made with gestures, glances and his signature "hmm", a thing she's so used to, that she could tell if Aemond is displeased, annoyed or bored (or on the contrary, if he's glad or relaxed) just with a single "hmm" without having to look at his face.

✦ She arguing with him because she wants to stand to his left side when they are in public (because of his blind spot), and Aemond insisting that she should stand to his right because he should be protecting her and not vice versa.

✦ Her leaving any quarrel between them in their rooms and always sticking by his side no matter what, having his back against everything and everyone: she's very protective of Aemond and she's like the first person to stand up in his defense. Obviously, you can be sure as hell she's ready to scold him when he misbehave: not in public, never in public, but she always tells him when she's not pleased with something he did.

✦ She respecting his personal space (above all, his safe place, that is his private library) and always asking if he wants to stay a little alone (to vent for something, to read in peace or whatever he wants to do on his own) or if she can stay with him, knowing that Aemond is not doing it on purpose and that he will reach for her company whenever he's ready.

✦ She avoiding anything with pork or wild boar because she knows that he literally hates them since his younger years (since the pink dread incident), even if Aemond insists that she should not deprive herself of something because of one of his strangeness.

✦ Dancing? Since Aemond doesn't like it (probably the first and last time they danced was at their wedding), she politely declines all requests, preferring to remain beside him, sometimes holding one of his hands in her own.

✦ She giving him presents even when it is not his nameday, but mainly for the simple pleasure of giving and to bring a smile to his face, whether it is a sunflower (in my headcanon his favourite flower), a new ointment for the socket of his missing eye or, sometimes, a new doodle on him (something, the latter, that she does only after realising that it is something that makes him feel flattered and not annoyed).

✦ She being so patient that he sometimes wonders how she puts up with him, especially in the beginning when he almost lost his mind at the thought she was using praises and terms of endearment not because she cares and loves him, but to make fun of him: he needed a lot of time to understand that she is a safe place.

[utilitycaster]

Following on the last answer you gave about Laura/Ashley.

What I'm stuck on is that this fear of making a mistake is not a new thing? They've been like this for all of this campaign, note Ashley not wanting to take the shard, Laura's constant fear of letting Imogen's mom stay on the moon, etc. And to a degree, I get it! Exandria is a pretty expensive and important source material - there's an Amazon series!!! - and it's scary to make any huge decisions in it. Additionally, I understand the feeling that there's something specific that the DM wants and you're just not getting it. But I keep wondering, how hard is it for Matt to sit them down and be like. Fuck around man, it's fine! (Or even the opposite! Give them some railroads, they're all over the place!) You know? It just feels to me that Matt can solve so many of these problems outside the stream with a quick convo and I'm so confused why that's not happening.

(I didn't watch this episode completely because the discussion at the end was giving me a very bad case of secondhand embarrassment due to how stupid it was. So if this happened and I missed it, feel free to ignore this.)

Yeah that is where I am at, and this is the MOST speculative I will get to the point that I'm making it nonrebloggable but my personal guess is that like. I watched a LOT of interviews at the start of C2, as a new viewer who was looking for more stuff (which...ultimately just resulted in a C1 binge) and the cast was at the time very cognizant of wanting to prove C1 wasn't a fluke and that they could tell another great story in the world with new characters. But they also prepped EXTENSIVELY for it; and also, in this case, I think a lot of the world was in a somewhat more nebulous state (ie, I think Matt probably had the concept of an ancient archmage plotting to release a god-eater possibly that far back...but I think Liam's concept for Caleb very much influenced the nature of the Assembly and gave Matt a place to put proto-Ludinus).

I think that with two campaigns under their belt, I don't want to say they rested on their laurels, because as I've said repeatedly the caliber of the vast majority of other things they've put out has remained high. But I think that because Campaigns 1 and 2 came together so well Matt might not have realized that Campaign 3, and his fairly specific intended plot, required more work and different work. Like, it required the level of planning and railroading you see for dimension 20 seasons. Campaign 2 could meander and focus on characters because the main goal it needed to achieve in a presumably 3 campaign story was worldbuilding, and I wonder if the fact that it diverged almost entirely from Matt's vision and still came out great obfuscated the fact that this wouldn't work for C3. Campaign 3 really needed to have realized and invested characters right out the gate with knowledge of the world. Like, I think it could have been solved with a conversation but I also think that there's been some sufficient "wtf" choices (bringing in Abu as the Arch Heart without any specific guidelines is one that comes to mind) that I wonder if the cast has entirely internalized how much this doesn't cohere narratively. And also, to be fair, I've played in D&D campaigns that didn't have a great plot or really any at all but I was having enough fun hanging out with my friends that I didn't really care, and since we weren't being filmed it didn't matter. It's a lot easier to see this stuff from the outside, is my thought. I don't think it's hard in terms of time and effort, but also, I know I kept thinking "oh HERE'S the course correction, finally!" pretty much up until the last ten or so episodes. I wouldn't be surprised if he kept thinking "surely this will pull together."

[smittenmeraki]

I have so many random ideas of Andreil being found out by the media in the strangest ways. My personal fav so far is them going pro and being on different teams. They end up playing against each other and everyone starts to think their rivals because Andrew keeps launching the ball at Neils helmet. After like 7 headshots from across the court Neil swears at him in german something along the lines of "I know you're doing that on purpose quit being a bitch for the sake of your entertainment or I swear I will empty your candy drawer" and of course Andrew's just there with his blank expression leaning on his racket, knowing Neil will forget all about it when they're home. However, all the fans see is Andrew targeting Neil over and over no matter where he is on the court so everyone thinks they hate each other until some weeks later an article is released with pictures of them grocery shopping together. Andrew is in the cart eating candy he hasn't even bought yet while Neil scans the aisle with a hand in Andrews hair. Another picture of them loading everything into the car, Andrew with a hand on Neils waist as he opens the backdoor. The article is titled something like "rivals or lovers : a deep dive into their history" and it brings up points like Andrew protecting Neil from Riko and Neil getting Andrew to shut down the goal with just a few words (ones no one knows), but also points of them shoving each other and getting in each others faces (tbh they were just flirting but from an outside prospective it was violence because they are never normal) all of the fan theories come to a head when Neil gets interviewed.

"What is your thoughts on the rumors about you and Minyard?"

"Rumors?"

"Yes, the ones about you two being teammates turned rivals turned lovers. Many fans are speculating what your relationship is and several articles have become very popular over it."

"We were never rivals??" Neil is absolutely lost at this idea, complete confusion.

"Really? Never once over the years?"

"No? And what articles? I don't understand how this has anything to do with Exy."

"Its about your career in the sense that Andrew Minyard has been a challenge for you." Neil smiles at the idea of Andrew being a challenge. "There was a really big article that shared some photos of you two together at a grocery store. It's rather unusal to see you two in a domestic setting, can you tell us about that? Many are wondering why you shop together." The first photo is pulled up on the big screen and Neil just stares for a moment, unsure of when it was taken.

"1. Its creepy that that was taken without us knowing. 2. I don't know what you want me to tell you, Andrew's not allowed out of the cart because he's a mence to shop with or maybe he refuses to let me go alone because I constantly forget things. Its just normal every day life, same as everyone else. 3. Because we live together?? I still don't see the relevance any this has to Exy. Many spouses go against each others teams, it's a part of being pro's."

"Spouses? So you are confirming you and Minyard are married?"

"Not on paper. Fundamentally yes. I thought this interview was supposed to be about how our season is going?" Neil sits back, baffled but also slightly smug from the look of shock on the interviewers face.

Meanwhile Andrew is at home with the cats eating a tub of ice cream while watching the interview thinking to himself 'yeah, fucking tell her. Noisy ass drama seeker.'

[nijigasakilove]

Ahhhh I’ve missed my messy family drama so much. It’s been far too long. I see I have a new object of my hate this season, Kiyoka’s mom. Absolute bitch for NO reason. No wonder he’s so emotionally scarred if he grew up in a home with her. The absolute audacity of this bitch to insult Miyo’s appearance and background when she’s a guest in her house. I wanted to come thru the tv and wring her neck so bad. Kiyoka showed way more restraint than I.

Idek how his parents are together considering they’re total opposites. I mean I’m sure it was an arranged thing, but the fact Kiyoka dad seems happy with her makes me feel like there’s more to her than meets the eye. Still, no excuse for her behavior.

On the bright side, Kiyoka’s sister continues to be the best sister-in-law in animanga history! I love how she encourages Miyo to get outside her comfort zone and grow, yet remains patient and understanding of Miyo’s trauma. Genuinely great person.

Missed the way Miyo and Kiyoka look at each other so bad. So many cute scenes in this ep, handholding and Kiyoka looks at her with the softest, most understanding gaze now. That misunderstanding with them sharing the same bed and Miyo turning red as a beet was so damn cute.

I’m worried about this calamity the prince is talking about. It must have something to do with the shadowy figure stalking Miyo.. but who and what? This season is gonna be really interesting. Seems like way higher stakes than the last. Can’t wait. Great start.

[oopsiedaisiesbaby]

I personally think when it comes to AUs we need more bitch Gale. Like him being so repressed and deprived and so far in the closet and in denial about it that when he first meets John and has such an instant attraction to him that it both terrifies and angers him and so he brings it all out on poor John and is just an absolute CUNT to him for no apparent reason to anyone on the outside. But John being John LIKES it and just eggs it on and asks for more.

Like I’m imagining they first meet at a coffee shop or something (modern day) and the instant John first lays eyes on Gale he just knows he has to have him, WILL have him, is just thinking “MINE. HAVE TO MAKE HIM MINE.” And when he realizes that it’s going to be a near impossible task, it only makes him that more determined and dedicated and makes it all even hotter, makes Gale even more desirable to him. John’s always loved a challenge, and boy is Gale one.

I’m imagining John just walks up to him and starts flirting obnoxiously right off the bat, using all the cheesiest most cliche lines imaginable like taps him on the shoulder where he’s in line for his coffee and Gale turns around and John goes, “Did it hurt?” and Gale just looks at him confused with his brows furrowed and goes “Huh?” And John has the stupidest smile on his face when he answers “When you fell down from Heaven” and Gale doesn’t think he’s ever rolled his eyes so hard but he also can’t help himself from blushing and also why wasn’t that a huge turnoff for him and instead it has butterflies fluttering and heat pulsing deep in his belly?

Gale has been hit on by men before of course, but he’s managed to avoid it for the most part and when it does happen it’s usually by much older creepy middle aged men that just make him feel super uncomfortable, nothing like how he’s feeling right now with John.

“Does that usually work for you? You usually get laid with that line?” He asks John in an unimpressed tone. “I don’t know, I’ve never tried to before. Is it working?” John replies, still with that stupid ass smirk on his face. Gale wants to either smack it off or kiss it off, he can’t decide which. Gale scoffs in response and says “In your fucking dreams.” “Oh in my dreams we’re far past this stage already, sweetheart. We’re definitely not talking much, or standing, that’s for sure.” Gale makes an exaggerated gagging noise in his throat, trying to cover up how his flush has gotten even redder. “Gross. You’re a pervert.” “Only for you, baby.”

And it just keeps going but Gale can’t seem to make himself walk away or actually tell John to get lost. And maybe John buys him his coffee despite his protests and then says he can pay him back by sitting with him as he drinks it, and Gale pretends to be annoyed about it and like it’s a huge chore to be asked to do so. And as they sit together John is even more obnoxious, nauseatingly flirting and hitting on Gale and Gale has no idea how to handle him but he doesn’t let it show, he’s a stone cold bitch on the outside or as much as he can make himself be.

