#but even then the worst part about it was how long it would take to sleep and reset each quest | Explore Tumblr posts and blogs

itstheval · 3 days ago

Text

Memory of Dreary Days / Siffrin Gets An Earring

A @livesworthlivingau Side Story

It was a lovely autumn day, and Siffrin was miserable.

This wasn't anything new, they'd come to realize. The events of Dormont had changed - and possibly Changed - them, but that was months ago, a little over a year now. No, this frustration was newer, possibly the last few months, but they'd managed to identify it over time.

They watched Mirabelle and Isabeau, in front of them, chatting about what Changes they might want to make in the future. Isabeau had a whole list of ideas, but Mirabelle was being more cautious, as usual. Odile was watching and writing, and Bonbon, they were sitting on Nille's shoulders as both of them added their two coins when they had an idea. Leaving you, Siffrin the Traveler, as an outsider. Again.

It wasn't their fault, you knew it. You were empty inside, and this entire adventure you were on was to fill you. That was something the doctor had mentioned, that you seemed to agree with…You didn't have a past, so they were making you one, because they wanted you to. So why were you being talked over, and around? Why were they treating you like a pet, not someone with their own ideas?

The only thing worse than knowing it was it being known, unfortunately. It seemed like they came to a pause in conversation, and Isabeau looked back as though remembering you existed after so long ignoring you.

"What about you, Sif? Got any ideas for big Changes?"

You could laugh. You could sob. You remembered being as large as the sky, and just as filled with stars. You pictured yourself, star-headed and lightless-skinned.

"I don't think so! That's a Vaugardian thing, isn't it?"

The words were more bitter than you imagined them to be, and the second they left your lips you knew that they were wrong. A second after, you told yourself otherwise. "Words can't be wrong", the doctor had said, "If you mean them. You're trying to express yourself, not win a game." Well, from the way everyone else's faces fell, that was good, because you'd have just lost hard.

"That doesn't mean you can't Change! There's Houses everywhere that will take you in and help you, too."

"Yes," Odile continued. "I've thought of using them myself, during my time here, but I never had time to stay in one place, what with…everything."

"Really, madame? You're so pretty! What would you even change?"

And the conversation was off again…Odile explaining her heritage yet again, too-thick hair and too-wide eyes for ka bue, too-thin eyes and too-thin hair for Vaugarde. You wondered, sometimes, if Ka Buans had thought she was as pretty as Vaugardians do. You wonder, in the moment, if they'd bother talking to you again.

They hadn't.

You'd caught Isabeau looking over at you, with something more thoughtful than pity, but you could see the pity in it. Whatever he had in his mind, it wasn't enough to make him ask about anywhere else, or change the subject. Quietly, you thought about how much nicer it would've been if you'd just gone for a comfortable lie instead.

▬▬▬

It was a rainy, autumnal day, and Siffrin was bored.

It wasn't anyone's fault, everyone knew that was just what happened in Autumn. You found somewhere to stay until the rains ended, or you trudged through the worst mud that you could imagine. Bored or miserable, and to the family the choice was obvious. Siffrin had been…letting themself think of them that way for a while, even without telling them. Their little secret. Maybe not their family, but they were the family, and nobody could blame him for that, right? Watching Mira read to Bonbon, watching Isa and Nille talking about, of all things, carpentry, and Madame writing in those inscrutable books of hers.

You hated it. You hated listening to it, you hated being part of it, and you hated being trapped in it. It was nothing like the loops, you knew, but it was almost worse in its way. Watching everyone else with a role, with something to do, and you off to the side like some pet. You'd already napped yourself dry, and nobody had begrudged you sleeping through breakfast, even if it meant you were likely to stay up well after the candles were out at night. But the rest of your day…

You sighed. Sitting there wasn't going to make you any happier, and you'd already looked at all of the books Mira had brought with her. You'd read through the horror stories until they started showing up in your dreams, when Mirabelle had banned you from reading any more of them because of how you'd been whimpering in your sleep. Isa had tried to defend your right to read, but the looks Odile had given him had made him blush in a peculiar way and stop trying, and that had been the end of it. The less said about the romances, the better. You understood that Vaugarde was an open place, but the things they dreamt up to keep two people from each other felt so cliched, so unreal, so impossible that you couldn't get into them.

So, you laid there, in a bed, in a wooden room, staring at the ceiling until the morning came.

How familiar.

That thought sent a shudder down your spine that you knew everyone noticed, but you got out of bed before any of them could comment on it. No, you were dealing with this. You weren't being dealt with, not this time. You hopped up, and walked over to Odile, who closed her book as you approached.

"What could you be writing down now?" you found it in you to ask. "Vaugardian rainy-day games? I thought you were a master at those." The joking tone managed to reach your voice, you thought, and you were glad for it.

"Oh, I wasn't writing at all. Believe it or not, I'm designing something."

"Designing?" The surprise in your voice was clear.

"Well yes. You have your woodcarving…Or had it, when we were near forested areas enough to find scrapwood. Mirabelle has her writing. I thought I should perhaps try my hands at something creative."

"Oh, can I see?" This was WAY more interesting than laying in bed!

"If you can guess what it is, then yes. It wasn't fair that I didn't get to see your face when my research was revealed, after all." Her smile was coy and knowing, but she did, ultimately, have a point.

"Oh, is it…" You looked around, trying to think of what could be in the room that she could draw inspiration from.

"Clothesmaking? Like Isa plans to?"

"Nice try, young one. But that's your one try for the day." Odile's eyes turned up as she thought about the idea. "Besides, do you think I'd compete with Isabeau? In something he's planned for that long?"

You had to concede the point.

▬▬▬

"Carpentry?"

"Can you imagine me swinging a hammer, Siffrin? I know my limits, and they stop well before there."

▬▬▬

"Bookbinding!" You thought for sure you had her on that one. Something to do with her precious books, and something she could study from Mira's colleciton and her own?

"Sadly, no. But, now that you mention it, maybe I should."

▬▬▬

So the days had passed, until things were clear again. The world was colder now, and you could feel it around your cloak, but everyone was well prepared for it. You'd all gotten your own instructions on what to purchase, and been sent off to pick up supplies, which had taken the whole day between bartering and transporting. Thakfully, without Mira there you managed to get a Savior of Vaugarde Discount, and used the extra coin to pick up a pain au chocolat. Some things, it seemed, were eternal, and this one you didn't mind.

