#but don't because I'm having so much fun reading them

[bunnys-kisses]

lust is a loaded hand gun

max verstappen

cw: smut/pwp, ferrari!reader, baby fever, seduction, cowgirl position, alcohol/drinking, breeding, the reader wants to have a baby and chooses to have it with max, max is not aware

this bunny runs on comments & reblogs! feed the rabbit!

part 2: love is a kick to the stomach

this sounded stupid. but you wanted a baby. and while that was an easy task for most women, you knew that there was something impersonal about picking from a catalogue. reading profiles felt weird, like you were looking for a used car rather than the biological other half of your child. even if you'd raise them without a father, you'd rather have a night of passion than an awkward doctor's visit.

charles leaned back in his seat and asked, "why don't you and i just make one." he shrugged his shoulders. he considered himself close to you. you had been teammates for a little over two seasons and prior to that you knew each other. he didn't mind being the one to help you bring a child into the world, "i can be his uncle and he'd never know."

but, as close as you were to your teammate. you had other drivers in mind.

you made a face, "no offense, charles. but it would feel like doing it with my brother." being teammates meant you two knew too much about one another. you worked well as teammates and rivals because you were more like siblings. while you appreciated the offer, you felt it was weird.

charles asked, relaxed in his seat, "why are you doing this anyway? isn't there a million ways for you to have a child."

you shrugged, "i want to be a mom, i don't know. leave my seat behind to another woman and let her make all the history. i'm honestly tired. i've reached the peak and now." you sighed, "i want something else. i've got enough money to retire and let my future child retire before they're born." you crossed your arms, "i don't want to be doing this shit until i'm forty and just degrade in the skills department. end on a high note." while it was not an insult to other driver's on the grid. you felt bad that they never got to really be parents due to the schedules.

"so you need to seduce a driver to make that happen."

you nodded, out of the corner of your eye you spotted the driver you had your eye on. while you eyed the man crossing your path, your voice got softer, "and i think i know just the driver."

charles looked over to the direction you were looking at. he noticed who was walking by and he looked back to you, shoulders dropped, "max. you're going to seduce and have a child with max?"

you looked back to charles and shrugged, "why not? what's not to like?" max wasn't a perfect man, sometimes you wondered about the mechanics of his brain. but, you knew your child with him would lay waste to the track in the future.

"i can name a few. do you want them alphabetically or severity of it?" charles asked.

you gave him a look, "it wouldn't be hard to get him to sleep with me. you, me and the rest of the garage has seen how he looks at me. i mean who else do i have to choose from? either they're too old, they're rookies, or they have girlfriends. and i'm not getting a heel in the eye because i'm trying to have a baby."

charles rubbed the bridge of his nose, "i think you just like him."

you tensed up for a moment, "no. this is all just simple. scheming... nothing more. i don't expect to trap him with a child. he is free to live his life after i'm done with him."

charles found it hard to believe. not on your end, but max's. he had heard at sickeningly lengths about how max felt for you. it was probably the most eloquent the driver had ever been. if you got pregnant by him, he'd be getting a ring the next day. he sighed once more, "then have fun with the wold champion. i'd say to be safe, but i think being unsafe is the whole point of this."

you gave the once over of max in the near distance and smiled, "don't worry charles, you'll get all the details in the morning." which earned a groan from your teammate.

-

it started over a bottle of wine and ended in the motor home of red bull. you and max had gotten frisky over the evening. you wondered if anyone was selling the photos of you two in the back of the restaurant to tmz or some other trashy outlet. you had shared two bottles of wine over dinner. the benefit of being as wealthy as you were, you could throw the cash onto the table and giggle as you stumble out of your place.

you knew someone had a photo of max kissing you at the table to 'taste' the sauce that came with your meal. as if he couldn't take some from the plate.

but back in the motor home, you had dropped your purse by the door. in the dark of the place, you two were starting to get undressed. heels kicked to the wall, your bracelets set on the coffee table. your dress was on the floor by the bed, your bra over the lamp by the bed and your panties on the bed.

"i'm on top." you said as you kissed max's lips. he tasted like wine and fine dining. he tasted and smelled expensive. in all fairness he could be worth more than a micro nation. he was not an easy man to buy, but the currency of sex was in high demand. max wanted you, and you knew that because he got on his back without much argument.

you were both naked on the bed. the faint lights gleamed through the large windows as you rubbed up against max with no other lighting. you could see his face against the shadows of the night. his blue eyes were like gems and they pulled you in. whoever he ended up with would be very lucky.

but tonight you needed him. he was an important piece in your plan. you rubbed against him and with a little help, you sank down onto his cock. while cowgirl wasn't the best position to try and get pregnant, but it ensured that your plan would work. any position is a working one.

"you're beautiful."

"i know." you said as you rubbed yourself against him. you braced your hands on his strong chest. he was a handsome man, he was good at what he did and he was a winner. you knew anyone would be lucky to have him, but tonight was the perfect partner. you knew a child with him would be perfect.

you continued to rub up against him. the roll of your hips were methodical. this wasn't the first time you slept with a man. you moaned when max groped your breasts, massaged the flesh between those bear paws he called hands. soon you sank on his cock and shuddered, feeling the heat raise in your belly.

this was a mission, no time to get attached. you were both tipsy from the alcohol and the driver under you were more handsy than ever. you try not to feel the emotions that came with it. the feeling of being attached to someone you were having sex with. you batted charles' assumptions about your feelings for max out of your mind as you rode the dutch driver.

you were determined to get pregnant tonight. you measured it all down to a t, all you needed was for max not to get whiskey dick. you curved your back to get closer to him, your lips met his as you moved up and down. his cock was snug in your, but it went in almost perfect. the blunt head hit against the furthest parts of you. your heart hammered in your chest as you moved your hips.

you pushed hair out of your face before your braced your hands on his chest once more. he was very toned, you almost wanted to joke about what happened to his slightly kinder chocolate addiction. but that was neither here nor there.

"you feel so good." he grunted, "why haven't we done this before? fuck." he panted, he could feel the heat in his cheeks as you rode him. he had been with others before but being under you was a pleasure no money could buy. you were really good at it, knowing exactly how to make him feel good.

"good things take time." you panted, part of you wondered what would happen if you covered his mouth. you didn't need the dirty talk, this was a mission. if you wanted a casual friends with benefits, you'd try something online or another in the paddock. fucking max was a certainly that you'd get pregnant. it didn't have to be intimate or soft. it was a means to an end, and you'd get there no matter what.

the sounds of your fucking filled the room as you continued to move against him. you raked your nails down his chest, catching his nipples which made him moan. he was cute on his back, letting you take over. you wondered how deep his affection for you went.

you didn't want the emotional baggage of it all. tonight you were both drunk and having sex in the motor homes. it would be a one night stand before you two finished out the season. you could feel the heat across your back as you stared at him.

his eyes were closed and his mouth slightly open as he panted heavily. there was heat in his face and you felt something tug in your chest. he was beautiful, you hated to admit it. but max verstappen was a pretty boy.

he was already blissed out, his noises forced you by the movement of your hips. you licked your lips and without thinking, you left a mark on his collarbone. it was stupid, but it excited your further.

you continued to move against him. your breasts bounced with each move of your hips. you felt moans in the back of your throat and a hum in your soul. pleasure was close and it wasn't long before you really worked yourself onto his cock and finished.

the tightness around his cock made max's back arch a little bit. he could feel the heat in the back of his head. his heart pounded as he watched you continue to ride his cock. he panted heavily and soon climaxed as well. you made sure to get everything you could out. you kissed him once more before you stopped. when you pulled away you got off of his waist and laid down on the bed.

"wow." he said out of breath.

you didn't want to talk. instead you turned your head to kiss him on the lips to keep him quiet. there was no time for mushy romantic bedroom talk. you needed him to fall asleep before you could leave.

you tried to count down the seconds, placing kisses across his heated face. you reminded yourself that there would be some lucky enough to keep him for life.

when you pulled away from his lips after one last kiss, he curled up beside you and right then fell asleep. you stayed awake, when the heat cooled in your body. you hoped your mission was a success. the lust and the alcohol still made its rounds in your body. but you were lucid enough to find your clothes in the dark and slip out of the motor home before morning.

you'd never bring up the event to max, only briefly mentioning it to charles. you'd drive harder after that, in the end you'd secure a world championship. as you kissed the trophy and your country's national anthem played, you were already pregnant with your child.

-

your retirement was a shock to max. you could've easily decorated your home with many trophies over the next few years. but at the end of the 2024 season, you bowed out. you thanked fans and told them that it was a new chapter in your life. and then like that you fell off the face of the earth over the off-season.

max tried to find ways to contact you. where did you go? what happened? why leave at the height of it all? the more he thought about it, the more questions were raised in his head. he asked around the paddock, even going as far as to ask charles where you went. the other drive shrugged and told him that you moved back to your home country with a "little extra luggage". there were no social media posts. nothing. it nagged in the back of his brain for what felt like a lifetime. what happened to ferrari's princess?

it wasn't until almost three years later, max had claimed another world championship. it felt like these days he was riding high. he was still the best. but as he walked into the paddock to train for the upcoming season, he stopped in his tracks. he felt like he was splashed with cold water.

there you were, three years older with a glow to you. you were laughing with charles and lewis, you looked different but in a good way. you were in overalls and a ferrari shirt underneath. you were more curvy than you were when you were driving. and while you were still beautiful like the sun, pulling max in. what made his stomach drop was who was in your arms.

a young boy, with big curious eyes and round cheeks. he held onto you tightly, his small fists in the fabric of your shirt. he seemed curious about the track, but not scared of how big it all felt. while max would've assumed that you got married and had a child as a lot of people did. but that's not what had happened.

max knew right away at the first glance of your son. looking at him was like looking at max's childhood photos. even in features that matched your own, your son carried a lot of max in him. the itch in his brain after you fell off the earth all those years ago came back, this was where you went. the boy looked like him and if he was right about the boy's age then dates lined up. there was no question. max verstappen was your son's father. and when you noticed him staring. you simply smiled and gave him a wink, shifting the boy in your arms and pointing at the me. when your son smiled, max felt something in his gut. looking at you, holding your (his) son, made max feel like he was home. and all those feelings he had been carrying poured back into his head and heart. the same emotions that allowed you to bed him. <3

sequel: love is a kick to the stomach

[screamlet]

08x06 fix-it fic: break and be mended

not connected to that excerpt i posted before, just something completely different. 4.5k, read on the ao3

---

Another hospital room. Buck takes a deep breath and closes his eyes again, letting it out and hoping he gets back to sleep. It doesn't happen, though, because his brain catches up to his eyes:

Maddie, wearing a yellow paper hospital mask, a hand anxiously on her belly, sitting in the chair next to him with that too-familiar oh-thank-god-you're-finally-awake face… and Tommy leaning in the doorway.