He doesn’t want John to think he’s enjoying this too much so after John makes a sexual innuendo about Gale’s mouth and lips he snaps something like “There’s no way your cock is as big as you clearly think it is with the way you’re talking” and John is taken aback for a second because he didn’t realize this man with the face of an angel could have so much bite in him but he quickly recovers and gets a huge smile on his face because oh boy, he’s gonna be a handful and so much fun. “Jesus Christ, the mouth on you, baby. What other surprises are you hiding, huh?” And Gale bites back again, actually getting angry now because why does John find this all so funny and cute? “I’m never gonna let you fuck me. You’re NEVER gonna fuck me. Understand?” And John is like “Is that what you think I’m trying to do?” And Gale sits back and crosses his arms across his chest, scoffs and rolls his eyes and looks away from John. “Clearly.” And then turns back to look at John with venom piercing in his eyes, and John realizes that he’s actually angry. VERY angry. “And it’s never. gonna. fucking. happen.” And John just laughs and says “We’ll see about that, sweet cheeks.” Which just has Gale fuming even harder. Now he’s red in the face from anger as well as embarrassment and arousal.

And then somehow they keep running into each other (John probably has his schedule memorized at some point) or John is able to get Gale’s name and number and refuses to give up and keeps pursuing him despite Gale being nothing but cold and mean to him. Except when he’s not. And John knows, KNOWS he wants it just as badly. But John loves the challenge, the game, the push and pull, the hot and cold, the mixed signals, the teasing, the chase of it all, gets off on it, and secretly (or not as secretly as he thinks) so does Gale.

And of course somehow it ends up with them months later with John fucking Gale silly, making him come and cry on his cock (and Gale will deny that ever happened). The first time they fuck Gale still refuses to admit he wants it, still calling John a pervert, an idiot, etc. between moans and claiming his cock is definitely not big enough to even feel inside of him while he’s stuffed full to the brim and his voice is shaking and breathy with it.

First paragraph in and I'm already hooked 🤣 Let 👏 Gale 👏 Be 👏 a 👏 Bitch 👏 2025 👏 But also just the thought of him being so repressed that the intensity of his attraction makes him decide to hate John on sight is 😘 And OF COURSE John likes it, he pushes harder and harder because he wants Gale to be even cuntier 🙌

But also, the added layer of John being instantly in love but falling even harder because he knows he's gonna have to work for it 😍 Gale being confusedly attracted to John's bull shit is everything, I think it would make him lean into "must be mean and push him away so he can't hurt me" vibe even harder because not only does he not want to be attracted to a man but he sure as hell doesn't want to be attracted to one with pickup lines like THAT lol

John’s persistence would both annoy but endear Gale and I think that would make him even more mad… I just love it 🥰 I love the coffee shop meet ugly but this would also work so so so well with them being roommates in basic, the forced proximity and interacting just ahhh❤️

And of course it ends in sex where they're still trying to talk shit but it just gets them off even harder, they're soulmates like that 😉🤣

[tomuchabotme]

I don't know what's so hard for people to understand. You can't have your cake and eat it too. It's fine to say 'don't assume Jimin's sexuality' but then you can't turn around and say 'and I assume he's dating JK / Yoongi'. Saying don't assume his sexuality after you liked a tweet assuming he's gay. Ok then.

I remember I once said JK is straight on twitter and some person started yelling at me about making assumptions and comphet and everything. Look if he's dancing provocatively with women and has multiple songs about fucking them, then I think it's clear he wants me to make the assumption. I didn't make him do that. That was his choice. That's the way he wants to be seen. I think he'd be a lot more on board with me calling him straight than armys saying he's screwing Tae or Jimin or even kpop girl #1655.

I really don't care about anything related to Jimin's personal life - who's he's dating, if he's dating, if he's an afficionado of casual sex, if he's secretly a monk in private, if it's guys / girls / a combo of the two - but he's making choices to have couple choreo with women in his songs. This doesn't mean he's straight but I think it means he's okay with us assuming he is.

And let's imagine he's not straight and is dating JK of all people- the self proclaimed lover of champagne confetti- how is it productive in any way to then start trying to prove this? If he was actually truly dating JK, do you think he'd appreciate people trying to expose them to the public by microanalyzing their interactions and leaking any personal info they get if it 'proves' their ship? To drag him out of the closet? That he'd love the extremely sexual art and fanfic and the abo bullshit that's foisted upon him and his relationship? Not maintaining any normal boundaries by mentioning the ship in weverse lives or outside the fandom? Because that's all I see shippers do. A lot of them care about that far more than his music. For the most part this insistence he's gay has nothing to do with acceptance and everything to do with fetishizing him.

And it's so funny when people act like this is some progressive stance. The entire bg kpop community is filled with straight women who ship people with their group mates because they can't stand the idea of them with women and it's been going on for decades. Kpop has a huge mlm shipping culture and frankly it's not because it's a utopia where they don't care about sexuality. Maybe people should assess why it's so important for them that Jimin isn't straight (or is - some self reflection from both sides wouldn't be bad). Does it hurt you when he's called straight (or gay) because you're that concerned about him or is it because you're too enamoured with certain assumptions about him because of your own needs.

Honestly though in a normal fandom I wouldn't care if a celeb, straight or otherwise, was being called gay or bi or was being playfully shipped with their coworker. But in this fandom, things have gone completely out of control. If we've reached the stage where people send complaints about him to the government because he enlisted with his friend, or send him death threats, or have a huge subset of the fandom hate him because he's in the way of their ship - then we've gone beyond the fucking pale and I think we need to start being more careful about the way we speak about Jimin and start placing more importance on how he wants to be seen.

Of course the straight!Min people aren't all innocent either. Some of them are clearly homophobic. I just hate this is a topic at all. I don't even think he's straight but you know what I do? I just don't talk about it at all. And that is extremely easy to do. I see the contradiction that I sent you this hugeass ask but it's in response to the current discourse. In general, Jimin's sexuality doesn't come up in my stanning experience at all and it's easy to do song analysis while keeping space for multiple options in this regard. I just need everyone to leave him be.

you said all

[bumblediary]

finding myself in a conundrum where I am consistently baffled by an acquaintance and always confused by his behavior but, unfortunately, extremely attracted to him

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[phantajam]

my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)

[cy-cyborg]

Disability Tropes: The Perfect Prosthetic

[ID: A screenshot from the movie Nimona, showing Nimona, a small white girl with red hair, grabbing the right prosthetic arm of Ballister, a knight in black armour with black hair and light brown skin. He is holding a broken bottle in his prosthetic hand while Nimona admires his arm. Overlaid on the screenshot is white text that reads "Disability Tropes: The Perfect Prosthetic" /End ID]

In a lot of media, prosthetic limbs are portrayed as these devices that act as a near-perfect replacement for a character who has lost, or was born without a limb. So much so that in a lot of cases, the use of a prosthetic has basically no impact on the character beyond a superficial level or their appearance, or it's portrayed as something that's even better than the old meat-limb it's replacing. This trope shows up most often in Sci-fi, but it shows up in all kinds of stories outside of that, even otherwise very grounded ones!

If a story isn't depicting the loss of a limb as the be-all-end-all worst thing that can happen to a person, they almost always default to a perfect prosthetic, functionally curing the amputation with it. But the reality is that prosthetics are FAR from perfect, and as someone who has used them for their entire life I don't think they ever will be. Limb difference is still and always will be a disability, regardless of the prosthetics available, and this really isn't a bad thing.

Why is this trope so common?

I meant it when I said this is a really, really a common trope, so much so that the majority of the media I've seen with amputees and characters with limb differences that released in the last decade or end up using it. Even stories where becoming an amputee is treated like a fate worse than death, ironically, aren't excluded from this. I have a few theories as to why this has happened: The pessimistic answer is that it's easy. You get to have a disabled character and claim you have disability representation, without really having to do much extra work or research because most of your audience won't notice if you aren't accurate - in fact they kind of expect it. You also, for the most part, dodge the backlash other kinds of disability representation (or really any minority representation) usually get. The more optimistic reason is that, for a long time, amputees and people with limb differences (as well as a lot of other disabled people) were predominantly shown in media as sad, depressed and unable to do anything, very much falling into the "sad disabled person" trope. As a kid, this was really the only way I saw people like me on screen or in books. And so, the limb difference community pushed back against that portrayal and were pretty successful in changing the narrative in the public's eye. A little too successful. A lot of creatives were genuinely trying to do right by our community, listen and do better, but many simply overcorrected and instead ended up creating stories where prosthetics were essentially cures instead of the mobility aids they are. I also think the public's general lack of understanding about disability plays a roll in all this. There are a lot of people who, in my experience, believe that the more visible a disability is, the worse it is. Limb differences and amputations are very visible, but prosthetics, even those that aren't trying to be discreet, make them less so. While using a prosthetic is very, very different to a biological limb, you won't necessarily see how in a casual interaction with, say a co-worker or neighbor, especially because there is a very real stigma applied to people with limb differences to keep those things hidden from the public. There are other reasons too, such as the fact that a lot of creatives don't even consider the connection to real amputees when creating characters with robotic limbs in genres like sci-fi and some fantasy, so they never stop to consider that these tropes could be impacting real people. Amputees are also very frequently used in "inspiration porn" content that uses the angle that disabilities can be "overcome" with a good attitude, downplaying the way those disabilities actually impact us. The prosthetics industry - specifically the component manufacturers, often also push the idea of prosthetics being the only way to return to a "normal" life, both to the wider public and to people with limb differences and amputations (which can add to that sense of shame I mentioned when it doesn't play out that way for them). On top of that, I also think the recent increase in popularity of concepts like trans-humanism contributes to it as well. these movements often talk about robotic or bionic body parts being enhancements and "the way of the future", and I think people get a bit too caught up on what may be potentially possible in the future with the real, current experiences of people with "robotic limbs" aka prosthetics, now. There are also inherently disabling things that come with removing and replacing parts of your body, things that will not just go away with some fancier tech.

So How do you actually avoid the trope?

So, we have some ideas about why it happens, but how do you actually avoid the "perfect prosthetic" trope from appearing in your work? The most important thing is to remember that this is still a disability. The loss of a limb, even with the best prosthetic technology or magical item in the world, will always have some inherently disabling aspects to it - and this is not a bad thing. The key is to not over-do it, lest you risk falling into the old "sad disabled person" trope. So let's go over some of the ways you can show how your character's disability impacts them. You don't have to use all of these recommendations, just choose the ones that would best fit your character, their circumstances and your setting.

The prosthetic itself is just different

Probably the most important thing to address and acknowledge for prosthetic-using characters, is the actual ways in which the prosthetic itself is different from a biological limb, and the drawbacks and changes that come with that. For the sake of simplicity, I'm mainly going to focus on modern prosthetics here, but it's worth considering how to apply this your own, more advanced/fantastical prosthetics too. One major thing that most people writing amputees fail to acknowledge is that prosthetic limbs are not fleshy-limbs with a different coat of paint. They do the same basic thing their meat-counterparts do, but how they do it is often drastically different, which changes how they are used. A really good example of this is in prosthetic feet. There are dozens of joints in a biological foot, but most prosthetic feet have no joints or moving parts at all. Instead of having dozens of artificial joints to mimic the real bone structure of a foot, which are more prone to failure, require power and make the prosthetic much, much heavier for very little gain, prosthetic feet are often constructed from flexible carbon fiber sheets inside a flexible rubber foot-shaped shell. This allows the bend and flex those bones provide, without all the drawbacks that come from trying to directly mimic it. Making the sheets into different shapes makes them more ideal for different activities. E.g. feet made for general use, like walking around the city, are simple and light, shaped to encourage the most energy-efficient steps, while still allowing their users to do things like wear normal shoes. Feet made for rough terrain often have a split down the middle of the foot to allow the carbon fiber sheets to bend better over rocks when there is no ankle, and some newer designs also include a kind of suspension using pressurized air pulled from the prosthetic socket to allow some additional padding. Running feet have large "blades" made of these carbon fiber sheets to absorb more pressure when the foot hits the ground, and redirect the force that creates to propel their user forward as quickly as possible.

[ID: A photo of 4 prosthetic feet. On the left, the foot is covered with a black shoe, the one to it's right consists of a small, carbon fiber blade, split down the middle, in roughly the same shape and size as the previous foot. Next to the right is an even simpler and smaller carbon fiber foot with no split, and finally is a very short foot that is vaguely rectangular in shape. /End ID]

These are some of my own prosthetic feet I've had over the years. The two on the right are designed to be used by someone who is less mobile, and the ones on the left are made for someone who is more active. As my needs changed over the years, I've used different designs and styles, and keep the old ones since my needs do tend to fluctuate.