So it was that you returned to the inn, one hand with a canvas bag full of smaller bags, spices and flour and other things for Bonbon, the other letting you munch away happily, but you found yourself pausing outside the door. Something was wrong, you could feel it. You finished your treat quickly, and opened the door with a hand on your dagger. A pre-feeling, something that you couldn't put words to, told you that there was something going on beyond the door

You were right.

But not how you thought.

Instead, the family had been standing around in a half-circle, seemingly waiting for you to get back! You barely had time to rescue the groceries as a Bonbon-shaped missile impacted your legs and held you, Mira following after on the other side and Nille even stepping in to ruffle your hair, as Odile looked on fondly, and Isa…Hid something.

As lovely as the feeling was, your suspicions were raised far too high.

You managed a laugh, and to pull yourself free of the hug after enough time that it had started to loosen, before staring down Isa. Watching his cheeks darken was almost worth he price of admission, even as the others spoke around you. Again.

"I told you he'd notice!"

"You hardly had a better idea, Mirabelle."

"Uh-uh! We shoulda done it at dinner! Make sure he's comf-ta-bul."

"Comfortable, Boniface."

"That's what I said!"

It all flowed around you, as you stepped closer to Isa, and sighed. "I know what bonding earrings are, Isa." You allowed, holding out a hand, making him stutter even worse - and sending a roil of laughter around the room from everyone else.

That wasn't it? Then what was he hiding?"

"You're half right, I'm afraid. This is actually something we'd all been thinking about for a while…The past week just proved how important it was. It's not bonding earrings, but…"

As Odile spoke, Isabeau brought a black jewelry box around, holding it out to you. His words were trembling and small, in the way he always seemed to do only for you. You wished he wouldn't…his big booming voice was always so nice.

"We noticed you don't have any earrings yourself, Sif! And…I mean, you're as Vaugardian as any of us, if you want to be. Not that you should feel like you have to give anything up for us! But! I thought this might…make it easier to remember?"

What…were they saying?

Isabeau opened the box, and instead of one of his black i-earrings like you'd expected, a pair of star-shaped earrings rested inside. They were a light shade, just dark enough to notice around your hair, and obviously handcrafted. The edges were imprecise, the designs weren't symmetrical, and you could feel the love in every angle.

You stared. You didn't know what else to do.

Isa was saying more things, and it sounded like other people were responding, but you lifted up a hand to the box. A shaking hand, you realized when it was halfway there. Trembling, uncertain, but you didn't dare stop now. Not when they'd put so much effort in.

"-know what I was working on, the past few days. It's something of a rush job and it shows, but it's even more Vaugardian to have it made by your family, isn't it?" Odile was speaking.

Made…by your family.

Made by them.

You cried. You wrapped your arms around the giant body of Isabeau and you cried and you sobbed and you bawled and for once in your life, you weren't ashamed of a single sound you made. There wasn't any room for it in your heart. Not with everything else you were feeling.

Everyone else was holding you in moments. You turned, as best you could in the group hug, to include all of them. You knew you were getting tears and snot all over them and you didn't care. They were there. They were your family. They…You were one of them.

In that moment, of all moments, you were loved.

#isat fanfic #lwlau #lives worth living au #lwl nille #lwl isabeau #isat #isat au #isat siffrin #isat mirabelle #isat isabeau #isat odile #lwl odile #isat bonnie #lwl bonnie

49 notes · View notes

narcjsistx · 2 days ago

Text

𝐔𝐍𝐄𝐗𝐏𝐄𝐂𝐓𝐄𝐃 | kaiser x reader

— part six

plot: kaiser comforted you after a bad and slow breakup, but what will happen now considering what you two shared? is everything still unexpected or is there something you both simply have yet to realize?. fluff shit 'cause yeah!!

words: 2.8k (2821)

extra: it will probably become a multi part story, tell me if you're interested in a part seven!. really a little suggestive at the end but it's literally nothing, but I thought it was right to say it

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!. you can find the other parts of the story by searching in the section dedicated to bllk

The bags fall to the floor almost immediately, dropped from your hands that can no longer hold them. Michael's eyes are fixed on you, and you struggle, even for a few seconds, to hold his gaze. You reflect in his cerulean eyes a subspecies of betrayal, or even hatred; in all the years that you have known him, he has never looked at you like this, and it scares you. You shake more than you should, you even feel difficulty breathing. If hell wants to take you, it's succeeding. You immediately regret even opening that drawer

The letter, clean and tidy, shines on the table: the white, shiny paper, now seems to have your finger prints on it, prints that should only have been Kaiser's when he wrote it. The air is heavy, and heavy is your sense of oppression now

"Micheal I can-" you say almost in a whisper, but you remain silent when you see him take the letter in his hand "Sit down" he says while his eyes now scan the writings he himself has written. You swallow nervously, and quickly do as he says, sitting parallel to him, in the chair in front of his

You watch him as he rereads the letter once, twice, five, ten times, always taking the same amount of time. He never dares to look up at you, not even when he takes a break between readings. After minutes that seem endless, the only sound that escapes his lips is a heavy sigh, perhaps held in for a long time; one hand places the letter back on the table, the other reaches the bridge of his nose, which he massages with his fingers. He's visibly shaken, and you don't blame him, you're still shaking after all these minutes too

"So..." he says after a moment, taking his time to perhaps choose the right words "You read everything" he says looking up a little

You feel the skin on your body almost not sticking to your bones anymore, a sensation that you haven't felt even in one of your worst arguments with Gabriel. Probably if it had happened to you some time ago you wouldn't have understood the reason for this feeling, but now after all you know how to explain it: you love Michael, you're worried that he doesn't want to see you anymore after this. You care about him, about his opinion, about everything he does, unlike Gabriel

If until now, or at least until a few months ago, Gabriel was the person you worried about most in the world, now that role is played by another person. And this person is Micheal Kaiser

You want to talk, make up an excuse, but you know it wouldn't make sense; right now everything is too obvious, there are no openings to escape to and honestly you don't even want to lie to Micheal. The words die in your mouth, making you stay silent and without a truth to say. You stay silent because you don't know how to explain everything, and Micheal seems to notice your difficulty, because it seems more attentive

"I really don't know what to say to you either, Y/n. I wouldn't have even in the worst case scenario imagined something like this" he says with a calmness that hides so much anger, which you can see in the way he holds back some words "I just wonder why you would want to read something like this, especially considering it was hidden. Haven't you asked yourself why it was hidden?" he asks, but it's a question you know you can't answer because he's right "I'm just wondering... what the fuck is wrong with you? I really need to know, because now you know everything about me, that I've loved you for too long, that I dreamed that you were my wife, but what do I know about you?" he asks smiling almost hysterically, probably because of anxiety