He takes another deep breath and opens his eyes again.

"You're okay," Maddie says patiently, slowly, as Buck tries to slam the door shut or set the doorway on fire with his brain. "It's just the turkey flu, it hit you hard."

That breaks Buck's concentration. "Wait, is this a dream? Another coma dream? Turkey flu has to be something I made up."

Maddie raises her eyebrows and looks over her shoulder at Tommy before turning back to Buck. "Another one?"

"No, no, don't look at him," Buck interrupts. "He's not supposed to be here, not when I have turkey flu, not ever. He broke up with me, remember?"

In the doorway, Tommy shifts his weight from one foot to the other. He's wearing the dark blue LAFD t-shirt and pleated pants, a special Air Ops patch on his shirt sleeve. They always lurked under his flight suit, under his turnouts when they were on the same scene, but Buck didn't get to see them often. It was for the best, he thinks now, because the shirt fits perfectly across Tommy's chest and shoulders, the pants belted low. His shirt is tucked in better than Buck's ever is. He almost never got to see him like this so it feels like some new Tommy he's seeing, a Tommy that hangs around Harbor long enough to take off his flight suit but doesn't peel the rest of his work self off. He doesn't get off his shift, put the pilot away, shower and go home.

Buck looks away. He's looked too long.

"I'm actually here, you know." Tommy raps his knuckles on the door like that's proof of anything except a very strong poltergeist. "I can hear you."

Buck watches something that he hasn't seen in years sweep across Maddie's face (mostly her eyebrows, because of the mask).

She turns around and snaps, "I let you come within ten feet of my brother and you think bitchy fun Tommy was invited, too? He was not." Tommy looks shocked and abashed; Buck loves her so much.

"Why was he invited at all, Maddie?" Buck asks. "And you're both real, right? Like I'm not hallucinating both of you. Is that a turkey flu symptom? Can I have my phone? I need to look up turkey flu."

"It's a strain of avian flu, you just happened to get it from a turkey farm. Hen said you had a call to one of those last week," Maddie explains. "And you kept giggling when I said the words turkey flu so, you know, why not?"

"It's pretty funny," Buck admits. "Hey, why's he here?"

Maddie turns around and looks at Tommy expectantly. Buck still knows his face, still knows him, and can see the quip that wants to escape past his lips. He can see the work it takes to hold it back and look sincere, really sincere, for them.

"You collapsed at a scene and I flew you over," Tommy says. "I wanted to make sure you were okay."

Buck stares at him as he presses his lips into a fine line. "I'm okay. Thanks."

Tommy nods, then asks, "Can we talk? Alone?"

It's taken four months, almost as long as they were together, but Buck's finally hearing the words he's wanted to hear since Tommy walked out his door. I'm sorry, I was scared, I love you, yes let's take the next step together, from now on let's take every step together—that was Buck's first choice. Can we talk as a jumping off point for all those other things—that was Buck's second choice. Was.

Buck glances at Maddie and knows his face does something dumb. "I'll be outside," Maddie says. "And I'm not far, if you want me to throw him out." She looks over her shoulder at Tommy. "I'll do it."

Tommy nods. "Wouldn't doubt you for a second."

She squeezes Buck's hand and lingers for a beat, one long look at him like she's waiting for him to say actually, wait, don't, stay, but he doesn't. He hates that he doesn't. He hates that he wants to hear what Tommy has to say.

She and Tommy swap places; he takes the chair next to Buck's bed and she leaves, shutting the door behind her. Tommy doesn't see the way she passes by the window like a shark, watching, but Buck laughs. When Tommy looks back, she's gone.

"Your sister's changed a little," Tommy says casually. "Her sense of humor, I mean."

Buck licks his lips. "Yeah, well, when you were my boyfriend, you were her friend. Now you're neither."

"Yep, got it," Tommy says. He sits back in the chair, but looks so uncomfortable that someone would think he'd never sat in one before.

"Are you okay?" Buck asks. "Why are you here?"

"This chair is so weird."

"Tommy, what do you want to talk about?"

It startles Tommy, and it should. He only got soft and smitten, totally-in-love (even if he couldn't admit it out loud) Evan Buckley, cute and bratty Evan Buckley. He doesn't get that Evan anymore. No one has.

Tommy sits with his feet flat on the floor and his hands folded in his lap. He takes a minute, a long minute, of staring at the floor before he looks up and stares at Buck. "You asked me to move in with you."

Buck blinks. "I did."

"You asked me to move in with you."

"You said that. I mean, I said that, but you—"

"Evan," Tommy interrupts.

"I thought I was Buck now," Buck interrupts.

Bitchiness lurks on Tommy's tongue, but he holds it back. "You asked me to move in with you. Into the loft."

Buck tilts his head. "Yeah?"

Tommy shuts his eyes hard and shakes his head before he looks at Buck again. "Evan, I own a house."

"... okay?"

"Did you ask me to move in with you and expect me to give up my house?"

"What, no—" Buck says, then stops himself. "I don't—I didn't think—"

"Did you even think about that?" Tommy asks. "Like when you talked about moving in together, getting married, the future, all of that—did you even remember that I own a house?"

"You know," Buck interrupts. "Four months ago, you could have said, haha, wow, that's moving pretty fast, also I own a house, maybe when we're ready, we could move into MY HOUSE and make it OUR HOUSE, but you needed to run out the door so why would you say any of that?"

"Yeah! I was freaked out! Because here was this guy I—this guy I really liked, and he asked me, a 40-year-old man, to move into his loft?"

"What's wrong with it? Why do you keep saying it like that?"

"It's downtown! Downtown is loud and filthy and did I mention it's noisy? It was hell sleeping there in the summer because even with your central air, heat rises and it rises right into the bedroom. I saw your electric bill, Evan, it was unforgivable."

Buck wants to throw something at him. "And we could have been at your house, quiet and with better temperature control, but we weren't because…?"

"I'm just saying," Tommy continues. "Yeah, all that's true, but I realized you wanted me, wanted a future with me, and you didn't even remember that when I wasn't working or with you, I was at my house."

"I get that," Buck says. "Now how many times did we hang out at your house?"

Tommy sighs. "It's out of the way, your place was always closer to the 118 and to Harbor, and I kept—I was going to, okay? Like maybe after our anniversary, we'd take a week off together and we'd actually be at my house, or take a trip somewhere—"

"You got me basketball tickets," Buck snipes at him.

Tommy stops completely.

"For our six month anniversary, remember?"

"How the hell am I going to forget that?"

"You got me tickets to see the Lakers. Really good tickets."

Tommy rolls his eyes. "Alright, well, that's the last time I call that guy I know in the press office for anything."

Buck thinks he's getting closer to setting something on fire with his mind. "I hate basketball."

Tommy stares at him. "What the hell are you talking about? We met because of basketball."

Buck sits up so quickly and angrily he starts wheezing and that turns into a coughing fit. Tommy's immediately there, sitting on the edge of his bed with water, getting him to take a small sip as he rubs his back. When Buck realizes what's happening, he covers his mouth with his blanket and shoves Tommy away, coughing even more.

"Sorry, I was just—"

"I have turkey flu!" Buck yells through the blanket covering his mouth.

"The doctor said you're not contagious anymore."

Buck points at a small paper box across the room. Tommy, so put-upon, grabs a pale yellow mask and slips it on before he sits in the chair again. "Sorry."

"It's—" Buck halts because Tommy had grabbed two masks and was holding one out to him expectantly. Tommy motions to it again and Buck can see how he wants to make a bitchy comment about not having this conversation through a hospital blanket, but he doesn't. That's what makes Buck reach out and put the mask on. The icy fist around his heart thinks about melting.

"We didn't meet because of basketball, we met because of Bobby and Athena and the cruise ship," Buck corrects. "I wanted to see you again after that tour at Harbor but I couldn't think of another reason—"

"I gave you the widest of openings," Tommy interrupts. "Hello? Flight lessons? When you finally offered to buy me a beer, I almost dropped to my knees right then and there."

"But you never called me! You're the one who left to hang out with Eddie!"

Tommy throws up his hands. "Ball was in your court! Speaking of basketball."

Buck sighs, exasperated. "We weren't, like, running into each other, I didn't have a reason to call you—don't say the beer—so finally I saw Eddie was going to that pick-up game with you and I dragged Chimney along."

"Right," Tommy says. "And you played basketball with us. We kicked your ass in a way that made me think you were pretending to be bad at it to make me feel good or something? And then there was the whole thing with Eddie's ankle."

"I hate basketball!"

"You brought your own ball!"

"I same-day ordered a basketball so that when I showed up you'd be like, wow, that guy's ready for basketball, what a cool guy!"

"So you're mad that your basketball ruse worked on my dumb ass, and worked so well for six months that I got you Lakers tickets for our anniversary."

Buck's so annoyed that he put it like that. Maybe that's true, but he didn't have to say it. "I don't like basketball! It was a ruse but I didn't hide it after. You watched games with Eddie and I never came along because I don't like basketball."

"You said you wanted us to have our Eddie-Tommy friend time!"

"Why do you make me sound and feel like a five-year-old? Eddie-Tommy friend time? Seriously?"

Tommy folds his hands together like he's in prayer and shuts his eyes. "Okay, listen, I just. I wanted to get the house thing off my chest, alright? Because it's—it's bothered me so much."

Buck could argue about the basketball thing for about another 500 years, except that Tommy has said what he said. "Has it?"

Tommy puts his hands in his lap again, folded politely as he looks at Buck. "I meant what I said. You were so swept away in how new and exciting everything felt, that I felt like you forgot who you were talking to. Like… I'm not a guy who's going to move in with you. I'm a guy who has a house with a home gym and a car lift, and—and the winter was so mild that I put in this little patio space in the backyard. I bought furniture for it. I took this corner of my front lawn, too, and started to plan a pollinator's garden because they sounded really interesting after those three days of bee hell. Evan, I have a house."

