#but good things do survive

[mariunnnn]

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[biggest-gaudiest-patronuses]

weird hearing "were you a Theatre Kid" "were you a Sports Kid" "were you a Choir Kid" "were you a Dance Kid" bc no? i mean i did all of that and more but resented ever minute of it? actively avoided sticking with anything? i was a "In This Family After School Activities Are Mandatory Kid"

[stars-obsession-pit]

Aftermath.

It was an unfortunate truth of reality that heroes were oftentimes a reactive force. They could only respond to what they knew about.

So whenever the heroes uncovered an illegal lab, it typically had a history. Experiments that had been performed there already. Horrors no one in their right mind would want to bear witness to.

But someone had to go through all those records left behind. To risk the worst of humanity’s crimes in search of any potential clues. Often, they found little that was useful. Maybe some closure for the families of the missing, at most. But sometimes, sometimes they did find things. Their work could save lives.

That didn’t change the fact that few in their departments lasted long, and even fewer could ever sleep soundly.

The man took a deep breath and attempted to steel himself. He knew it wouldn’t help.

He clicked on the file anyway.

GIW Research Logs, Project HLFA, subject DP-01, Experiment #0001.

[artharakka]

Beautiful, But Broken

[thefrsers]

requested by: @skatingthinandice: 7.02 + 7.08 "don't deserve a second chance" parallel

[fictionadventurer]

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

[saturnniidae]

I think Astrid Hofferson has a bad case of the 'my childhood was wasted, I grew up too fast for something ultimately proven pointless.' Syndrome and that she deserves to get to do silly things she missed out on and take up new hobbies, even if she's not particularly good at them–it's purely for the experience yknow, and learn to finally breathe no longer needing to be on constant high alert and get to be truly happy

[g0at0ad]

perhaps a hot take. but arthur lester could survive TMA, while jon sims could not survive malevolent. discuss.

[italyveneziano]

Obsessed with what America and England have going on in HetaOni. America's like "I keep having to watch my dad die from overusing his magic in past timelines and not knowing how to stop it is killing me inside but I'm not going to talk to him about it" and England's like "I can't seem to hold a conversation with my son without insulting him but I won't hesitate to use my dying breath to ensure I can protect him from beyond the grave"

[starbuck]

Ravenous is Haunted

Within the lore of Ravenous, eating people causes you to “absorb [their] spirit,” but what does that mean in practice?

Ives mentions that eating someone brave gives you a surge of bravery, which is exactly how Boyd goes from too scared to move to single-handedly capturing the enemy command. The spirit of his fellow soldiers and specifically his commanding officer compel him to do it. But we know that this personality shift is not permanent, it abates. However, I believe that there are other more subtle influences that remain. 

There’s a whole collection of things Boyd, Ives, and Hart do and say that mirror the actions and words of the people they’ve eaten…

The protectiveness that Boyd shows towards the Fort Spencer crew after Ives arrives as colonel is a new trait for him and highly reminiscent of Reich’s protectiveness towards Toffler. From the moment he’s stuck with Ives at the fort, Boyd also immediately decides to murder him, the thing that Reich died furious at him for not doing, and never strays from this mission at all. Boyd and Ives both headbutt each other in their final fight, a Knox fighting move, and Boyd also attempts to strangle Ives at one point, which is Reich’s. Another example that I like is when Hart says to the chickens he’s feeding “run away! run for your lives!” which is what Toffler died doing. These are all small moments in isolation, but together they form a compelling picture. 

For another thing, you have Boyd mentioning to Hart near the end the “nightmares” he’s “still” having about Reich, Cleaves, and Knox. These aren’t just random trauma nightmares, they are specifically about the three people of the Fort Spencer crew that he’s eaten. And, considering how strongly Hart reacts to the mention of this, he is likely experiencing the same thing. Since it is canon that they have actually ABSORBED these people by eating them, I don’t think it’s a stretch at all to call this a haunting. 

Put these together and you have the people who have been eaten haunting the cannibal characters at night and maintaining at least some sway over them by day, often without them even realizing it… Fun stuff!