The weight of the situation seems to crush you as if you were a simple feather: it kills you, it leaves you suffering and with each passing second it seems to strangle you more and more. Kaiser looks at you, waiting for answers that you have but that you don't really know how to explain to him. You can't explain to him how much you, only after years of him being in love with you, understood that you loved him too. You can't explain to him how hard it is for you to see the hatred he feels for you now, which he absolutely has the right to feel, but which still hurts

You can't explain to him how much you now just want to tell him that you would like to resolve the situation by kissing him and starting over something that probably just needs communication between the two of you

"You had the courage to read all that but not answer me?" he asks, raising an eyebrow, and you look down, keeping your hands in fists in your lap "You think you can solve everything with your silence? No, fuck, you can't, because this is literally a violation of my privacy. Do you realize how much I feel like shit right now knowing that you know things that I've kept from you for years just so our relationship wouldn't go to hell?" he says, and his tone of voice rises a little "Do you really have the courage to say nothing after finding out I love you?" he says, but the last sentence sounds more like a whisper desperate than an exclamation of complete meaning

"Micheal, please" you say with a shaky voice, trying to get a little bit of his pity, but you hear him laughing in an almost amused way "Please? You beg me? And what am I supposed to do, beg you to forget everything I've written over the years on those pieces of paper? Are you seriously asking me to give you a break when you literally did everything yourself, sticking your nose into things that didn't concern you?" he says, but at the last sentence you feel something inside you stir "They didn't concern me? Are you kidding?" you ask looking up, and you notice surprise in his eyes when he sees you answer him "That's not what matters, you literally discovered things that you shouldn't have known even when you were dead" he says, and for the umpteenth time it seems unfair to you "You should have told me" you say with a sudden conviction, but one that you don't really feel. You're just trying to find a way to calm him down, but with strange methods

In your eyes, Micheal seems to be on the verge of breaking. Everything he has kept inside for years is threatening to come out and he himself is realizing it. Everything he kept in his Pandora's box is now coming out like a menacing monster

"What was I supposed to tell you? That every night since you've been with that man, I hoped he'd die so I could finally tell you the truth? That I wanted to see you smile so badly that I gave 101% in matchs knowing you were watching me? That I dreamed for years of the feeling of being able to call you my girlfriend without being afraid? That I spent days locked in the house when you said you were leaving for Italy and leaving me alone? That everything I did was to make you happy and make you see that it wasn't just normal affection?

That I kissed other girls hoping it was your lips and not theirs? That I dreamed a million times of a future where you were my wife? That I always had a bottle of your perfume that I carried with me when I was out of town? That there's a picture of you and me as teenagers in my wallet?

That I lost weight when I found out Gabriel was taking you away from me? That Ness himself always thought me that you didn't feel the same way about me? That every time I saw you walk by I dreamed of you running to hug me?

That I dreamed of another universe where I could really be happy with you, where we were together, we could kiss and hug each other, we were husband and wife, we even had children, where everything was really perfect at least in my eyes?

That you were the only one I cried for? That you are the only person who knew what I went through with that asshole of a father of mine? That the feeling of even hearing your name made me happy? That seeing you after months of separation was like a liberation? That loving you for me was the only great joy my life has given me? That for me you are always be everything?

That ever since I found out that you and Gabriel fought often I was happy? That every time you told me about your arguments I hoped you would break up? That I hoped that the last fight was really the last? That running to you in Italy after your breakup was the moment I looked forward to more than when I have to score a goal? That feeling your arms around my neck while you hugged me after so long made me feel alive? That the sensation of finally having your lips on mine was like entering heaven? That letting you love me that night was like I had never really experienced anything, because there was no comparison in having sex with you?

How could I tell you all this, Y/n, knowing that it wasn't reciprocated? That by doing so I would be pushing away the only person whose thoughts about me I truly care about?"

The tremor you were feeling until now seems to disappear, replaced now by a feeling of liberation that perhaps Kaiser is feeling now too. The weight that was crushing you to death lifts as all his thoughts come to the surface, thoughts so intimate that not even letters could have

Kaiser has unconsciously risen from his chair, his arms stretched out against the table. He is breathing heavily, and it seems only now that he realizes what he has actually said, that the monster he kept in his Pandora's box has come out and destroyed the entire village. It seems as if what he has wanted to say for years has come out now, but he had not kept in mind the consequences of his words. For the first time, he seems like the least alien stranger you've ever met: you didn't know his feelings, but now his words have weight of no small importance

The real Micheal Kaiser, after years, is finally before your eyes, alive as only a human can be, dressed with a level of intimacy that probably few people can reach. Micheal Kaiser has finally shown who he is to the person he has always loved with an almost impossible level

"Micheal, I-!" you say, getting up from your chair too, but something inside you seems to block you from moving. It's time, now or never. You don't even know for sure if he still feels everything he just said, if he really is still in love with you that much, but now it's your turn to lay yourself bare. You love him, you know you do it for years, you know that everything you had with Gabriel was just something you were looking for from Micheal

"Micheal, listen to me, I-" you say trying to find the words, but everything inside you dies the moment he lowers his gaze "Forget everything"

And suddenly, all the weight that was gone comes back stronger than before, not even giving you time to realize. The belief you had until a few seconds ago suddenly seems to be a nonsense that you were about to reveal. Michael breathes loudly, with a calmness that doesn't belong to the situation. You watch him as he stands up straight, no longer with his arms stretched out against the table. It seems as if he has just realized the consequences of his words and that everything he said came out only because it had to come out, not because it had to reach your heart; freeing oneself, not acting for something. And it's exactly that "Forget everything" that comes out of his lips that makes you the angry one in this situation this time. It annoys you that now he is you, the person who would like to escape, that just at the moment when you were about to be the one naked in front of his eyes, he decided to close them

A last sigh escapes his lips before he silently makes his way out of the room, towards the door behind you. He is running away, running away from something that this time he has caused: there is a strange connection in your own situation, as if you were both two identical, yet different, sides of the same coin. In a lightning-fast move you place yourself between him and the door, your arms open and resting against the adjacent walls. Your heart is beating too fast, you don't even know what you're really doing, but it seems right in a corner of your soul. Kaiser looks up, staring at you with a hint of annoyance that actually covers something else

In a few days you went from best friends, to lovers unaware of each other, to strangers, to rival for annoyance and now? What are you two now?