"You keep saying that," Buck says. His ears are burning, but he's listening too intently to feel embarrassed about it (much).

"I freaked out, alright? Because I heard: give up your house to live in this downtown loft with a couch that has a faded but GIANT blood and placenta stain on the other side of the cushion, and then the words engaged and married got thrown in there, too? All in the same breath?"

Buck stares flatly, then nods. "Yeah. I get it. Sorry." He clears his throat and grabs his water before Tommy can offer it to him. He takes a sip, looking at Tommy before he nods at the closed door. "Are we done here?"

"And I'm not a gay rights hero," Tommy adds. "You said that, too." Tommy looks away, and looks so miserable. "I'm just a guy, Evan. I've been burned before by younger guys who thought I was everything that their first gay boyfriend should be, and then—and they didn't see who I was. It's always—" Tommy holds out his hands like he's balancing scales. "Not straight enough to fake a life with a woman, not gay enough to have a real life with a man."

Buck hasn't done this in so long that his throat almost aches with it. He sighs, pained and breathless, the word crinkling against the mask: "Tommy." He swallows again and asks, "Did you really think that was me?"

Another long pause. It ends with Tommy saying, "I thought you were too good to be true."

"I'm not, though, I'm—I'm just me," Buck says. "And I did have a lot to figure out, but not about you."

Tommy laughs suddenly. "Really? Because you forgot I was a homeowner and I didn't know you hated basketball. Did you even go to that game?"

Buck coughs. "I gave the tickets to Karen and she took one of her brothers. They're nuts about the Lakers."

"Huh," Tommy says. "Well. I'm not mad about that."

The two of them are quiet until Buck says, "Seems there's a lot of things we don't know about each other."

Tommy glances at him; Buck can see the shape of his smirk beneath the mask, and the very specific way it makes his eyes crinkle. "And just when we thought we knew everything about each other."

"Yeah, I thought that, too, and then you dropped that you were engaged to my first serious girlfriend at our six month anniversary dinner." Buck raises his eyebrows. "Do you land helicopters that smoothly, too?"

"I got you here, didn't I?" Tommy bites back, then catches himself with a laugh. "Okay. Fair point."

It's so easy, it's so easy, it's so easy, it's so easy and Buck hasn't had it easy for months. He hasn't had these quips, this back-and-forth, this person who got him until he didn't, who—Buck rubs at his eyes. Tommy made it easy. He made everything easy. Not perfect, not effortless, but easy. Easier.

"So, uh." Buck fusses with the blanket in his lap. "What have you been doing for the past four months? You, uh…"

"Am I seeing anyone?" Buck nods. "I was, yeah. Didn't last that long."

Buck can't help himself: "Neither did we."

"Ouch." Tommy looks back. "And you?"

"Yeah," Buck says. "I liked them but I broke up with them because it just—it wasn't going anywhere."

"And what's wrong with that? Staying in one place? Isn't that what you wanted for us?"

It's not, but Buck can't articulate it, so he says, "Do you think that's the same?"

A beat, and then Tommy says: "No. No, I don't."

"Tommy," Buck says quietly. "How many people do I have to be with before you decide I've figured it out?"

Tommy's eyes widen. "What? I never said that."

"Tell me what you said, then." Buck swallows painfully, that turkey flu kicking his ass harder than he thought. "Tell me what you meant when you said I didn't know what I wanted. Because I told you what I wanted. I told you I was ready for something and all the things we did together, I thought that you believed me. I guess you didn't, so tell me how many bodies it'll take before you believe me."

Tommy doesn't say anything.

"God, and you know what really sucks?" Buck asks. "That we were together long enough to talk about who we'd been with so we could get tested and be safe. We talked about all that, but I never told you how many times I'd had my heart broken and you never told me yours."

"Three," Tommy eventually says. "Shawn, who was like… all of 25. He was all-in, knowing for sure that the first time was the charm, and I was old enough and steady enough to be That Guy. I believed the hype even though I was barely out of the closet. I shouldn't throw stones at Abby's House of Himbos when I set up my own on the other side of town. And then there was Raúl, my Army buddy who came out to his family and immediately moved to LA to get away from them. Everything felt like a fresh start for him, but… not quite for me."

Buck thinks to ask, but Tommy beats him to it. "Do I need to say the third?" Buck shakes his head. "What about you?"

"Abby, and you." Buck looks at Tommy as he says, "It's not just ending things with someone because it doesn't work. It's heart break. Something's gotta break and be mended."

"I don't think I did that part. You've one-upped me there."

Buck wouldn't have believed that 20 minutes ago, but he believes it now.

"So Bobby's been there, watched me since I was Abby's himbo and helped me to grow into the person who wanted that stuff with you. Once he, kinda, told me that if I care about how people see me, then I haven't learned a damn thing," Buck says. "And that is and isn't true, here. I can't live hoping I meet people's expectations of what they think I should be. I want people—I wanted you—to see me as I am. I thought you did but you didn't, and I didn't either because I didn't see how scared you were. I've made my peace with that. We had something really special and made each other feel really good but, in the end, I guess we were saying all the right things to people we didn't know."

Tommy listens, considers, and nods. "Whole lot of past tense, there."

Buck glances at him and doesn't want to look away, but he does. He doesn't meet Tommy's eyes. He's scared, too. He's done enough today: said a lot of things he's been thinking about for four months and said them very calmly and thoughtfully, but this is gonna hurt. It hurt Buck to realize it and it's gonna hurt Tommy to hear it.

"You got what you wanted, right?" Buck asks. "You got to keep your heart, and I don't feel new and excited anymore." Buck inhales deep; it hurts. "I feel like I did before, like I'm short one piece of being whole. Now the ocean I have to search is so much wider and deeper. So thanks for that, I guess."

"Evan—"

"I let you into my family," Buck interrupts sharply. "Because I cared about you and because you fit. I fit because they're mine and that's my family I made, and you fit there right next to me. With us."

"You're absolutely right."

Buck watches him, tries to see behind the sunshine yellow and white mask on his face, but all he sees are his eyes that, like always, make Buck feel too much, like laser beams disintegrating him.

"Were you really that scared?" Buck can't help the way his voice cracks. "You were that scared of me?"

Tommy looks up again, lasers in place. "I was that in love with you." He shakes his head like he did that last night in the kitchen, and looks up like he'll tip the tears back into his eyes. "And those heartbreaks—you'd leave them light-years behind if I let you. You'd leave me light-years behind."

Buck nods, then says, "Could you leave, please." His wet breathing crinkles grossly in the mask. "Thanks for telling me all this, thanks for the closure, but I don't need to see what someone looks like after they've walked away from me."

"You collapsed at a scene three days ago and I was the closest pilot to medevac you here," Tommy says slowly. "You were delirious and told Shreya, Don't tell Tommy I'm sick, he doesn't care anymore."

Tommy clears his throat. "I do care. I never stopped."

Buck sits back in his hospital bed and pulls the blanket up to his neck, the only comfort he's got right now. "If this is a turkey flu dream, I'm gonna be so pissed at you, real you," Buck says.

Tommy laughs quietly, sadly, then hesitates for a moment. "Can I ask you something? Can I ask you the scariest thing I've ever asked anyone in my entire life?"

Buck doesn't move, doesn't breathe. "What is it?" he finally asks.

"Will you give me a second chance?"

Buck, hearing what he's quietly dreamed of hearing for four months, doesn't feel the euphoria he thought he would. He feels something else, though: a strange kind of wonder that someone wants him again. Again. He swallows hard, feeling the pain right in his turkey-flu-ridden throat. Someone knew him. Someone left him. Someone came back—came back for him.

Tommy left. Tommy came back. Tommy wanted him then. Tommy wants him now. Tommy's wanted him all along.           

Buck asks, "Will you invite me to your place more than once every six months?"

Tommy's half-smile is still wide enough for Buck to see behind the mask. It falls, though, back into something serious. "Will you forgive me when I'm not a paragon of queer virtue?"

"Will you believe me when I tell you I've fucked around and found out enough for a lifetime?"

Tommy raises his eyebrows ever so slightly. "Will you believe me when I tell you I've fucked around and found out enough for a lifetime?"

Buck thinks he smiles a little behind his mask, but it doesn't stay. "Are we gonna break up again?"

"I don't know," Tommy admits. "But maybe next time we can stop each other and hit the brakes. I love romcoms, but maybe we don't do that again: you don't propose fixing a problem with marriage and a baby, and I won't run out the door."

Buck raises his eyebrows, too. "Who said anything about a baby?"

Tommy sputters. "I mean, you were the one raising the stakes before."

Buck laughs. "Right, right."

The quiet stretches out between them. They look at each other and don't look away. The stubborn, proud, cocky side of Buck feels annoyed that this feels like—like he can't get out of this. Like all roads lead back to Tommy, like he doesn't have a choice. Like if he wants to be happy, it's with this person.

A part of him wants to run and throw himself into the hunt again. He wants to thrive in the search for someone who makes him feel that euphoria and fondness and love that he felt with Tommy. He tries to imagine someone else, some vague smoky figure that isn't Tommy's height, Tommy's build, Tommy's arms crossed over his chest and that tilt of his head. The problem is that Buck feels more looking at that furrow and arch of his eyebrows than he's felt for anyone he's met in the past four months, maybe even longer.

Not all roads lead to Tommy—only the ones he wants to take.

"Say it again?" Buck asks.

Tommy nods ever so slightly. "I'm in love with you." He pauses and a smile reaches his eyes. "I love you."

Buck can't help the way his eyes water; neither can Tommy.

"Ask me again," Buck says.

"Will you give me a second chance?"

"Yeah." Buck wonders if his own smile reaches his eyes. He hopes it does. "Yeah. Will you?"

Tommy chokes out a laugh behind his mask. "Yeah, god, of course. Of course. You sure?"

"About you?" Buck asks. "Yeah. I mean, I want to be. Don't make me regret it."

"Don't make me give up my real estate."

"Don't make me go to any sports events."

"Seriously? Not even baseball?"

"God," Buck moans. "The sleepiest one of all."

"Hockey's good."

"You hate the Kings."