There are also robotic feet available that are designed as a kind of "all-purpose" foot that use an electronic ankle which more closely mimics a biological foot, but they are not very popular as the mechanism adds a lot of extra weight and it requires a battery and power to work, with many amputees feeling the jointless carbon fiber feet do a better job at meeting their needs. The same goes for arms and hands. "Robotic" hands that mimic a meat hand exist, but they aren't really that popular, even in places like Australia where the prohibitively expensive price tag isn't as much of an issue due to government programs that pay for the device for you. Instead, most arm amputees who use prosthetics that I know prefer simpler devices that do specific tasks, and just swap between them as needed, rather than something that tries to do it all. A big part of this is because the all-purpose hands can be clunky. they often require manual adjustment using the other hand to do simple things like going from holding a deck of cards to putting them down and picking up a glass of water, for example. The few that don't require that, I've been told, are often temperamental and don't actually work for every person with a limb difference.

Altered Proprioception

Loosing a limb is a big deal and this is always going to have an impact on the body in some way that won't be solved with a fancy piece of tech. One such example is how limb loss effects your sense of proprioception. This is your sense of where your body parts are in space. It's how you (mostly) know where your foot is going to land when you're walking, or how you're able to do things like lift up a glass of water without needing to actually watch your hand do it. Your brain does this by creating a mental map of your body, but this map doesn't get adjusted if you loose a limb. If that map doesn't accurately reflect your real body, you're not going to have an accurate sense of proprioception. This might look like a leg amputee being a bit less stable on their feet, or like an arm amputee needing to look at their arm or hand to be able to grab something with it. Those born without their limbs who take to using prosthetics often have a lot of trouble adapting, as their brains aren't used to having that limb in the first place, whereas an amputee's brain can sometimes be tricked into using their outdated body map to help them adjust to the prosthetic (though its impossible to line it up perfectly). Prosthetics that directly integrate with the nervous system, while rare, do exist, and even this direct connection doesn't completely erase this issue for reasons doctors aren't quite sure about. This is something that does become less of a problem with time. Eventually, someone proficient with their prosthetic will learn to compensate, but their sense of proprioception will never be 100% perfect. At the end of the day, no matter how it attaches, a prosthetic is still not a natural part of the body, and that will always cause some issues. It also means if they aren't practicing it all the time, they may have to relearn how to compensate for it.

Extra weight

You also have to remember that a prosthetic is not a natural part of the body, like we already talked about, and so no matter how good it is, your brain will most likely always interpret the weight of the prosthetic as something attached to you, not part of you. This means that, even though prosthetics are actually a lot lighter than biological limbs, they feel so much heavier. This is because, while a meat limb is heavier, a lot of that weight is from muscles which are actively contributing to the limb working, so it doesn't really feel like its that heavy. When you have less of your meat-limb though, you have even less muscle to work with to move this big thing strapped to it, so it feels heavier. The more of the limb you've lost, or just didn't have, the heavier the prosthetic has to be, and the less muscle you have left to move it. It's for this reason that a lot of amputees and people with limb differences get tired faster when using prosthetics. Some of us are fit enough where you almost wouldn't notice the extra effort they need to put in, but once again, just because you can't see it from the outside, doesn't mean it's not an issue.

Avoiding Water

Most prosthetics also aren't waterproof, and so prosthetic users have to be very careful about when and how they come into contact with it. For amputees with electric components, contact with water at all will likely damage the device. This can even include especially heavy rain, something I was told to avoid when I got my electronic knee prosthetic and something I assume would also apply to arm amputees with complex, electronic hands. For those with non-electronic prosthetics, water can be hazardous for different reasons. If the prosthetic has metal components, water may cause them to rust, especially if it's salty water. Other prosthetics have foam covers to give the illusion of a limb with the general shape of muscles and fat, but these covers do not come off, and if they get wet enough that water seeps all the way through, it is very hard to dry it and they may become moldy. Finally, cheaper modern prosthetics may also float. Many are made of very light-weight materials and some have pockets of air trapped inside them. For leg prosthetics in particular, this means a user might, at best, struggle to swim with them on, but at worst, may get flipped upside down and become trapped underwater - something that happened to me as a very young child. On the flip-side, older prosthetics were usually made of heavy materials like wood or steel, and so had the opposite problem, acting like a weight and pulling a person down if they were to wear them in the water. Water-safe prosthetics do exist, I had a pair of prosthetic legs as a teenager that were hollow, and designed especially for me to swim with fins on when swimming in the ocean, and Nadya Vessey, a double leg amputee in New Zealand even got a mermaid-tail prosthetic made especially for use in the water. Most amputees though just swim without any prosthetics at all, and in 99% of cases, this is the easiest and safest way to go.

Prosthetic-Related Pressure Sores and Pain

Many people with limb differences also experience pressure sores from their prosthetics. Modern prosthetics typically attach to the body using a socket made of carbon fiber or fiberglass, held on either by pressure, using a vacuum seal or through a mechanical locking system built into the socket. No matter the specifics though, the socket has to be very tight in order to stay on, and this means that extended periods of use can lead to rub-spots, blisters and pressure sores. Many socket prosthetics also use silicone liners to add extra padding, but this means wounds caused by the pressure can't breathe, and bacteria in sweat has nowhere to go, meaning if the person doesn't rest when one of these wounds occur, it can very easily and quickly turn into a serious infection. In a properly fitting prosthetic, used by someone who has fully adjusted to them, this doesn't happen often, but it is something most amputees and people with limb differences have to at least be mindful of. Some new prosthetics use a different method of attachment, called Osteointegration - where the prosthetic attaches to a clip, surgically implanted into the person's bones. While Osteointegration avoids many of the issues like pressure sores that come from a socket, they have their own issues: mainly that they are incredibly expensive, and as of right now, have a pretty high failure rate due to the implant getting infected. Because the implants are directly connected to the bone, these infections become very serious very quickly. Many people with Osteointegration limbs have to be on very strong medication to keep these infections at bay, and they are generally considered unsuitable for anyone who is going to regularly come into contact with "unclean" environments.

Maintenance

[ID: A screenshot of Winrey, from Full Metal alchemist Brotherhood, a white woman with blond hair handing out the sides of a green hat. She is measuring a piece of metal from a prosthetic she is making while Ed, the prosthetic's owner, gives her a thumbs up in the background. /End ID]

Finally, prosthetics also require maintenance from a specialist called a prosthetist, and they don't last forever. Some parts, like a foot or hand, can be reused over an over, but the sockets of a prosthetic need to be completely remade any time your body changes shape, including if you gain/loose weight, you start experiencing swelling, or you're just a child who is growing. Children in particular need new prosthetics every few months because they grow so fast, and as such, their prosthetics have to be made with this growth in mind. If they go too long without adjustment or an entirely new prosthetic, it can seriously impact the child and their growth but even small adjustments can be costly, depending on where you live. While prosthetics are built to be sturdy and reliable, they need a lot of work to stay that way. The more complex the prosthetic, the more work is needed. Complicated electronic components may need to have regular maintenance done by your prosthetist or even the specific component's manufacturer, and depending on where you live, this might mean having to send your prosthetic limb away for this to be done. While my prosthetist technically has the skills and knowledge to do the maintenance on my electronic knee, for example, the manufacturer forbids anyone not from their company to provide this service, meaning my leg needs to be shipped off to Germany once every few years if I want to keep the warranty. This has the unfortunate side effect of sometimes your limbs getting lost in postage (shout-out to Australia Post, who lost mine twice), meaning it can be months before you get it back or get a replacement. Usually, you'll be given a replacement in the meantime if you need it, but walking on a leg that isn't yours, even when its correctly fitted, always feels a bit weird (maybe that's just me though).

Not every difference is Inherently Negative

We've talked about some of the negatives that come from having a prosthetic, but not every difference is negative or even really that big of a deal. In fact, often times, it's these little moments in the depiction of a disability that go the furthest and make it feel the most genuine. My amputations effect me from the moment I wake up, to the moment I go to bed, but that doesn't mean every single way it impacts me is always inherently bad or negative. For example, back when I was working a normal job and going to university, I would often come home, throw my legs off at the door with the shoes still attached and get into my wheelchair, the same way you might throw your shoes off after work and replace them with comfy socks and other comfy clothing. This is something I've only ever seen on screen once, with Eda from the Owl House (and she wasn't even an amputee yet, her limbs were just detachable)

[ID: an screenshot of Eda from the owl house, a very pale woman, laying on the couch in a bathrobe, her hair in a towel. She has taken her actual legs off, throwing them to the other side of the seat. /End ID]

After that, my day mostly looked the same as most other people working a 9 to 5, I'd make myself dinner, watch some TV or play some games, maybe do some extra work at my desk or chat with friends. The only difference is that it would all be from a wheelchair, mainly because my prosthetics were heavy and it was just easier to use the chair around the house. The fact my afternoon and evening routine was done from a wheelchair wasn't a bad thing, it was just different. Likewise, I also don't sleep or shower with my prosthetics on, for the same reasons most other people wouldn't take a shower or sleep in thigh-high, steel-capped boots. In your own stories, this might look like giving your characters similar alterations to how they go about their day. Let them take their arm or leg off when they're resting or relaxing, show them taking a few minutes longer to get ready because they have to put it back on, show them doing some things without it. Arm amputees in particular tend to get very good at going about their days without their arm prosthetics, and leg amputees often either learn to get around more relaxed spaces like their homes using a different mobility aids like wheelchairs or crutches, or just through hopping if that's something they're physically able to do. Even when everything is going well and working as intended, your limb-different character won't wear their prosthetic 24/7, no matter how much they love it. There doesn't have to be something wrong with it or painful about it to not want it glued to them at all times, just like you can love a pair of big heavy boots but not want them on when you're trying to sleep. For more action-focused stories, being an amputee, also changes things like how you fight. The specifics will vary from person to person, but for example, when I did Hap Ki Do, a Korean Martial art, my instructor heavily modified when I learned what techniques. Beginner-level kicks and most leg attacks were impractical for me, as the force from the kicking motion would usually cause one of my legs to fly off. I also couldn't jump very well, due to some complications with my original amputation that made my stumps too sensitive to withstand the force of landing again. So I ended up learning a lot more upper-body attacks much earlier than it is typically taught. By the time I got my green belt, I was practicing upper-body techniques usually saved for black belts - including weapons training that I could use my secondary mobility aids for, like crutches and my cane in a bad situation. Many holds that rely on creating tension in your target are also less effective on amputees, because either the anatomy that causes those holds to be painful just simply isn't there, or the body part in question can just be removed to escape. Whether we're talking about the negative things, or just neutral differences that come with using prosthetics, you don't want to go too far with any one example. The key is to strike a balance. Of course, the old writing advice of "show don't tell" also applies here. It's one thing to tell us all of this stuff, but unless we actually see it play out, it won't mean much.

How NOT to avoid the trope

Before we move on, let's focus for a moment on some common things I've seen that you SHOULDN'T do as a way to get away from the trope.

The Enhanced Prosthetic

A lot of sci-fi in particular will take prosthetic limbs, make them function exactly the same as a biological limb, but add something extra to it. This does change the way the prosthetic functions and is used, but it usually still ignores the actual disabling parts of having a prosthetic. A really good example of this can be seen in pretty much any futuristic setting, but personally, I think Fizzeroli, from Helluva Boss is the best one to demonstrate what I mean. Fizz is a quadrilateral, above knee/above elbow amputee with highly advanced prosthetics that function, more or less exactly like the limbs he lost, but with the added benefit of being super-stretchy. Fizz is an acrobat and a clown in service, at least initially, to Mammon, one of the Seven Deadly Sins. These prosthetics help him perform and we even do see how they change little things like how he walks and just goes about his day, but the show still treats them like natural arms and legs, but better. 

[ID: A screenshot of Fizzeroli from Helluva Boss, a white-skinned imp with 4 black, prosthetic limbs, dressed in teal a nightgown as he lays in bed, reading from a list /End ID]

We see that he never takes them off, even when sleeping, and when he needs to use them as regular arms and legs, they do everything he needs, perfectly fine - at least when they're working correctly. The only time he ever even takes them off or has any issues with them, is when they break in season 2. The word amputee is never used to describe him, as far as I remember, and the fact he is one never really comes up at all, except for when they break or when the story focuses on how he lost them. Which brings me to my next point.