As far as Ives goes, I think that he is less affected by this phenomenon than Boyd and Hart are. He’s been eating people for much longer than they have, he has no moral compass whatsoever, and he has a very strong personality, so he’s not gonna let a little haunting get to him. That being said, who knows what quirks of his personality we might be able to attribute to people he’s eaten in the past if we knew more about them? I also think that his assumption that he is unaffected by the people he eats is a part of his downfall, and I’ll explain that in a moment. 

The last thing I want to talk about is the bell because that’s what REALLY gets me mmmmmmmmmmm… SO! During Boyd’s fight with Ives, there’s a moment where Ives has fled the room they were fighting in and Boyd doesn’t know where he is, so he’s checking behind all these random doors and not finding him when he hears a bell ringing in the courtyard. He goes out and sees the ringing bell but no one near it. Instead of going towards it where he knows Ives is likely waiting for him though, he walks towards the barn, as if in a daze. When he enters, he sees the bear trap and gets an “Aha!” look on his face. 

Now, who do we know who is associated with both that bell and a bear trap? It’s Reich! He is the only person we ever see ring that bell and (in a deleted scene) he uses bear traps as target practice, shooting at them to snap them shut while Boyd watches. So, at the very least, we can say that Reich indirectly inspires Boyd in that course of action. 

BUT, because I am me, I’d like to take it a step further by proposing that, since Reich is haunting both Boyd AND Ives, he influences Ives to ring the bell (with Ives not consciously thinking anything more of about than “this will surely get Boyd’s attention >:)”) and then influences Boyd to walk over to the barn instead of immediately continuing the fight so he can show him how to end it once and for all. Boyd asked Reich to “tell me what to do,” and Reich answered him!

I did also write a fic about this concept a few years ago if anyone is interested!

[nightmare-foundation]

Yknow, I feel like Dick not fighting back against the mistreatment of him during the Spyral arc (perpetrated by the batfamily) isn't super surprising from a trauma lens, at least not to me.

I've seen people tend to argue that Dick should've and would've fought back, and I'm definitely not arguing otherwise- but why DIDN'T he fight back??

Personally, to me, his behavior strikes me as fawning. He's not arguing against the shitty things the batfamily does to him or say about him, if anything he's agreeing with them. I could probably really look back over how he acts in B&R: Eternal, but from what I remember, he feels very people pleasing.

And imo this isn't super surprising? Especially if what happened in Nightwing #30 is still fresh in his mind, not to mention Spyral breaking him down and the others lashing out at him, physically and verbally. These things are very traumatizing, and would've changed him most likely. His trauma response being to fawn here makes sense; he Needs the others to work with him, and fighting them on something they won't budge on will only get him hurt. Not only that, but physical punishment seems to be a very real consequence at this time, and Dick is likely in survival mode.

If fawning means he can get his job done and not be physically punished, then it makes the most sense for him to go that route, as sad as it is. His trauma response moving from fight(?) to fawn would be a really interesting thing to explore. After all, Dick said things wouldn't be the same, but we don't know WHAT would change, or if it would even be for the better (since people seem to interpret that to mean 'I'm leaving after this' or similar, which is fair tbh but that statement can mean a multitude of things).

Overall, regardless of how in character it is, I think Dick turning to fawning makes sense in this situation. Being beaten by your father and then repeatedly physically and verbally assaulted by the rest of your family is deeply traumatizing, not to mention everything that is Spyral. If Dick can minimize the damage to himself as much as possible and finish the mission, then it makes sense for him to fawn.

[bigmfrat]

The Emperor got tired of you being difficult so now you have to deal with Thez'Taress, an exiled Venerator of Ilsensine and a much worse illithid who hates humans only slightly less than he hates elderbrains.

I just wanted to draw him in my own version of the dream guardian robes because my friend made a new roman inspired oc. This is my Tav/Oc btw, not the Emperor if the above text didn't make that clear.

here he is without the multiply and magic layers. I was originally going to give him the astral prism background and shade him but I'm tired of looking at this, maybe I'll mess with it again later, who knows

[alicentflorent]

I didn’t sit here for years tryna stay calm and silent while listening to your bad takes on gale (who grew up oppressed, in poverty and then witnessed his entire district getting wiped out then rightly went to fight in the rebellion because it was his inlg chance of tearing down the system the wanted him and his family dead) being a “terrorist war criminal who is single handedly responsible for killing innocent people including prim and who is the REAL villain of the hunger games” just for y’all to turn and start stanning and defending actual facist dictator and child trafficker Coriolanus Snow because you saw a young hot version of him.

