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just-a-ghost00 · 2 days ago

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Santa tell me ~

Today, we're asking Santa about this person's true feelings for you. Do they really care about you? Are they confused? Are they just not feeling it? Let Santa spill the tea for you. Of course, this reading is inspired by Ariana Grande's song, which you can happily listen to while reading your group's content.

Group 1

5 of swords, 4 of pentacles, 9 of cups, 8 of cups, The Tower, 2 of cups, back of the deck Strength

I get a very conflicting energy from this spread. One thing that came to my mind was that this person was not prepared for you to come into their life. And even though a part of them feels like you're a wish come true for them and they definitely feel the connection between you, a part of them can't help but to fear what it means and the implications of it. This person is torn between their heart and their mind. They feel strongly attached to you, in ways that they didn't anticipate. It's like they became attached too quickly and a part of them is like "woah hold on a second, this doesn't feel right". They kinda find it suspicious for some reason that they like you. A part of them doesn't want to admit they do. A part of them wishes they could move on from this connection and close the door, even though it felt magical and just so right. Despite their inner confusion, they feel very protective of you. And I feel like they're grateful that they met you. A part of them holds on to the hope that things could get better in the future but at the same time they doubt it. I also get the feeling that you came in this person's life at a time where they were feeling confused about their own life and kinda closed off. But you opened their eyes about a lot of things and gave them hope. This person was about to give up on a dream of theirs but you prevented them from doing so. This is a very specific message, I feel. You showed this person that life was worth fighting for and for that reason they will forever be grateful and hold you in high regards. You've completely changed this person's perspective and you definitely shocked them in more ways than you could imagine, which may be why they are a little scared of the connection. What they feel is potentially stronger than what they're used to. Maybe this person hadn't been in a relationship for a while and forgot what it was like to be loved. To be honest I feel like there's more to this than what we're shown here and I feel like pulling a couple more cards to get more information. You got the page of pentacles, 6 of wands, Magician and Queen of wands.

They feel happy that they met you because their life took a turn after meeting you. You contributed to this person's happiness and well being, as well as success to some extent. They feel like they owe you a lot. They're also curious and tempted to dive deeper into the connection. They definetely feel physically attracted to you. I feel like this person's feelings for you are quite recent. They developped over time. This person may have not considered you as a potential partner in the past. You may have fell for this person first but they fell harder, I'm getting. I get this feeling of "I did not realize how much importance you had for me until I lost you". For some of you, I'm getting that you cut ties with this person or made a move that really opened their eyes about how you felt about them but most importantly about how they felt towards you. They took you for granted. I feel like, more than how they feel towards you, we're being shown how they feel thanks to you. It's like this person is focused on their own self and not really on you at the moment. They like how you make them feel more than they like you. And I feel like part of this is because this person didn't like themselves much in the past. They are learning to love themselves more thanks to you. So to some degree they feel some kind of affection towards you because of that but I don't feel like this goes any deeper.

Oracle cards | Speak truth, The Outlaw, The Wildling, back of the deck Fate

This person may contact you in the near future to reveal to you certain information that seems to be meaningful to your connection. For some, they may be trying to understand why you cut ties with them or why you said the things you told them. I'm also getting a message of them wanting to travel to gain clarity. Maybe this person is going to tell you that they would like to take their distances as well. But with the Wildling and Fate card I got a feeling like this person had an epiphany about your connection and is wanting to fight for it. Maybe they understand that part of your fate is to separate ways for a time so that you can both better assess what you want out of this connection. Again I got that feeling of curiousity and protectiveness we spoke about earlier. They feel intrigued but also challenged. Being with you, I feel, asks of them a lot of courage and stepping out of their comfort zone which they are not comfortable with at the moment. With all those swords, it gives me that kind of "up in the air" feeling. Kinda like static electricity. There's a tension between you that has not been resolved. It gives me unfinished business vibes. Like maybe you didn't really get the chance to get this relationship going so you both feel puzzled and at a loss as to what this means for you. Really, a lot of confusion surrounding this person's energy.

Group 2

The Lovers rx, Chariot, King of pentacles, 4 of pentacles, Queen of cups, The Empress, back of the deck Judgement

As soon as I started to get the first cards, I heard very clearly "I made a choice. I don't mean to disrespect you but I love myself more.". The cards tell me that, as much as this person likes you, they decided to move on from the connection. This asked a lot of thinking but most importantly a lot of courage. It was not an easy decision to make. This person felt like their stability was being put at risk in your presence and they valued it too much to let it be threatened by something or someone else. This spread really gives me a "I chose myself over you" vibe. I also got the message that this person chose their career over you. I heard "now I see clearly". It's not that they didn't love you. The feelings were there. But they were not as strong as this person's love for themselves or commitment to their job. I feel like this person got really sad making this choice because they appreciate you a lot and you mattered a lot to them. And they don't want to hurt you. I really get a feeling of this person wanting to protect you at all costs but also being in a difficult position because they don't feel safe in this connection. They give me this message of "I need to protect myself and that includes taking my distances from you". This person wants me to tell you that they truly respect you and that they were genuine every time they interacted with you. They want me to assure you that it was never their intention to play with you or manipulate you. They want you to know that them not choosing you shouldn't make you doubt yourself and your beauty. I'm getting the message of "I don't want you to blame yourself for what happens". They don't want you to think that you're not loveable or worthy of a connection because they honestly think that you are beautiful and adorable. I don't know why but the imagery of the 4 of pentacles gave me the impression of someone saying "you'll always be dear to my heart".

Oracle cards | Strength, Movement, Paradox, back of the deck withdraw

It took a lot of time before this person came to the conclusion that they should move on from your connection. Part of this decision could have been influenced by their family or their ancestry. But it could also have been triggered by a significant change in their life. Specifically, I am picking up on someone's career evolving and needing more effort and attention. Like maybe they got a promotion or they were asked to move to a bigger company or to go abroad. And these circumstances were just not compatible with being in a relationship with you. And to this person it was hard because a part of them knows that you are connected and that your meeting happened for a reason. So they were thinking like "why did I meet this person only to have to turn my back on them?". It didn't make sense to them at first but now they know that they have to focus on themselves and retreat their energy, no matter how painful that may be. A part of them hopes that you can understand this decision and that you won't hold grudges against them. Also I feel like a part of them hopes that in the future their circumstances will change and allow them to come back to you, but that possibility is too unsure and they feel like they cannot bet on that.

Group 3

4 of cups, The Star, The Sun, 10 of swords, Hierophant, 3 of wands, back of the deck 5 of wands

This person is a bit guarded around you but the truth is they like you more than they let on. Part of the reason why they are guarded is because they're a bit emotionally unavailable, still affected by past experience. But this person is really intrigued by you. Usually, in the 4 of cups cards, the character depicted is not paying attention to the cup that's offered. But here, the character is curiously looking at it and completely ignoring the other 3 cups. So this tells me that even if other people may be interested in your person, they only have eyes for you. They feel like you complement them well. They're also physically attracted to you. They feel competitive around you, like they have to prove themselves at all costs. This person feels hopeful when it comes to you. Even though they're scared and still hurt, they envision a bright future with you and they are genuinely considering you as a potential partner. They want to get closer to you, get to know you on a personal level. Right now they may be keeping things very light and try to appear as disinterested but certain actions may betray them. This may be someone that you interact with on social media a lot. They think that you're attractive and a lot of people may be interested in you. Which adds to their competitive spirit. Also part of the reason why they're drawn to you is because of how different you are. You and this person may come from different cultures or social backgrounds. They feel connected to you to some extent and though they envision you as a potential partner they may actually be afraid of commitment. So this person may be a bit wishy washy at times. They're making a lot of plans in their head and trying to imagine how they can navigate their way to you. They're slowly tapping into their feelings for you and trying to understand them.

Oracle cards | The Explorer, Nature, Get Creative, back of the deck Patience

I get the message that you inspire this person a lot. Their feelings for you allows them to create various things. Especially if they are an artist or enjoy art as their hobby, you may be this person's muse. When they go on walks, this person thinks about you a lot. I get the message that they only truly allow themselves to think of you and daydream about you when they're alone. This is when they can fully explore the depths of the connection and try to figure out what it means to them. When this person is alone, they're having a lot of fantasies of you. This is when they feel the most connected to you, because they don't let their ego stand in the way in such moments. I feel like this person is truly being themselves only when no one's around. In public, they may try to act tough and pretend that they don't like you. This may be a defense mechanism. This may be very specific but I get the message that this person may have been bullied in the past because of what and who they loved. This is a trauma that this person has to heal. With the patience card, I get the feeling that it will take time for them to fully come to terms with how they feel towards you and where they want things to go exactly. Because I feel like for now, this person doesn't really dare to dream of a future with you, even if they strongly feel pulled towards you. This may be because of societal expectations or pressure being put on their shoulders by their loved ones.

#just-a-ghost #pick a card #pac reading #tarot reading #love pac #Spotify

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pitchsidestories · 1 day ago

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aurora II Mapi León x Reader

masterlist | word count: 1190

summary: Mapi and reader getting engaged under the northern lights.

author's note: dear readers, this cute oneshot was requested and we hope you'll like it as much as we did writing the story. 🫶🏻🫶🏻

„Oh, Mapi, you know you didn’t need to.”, you began, your voice full of emotions.

In your slightly shaky hands, you held the opened envelope in which there was an invitation to see the Northern lights. A childhood dream was laying in your palms.

It was coming true, and you were going to see that natural wonder with no other than the person you loved the most. A single tear ran down your cheek as an incredible feeling of gratitude spread through you.

The Spaniard pressed a featherlight kiss to the place where your cheek was still a bit wet. “But I wanted to. I know you always wanted to do that, and you deserve it after the year you’ve had.”

For a brief moment, your face darkened; the last few months of the 2024/25 football season had been really tough for you. While Mapi and Irene were fit enough to play in the starting eleven again, you were demoted to the substitutes' bench again, after having grown in the role of defender and been indispensable to the team for many months.

Obviously, you were happy for the two, yet it hurt to be only considered the second choice once more.

“Thank you, amor.”, you whispered gratefully.

“You’re welcome.”, she replied.

“I simply can’t wait for that.”, you hummed excitedly. Something magical at the end of the year was just what you needed, a small winter miracle.

“Luckily, you don’t have to wait for long.”, Mapi reminded you softly.

‘But you're going to be so cold!’ you realised, and there was a hint of a guilty conscience in your voice.

“You can keep me warm.”, the defender responded with an amused smile on her lips.

“I promise I’ll.”, you grinned at your girlfriend.

“Also I already bought us matching sweaters.”,Mapi confessed sheepishly

“You did?”, you asked her touched by such a thoughtful and admittable, cheesy gesture.

“I did.”, she confirmed smirking.

“Maria Pilar, you’re the softest human with tattoos I’ve ever met, I swear.”, you said.

“My tattoos have nothing to do with that.”, the fellow football player laughed.

The weeks had flown by.

Still, it felt to you like a dream when Mapi and you were looking up to the night sky in the northern parts of Scandinavia. The northern lights above your heads.

“Yes.”, she agreed solemnly. With curious eyes the defender turned her head to look at you. “Is it just like you imagined?”

“No, it’s even better.”, you admitted.

“It’s?”, Mapi questioned happily.

You quickly pressed a kiss to her cheek: “Yes, because you’re here with me.“

“You’re so sweet.“, your girlfriend smiled, her cheeks red from the cold.

“Also this feels so good right now. We’re only half way through the season but it’s already been an exhausting one for sure.“

“I know. And that’s why you’re not supposed to think about football here.“, Mapi reminded you gently.

You nodded gingerly. Of course she was right, this was not the time or place to think about football when you finally got to see this remarkable light display with your own eyes. “Sorry.“

Silently, you both watched on for a moment, taking everything in. You still couldn’t believe this was all real. It was almost verging on overwhelming.

“Y/n?”, Mapi said suddenly into the night.

“Hm?”, you replied without taking your eyes off the sky.

“I need to ask you something.“

Finally you turned towards her and what you saw, made the northern lights pale in comparison. There was no way to top this, yet Mapi found away.

The defender kneeled in front of you, holding a delicate golden ring in a little box.

“Oh my god!”, you whispered, incapable of stringing more words together.

“I haven’t asked yet.“, Mapi chuckled.

You shook your head in disbelief: “Well, you already got down on one knee in the freezing cold and pulled out a ring from your jacket so this is pretty self-explanatory!”

“So… Can I get an answer then?”

“Without asking? Hm…“, you teased her.

Mapi shot you a look: “You just said I didn’t have to.“

“It’s a yes, amor.“, you finally answered. You couldn’t contain the smile spreading across your face when you pulled Mapi up from the snowy ground and kissed her.

“You will be my wife?”, she asked as if she needed confirmation that you knew what you had just agreed to.

“Yes, and you’ll be mine.“

She beamed at you happily: “I will be. Even in the cold… Can we go inside now?”

“Of course, I can’t let my fiancée freeze any longer.“, you nodded with a laugh and led her inside your rented cabin.

“Thank you.“, your fiancée said, rubbing her hands together to warm them back up once she was inside.

“You’re welcome. Do you want me to make you some hot chocolate?”, you suggested once you saw how badly Mapi was shivering.

“Yes, please.“

While she took off her boots and winter jacket, you disappeared into the small rustic kitchen only to return with two mugs of steaming hot chocolate a few minutes later. You had even added mini marshmallows. Carefully, you handed Mapi a mug and watched her take a sip.

“Better?”

“A lot.“

“Good.“, you sighed relieved.

“That’s all I ever wanted.”, the defender realized gratefully.

“A hot chocolate under the northern lights?”, you asked her amused.

“With my future wife.”, she added proudly. Her words made you feel suddenly very hot, so you had to pull off the scarf.

Despite the rather chaotic proposal you heard yourself saying. “Feels like a dream.”

“It does, huh?”

“Yes, I don’t want to wake up from it yet.”, you confessed.

The fireplace crackled in the background.

“You don’t have to. That’s our life right now.”, Mapi reassured you, the Spaniard gently touched your chin and turned it towards her so that you could look into her hungry eyes.

They and her waiting lips were the invitation you needed, both of your mouths touching in perfect unison, the kiss was perfect, bittersweet, you could still taste the hot chocolate in it.

Then she leant her forehead against yours, her sentence sounded full of promise. “Love you, future wifey.”

“Te amo.”, you whispered gently in your fiancées mother tongue.

“I know.”, Mapi chuckled, her lips escaping a protesting sound once you got up to light some candles and turned out the big lights, so it was even cozier than before.

“Isn’t this perfect.”, the Spaniard admired.

“It’s plus we can see the northern lights from our beds.”, you pointed excitedly to the glass ceiling which gave a picturesque view of the night sky above your heads.

“Nice, right?”, she grinned, as you both laid down on the soft mattress.

“Yes, it’s an amazing place to make..”, you started blushing.

“Love?”, Mapi finished the sentence for you with a teasing look on her face.

“Yes.”, you bit your lips while your fiancée began to leave small kisses all over your body.

Aurora, the blush of dawn would be here soon, but you two had only eyes for each other as you made love under the most beautiful sky you’ve ever seen.

if you enjoyed this story reblogs, comments and likes are always appreciated !

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room-surprise · 2 days ago

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PSA: Mithrun doesn't run a noodle shop after the end of the manga!

(WARNING FOR SPOILERS)

Awhile back I posted a PSA about how Mickbell and Kuro don't run a noodle shop in the canon, they run an "everything store." In this post I mentioned that "Mithrun running a noodle shop" was also not canon, and that I'd get around to talking about it later.