Neither of you dares to utter a word, but your eyes seem to communicate with a language that your minds struggle to understand. It is something fine, that can easily break, but that is saying everything that you have hidden from yourself for years. It's a language that only two people who have done everything to hide their feelings so as not to hurt each other can understand with inhuman ease

“Say it” you say confidently, knowing that what you think is finally coming “Say it, because I know you think it. And I think it, too, Michael.”

You would have, or rather, you should have been honest with each other so many years ago. His tense nerves finally seem to melt away when he hears your words, now light as a feather

"I love you" he says, in a way that seems to carry with it many sleepless nights, lost because of thoughts. Finally, both you and him, have taken off the last crumb of weight that you were carrying; you smile almost unconsciously, bringing your hands between his jaw and his cheeks "I love you too, Michael"

It is in that moment that the knot you were holding tight in your stomach goes away, it is in the same moment that everything seems to take on a new shade. It is in that precise moment, where Kaiser throws himself violently on your lips, that shivers of love run through your whole body

The sensation he longed for is finally here, as he kisses you with an almost aggressive tenderness. You kiss each other back, feeling for the first time the real butterflies everyone talks about. It's a needy kiss, that perhaps he waited too long and that is taking everything now; but it's beautiful, loved, and you wonder how you and him could have waited so long if you knew the outcome was something like this, so exciting and inexplicable

His hands move to your hips, squeezing them lightly with a firm grip, as if he wants to make sure you're there. The kiss doesn't seem to end, as you hold each other, your body smeared against his and vice versa. There's something that maybe you're both still holding back but that's slowly coming out of you. Everything becomes more needy, just like that night in the hotel: the kiss becomes more aggressive, his hands tighter, your hands sweatier as you slide them along his neck, tracing the outline of his tattoo. You feel him tremble, as he moves his lips to your neck, letting soft sighs escape your lips, while suddenly everything seems to take a turn that you've both already experienced a few weeks ago

You don't know how, a few minutes later, you found yourself in his room, lying on his mattress with him on top of you, still aggressive on your neck. But you liked him so much that your legs were shaking for the emotion

You loved Michael Kaiser. Michael Kaiser loved you. You loved each other, and it took you years to realize what you could have experienced already at 19 years old. But now, at this moment, in his room, you loved each other

And that's what mattered to you

tag(s): @rroxii ; @kittenish0 (if you want to be tagged tell me!)

READ IS IMPORTANT!!: the story seems finished but NO, let's say we are only halfway through what I have in mind. thank you so much for all the support I'm receiving, I think I don't deserve it actually 🥹 love y'all 💗🌷

52 notes · View notes

isak-dot-gov · 14 hours ago

Text

Accidental Reveal - Part Two: Under Pressure

Pairing: Inȇs Bettencourt

Word count: 1393

My Masterlist :)

..............................................................................

It had been a few days since the accidental slip-up on KK Arnold’s livestream, and the buzz around Inȇs’ relationship had only intensified. What had started as a handful of curious comments had snowballed into a full-on internet frenzy. Social media was ablaze with speculation about who Ines's mysterious "girlfriend" could be. While Ines had been hoping the storm would pass, it seemed that every new post or video only fueled the fire.

Worse, many fans had started connecting dots that led straight to you. You, the rising singer whose tour was lighting up stages across the country. Your fans were rabid, and every move you made was closely monitored by the media and dedicated stans. The coincidence of your performance that same night, paired with Inȇs’ comment about watching her "girlfriend’s tour," had everyone buzzing. Your names were suddenly being thrown around together in forums, TikTok breakdowns, and Twitter threads. There were fan theories, edits, and endless speculation—all centred on the idea that you and Ines were secretly dating.

At first, Inȇs tried to stay calm. She told herself it would blow over. After all, no one had definitive proof, and neither of you had made a public statement. But the pressure was mounting. Every time she opened her phone, there were hundreds of notifications—DMs from strangers, comments on her photos, even private messages from people she barely knew, asking if the rumours were true.

And it was wearing her down.

She was barely sleeping, her mind racing with worst-case scenarios. What if the media hounded you? What if the extra attention hurts your career? What if all of this stress started affecting her performance on the court? Ines felt like she was spiralling, the weight of it all pressing down on her chest every second of the day.

It didn’t take long for her teammates to notice.

“Yo, you good?” Paige asked, nudging Inȇs gently with her elbow as they walked to practise one morning. Paige had a way of reading people, and Ines had been off for days now.

Inȇs forced a smile. “Yeah, I’m fine. Just tired, I guess.”

But Paige wasn’t buying it. Neither was Azz, who was walking alongside them, watching Inȇs with a concerned frown.

“You haven’t been yourself lately,” Azzi said softly. “Is it all the stuff online?”

Inȇs’ stomach twisted, her hands tightening around her phone. She had been trying so hard to act like it wasn’t getting to her, but the truth was, she felt like she was drowning. Every time she scrolled through social media, there was another wave of speculation, another surge of people guessing that it was you.

“It’s just…” she swallowed, her voice barely above a whisper. “It’s a lot.”

“You need to stop looking at your phone,” Nika chimed in, joining the conversation as they reached the locker room. “That stuff will drive you crazy.”

“I know,” Inȇs muttered, but she couldn’t help it. It was like a car crash—she couldn’t look away. She was so anxious about what people were saying, about how it was all spiralling out of control.

KK, who had been silent for most of the walk, finally spoke up as they sat down to change into their practice gear. “This is my fault,” she said, her voice full of guilt. “If I hadn’t gone live…”

Inȇs shook her head quickly. “No, KK, this isn’t your fault. I’m the one who slipped up. I just… I don’t know how to deal with it.”

Paige, ever the leader, exchanged a look with Azzi, Nika, and KK. “Maybe it’s time we step in,” Paige said, her voice firm. She turned to Ines, her expression serious but kind. “Give us your phone.”

“What?” Inȇs blinked, startled.

“Give us your phone,” Azzi repeated, holding out her hand. “You’re obsessing over it, and it’s making things worse. Let us handle it for a bit.”

Inȇs hesitated. Her phone was her lifeline to you, and part of her felt like if she could just keep checking, she could somehow control the situation. But the other part of her—the part that was tired, stressed, and overwhelmed—knew her friends were right.

Reluctantly, she handed her phone over.

Nika immediately took it and began scrolling through the messages and comments. “This is nuts,” she muttered. “These people have way too much time on their hands.”

Paige sighed. “Welcome to the internet.”

KK, feeling guilty and responsible for the whole thing, took a deep breath. “We should call her.”

Inȇs blinked. “Call who?”