The Glitchy/Broken Prosthetic

One way I see people try to avoid the perfect prosthetic trope, is to take the prosthetic and break it or otherwise make it unreliable by having it malfunction, but not really changing anything else. This approach is heading in the right direction but still kind of misses the point of the criticism a lot of limb different folks have with the depictions of prosthetics in the media. Yeah, prosthetics do break down and some do require extra maintenance, but if your character's prosthetic is still exactly the same as a biological limb (or even better, in the case of the "enhanced prosthetic") when it's not broken, and the only time their disability is treated like a disability, is when it breaks, you're not really addressing the issue. Real prosthetics, like we discussed, even when functioning at 100%, exactly as the manufacturer intended, don't function the same as a meat-limb. They are fundamentally different, and the glitchy/unreliable prosthetic completely ignores all of that. Once again, Fizz is a really good example of this - the only time his prosthetics are not perfect, is when they break or are malfunctioning (despite the criticism, I do genuinely love Fizz as a character, but he unfortunately does fall into a lot of disability tropes).

[ID: Another screenshot of Fizzeroli, this time in a torn up jester outfit, looking down, panicked, at his prosthetic arms which are fully extended and laying motionless on the ground, with his left arm visibly short-circuiting with electricity around it. /End ID]

Now this isn't to say you can't have your character's prosthetics break down or malfunction at all. just that this shouldn't be the only way you differentiate the prosthetic from a biological limb. You should also be mindful of how or why they're breaking. A typical prosthetic isn't going to break down randomly from normal use unless something is very, very wrong or your character just has a terrible prosthetist (which unfortunately, does happen). You might experience issues if you try to make the prosthetic do something it just wasn't designed to do, or expose it to something it wasn't designed to deal with though (e.g. submerging an electronic prosthetic in water and trying to use it to swim).

Just add Phantom Pain

Another common pitfall I see when people are trying to avoid the perfect prosthetic trope, is to just give the character in question phantom pain - which is a side-effect of amputation where your brain's mental map of the body doesn't acknowledged you lost a limb. Your brain tries to fill in the gaps, since there is no signals coming from that part of the body anymore, and assumes either something must be wrong and so you should be in pain, even when you actually aren't. Alternatively, it can also happen when your brain was so used to feeling pain from that area before, in the case of people who had chronic conditions before they lost their limb, that it just keeps remaking those old signals itself. Like the broken/glitchy prosthetic approach, this also doesn't really address the issue with the perfect prosthetic trope, because it has nothing to do with the prosthetic itself. Phantom pain doesn't come from the prosthetic, nor does it effect how they're used, and so including it doesn't really address the issue of the prosthetic being functionally the same as the original, biological limb. This isn't to say that you shouldn't include phantom limb sensation or pain as something your character experiences, but just keep in mind that, when used on it's own, it doesn't counter the trope. Also, just be sure to do your research, everyone's experience with phantom pain is different and it's not something everyone with a limb difference even experiences.

Why is this trope even a problem?

Alright, so we know what the trope is, we know why it became so prevalent, ways to avoid it and also how not to avoid it. All good information, but why is this trope even bad? Why should you try to avoid it? Outside of just wanting to portray a real disability that effects real people more accurately in your creations, the prevalence of this trope actually contributes to a lot of real-world issues, especially when it's as overused as it currently is. I've talked before about "the jaws effect" - where the depiction of something in the media, especially something that the public is widely uneducated on, influences how people see it in real life. The Jaws effect specifically referred to how the popularity of creature-feature movies featuring sharks, like Jaws, caused the belief that sharks were monstrous killing machines to become much more wide-spread, even going so far as to influence decisions about laws and policy surrounding real-life shark preservation and culling in some parts of the world. But sharks aren't the only thing this has happened to.

Disabled people are so thoroughly misunderstood by wider society, that when tropes like this one become popular, people can and often do start to believe the misinformation they spread - in this case, believing that our prosthetics are a perfect replacement for a biological limb, and that getting a prosthetic means you're not disabled any more. While this can be annoying and cause small scale issues for some of us, like people giving us a hard time for using disability accommodations we very much need, it can also impact us in systemic ways too. If the wrong people believe these tropes, it can and does have a very real impact on the lives of disabled people through things like changes to policies to make it harder for amputees and people with limb differences to access financial assistance for other things outside of our prosthetics we may need assistance with.

Conclusion

Despite the very real harm tropes like this can do when it's overused, I don't think it should go away entirely. Some of my favourite pieces of media even use the perfect prosthetic trope and there are even some kinds of media where I even think it's somewhat unavoidable. Characters with perfect prosthetics in kids media in particular, especially when talking about side characters, can help to correct some of the other stereotypes kids may have seen elsewhere - such as prosthetics being "creepy" or "scary" - in a way that is casual and easy for them to understand. The problem with the trope, in my eyes, is it's excessive overuse. It's the fact that it seems to be the only representation amputees and people with limb differences are getting now. Not every story with a limb-different character can or even should delve into the reality of what using prosthetics is actually like, but we need at least some stories that do, without it being this majorly depressing thing.

[livinghalfway]

Right Reasons; Wrong Kid

Summary: Batfam thinks Damian is being kidnapped when they see Danny getting manhandled into a car by Vlad; Danny loves to make Vlad's life difficult and puts up a fight getting into the car.

Word Count: 1450

Being in Gotham was the last place Danny wanted to be today, especially when he had to be here with Vlad. The fruitloop had somehow convinced his parents that he should go to this stupid three day business conference with him.

While Danny can't make any decisions right now he can certainly make Vlad regret his. Which is why Danny doesn't feel an ounce of embarrassment at what he is currently doing.

"Daniel, get in the car." Vlad hissed at him with a tight smile as they both stood outside of the building the conference was being hosted in.

"No." He said; even going as far as to take a step backwards to further spite the man in front of him.

It was clear Vlad was losing his patience with him if the subtle flash of red in his eyes is anything to go off of. "Daniel, I won't ask again. Get in the car now, or I can drag you in. The choice is yours, but you will be getting in this car one way or another."

"You really gonna drag a kid into your car in front of all these people you're trying so hard to impress?" Danny looked from side to side at all the people congregating on the sidewalk and steps as they wait for their vehicles to arrive.

"I'm hardly the first person they've seen that has had to deal with a stubborn child refusing to listen." Vlad says as he takes a threatening step forward, "Now get in the car."

"No."

Seemingly annoyed but not surprised Vlad takes a deep breath before his hand, like a snake, strikes forward and grabs a hold of him before beginning to pull. Just as quickly though Danny is trying to pull away with just as much strength. Quickly taking a moment to look around he sees that others are already starting to look in their direction; perfect.

With him distracted though Vlad was able to get a sharp tug on him causing him to stubble towards the car. Before he can fall into the car though Danny is shooting his foot forward, firmly planting it down as his hands land on both sides of the open car door.

"Gonna have to try harder than that, fruitloop. I can't make it too easy for you." Danny teased as he fought against Vlad’s pushing.

Vlad doesn't say anything back to him besides giving a low growl. This situation is clearly not going the way he wanted to and Vlad’s frustration was starting to show, and Danny was determined to watch this man break in front of all these people he so desperately wanted to impress.

He locked his arms and knees when he felt Vlad start pushing harder against his back. Preparing himself to jump to the side the moment Vlad loosened his grip even slightly. What he wasn't prepared for though was for the weight pushing against him to suddenly disappear.

"What is going on here?" A deceivingly friendly voice sounds out behind him.

Before Danny can realize what has just happened though a much stronger hand is gripping his shoulder and yanking him away from the open car door. Finally able to see more than just the car's interior Danny see's that three other men are now standing by the car.

Two of them, a teen not much older than himself and a middle aged man, are standing in front of him as if forming a wall between him and Vlad. Who is being held in place by the third man.

Danny can see that Vlad was just as thrown off by these strangers as he is based on the startled look on his face. What confuses him though is when instead of becoming angry like he expects Vlad only looks surprised as he takes in the three guys with them.

"Bruce Wayne!" Vlad announces with a tight grin, "I was just trying to get my son to cooperate with me and get in the car. I'm sure you understand how teenage boys are."

"I'm not your son!" Danny instinctively yells out; no way in hell was he going to let Vlad tell people they were any way related.

It took him a second to register what name Vlad had even said.

Bruce Wayne? He remembers Sam and Tucker talking about that guy and his family when they found out he was going to Gotham. Which means if he's remembering correctly then the young man next to Vlad is most likely Dick Grayson and the older teen next to him is Tim Drake.

Without looking at him Bruce leans towards him and whispers, "Shh Damian, let me handle this."

Wait. What?

"I'm not-" Danny tried to say that his name wasn't Damian, but was quickly interrupted before he could.

"Damian, quiet." Bruce lowly growls; still not moving his gaze to look at Danny. "Actually, Mr. Masters, you'll find that this is my son, and I don't think you should be putting your hands on him."

Vlad looks from Bruce to Danny and then back to Bruce, "While I do agree that you and Daniel share some resemblance this is not your son Mr. Wayne."

It seems Bruce wasn't going to entertain Vlad's "lie" because he still doesn't bother to even look at Danny. Tim on the other hand seems to consider what Vlad said, and turns to actually look at his face.

Danny almost laughs out loud when he sees shock immediately overtake Tim's face. At least one of these fruit loops is smart enough to recognize that he isn't the youngest Wayne.

"Bruce, this isn't Damian." Tim states with wide eyes still locked with his.

Upon hearing this the other two Wayne's finally take a hard look at Danny for themselves.

"Oh my God B, that's not Damian!" Dick exclaims before releasing his hold on Vlad.

Bruce on the other hand is frozen in shock as he stares at Danny as he comes to the realization that the boy in front of him is in fact not his youngest son. Snapping himself out of his stupor, the older man finally addresses Vlad. "Mr. Masters, my deepest apologies. It seems this young man and my son look remarkably alike, and I assumed the worst when I saw him fighting to get into the car."

Vlad takes a step forward towards Danny clear with his intentions of getting them into the car now, but before he can grab him Bruce is once more taking a step in front of Danny. "I would actually like to have a quick word with Daniel if you won't mind."

"And why is that?"

"I have a son his age after all, maybe I can help ease this teenage rebellion phase, and cause less fights when it comes to getting in the car."

Danny must have been more focused on the growing argument in front of him more than he thought because he ends up slightly jumping when he feels a sudden hand on his shoulder. Looking to his right he sees that Dick is now standing next him with a soft smile. "Daniel, right?"

“Danny actually, and you’re Dick?”

"Yup! That's me," He gestures to the boy standing on Danny's other side, "and this is Tim. Sorry about all this; we thought our brother was being kidnapped."

"Do I seriously look that much like him?" At this point Danny had to meet Damian if the guy's family was even confusing the two of them.

Tim is giving him a concentrated look when he replies, "It's like the two of you could be twins or maybe even clones. The eye color is the biggest difference between the two of you."

If Danny didn't know any better he would think Tim was accusing him of being a clone based on the tone of his voice. He knew Gotham was weird, but he didn't think he would have to worry about cloning here. "While I was adopted when I was pretty young, but I think I'd know if I had a twin or if I was a clone."

"Crazy things happen all the time in Gotham."

Well, that doesn’t sound ominous at all. Danny can't believe saying this, but it's probably time to get Vlad's attention and get the hell out of here. He already has one crazy fruitloop to worry about; he doesn't need more. "Vlad, I think we really need to-."

“Father, what is the meaning of all this?” A new voice interrupts him, and when he sees who it is truly shocking to see a mirror of his own face. The other is also now looking at him with something akin to shock and grief.

“Damian?”

“Danyal.”