Both of these fanons are the result of some mistranslation and information getting passed through multiple people, resulting in a very popular fanon that some people think is canon, that Mithrun is running an Asian-style noodle shop in Merini, and that he's in competition with Mickbell and Kuro.

Please note, I'm not saying there's anything wrong with Mithrun (or Mickbell and Kuro) running a noodle shop! If you like the idea and want to write or draw things about that, it's fine! It's just not canon.

SO WHAT IS CANON?

Unfortunately a lot of the information we have about what happens to Mithrun after the end of the manga comes from the still untranslated second version of the Adventurer's Bible, a Chinese Q&A posted by Kui's Chinese publisher, and autograph sessions where Kui answered fan questions, and fans posted about it on Twitter and Reddit.

You can understand why the last one, fans self-reporting what Kui told them, is extremely unreliable and shouldn't be considered the same level of "canon" as something that Kui had printed and published, or that was recorded in an official capacity.

A fan at the Korean signing described it like this (paraphrasing for clarity):

A group of about 100 fans gathered in big room with a screen, where they were playing the anime. The publisher called us up one by one, and we were guided to a smaller room, where Kui was sitting with 5-6 people from the publisher and a translator. We were not allowed to use our phones to take pictures or video.

I don't know if all of the signing events were like this, but we know that Kui and many other manga artists want to preserve their personal privacy, so I'd assume most of these events are run this way.

This makes information from autograph sessions really unreliable, since anyone could post anything online and claim Kui said it, and even other fans who were at the event wouldn't be able to prove that it wasn't true.

I have heard that sometimes fans "overheard" answers that other fans got, which doesn't fit with the above description, so some signings may have not been that private... Or maybe after a fan got their autograph, they talked with other fans at the event and shared information that way? Or maybe they talked about it online afterwards? I can't say for certain.

Anyway, moving on!

IF HE'S NOT RUNNING A NOODLE SHOP, WHAT IS MITHRUN DOING?

Here's Mithrun's updated biography page from the World Guide:

"島の迷宮が消失した後は、女王の命を受けメリニに駐在する。"

"After the island labyrinth disappears, he is stationed in Merini under the orders of the Queen."

The confusing part here is that another comic says Mithrun is retiring, and that he'll no longer be part of the Canaries.

MITHRUN: 何の用だフレキ (What do you want, Fleki?) FLEKI: 実は隊長が隊をやめられると耳にしまして･･…. (I actually heard that the captain is leaving the squad…) MITHRUN: 事実だ (It's true.) FLEKI: おおっ第二の人生を歩まれる (Oh, you're starting a second life.)

Cithis also confirms that Mithrun is leaving the Canaries:

"それで隊をやめたあと何をされるご予定で? (So what are you planning to do after you leave the corps?)"

This seems like it would be a contradiction with "he is stationed in Merini under the orders of the Queen." If he's retired, why is he still taking orders? Why is he stationed there, a term normally used for military duty?

I think what Kui is telling us is that even though Mithrun isn't a Canary anymore, he's still nobility, and as a noble he has to obey the elf queen, and even if he isn't actively a Canary, he's considered a military asset - one of the duties of nobility is to always be ready to perform military service for their monarch.

Since the elf queen is an absolute monarch, anything Mithrun does is "with the Queen's permission/under her orders," since she owns her subjects.

(This is fun because it hints at potential future conflict. Will the Queen ever command Mithrun to do something he doesn't want to do? What happens if he refuses? Will he defect, and swear allegiance to his new home in Merini instead?)

Ok, Mithrun's retired from the Canaries, but what is he going to do in Merini?

"メリニに残り悪魔の監視を続けるはびこ魔物の蔓延る場所を巡り活動を記録する魔物とは迷宮とはなんだったのか生涯をかけて追い続ける (I'll remain in Merini, and continue to watch out for demons. I'll travel to places where monsters gather and record their activities. I'll spend the rest of my life seeking to understand monsters, and the labyrinth.)"

(Why does the translation call it a labyrinth, not a dungeon? PSA on this here.)

As you can see, there's no mention of noodles here. Mithrun has something he seriously, passionately wants to do, and he plans to do it for the rest of his life. Fleki's reaction, by the way, is complete and utter horror (she was hoping Mithrun would return to his family's wealthy estate and she could mooch off of him):

"残る･･･魔物のこんな未開拓地に? 蘇生術なし (Remaining here… in such a primitive country that's full of monsters? Without resurrection magic?)"

This tells us that the elves probably consider the Eastern Continent an uncivilized and primitive place, where an elf wouldn't want to stay longer than necessary. Fleki seems to think living there would be worse than going back to prison in the elven lands.

Here is where some of the confusion probably starts:

CITHIS: 蕎麦打ちは? (What about making noodles?) MITHRUN: それもやる (I'll do that too.)

Note that Cithis does not say running a noodle shop, she just says "making noodles."

Obviously a person can make noodles for themselves, or for the people around them, without getting into the huge enterprise of opening a restaurant. It's illogical to assume "I'll make noodles" actually means "I'll open a restaurant that serves noodles."

Also, Mithrun is smirking when he answers Cithis, which implies that he's joking, or being sarcastic. This makes sense because "what about making noodles?" is part of a running joke in the manga about ramen noodles and how their presence in the primarily European-style setting of Dungeon Meshi doesn't make sense.

THE RUNNING GAG ABOUT RAMEN

The word Cithis uses, soba (蕎麦), literally means "buckwheat." The full name for buckwheat noodles is soba-kiri (蕎麦切り "buckwheat slices"), but soba is commonly used alone.

Historically, soba noodles were called Nihon-soba, Wa-soba, or Yamato-soba, all of which mean "Japanese noodle." This was meant to distinguish Japanese buckwheat noodles from wheat noodles of Chinese origin, such as ramen, sōmen, or udon.

In the modern era, soba is the word used to refer to noodles in general, regardless of origin or composition. So Italian noodles can be described as a type of soba.

The loan word パスタ (pasuta) is what is normally used to talk about Italian noodles, but the confusion between soba (Japanese buckwheat noodles) and soba (any other type of noodle) is the core of Kui's joke.

In Chapter 81, Laios and his party try to make food for Marcille that will remind her of her home and childhood (which is clearly supposed to be someplace like Italy) but they end up making Japanese-style pork ramen instead. The punchline is that Izutsumi, the only Japanese member of the party, can tell that they've made the wrong type of noodles, but the rest of the party doesn't understand what she's talking about to a comical and ridiculous extent.

In Chapter 94, when Kabru and the Canaries are trying to encourage Mithrun to keep on living, Fleki and Lycion go off on a comical tangent about making noodles:

The punchline of this joke is that Kui is depicting Mithrun servingJapanese-style noodles, which makes no sense because the elves aren't Japanese... Something we know for a fact because there are actual explicitly Japanese characters in Dungeon Meshi. Laios thinks "That's like Marcille's (local cuisine)..." in reference to the joke in Chapter 81.

The panel on the left shows Mithrun looking like a stereotypical ramen stand operator: gruff, covered in sweat, proudly presenting his finished work.

(Sorry for using your thumbnail, random furry youtuber.)

The headband, black tunic and white apron that Mithrun is wearing, and even the crossed arms in Laios' imagination is part of the look of your stereotypical Japanese chef.

So it's understandable that people look at all this, and think "Mithrun will run a Japanese-style ramen stand!" because it's a very cute, very funny idea.

But canonically it's an idea that only exists in Laios' imagination, as something that is meant to be comically outlandish, because the things Lycion and Fleki are saying are also presented as being pretty silly. A bit of levity in an otherwise very melancholy chapter.

I'll also note that when Lycion talks about Mithrun making soup bowls to serve his noodles in, he says "He could enjoy his handmade cuisine in his own bowls!"

There's no mention of serving the noodles to anyone else, just that Mithrun could enjoy the satisfaction of being self-sufficient, making his food and tableware from scratch. This is something which actually aligns very well with the themes of Dungeon Meshi.

DIDN'T KUI SAY MITHRUN IS MAKING NOODLES IN A Q&A?

During the post-manga publicity tour Kui went on, she did several signings where she answered short questions from fans while giving out autographs and drawings.

Remember, these questions and answers are being collected by fans from random tweets and other posts online, translated into English by amateurs, and there is no way to prove their veracity.

Q. Did Mithrun get to live a happy life after ending? A. He is doing work and hobby, living a happy and fulfilled life, although he is not that friendly so he will not be doing diplomat for a long time.

Taking this information at face value and assuming it's true, it sounds like Kui differentiated between "work" and "hobby" - So Mithrun has something he is doing seriously, like a job, and something he is doing for fun, as a hobby.

This makes sense with what we've seen in the official materials: monitoring the monsters and keeping watch for the return of the demon is Mithrun's "job", and making noodles (and doing other things, probably, since the noodles were a joke) are Mithrun's hobbies.

WHAT ABOUT THE WRITTEN WEIBO Q&A?

These Chinese fan questions were answered by Kui in written form, and posted online by her Chinese publisher in both Chinese and Japanese, so in my opinion, these answers should be taken more seriously than things that were solely reported by fans.

However, the question and answer about noodles here is clearly a light-hearted joke:

Q: 米斯伦会做出什么样的荞麦面？(What kind of soba will Mithrun make?) A: おいしい蕎麦だといいですね。(I hope they're delicious soba.)

As with many other answers, you can see that Kui answers in a vague, polite, and gently joking way. "What kind of noodles will Mithrun make?" "Tasty ones, hopefully!"

It's similar to how she answered questions about if Falin's lifespan is longer because she's a chimera or if Thistle is still alive with "That would be nice!" or "I hope so!"

This is clearly a sort of non-answer, but even if you take it to mean "Mithrun is 100% for sure making noodles," there is still zero indication that Mithrun is canonically running a restaurant.

In closing: if you want him to run a noodle restaurant in your heart, in your fanfics, in your fanart, that is perfectly fine! Japanese fans love this idea (they use pasta emojis to represent Mithrun!) and there's tons of artwork about Mithrun being a ramen chef. I think that would be a lovely thing for him to do! I bet he'd have a lot of fun!

But it's not canon.

What is canon is that he's living in Merini, going to group therapy, learning to appreciate the people around him, enjoying himself, and both his work and his hobbies are going well 💕

#dungeon meshi #delicious in dungeon #spoilers #dungeon meshi spoilers #mithrun #mithrun of the house of kerensil #dunmeshi #PSA

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magicisrealandsoismyally · 2 days ago

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Okay, thought we were being like, chill, but I guess that's a kindness only afforded to people you consider to be women, so I'm gonna break this down piece by piece here, a lot to address.

"purposely obtuse or intellectually dishonest"

right off the bat the fact I disagree with you means I'm being intentionally wrong and evil. There's no room for me to be misguided, or making mistakes, or being uninformed, I'm either playing stupid or lying. Got it.

I "either hate AFABs, or don't take harm against them seriously". Once again, another false dichotomy. I take harm against women incredibly seriously, I just don't think the biggest threat to women is trans women. I think we have the same enemies, conservative men in power. I said you were fueled by fear because I was trying to be nice. It's not just fear. It's anger. Misdirected anger. You, and many others, have decided the easiest thing to do is hate.

Yeah. It is in fact transphobic to demand sex segregated spaces given that a true biological sex isn't fucking real. That's why it's "Assigned male at birth" or "Assigned female at birth". I've been assigned a lot of things throughout my life. So have you. Are you going to tell me those assignments were always accurate? I mean hell, with the amount of cis people out there, their accuracy rate is definitely above 50%. Still not accurate tho.

Transphobia is both the people trying to murder us, and the people, who don't want us in spaces that are away from the people trying to murder us. You are aware that the same cis men wanna kill us both right? You've arbitrarily drawn a line in the sand because you are grossly misunderstanding how trans people work. The number one piece of advice I see on this site from transfems, is how to avoid being SAed. By cis men, by cis women, by trans men. It's so common, that it makes me question if I even want to be in spaces with y'all. You wanna talk about fear? I'm fucking terrified. All the time. The instant I come out to the world, I get to spend the rest of my life, knowing that at any moment, someone says anything negative about me? and my life is over. Because people like you, will believe them. Because the scary transfem must be the person oppressing you. Because its easy, to villainize the minority. And it's easy to decide he's a monster. And all the while, she loses everything just for being an easy target.

You wanna talk physical safety? 83% of genderqueer victims of fatal violence are trans women. People love to kill us.

AMAB privilege is not real. I was not socialized male. I think you have a perspective on how the patriarchy functions that hasn't seen the other side of the fence, so let me go ahead and elaborate on that. Being a Man, is something you can fail out of in the patriarchy. It's a club that is nigh impossible to enter, but really fucking easy to fail out. Under the patriarchy, I am not a man. I failed out of that shit at the age of 8 when I said I didn't like sports. When I did anything "girlie" at all. When I cried. I was a crybaby (according to my family) and a faggot (according to the other kids at school). And from that moment, I was a target. Always have been. I wasn't socialized male, I was socialized as a failed man. Most trans girls are treated that way from a young age. I did not benefit from the patriarchy I was shoved around. I have gotten into an absurd amount of fights that I never started because some fucking asshole decided to beat the shit out of the fag. I spent like a week on tumblr before hearing other shared experiences about this kinda thing. Literally not hard to talk to trans women about this stuff if you, yk, try.

"We don’t need to check genitals I would have no problem with the manliest most masculine most passing trans man in an afab space because no matter what hormones or surgery are involved they cannot rape and impregnate me with their penis the same way an AMAB person could."

How do you know he's trans. How. Tell me right now how you tell the difference between a cis man and a trans man with bottom surgery. Do that without being transphobic, please. Find a way. I'm looking for something hilarious to read today, it's been a long one. Because if you don't have a way, your entire transmisogynistic utopia falls apart here. You can't tell if someone is trans. It's about identity. You cannot tell if someone has a penis. No matter what you do. You cannot tell someone's assigned gender at birth.

And how wonderful, you mentioned prisons, just read about this one. Did you know when transfems are imprisoned they get placed with the most violent cellmates? It's a tactic to reduce prison violence. Give the most violent people their own live in target. They get called prison wives. It's called V-Coding. So yeah, prisons are messed up. For both of us. If only we could talk about that and unite to fix that oh wait that's literally the whole point of having transfems in feminist spaces, crazy how that works.

"Also trans AMAB people commit sex crimes at an even higher rate than cis AMAB people"

WHERE IS THE FUCKING SOURCE. I am tired of TMEs and their constant stream of libel demonizing trans women. All of your nonsense statistics is so fucking stupid. Where are you getting these numbers? The sex offenders list? The one that as recently in the 80s included anyone who crossdressed or hit on a person of the same gender even if they were reciprocating? I literally have heard cis lesbians complain about that shit on this site, you're not even being a feminist by citing sex crimes, you're being a cop. Fucking being trans counted as being a sex criminal for most of American history. Drag queens, trans women, and crossdressers get accused of sex crimes all the fucking time, you have no critical thinking god fucking damn.

"which again did not START segregated they became that way because AMAB people could t be trusted not to rape/assault AFAB ones"

Yeah no lmao, (this next paragraph is going to be USAmerican centric because yk, that's what I learned about growing up) they kicked literally all queer people out when women got the right to vote, both lesbians and bi-women had to fight their way back into these spaces in the decades prior. I feel like we forgot about the Ellen Show or smth? Like feminists did not fucking go to bat for her after she came out. Groups will turn on their supporters the instant they decide they don't need them. Mainstream Feminism turned on people of color and queer people who put their own movements on hold to support the women's right to vote so fucking fast. It's American history too, all I had to do to learn this was have a pulse in my US history class.