“You know who,” KK said, raising her eyebrows. “Her. You’re not dealing with this alone anymore. We’re going to figure this out together. Maybe it’s time for her to come out here and be with you for a bit. You need her.”

Inȇs felt her heart race at the thought. You hadn’t seen each other in weeks, and she desperately missed you. But with everything going on, would it really help? Or would it make things worse?

“Just trust us, okay?” Azzi said gently, as KK hit the call button on your contact.

---

You had just wrapped up a meeting with your team when your phone buzzed. Seeing KK’s name pop up was a surprise, especially since you hadn’t expected her to call you directly. You quickly excused yourself and answered the call.

“Hey, KK? What’s up?” you asked, wondering if something had happened.

“Hey, sorry to bother you,” KK said, her voice a little hesitant. “We’ve got a situation here with Inȇs, and, well… we think you should come visit.”

There was a shuffle on the other end, and suddenly Paige’s voice came through. “She’s not doing great. The whole internet thing—it’s getting to her, and she’s stressed out of her mind. It’s affecting her, and we don’t know what else to do, so we thought maybe you could help.”

Your heart sank. You had sensed something was off in Ines’s recent texts and calls, but you didn’t realise how bad it had gotten. “She didn’t tell me it was this bad.”

“She didn’t want to worry you,” Nika chimed in. “But it’s affecting her—big time.”

Azzi’s voice was calm but insistent. “She misses you. And honestly, I think having you here, even for a day, would make a huge difference. You don’t have to do anything—just be here.”

You didn’t hesitate. “I’ll make it work. I can fly to Connecticut during her next off day.”

KK sighed in relief. “Perfect. We’ll figure out the details and surprise her. I think she really needs this.”

You nodded, even though they couldn’t see you. “Thank you, guys. I’ll text you my schedule, and we can plan it out.”

The call ended, and you quickly started rearranging your plans. Inȇs needed you, and that was all that mattered.

---

A few days later, it was a rare off day for the team. Inȇs had spent most of the morning in her dorm room, trying to relax, but her mind was still buzzing with anxiety. She had barely touched her phone, following her teammates' advice to disconnect, but it wasn’t helping as much as she’d hoped.

She didn’t expect the knock on her door.

When she opened it, there you were—standing in front of her with a soft smile, your eyes filled with love and concern. For a moment, Ines just stared, frozen in shock.

“Surprise,” you said gently, stepping forward to wrap your arms around her.

The second your arms were around her, the dam broke. Ines buried her face in your shoulder, the weight of everything finally crashing down on her. Tears spilled from her eyes, and she clung to you as though you were her lifeline.

“I’m so sorry,” she whispered, her voice trembling. “I didn’t mean to—”

“Shh,” you soothed, rubbing her back. “You don’t have to apologise. I’m here now. We’ll get through this together.”

Inȇs nodded, her tears slowly subsiding as she leaned into your warmth. For the first time in days, she felt a sense of calm wash over her.

From down the hall, Paige, Azzi, KK, and Nika watched with satisfied smiles.

“I knew this would help,” KK whispered.

Paige grinned. “She’s going to be okay now.”

With you by her side, Inȇs knew that no matter what the internet threw at her, she’d be okay too. Together, you’d face the world—one step at a time.

..................................................

#wbb #inês bettencourt x reader #ines bettencourt #paige bueckers #azzi fudd #nika mühl #kk arnold

28 notes · View notes

otomes-and-tears · 3 days ago

Text

♦ an unsung melody (is mine for safekeeping) (7/7) ♦

► tags/warnings: pregnancy, past character death, angst, childbirth

► words: 3812

► A/N: The long-awaited conclusion!

Part (01) (02) (03) (04) (05) (06)

► Masterlist

“Oh, you’re finally home!”

Erika smiled, her voice carrying a cheerfulness that didn’t quite match the exhaustion in her eyes. It takes effort for her to stand up from their couch, waddling over to Nevra as he stood by the entrance of their little home.

Nevra rushes to close the short distance between them, leaning down to kiss the top of her head. His arms wrap tightly around her shoulders as he breathes her in, and his eyes flutter closed as he ground himself in her presence.

That was how Erika knew his day had been particularly difficult.

With her due date approaching, and Eldarya’s growing unrest, Nevra more often than not would only creep into their new, shared home at odd hours of the night. If he came in at all.

Those days were usually the worst.

The ones where she’d wake up in the morning and find the other side of the bed to be too cold. On the nights he did return, she could see how beaten down he seemed to be, carrying alone the weight of unspoken burdens. It has been a source of strife, lately. Nevra was too afraid of something going wrong to burden her with any more stress, and she refused to be so helpless, wanting to do anything to help.

“I would’ve gone over to you,” he murmured into her hair. “You didn’t need to get up.”

“I needed to move anyway,” Erika said lightly, squirming out of his embrace just enough to study his face, her eyes flickering over him to check for any signs of injury. “My back was starting to hurt from sitting so long.”

Nevra frowned, brushing her hair back with a tenderness that still made her heart flip. “I thought your back hurt if you stood too long?”

“That too.” She grimaced “Honestly, my back hurts regardless of what I do. My feet too— But having to rest so much is making me antsy.”

“I can tell.” Nevra locks the door behind him, double-checking all the locks to ensure the door is properly secured. Chrome complains about how often he has to herd you back home. Lately, just seeing you outside makes him nervous.

“You’re not that much better.”

She chuckled. Despite it bordering on annoying, Nevra’s increasing protectiveness could be, on occasion, terribly endearing.

Karenn had taken some time to explain it: it was a vampire thing. Being this close to the due date, his instincts asked him to make sure she was somewhere safe and familiar when their child was born. He’d be more over-protective in the weeks following the birth, but at the very least his attention would also be focused on their baby instead of just breathing down her neck and stopping her from walking to their kitchen for a glass of water.

Personally, Erika believes Karenn made it up to justify his, and her , bouts of overprotectiveness.

In truth, everyone around her had been on edge since she hit her third trimester.

The morbid part of Erika’s mind thinks they might be preparing for the possibility of death in childbirth.

Eyes linger on her even more often than before, and friends, old and new, seem a little too willing to stop by to reminisce.

No one tells her, but she knows. She knows all too well.

Nevra’s hands find the small of her back, as he gently guides her to the couch again.

He’s exhausted, but winding down with her at night is the best part of his day.

With her pregnancy, he has avoided missions that require too much travel. As Huang Hua’s right-hand man, it’s not like such things are often expected of him anyway. It’s easier to delegate tasks, but now that Erika is on the home stretch, and the baby can come at any moment now, Nevra has been spending long hours getting his affairs in order, ready to go on leave when their child is born.