[yueebby]

emperor!gojo who likes pastries from a specific baker in the capital city, right outside of the palace. as his personal servant, you make weekly trips in order to satiate his sweet tooth. what he doesn't know is that after many years of being a regular at the same bakery, you've manage to become well acquainted with the baker's son, a charming young man who will soon take over the family business.

on this particular day, one of the fellow servant girls insists on accompanying you, and she's quick to notice the easy rapport between you and the baker’s son: the way his eyes linger on you just a bit too long and the way your laughter feels unguarded around his presence. at one point, the baker's son makes a casual remark, wondering aloud if your hand was available. your friend nearly bursts with excitement. romance is a rarity for servant girls, and the notion feels like something out of a tale.

when you return to the inner palace, your friend wastes no time spreading the story. whispers of your "budding romance” ripple through the servants’ quarters, carrying far more weight than you could have anticipated.

it eventually catches on to a tired gojo, white hair all disheveled, trudging through the palace halls after a long day of paperwork and negotiation. but exhaustion gave way to something much more crucial than life when a hushed conversation reached his ears—whispers about the only girl he'd ever had his eye on being promised to another.

he wastes no time, finding you in the quiet garden, tending to the chrysanthemums. his voice, usually so playful, was low and edged with steel.

"is it true?" he demanded, his steps heavy as he closed the distance between you.

you froze, unsure what he meant. "your majesty?"

gojo’s hands shot out, one bracing the wall behind you, the other gently tilting your chin up to meet his gaze. the closeness was scandalous, unthinkable, for a man and a woman– much less the emperor and his servant.

"don’t play coy with me," his voice is dangerously low. "i heard them talking. tell me it’s a lie. tell me you’re not leaving the palace. leaving me."

"leaving you?" you echoed, genuinely confused. "i’m not… your majesty, i don’t understand."

he leaned in closer, his breath brushing against your cheek. "promise me you’ll never marry" unless it is me, but the words go unsaid.

"your majesty—" you blinked, heat flooding your face. it was an outrageous demand, but if that was want he really wanted then...

"promise me," he interrupted, his tone an urgent whisper. 

you swallowed hard, the weight of his words pressing into your chest. "i wasn’t planning on it," you admitted quietly. being raised in the imperial palace had robbed any dreams beyond its wall.

he exhaled sharply, almost a sigh of relief, and a ghost of his usual grin flickered across his face. "good," he murmured, stepping back at last. "because i won’t let anyone take you away."

series masterlist

extra notes. this was a concept draft i wrote a while ago before deciding i wanted soul crushing angst for this series. obsessive gojo makes my heart do backflips.

[vatelixx]

The enormity of my desire (disgusts me),

Very very early seasons (1 — start of 2) Spencer Reid x afab!BAU!reader

SMUT!! (and fluff, some angst in relation to Spencer’s past because it can never be too happy, we’re not allowed nice things here). first times & explorations of intimacy.

──── autistic spencer (it’s a central theme to the plot), reader is actually morally good (for once).

Warnings: sub spencer (what did u even expect?), heavy corruption kink, first time for Spencer (all i do is sit around and think about how i’d like to devirgin that genius), HEAAVY praise kink, very very inexperienced Spencer, slight? oral fixation, they’re both just rlly down bad (i told u i would write something light, i delivered), Reader is whipped, Spencer is sooo much worse. Biblical references, Religious imagery, i think i talk about math equations???? And random metaphors/complexes.

w.c: 4k

a/n: i rlly wanted to explore aspects of spencer that criminal minds swept under the rug (cough cough his undiagnosed autism, cough cough his social exclusion, cough cough his crippling fear of forever being alone). Next upload will prob be heavy angst/no smut post-prison spencer (god help me please, i must be a masochist for the way i make myself suffer)

───────────────

There’s a lot Spencer hasn’t done.

He knows he’s behind, that he never quite caught up when it came to the taboo of sex and intimacy. Everything, everything, he’s ever had has been centred around exclusion, alienation, he feels like he’s lived on pause. Frozen, never advancing, stuck on ‘go’. Touch isn’t easy for him, interpersonal relationships are worse. He’s different, god he’s heard that his entire life. ‘You’re not weird, you’re just… different’, but maybe he is weird. Maybe his whole existence is just one big cosmic fuck you, because he’s missed out on so much, so much that he can’t understand, comprehend, act out against. Falling behind; this is the only area of life where he continuously comes up short, inexperienced, naive, he’s not used to being incompetent.

He’s never experienced want the way others do. He could never just hook up, fall into the body of another, expose them to the vulnerable elements of his stature. Open himself up to scrutiny. He might be a genius, he might be intellectually advanced, accepted into a multitude of ivy leagues before he was old enough to vote, but there’s drawbacks to his success. Social awkwardness, an inability to blend, mould, be one of the crowd. Sometimes he wishes he was average, something grey and mundane, so far reduced from the person he is now— it would all be plainly simple.

But he’s not, he’s not. So, this is the weight he has to bare for the brain he never asked for.

Pyrrhic victory, he’ll always be renowned for his intelligence. ‘You’re going to change the world kid,’ maybe, but simultaneously, he’ll never get to experience said world. There’s a chance he’ll always be on the outside, watching normal people gravitate towards each other. Live dreary lives of domesticated simplicity. Stacked bills, arguments over money and parenting techniques. Going to bed angry, only to turn around, mid-night, and resolve it, to not sleep on bad blood. To take them off the couch, to settle into predestined sides of the mattress.

There’s not enough possessions in the world he’d sacrifice just to experience love.

Hedgehog dilemma, the challenges of human intimacy. The hedgehogs want to move closer, to preserve heat during cold. But, they are forced, biologically cursed to remain apart, in order to prevent themselves from harming each other. Spencer doesn’t want to be hurt, to hurt, it’s a morbid byproduct of his upbringing; all he ever endured was mockery.

He thought he’d never get to experience the physical, carnal aspects of existence. And sure, he made peace with the notion, accepted the consequences of being born atypical. Learnt to live without.

But then, oh then there was you. Pretty, intellectual you who quite literally tipped his world on it’s axis. Upheaved the most stable of routines. New to the BAU, he wanted you to last. To stay around, endure the worst of the job. If only for his selfish benefit of orbiting in your presence.

He remembers how it all started: Detroit, another case, more budget cuts, forced proximity that sent you spiralling into a shared bed for the night.

“You’re my favourite person in the team.” you admitted, “And I know that’s dumb, because we’ve spoken the least, but… you’re just, so you. That’s a good thing by the way, a really really good thing.”

He couldn’t quite believe you were talking about him. Spencer, who spilt coffee, and slipped into ceaseless tangents about obscure information. Spencer, who walked into walls when you were around, stumbling over his sentences before deftly, very astutely, giving up, walking away mid-conversation. He wore sweater-vests and colourful mismatched socks, it’s not like he was going to be crowned ‘white boy of the month’.

“Not dumb.” Spencer had responded, shifting closer to tangle further into the warm mess of this accidental situation. “That’s good. I like being me.” he mumbled. “Sometimes…. sometimes it sucks. But that’s okay. I think it’s okay?”

He moved to press his face into the crook of your neck, but you were faster, gathering him by tousled hair, forcing him to look you in the eye.

Oh.

“Please. Please.” he whispered, breaking apart, fracturing, “Please like me. And more than in a weird, ‘just friends or coworkers’ way.”

You did. You do. He should’ve kissed you then, but maybe he was scared, maybe he couldn’t quite discern his feelings, separate the logic from the emotional. So he waited, waited, waited until now. Your third date, you take him to an exhibition within a science centre: replica models of the solar system, filling rooms up, papier-mâché sculptures illuminated by light.

Best date ever. You listen, even when he’s rambling about planets, when he’s pointing out that yes, Jupiter’s density is less than water. That, technically, it would float in a bathtub, if one was built to accommodate its size. You don’t care that he’s not exactly the staple-piece for conventionally attractive males. That he’s nerdish, and awkward, and so so inexperienced when it comes to this.

In his apartment, later, much later, he looks at you, looks at you like you’re the one who just solved the fucking Riemann hypothesis.

“What do you want the most? Like,… if you could ask for one thing.” you say, and god, Spencer loves when you pose these deep, hypothetical questions. When you make him think, because you, you are the biggest challenge to his intellect yet.

You. He wants to say. But he settles for ‘Being remembered,’ instead. He works to untangle layers of fabric, your scarf, your jacket, letting out an exasperated laugh when he meets your amused gaze. “Right now though? I think I’d settle for kissing you.”

You cup his jaw, tracing your fingers along the sharp curve, and god he has perfect anatomy. “Settle huh? You should be more appreciative.”

He leans forward to press a chaste kiss against your lips. Drawing away for a moment, just to return because he’s never had this before. Because for the first time in his life, he gets it. He gets physical attraction, even if it took time. He’s kissed, been kissed, yes. But he could count those moments on one hand, and if you asked how many he truly enjoyed, he’d be left with no fingers raised.

“Believe me, i’m very appreciative…”

This isn’t like before, what he felt in the past; he expected something monotone, flighty, a brief fleeting moment of satisfaction. Means to an end. No, it’s actually the best thing he’s ever experienced, and he’s going to become so insufferable after this, because he’s just found out he is very very into kissing.

Correction: he’s very into kissing you.

In the moment between parting, and touching again, he assumes you to be divinity personified. Spencer has never been religious, but something of this magnitude should be canonised. He wants to ask you. Ask you when you became this beautiful. When you became the person he needs to kiss a second time, kiss a third time, kiss until his lips go numb.

A shaky inhale, a pause. “I hope… I hope that it was okay - I mean, it was good for me. Really, really good. Um—“ to be honest, he’s just glad he didn’t say thankyou.

“Yeah, Spence. That was… wow.” you draw your bottom lip between teeth, press into tissued flesh. Jesus Christ. “Wanna try again?”

Yes yes yes yes. He looks at you, pupils blown obscenely out of proportion. Part of him wants to say, ‘why didn’t we do this sooner?’ But that’s not fair; he’s only ready now. Now that he feels, now that he might be a little in love with you.

“Please,” is his answer, and then he’s catching your face in the palms of his hand, tugging your lips back to his, because admittedly, they have ached in the long, extensive period you were apart (53 seconds).

This time it deepens and Spencer sees stars. It’s an astronomical phenomenon, something interstellar— and god, he’s relating kissing to space. They should just tape the word ‘virgin’ to his back and call it a day.

There’s soft little breathy sighs escaping his mouth now, bleeding into yours. And yeah, spontaneous combustion might be a real threat. Actually no, it would hardly be spontaneous; there’s a clear, clear cause, and it just so happens to be your ruinous lips.

This is an entirely new facet of the human experience. The kiss is electric; he’s always been partial toward physics, and right now his veins carry an alternating current.

You know, he could probably write a thesis based on this.

You both stumble back back back until he’s hitting a wall, and yes, thankyou. He’s making all sorts of sounds he can’t justify, and it’s a supernova, an infinite black pool of— oh, he thinks he might die, ascend, transcend, when you press your thumb against his chin, hold your lips at just a little slant from his. Force him to wait there.

“Please,” he’s never been above begging. A worthy sacrifice, one he’ll certainly repeat again because you return to the kiss, and the world around him dissolves.

You’ve got one hand tangled in his hair. Tousled auburn, fingers sinking into strands, pushing all the way down to the root. The other is still cupping his face, keeping him close, keeping him selfishly close actually.

“Spence,” you murmur. And yes. Yes. He likes that. The way his name sounds rolling off your tongue, like it was destined to be there. Like he was destined to be yours.

His world is ending. So is yours. Fuck it, he presses himself against your thigh, and ohmygodohmygod. He’s being loud, he’s actually being so criminally loud right now because apparently he’s the most whorish virgin to ever exist.

“I lied, I lied,” he admits between messy kisses, “When you asked what I wanted the most? It’s not to be remembered, well it is, its on the list. But—“ he groans, kisses you again because talking interrupts matters that are more important. Like your lips.

“I wanna cum.”

Eloquent.

Spencer Reid being dirty? Oh, it’s hot, it’s so hot to reduce someone to such an obscene state. To reduce him, the boyish fumbling nerd (who just so happens to be the most beautiful person in existence) to such a degrading mess.