Also “capitalism is real because it impacts me in a negative way but all other forms of oppression where I might be considered the privileged one in the dynamic is just hysterical people distracting from capitalism”

Girl, reading comprehension, try it out for size. I did not say these systems of oppression are not real. I'm saying demonization and fear of minorities (like, yk, trans women) is a tool of the existing power systems to make you hate us and not your actual enemy, the people in power (like, yk, rich people who are usually cis white conservative men). You keep bringing up how awful existing systems like prisons are but you just, do not analyze who fucking set those systems up. Private prisons are owned by the rich, not by the trans woman you're yelling at who is 4 bad days away from giving up and killing herself.

If trans AMAB people don’t want to be housed with cis ones, they can do the legwork and create those spaces for themselves like AFAB people did they do NOT have the right to commandeer our movement and literally erase our rights and protections because not allowing AMAB people into these vulnerable spaces might give them the big sad.

Okay so first you tell me feminist spaces weren't originally segregated by sex, and now you tell me it's an AFAB only movement? Because I know for a fact trans people have always been at bat for feminism. American white women said the same shit to women of color between 1920-1965. Cause the instant we become expendable, y'all throw us aside.

commandeer our movement

Really? Do you genuinely think trans women could ever outnumber cis women? What cartoon candyville are you from where there are more trans women than cis women? How the fuck are we going to commandeer the movement? We're like, 0.3% of the population at most. What are you talking about.

YEAH MY GUY IM FORCED TO LIVE LIKE A FUCKING PREY ANIMAL!!!

Okay so for starters, transwomen are also in constant fear. We have literally been hunted, this is just, like, a historical thing. Second, I'm not a guy. Don't call me that. You cannot honestly tell me you're not transphobic and then proceed to use exclusively masc terms to refer to me. That's just wild. Playing along with the tranny does not make you not a trans ally. You're still a transphobe just cause you're fine with trans men.

Some fear is completely rational

Yeah. We're both completely justified in our fear. I do not build my politics off my fear. You do. That's the difference. No matter how terrified I am of TMEs, I still fight for y'all. Always have, always will.

Gender is literally fake and varies from culture to culture. Sex based oppression is real and fucks over the lives of AFAB people worldwide.

Ohh, damn, so close, you'll get it next time I'm sure. See the trick is BOTH OF SEX AND GENDER ARE FAKE. Genderqueer people just admit that it's about self expression. You literally just described how fallible sex assignment is by talking about intersex people, it's like, hella cultural. Sex based oppression is real. So is Gender based oppression. Because people are shitty about fake shit, all the time, we're on tumblr, the "death threats over shipping" website.

You cannot tell me you think you're not transphobic and then claim gender oppression isn't real. I feel bad for any trans people who have the misfortune to interact with you. I hope one day you realize you fought on the wrong side of history. And if not? I hope they speak of you in the same breath as the grown adults trying to stop Ruby Bridges from attending school, in the same breath as the cops at Stonewall. You have an excellent day. I probably won't, but what's new. I'm sorry you're so afraid. I'm sorry you fell for it when they told you who to be afraid of. I'm sorry I couldn't do more. If anyone wants sources on this stuff, i'll add links to posts getting into it, a lot of it's screenshots and i'm not about to make this any longer than it is. There's more ofc, but I can only cite what links I have on hand, y'all can do your own research, read like, any transfem blog while they still exist. https://www.tumblr.com/honeylemony/767694258735136768?source=share https://www.tumblr.com/marxism-transgenderism/767536279224270848/okay-ive-said-before-that-part-of-why https://www.tumblr.com/girldogmystic/766813723287502848/i-wanna-get-more-specific-with-this-according-to

"OP is a terf" is a thought-terminating cliche meant to keep you from questioning the status quo and keep you afraid of being labeled a heretic should you come to your own conclusions about anything.

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chantillyxlacey · 2 days ago

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i've seen a lot of takes (i am using the word 'take' absolutely neutrally here; and i'm specifying neutrality bc i have started to see that word as having inherently negative connotations in this context and i have no idea if that's just a Me Problem but i figured specificity couldn't hurt)

okay, that got away from me, let me start again

i've seen a lot of takes about The Damsel that have to do with idealization being another kind of dehumanization and how she's Like She Is because you/TLQ are projecting a fantasy onto her and sanding away any traits that don't fit into that fantasy and rendering her into little more than a vessel for your/TLQ's wish fulfillment

and i don't necessarily think that's *wrong* either-- but i think that's also not the complete picture, and that only looking that that half of the image does kind of tend to paint TLQ in an unfairly bad light

because the thing is, in The Damsel's route, TLQ is ALSO being reduced to an archetype just as much as The Damsel herself is! The Princess becomes the quintessential fairytale fair-maiden-in-distress that exists only to be rescued by a knight-in-shining-armor; and TLQ-- if you allow them to be guided entirely by The Smitten-- becomes that quintessential fairytale knight-in-shining-armor that only exists to rescue the fair-maiden-in-distress

The Damsel says over and over, explicitly, that "I just want to make you happy!" and The Smitten in this route is equally preoccupied with making HER happy-- he even says it directly if you start deconstructing her. every other part of his identity has been subsumed to revolve entirely around her just as much as the reverse is true for her.

(speaking of the Deconstructed Damsel, i've also seen Smitten's reaction to that touted as him not caring about her agency-- but again, i always read that as him being unable to see any flaws in her rather than being pleased with the idea of her being biddable, specifically. if you halt the deconstruction his reaction is "she's ALWAYS been perfect" -- he'd think that no matter what she did or said, because his identity revolves around her the exact way that hers revolves around him/TLQ)

even the actions that lead to HEA fit into this, i think-- i read that moment as less The Smitten lashing out at her because she didn't live up to his fantasy-- it still happens even after she's said "i guess we can stay, if that's what you want"-- she's giving The Smitten what he wants, but he's still distressed because SHE'S not happy

i think it's more The Smitten feeling that HE hadn't lived up to HIS half of their shared fantasy. if she's not happy with the idea of "all we need is each other" then it must be because HE failed somehow. if she needs or wants more than him, it must be because HE is not enough.

if he was just better at playing his part, if he just offered her more, if he was just clearer about his devotion--

"if we just showed her the contents of our heart, she'd be happy"

that's not to say that what The Smitten does in HEA isn't incredibly toxic for both of them-- it definitely is, and it clearly makes both the Princess and TLQ miserable. "everything she doesn't know she wants" is a bad mindset to approach a relationship with, whether that mindset is reached through controlling selfishness or a desperation to appease (and i definitely think Smitten is motivated by the latter-- it's no coincidence that we arrive at HEA through a literal and fatal act of self mutilation)

he's definitely the antagonist of HEA, in that he is what TLQ and the Princess and the player need to overcome, but he's not a VILLAIN (which i think is most clearly illustrated in the moment where the Princess admits she's unhappy, that she's never been happy here, and his reaction is to GIVE UP instead of lash out harder)

i never got the sense that The Smitten was ever putting any blame on The Damsel-- he always considered *himself* to be the problem-- he puppeteers TLQ just as much as he does the Princess, even if we can't hear him while she can, and he asks TLQ/the player through her "isn't this enough? isn't this what you wanted?"

which in and of itself is an unhealthy way to approach a relationship-- blaming oneself for every bit of conflict or lapse in synchronicity is just as harmful as laying all the blame on the other person. there IS no blame-- sometimes people disagree or have conflicting needs or desires, and that's not anybody's "fault" because that's just how people and relationships WORK.

...can you believe i wrote out all of this when my original intention was to lay out an entirely different point about a read on The Damsel/HEA routes that wasn't about relationships at all?

OKAY!

THAT GOT AWAY FROM ME LET ME START AGAIN

so i don't think that looking at The Damsel/HEA through a lens of "what does this say about relationships and expectations and respecting other people's agency" is incorrect-- clearly i have a lot of thoughts about that lens!

but i wanted to offer another one that i haven't seen yet:

The Damsel/HEA route as a commentary on what makes a satisfying narrative

if you play out The Damsel route just single-mindedly taking actions to free her-- it's kinda dull, isn't it? like-- it's not without its charms! The Smitten is silly and entertaining and the Narrator's exaggerated pettiness is very funny! but ultimately, that's about it.

potential sources of conflict are brushed aside-- if you took the blade with you, you just drop it and it gets forgotten; the Damsel's hand slips right out of the manacle with no effort or harm; when the Narrator locks the basement door, every 'choice' you make just magically unlocks it right away. and then you're outside, what you wanted to do from the start. ...so what do we do now?

nothing, actually. the chapter ends, and there is no chapter 3. the game itself continues, but that ending feels about as substantial as the Narrator's "Good Ending" where you follow his instructions without question and accomplish his goal immediately.

if you DON'T take either of the actions that lead to one of Damsel's chapter 3's, there's very little variation in The Damsel's story-- pretty much all of it comes down to slight differences in dialogue. there's no "the princess kills you" outcome. the closest thing to an alternate end to The Damsel is if you deconstruct her-- and even then, it feels like less an "alternate route" and more like-- a cheeky acknowledgement of the lack of substance, because that isn't a bug, it's a feature!

but if you introduce conflict-- either in the more direct sense by slaying The Damsel or in the more interpersonal sense by highlighting a mis-match in her and TLQ's desires-- suddenly the story opens up! there are a bunch of new possibilities and a bunch of new outcomes, and all of them are more interesting than "you achieve your goal with trivial effort, hooray!"

Even if you wind up finishing HEA on a note that is superficially very similar to the easy end of The Damsel's route-- you leave hand in hand with her, the narrator conceding defeat, and the last image of her before TSM takes her is a warm, tender smile-- it FEELS so much more like a genuine happy ending-- even though the Princess' face is still streaked and stained from her tears. BECAUSE of that.

it's one of the most heartwarming moments in the game, and one that has made me misty eyed every time i've seen it, and it's BECAUSE of the conflict you had to go through to get there.

conflict is what drives a compelling narrative, is the takeaway. it precludes PERFECT endings, perhaps, but not happy endings-- it's what makes those imperfect happy endings feel substantial and earned.

even the dinner and the board game contribute to the idea-- the description of the food is some really lovely writing, to the point where i sat through and listened to it all again even though i knew nothing really happens during it-- but *nothing really happens during it*. it doesn't move the narrative forward-- you're just as hungry as you were when you started. it just stalls the story in place, and every time you go through it again it's less satisfying until it's outright unpleasant. the description of the meal also notably gets simpler each time, and less detailed-- there's only so much that you can say about it before you run out of things to describe.

the board game is similar-- the way that it's described the first time you play even sounds like the description of an exciting story! and then the board resets, and you do it all again just the same. and so on. the game/story stops being exciting and the wins or losses stop feeling like they mean anything-- because is conflict really conflict, is a challenge really a challenge, if you're always tracing the same path, always making moves where you already know the outcome? it becomes "a slog towards the end"

and this is how i tie the idea of "what Damsel/HEA has to say about relationships" and "what Damsel/HEA has to say about narratives" together:

ultimately, the statements can be summarized the same way "whether in a narrative or a relationship, 'perfection' is unattainable, but you wouldn't actually want it anyway"

conflict, substance, variety

in a relationship there will always be differences of opinion, differing goals etc-- variety between the members of the relationship, knowing and sharing this substantial and non-superficial information about one another, navigating the resultant conflict-- that's what allows the relationship to grow and deepen, and what allows the people in it to grow as individuals as well.

in a narrative, or in Narratives, as a whole, conflict is what makes things HAPPEN, substance makes them feel like what happens MATTERS, like something is being communicated, variety means that you're learning or considering something new-- and those are what make a narrative capable of impacting a person, of changing them, of being remembered

#Slay the Princess #STP meta #STP Damsel #STP Happily Ever After #The Voice of The Smitten #DEAR GOD that is so many words #i ended up with more to say about this than i anticipated #hopefully it is all coherent and/or interesting!! lmao #GOD i love this game. if you couldn't tell. from the y'know. gotdang essay

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risingsunresistance · 1 day ago

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would you believe me if i said this is skyblock fanart 😭

explanation below for anyone interested. it's a bit long 🐖

basic explanation for people who dont go here. or the tldr: the rift is a separate dimension in hypixel skyblock where reality and time itself do not function the same. the other npcs tend to take on different forms in there. this is my interpretation of what might happen to techno if he were to travel into the rift based on some other theories about the place and my own headcanons for him

less basic explanation for the rest of you: ok so. first thing to get out of the way, the rift isnt completely separate from the main reality. SOME of your own thoughts and feelings influence the way you exist in the realm and the way the realm itself behaves. not very many people seem to take on forms ENTIRELY divorced from themselves, save for maybe enigma (we dont know who he was originally, if he was anyone at all)

but i have a theory backed up by absolutely nothing that your rift form is mostly influenced by three different things: your inherit magic, your ability to control and manipulate that magic, and your overall stability. stability will look different from person to person and you dont always know if someone is stable or not just by talking to them. even something as simple as a phobia might change them drastically. still, the rift is unstable itself, so sometimes people get altered horrifically even though they were perfectly fine

my main points of reference for this are that some of our most altered characters are some who check all these boxes, and some who are relatively normal dont check any of them. lathrop/porhtal is split into a bunch of eyes and has one human-looking form that sits motionless at the wither cage and doesnt speak. we know he was incredibly magical, eventually got a great grip on said magic, but was also very very unstable. the wizard is very magical, is a master of said magic, and is pretty well put together. he is nearly unchanged in the rift. barry is the same as the wizard but went a bit nuts before he left, so in the rift he seems just a bit... off

on the opposite side of things, maddox is someone who we are told has ZERO magic in him. the only thing that changes in the rift is the fact that his helmet is red now. kat has never shown us any magic and seems to be pretty normal, so she's also just a different color palette in the rift and happens to have a weird job

anyways back to techno. (btw if you're reading this and happen to not be a regular here this is a mix of headcanons and "canon" but im treating it ALL as real and true facts for the sake of this drawing ok). he could be one of the most magical people here... but he has no idea how to use any of it on command. if you asked him if he possessed any magic, he would say no. his healing ability, while it is VERY strong, is passive, and he was only able to gather magic during the resistance fight with the help of the wands we were given. but he was able to gather a lot of magic during that fight, concentrate it, and release it all on his own. not many people could handle that. he also worships the blood god and has its blessing, and has some connection with spirits in the form of the voices / chat / whatever you wanna call them. there might be even more to him, who knows

so that's already a setup for disaster, but what about his stability? well he's constantly followed by a chorus of thousands of voices all screaming at him and god itself might be hanging around in that mix, led a war against the server staff and a dictator that lasted for 2 years skyblock time, and did the whole potato war thing which was ~70 years server time iirc. i wouldnt really call him stable KFJHG

so what you end up with is a very violent beastly thing, nearly unrecognizable save for the fact that he's still a pig (my first point, you dont become a COMPLETELY different thing under most circumstances). i think he's entirely out of control of himself and would not remember a trip to the rift. a stability elixir might help him in terms of being more aware of himself (i think sirius really downplayed what that potion does lmao it's not just a fun drink, he wanted to guarantee himself some control over his mind while he was conducting his "business" in the rift) but there's no saving the physical form

i wanted him to be beastly to mimic what happens to "dante" in the rift (the memory of dante, it's complicated. but dante and bacte are most likely two different people who are also the same person). yeah he was a big slime in the overworld, but now he's more monstrous. he also doesnt speak, he might not have any idea what's going on. same could be said for techno in a way. of course this is related to dante, what else would you expect from me :P i want to see them fight at the colosseum so bad...