Tommy scoffs. "Of course I do. You always hate your local teams—you just hate visiting teams more. Can't let management get comfortable."

Buck attempts to take a deep, exasperated breath, but he forgets that he has the fucking turkey flu. He chokes and starts to cough and wheeze, but Tommy's there again. He freely, lovingly pushes Buck further to the other side of the hospital bed so he can sit and take care of him: water, tissues, hand on his chest to steady him, eyes worried and on him.

"It's not official until you kiss me," Buck says. "I'm not contagious."

"I mean, not with turkey flu," Tommy says. "Your Buckness? That I'm not so sure."

"Don't call me that anymore," Buck says.

Tommy puts his cup of water on the table next to Buck's bed, then shifts so he and Buck are closer, face-to-face, head on looking at each other. "How'd you get even brattier in only four months?"

"How'd you forget I was this bratty?"

"At my age, well, everything's starting to go."

Buck laughs, then coughs and wheezes. "Stop making me laugh."

"How'd you forget I was this funny?"

Buck tilts his head. "I didn't. I didn't forget a thing."

Tommy searches his face, then cups his jaw with one hand. Buck doesn't lean into it, just lets Tommy hold him as he tips Buck's chin up ever so slightly.

Then Tommy kisses his forehead and his birthmark, and wraps his arms around Buck. It's the warmest Buck has felt all winter. It finally feels like spring.

---

read on the ao3

[raeinyourdreams]

'call it what you want.' | l.h x reader

pairings: logan howlett x sway!reader

tags: fluff, no established relationship but.. there's something there, mutant!reader (they call her sway due to her mutation.. i love her i wanna talk ab her someone PLEASE ASK AB HER), AFAB reader, she/her pronouns used for reader, no specific petnames for reader (just bub and her hero name.. gets called kid like twice), no use of y/n, written with x1/x2 logan in mind... sigh... save me x2 logan.. anyway, he gives reader his dog tags before a mission in case he.. you know.. so maybe angst? but only til the very end.

wc: 2k!!

a/n: OKAY SO BOOM! this is my first actual work that's not a drabble and i'm so anxious to post AAHHH, i got the inspo from a post i saw a while ago while fried as fuck from someone requesting a fic ab logan giving reader his dog tags, pref fluffy and angsty so i hope i did ur vision justice OP!! tysm for inspo, my reqs are always open 🫶🏻 also i know this is a very burnt card but if something in the wording is off lmk PLEASEE english isn't my first language 😭 anyway enough yapping plz enjoy!! any type of interaction is appreciated

'just know these are yours now.'

you've never seen him without his dog tags, he never took them off, not ever since the first time he came into the mansion. you'd been there the first time, you were a teacher in the school, and you'd seen him occasionally roam the halls and stay by the door, listening in on your class, quietly. but very rarely interacted otherwise, just a simple nod or a 'good morning' that he'd return out of good manners, but he'd mostly keep to himself.

you're a teacher. you're the fun teacher. at least that's what your coworkers seemed to agree upon, seeing how your students appeared to leave your classroom more cheerful than they entered. you'd be lying if you said you didn't use your mutation as an advantage in this situation, being able to read your students' moods every day, how they were feeling and why came insanely handy, especially when it came to giving each student the type of care they needed. which is why you were also a student counselor.

on the days you didn't teach, you'd put that psych degree to work and counsel. in your classroom filled with drawings and fairy lights and stained glass that looked straight from a fairytale, and a door you'd lock for privacy as a student came to confide in you.

obviously despite your title, it wasn't only students who'd come to your office to let a feeling go, teachers too, needed a space to blow off some steam, cry a little sometimes, because they knew you'd soothe them in the end, touch your hand feel the pain dissipate, make it seem as if they'd never felt that way.

up until now, only teachers and students seemed to come to you for help. teachers. and students.

so it did surprise you when the wolverine started showing up in your office after coming back.

"must be tiring. to handle others' emotions like your own all day." he'd say, sitting down on a chair, to which you'd playfully roll your eyes and shake your head. "i don't treat them as my own, i just do what i have to do so they feel better." you'd reply, walking towards the door to lock it out of policy. figured that he was here for counseling as well.

"you treat everyone with so much care it seems like it." he said, which made you stop in your tracks, turning heel to face him, your hair cascading on your shoulders and moving ever so softly as you spun. before you could speak, stunned, he asked again.

"don't you get tired? i mean mentally. it must take a toll on you to be around so many emotions all the time." the way he seemed to read you stunned you, he seemed like a very gruff, cold person from the brief interactions you'd had with him before. truth be told, this was the closest you'd been to logan since he came back to the mansion. it's what other people thought of him, anyway.

but you weren't other people, you were different.

the feeling in your body when you perceive others emotions is strange. you could never put it into words. your mutation was mostly contact based, a small brush of the hand was enough to let you know that person's feelings, the reason behind them, what they needed to feel better and it made it easier to help everyone. you could, however, see and feel the emotions, sometimes even smell them if they were too strong, no need for contact necessary.

with logan, you almost didn't need to be in the same room as him to feel the amount of physical, mental, emotional strain he was constantly under, his superhuman body subconsciously tuning it out, making him oblivious to it. once, after a very dangerous mission, he isolated himself in his room for days, his expression cold and unfazed, but every time you'd walk past an area he was in, the emotions hit you like a truck. so strong you even cried over pain that wasn't yours, a life you hadn't lived.

you looked at him sympathetically, taking a deep breath to concentrate less on the seemingly invisible fog around you two as you sat on the chair, your expression calm and collected. "i'm okay, i promise. thank you, logan."

"like hell you are." "neither are you."

he stays quiet at your retaliation, a weak smile forming on his lips, letting you understand that you were right, not that you needed confirmation.

sometimes, when emotions overpower you, you feel compelled to speak, give words of reassurance, even if you didn't quite know if they'd help or not. "logan, you should let people into your heart, stop living in fear.." you blurted out, unsure of why you were telling him this, but you'd learned to not question it and just speak, because it helped to just hear the words sometimes. it certainly did get you a reaction from logan, as the overbearing feelings you were perceiving faded.. briefly, before they slowly crept back into vision.

it was the faintest of reactions, but a reaction at least.

he nodded, taking in the words silently, as if he were contemplating. you remained stoic, analyzing his demeanor out of pure habit. "did.. you come here for counseling?" you asked, suddenly aware that you were still working, and you weren't even sure if he was here for another reason, or if he did need your help. instead, he shook his head, looking at you as if he were conducting an analysis of his own.

"nah, just came to see you.. sway."

a knock on the door interrupted the brewing tension, a gloomy, childlike presence behind the door, to which you looked at logan apologetically. "i'm sorry logan, i have a student to attend.. but think about what i said." you spoke softly, your warm voice reverberating in his ears like a hug.. something he longed for but couldn't bring himself to ask.

you started seeing him around the classroom more, or rather, he started seeking you out more. in between breaks, before his training, during counseling. it got to a point where your children started greeting him hello and goodbye if he was in the classroom, interacting with him, playing with his hair, always styled like kitty ears. the way he just smiled and let them made something in you bloom, a feeling you couldn't recognize in yourself, but it was pink and warm and fuzzy all over. you couldn't help but wonder if he felt about you this way, too.

slowly, you noticed how, little by little, the gloomy cloud surrounding him would go away when he entered the classroom, how it would be replaced with a pink haze when he looked into your eyes, or made you laugh.. it would quickly fade away, but you'd notice, and noticed how much it resembled that feeling inside you: pink and warm and fuzzy all over.

as time went by, you got used to seeing him around, swinging by your classroom as if it was his haven, a small break from the world he knew, because you were in it. you'd be lying if you said he didn't make you day too, the gloomy atmosphere that once came along with him every time he entered your classroom slowly changing into a lilac haze.

one day, he showed up as the kids were leaving for the day, no colored cloud, but something seemed off. you invited him to sit down as he locked the door after getting in, his expression serene. before you could even speak his hands were on you, pulling you close to him in a hug, and you swore you could feel him shaking slightly. the realization hits you like a bucket of cold water and you just hold him tighter to you, since it feels like the only correct thing to do.

"you're scared."

"no one gets to see me like this, so feel special." said he, almost as if he was confiding a secret in you, which he was.

"oh, trust me, i feel quite special." you replied jokingly, which caused him to let out a chuckle, though it was dull and almost no feeling was tied to it.

you two let go and you asked him what was wrong, and he opened up like it was routine.

"i leave tomorrow. there's a mission out of state and they're asking me to go.. might be off the grid after that for a while." he explained, his voice remained calm but his eyes seemed to reveal to you more of how he was actually feeling.

"i dunno.. thought someone should've known in case.. things go south." your expression changed at that, and logan noticed. "ah, c'mon bub, change that frown, it's just reality. sure, i might be a piece of work to kill but it doesn't mean i can't die."

the silence that fell upon the classroom as you two finished speaking made the words fall with more weight into your heart, it did little to nothing to comfort you as you came to terms with what he said. it shouldn't have been hard - he was just stating a fact -, but it didn't mean that it didn't cut deep for you. you opened your mouth to speak, unsure of what you were even going to say, but he quickly cut you off.

"logan-" "listen, bub, you told me to start letting people into my heart.. i'm letting you in."

slowly, his hands went to unclasp the chain that always dangled on his neck, dog tags adorning his neck with his names, his identities. you looked in awe as he held them out to you. "gimme your hand, kid." and surprisingly, you did as you were told, holding your hand out as he placed the piece on your hand, feeling the cold metal clink softly as it fell and heat up under the temperature of your palm. you looked up at him, unsure of what it meant, of what this changed between you two, but it felt undeniable, even if unspoken.

“now, these.. they’re very special, bub. a reminder of everything that happened that led to here.. and it’s leading me to you right now.” he explained. “feels right for you to have them, i guess.. keep them safe, kid.”

the silence that fell between you two again was more comfortable, filled with a newfound tension that left much to question, but it didn’t feel right to interrupt with all that noise yet. the only sound filling the room was the breathing and a faint humming of the white noise machine you kept in your room, next by the door. you opened up your mouth again, your mind utterly blank and filled with thoughts and questions at the same time, unsure of which one was going to breach through your mind to materialize out in the cold, tense air.

“.. why me? trust me, i’m flattered, but i’m no one special, logan..” you questioned, and it made him frown.