Still, there’s shock. Not because he said it (you greatly appreciate the indecent things falling from those pretty lips right now), but because—

“You’ve never? Haven’t even experienced it once? By yourself?”

He should be embarrassed, but his lips are red, his eyes are glassy, and the bulge in his pants is straining to be touched. “Never,” he sighs shakilly. “Never, and i’m— i’m starting to understand why it’s so popular.”

He whimpers, pushes himself against your thigh, because the friction, yes. “Is that weird? Please don’t think i’m weird. Because I’m really, really weird. Just maybe… not in that way?”

It’s never been enough. His body sometimes feels numb to the touch, and yet still so very overstimulated. Like he manually blocks himself from feeling, already prepared for the flinch. How does he explain that life hasn’t been kind to him? That he hates his body because of what people made it out to be when he was a child. Stripping him naked, tying him to a goalpost, always the underdog. The one to be targeted, tormented.

“It’s actually kinda hot,” you interrupt his thoughts, and just because you’re evil, corrupt, the worst, you press your thigh harder against his clothed cock, palm covering his mouth when a plethora of whiny sounds escape his mouth.

It’s performative, really. Alone in his apartment, there’s no need for noise control. So when your thumb slips between parted, swollen lips, he knows to suck. The average human hand has between 10,000 and 10 million bacteria, and Spencer does not actually give a fuck anymore.

“To think that you’ve never even felt what it’s like. That you’re gonna feel it with me for the first time. I get to see that shit— god, you’re going to look so fucking pretty for me.”

You draw your thumb out of his mouth, and he has the audacity to whine.

He’s never wanted anything more in his entire life. It’s all tertiary now. Only this matters.

“Please don’t praise me—“ he protests, “I’ll probably finish in my pants.”

“Praise kink, noted.”

You laugh, and he can only groan, curse existence for being this cruel to his overworked, undervalued body. “Don’t— don’t laugh. You’re not supposed to laugh, that can heighten performance anxiety. Increase insecurity, and…” he sighs, “You do not care. Sadistic tendencies, noted.”

“Shut up. Wanna see you.” you say, and he’s just muttering breathless mhm’s, too delirious to function; his body is betraying the last iota of self-control like the little whore it apparently is.

His sweater comes off first, then his top. Discarded fabric, his raised arms when you mutter a candid ‘up’, giving way to exposed skin. In response? Your pupils dilate. Spencer knows because he’s analysing, profiling. If you hate him like this, he’s fairly certain he’ll drag himself into a self-dug early grave. He wishes he was being melodramatic. That your approval didn’t have such a substantial impact on his carefully-constructed ego. But, oh, it does. It does.

Thin, with a long, defined torso, he blushes, rose blemished skin, when your hands drag across his stomach. He’d love to say he reacts sanely, suavely. Urbane to your touch. But that would be a total, discreditable lie. Instead, his back arches, seeking contact, following the path of your fingertips with pitiful desperation. He feels malleable, willing to bend and contort, if only to feel more.

“How can you not think you’re pretty, Spence?” His pants are gone next, then his stained boxers, fabric borderline sheer now, soaked through with pre-cum.

Spencer feels betrayed. His body never responds, not to his own hands, not to his own thoughts. And yet, the moment you’re on him, he’s a live-wire. It’s sick, heinous, double-crossing. Maybe it’s purposeful, done just to spite him. Figures.

“Holy shit, look at you. Look at how perfect you are.” Spencer wants to object, because he distinctly told you not to praise him. However,.. right now, the lights are on but nobody is home. Brain-death, he’s certainly in a vegetative state.

“Ohmygodohmygod,” he whimpers, because no amount of knowledge about human anatomy and physiology could prepare him for how he feels under your touch. No amount of education in the psychology of relationships could inform him of how viscerally wrong the way you look at him feels.

Because it’s not wrong, not all. It’s the most right he’s ever felt, and he’ll tell you that if you’ll just keep it up.

The sounds he’s making are phonographic, lewd, you’ve given up on trying to stifle them now. Where have you been hiding? Your eyes fall, and he wants to blush away from the exhibiting gaze, but he’s just…. too far gone; the thought of your touch outweighs any previous reticence. Then, oh then, you drop to your knees, and shit. He expected your thigh, maybe your hand if he was lucky, not—

This. Your mouth, your tongue, your pretty lips; god, god, is this a sin? Because if it is, he’ll take it.

“Please,” he whines, and he can’t look anymore because the sight alone is going to send him over the edge. He’s gripping the wall, scrambling scrambling for purchase, because he’s trying not to grip you, but how exactly does he keep this respectful?

He’s pretty sure they’re past that, considering your mouth is currently wrapped around his cock, and he’s debauched.

You want this, you want him, he feels like he’s transcended humanity, like he’s become someone, anyone and anything, that deserves the way you’re taking him apart, piece by piece. In the aftermath, he hopes you don’t leave a single ounce of him intact.

“Wanna kiss you. Oh— oh oh,” he’s sobbing now, “Come back here. Miss your mouth— even if it’s,” he looks down and that’s a mistake. “Please.”

Of course it would be Spencer to disrupt the best (and admittedly only) head of his life because he needs you closer.

You oblige, raising from your knees, and Spencer thinks it might be sacrilegious. But then again, he feels religion in your touch so it can’t be too profane. Maybe? He’s not sure, he’s not sure and it doesn’t matter. Ethics and morality have long since disintegrated, sins are engrained into humankind. He almost wants to thank Eve for tearing into the apple, because it’s allowed this irreverence to occur.

Spencer blindly follows you through the apartment, stumbling and muttering until he can collapse against the bed. Baring his pretty neck as his head hits the bedframe. Tangled in sheets, draped over his lap, his deft fingers run across your waist, mapping out the structure of your frame. If only to remember, recite this act of blasphemy.

“Spence,” you whisper, and then his lips are crashing into yours, stealing breath, stealing sanity. He whimpers, murmurs a protest when you draw back, and you can only laugh. “Lets get you off, yeah? You wanna feel an orgasm, pretty boy?”

“Yes, yes please. That would uh— yes.” he’s not even sure how he’s conscious right now. His body, god his body, has endured more pleasure in the last hour than it has for the majority of his life. Your hands scathe, and Spencer is willing to indefinitely burn, if just to feel them one more time.

You only stop to take off your clothes, and surely there needs to be prep? To reaffirm, he knows anatomy, the correct procedure, how the transgression is supposed to occur. And yet, that’s from a clinical, objective mindset. Do this, do that, etc etc. Nothing works out like that in practice.

You’re so wet, panties stained through, he spares a moment to run his fingers across your thighs, hand slipping beneath fabric to graze your clit. The moan that follows has him distracted, thumb tracing circlets, over and over until you’re pulling back to return the balance. The balance, which admittedly is skewed, tipped scales, you’re on top. He falls to the weight of your influence.

And yeah, he’s more than fine with that. Jesus, you drag your panties down, down your thighs, your legs, then they’re reaching your ankles, pooling there for a moment before they’re being discarded, tossed somewhere on his floor — leaving behind a souvenir that yes, yes this happened.

“I can’t,” he says, burying his face into your shoulder when you take him. It’s slow, sinking onto his cock like every inch of warmth will destroy him. Maybe it will. Maybe he doesn’t care, because he deserves this. He deserves to feel after so much repression.

Or maybe, maybe he’s just become the biggest slut known to mankind. Likely.

Your body presses against his, and he thinks he’s going to disintegrate, because he feels so good. He understands now, he understands why people do this. Why it’s integral to the function of most. This is the best day of his life. This. Is. The. Best. Day. Of. His. Life.

There’s this noise, this pathetically loud whimper when you start to roll your hips— and oh your body is wet against him, and you’re so tight, and it’s perfect because he doesn’t have to do anything.

He can just sit here, look pretty, and cry.

He knows he’s a giver, that he’d bleed himself dry for you. It’s a curse, he supposes: so willing to bend backwards for the satisfaction of the people he trusts. But, this is foreign, and he wants to watch you, aimlessly stare, dumb and empty-headed as you wield his body like a weapon. Turn him into something perniciously yours.

Spencer has no reference for what an orgasm is supposed to feel like, and yeah, he’s really good at guessing in these type of situations. Because he’s rolling his thumb over your clit again, and he wants to draw it into his mouth, to see you laid out across bedsheets, writhing, unable to do anything but suffocate him with your thighs.

You clench around him, back arched, releasing a series of strained moans. With one hand tangled in his dishevelled hair, the other pressed against his chest, your face contorts, your body stiffens. There’s no way his incessant whimpering just got you off?

Okay. So you like him desperate. Point taken.

“Please— please, wanna cum. Wanna feel it so bad,” he’s slurring over his words, sentences punctured by devastating whimpers. And look at him, asking for permission, waiting even though his body has been teetering on the edge for so long now.

“Shh, shh..” you press your forehead against his, and he melts. Reoccurring theme. His hand grips your jaw, thumb pushed firmly against your chin, keeping you close. “You wanna cum for me, baby? Gonna give me your first?”

“Mhm— mhm…” is all he can say. When you pick up your pace, he has to burrow his face into the crook of your neck, whimpers messy and broken off, suppressed against your warm skin.

“Oh. Oh…” he repeats, again. Like there’s anything else he could utter, because this is earth-shattering.

It’s the sun, and all eight planets combined, and the universe collapsing in on itself, and he’s bucking, squirming, releasing into you, spilling deep.

He sobs. Breaks down. Because it’s so so good, and he can’t believe he ever deprived his body of this.

Neediest whore to ever exist, apparently.

It takes him a while to come back. Longer to regain motor function, to sink into present day. Life, and expectations, and everything, everything, your touch eradicated.

“Just… just stay like this?” he asks, collapsing against your body after he’s drawn out of you. There’s mess, evidence of your ministrations, but cleanliness seems futile when he’s blissed out, caught in a post-orgasmic haze that yes yes yes he needed so badly.

You card your hands through his hair, watch the way he stares up at you, large, widened eyes, chin resting against your chest. “Hi,” he mutters dumbly.

“Spence,” Spence, Spence, Spence. He could drown himself in that nickname.

“Yeah?” he breathes out.

“You we’re so good—“

He rolls away from you, finding a home for his face in the pillow. “Stop. Stop.” he groans, “Don’t do that. You’re going to destroy me. I’m not… equipped for this, for you. Someone should just sedate me, put me out of my misery, a coma sounds like—“

He tilts his head to the side, relinquishing, “Okay. Sorry. Meltdown over. Can we shower? Then maybe do this again? Which will make the shower inconsequential, I suppose. There’s a new documentary I want to watch, and oh, you still haven’t seen the third Star Wars—“

He’s happy, content, over the fucking moon, to be silenced with your lips. “Yeah,” he murmurs, hand interlocking with yours as you both fall back against the mattress, “Let’s do this again.”

[myladysapphire]

To Gwayne, with love

tired of being ingored and undervalued, you take your dragon and leave to find the one person who sees you for who you really are; your uncle, Gwayne Hightower

based of this request

word count: 5,086

CW: MDI, 18+, smut, loss of virginity, p in v, fingering, oral (f reciving), incest, angts, love letters (if the title wasnt a hint), fluff, love confessions, not proofread!

Gwayne Hightower x neice!reader

Masterlist

Growing up as the eldest child, and eldest daughter of Alicent and Viserys you had long felt unwanted and overlooked.

Where your twin, Aegon, was seen as a future king, the rightful heir, you were seen as only a daughter, pushed to the side and out of the limelight.

Always looked over, even when it came to marriage. Where it made sense for you to marry Aegon, Heleana married him instead.

You were overlooked, and often forgotten.

Even events held in your honour were overshadowed, be it by your twin or your eldest sister Rhaenrya.

Countless nights tears had filled your eyes as you were pushed aside in favour of another sibling.

It was a funny thing really, you were the eldest daughter and yet were the last to be betrothed, excluding Daeron that was. And yet you had once been dubbed the Realms heart, you had been kind and sweet. But years of neglect, being undervalued and ignored had turned you cold and restless and made you a rebel. Where your uncle Daemon was the rouge prince, you were the defiant princess.

You had stopped waiting by the sidelines, stopped keeping too yourself and your thoughts stopped being quiet. you become outspoken, even more so when your brother was crowned king.