------------

but anyways THIS WAS SO FUN AAAAAUGH IM SO GLAD I FINALLY GOT THROUGH THIS. MY IPAD FINALLY DIED AFTER AN ENTIRE DECADE IN THE MIDDLE OF LINING IT AND I HAD TO CONTINUE ON A NEW TABLET WHEN I'VE SPENT MY ENTIRE LIFE DRAWING WITHOUT A PEN... THIS DRAWING WAS CURSED KJFDHGK

here's a version without chat and the blood god so you can just see the big hog

and here's my old concept from july of last year for comparison :P

initially in the post for the old sketch i said he was based on what i think would happen if he got a hold of some sulphur. i actually think that would be about the same as his rift form because sulphur seems to do very similar things under certain circumstances. always corrupts your form, can sometimes make creatures MUCH larger (matriarch, kuudra, magma boss), heightens your magic (mage outlaw), and can make you incredibly violent (barbarian duke)

bye i hope i tricked someone into reading a really long skyblock theory post expecting more info about techno FKJHG

#RRAAAAAAAAA IM SO GLAD IM DONE WITH THIS MY FUCKING. BEAST. THE FUCING 🐖🐖🐖 THE !!!!!!!!!!!!!!!!!!#uhhhh click for quality i think? it looks blurry on my end rn in my drafts #ok quick how do i clog the tags enough to where i can still be consistent on my blog but it doesnt show up in main tags #there is a whole. animation. sitting in my head okay. i know EXACTLY how he is exiting the rift portal #tbh i might make it kinda like a comic strip #i will not name any of the other staff in the post fuck you figure it out yourself KJFHDG #i dont know if i have it in me to make That many drawings without inevitably abandoning it ;-;#even if they are just sketches THAT'S A LOT #but i have to draw him again i cant just do nothing with this #do you think this is enough tags have i rambled enough #technoblade #sb #my art #LONG POST #sb lore

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katyawriteswhump · 3 days ago

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steddie microfic: of ogres and omegas

For @steddiemicrofic november prompt, guard, 532 words.

Rating: E; CW: omegaverse, fingering, slick, sexual content, slightly under negotiated but they're totally into it; Tags: fairytale omegaverse, alpha Eddie Munson, Omega Steve Harrington, happy ever after.

Summary: Omegas are rare, sold at great price, and coveted by all beasts. Fortunately, Eddie’s one true love has got moves that can put even warmongering monsters off their guard…

❤️👹❤️👹❤️

You gotta tough it out like an Alpha, Munson!

So, here Eddie was, climbing the rope-like ivy up Castle Harrington’s tallest turret. The higher he got, the stronger he smelled the desperate fear of the Omega imprisoned within. On reaching the window, he was so angry he’d forgotten he was scared shitless of heights.

“Stevie?”

“Eddie?” Steve clutched the bars, knuckles whitening. “What the—”

“Ssssssh.” Eddie perched on the sill, yearning to comfort his Omega. “There’s a single guard outside your door. It’s one of them.”

Steve’s breathing grew choppy, his scent bitter. Today, his royal parents intended to marry him to the chief of a pack of uber-alpha ogres—half-humanoid beasts famed for their lightning reflexes, blood lust, and despicable manners.

“Relax,” soothed Eddie, heart panging. “Here to rescue you, my love.”

Steve’s eyes widened. “You’ll break these bars?”

“Sorry. They’re magically reinforced. However, the ogres have one weakness. You.”

“Me?”

Eddie explained. In the castle library, he’d discovered the scent of an Omega going into heat rendered most uber-alpha ogres totally bonkers thus easy to overpower. Their arch-alpha-ogre chief was immune… but the guard?

Easy prey.

“Sorry to be a buzzkill,” bitched Steve. “How do I get horny while terrified my idiot Alpha is gonna plummet to his death?”

Eddie’s fraying nerves snapped: “You WANT to marry somebody who’ll keep you in a magic cage, so you can’t nerf his army with your hotness?” Steve whimpered; Eddie sighed. “We got this, love. C’mere.”

They embraced tentatively through the bars, and Eddie stole a kiss. Steve parted his lips with a needy moan, his honeyed scent bloomed, and he purred softly. Eddie’s hand soon nudged up beneath Steve’s short tunic, stroking the bare thighs beneath.

“Okay?”

Steve nodded, breaths hitching, slick trickling already.

“Can’t wait to fill you with my Alpha dick,” Eddie growled, probing gently between Steve’s folds. “Gonna make love to you every night. You’ll smell sweet forever more.”

Despite his peril—and the bars wedged between them—Eddie was getting achingly turned-on. Steve gasped, head lolling back, arms around Eddie’s neck loosening. Eddie found a foothold on a jutting stone and pressed another digit into Steve’s virgin hole.

He gently finger-fucked Steve, till a wave of fresh slick drenched his wrist, and a gorgeous candied scent exploded. Steve started chirruping uncontrollably. Eddie growled in raw hunger, even as Steve’s spacey eyes sharpened slightly:

“Go,” squeaked Steve, cheeks flushed feverishly. “I’ll take it from here. L-love you!”

Soon, Eddie crept up the spiral staircase to Steve’s prison. Peeping around the final bend, he saw a drunkenly-swaying ogre opening Steve’s door, pumping his huge monster dick.

Crap! There’s the flaw in your genius plan, Munson!

Fortunately, he felled the ogre with a single sword blow. Inside, Steve writhed on the canopied bed, sobbing desperately, frantically stroking between his legs.

“I gotcha, Stevie.” Eddie scooped his Omega into his arms.

“Mate me. Now. Gonna die!”

“Sorry. Gotta skedaddle or we’re both gonna die.”

Eddie galloped off into the night, before his Omega’s luscious scent aroused the whole castle. Safe in his uncle’s hide-out, he laid Steve in a warm nest, and did everything he promised and more to help him through his first heat.

❤️👹❤️👹❤️

Tags: @wheneverfeasible <3 My ST fic on AO3

#steddie #steddiemicroficnovember #steddie microfic #steddiemicrofic #steddie omegaverse #omegaverse steddie #historical omegaverse au #alpha eddie munson #omega steve harrington #fairytale au #steddie microfic november #steddie fluff #steddie smut

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echantedtoon · 3 days ago

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His Heart

Just some good ol yandere Neuvillette content. I don't support yanderes irl, etc. @trancylovecraft

"You look at me with cold eyes. You see me me and turn away as if you didn't know me."

"...Do I know you?"

"You know that I couldn't have shown you me. Gave you me. I couldn't show you my weakness so I put on a mask to see you but I still want you. A flower that resembles you blossomed in this garden of loneliness. I wanted to give it to you as I rip off this mask. But I know this can't go on forever."

Her eyes still gazed at the ground. Her body small but still so strong as to crush his soul. Rip his heart out to serve on a platter to herself but somehow still rejected the notion she could do that. The whole world sitting in her grasp yet she was completely naive to it or didn't care she had it.

"I will not satisfy your desires for more than what was agreed. I can accept your apologies but I cannot forgive."

"I have made peace with that notion. But I am not here to beg for forgiveness that I will never receive, for I have hurt you and I accept you're stubborn enough to always hold that grudge."

Her form was ever calm. Looking at him for what felt like a millennia of wait. Time vanishing and space darkening except for the gravitational orbit of beauty that revolved around his mind and shown through his sights since the day he laid his eyes on her visage.

"Then what is it do you seek from me, Neuvillette?"

"It's not what I seek. It's what I desire. Wishing that love is as perfect itself. Wishing all my weaknesses are hidden." The room fell sideways in his mind. An oozing feeling on continuous falling for her over and over again. Swallowed by the monster that demanded he claim and the beast that roared at him for everything he did wrong to be made right again. "In a life where nothing was ever genuine, you carved a piece out of my heart that will never feel complete unless you yourself abide by it's beating."

Her answer a head tilt. Eyes grazing the state he was in. Clawing through bodies. Ravaged by freezing cold. No doubt such a sight she disliked but was more than ready to accept given the circumstances.

"What desire do you want that I haven't already given to you?"

Blood ran black fading to a possessive desire. A stark contrast the dripping liquid made compared to the delicate object the palm held out. Staining it purity by the blood of the slain and war. Presented to her gaze which widened slightly at soft petals. A beacon of softness in the blight around them. A rose

"Accept my devotion and become my wife. A place not beneath but beside me. For we were lovers before we were ever born in this world. My name shall be your own, your blood shall be mine, and all combinations of life will be one. Accept all of me, as I already have all of you."

She stared at him like that he told her was the most foolish thing he ever said. Heart racing. Eyes staring. Her hand slowly reaching out to him. His eyes widening as the desire he's been wanting finally being fulfilled- Until she stopped.

Her lungs filled with a shaking breath. "Kill me if you insist on finishing what you started, but I have no intention of bowing to a king who wears a crown studded with the jewels of every sin he committed."

For once he looked taken aback stopping just a few steps away from herself. "Kill you? Oh, dear me. Is that what you thought I came here for?" His head shook swaying ivory locks. "No, no, no. That wouldn't be beneficial to either of us."

"Then why?"

"Why? You have got the arms I want to be wrapped in. You have got the eyes I want to get lost in. You have the smile I can never resist. You have got the voice I want to listen to for hours. I decided on you. I want you and only you."

"I fell in love with your words! Unfortunately they were all lies!"

"No. That's not true." That gentle smile was back as he approached her once more. "I didn't lie that I love you. It wasn't a lie before and it certainly isn't a lie now."

Her body did not give him the satisfaction of an embrace nor the courtesy of a smile as his hand caressed her cheeks.

"You're a dangerous man."

"Ah. But you see the most dangerous person is the one who listens, thinks, and observes."

#genshin impact #genshin impact neuvillette #yandere neuvillette #neuvillette #neuvilette genshin #neuvillette x reader #neuvillette genshin #neuvillette x you #neuvillette x y/n #neuvillete x reader

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mean-scarlet-deceiver · 3 days ago

Text

Gordon and Edward, Part 2

Hello and welcome back to "Jobey ruins beloved RWS characters for you, using the power of... the actual RWS text!" 😇

Part 1: Gordon, what's your damage? 😭 / The Doylist Reason / Rent. Free.

Post 2 (this post): Edward's Defences / Gordon's Growth

Post 3 (upcoming post, link later): Collision / Uh… Cleanup Crew?

Edward's Defences

Pretty consistently, through the next 45 years, Edward (most conflict-avoidant engine ever built?) takes a four-pronged approach to dealing with Gordon and the threat he represents:

He keeps Gordon at a distance. He focuses on building connections with… Literally Everyone Else. Gordon is kept more than a good buffer's length away (and when they must be in close proximity things do tend to go south in a hurry).

He tries to never give Gordon a reaction, or any other ammo. Will not admit weakness or discomfort or upset. Difficult, because he has a transparent face when he's sad! And he's comfortable confiding in others! But he'll never, willingly, let Gordon see him bleed.

Instead he treats Gordon very lightly. Adopts a sort of affectionate knowingness, which allows him to "laugh off" Gordon's more irritating or threatening qualities.

He takes control of the narrative. He doesn't shy from telling humans the engines' business. He spreads stories (I'm not saying false stories) that counter Gordon's branding of himself as supreme and infallible. He also builds his own brand as reliable and sensible.

Where do I get all this from? The text:

"I've got some trucks to take home tomorrow," he told him. "If you take them instead, I'll push coaches in the Yard." (~1925)

We're less than one full book away from "now all three engines are great friends" and Edward is already shedded somewhere else, baby. That move was likely integral to developing those two new friendships with Henry and especially with Gordon… ironic but true. Hey, we know that the big engines seem to have only learned to appreciate Thomas after he left, too! And, of course, it gives Edward some space from all of the *waves hand vaguely* at the Big Shed. He doesn't like conflict (and Gordon is a conflict-generating machine).

They both rested at the next station; Edward told James how Gordon had stuck on the hill, and he had had to push him up! (1925)

Bro. Bro bro bro bro bro. I am pointing urgently.

This bit is so telling. It's been two years since the events of EDO/E&G and Edward is already seen defining Gordon's whole brand as we now know it to newcomers.

If it wasn't for that moment, I wouldn't insist with nearly as much confidence what I think then comes into focus as a clear fact: The early RWS itself is all evidence that Edward is winning the propaganda war, lol. Gordon's opinion of himself is a silly, endearing, limited point of view. Edward's opinion of himself is canon, bitches!

Incredible stuff.

This scene is a glimpse into the tactics that allowed Edward to eventually win this game (poor Gordon has no idea they're playing). Here he is laying the groundwork a good 20 years before the books about them were even published! And this is a good place to remind readers that, unlike in TVS where they make Gordon's hill problem a recurring gag, we only see Gordon stalling out there and requiring a banker's help once. In Christopher Awdry's Gordon the High Speed Engine, he also specifies that Gordon (who is about to have trouble on the hill again, in the 1980s) stuck before on this hill. "[O]nce." Once.

This is not a habit of his. It was a one-off thing. It's only remembered at all because his superior attitude and his ignorance of the words "thank you" offended Edward so deeply that he kept the memory of this event alive for over 20 years, until the Thin Clergyman got the story in print.

It's a bit messed up.

It's more than a bit petty.

It's so bloody funny.

No, I don't think Edward is some consciously evil Machiavellian genius. He's neither vindictive nor that far-sighted. But he's resilient, and creative enough to instinctively change the rules of the game when otherwise they'd grind him into rust. And there is his characteristic kindness mixed up in all of this, too: He needs to find a way to welcome Gordon's presence in his life, so he finds a narrative that makes Gordon funny and lovable instead of a threat. He sees James is insecure, so he tells that story at least partly from real solidarity and empathy. It's not like he's trashing Gordon, either – there is no lie told, and James is not put off trying to "motor-mouth" his way into Gordon's good graces. I'd characterize it, not as trashing Gordon, more… injecting an element of realism into his growing legend ;) We see in the same book that Gordon is continuing in his superior attitude (which involves putting others down, even if it's a bit more indirectly than he did two books earlier) and that his attitude depresses and dejects newcomers like James. There is good, civic-minded reason to slyly undermine Gordon's branding of himself as all-powerful and invincible – it's not good for the railway as a whole if Gordon is allowed to lord over them all on his throne unchecked, the new engines forever overawed. It is kind of Edward to welcome James and give him a boost, it's genuinely useful for everyone that in the end James triumphs to seize the role of a darkhorse rival junior but trusted colleague of Gordon's.

At the same time, while it's all justifiable and even beneficial, this action is also very useful in cementing Edward's own position. Let's just be clear-eyed about this.

"Shall I help you, James?" called Edward. / "No, thank you," answered James, "I'll pull them myself." / "Good, don't let them beat you." (1925-6)

Edward and James show a perfect understanding of each other in this moment – different though they may be, Don't let them beat you is a shared value. (Shared by a lot of engines, of course; probably a steam engine culture thing. Douglas says something similar in RWS after accidentally destroying the spiteful brakevan.) It applies here to trucks, but no doubt that's a value that motivates them in other areas, too.

It's just worth remembering this, when it comes to Edward's stance re: Gordon. He's more subtle about it than James is. He sort of has to be (he cannot directly compete with Gordon, as James can). But he's still determined to not be beaten.