“you are special. you're special to me.” your eyes widened at the confession and you watched as a soft smile settled on his face, one that made your heart flutter with the sheer tenderness he held in his gaze. “call it what you want.. just know these are yours now.” he said it so calmly, you wouldn't have tought he was handing you his heart, placing it in soft, tender hands and pleading you to not break it, not change it, and instead embrace it and accept it as it came, rough around the edges.

with that, he stood up from the chair, took your hand to squeeze it briefly, and walked out of the room, not before looking back at you one last time, the heaviness that he carried as he entered the room seemingly gone, all that you could perceive was a haze, all too familiar, one that left as quick as it came as his eyes met yours.

pink, warm, and fuzzy all over.

additional author's note: BOOM SHAKALAKA I POSTED FINALLY!! i think it's a little rushed BUT!! it's cause i have a (smutty) part 2 planned for this HEHEJEHE i don't like writing (or reading) series bcs i get sad when they end but i just might.... hehehe... anyway pls lmk what u think!! or i kill off logan 🥰🥰 your choice 🥰🥰

taglist: @allen-444

[agoldenblackbird]

i'm gonna be a ranty bitch for a minute.

tbh i'm turned off even reading new buddie fic despite being a multishipper and have unfollowed a bunch of buddie accounts because i'm sick of the smug attitudes. one ask that i am otherwise not going to publish or respond to ended with 'sorry you don't understand media literacy bestie :)' fuck off. listen INFANT, i have been writing fanfic and original fic AND watching, reading and analyzing queer media since before you were born, i understand how character and story development works, and i know the difference between 'storyline i personally disliked' and 'bad writing.' this was BOTH, and it also was marketed to us as 'carefully crafted bi rep' and 'queer love story that is not about a bunch of pain and conflict FOR ONCE' so we have every right to be upset at the bait-and-switch.

the fact that i'm seeing the same exact posts - 'bt bones buddie CANON' that i saw three seasons ago after the bucktaylor breakup, or every time they thought buck and taylor MIGHT break up - says something. the fact that so many fans seem genuinely convinced (STILL!) that buddie is inevitable because there have been so many 'signs,' and then they rattle off a convoluted theory that would make the most hardcore taylor swift stan say 'wow, that's a bit of a reach,' honestly weirded me out a little when i first joined the 911 fandom. i have never been in a fandom where so many fans are insistent that their ship will be - not might be or could be, but WILL be - canon. i am skeptical both from past experience with other shows mishandling queer storylines or ship-baiting, and tim minnear's proven track record with this one of not really knowing what to do with buck's LI's. but i didn't want to yuck anybody's yum, so i let them have their theories and squee in peace, and unfollowed or blocked certain tags if i was seeing too much of it and getting annoyed. it's too out there for me, but i'm glad they're having fun!

yet they can't give us the same courtesy. they deride us as delusional for thinking that a canon pairing that was presented to us both in promo and the show itself as different and important (eg the bobby approval convo and 'buck getting off the hamster wheel') might last, and we're stupid to have ever liked tommy or lou or be disappointed at how the breakup was written, and if we point out the biphobia it's just sour grapes.

the bucktommy breakup is not the first time 911 has started out strong with an interesting storyline and fumbled it in the 4th quarter either because the writers got bored or in the name of needless drama/a 'gotcha' sudden twist. amir & bobby, eddie's fight club arc, the sperm donor SL, hen vs councilwoman ortiz, whatever the hell is going on with harry, the whole mess with shannon/kim, just to name a few. and especially the past couple of seasons, for me since 6b, the pacing has been off. they seem to have too much happening at once and many of the storylines don't have enough room to breathe to be narratively satisfying, or they get resolved in ways that feel lackluster.

if the toxic buddie stans who have been attacking lou on sm and sending death threats (wtf!) actually get what they want, which i admit is possible, but it's certainly not guaranteed….i don't know why they think the writers won't fumble that just as badly. it's not going to happen precisely the way they want it to because it is impossible to please everybody, that's what fanfic is for. but at this point i have zero faith that it would even be well done at all, and zero trust in the writers not to just sabotage or regress a character for funsies, and that's an excellent reason to stop watching the show. in most of my other fandoms i regard canon as a jumping-off point or a blurry outline at best, and i can have just as much fun in the 911 sandbox without any further input from canon at all, once i'm less angry.

[janus-cadet]

Hey!! It's been quite a while since I posted anything, here. To be honest, work is very time-consuming. But! Here I am, with a tarot card- last one being Maestro's, that I've done at least three months ago!

This time, place for some Timerogue, as the Six of Cups.

Explanation, as always, under the cut!

The Six of Cups -Upright- is a card encouraging you to think about the past, especially thee good memories. Think about the fun, the happiness, instead of the sorrow and the grief; it will allow you to nurture the relationship you still have in your life, or push you to create new ones, on new level of harmony. Connect with your inner child, and experience the fun that come with it: you need to allow yourself to be playful, spontaneous nd creative. You see and handsome stranger at a Bridgerton party? Perfect! Go talk, go flirt, get briefly abducted, have fun! You are now more open, more willing to give the other the benefice of the doubt (Bounty Hunter, yes, but he's hot, so... and yes, alien shapeshifter, but also hot, so...). It's time for you to turn over a page, and start afresh from a more positive place. (Get therapied, 14th!).

Upright, it's a card for healing, a card looking forward with joy: fitting for 15th's promise and attitude.

Reversed, hovewer, could apply to both of them- including the Doctor, who's not as alright as he would like to let us believe. When the Reversed Six of Cups appears in a reading, you might be clinging to the past and losing touch with the present. Leaving on an empty ship meant for two, for more, even, all by yourself; keeping all the memories of what used to be, and closing yourself up around it. It's alright to indulge in a little reminiscing about the past, as long as you understand that it's over. You need to make peace with the past, so you can focus on the now: stop brooding all by yourself, and try to connect with this very charming stranger, maybe. Allow yourself to enjoy life again, to have fun, to breath. It's okay. They would not hate you, for it.

You may also have lost touch with your inner child, closed yourself up to anything and everyone, because you're taking too much of a responsability, or leaving with an heaviness you do not share. You want to keep your emotions quiet, shielded away from others, in fear of their judgement. You don't need to: your friends are here for you.

If you have some.

Sorry, Rogue.

And that's it for today! I'm starting to have a lot of Doctor Who related card, uh- definitely more to come.

I hope you enjoyed it, and see you next time, hopefully! Here are some of the other cards I did- minus the three Masters, because of the post picture-limit.

[keepmycandleburning]

IDK if this little section of the internet is just uncharacteristically hateful and negative and miserable lately or what. I've been lurking for like a year and posting since like 2 months ago, and it seems recent. I don't really feel like inserting myself into it anymore because it's not fun.

I loved HP as a kid probably like 9-12 y/o, at which time I picked up on something between Bellatrix & Voldemort due to the be quiet, Bella and the no higher pleasure lines. I reread the series for the first time as an adult in Oct-Nov 2023, and I was astonished at how much more I am able to pull from this text now. I came away with a much greater understanding of several things I'd missed as a kid. One of these is that it was very clear to me that Bellatrix & Voldemort were written to be at least sleeping together. VERY CLEAR. It was AFTER this point that I started being part of the fandom, and way after that I've seen people claiming their relationship ISN'T in the books. To me, this is really surprising, because when I've read the books as an adult, it's quite clear. Once I got into the fandom, I found that there are a huge number of people that agree with this interpretation of the text and find is equally obvious as I do.

However, despite the fact that I've seen a number of claims that they DON'T have any relationship in the books, I don't see people using text evidence to support this interpretation. In my personal opinion, this is probably because this is a very difficult argument to make based on the text. But if you think it can be done, instead of submitting negative anon messages without any text support, why don't you write a meta? If anyone would like to make a post going through all of the things people say are text evidence for Bellatrix/Voldemort and explaining why they're not the case, I would gladly read that out of genuine interest. Or, simply going through all the excerpts on their interpersonal relationship and explaining based on the text what sort of relationship you think they DO have.

I have seen countless people over the years analyze sections of text, lines between different characters, their attitudes toward each other, their various actions, and so on, and explain why this adds up to Bellatrix & Voldemort having some sort of relationship. I have NEVER yet seen someone who DOESN'T believe they had a relationship write a text analysis of their opinion. So I sincerely invite you to go through all the bits of text that Bellamort shippers say are canon evidence and explain why they're not—in individual instances and in total. Explain why = not just 'this is my alternative interpretation without text analysis' but *how you justify this being the case based on the text*. How do you justify ignoring how countless bits of the text can be interpreted all in this one way (Bellamort) and instead interpreting them all different ways? How do you explain what JKR was intending to say about Bellatrix & Voldemort's interpersonal relationship considering all their interactions both on- & off-page? WHY are they written the way they are if they don't have an intimate relationship? Or if you believe they're not written that way, again how can you justify this based on the text? If you need a list of text moments and existing 'Bellamort is canon' metas I can compile one.

I'm curious to see what you come up with, because I've never once seen this done—and because, as I've said, it's not an opinion that I personally believe to be supported by the text. If you can explain why it is supported by the text please do that and I'll consume it in good faith.

[adhd-community]

i'm hyperverbal, and my partner is easily overwhelmed by too much talking. i have a hard time even processing a thought until i've said it out loud, though. if i don't talk myself through it, i just get stuck and say nothing. not to mention, i have a hard time deciding what's actually worth saying out loud until i've said it. how can i talk to my partner while,,, talking less?

It's all about finding ways to exist together that support both of your needs. I am reading that your partner has noted they find a lot of chat overwhelming and you tend to chat a lot and struggle to know when or how to stop/start (somehow I identify with both of these...).

The first two questions are:

What is it that your partner finds overwhelming? Too many thoughts verbalised too quickly? The noise? Trying to follow the conversation? Do the reasons change from time to time?

Why are you chatting? Are you looking for connection? Reassurance? Is it accidental? Do these reasons sometimes change?

Understanding yourself and each other can be REALLY helpful in these situations in order to work out what will meet both your needs.