But all that seemed for nought as you were now meet with roll of eyes and the sound of the key locking your chambers from the outside.

You couldn’t say you were surprised, not when your mother seemed to hate you more than Aegon.

She never understood you, only one person had.

Gwayne Hightower, your uncle.

You and he had an understanding that others could only envy, you couldn’t put it into words but ever since you had meet him you felt inexplicitly drawn to him.

And yet you had only meet him thrice.

But those three times amounted into countless letters.

When one was sent two would follow, even on the road Gwayne never failed to write.

Until now.

You were sat in your chambers and an ache in your chest as you read through the last of Gwayne letters. Near two weeks had passed since his last had arrived, and these past two weeks had been when you had needed his letters the most.

dearest niece,

Words cannot describe the joy I felt upon seeing you the other, even if only for a few hours before my departure.

You have grown ever so beautiful, and I envy those who got to watch you became the beauty you are today, though I envy them more for the endless pleasure of your company.

Who knew your wit was even more compelling in person, dear niece?

I sure did not and yet your endless humour is known what I crave as I am stuck of this endless rode with ser Criston as the most interesting of my companions.

And let me tell you he is far duller than you painted. (Not that you painted him to have much of a personality aside form swords and a love for oranges.)

Perhaps it his cockiness or the self-righteousness he has as the new lord hand, which makes his so dull. He seems to love to point out his new station to us all, especially my Hightower knights, as if that will win him any favours.

Though I truly believe he thinks himself funny, though his voice is always far to monotone to decipher what is an attempt at a joke or what is orders and commands.

Gods, I wish I had stolen you away with me, even just to share the looks at Criston ‘jokes’ as he calls them.

Honestly, he is perhaps the dullest man I have ever met, what your mother sees in him I’ll never know.

But I must admit little of my time is spent completing his joke when I cannot stop thinking of you.

Tomorrow, we ride to rook’s rest, he says he has some plan, I do not quite believe it will be a good one, but I shall prey to the seven that we will be victorious, and I may see you again.

Yours, Gwayne.

You had replied far to quickly though being locked n your chamber after yelling you would ride your dragon to meet your uncle would of course leave you with little to do.

To Gwayne,

I am truly sorry you are stuck with such a dreadful man, if I had gone with you I can assure you however there would not have been much time to dwell of Cristons joke attempts, I would steal far to much of your attention, perhaps enough were you were unable to fight in this silly little war.

I do hope your thoughts of me do not distract you too much.

I wish you great luck in at rook’s rest though I fear you may have to face Meleys, and in which case I pray my mother sees sense and allows me to ride out and join the fight on moonfyers, though I Highley doubted.

But from Aegon’s visit to my prison cell (my chamber’s), it seems he is quite egar to fight, though seeing as how the small council so easily sway his mind, I doubt he will, unless he drinks himself into a false sense of courage that is.

But I pray you do not repeat those words, especially to my mother.

I too crave for your presence; it is a misery that despite years of letters we have met thrice! And the third was only days ago.

 Perhaps when you go, we can make your visits permanent.

I pray for your victory uncle, and your next letter.

With love, your dearest niece.

You had sent that letter 12 days ago; rooks rest was 10 days ago.

Of course, the journey back must be accounted for, but no one had any news, besides the death of Meleys and the princess Rhaneys, the queen who never was.

You had rather liked her, in fact you hoped to model yourself of her in some way. Though you had no right to morn you suppose, you had never spoken to her bar the common pleasantries.

You stood starting out of the window, craving the day you could smash them down and make your escape. Though where you would go, you did not know. Before the war you had one destination in mind, oldtown. Now there was no one there for you, just as there wasn’t anyone here.

The forgotten daughter. No matter how defiant you became you would only be tolerated and ignored. Your actions simple receive a tolled eye and of course, the action of yet gain being locked in your chamber.

Perhaps if your mind hadn’t been so caught up in your loathing and thoughts of jumping from your window onto the back of moonfyers you would have noticed the door opening and the feel of hands slowly covering your eyes.

You jumped in shock as your eyes were covered, only to calm down when a voice spoke.

“Guess who?” a mans voice teased, though it was the voice you had ingrained into your memory.

“Gwayne” you breathed turning around.

He laughed as you hugged him.

“When did you get back?” you asked, arms still wrapped around him.

“Only moments ago,” he sighed, “did you miss me?” he teased.

Slapping his arm lightly, you stepped back “of course not”.

“Hmm…really?” he tilted his head, clicking his tongue, “I could have sworn your letter said- “

“Stop it!” you said hitting his shoulder again.

“Fine!” he said raising his hands up in mock surrender, “only if you top hitting my arm, your poor uncle has just fought a battle”.

You rolled your eyes “and am I to presume you were victorious uncle?”

“If you could call it that”.

“What do you mean?”

He looked nervous, an expression you had never seen on him before, “your brother Aegon- “

“Aegon went! That fool”

“a fool who got himself injured”.

“what” you asked, voice full of concern. Though an outcast, overshadowed by your twin, you still cared for him greatly, even if he never showed care for you in return.

He explained what had happened and your mind spun, no one had said a thing to you and yet your twin brother lay dying in his rooms.

“I must go see him” you rushed out, heading towards the door, only for Gwayne to grip your arm.

“Go later.” He insisted, “for now stay with me! and here my woeful tales of battle”.

Shaking your head with a laugh you sit back down, listening to tales of Gwanye’s journey and of the battle, and all thoughts of Aegon were forgotten.

You woke up finding yourself wrapped in Gwayne arms on your settee. You didn’t remember falling asleep, only talking and watching the sunset and rise once more.

It must have been past noon and yet no one had knocked or come to see you, not that they had before now.

You looked over at Gwayne, he was tired, even after hours of sleep he still had bags under his yes.  

Removing yourself from his arms slowly, you made your way out of your rooms and towards your brothers.

Aegon lay alone. The room dark and empty, bar his aching, unconscious body, half his body covered in bandages, his body deadly slit and his breath shaky.

You moved closer to the bed, coming forward and placing a soft kiss on his brow.

He may be terrible, drunken whoremonger but he was still your brother.

“Aegon” you breathed heavily, taking his unburnt hand in yours, “I- “ the doors opened, and your mother barged in, “get out!” she demanded.

“Mother, I- “you said standing up.

“Get out” she said once more, coming to sit by Aegon’s side.

Standing up and moving towards the door slowly, “he’s my brother, I have every right to be here!”

She looked at you, scoffing “that matters not, now leave and go back to your rooms”.

Rolling your eyes you left and stormed back to your rooms.

“Gwayne” you breathed, seeing him now awake and sitting up, reading a book.

“How Is Aegon” he asked, as you approached.

“a sleep? I do not know my mother sent me out only a few moments after I had entered.”

He kissed his teeth, “your mother has changed much recently”.

“Recently? She has always been liked this, with me at least”

“I know, my darling… I think she- “he stopped himself, looking at you, “I am not sure what she thinks actually, me and her where never close growing up”.

You huffed, looking over at him and realising that the book he was reading was in fact your diary.

“Is that my diary!”

“no” he said dragging out the word as he moved the book out of your reach.

“Where did you- how did you”

“Do not worry how your “beautiful and daring uncle” found it”.

You gasped, crawling over him to try and reach your diary.

He laughed, as you grasped at the book, “give it back” you insisted.

“But Gwayne would be never- “

You reached the book, slapping it out of his hand, “how much of it did you read?”

“Why did you not want me to read of how much you missed me?”

“Gwayne” you sighed, looking at him, you were practically lying on him, your hands leaning on chest as you reached for your diary of the floor.

“darling” he replied, before looking at you sadly, his hand reaching to caress your cheek, “I have to go soon”.

“To your chambers or to oldtown?” you asked sadly.

“Oldtown, I – “

You interrupted him, “when?”

“We leave after dinner, we thought it best to travel at night, out of sight of dragons”.

“I see” you said moving off of him. He reached for you, trying to draw you back towards him.

Everyone always leaves or ignored you. It seemed no matter how close you got you were so easily abandoned, never once had someone stayed.

“I would ask you to come, but your mother would never allow it” he said shaking his head.

Why would she allow it? It would make you happy and the gods know how much your mother craved your misery.

“Do you think there will ever be a time when-when we can spend limitless time together?”

“I hope so, I- “he always stopped himself from saying it, saying the one thing they both craved.

“As do I”

The rest of the day was spent together craving to spend every second that they could together, but in the end, he had to leave. He was bound by duty and honour.

Saying goodbye this time was harder than the few times before it. You both stood in the courtyard, his men stood the side, their own conversations distracting them.

Your mother having said her goodbyes, and had left the courtyard already, leaving you both to say your goodbyes.

“I hope it is not to long before I can see you again” you said looking down to thew ground and kicking at the gravel.

“As do I” Gwayne said grabbing your hand and kissing it gently.

Your eyes shared a look, a look saying everything you both couldn’t.

“I’ll miss you” you breathed heavily, eyes never leaving his.

you both stepped closer, now inches apart.

You moved your lips to kiss his cheek, only for Gwayne to move his head and capture your lips with his, in a soft delicate kiss.  

The shadows of the keep kept you had hidden from wandering eyes as you kissed.

It was short but sweet and left you both wanting more as he was forced to step back from you.

He whispered softly “I will think of you, always”.

“As will I” you said, reaching into you hem and pulling out your handkerchief, you had sown the initial of your name and his ono it, and placed it in the palm of his hand.

Closing is hand you softly placed a kiss onto it.

“goodbye” he spoke, before moving to his horse and riding off, sending you a final look before he left.

The days tricked by, blurring together. Aegon’s recovering slow and with little change.

You stayed in your room, much to your mother’s delight.

Letters were exchanged between you and Gwayne. But this time the letters seemed different, this time they were bolder, your feelings no longer hidden.

Dearest,

I left you only moments ago and yet I miss you already.

That kiss was everything and more, I cannot believe it took us so long to do it, even of it happened by a mistake.

I am sorry our reunion was so brief, and I wish I was bound to you and not duty.

I shall write again soon, but in the meantime, I hope the thought of you in my thoughts will tide you over.

Yours, Gwyane.

Dear Gwayne,

You just left my side and yet apart of me left with you.

I hope your thoughts are filled with me as mine are of you.

The walk back to my room was a long one, longer than it had ever taken me as I had to drag myself away from you, away from moonfyers as thoughts of chasing after you filled my mind.

My mind was a mess all night, much to my mother’s disappointment. Though I doubt she noticed my mind was with you and not in the keep.

This morrow I was awoken absurdly early and summoned to the small council!

And before you say anything I am not sure as to why, even after attending it.

I seemed to be there as a way to boost Aemond’s moral? Or should I say the prince regents.

I was simple them to watch plans be made, and to be told of an alliance, a marriage between me and some lords son, I believe some Tully.

I refused and they demanded.

I offered my dragon, they refused, and I demanded.

They claimed a woman in battle would only lead to a loss. Even if moonfyers is bigger than most for her age and even rivals Caraxes.

Anything else was ignored and dismissed and I was quickly ushered to my chambers and forced to plan a wedding.

A wedding I wish was with you.

I do not know what to do, uncle.

Please tell me to come to you, and I will.

Yours always.

My love,

The days are endlessly long, and I find myself craving you by myside more than ever.

You chase my every though both awake and asleep.

And forgive me for beings bold, niece, but I can, no will not hold back what I have longed to crave any longer.

I wished I had placed you upon my horse and ridden of with you into the night, defying your mother and brothers’ commands.

But I want you, more than I need air to breath. And for so long I have defied myself and held back my desires, my love for you.

I beg you, come to me.

Forget their plans and demands, come to me and marry me.

I am set to arrive in old town in two days, leaving you plenty of time to come to me.

With love, Gwyane.

To Gwyane,

I will come to you, it may take a few days, but I cannot stay here. And I will not stay away from you any longer.

With love, your heart.

you sat in your chambers, contemplation how you to leave.

Though there were secret passageways in your room, you had never used them. They were like a labyrinth in truth and the one time you had speed in them you feared you would get lost.