He has no hope of being able to properly go on leave, but he wants to make sure the amount of work he has is minimal, instead of the mountains of paperwork he usually has to deal with.

“You know I can’t help it. And the closer we get to the date…” He trailed off, his eyes flicking to her rounded belly with a mixture of awe and anxiety. She doesn’t comment on it but could sense a nervous energy to him, simmering just below the surface, just barely suppressed.

“How are you feeling? Have they…”

He starts, the words winding down into nothingness as the hand previously on her back moves underneath her shirt, caressing the taut skin of her belly. Erika cringes slightly at the coldness of his hands. Nevra is likely doing this both to greet their child and as a ploy to warm his hands. He has always been attracted to her warmth, which is especially annoying when her base temperature has been up, she’s feeling unbearably hot all the time, but her beloved partner insists on being all over her like a sentient weighted blanket.

“The usual,” Erika replied, resting a hand over his. “They’re still too cosy in there to want to leave, making me miserable. I swear, If they don’t decide to come out soon, I’ll reach in and pull them out myself.”

Nevra’s lips quirked into a small smile, but his lilac eyes betrayed him, still soft with worry. He didn’t speak for a long moment, his thumb tracing slow, rhythmic circles across her skin, following any tiny movement he could feel in her belly.

He used to complain about how sombre she could be. About all the what-ifs that tormented her, the dark jokes she made at her own expense as a consequence of her past, and all the terrible misfortune that coloured their time together.

Things got much better after her pregnancy progressed and she got too focused on their move, obsessing over every little detail of their shared home, to concern herself with these things. It felt like a burst of optimism, being allowed to focus on the future for once rather than being tethered to her painful past.

But as her due date approached, it seemed like things became sombre again.

The light dimmed, a heavy fog settling in between them. She could only walk towards the light, hoping that it would lead to something good, rather than more tragedy.

“I started writing in the baby book again,” Erika said, breaking the silence. Her voice was light, almost casual, but there was a tremor underneath it. Nevra’s hand stills for just a moment before he forces himself to continue tracing shapes in her belly.

The rhythm is broken, however. Too stilted to seem natural.

“Just little things,” she murmured, looking away. “The way you hum when you’re stressed. How you always bring me fruit for breakfast, even though you hate how it smells, the lyrics to lullabies from back home…”

“It sounds like you’re writing a farewell letter,” Nevra said softly, his voice tight.

She swallows, hard, there’s a beat where the conversation dies, too long, too uncomfortable when things around him felt so easy beforehand.

“Maybe I am.”

His grip on her tightened, his fingers curling protectively over her stomach. She distantly recognises the shapes he’s tracing as protective runes.

“You shouldn’t,” Nevra pleas, and she can’t bring herself to look at him. “You’re going to be just fine.”

“I just… want them to know me,” she said, her voice breaking. “In case I don’t—”

“You will,” Nevra interrupted, his voice firm. “You will know them. You’ll be there for everything. And if you can’t finish that stupid book, I will. I’ll fill every single page... They’ll know you, Erika.”

She nodded, her throat too tight to speak, and leaned into his shoulder. He held her, a little too tightly, as the baby stirred between them, both of them lost in their thoughts.

—

It starts gradually.

She never expected labour to be like this. It doesn’t really matter how many baby books she read, or how many times medics walked her through all the steps of labour, the idea of it that always seemed to come to mind came from all the movies and shows she watched back home.

Things always start suddenly. A sharp pain, then your water breaks, then all hell breaks loose. In a neat twenty-one minutes, you’re holding your perfect, healthy, clean baby.

Reality is much, much more painful than fiction.

For starters, there’s a lot more waiting involved.

Waiting and counting.

Waiting until the contractions get strong enough, waiting until they’re timeable. Waiting until they’re close enough apart and last for long enough.

Waiting until the water breaks, until her cervix is dilated. Until they can give her something to manage the pain.

Waiting, waiting, waiting .

It’s worse than the nine months that came beforehand. The wait seems far longer, heavier, and more anxiety-inducing.

Nevra was there the whole time. Labour lasted far longer than either expected, but he refused to leave Erika’s side, or their shared home until his firstborn was safe in his arms. He must’ve snapped at Eweleïn three times, begging her to do anything to do anything to mitigate Erika’s pain, before she threatened to kick him out and only let him back inside once it was finished.

He was much more compliant, then.

The early morning hours blurred together as Erika gripped the edge of the bed, her breathing ragged. Each contraction tore through her with an intensity that made the world tilt, and yet it wasn’t the pain that filled her with dread—it was the knowledge that this might be the end of the road.

The room was silent, save for the occasional rustle of fabric and Eweleïn’s hushed instructions. Erika can only barely process the flurry of movement around her as nurses and healers rush into position, getting vials filled with colourful potions into a table and preparing the station where her child is going to be examined. Why they hadn’t bothered to do so in the hours she was waiting for her cervix to dilate enough for her to be able to push was beyond her.

Erika’s laboured breaths filled the air as she clung to Nevra’s hand, her grip tight as she bordered on desperation. The birth had been harder than anyone expected, threaded with extreme caution. Her mind felt too hazy to properly process any words that weren’t “ push” and the vague notion that she had lost a little too much blood.

She was exhausted and hungry by too many hours of labour and in terrible pain. Nevra whispered soft assurances into her skin, which made her feel a little better, even if she couldn’t understand them.

“Almost there, Erika,”

Eweleïn said, her voice firm but gentle, though even she looked strained. As exhausted by the experience as they all were.

Erika nodded, her hair plastered to her forehead with sweat. She couldn’t waste energy on words. All she could think about was the fragile life she was bringing into a world that had never shown her mercy.

“You’re doing amazing,” Nevra said, his voice trembling as he pressed a kiss to her damp forehead. “Just a little longer, sweetheart. I’m right here.”

She nodded, her grip tightening on his hand.

“Nevra,” she whispered, her voice barely audible. “If I don’t—”

“Please,” he cut her off, his voice sharper than he intended. He softened immediately, brushing her hair back, guilt flashing in his eyes. “You’ll be just fine. You’re stronger than anyone I’ve ever known, and you’ve come so far..”

Erika closed her eyes as another contraction hit, her scream muffled against his chest.

Eweleïn’s voice broke through the tension.

“One more push, Erika. You’re almost there.”

Part of her wanted to scream at her old friend. It seemed like she was insisting that it was just one more push for hours.