Errr, but then Gordon triggers a chain of events that Edward could have never conceived of. The Fat Controller sends him to Tidmouth, Edward goes in with no idea what he's facing, and wham. We have the first of the two really severe strains on this relationship:

Gordon came clanking past, hissing rudely[...] / "They all hiss me, Sir," answered Edward sadly. "They say 'Tender Engines don't shunt', and last night they said I had black wheels. I haven't, have I, Sir?" (~1927)

Two things to note here. This clash doesn't only represent Gordon's and Edward's differing views on what is proper to the dignity of an engine and what he owes to his railway. That's all The Author can see of it, of course… The Author being a human, and thus with a vested structural interest in vindicating Edward's point of view on this matter — and in mocking Gordon's view to scorn. This is why, so far as the book is concerned, Gordon and his two big-engine followers don't have a wheel to run on here. The Gordon position is portrayed as thoroughly unreasonable (even if, despite the narrative's best efforts, the text must admit that the Fat Controller does actually have to get a new tank engine – which was Gordon's demand all along!)

Because of The Author's interest, there's no chance of any acknowledgment that the other tender engines' anger might have the slightest validity to it. However I think we are seeing another, parallel clash going down here:

Gordon naturally sees friendship as, well, as an Alliance. My friends are your friends and your enemies are my enemies. United we stand, together we fall. The problem is that while Edward is mild-mannered he's not a follower, like Henry and James – he has his own mind and he's not about to substitute Gordon's convictions for his own. Edward's idea of friendship is mutual sympathy and support. Emphasis here on mutual, because you just know that young Gordon was quite prepared to receive support (as his due!) but had trouble returning it. That's something Edward considers a serious insult… whereas his own idea of friendship simply has nothing to do with "how dare you cut the branch out from under me when I'm risking my tender leading collective action against management!" To Gordon that's a real betrayal. I suspect when Edward undercut his strike Gordon was genuinely hurt and felt a real righteous indignation – one that is never expressed in canon because to the Author there's nothing even slightly valid in Gordon's hurt. But canon (the Author, the railway, the whole institution of human society that made and employs these guys) does validate Edward's position that boasting and one-upmanship are hurtful, itself a sort of betrayal – which is a big problem, since for Gordon they're alarmingly close to a damn love language.

This is a position on which I feel no need to take sides. I know the Author's position. I think they just have irreconcilable values and that Gordon's values, while I don't share them, aren't just shit, either. I don't condone all his behavior here but I do think his idea of friendship is consistent over the course of the Wilbert books and that he would feel genuinely betrayed here. And if you've been betrayed then it makes sense that you are hurt and angry.

What a mess.

"Tender Engines do shunt, but all the same, you'd be happier in your own Yard." (~1927)

Guys, I'm telling ya, the Fat Controller knew what he was doing when he separated Edward from the other "great friends" after the events of TTRE. He knows. Letting Edward have distance from Gordon is policy. Pre-existing policy. Drafting Edward to Tidmouth was a last-ditch effort to avoid buying a tank engine but TFC is unsurprised when it takes less than one (1) day of proximity for Edward's "laugh 'im off" strategy to fail. Proximity causes the fragile Edward and Gordon relationship to collapse immediately – which inevitably means that it's Edward who gets hurt – and so Hatt is resigned to his new expenditure. Off to the engine orphanage.

After Percy is brought in, Gordon et. al. are suitably punished, and equilibrium is restored, there is again a long period of relative peace between 2 and 4. And it's not because Gordon has lost his capability to be an asshat to others (see "Gordon's Whistle" and "Off the Rails" and "Duck Takes Charge" and – etc.) But Edward's defences are restored and he continues to reinforce them. Again in safety at his own station, he regains his ability to laugh knowingly and to gather intel for the oppo file:

“It sounds like Gordon,” said Edward, “and it ought to be Gordon, but Gordon never whistles like that.” / It was Gordon. / … / He screamed through the station and disappeared. / “Well!!!” said Edward, looking at Henry. / “It isn’t wrong,” chuckled Henry, “but we just don’t do it,” and he told Edward what Gordon had said. (1935-6)

After Henry's rebuild, there is a long "dark" period – end of Depression (including Gordon's rebuild) and WWII. During the course of the war the Thin Clergyman begins (and ends) his stint as publicity director for the NWR, and in 1945 TTRE is published. I reckon the focus on Edward, Henry, and Gordon reflects that this was a high-water mark in their friendship. The qualities and values that these three actually do have in common – duty, loyalty, determination – would have been at the forefront for those years. They would have faced a lot of very difficult days together, and together they got through them. The bond might have been heightened because frankly this is the sort of circumstance I can see them at their very best but the opposite being true for James, so there might have beena bit of "the old band getting back together" and re-bonding. In particular I can see Edward and Gordon during the war years learning to better appreciate the other's strengths. In 1945 you can easily imagine 'the three railway engines' looking ahead to a happy new era and genuinely believing that all their petty squabbles are in the past, they will never have problems between them again.

Lmao.

Well actually, of course, life goes on. By 1952 Gordon in particular is achieving brand-new levels of asshattery in the lead up to his ditch tourism. However, the interactions between him and Edward this year support my guess that this was a period of detente:

“I won’t go, I won’t go,” grumbled Gordon. / “Don’t be silly, don’t be silly,” puffed Edward. (1952)

This is their most obvious "tug-of-war" moment ever, but actually the stakes here are soooooo low lol. To me this is one of their cosiest and most comfortable interactions, actually. This is a rare case where they don't sound like stuffy, old-school, vaguely-to-explicitly dysfunctional colleagues. They just sound like siblings. For once they're being fairly frank with each other.

Wait… what's this... for twice?

1952 was a banner year for them, guys!

The engines in the Shed were excited and wondered who would pull the Royal Train. "I'm too old to pull important trains," said Edward sadly. / "I'm in disgrace," Gordon said gloomily. "The Fat Controller would never choose me." (1952)

This is a remarkable moment in this dynamic. It's the only time Edward ever admits vulnerability in front of Gordon. Fascinating.

I think it's extremely relevant here that Gordon has been in dire disgrace for what appears to be at least two months by this point. His status (though soon to be restored!) is currently nuked. Gordon's been in a very amiable frame of mind towards everyone. He has never been less of a threat.

It's also extremely probable that, even if this book was published first, this scene almost certainly takes place after EtBE. So earlier this same year where Gordon hits his lowest-ever status, Edward has hit his highest since Gordon arrived – the Fat Controller has overhauled him and Edward returned to an enthusiastic hero's welcome from the other engines. Everybody's drinking their respect Edward juice just then.

So this is a very brief period where Edward does not seem to feel any need to keep a wall up around Gordon – nor the others.

Now, with James and especially Henry, perhaps that wall never goes up again. But with Gordon, well. Let's just enjoy the moment. Presumably the whole royal visit prolonged this high point in their relationship even a bit longer. But it won't last.

When Gordon and Henry heard about the accident, they laughed and laughed. "Fancy allowing cows to break his train! They wouldn't dare do that to us. We'd show them!" they boasted. / Edward pretended not to mind[.] (1952)

Backtracking to earlier the same year. Gordon's acting an ass here – but not like the asshole of the tender engines' strike affair. We're back, not to insults, but to mere boasting. But... reminder that while Edward probably feels an insult keenly (he feels everything else keenly; why not this?), it's boasting that really seems to get under his paint.

I cannot overemphasize the line He pretended not to mind.

Edward is not a pokerfaced engine! This is not natural behavior for him! He's the "why are you sad?" "hullo Edward, you look upset" "Where is Thomas??? peepipeeeep!!" guy. This is play-it-cool stuff is behavior he developed as a shield against Gordon.

To be sure, we also see him employ it later this same book, this time against James: "Late again?" / Edward laughed, and James fumed away. The difference is – well, the need for the life-saving chase was pretty lucky, of course ;) but the real difference is that at the end of the affair James makes a real apology. As a result, the narrative tells us (doesn't show us, which is too bad, but I'm going to trust the telling), their old friendship is restored, strengthened even. Unfortunately making a real apology seems to be something completely beyond Gordon, at least at this point. And even if it wasn't, well, Edward never directly asks for one or complains about the behavior of the other engines to their faces. I don't know if Gordon is capable of apologizing to Henry either, but at least in that case Henry is going to be very loud and clear that he wants one. (This is probably at the bottom of the success of the 3+4 friendship. Gordon needs things spelled out for him – and Henry complains and grumbles without restraint, so Gordon will always be kept up to date on exactly where they stand.) Edward doesn't do that, perhaps can't do it because it violates his "never admit weakness in front of Gordon [or, in this one case, James]" defense mechanism. His remark referencing the "Old Iron" insult hints that he's ready for an apology – and James is able to take the hint and respond appropriately. Maybe that's why we've only ever seen Edward have to use the laughing pokerface strategy with James once, and we see him using it re: Gordon many times.

Going back to "Cows." At the end of that story Edward needles Gordon the same way he later does James. Gordon responds, not so humbly and sincerely, but arguably a form of relationship repair happens:

"Well, well, well!" chuckled Edward, "two big engines afraid of one cow!" / "Afraid – Rubbish," said Gordon huffily. We didn't want the poor thing to hurt herself by running against us. We stopped so as not to excite her. You see what I mean, my dear Edward." / "Yes, Gordon," said Edward gravely. / Gordon felt somehow that Edward "saw" only too well. (1952)

Well… they too are restored to their status quo.

It's just that their postwar status quo is polite, passive-aggressive points-scoring.

Now, at least it's civil! It sounds friendly. It sounds like there's mutual respect there. But...

It's not enmity. But you might call them frenemies.

I also need to remind us that we are reading the above quote because it is in print. Post-war, there is a new factor playing in this dynamic, a nearly-invisible but probably incredibly important one: the Thin Clergyman keeps publishing one or two books about their goings-on, every damn year. His interviews and his publications have already stirred up all sorts of old history (notably Troublesome Engines came out like two years ago, so they got to re-live that pretty recently). But now the RWS has "caught up" to current events so the engines are having the interesting new experience of an account of their doings for the year coming out, like, right away. Everyone becomes famous, but this also means that the books (and The Author's take on them) are shaping more and more people's perceptions of these guys, who have enough foreign traffic on their railway in this era that they cannot be ignorant of this effect. You know what they say about fame: it takes already imperfect relationships, and makes 'em better! 😇 Wait, no, they definitely do not say that... There is no chance that this sort of meta "reality tv show" factor didn't affect their outlooks and relationships.

Especially in a relationship like this. Where the Thin Clergyman's account of things heavily favors Edward, and rather severely trims Gordon's wheels.

Ooooooooooooof. I don't even want to speculate about the details of how this play out, but just bear in mind that it's. there.

Maybe it illuminates a lot of stuff going on in Duck and the Diesel. Including this…

“[H]e told Edward what Gordon had said. / “Don’t take any notice,” soothed Edward, “he’s just jealous. He thinks no engine should be famous but him.” (1957)

Erm. That's a pretty blunt assessment. Especially from an engine who usually has rose-colored glasses firmly attached.

I've never heard Edward say anything negative before about… anything. Literally anything. Let alone an anyone.

His prior remarks about Gordon always had the air of "haha… lol… Gordon, we love him of course 🙃…" There's no laugh here, no fondness, no attempt to soften things.

Not that this bluntness is a bad thing, in and of itself. But if the goal of Edward's defences was initially to find a way to maintain a good relationship (and I think it sincerely was), then the last example, from DatDE, is a yellow flag. It's been over thirty goddamn years now, and Edward is not growing more accepting and comfortable with Gordon – the opposite, actually. I don't hear Edward being unfair to Gordon there, precisely, but I do seem to hear markedly less tolerance than before.

And this is interesting, the hint that Edward is losing patience with Gordon. Because Gordon is actually engaged in a lot of self-improvement.

Gordon's Growth

He's been on a magical journey of character development, guys.

And it started way before his book/1952.

We see the little crocuses of Gordon's emerging awareness that Other Engines Have Something To Offer, Too almost from the get-go. I would count the fact that (back in 1923) it's Gordon who proposes that Henry is let out of the tunnel to try pulling his train. Which. Crazy idea, really. But even crazier because Gordon's been shown to have previously spent day upon day upon day whistling "Serves you riiiiiiiiight!"

Honestly, this is yet another hint to me that Gordon comes across as way harsher than he means to. I almost called the above "openly taunting Henry." But honestly, given his immediate and unexplained turnaround by the end of the story… once again, I think Gordon was being judgey and blunt, but really had no idea that what he was doing was so hurtful. Or that other engines have, like, feelings. Real feelings.

We see this pattern again and again. Gordon tells Edward "[I'll] be a splendid sight for you" and James "Ah well, we all have to begin somewhere, don't we? Run along now and fetch my coaches" and the two smaller engines, quite understandably, seem to say in their hearts oh my God, what an insufferable asshat. Meanwhile Gordon thinks he's being friendly. Or at least condescending (but, like, in the fun, benevolent way). Similarly, Gordon tells back-from-major-reconstructive-surgery Henry that he's been really letting the side down in, like, three different ways – and I bet if anyone had directly challenged him he would have sincerely been like "... What? What's the problem? I told him we were happy to have him back!" Even his spat with Henry that led to his boasting in "Off the Rails" began with what have may been genuinely mother-henning his friend. I would not be too shocked to learn that Gordon gets twinges of unease that he never examines every so often when he sees Henry with a train and has a subconscious flashback to their fears for Henry's life after the Kipper accident. Altogether, there seems to so often be a good and commendable instinct on Gordon's part – it's just that for the longest time he doesn't seem to have a clue about how to transmute those instincts into something that other engines are going to find legible. And then if he gets even slight pushback his good instincts collapse and he reverts to his childish "meee! meeeeeeee! 😤😤" instincts.

It's a slow hard slog for him to learn how to Use His Words and Relate To Others, but we do get to see progress. And it starts early! He makes friends with James after James successfully takes the Express (1925-6) – and it's really quite a gracious overture. He, along with James, sympathises with Henry after the elephant incident (the Author, of course, explicitly denigrates this, suggests that it was purely a matter of politicking and scheming and that it would have been healthier to have mocked Henry, the way the proletariat should always be cutting each other down at the slightest opportunity, really sticking the boot in each other's neck gratis. But hell with that! Lmao. Catch me ever swallowing Management's narrative about how their striking workers banded together. Anyway, even if I granted for the sake of argument that Gordon was faking his sympathy, well, I mean. Gordon faking sympathy is still #Growth. Fake it till you make it!) He is also friendly and kind when he rescues Percy from the Big Bank of Earth – he indeed shows so much tact that he finds something to give Percy credit for, instead of saying (which would have been true) "This is all your fault, dumbass…"

"Off the Rails" represents a bad week or so for him, but the incidents in the rest of Gordon's book don't show us a newly humbled Gordon – more just a recently re-humbled one. His behavior to James is perfectly in line with those previous incidents. His behavior to Thomas doesn't come out of nowhere either… although in that one Gordon is trialling some new material:

“I’m sorry I was cheeky,” said Thomas. / “That’s all right, Thomas. You made me laugh. I like that. I’m in disgrace,” Gordon went on pathetically. “I feel very low.” (1952)

We all see what's new here?