Finally for some hypertalkitivity tips, some things that have helped me in the past with situations like these are:

Before launching into something you're thinking about, check in with the other person on whether they are up for a chat, or whether they would prefer a little quiet time. If they need quiet time, respect that (it's not a rejection, I promise) and find another outlet for your energy/thoughts.*

Make sure you and your partner are on the same page about why you're talking and what level of engagement is needed from them. I had this issue with a friend while travelling (I chat while packing and they were getting overwhelmed). We talked about it and I explained that when this happens I don't need (or expect) them to actually listen, at most it would be nice if they occasionally said "hmm good question" or "mmmm" so I didnt feel lonely or get distracted. This isn't something they need so they had thought I wanted them to deeply listen and answer questions each time and were understandably EXHAUSTED. This convo, and following "heads up, I'm doing the thing - let me know if you need quiet time" chats avoided a lot of potential tension!

If you are having trouble with impulsively talking, find something that tends to help you have "quiet time". For me this is listening to something through headphones that I dont need to pay too much attention to or actually "watch" but still find really enjoyable (e.g. podcasts or super-long game-plays (thank you Jacksepticeye amiright?)) For some reason this signals "no talking" to my brain and I can quietly focus in other things - find yours!

Take a few deep breaths and talk a little slower. When ADHDers are hypertalkative and REALLY into a thought, it can be... intense. Passion is wonderful but taking a second to recognise that your partner is probs also having several thoughts/their own experience and it will take them a second to adjust is always appreciated.

*Other possible outlets for your energy/thoughts!

Write it in a notebook

Type it out or speak it to an AI chatbot!

Call a friend or family member

Do something physical to reduce the mental restlessness (this can be exercise, or even just doing some dishes or gardening etc - just something that makes your brain feel less like it needs to work out everything in the world RIGHT NOW)

Try a guided meditation to slow your thoughts

In the end only you and your partner will be able to work out what's best for you both, but I hope this has helped!

Remember that just because they don't want to chat right now does NOT mean they don't want to hear your thoughts at all. It's likely they just need to recharge their social batteries so that they can have cute chats and fun times later.

X

[overnightheartbeats]

Perhaps, Laurel spent a little too long watching his lips, caught up in the way he licked them. Oh, she was a goner. “Woah, you are really smart with your class schedule. How do you pick the stories you read?" His words saddened her, thinking of the prospect of someone being used to not having a home. But, the brief optimism was a good note. Surely, he'd find a home eventually, and while they were in school, she'd try to help find that space. "For my sake, I hope you're right about the lack of embarrassing." Her mind was already turning with ideas for Juju and Aaron's upcoming visit. "Hm, I'll need to bribe them too, to behave."

Despite the variety of topics they had covered already, this was what made her cheeks warm up with a pink flush. How he had only known her for this short amount of time, and yet he saw her. The way he spoke, he saw something in her that she hadn't really bothered seeing in herself lately. "That's very kind of you, I really appreciate it. I'll keep my glow on, just for you." The idea of cooking had never really enticed her too much, but now the prospect of jumping into this new adventure with him excited her. "Kitchen heaven, oh that sounds like our place. I'll plan that one, and I'll send you the details when we can take over the kitchen. Maybe, we each bring a recipe we want to try."

"As long as you don't want to be far from me, then I'll be buying all the portable fans. Well, hey I'm not complaining on the idea because it brought you here." The idea didn't seem too logical to her, but how could she judge it when it meant he arrived here with her? That had to be some version of destiny, if she even believed in all that. Laurel was hanging on to each word, a string pulling him toward her. Was he always so charming and romantic? "I..." her words trailed off, completely in a daze. "I'm inclined to believe that, I'm glad the string brought us here. Having us meet halfway, hm guess I'd just be curious why Texas, of all places." The thought of a string pulling him to a place that he didn't like was so interesting, completely grateful that he did listen to that string tugging him here. "The more, the merrier and I'd love to meet them. Maybe, get some of those stories about you." Laurel's smile remained, her curiosity on Colorado growing. He had the ability to make anything sound interesting, even a state she had never given second thought to. "There's more to Brazil than Carnival though, promise I'm not a party animal. I'm intrigued by Colorado now, and Panama, really? That sounds like a fun spot too, probably some really good beaches." Oh, she was completely pleased with herself when he agreed and gave her a look. Lucky for her, they both were not the sharing type. "Good to know, because I really have no intention of sharing you with anyone here. Just a heads up."

She was shaking her head, silently telling him it was not necessary at all. Laurel understood house rules, and really didn't mind just hanging out here, even on the floor. It beat being in her dorm listening to Jenny complain about being ditched earlier. But, Laurel looked at him and knew that there was no chance of saying no. "Okay, but only because you insist." She took the items Eli handed her, and nodded reluctantly. "I believe you," she said with soft laugh. "This is more than enough, don't worry. I'll be right back." With that, she stepped away to change. Changing into the bottoms was quick and easy, the hoodie - well, that had more thought going into it. He did say no outside clothes, her blouse definitely counted under that umbrella, but was it too bold to wear his hoodie with no shirt underneath? Maybe so, but she would follow instructions, so she pulled her blouse and quickly changed into the soft hoodie. Once her outside clothes were folded, she stepped back out and grinned widely. "Ta-da, fits pretty well! Confirming I'm free of outside clothes," she teased as she stuffed her clothes in her backpack for now.

"A lot of mishaps," he laughed, licking his lips after that small make out. The green apple aftertaste leaving traces on his lips. He would have thought she'd be a cherry type of girl but no even with chapstick she managed to surprise him. "M&M I call her that, she loves to be read stories. That's what we do every Friday night. It's why I only have that one class on Friday to make sure I've done my homework when I call her." He shrugged thinking by now he should be used to not having a home. He never had one before the Phillips scooped him up. "It's okay. I'm used to it. Maybe one day I'll find home." Eli's smile widened at the thought of getting stories of her. "I'll take it. Embarrassing? I highly doubt that. Any and all stories about you I'll be glad to hear."

"You're more than dust. You have a glow just some people can't see it. It's on them not on you." He gently squeezed her hand and smiled. "And that's enough. Always will be." Just because her mom didn't see her like that didn't mean she wasn't special. "Good. After all you can't dim your light for others. Not fair to you." Cooking and having a knack to learn seemed like a good combo. "Sounds like we're a match in kitchen heaven."

He couldn't help but smiled amused. "Carry a portable fan with you at all times. That way I don't have to be too far away from you. I know. It wasn't the brightest idea to move here but I also think it lead me to you. I am not sure if I believe in that but also not really a coincidence we met before we actually met. It was like," he thought about it. "A string pulling me toward you. Have you ever felt that?" Nodding his head he didn't think she'd take him up on it so quick but was glad she had. "Winter break coming up. Let's do it. I'm sure my sisters will love to join if you're okay with that. I need to see if they can come or one will be missing. Not sure Isa and hia schedule." He had to think hard on if he did go anywhere he had wanted to. "No. We stayed local or if we felt really adventurous we went to Colorado. But bucket list items for sure. Brazil? That is cool. That reminds me of one I forgot. Panama." He bumped into her and gave her a look. "Neither am I very good at sharing."

Eli turned around and sighed trying to find his sweater he hadn't worn in the week. Once he did he took it out and found bottoms that would fit her. Last time Inez bought him pants they were a little too tight so now they seemed like they'd fit Laurel. "Here, get comfortable. You can't stand or sit on the floor. You're my guest. I insist." His black striped hoodie was the one he gave her and handed her the bottoms. "These should fit you. I have an extra toothbrush in the drawer in the bathroom so feel free to use that. I promise it's brand new." Now he was thankful the Phillips siblings gave him so much in their care package. "If you need anything else let me know."

[arcane-ish]

Arcane Act 1 - Everybody ends up where they don't want to be and why that is a problem

In my first reaction I talked a bit about structural weaknesses and after a bit of sleep one thing popped into my head. I tried to get not spoiled too much but one of the few things I read that there was an interview and somebody from the writing team said that in a way everybody ends up where they don't want to be or something a long those lines.

I think this theme is heavily present in Act 1 already and I think this is kind of a structural writing problem. Because it is usually fundamentally more interesting to see characters have a goal and try to achieve it and either get it or fail than for characters to be pushed into something by higher powers.

The additional problem is that so far in Act 1 we haven't always seen enough of what the characters want instead. So character A wants X, but is forced into Y.

Let's go into detail:

Back when I read the spoiler I assumed it would be something like that:

Jinx ends up as a revolutionary

Vander who wanted to curb his violence ends up as a violent beast

Vi ends up as a cop

Caitlyn ends up in a position of power and influence

Ekko ends up working with Piltover even though he wants to protect his people

Now that Act 1 has rolled around we concrete have:

Vi taking the badge

Caitlyn being thrust into leading Piltover (maybe being thrust into her mother's spot)

Viktor becoming an object of worship without wanting that

We see the first traces of Jinx becoming a freedom fighter and Ekko being pulled into working for Piltover.

Ironically, I think I've been enjoying the story of Mel and Ambessa (I know I'm probably in the minority) because that theme feels least present with them so far or at least they seem to be acting more along the lines of their genuine interest still.

Mel

Mel wants to protect Piltover in her way and doesn't trust her mother. She is also forced by circumstances to do stuff she doesn't like (like agreeing to the invasion) but she's still overall pursuing her interests (trying to figure out what Ambessa's plan is, trying to soften the murderous interests of the rest of the council). Maybe in the future her "ends up where she doesn't want to be" will be her working with her mother or becoming like her.

Ambessa

Ambessa of cource we find out is being hunted by the Black Rose, so I presume her "I don't want to be here" is being in Piltover. But she still feels like she's expressing her personality and making moves and being proactive within the situation she finds herself in. Maybe her ending up doing the opposite of what she wants will be either protecting Piltover or having to fight her own daughter (maybe a Black Rose possesed Mel).

Their stories are more fun to me because they are still in the "want" phase and not in the "forced" phase.

Caitlyn

Next we have Caitlyn. I think she's actually one of the better ones (again I presume many people will disagree with me on that). For one she actually gets some room to express what she wants. She wants peace (scene where sits at her mother's pond). She wants like Mel to soften the blow of Piltover against Zaun to some extent. We can infer that she wants a happy life with Vi (though I think that could have been really driven home if we had gotten a dream sequence which makes it clear: yes what she really wants is sit in a flower field and hold hand and play footsie with Vi, thus making it more tragic when her actions end up driving them apart).