[theotherwesley]

Here is what I am learning: Sometimes, one finds oneself in the unenviable position of being, say, in one's 30's, looking back at work you did when you were 19, or at work from current talented 19 year olds, and thinking "wow, why is this better than the stuff I've been struggling to do during a long dry spell?" There is nothing particularly unique about being a young adult (except maybe energy/time) that makes a person good at doing stuff they're working hard at. At 19 many people, probably including yourself, were in college, amongst peers, being exposed to new things, making cross-disciplinary connections, thinking critically, practicing with the intent of improving, actively using your brain and building synapses, and ideally being encouraged to do so while in a stable environment. The missing ingredient is not Youth or Talent-- it's regular brain exercise and not trying to be creative in a vacuum. Your brain can start working out at any time, it's not stuck where it is. Read long stuff, research something that interests you, engage with a topic outside of your current level expertise that you have to work to understand, watch something older than you are, talk to someone on a regular basis, practice something without the intent to share it. Don't try to do it all overnight. Sleep on it. The flexibility comes back, I promise. It's a recovery process and works the same as any other recovery process.

[azaracyy]

a lesson on good karma digimon survive week 2024 day 4: supporting characters

[inblackwoods]

While I'm posting about my pathologic transcription, I'll make shorter posts about my takeaways. About the literal health of the environment around town, we get a couple people on day one to give context. The most obvious is Aspity, but to get an idea as to why things are as she says, you have to talk to a drunkard, called a Carouser, and a Tot.

The Tot mentions a "Rotten Field," and when asked what that is, he says:

"It’s where they bury the bulls’ bones. The place is covered with fur instead of grass, and it’s all bones bones bones underground. Bones and horns. Yeah."

Why are so many bones and horns and hides being thrown into a field instead of being used in some way? Either for jewelry, clothes, or for tradesmen's tools, these things have a variety of uses.

The Carouser, when asked about the Abattoir, says:

"Hundreds of bulls are being slaughtered there- what else is there to know? It is our humble town that provides the whole Northeastern region with beef! Or even the whole country mayhap."

It's because of the massive scale of the Bull Project that so much excess material is being produced and then thrown into the fields and rivers as waste products. Nothing is in higher demand than meat, nothing is needed as regularly, and perhaps the people in the Capital and in other towns are less interested in buying blood or bone. It's not profitable, the Olgimskys don't view it as anything but by products of more lucrative things.

Aspity says:

"All that water comes from the Steppe and it isn’t exactly clean. Yesterday I inspected all the springs in the area; there seems to be no more clean water around. That salty taste is everywhere, it’s reddish in colour, and there are disgusting clots in it."

And when Bachelor asks for more information, she says:

"The towsnfolk store water in home-made reservoirs. This modest supply should be enough to help us last a little while, but afterwards we’ll have to drink that bloody mixture."

Bachelor reacts to this with disgust, and can even insist she is lying, perhaps because he had been benefitting from this disgusting reality in his life in the Capital.

Aspity's whole point in starting this conversation is to make blatantly clear some of the side effects of the Steppe's occupation, which is that the waste material of the Abattoir is dumped into the river and land. This problem would be lessened in severity if the community was manufacturing meat not for the sake of providing for the entire country, but just for the local population and what's necessary to export in exchange for other essential imports. Obviously, this would be less lucrative for the Olgimskys (who don't care as long as they don't suffer any loss) but it would mean that the people who live here would better be able to care for themselves and the land with no need to think of supporting an entire country off the backs of one small community. The occupation of the Steppe, the running of the Bull Project, will not only destroy the Kin and lower classes, but will also eventually kill the town, the higher classes and even the Olgimskys as well. When the water runs out, it will run out for the lower classes first, but it will eventually run out for everyone.

More on Fat Vlad trying to talk about this all as if it were an inescapable, natural reality (and the Bachelor's fighting against this notion) later. Sort of how some people think that the way the world works, capitalism and such, are natural laws instead of constructed ideas (horrible fallacy).