1) The Alliance. Now, Gordon putting words to it (and words that make it into the RWS) is new. The concept overall is not new; this seems to be a verbalization of an attitude that Gordon has adopted long ago. As I argued above, this is just Gordon's whole concept of friendship. It is worth pointing out, though, that he never before extended this concept to tank engines. (He could condescend to them. Not offer them alliance and equality, though. Therefore didn't get upset when Thomas didn't "understand" his concerns as A Tender Engine, either. There was no expectation of a pact. Not back then. It's only now that this changes.)

As the next decade or so goes on, we're going to see that Gordon (and Henry) seem to continue extending this implicit alliance to every steam engine. (Diesels, after that whole disastrous introduction to them via the most devious of engines, are a sort of last barrier.) Think "We engines have our differences, but we'd never talk about them to the trucks." Think Gordon laughing with Stepney and Duck over their triumph with "the heavy train." Think of rallying around Donald and Douglas when they learn there is a threat of scrap. That concept of alliance that was once limited between the big engines (plus or minus Edward, depending) is now extended. It doesn't mean that there are never conflicts or clashes within the ranks, of course! But it does mean that there's a new attitude spreading on this railway. This book is where we see the first sign of Gordon spearheading it. I wouldn't say he gets credit for creating or implementing it all himself – but he does deserve credit in the sense that, if he had not whole-heartedly bought into this idea, it wouldn't have become entrenched on the main line.

2) Vulnerability. I directed attention in the previous section to the way that Edward will not admit weakness in front of Gordon. Gordon has something similar… but worse. Until this point, Gordon would not admit vulnerability to anyone. At most would complain, or try to make some "objective" case as to why he is ill-used.

That isn't what happens in this exchange. He doesn't make the slightest argument for himself, he doesn't object to being in disgrace. He simply owns, aloud, that it sucks. I feel very low.

There are other indicators that this is not a one-off, that Gordon is simply coming to terms with the reality that he is, basically, a sensitive soul:

One day Gordon saw [Sir Handel] shunting, and laughed. / “My Controller makes me shunt,” Sir Handel said sheepishly, “and take trucks to quarries too. I’m highly sprung, and I suffer dreadfully.” / “Our Controllers don’t understand our feelings,” sympathised Gordon. (195…5?)

This isn't as vulnerable as the Thomas case – Gordon's not feeling Very Low in that moment, after all – but it is very intriguing. In a previous book, Sir Handel treated Gordon like they were equals, which left Gordon "speechless." As well it might! And now, when Gordon meets up with him again, he does have the upper wheel: He catches out Sir Handel not being so very express-enginey after all! But when Gordon laughs at him, Sir Handel owns up to his embarrassment. And this is exactly how you get Gordon's best side. When you're vulnerable, he stops acting the bully, and he's sympathetic. Very similar to the case from "Percy Runs Away." But this time, Gordon seems to be going a half-step further than just claiming the role of benevolent patron. "Our Controllers don't understand our feelings." He really does cement Sir Handel's claim to equal fellowship.

It's probably not mere politeness, though, that makes Gordon sympathize. He's revealing something important here about his inner life. When Gordon is seen as his most proud and demanding, he is actually troubled and upset – putting up a very good thick front over it, though.

We will see confirmation that he's a creature of Feels again in 1968, after he spends a whole page (that's a lot of time, in RWS-land) unable to express more than "I'm not happy" – which the other Tidmouth engines ignore or treat as a superficial complaint because, well, they just had no reason to think that Gordon would ever be like this:

Gordon backed down on his train, hissing mournfully. / “Cheer up, Gordon!” said The Fat Controller. / “I can’t, Sir. The others say I’ve got boiler-ache, but I haven’t, Sir. I keep thinking about the Dreadful State of the World, Sir. Is it true, Sir, what the diesels say?” / “What do they say?” / “They boast that they’ve abolished Steam, Sir.” / “Yes, Gordon. It is true.” / “What, Sir! All my Doncaster brothers, drawn the same time as me?” (1968)

*dramatic gesture* Gordon the “I Just Want a Little Goddamn Sympathy” Engine, ladies and gentlemen.

Returning to our overall topic, this is an interesting similarity between Gordon and Edward. Despite their numerous and obvious differences, they both have a lot of Feelings – like, to the point where it’s a burden, and figuring out what to do with ‘em drives their respective character arcs.

Being them, of course, they approach the problem from opposite directions, lol. Edward is basically toughening up, and starting to adopt the role of an elder/mentor (he does this a lot later than I gather people think he does, and in more limited circumstances. But you do gradually see him becoming less A Normal, Emotive Peer and more of A Sympathetic Listener, One Half Step Removed from Ordinary Engine Life, Giving and Not Asking For Support). Gordon has almost the reverse assignment. He's opening up, and gradually learning how to come down from his high horse and be on a level with others.

Once Gordon learns how to use his words to express himself like a rational being, he starts being able to form much healthier bonds with others. (I didn’t say with everyone. And I didn’t say they were perfectly healthy. Just… healthier than some of his past bullshit, lol.)

And, when Gordon gets the kind of support he needs, he becomes much less of a pain in the arse. This arc continues all the way through to the Christopher Awdry books.

To the extent that, as of Main Line Engines, he IS still a pain in the ass… well, I think we can infer that he hasn’t yet got that support network quite in place.

Ironically, ‘emotional support’ is a real strength of Edward’s. It’s something we’ve seen him lend generously to a laundry list of other engines… and something we never see him offer Gordon.

For obvious reasons. Gordon burned him so many times before and (the key commonality, of course) Edward is sensitive, too. It’s always obvious that he feels things keenly and takes things hard. His character arc has a lot to do with channeling that sensitivity into action and learning to build more backbone.

It's on a collision course with Gordon's character arc, which is about connecting with and owning his feelings and learning how to express them.

We can see the crash coming in part to, again, the absence of what we see between them in this pre-60s era. Gordon has repeatedly proven that he can be a very good friend, when an engine is down (Percy, James, Thomas, Sir Handel). This is a great footing for Gordon to show his best and most generous side.

Unfortunately Edward's entire strategy for dealing with Gordon since at least 1925 has been about NOT showing any weakness in front of him. A strategy he's followed with great success.

So it's no surprise, that both characters are growing and developing, but that their relationship is growing more and more hollow.

It's no surprise… but it is aggravating.

And the thing that makes you want to tear your hair out the most? Gordon – Mr. Oblivious himself – has no idea anything's wrong.

And, honestly, watching Edward getting slyer and slyer about forever keeping Gordon squarely on the back foot is a joy… I’m so proud of him… even as part of me groans because, funny though this is, they could have had something even better.

Let’s take a closer look at MLE. They’ve both spent decades now dosing on ‘character development.’ Unfortunately those arcs are on trajectory to criss-cross – and the smash-up happens here.

#long post #ttte #the railway series #ttte analysis #chatter #ttte edward #ttte gordon #ttte james #ttte thomas #ttte sir handel #2+4 #2+5 #1+4 #4+sr3

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uhhlifeig · 2 days ago

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Quidditch Pitch - Nov. 27 - word count: 710 - @wolfstarmicrofic

The Gryffindor stands were buzzing with energy as the players zoomed onto the Quidditch pitch.

Up in the commentator’s box, Remus Lupin adjusted the enchanted microphone and smiled. “Welcome to today’s match: Gryffindor versus Slytherin!” His voice echoed over the stadium. “Let’s hope no one dies today, yeah?”

McGonagall was shaking her head exasperatedly beside him.

Remus sighed. The introductions were always the most boring part. “On the Gryffindor side, we have Alex Brown, Mackenzie Glen, and James Potter, Chasers. Our Beaters are Sirius Black and Marlene McKinnon, and Cassidy West and Noah Logsden as Keeper and Seeker respectively.”

Sirius tilted his broom in a mock bow towards the dirty blonde when Remus said his name.

“On the Slytherin side,” the werewolf continued, “we have Dorcas Meadowes, Mark Sanders, and Darcy Avery as Chasers, Kim Johnson and Carmilla Rivers as Beaters, Jackson Mulciber as Keeper, and their Seeker is Regulus Black. Yes, another Black! Because one wasn’t enough, apparently.”

Regulus scowled at the commentary box, adjusting his gloves.

“And they’re off!” Remus announced as Madam Hooch blew her whistle. The players soared into the air, James immediately snatching the Quaffle.

“Potter has the Quaffle- shockingly, not his biggest achievement today. He managed to not fall on his face this morning, folks. It’s a miracle.”

James threw him a dirty look as he dodged a Bludger.

“Oh, McKinnon with a fantastic hit! That’s right, show them how Gryffindor Beaters roll.”

Meanwhile, Regulus darted across the pitch. Remus just managed to catch a glimpse of his face before he flew away.

“And there’s the younger Black giving us all a masterclass on brooding while flying. A true Slytherin strategy- if they can’t win, they’ll look better losing.”

James shot toward the goalposts, weaving through the Slytherin defense with Sirius taking out anyone who got too close.

“Potter goes for it- he shoots, he scores!” Remus cheered. “Look at him. So proud of himself. That’s Gryffindor ten, Slytherin zero!”

A few moments passed without any excitement- until a well-aimed Bludger from Sirius sent the Quaffle spiraling out of a Slytherin’s grasp. James dove to intercept.

“Look at older Black and McKinnon proving that teamwork makes the dream work! And Potter- oh, look at that catch! Someone’s showing off.”

Remus watched as Sirius and Regulus crossed paths mid-air, gazes locking briefly before the younger flew away in search of the Snitch.

“And there’s the Black brothers, sharing a tender sibling moment,” the werewolf drawled. “Truly touching. Almost makes you forget they’re trying to knock each other out of the sky.”

James’s next pass was intercepted by a Slytherin Chaser, who charged toward the Gryffindor goalposts.

“Finally, some action from Slytherin! And there goes West, looking vaguely concerned. Can she- oh, no, she can’t. Goal for Slytherin. It’s ten-all, folks!”

A Bludger shot past his friend by mere inches, Sirius swerving out of the way when he saw it hurtling at him. Remus breathed out a breath of relief, announcing, “Sirius Black narrowly avoids a Bludger! Shocking reflexes from a man who tripped over his own feet this morning.”

A cheer sounded as Marlene sent Carmilla reeling with a Bludger to the shoulder.

“McKinnon, good job,” Remus said, his grin audible. “Show those Slytherins who’s boss around here.”

Eventually, Regulus dove for the ground, looking as if he had spotted the Snitch. Noah followed him, but the moment he realized it was a feint, he swerved upwards.

“And Baby Black pulls a Wronski Feint! Probably trying to pull more than that today, if you know what I mean,” Remus remarked with a sly tone.

Despite the chaos, the match pressed on.

“And that’s Potter with another goal- I think his ego is taking over, folks.”

Noah suddenly shot forwards, having spotted the Snitch. Regulus tailed him, but the Gryffindor grabbed it a millisecond before the younger Black brother would have, cinching a win.

Remus leaned back in his chair, smiling. “And that’s the game, folks! Gryffindor takes it, thanks to teamwork, skill, and, let’s face it, sheer dumb luck. Better luck next time, Slytherin. ”

He started a timer in his mind. One, two, three…

Sirius flew right in front of the commentary box, grinning broadly. “I guess that good luck kiss really did work, Moony.”

#guess who brought back commentator remus!!!#my babyyy hes so snarky #i love him so much #and siriussss #“i guess that good luck kiss really did work” YASS GET IT QWEEN #sorry 😭 i know im fangirling over my own work 😔 but sirius orion black the man you are 😍#oh and btw jegulus is totally hooking up in this au #emi writes sometimes #platonic moonwater #as in remus teases the fuck out of reg #and vice versa #but they still end up cuddling together at the end of the day #and sirius and james are feeling very jealous but theyre not sure why #maraudersera #remus lupin #wolfstar #moony x padfoot #moony #sirius x remus #sirius orion black #sirius loves remus #sirius black x remus lupin #sirius black #sirius being sirius #sirius and regulus #remus x sirius #remus lupin x sirius black #remus and sirius #remus loves sirius #regulus a black

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rhapsodynew · 17 hours ago

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#memorial day

On November 29, 2001, the "silent Beatle" left this world. In memory of George Harrison, let's recall some interesting facts from his life.

George Harrison: A nostalgic and instructive interview.

Interview with Crawdaddy magazine

Question: “Were you nervous before the Beatles debuted in 1964 on the Ed Sullivan show?”

GEORGE: “Sullivan's show was funny because I didn't attend the rehearsal. I got sick during the flight during my first trip to the States. The band also played a lot of songs at rehearsals for sound engineers, they kept coming into the control room and checking the sound. And finally, when they found a balance between instruments and vocals, they noted it on the mixing console, and then everyone went to lunch. Then we came back to record the show on tape, and the cleaners had already been here and erased all the marks from the remote. In those days, the sound was somehow handled carelessly. Amplifiers, for example, were placed to the side of the stage so that it would not spoil the frame, you know.”

• After the Beatles' first visit to the USA, they became the most famous people on the planet - an inside look

“For the Beatles at that time, it was a great help: if someone ran out of press conferences, there was always someone else with a smart answer. There was always a reasonable balance, so no one could ever really pin us down.”

George Harrison is inducted into the Rock and Roll Hall of Fame (2004)

“For the first time, the most depressing moment came for me during the ‘White Album’. The problem was with making a double album because it takes so long.”

The Beatles were inducted into the Rock and Roll Hall of Fame (1988)

Q: “Why did you make a double?”

GEORGE: “I think it was because there were so many songs, but it was a period that started a little bit negatively. It was a bit difficult, but we got through it and everything was fine. We finally finished working on the album, and everyone was happy because the tracks were not bad. There were just too many restrictions based on the fact that we had been together for so long. Everyone was kind of imprisoned. It was unpleasant.”

“The problem was that John and Paul had been writing songs together for so long that it was difficult - primarily because they had so many tunes and they automatically thought their songs should be a priority. As for me, I always had to wait for them to record ten of their own songs before they even listened to one of mine.”

“‘While My Guitar Gently Weeps’ we were recording one night and there was such a lack of enthusiasm. So I came home very disappointed because I knew the song was good. The next day, I brought Eric Clapton with me. He was really nervous. I told: ‘Just come and play in the session, then I can sing and play the acoustic guitar.’”

“Paul always helped when you first performed his ten songs, and then when he started performing one of my songs, he helped. It was stupid. In fact, it was very selfish. Sometimes Paul would make us perform these really sugary songs. I mean, God forbid, ‘Maxwell's Silver Hammer’ was so cloying. After a while we worked on it well, but when Paul came up with an idea or arrangement… But Paul is still really writing for a 14-year-old audience right now.”

“I remember coming from California and shooting this piece for a film about Ravi Shankar's life called ‘Raga’, and I had a sitar. And we stayed in New York and checked into a hotel, and Jimi Hendrix and Eric Clapton were both in the same hotel. And that was the last time I really played the sitar like that. We hung out so much at that time, and Eric gave me a fantastic Les Paul guitar that he plays at that concert.”

“I helped so much with all the arrangements. Although there were a lot of tracks where I played the bass. Paul played lead guitar in ‘Taxman’, and he played guitar - the best part - in ‘Drive My Car’.”

Q: “Did you play the bass?”

GEORGE: “No, I didn't play. What did Paul usually do if he wrote a song? He would learn all his parts, and then he would come into the studio and say, ‘Do this.’ He would never have given you the opportunity to take the initiative. But on ‘Drive My Car,’ I just played a line that's really kind of a lick off of ‘Respect’ - you know, the Otis Redding version - and I played that line on guitar, and Paul recorded it with me on bass.”

Q: “Which Beatles album are you still listening to?”