With a final, desperate cry, Erika bore down with all the strength she had left, and then there was silence.

For one agonizing moment, the world seemed to hold its breath, Erika’s heart pounding in her chest as a familiar dread washed over her, until the piercing, shrill, wail of her newborn shattered the stillness.

It’s like they all breathe a sigh of relief.

Her body slumps back into the pillows, finally allowed to relax after what felt like an interminable effort, but she is still trembling from the aftermath.

Then she cries.

Out of relief they both shared, that the worst was over. That she managed to overcome the biggest hurdle and they both pulled through. All those months of dread, all those nagging thoughts that tainted every happy moment were finally proven wrong.

Nevra let out a choked laugh, his own eyes wet as Eweleïn finally handed the baby to Erika.

Her hold on the newborn is a little awkward, but with her Eweleïn’s assistance, she’s able to hold the baby securely in her weak limbs. Her dear friend wipes away her tears with a proud smile, holding back her own tears through a thin veil of professionalism.

"It's a girl"

The elf announces, her giddiness is as infectious as her smile. Eweleïn lingers around the new parents for a brief moment, the three old friends relishing in the victory of a battle well-fought, before she leaves them, caught up again in the flurry of activity inside of the room. Their time with the newborn right now is limited, before she's weighed, cleaned and thoroughly examined, but Erika is glad to have this little moment of privacy. To be inside of this perfect little bubble with Nevra and the child she finally gets to meet.

The vampire regards them both with awe, his eyes lighting up as he watches their tiny, bloody little baby squirm in her mother’s arms.

“You did it,” he murmured, his voice raw with relief. “You’re both here. You’re both safe.”

Maybe in a few years, when this is all long past them, Erika will manage to feign being offended at his blatant disbelief, but right now, she echoes the sentiment.

They’re both there, and safe .

She had grown too used to things being good, too good , and then being ripped away from her.

In her eyes, the past few months, where she got her life back with Nevra, was an anomaly. She lived in fear, waiting for her time to run out, for the inevitable other shoe to drop, for another world-ending event to wipe away all of those she had loved.

But now she holds her baby close. Her precious little girl, with her father’s pointy ears and her mum’s nose, allowing herself to enjoy the moment with no reservations. No catastrophising. Even if it doesn’t last, and the fear of their future crushes her again, she allows herself this one thing.

The weight of her survival was heavy, but for this moment, it was worth it.

For her.

—

The stars were scattered across the night sky as Erika sat on the edge of the cliff overlooking the forest, weeks later. The baby, swaddled and asleep, was cradled safely in her arms. The aengel had insisted on being left alone, though Nevra had hovered like a shadow at the edge of her vision, reluctant to leave her or their daughter’s side for even a moment.

She allows him to walk the familiar path with them, a few steps behind. It’s a little game— He can join, just as long as he stays out of her view. If she spots him directly before they reach their destination, he needs to go home.

There isn’t much one can do with a child this new, but Erika manages. As soon as she could, she started taking her baby on little walks around the HQ, strapped to her chest, covered in soft clothes she hated to wear. Her walks usually happened at night, when the baby couldn’t stop crying and she needed to do something to keep herself sane when everyone else was asleep, and they were both away from prying eyes and well-meaning advice she frankly did not want.

She started by walking to the centenary tree, sitting by her own statue, talking to an old friend who was long gone, hoping the dim lights and her soft voice would soothe her child to rest. Later, when she was strong enough, her feet took her to the same cliffside that had shaped so much of her recent life.

Erika was no longer fragile from the delivery, but she wasn’t whole either.

The same powers that had once healed her so quickly now seemed sluggish, and she couldn’t shake the feeling that something about them had changed , evolved, much like everything else in her life.

Her bond with Leiftan still existed, and on the worst nights she could still sense him, sending her comfort in the only way he knew how, but he had mostly blocked her off. Her senses had grown mostly attuned to her child, helping her understand her daughter’s needs without fumbling as much as she feared she would.

It’s strange to think that she’s a mother, now.

It only feels real now that her baby is in her arms, but it’s still an adjustment to be given this new title, to the way that people now perceive her.

Nevra joined her without a word, sitting close enough that their shoulders touched. He said nothing at first, allowing her a moment of quiet if she wishes, or to tell her what has been bothering her.

He just wanted to be nearby.

“Funny, right?” Erika’s voice cuts through the night, barely above a whisper, not wanting to wake their child. “We were sitting here, seven months ago. In this exact spot. And I told you I was pregnant.”

He smiles, almost despite himself, filled with a sudden nostalgia. She knows he’s just as exhausted as she is.

“The best, most terrifying night of my life.”

Nevra announces, which makes Erika laugh, almost despite herself.

“You didn’t seem scared .”

“I was.” He admits “I still am.”

Why wouldn’t he be, after all?

Parenthood was scary. The moments leading up to it were, and the reality hit her much worse.

She loved her daughter more than words could say, but sometimes she felt like she had a hard time truly bonding with her. Feeling like herself again.

It’s a strange thought, that defined so much of her time after she woke up from her sacrifice. Others perceived her as a saviour, as a living legend.

The last Aengel.

Her friends regarded her as a long-lost friend, someone they loved but couldn’t quite remember. An echo of a different time.

She was always so lost in the different expectations. In all the titles she was given, and how much they clashed with the reality of who she is. Or at least she perceived herself as being.

The truth, she found, is that she, herself, doesn’t know the definitive answer.

Perhaps it was presumptuous to once think she did.

She’s a mixture of everything and nothing at all. Beyond all the suffocating titles, the weight of expectations, her fears and her story, she’s Erika .

The only way to feel like herself is to be herself. To stop pretending like she’s okay and like she isn’t afraid for the sake of others, to stop acting like the perfect sacrifice. The heroine they all craved.

It’s who she wants her daughter to know her as. It’s something she’d known for a long time, what was harder was to be that person, not just simply write down those words in a journal.

“She deserves more than this,”

Erika said finally, voice barely above a whisper.

“More than what?”

Nevra tilted his head.

“More than a mother who will probably leave her before she learns how to walk,” Erika replied, bitterness lacing her words. “More than a father who has to juggle the world’s problems with raising her.”

Nevra didn’t flinch. He had always been steady like that, even when everything else felt like it was crumbling. He was just as scared as she was, she often reminded herself, and only recently had grown comfortable in expressing those fears to her.

“You’ve survived everything thrown at you so far,” he said, his voice firm but kind. “I know you don’t want to be the saviour again, but you’ll do it. Because you’re you.”

“That’s what I’m afraid of.”