It also benefits from her conflict not being purely external "Ambessa pushed her into taking power", but being actually an internal conflict. She wants to be a good person, but she also wants revenge and struggles with those feelings and her growing prejudice.

Viktor

With Viktor the whole "forced" is most present. He probably wasn't planning to be a prophet, it just sort of happens to him. I think his story is still weak because we have seen very little of what he actually wants. We can infer if we remember season 1 that he wants peace and hextech not being used for war. But in the show it feels very "oh, yeah, gotta go."

Vi

Vi of course ends up taking the badge. I think her story suffers because to me it feels very muddled what she wants at the moment. She wants to help apprehend Jinx. We presume she wants to be with Caitlyn.

Also her "forced" push is pretty unimpressive (like really? being flattered that Caitlyn praised her to other people plays a role?). She protects people almost out of instinct (ie the chemtech attack on the council).

In season 1 Vi's wants were a huge driver of the whole story. Vi wants to prove herself that's why she organizes the heist, Vi wants to make up for the mess she made with the botched heist, Vi wants to protect her family and save Vander, Vi wants to find her sister, Vi wants to rescue Jinx from Silco's influence.

Every single one of her wants ended up blowing up in her face and that made up the deep tragedy of season 1. We like Vi, we care about Vi's wants and hurts us to see her fail. She wants to prove herself but brings tragedy on the Lanes, she wants to turn herself in but gets foiled, she wants to save Vander, but he dies, she wants to find her sister and when she does it turns out that her sister is a different person, she wants to pry Jinx from Silco's influence but it turns out Jinx really enjoys it and there is no way bring Powder back.

In season 2 her wants feel pretty muddled and much weaker. She wants to apprehend Jinx with the task force. She feels bad and guilty over Caitlyn's mom. She presumably wants to be with Caitlyn.

I think it worth noting that there is IMO no strong drive to protect Zaun. I think a lot of fans probably perceived her as this is something she should feel, but IMO I genuinely don't see it.

Vi is somebody who suffers from being perceived as a Zaunite, she has some loyalty in the sense that she doesn't take the badge, but I genuinely don't get a deep connection between her and Zaun. Vi I think is more universal in that if she sees anybody getting attacked she wants to step in and help, there is no special loyalty to her people. She defends the Pilties when the Chembarons attack, she stands up to Caitlyn when Isha is in the line of fire. There are hints of Vi having a codex but I feel unclear on what exactly that codex is (no killing kids? no kiling at all? no killing except proven guilty people?).

Please note how at no point when the subject was on attacking Zaun she brought up Ekko (ie come on Caitlyn, you know there are good people down there, such as Ekko, or no attempts are made to warn Ekko that an attack is coming). [it's a pity I think if this connection had been made it would have ramped up the tragedy and emotional punch a lot, would have portrayed Vi more as somebody who is torn between Zaun and Piltover]

(my personal read is that Vi feels no connection to Zaun because she was in jail for so long and when she came back she no longer recognized it as "her" Zaun and maybe she associates Zaun with having poisoned her sister)

Anyway, Vi's clearest moment of tragedy coincides with her moment of stating an actual believable want and it says a lot about her as a character in Season 2 so far. It's the scene where she tells Caitlyn that everything around her changed and she wants Caitlyn to stay the same.

And of course she states it exactly 5 minutes before Caitlyn changes on her (becoming like Jinx as Vi puts it).

Still, what Vi expresses in that conversation is very telling of her character. That she feels like she has lost her connection to everything and she was clinging to Caityn as her one thing and that that one thing changes and rejects her.

I think Vi's story suffers from her stated want coming to late in the act and her morals being inclear (ie she against killing? can't be since she asks Caitlyn to take the shot on Jinx? so just kiling children? innocents? what violates her moral code and what doesn't?).

Jinx and Ekko

I think Jinx and Ekko are not completely deep in the "forced" phase, but I think they are sort of muted" in the "want" as well. Jinx has expressed that she wants to die but imo it feels sort of half hearted. Jinx says she wants to blow it all up, but imo it feels sort of half hearted. Jinx expresses anger over what Caitlyn using the grey but we don't really see the process of what she does about it.

Her forced aspect comes in the sense of the girl latching on to her (and there's potential there in her repeating what happened between her and Silco) but I think all of the new characters fall pretty flat so far. NuGirl really would have benefitted from getting a flashback to explain her backstory. (yes even if she ends up getting killed)

Ekko just wants to protect his people but the illness of the tree forces him to go to Piltover with Heimer. At this point both his wants and his forced are pretty muted.

Jayce

I think Jayce's story suffers from him being actually the character who is in multiple stories. He's a little bit with Caitlyn and Vi (he wanted to honor Viktor's wishes not to build hextech weapons but he makes them for Cait after all), he's a little bit Mel, he's a little bit in Viktor's story, and a little bit in the Heimer/Ekko story.

I think better writing could have really made use of the fact that Jayce is the character who is in multiple storylines but imo it didn't happen.

At the moment (maybe just because of how Act 1 ended) Hextech feels like his big tragedy. (Mel's line about wanting to protect his dream) Season 1 Jayce was cocky and wanted to make the world better with Hextech (+ be a magician), in season 2 he finds out that hextech is actually completely fucking over the The Arcane.

Again this is something that could really have benefitted to a flashbacks for Jayce's highs when everything was still golden and glorious for him rather than just pans onto his old mug.

Conclusion

Structurally the tragedy is there for everybody, but I don't really *feel* the tragedy of it yet because the show isn't making heavy enough use of contrast (ie investing more time of emotionally showing us what the character actually wants so we can feel the weight of when they end getting the actual opposite, I think flashbacks could have accomplished that).

[yanderepuck]

Okay okay okay. Lulu and I were talking. About who would be a bad driver and what not and I was gonna write about ALL of them. But I specifically need to talk about Rei.

But I'll give a lil rundown first

Eiden: okay driver. Goes over the speed limit but follows road laws.

Aster: clearly a passenger princess

Morvay: he can't even read road signs lbr

Yakumo: no, well he can, but he rather be a passanger. Too much anxiety. Had a bumper sticker saying 'do t honk I'll cry'

Edmond: following ALL the laws. 100% model driver but you also hate him bc he will drive 5 under the speed limit

Olivine: he's gay and hitting the curb

Quincy: he has a truck but the back is 100% filled with the most random shit and it's never cleaned. Bonus: Topper has really bad road rage and makes Quincy roll down the window so he can cuss at others

Kuya: cannot and will not drive. Is Quincy's passenger princess but he's forced to sit in the bed of the truck.

Garu/Karu: don't you dare put him in the driver's seat. Can't reach the pedals.

Blade: he can...but that doesn't mean he should

Dante: he's a passenger princess. But he has the ability to drive. Doesn't mean he's good

OKAY NOW REI

God he drives a mini van. You know. One of the ones that has third row seating. The destination is 20 minutes away? He's getting there in 14.

The doors are different colors. It's so old..you aren't sure how it doesn't break down. Half of the dash board doesn't work. Every light is on.

Oh. And he doesn't have a license.

Scenario:

Eiden is freaking out because they have to be somewhere in 15 minutes but it's a 35 minute drive. And Rei is like 'oh don't worry I got this' and shove everyone in his van.

The set up:

Rei, driving obvs.

Kuya is in the passenger seat bc princess.

Quincy is in the seat behind Rei

Dante is in the seat behind Kuya, and Garu is on his lap, no working seatbelt.

Olivine is on the floor between the two

Back row is Eiden Yakumo and Edmond, they have one of those lap seatbelt that goes across the whole seat. Eiden is holding Aster (in lil guy form)

Blade somehow squeezed in the now tiny trunk part and is holding Morvay (also in lil guy form)

Rei looks at Kuya and tells him to put his seatbelt on, and Kuya is like "don't tell me what to do" and doesn't... Which Rei planned... because Rei doesn't know how to slow down. His foot is either from the gas or the break. Quincy knows this and is death gripping the seatbelt and making sure Topper is safe.

Rei slams on the breaks and Kuya slams his head off the dash just as Rei intended. This happens at least twice.

Dante is holding onto Garu for dear life who keeps asking to roll the window down.

Edmond is in the back, being held down by Olivine and Eiden

Edmond: KEEP YOUR EYES ON THE ROAD

Rei: *holding a mirror to do his make up*

He is the one who somehow is using a hair dryer in his car. Father is actually driving. Rei just uses the pedals.

Dante: your Holiness. Can you start a prayer

Olivine: *already started*

Edmond: I'M MAKING SURE YOUR LICENSE IS SUSPENDED

Rei: if I had a license

Edmond is having a fit

Dante is hoping Garu weighs enough to keep him safe in his seat.

Topper is now up front squeaking out the window and Quincy is telling him to be nice.

Rei: I know a shortcut

It's through the woods where there is no road

BUT. They made it with 2 minutes to spare.

Dante falls out of the car and throws up.

Blade and Garu are the only ones who had fun.

Rei is like "told you I could get us here on time"

Edmond has not stopped yelling for 8 minutes. Kuya's forehead is red from hitting the dashboard. Dante rather stay where they are and walk back then get in that van. Eiden and Edmond are offering to drive back but Rei won't let anyone drive his van. It's literally falling apart. Nothing works. Only he knows how to work it.

[rey-jake-therapist]

I see a lot of reproaches towards the lack of "mind palace scenes" between Galadriel and Sauron, and I'm afraid I don't understand. I mean, I think I do, but I feel like the connection between Galadriel and Sauron is often confused with the Force bond that Rey and Kylo shared in Star Wars, or at least considered similar, while it seems very much different for me.

Regarding the mind palace... We saw Sauron cast illusions on Galadriel and Celebrimbor, and entering their minds to access their memories and manipulate them with said memories. He did it while he was in their presence, with only one goal : deceive them, to make them change their mind about him.

It's a deception tool, not a communication channel.

I didn't interpret these scenes as saying that Sauron could communicate mentally with anyone from a distance, which seems to be the main culprit here, as Galadriel and him shared a single scene in season 2. This is the Reylo bond : even when they're not in the same place, Rey and Kylo can see and talk to each other. So far we didn't see any indication that Galadriel and Sauron could do that, so I fail to see why it was expected tbh..... I like to read it in fics, it's always fun, but in season 2 it didn't seem technically possible to include that in canon because Galadriel and Sauron weren't that connected. Yet.