GEORGE: “I loved when we worked on ‘Rubber Soul’, ‘Revolver'. There was something good in each album, and they developed. There were albums that, from my point of view, were no good, like ‘Yellow Submarine’.”

“We put all the songs together in album form - now I'm talking about English albums, because in the States, as we later discovered, for every two albums we had, they (Capitol) made three... because we included fourteen tracks in the album, and we also had singles that were not included in albums at that time. And they put in singles, took out a bunch of tracks, changed the order, and then made new compilations, like ‘Yesterday And Today’ - just terrible compilations.”

Q: “Was it difficult with the rest of the band when you started getting into Indian music?”

GEORGE: “Not really. They weren't really that interested. When I first met Ravi (Shankar), he played a private concert right at my house, and he came with Alla Rakha, and John and Ringo came to listen. I remember Ringo didn't want to know anything about tabla because it just seemed so far away from him.”

Q: “The whole Beatles image has been cleaned up and smoothed, which is always credited to Brian Epstein.”

GEORGE:

“In the Hamburg days, we had to play for a long time and burn out to the fullest, jump around the stage, foam at the mouth and do anything.”

Q: “Have you received any feedback from John or Ringo or anyone else-congratulations?”

GEORGE:

“I remember John was very negative at the time, but I was away, and he came to my house, and my friend lived there, who was also John's friend. He saw the album cover and said, ‘He must be pretty damn bad to have released three records. And look at the front photo, he looks like an asthmatic Leon Russell.’ There was a lot of negativity. You know... Ringo played on almost the entire album. I don't care about that. To hell with all this-we've been through this before. I felt that no matter what happened, whether it was a failure or a success, I would act on my own, just to get some peace of mind.”

Q: ”They say he was...”

GEORGE:

“Well, you know, John has experienced more negative events than I have with the Maharishi. Now I see much more clearly what happened, and a lot of it was due to ignorance. Maharishi was great, and I admire him, as well as Prabhupada, for being able, despite all the ridicule, to just keep moving forward. And now more and more people - especially in the United States - are following the teachings. And in the 60s, they laughed at us and said it was stupid. All those people influenced me, and I tried to get the most out of them without getting a spiritual twist of the guts.”

George's favorite color was purple. The musician loved Formula 1 racing, egg sandwiches, watched the TV show "Monty Python's Flying Circus", and his favorite movie was "The Producers" (1968) by Mel Brooks.

For most of his career and life, George considered his birthday to be February 25th, 1943. Many books about The Beatles and Harrison indicate this date. However, shortly before his death, George said that, in fact, he was born on February 24. The family document shows that the musician was born on February 24 at 23-50

George officially joined The Quarrymen on February 6, 1958, when he was 14 years old. During a tour of Scotland in 1960, the musician briefly changed his name to "Carl Harrison" (in honor of his idol, Carl Perkins).

George became the author of a slang word that entered English dictionaries. In the movie "The Evening of a Hard Day" (1964), he used the word grotty to describe some items of clothing. Grotty (from the word grotesque — grotesque) became a popular slang word of the 1960s era. It is still used today, although much less often than before

Harrison was "the best actor from The Beatles." At least, according to Richard Lester, the director of the films "Hard Day's Evening" and "Help!". Richard called George the most capable actor of the Liverpool four. According to the director, in the "Evening of a Difficult Day" the guitarist was the highlight of every scene he participated in.

George was the first "Beatle" whose solo composition reached the highest position in the national charts — this achievement was achieved by My Sweet Lord in December 1970

A versatile musician, George played 26 different instruments. Any Beatles fan knows about his talents in playing guitar and sitar, but Harrison has also achieved considerable success in studying instruments such as conga, African drum, xylophone, violin, harmonica, marimba, metallophone, ukulele, sarangi.

Harrison once spent $4 million "to watch a movie." When the Monty Python comic group began to have problems financing their film The Life of Brian, George actually mortgaged his house to help the artists with money. He said he did it simply because he "wanted to see the movie." According to Monty Python contributor Eric Idle, this is still the largest amount anyone has paid for the opportunity to watch a movie.

As we all know, George died in 2001, the cause of death was a malignant brain tumor. His mother, Louise, died prematurely due to the same disease in 1970. George wrote the song Deep Blue in her honor. The musician's father, Harold Harrison, died of cancer in 1978, on the night of his death, George and his wife Olivia woke up and both saw the color blue. Afterwards, they testified that they had seen Harold's ghost smiling at them.

"We could save the world with our love."

"The world is a birthday cake. Take a piece, but don't be greedy.".....

#memorial day #Spotify #George Harrison #the beatles #Rock #pop #indian classical music #music #my music #music love #musica #history music #spotify #rock music #rock #rock photography #my spotify

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beefscrap · 1 day ago

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I say “maybe someday” but I get scared someday never will come. So I’ll be brave and speak

“A dream come true” is a phrase I’ve said here before, but that doesn’t even graze the surface. I’ve been writing stories and drawing since I was very young. It’s all I’ve ever done. And for years, one of my biggest wishes was to collect a fanbase for at least one of my stories. Calling my followers a “fanbase” seems really intense, though. I hesitate to call my readers a fanbase because I don’t feel I deserve it. “Fanbase” feels like it’s for someone who made something AMAZING.

I started making TBoFS at the beginning of this year. I’d work on it whenever I got sad, and it turned out to be often. It was just for fun, and something to escape to. Every time I make a story I think to myself ‘I’m sure it’ll pass’, because they usually do. It’s hard for me to finish things in general. So, I thought nothing much would come of it. I never would’ve imagined it’d get as much attention as it does.

No, maybe it’s not a LOT. No way in hell I’d call myself popular, or anything CLOSE. But there are people now who comment, react, interact, theorize, make art, etc for this story. I’ve never felt so special. I never felt like anything I’ve done ended up with any significance. Even if it’s a small amount compared to other online creators, I feel like I have a fanbase. If it’s not considered one, I don’t care. To me it’s one of the biggest, most important things that happened to me. If you couldn’t tell I was dramatic before, you’re finding out now!

I started with low hopes and just made shit for fun. This doesn’t even feel like a very GOOD story half the time because it was so casual at the start. Like, what am I doing to deserve what I have?

I still come to this story and these characters when I’m sad. This year was rough. The people here have helped. And I have a little bit of hope now that someday I can make something totally my own that people will like. That’s always been the dream. But THIS is more than enough.

I’m so lucky to have people who care here. And I thank the people who cared when it was only just beginning, too

I’m not gonna add tags or anything cuz I feel annoying and am a little embarrassed 😭 if you see and read this then hopefully it wasn’t too weird

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skzhocomments · 2 days ago

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Best Friend - Bang Chan Oneshot Fanfic

General Masterlist

Pairing: Bang Chan (Stray Kids) x OC (name: Isa. Story is written in 2nd person)

Genre: best friends AU, mature, fluff

Word Count: ~5k

Warnings: explicit mature content, swearing etc.

This is just a story that doesn’t describe Bang Chan's true character in any way. It’s just a product of my imagination and should be treated as such.

This story is also on Wattpad (click here) and AO3 (click here)

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Summary

You and Chan have been best friends for many years, and despite the attraction you feel towards him, you've never dared cross the line. That is, until the two of you end up watching a very explicit movie and you take that leap of courage.

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A/N: As any other writer out there, I would appreciate reblogs and your comments on this story. Please let me know if you enjoyed it, and most importantly, have fun!

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Best Friend

“Hey, what’s up?” Your best friend Chris picks up the phone, and you can hear faint sounds of traffic on the other side of the line.

“Hey, are you busy?”

“Not really. Did anything happen?” He asks, slight worry lacing his tone.

“Do you wanna come over and see a movie?”

“Oh, tonight? Didn’t you have a date or something?”

“My date cancelled on me!” You whine. You didn’t seem to have much luck with dating apps, because this always seemed to happen to you.

No matter how many people you’d match with, something would inevitably go wrong. You’d either lose interest too quickly when chatting, so you wouldn’t even accept a date, or, if the sun would shine bright enough on your alley and you’d find someone worth dating, something would come up on your side, or your date would bail on you.

“Oh, no! Again?!” Chris exclaims, seemingly as upset as you.

“Yes! Again! I don’t fucking get it! Why am I so unlucky?!” You exclaim with a pout. “I’m all dressed up too! Like, don’t get me wrong, I’m glad I didn’t leave the house at least. But seriously, I put in so much effort, I even bought a new outfit, for fuck’s sake!”

“Aw, I’m sorry Isa. Yeah, I’m free tonight. Actually, I had to drop something at Bin, so I’m like 5 minutes away.”

“Come over, then!” You chirp.

“Coming right up. Want me to bring you anything?”

“Just your amazing self.” You chuckle and say goodbye, ending the call.

5 minutes later, your doorbell rings, and you open the door with a large smile plastered across your face, inviting your best friend in.

You and Chris met a couple of years ago and got close in no time, due to your apparently endless common interests and conversation topics. You became close friends, and meeting up is a weekly occurrence at least. Sometimes life gets too busy, especially for him, who’s a workaholic with seemingly no free days ever, but he always makes sure to make time for you and visit or asks you to come over if he’s too worn out to get out of the house.

Other than actually meeting up, you chat most of the day, and you always thought that you and Chris had quite a good synergy. However, in these few years of you seeing each other regularly, it became clear to you that even if you find him attractive, he doesn’t see you the same way, so you never dared to cross the line.

You enjoy his presence way too much to somehow mess it up by doing something stupid, like confess your lingering feelings that are inappropriate to say the least towards a simple best friend. Some days it’s hard to control your heartbeat who’s erratically beating when he says or does something that makes your legs grow weak and your heart flutter, but you’re doing your best to ensure that you don’t overstep. That’s why you’re trying to go on all these pointless dates and meet these people that you’re almost never interested in.

The moment you see him, your face lights up, and all your disappointment regarding the cancelled date wears off. He is dressed casually, in some black gym trousers and a large hoodie that he immediately takes off as soon as he steps inside.

Underneath, he is wearing a fitted black shirt, and oh, fuck, how can someone look so good in casual clothes, you wonder?

“Is this the outfit?” He asks, pointing to your two piece – a short white skirt and a matching blouse.

“Yeah. I didn’t have time to take my make-up off or change, sorry.” You chuckle.

“Such an idiot, that guy who cancelled on you. You look amazing, Isa.” He compliments you, but you don’t read too much into it, because that’s just who he is. He’s always throwing compliments around, to anyone.

“Aw, thank you, Channie.” You pout and burst out laughing.

“He’s missing out. But hey, I got to see it, so…” He shrugs. “Do a pirouette, will you?” He asks with a large smile and puts his hands on your waist, helping you spin around so he can admire your full outfit.

That’s the other thing about Chris – he is a very touchy person. It’s quite frustrating, really, that you always seem to be up in his arms cuddling, that he’s touching you so comfortably, and it doesn’t mean anything. It never does.

“Just gorgeous. This fits you perfectly.” He compliments again.

“Thank you, really. Now I feel better. Appreciated.” You chuckle at his words. “And look, I got a matching bag as well!” You grab it from the coat rack and pose with it, making silly faces, and Chris immediately starts laughing.

“Lovely bag. It’s so small, though! What fits in there?”

“Oh, Chris, you don’t anything!” You laugh. “I have a million lip glosses in it, at least!”

“In that small thing?” He gasps, opening his mouth. “I don’t believe it till I see it, sorry.”

“Look, then!” You open it up and show him your little collection of mini glosses you’re keeping in your bag at all times. Lip gloss is simply like air to you, and you’re used to reapply it multiple times throughout the day. You just love it.

“Damn, that’s weird. It’s like there’s a magic spell or something making it fit more in it than it should.”

“You think?” You laugh at his antics, putting the bag away. “Anyway, I’ll go get changed and take my make-up off, and then I’ll join you in the living room? You can pick the movie.”

“I get to pick? What an honour!” He laughs. “Can I take your make-up off, though?”

“Oh, do you want that?”

“Yeah.” He smiles, and you do, too.

“Alright, let me get in some comfy clothes and I’ll be right there.”

“Sure.” Chris smiles again and heads to the living room, waiting for you.

Your outfit looks great, but it’s also a bit too tight and a tad uncomfortable, so the moment you step out of it, you feel amazing. You take your bra off too and grab a large t-shirt and some pyjama pants and make your way to the bathroom to bring the cleanser and some make-up remover pads.

“There you go, have fun.” You give Chris everything and close your eyes as he begins to slowly rub the make-up off your face.

“I don’t even understand why you’re wearing all this stuff. You’re so beautiful without it.” Chris mumbles, making you chuckle.

“I look better with it, though. If I don’t wear it when I go out, I feel naked.”

“Really? It makes no sense though, when you’re so pretty.” He hums, continuing to gently remove the make-up. “I think this should be it.”

“Oh, I also do my neck and a bit of my chest, here.” You ignore the compliment and grab the collar of your t-shirt pulling it down, exposing more skin as you roll your head back.

“Wouldn’t it be easier to take your shirt off?” Chris asks, continuing to rub your neck.

“If you want to see me naked, it would.” You chuckle.

For a brief second, you actually consider taking your shirt off just to see how Chris would react, but that is crossing the line.

You shouldn’t.

“Oh.” Chris says quietly pressing his lips together, his ears painting a soft shade of red. “It’s alright, I’ll just do it like this.”

“Thought so.” You laugh and feel as he places a hand steadily on your neck, making sure to wipe the make-up off properly.

The action also makes you blush, and you get a weird feeling in your chest that you want to brush over as quickly as possible. Dangerous thoughts.

“Okay, done.” Chris places the make-up remover on the table, then grabs all the discarded remover pads. “I’ll go throw these out.”

“I’ll also go do my skincare; it shouldn’t take more than 10 minutes.”

“No hurry, Isa.” He smiles, so you go to the bathroom and wash your face, doing your skincare routine and trying to hurry up anyway, just to make sure you don’t keep him waiting for too long, not that he would mind. If anything, Chris is a patient person.

“Alright, did you pick a movie?”

“Yeah, how about this one?” He points to the screen, and you squint your eyes to read the small title.

“Love? What is it about?”

“Not sure, but someone recommended it to me, so I said, heck, why not?”

“Let’s read the IMDB summary…” You pick up your phone and look it up, and immediately burst out laughing.

“What’s so funny?”

“Chris, this is basically porn! Murphy enters a highly sexually and emotionally charged relationship with Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbour into their bed.”

“Oh, my God. Okay, let’s choose something else-”

“No, no, let’s watch it.” You laugh, grabbing the remote control from his hands and pressing play.

As soon as the film starts, so does a very explicit sex scene.

“Wow, they surely didn’t leave anything to the imagination!” Chris exclaims, and you put your hand against your mouth in shock.

“Yeah, they didn’t. It feels like we missed 20 episodes.”

10 minutes later, another sex scene comes on screen.

“This is just porn, isn’t it?” You burst out laughing, watching as Chan’s ears grew red.

“I’m so sorry Isa, I-I really didn’t know-” He stutters, and that only makes you laugh louder.

“No, no, don’t apologise. Who the heck recommended this to you?”

“Felix, damn.”

“He has a specific taste, I guess…” You shake your head amused. “Not gonna lie, though, watching porn with my best friend was not on my bingo card this year.”

“Yeah, neither. Damn.” Chris laughs.

“They seem like they’re having a great time, though.” You affirm. “Should’ve been me tonight, but, oh, well, my date cancelled.”

“What?” He asks shocked but slightly amused. “Do you fuck on the first date, Isa?”