She looked at her daughter’s face. As how her plump cheeks are squished against her mother’s chest, deeply asleep, so serene, so full of life, and felt her heart ache. How could she bring herself to love this fiercely again, knowing it could be taken from her in a second?

Nevra rested his hand over hers, where it lay against the baby’s form.

“She has all she needs, Erika. She has parents who love her, and people from the HQ and beyond who’d lay down their lives for her in a second if asked.” That makes her chuckle. “And most of all, I know that if something were to happen to you, you’d fight like hell to come back to us. You have before, back when you had much less to fight for.”

He said simply, the weight of his sincerity breaking through her walls. He’s right, she knows he is. She just needed to accept it.

She closed her eyes, letting the tears come.

When the sun rose, Erika stood at the edge of the forest, her daughter in Nevra’s arms as he waited nearby, shielding the baby’s eyes from the bright light. The horizon blazed with gold, and for just a moment, it felt like clarity.

It was her lighthouse, her way out of the fog that obscured her vision, out of the darkness and weariness that had once consumed her.

Erika spent so long fearing her death that it was hard to accept that, for once, she was allowed to live.

Things wouldn’t always be easy, and the calm she now knew wouldn’t last forever, but there was no use in suffering for what might be and losing all the joy of the life that she painstakingly built for herself. She had her happy ending all along, but in her fear, she didn’t even realise it.

She was tired of losses and of every single milestone being tarnished by her fear of the future. So, for now, she looked to the present.

Erika turned back to them, her family , and smiled through her weariness.

“Just a little longer,”

She whispered, more to herself than anyone else. When she smiles, she finds it to be sincere.

The road behind them was filled with darkness, perhaps, but she looked to the light that guided them.

For her child.

For Nevra.

And most of all, for herself.

#an unsung melody au #eldarya #eldarya a new era #nevra #nevra eldarya #eldarya hcs #bee's writing

19 notes · View notes

mbg159 · 2 days ago

Text

One belief I've recently come to with regards to Crow is based on a video I saw once, which discussed a character who faced very similar circumstances... that is to say, Scrappy-Doo. (Bear with me, this is going somewhere.)

Now, usually, when people hear the name "Scrappy-Doo", they think "boy, I hate that little shit." But the thing was, that wasn't what people thought initially. When you watch those early episodes where he appears, there's really nothing particularly wrong with Scrappy in a vacuum. Yes, he can be annoying, but so can Scooby and Shaggy, and he's intentionally written as such. He changed up the formula somewhat, but the formula had gotten so stale that the writers were happy for it (Mark Evanier has a story about how they had to go over various monster ideas and sigh when they realized they'd already used them). If anything, ratings saw a very noticeable uptick when he showed up, to the point that he's credited as saving the show from cancellation.

The thing was, the executives looked at that ratings uptick, and decided to make a number of moves with the objective of trying to shake up the formula as much as possible in favor of what they thought people liked and what would save money. Six main characters? How about we cut it down to three main characters, two of whom are voiced by the same guy? Solving mysteries and always finding out it's a guy under the mask? That's boring; instead they should meet real monsters and fight them. Half-hour-long episodes? Too expensive. Make seven-minute shorts instead and lash them together into three segments.

Now, obviously these changes aren't necessarily Scrappy's fault, but the fact was, within a single year of his introduction, the show had turned into something almost unrecognizable as its former self. What was more, while other characters suffered as a result of these changes (most obviously, Fred, Velma, and Daphne being written out altogether), Scrappy was the character who outright reaped benefits from them. With those three gone, Scrappy was now the only person in the group who wasn't a bumbling coward, which resulted in him becoming, if you'll forgive me, a bit of a Mary Sue. Scooby and Shaggy became his idiot sidekicks while he set up traps and defeated monsters all by himself. Some episodes didn't even feature Scooby and Shaggy at all, and had Scrappy off on his own with his other uncle, Yabba-Doo, taking part in generic Western-themed adventures.

Essentially, Scrappy was a harbinger of an era where the series completely lost its identity, and during that era, he was front-and-center, and many decisions seemed to be made to give him primacy. He wasn't necessarily a bad character at any point (even at worst, it would be hard to call him a low point in whatever he was in), but it becomes difficult to separate him from the constant barrage of bad decisions that surrounded him. And it's equally hard to ignore that the series had truly gone all-in on Scrappy: if you weren't a fan of Scrappy when he first showed up, you certainly weren't a fan when you saw an episode about Scrappy and Scooby's hick brother meeting space aliens.

And nearly everything that I said of Scrappy is also true of Crow. (I don't know if he saved his series, but I've argued before that he was part of an attempt to do so.) It's not that he's a truly bad character at any point. I don't like him, but I can't deny that there are people who do, and I would say that any critique I can make of his writing is something I could probably make about characters that I do like. Johan in GX does a lot of the same things Crow does, and I mostly like him. But the thing is, it's impossible to extricate Crow from the fact that his prime years happened to be when the show became a bit of a mess--and really, that's by design, when the series spent that period going out of its way to broadcast his presence.

What is more, I said with Scrappy that the bad writing decisions of his era harmed other characters but benefited him. Crow is the same way. When you think about bad writing surrounding characters like Aki, Carly, the twins, and most other pre-Road to Freedom characters, you think of decisions that made them less important, less competent, and overall marginal. For Crow, meanwhile, most of the decisions people call "bad writing" (his abrupt introduction, the fridge thing, becoming a Signer, Black-Winged Dragon, the WRGP structure) were seemingly intended to push him into the spotlight.

The final duel with Sherry is a great example: I don't think it's a stretch to say that it's bad writing for a show to try to build an epic character conflict around two characters who have nothing in common and have never interacted. However, the alternative would be him having no investment or arc whatsoever in what's effectively going to be his final story. And for other characters (i.e. Ruka), the writers would probably be fine with that--but not Crow. And so Crow gets the internal struggle and the finishing blow and the big handshake at the end, and none of it really means anything, because the writers didn't really plan things out beyond "well, he has to do something, because he's our third main character," and treated that as an end unto itself.

Crow is a character where it would be silly to say it's his fault that the show started to come apart at the seams. There was a thousand reasons for that, and he honestly wasn't even that important, as you've pointed out. If you removed Crow, then the other characters would probably have suffered a similar fate of dwindling in the background as the writers struggled to find things for them to do. But at the same time, if there was a single character you could point to who represented that era... it would kind of have to be him.

Anyway, look forward to twenty years from now, when he gets turned into a villain in a weirdly adult film adaptation.

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

46 notes · View notes