And the guards stationed outside of your door were stationed for the exact reason you were event you were currently planning.

your other would never let you go willingly, not now especially.

But then again you doubted she would notice you were gone, at least for a day or two.

Heleana may notice, but she wouldn’t say a thing.

Aemond had just been given what he always wanted and would flaunt his power as much as he could, meaning he’d keep put of your way, in fear you would ‘act up’, as he called it, and embarrass him.

This meant that the guards were your only issue, and perhaps Larys spy’s. though you cared not for them for what could they do to stop you? Tattle to Larys who would sell the information for the sight of your mother’s feet? Even then you would have a few hours.

Luckly for you however, you knew your guards. And they had a penchant for wine.

“Steffon, Gregor” you whispered opening your door a bottle of Dornish red in hand.

“Princess” they nodded, tuning around to ignore you.

“You must be bored” you started, “perhaps you can join me for a drink?” you said, fluttering your eyelashes.

They turned to face each other unsure of what to do, “oh come on, know one will care. You’ll still be guarding me, won’t you?”

Their eyes wandered to the bottle of wine “is that the only bottle, princess?”

You scoffed, “of course not”.

They smiled and ushered you in to your chamber.

It was funny, you must have done this a dozen time before and they still fell for it every time.

And being such lightweights, they were quick to fall into a drunken sleep, allowing you to grab your bag and make a run for the dragon pit.

Running through the streets of Kingslanding at night were dan, especially in your rich clothes and jewels.         

And seeing as you had only walked to the dragon pit once or twice, with the company of a dozen guards, the run was a lot longer than expected.

Getting lost in the never-ending streets of flea bottom was easy, and before you knew it you had somehow ended up on the streets of silk.

“gods” you mumbled, looking around in search of a sign to lead you in the right direction.

You could see the dragon pit, so at least you weren’t too far away, only issue is the brothel with the name ‘Chantaya’s’ seemed to stand in the way of a quick exit.

“sister” you heard someone say, and the sight of Aemond exiting said brothel, through you into a sprint once again.

You were sure you looked like some pick pocket as you ran through the street, Aemond hot on your tale.

And with being such a stranger to kings landing you found yourself meeting an end and Aemond catching up to you.

“Let go of me” you muttered trying to pull yourself free from Aemond’s grasp.

“Who let you out” he sneered.

“Does it matter?” you sneered in return, “what are you even doing here?” you asked, and Aemond face dropped.

“I could ask you the same”.

“I wanted to go to the dragon pit” “the dragon pit” he reiterated, not believing you. “To what? Declare for the usurper?”

“Gods no” you near yelled, “I- “you were hesitant to tell him, having never got on along with him and never having much to say to him at all, this was honestly the most you and he had spoken since the start of the war. “I wish to go to oldtown”.

“why”

“To…to see Gwyane”.

“Our uncle?”

“Do you know of another Gwyane I could possibly wish to see in oldtown?” you said snidely.

He hummed, looking at you with a smirk, “I am your prince regent, I command you know” he said, “one word from me and I could have you locked in the black cells, or I could command you to go to oldtown to gather forces, with Gwayne”

You hated that you looked at him hopeful and hated even more that if he asked you would beg.

“But why, dear sister? Should I command you to oldtown? You are the future lady Tully after all”.

You scoffed, “oh please, we both know the Tullys are hardly loyal now and the second old Grover Tully dies they’ll declare for the black’s”.

“true”

“And why would you want me here anyway? I do not listen, and I defy your every move, sending me a way would better your rule, would it not?”

“Oh sister, you truly have been undervalued. Fine I shall take you to the dragon pit and order you to oldtown.”

Order you? As if there was a single part of you that did not already crave to be there, with him.

The walk to the dragon pit was a quiet and awkward, with Aemond pulling you by the hand, a tight grip as if you would try to escape.

Not a word was exchanged even as you entered, only your words commanding the dragon keepers to fetch you moonfyers and Aemond stood beside you in his usual stance.

He gave you a taunting wave as you took flight, and you never looked back.

It took five hours for you to reach oldtown.

A storm thundered as you entered the reach, rain dowsing your and obstructing your vison. Had it not been for the bright blue scales of your brother’s dragon, Tesserion you were sure you would have flown into the Hightower.

Landing, you were quickly greeted with guards and the face of your brother Daeron.

“Brother” you greeted as you slide of your dragon, “a pleasure to see you!”

“And you, Gwayne said you were coming” he nodded, hand raised to stop rain pouring over his face, “come in, quickly”

The Hightower, was exactly as you envisioned, filled with riches and symbols of the seven. It looked like a museum almost.

You were brough into a room lined with seats and walls filled with books. Painting filled with the faces of old lords and ladies, and tapestry depicting Aegon s landing in oldtown and his coronation.

“niece” you heard a voice breath, causing your inspection to come to a halt as you turned and faced Gwayne,

“uncle” you breathed in return and not a moment later were you running into his arms and your lips meeting once more.

This kiss was different than the one in the courtyard, this one was filled with longing, filled with pure love and desire.

Years of want filling you mouths your lips moved against each other.

“Gwayne” you whispered against his lips, as you both breathed heavily, your heads leant against each others.

He whispered your name in return, “you came” he breathed, not quite believing it.

“of course, you asked…and the prince regent commanded it”

He laughed “what?”

“when I was making my mistake i came across Aemond leaving a brothel” you laughed, “and somehow he decided to command me to oldtown to gather forces”

“oh?” he said, head tilting, “I see…does that mean you now command me?”

“do I not anyway?” you asked tauntingly.

He laughed, grabbing you to him once more and pulling you into another kiss, “I believe we command each other, my love” he said breaking the kiss.

“my love?”

“my love” he agreed, caressing your cheek, “I love you” he finally admitted.

And you smiled. Looking at him as he always looked at you.

He always had seen you, understood you when no one else did.

And the look in his yes, it was pure love and you had never felt more seen than in this moment.

“I love you” you replied, and he smiled.

“come with me” he said taking your hand and leading you up to his room.

His room, though perhaps smaller than others, was still large and full of all things Gwayne. With his own mural and tapestry.

“do you like it?” he asked, taking note of your eyes that had not left the tapestry he had commissioned.

“is that?” you asked, unsure if you were seeing it right.

“Moonfyer and you, yes”

“gods, Gwyane” you said breathlessly, a mural of you riding moonfyers for the first time, your second time meeting Gwyane and the first time you and he realised the bond between you both.

You turned to face him, and kissed him once more.

Unlike before this kiss was heated, passionate and full of lust.                                                                                                 

His hands moved to your waist, as you slowly moved towards the bed, your hands reaching and pulling at his clothes, taking them of and leaving him in only his small clothes.

Your dress wet and soaked was quickly torn of you intern, leaving you only in your soaked chemise.

Their lips broke apart as her legs hit the bed. Taking each other in Gwayne moaned at the sight of your breast peeking out through the now sheer chemise.

“can i?” Gwayne breathed, hand coming to toy with the strap of your chemise.

You nodded, allowing your chemise to slip and leaving you bare before him.

“gods” he breathed, “ you are beautiful” he said, before pushing you down on the bed, his lips connecting with yours.

His lips moved from your mouth to your neck, nipping at your skin, causing you to moan softly.

He kissed his way down your body, before he reached your cunt.

“can i?” he asked once more, eager to taste her cunt.

“yes”  you said, not quite sure what he intended to do until you felt his nose nudge between your thighs and a slow lick alone the length of your cunt.

groaning at the taste, he quickly went back licking and tasting your cunt, like a man starved. You moaned pleasure, hands moving to tug his hair as he found your clit.

Touching yourself had never felt like this, the sheer pleasure you felt as he sucked your clit into his mouth was better than any orgasm you had brought yourself to before, even more so when you felt his fingers toying with your entrance.

You tensed as his fingers entered you. They were thicker and longer than your own and you started to feel the stretch as he pumped you full of his two fingers.

You moaned, your body moving off the bed as you his fingers pumped in and out.

His hand moved to your waist gripping you down as he continued to fill you, your moans filling the room as his third finger entered you and you soon reached your peak.

He slowly backed away from you, pulling down his small clothes to revel his hard, thick cock.

“oh!” you spoke, at the sight of him.

“oh? Not good enough niece?” he asked teasingly.

“gods, it, yes” you nodded, reaching out to him.

He laughed, before slowly crawling onto the bed, his body covering yours. Taking your lips his, in a passionate and heated kiss, as his legs slowly parted yours as he positioned himself at her entrance.

“Are you sure?” he breathed against your lips, hand holding your waist as his cock teased your entrance.

You nodded, reaching forward to kiss him again, “yes”.

At the word he entered you slowly.

You groaned at the stretch but found no pain as he entered you.

His long cock filling you, a bulge appearing in your stomach as he allowed time for you to adjust.

“gods, you feel amazing” he groaned, moving his head to the nape of your neck “can I move?” he groaned, as your walls wrapped around him.

Nodding, “yes” you breathed. And wasting no time he began to slowly pump in and out of you.

You moaned as he thrusted into you, your hips moving to meet his as he picked up the pace.

He groaned at the feel of you moving against him, has hands gripping your waist as he started to thrust into you faster, he soon found that sweet spot inside you, that quickly turned you into a moaning mess. And soon you were wrapping your arms around him, clawing at his back as you felt your peak it washes over you and the feel if his seed filling you.

Your breath was heavy, his even heavier as he lay on you, his face still in your neck leaving soft kisses as he started to move of you slightly.

“marry me” he said, giving you soft kisses between his words. “this place is filled with septon’s it will be easy to find one to marry us.”

“okay” you said, looking into his yes.

“okay?”

You laughed, “yes, Gwyane I will marry you.”

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[sistertotheknowitall]

Danny is Some Guy being followed

Part three? I guess, cause apparently it’s not content to stay in my head. Part One, Part Two

To say Danny was awake when he fist met these guys would be true, but to say he was fully aware would be a lie, and to live in Gotham one needed to be constantly aware.

If not, they would end up in this exact situation. Being stalked by vigilantes.

Him, Danny “Phantom” Fenton, Ghost King of the Infinite realms, was being constantly followed by a vigilante family. At least Danny assumed they were a family after hearing Red Hood call Nightwing “little brother.” (“I’m older than you.” “Yeah but you’re shorter.” “That’s not how that works!”) Also there was a child and at least three teenagers running around in spandex and armor. If they weren’t a family Danny wasn’t half-dead.

Anyway, Danny was pretty-sure they were watching him. His only guess as to why, well it started with a comment he made when slightly delirious. Because on that night when he was awake but not really, he called Batman the the fury-vigilante. In front of who the young king now realizes might be the bat’s son.

Danny understands that it might have been embarrassing but also it was just a comment and not even an original one! A lot of people called him that! And sure, not always to his face but still it could not have been his first time hearing it.

So Danny saw it as unnecessary to send out his army of (admittedly nice) children to harass Danny whenever they could. It was getting old and they always looked at him as if he was the odd one. Which he was but they didn’t know that. Like, Danny is just trying to get to where he needs to go, you people are the ones squaring up to random thugs on a school night.

Not that Danny didn’t appreciate the constant rescues, but he knew the life of a teenage vigilante and it wasn’t an easy one. Danny had a list of regrets and the scars to prove it. Hell, Baby Ninja looked younger than Danny when he first started.

In the first month of being shadowed Danny was sure he had met all of Batman’s children, either by rescue or confrontation. (How was he supposed to know he wasn’t allowed near that wearhouse?) He decided that Red Robin and Signal were his favorites, they spoke to him as a fellow person. Dickwing was his least favorite. After the incident with the Fenton anti-creep stick and four creeps, Dickwing started to lecture Danny on self-preservation and “being too young to put himself in that kind of danger.” Danny had stared pointedly at Baby Ninja on the fire escape (not that Dickwing noticed.)

Danny didn’t really now what their goal was, so far outside the three a.m. gun fights, the hypocritical lectures, and Baby Ninja’s prickly nature, the Batkids weren’t so bad. Still Danny wasn’t going to tell them his name. Hello? they were following him. Yes they were vigilantes but they were also stalkers and Danny had rights.