“Hmm, depends on who my date is and if I’m into him?” You tilt your head. “Haven’t been with anyone in a while, though…”

Chris clears his throat.

“What about you?” You ask back, and Chris immediately turns to look at you.

“What, do I have sex on the first date, or have I had sex lately?”

“Both.”

“Well, I- wait. Why are we talking about this again?” He laughs uncomfortably and rubs his nape. He seems nervous, you think, and sort of enjoy seeing him look so embarrassed.

“I mean, you asked first! It’s only natural you tell me!” You sit up on the sofa and move closer to him, the people fucking on the screen already not presenting any interest to you whatsoever.

“Uhm, I mean… I’m more of a gentleman, I guess? I don’t really have sex unless I really like that person, and it takes me more than a date to figure it out usually.”

“Hmm…”

“And I haven’t had any in a while either. The last date I’ve been on didn’t go that well, I figured we don’t really have much in common, so…”

“Ah, I see. So, we both have blue balls.”

“Isa!” He bursts out laughing.

“What? It’s true!”

Chan’s eyes are burning into yours, and you realised that even though you’ve been friends for years, you’ve never really spoken about sex or anything of that sort.

You wonder what he likes in bed – is he the dominant type, or would he let you take control?

Damn, you really shouldn’t think of that.

“I’m gonna go get some water.” You stand up. “Want any?”

“Do you want me to pause this?”

“Nah, it’s fine.”

“Then, bring me a glass too, please.”

“Alright. Be right back.” You haste to the kitchen and shake your head repeatedly, trying to not think of Chris like that.

He’s your best friend, for fuck’s sake.

He’s your best friend.

“Thanks, Isa.” He smiles sweetly as he grabs the glass from your slightly trembling hands.

“So… I guess we’re having a threesome now.” You blurt out, your eyes stuck on the screen.

“What?”

“The film.”

“Oh, yeah. Of course. Apparently.”

You continue watching the screen in silence for a little while, until you feel your neck get stiff, so you start stretching a bit, trying to ease some of the tension.

“Uncomfortable?” Chris asks.

“Mhm, a bit. I should maybe grab some pillows. Or even better, buy a better sofa.”

“Or you could just come here.” He pats his thigh, so you don’t hesitate to drop your head in his lap, continuing to watch the film as Chris runs his fingers through your hair, massaging your scalp softly.

“Damn, you’re really good with your hands.” You say teasingly with a little chuckle, but you are unaware of Chris’ inner turmoil.

He’s been having a raging erection in his pants for the past 30 minutes, and your head is wayyy too close to his crotch, and he shouldn’t have asked you to put your head in his lap, and he should definitely not play with your hair when the only thing he wants to do is grab a fistful of it and guide your mouth towards his dick.

“Uhm, Isa?”

“Yeah?”

“Sorry, my leg is a bit tired. Mind if you sit up?”

“Oh, of course. Sorry.” You immediately follow, but Chris doesn’t let you get too far away, he guides your head to his shoulder and continues playing with your hair as his breath hitches in his throat.

You instinctively reach around his abdomen and hug him from the side, something you’ve done a million times before, as you and Chris often cuddle.

However, at one point throughout the movie, Chris leans over to grab his glass of water from the table, and your hand drops to his crotch, moment when you feel something.

Your eyes dart to his, and he looks right back at you.

“Sorry, that’s-”

“Chris,” you cut him off with a whisper. “You’re so hard. Are you turned on right now?”

“Uhm…”

Looking into his eyes and seeing how he’s looking at you makes something burn in your chest, and for the first time ever since you’ve known him, you decide to take that leap of courage and press your lips against his.

You close your eyes tightly and wait for him to push you away, to reject you, but to your surprise, he does the exact opposite. He places his hand on your waist and kisses you back, biting your lips and leaning over, his body pushing yours into the sofa, as he gets on top of you.

Neither of you say anything, you just kiss and bite each other’s lips with so much passion, you can’t even think of anything else but him. He is a good kisser, and with each touch of your tongues, your heart flutters in both excitement and anxiety. The line has been crossed, and you don’t know what that will mean for your friendship.

He moves his hand under your shirt and begins raising it higher and higher, and you get goosebumps all over as he finally palms your left breast.

You moan against his mouth as his fingers begin playing with your nipple softly, but then he pulls back, looking at you with so much desire, you think you’re going to faint.

“Isa, fuck. You look so fucking good, baby.” He mumbles breathless, his chest rising up and down.

“Should we take this to the bedroom?” You ask hopeful, afraid he would change his mind.

“Yeah.” He nods and helps you up, and you’re trembling with anticipation as you let him grab your hand and lead the way to your room.

Once you’re in, he turns around and kisses you again and again. You move your hands on his back, helping him take off his shirt, and in return, he takes off yours.

“Damn, Chris. All those months in the gym really paid off.” You gasp, seeing how good he looks, letting your hands travel all over his exposed chest and abdomen.

“Yeah?” He chuckles softly. “Do you like how I look?”

“Like? No, Chris, it’s way more than that. You look so fucking perfect.” You say, and you see him blush slightly, so you carefully approach him, all the urgency from before gone, and you kiss his lips slowly, letting your hands explore his body and feeling him melt under your touch.

You move your lips lower and kiss his jaw, then his neck, his hands finding the back of your waist and pulling your body closer into his.

“Really?” He asks, rolling his head back slightly to allow you better access to kiss him, so you do.

“Mhm.” You hum, pressing your lips against his neck and nibbling on his skin lightly, making sure to not leave any bruises, and you listen to all the sounds he’s making, and hearing him moan in pleasure gives you a rush. You want to pleasure him more, to give it your all and make him feel good.

You move your lips lower and fall to your knees in front of him, looking up and seeing his eyes stuck on yours as you grab the hem of his trousers and silently ask for permission to pull them off.

He seems impatient, such a contrast to all the other times he’s shown you what a patient man he is, so you don’t hesitate to drag them down, watching as his cock bounces slightly in front of you.

You grab it and begin rubbing it up and down slowly, bringing your lips closer and connecting them to his tip, beginning to lick around and hearing the way his breathing changes.

He groans in pleasure as you open your mouth and bob your head into his crotch and back, trying to set a rhythm and making sure you’re not forcing yourself and triggering your gag reflex. He’s quite big, bigger than you expected, so this is definitely a challenge.

“Shit, baby. Can you take more?” He asks in a low voice, putting his hand on the back of your head and waiting for you to reply.

You hum again, sending vibrations against his dick, and he groans once more before guiding your head closer. It’s hard to take in his whole length, so you grab his hips for support and try your hardest to relax your throat and allow him in.

“You’re doing so well, fuck.” He compliments, keeping his hand on the back of your head without pushing you anymore. Instead, he’s letting you set the pace, to take as much as you can, and doesn’t force you.

After a little while, Chris places both of his hands on your face and pushes you away, which confuses you for a brief moment.

“Was it not good?” You frown slightly.

“No, no, baby, it was. It was the best. I just don’t wanna come like that. I need to feel you, hm?” He reassures you, helping you stand up and pulling you into a messy kiss.

Chris suddenly bends down and grabs your thighs, making you jump in his arms, and heads towards the bed with you, letting you down gently as he kisses you again.

“You’re so beautiful, Isa.” He says, looking into your eyes, making your stomach feel funny and your chest fill with happiness.

“Thank you.” You say with a little laugh, making him chuckle as well.

“I’m serious. You’re the most gorgeous woman I’ve ever laid my eyes on, Isa. You look like heaven. I can’t even imagine what you sound like when you’re all messed up. Fuck, I want to hear your pretty moans so bad.” He says, making you blush, and begins doing to you exactly what you’ve done to him.

He presses open mouth kisses all over your neck and chest, but he doesn’t shy away from sucking on your skin and leaving hickeys, marking his way down your body.

As he reaches your breasts, he takes one of your nipples is his mouth and moves his hand lower on your abdomen, dragging his fingers across your skin and making your shiver as he finally gets down to your pyjama pants. He’s playing a bit with the hem of your pants, and you close your eyes in anticipation, waiting for him to finally put you out of your misery and touch you.

“Chris, please…” You say, impatient.

He separates his mouth from your chest and rises right above you, looking you right in the eyes, and you’ve never seen that look in them before. They are dark and filled with desire, definitely matching yours, but yours must look pleading instead of confident.

“Please, what?” He asks, before going down to your neck again. He moves his fingers under the hem of your pants, but lets it rest there, on top of your lower abdomen, rubbing circles slowly, teasingly.

“God, please… Please touch me.”

“Yeah? Do you want that, baby?” He kisses your neck softly, before grabbing your skin between his lips again and sucking strongly, making you moan and clench your legs together. “Should I touch you right here?” He asks again, finally pressing his fingers against your pussy

“Fuck, yes.” Your roll your head back as you feel Chris rubbing you slowly.

“Do you like that?” He asks almost menacingly.

“Mhm, I do.”

“Yeah? Does it feel really good?”

“Yes, it does.” You immediately answer, and he chuckles.

“You know what I think would be better?” He asks and removes his hand, much to your displeasure, but as you see him kneel on the bed and move right between your legs, you bite your bottom lip.

He drags your pants down excruciatingly slowly, his fingers connected to your skin the whole time as the fabric disappears from your body. Then, he places his hands on the back of your knees and forces your legs apart, and for a few seconds, he just stares at you, which gets slightly intimidating and uncomfortable for you.

“Uhm…” You start, unsure if there’s something wrong. Maybe he doesn’t like what he sees, maybe-

“My fucking God. Your pussy is perfect.” He says, and before you get the chance to reply, he connects his mouth to it and begins licking it.

His tongue is hot against your core, and it’s simply insane how good it feels. It’s like he knows exactly where to lick, he’s using the perfect pressure, and – God, you feel so good, you instinctively want to clench your legs again, but you can’t. He is keeping them apart with his hands, not letting you move at all, no matter how much you struggle.

When he lets go of your legs, you assume he’s grown tired of pleasuring you, and you are more than happy to welcome him on top of you and let him do whatever he wants. But instead of feeling the bed shift with his weight, you are surprised to see him still stay in the same position, his tongue still licking against your clit while you feel two of his fingers teasing your entrance.

Your clutch the sheets tightly for support, your hands balling into fists around the fabric as you feel his two fingers slip in you, curving just right to touch that sweet spot inside of you that makes you see stars.

He doesn’t need to do much else for you to come undone, to let go on his tongue and fingers with a loud whine, your legs trembling and your hand finding his head to move him away.

Chris separates himself from you by pressing kisses on your thighs, before immediately moving his mouth your abdomen, climbing his way up your body as you’re recovering from one of the most powerful orgasms you’ve ever experienced.

“Fucking hell!” You exclaim.

“Hell? I’d say that was heaven, though.” He chuckles lowly.

“Damn, you’re so good with your mouth, it’s unbelievable.” You compliment, letting him settle between your legs as you feel his hard on press against you. “You made me feel so good.”

“Isa, baby, you haven’t seen anything yet.” He replies, moving his hips forward and entering you slowly, making you roll your head back.

He reconnects his lips with your neck as he’s fucking into you slowly, groaning each time he bottoms out into you, and you match him all the same, letting out soft moans each time you feel his whole length, each time he hits the sensitive spot inside of you.

You lock your legs around his hips, giving him even deeper access, and he continues fucking into you slowly for a bit, raising his head and kissing you softly over and over again.

“Don’t go on other dates, Isa, I’ll take you out anywhere, anytime. I’ll make you feel perfect, hm?” He says in-between your kisses.

You wonder if he means it, or if it’s just something he’s saying in the spur of a moment, but the way he’s fucking you feels more like making love than having sex. Gently, slowly, passionately, perfectly. You could drown in this feeling.

“Mhm, I won’t. I’m all yours, Chris.” You reply, closing your eyes, afraid to see his expression.

You’re afraid you’re going to see that he doesn’t feel the same, that he didn’t get the confession hidden behind your words.

I love you.

You wish you could say that, and you wish he’d say it too.

You wish he wouldn’t have felt so good on top of you. Maybe if you wouldn’t have been sexually compatible , you would’ve lost interest. Or, maybe, you should’ve never crossed the line and have your feelings blurred into one other.

Chris, your best friend.

Chris, the best partner you’ve ever been with sexually.

Chris, the man you’ve looked for in every other man you’ve ever dated and had sex with for the past many years.

“Baby, can we switch? I want to ride you so bad.” You say, feeling suddenly vulnerable under him.

You want to be in control. That way, your chest might not feel so tight.

“Yes, give me a moment.” He replies, burying himself deep in you again, kissing your lips and letting his tongue dance with yours.

Chris pulls back and plops right next to you, waiting patiently for you to straddle him, and as you do, you let yourself fall on his cock.

You let out a soft moan at the feeling, straightening your back and beginning to ride him fast, in opposite contrast to his previous slowly and precise movements.

Chris is quick to moan and raise his hands on your boobs, palming them softly as you bounce on his dick. Just as earlier, his movements seem calculated as he begins dragging his hands lower, making your skin melt under his touch.

He puts one hand on your waist and with the other, he begins rubbing your clit again, and once more, you feel yourself getting close, your movements becoming more erratic.

“Oh, God.” You roll your head back as you feel your whole body tremble, welcoming the bliss of another powerful orgasm that makes you collapse right on top of him.

“Good girl.” He compliments, beginning to raise his hips and fucking himself into you from underneath.

“Feels so good.” You say, kissing his neck messily as his moans get louder.

“I’m so, so close baby.” He speaks between hurried breaths.

“Let go, then.” You whisper against his ear, biting his earlobe slowly, and with a grunt and a final push, he starts cumming, filling you up. He continues moving his hips slowly for a few more moments, and when he’s done, he pulls out of you, so you roll over and collapse right next to him, both of your chests falling up and down as you try to regulate your breathing.

Neither of you say anything, you just lay next to each other in silence, the only sounds being your still hurried breaths.

“So, I wasn’t just horny.” Chris starts speaking after a little while.

“What?” You chuckle.

“I actually… I really like you. I meant what I said earlier. I don’t want you to go on dates with other people, to have someone else make you laugh at their jokes or to kiss them. I don’t want anyone else to see your perfect body, or your face when you come, or hear your moans. I want to be the only one who gets to see those.” He says, making your eyes widen at the sudden confession.

“Chris, I-”

“I’m really, really, really in love with you, Isa. I love you so much, and I’ve been in love with you since forever.”

“Really?” You ask. “But you never said anything… Why?”

“I don’t know... I guess I was just afraid of somehow losing you if I were to ever confess to you.” He says softly, and you understand him completely, and you can’t blame him for being a coward.

You’ve also been a coward.

“Me too… I’ve been in love with you since the first day we met, but… I’ve also been scared to say anything, because what if you would’ve rejected me, or stopped talking to me, or…?” You shake your head and turn around to hug him from the side, and he welcomes you in his arms, hugging you back tightly.

It feels intimate, to lay like this in bed naked next to Chris, to feel his heartbeat pulse against your hand, and his breath on your face, and you love this feeling more than anything.

For the first time in years, you feel content. You feel that maybe you weren’t that unlucky when it came to love; you just happened to search for it in the wrong places, when it’s always been right in front of you.

“So… I guess we’re together now?” He asks, and you let out a soft chuckle.

“Mhm, I guess so.” You nod and press a small kiss against his neck.

“We should really get cleaned up, shouldn’t we?”

“Yeah, we should.” You laugh. “Shower?”

“Sounds good. Together?”

“Please.”

~The End~

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