During the finals we saw Sauron talk mentally to Galadriel after he stabbed her. It was the first time we saw him do that, because it was the first time he could do it imho. He probably created a bond between him and her when he stabbed her, which granted him a direct access to her mind, so to speak. It probably means that during season 2 he'll have fun taunting her mentally, but can he also cast an illusion on her through this bond and also appear before her ? Maybe ? I hope but there's really no way to know.

I really have no idea how this bond will work, I'm very curious and excited to see what the writers are cooking, but I also don't expect much ;)

[aruanimess]

Round three, of me endlessly yapping on Reverse AU. I am still VERY new to this.. tumblr asking, notes and whatnot, so.. I apologise if I seem somewhat annoying and bothersome Anyway, less 'bout me, more on blondes! I'm going to try spitballing a few ideas there and there, because I don't have ONE big topic/arc to really focus on, so here we go!

1; Armin being captured after his identity is figured out. There are.. three way's of this going, in my opinion. >First, being that they managed to successfully take him down into the tunnels to capture him, possibly after some convincing by Annie, since he trusts her a lot? (Plus, if Armin sticks around to around S3 when they're all in that Cabin, hiding away from the Military Police and all. I think Annie and Armin would be.. somewhat awkward, between each other. Since, she cares for him, a lot and.. betrayed him.) >Second, same scene where his identity is discovered and remains at the top of the staircase, but more or less breaks down because he doesn't know what is right anymore, he cares for his new found friends, the thought of betraying them crushes his heart, so he gives up and surrenders peacefully. >Third, transforms and makes a run for the walls to dip, which could ALSO go multiple ways, but.. I don't really have much on that. 2; Warriors Reveal, though Armin is now in the midst of it. I cannot see Armin ever betraying Paradis Island and trying to capture Eren (a second time, mind you), now that Reiner decided to reveal their identites to the same bloke he tried capturing too - yikes. Armin could very well try making them surrender, in a subtle way so the situation doesn't escalate, nor turn his own comrades against him. So, he tricks them and everyone. Transforming along the other two to capture Eren, only to fight Reiner along with Eren but obviously ending in failure with Bert's Titan crushing them. On one hand, I think Bert would try getting Armin, though Reiner is too focused on the mission, he ditches Armin and makes a run for it.

3; Armin still gets captured by the Opaki, though he saves Annie from being the one to be captured by it. As fun and simple it would be if she was the one to be yoinked, so they couldn't use the power of the Colossal and rescue her, I decided to go differently with this. While Armin does end up getting captured, he isn't terrified that he can't protect his people, that they need him, without him he'll die. No, he's accepting his fate. They have Annie, they can still blow up the Doomsday Titan and they'll all be fine, he may die but will die at least doing something right for them, finally doing something useful after betraying his friends, and putting his life down on the line, as their Commander.

(I also agree he'd still be the next Commander that Hange would put the title upon, so.. it sorta means a lot, like he finally is one of them in some way? - I dunno, spitballing!) But, ahaa.. Yeah, that isn't happening. Annie is not letting that blonde go, despite they have a clear winning shot here, she is not about to let him die. Not now, there is still more to be said to him, with how she feels. So, the mission of saving Armin is once more! AND, to end it off, I like to think he'd still be suicidal and jump for the Parasite to hold it down along with Reiner, even if there's a chance of him dying from the Colossal's explosion.

I apologise having to read this entire shit-show of ideas in your inbox, I doubt I'll do more to not seem too big of a yapper, but we'll see! I hope everything is going well for you, have a wonderful day/night! Now, I depart. Toodles!

Hello, Rux!!

Please, never apologize for sending an ask! I absolutely love hearing your ideas and I’m very happy to know the reverse AU still resonates with people :D

Okay, now let’s see:

1. I do prefer the second scenario in the staircase scene. Armin at this point has nothing waiting for him back in Marley and as a character he generally prefers ending conflicts with talking rather than fighting so I believe he’d rather strike a deal and resolve this through diplomacy. 

2. Now for the Warriors reveal… we do have to consider that this scene occurs very soon after Armin’s own reveal. Like it’s all happening within three days tops. There’s always the possibility that he’s too busy getting interrogated within an inch of his life to even attend these events. 

Personally, I’m more curious as to whether Reiner and Bertolt would attempt to convince Zeke to launch an operation to “rescue” Armin at that point, or write him off as a lost cause. I think there’s potential for drama and bitterness in both cases. In the first scenario, you have a Reiner who fought to save Armin getting betrayed by someone he considered his friend, while in the second scenario, you have an Armin even more estranged by his peers in Marley, sad and disappointed they never even cared for him. 

3. Here you’re gonna have to forgive me, because I respectfully disagree.

While Armin and Annie would absolutely act the way you described in the event of Armin getting captured by the Okapi Titan, I don’t see why the Founder Ymir would bother to kidnap him. In canon, she only does so because he’s the Colossus and is the only one with the power to stop Eren. So I’m afraid that our girl Annie would have to be the one getting choked by that tongue… (well that was a sentence I’d never thought I’d write xD)

As for the Commander part… I don’t know. On one hand, I do see how meaningful such a gesture would be from Hange, accepting Armin as one of their own wholeheartedly. On the other hand, the idea of an outsider coming in to “save” the Paradisians from their plight and lead them to the truth makes me feel kind of uncomfortable. 

Personally, because I’m a useless bisexual with a one track mind, I’d love to see how Commander Annie could work. At the very least I’d like to consider the possibility of her assuming a leadership role. She’s not an out of the box thinker like Armin in canon, but she is very practical and very decisive when it comes to battle. In another world, raised alongside Eren and Mikasa and not as confined by her father and her circumstances, I can see her developing a keen eye for solutions, maybe not outrageous strategies, but clean simple yet effective and devastating in their consequences plans. She’s ruthless, she’s perceptive and she’s willing to give up her life to achieve her means.

Honestly? I’d love to see it explored.

[noxlysium]

Why Jean is so important to me

Welcome to my insane ramblings, enjoy your stay (or don't). Most of this is also very self-indulgent, by the way. Warning: Mentions of abuse, alcoholism, mental illness, self-destructive thoughts I'd also like to remind you that this isn't me justifying Jean's behavior in any way, he's a fucking asshole and doesn't know how to handle Harry, or himself. They're both flawed individuals and that's okay. This is just me talking about my own experiences. Now that we got that out of the way, let's get to the actual thing.

I'm not even sure where to start. When I first found out Jean had clinical depression, I immediately felt a connection. It's relatable. Very relatable, in fact. I myself have been depressed for years. It all started at a young age, I was about 13, but due to trauma it could be very much earlier than that. I don't remember much from my childhood because most of it are bad memories. I'm 21 now and still going through a lot of shit, so it's been about 8 years. Jean strikes me as a guy who has been fucked over his entire life, no matter where he goes or what he does. It always comes back to him. After I have finished DE for the first time and looked more into the lore of Jean and Harry, I started to notice the similarities between the relationship with him and Harry, and the relationship with me and my own parents.

I know what alcohol does to people, I've seen it all. And it's not great for either parties. I'm stuck in a repetitive cycle of wanting to help someone to get better, only to realize that they don't want to get better and then I start building hope again. Rinse and repeat. I know I cannot change them. But I keep hoping for a change anyway, and get upset when it never comes. Of course it doesn't. No matter what I've tried. I have tried so many times. I'm a fucking hypocrite because I sometimes drink as well. I don't want to become like them. I drink for fun every once in a while and try to not over-do it, because every time I touch alcohol, something in the back of my mind tells me I'm becoming like my father. I thought about smoking a few times, but I don't want to destroy myself like my mother does. I'm really fucking scared of smoking and its consequences. Which is funny, because I should be as scared when it comes to alcohol, but I'm not. They both drink every day at 3 pm, after work. Every single day.

And it has been like this for years. Nothing has ever changed. A few months ago I had an actual discussion with my parents. We usually never have these sort of conversations (That's the issue, by the way. A very big lack of communication. Does that ring any bells?) and I was actually surprised when they told me they wanted to lay off the alcohol. I tried to approach the topic carefully and even offered them help (therapy etc.) but.. they also didn't want that. They straight up told me they don't need help. Which is really fucking frustrating because I want them to understand that they do, but they don't care.

I know change is really fucking hard and I've been there, but my parents had so many opportunities to change and never took them. Nothing has changed for so many years and I'm tired of it. I'm waiting for a change to happen but I know it's never coming anyway. I'm tired, mad, disappointed. That's how Jean feels about Harry, he just doesn't know how to help him and is an ass about it. And I'm just letting it happen, because there's nothing else I can do. I'm watching them destroy themselves every day and it fucking hurts. Something in me still feels a tiny flame of hope, when in reality that flame is already extinguished. I want people to understand, my father really fucking reminds me of Harry. The emotional abusive, the physical abuse, the alcoholism, the sexist remarks.. It just screams Harry. Especially given with how he had been around people Pre-Martinaise, which I have read in the game inside the damaged ledger. The fact that I love Harry to a certain degree says a lot of things.

The marriage between my parents is like if Dora never left Harry, and it's fucking awful.

-

That is mostly why I can relate to Jean so much. There's also some smaller things and I'll get to those now.

He fucking sucks at feelings. You can see it with the way he's trying to handle Harry, and it's not working.. Which, yeah. I suck at those too.

He likes to hide his sadness underneath a layer of cynicism and sarcasm as a coping method.. I do this all the fucking time.

Let's face it, this man is a fucking nervous wreck. He picks at his facial hair and displays a lot more habits like that, like him fixing his clothes (even though they look clean, according to one of the skills in the game), running his hand through his hair.. I do this without even realizing it.

He's depressed and fucking empty on the inside. He most likely hasn't felt real love from anyone or for himself in years. He needs therapy (lots of it), anti-depressants and a hug.. And I know what that feels like. I know it too well.

Lastly, he's a fucking mess. Like in every single way imaginable.. Again, very relatable.

Jean is such an amazing character for me to project on, to relate to and to find comfort in. I'm glad they made him fucked up, because that's what I love about him. He has so many flaws and I love every single one of them. He's in the game for like 15 minutes or less, but the impact he's had on me is insane. I've had a fair share of characters I would obsess over, but Jean hits different.

I'm so glad Jean-Heron Vicquemare exists, because I wouldn't know where I would be if I never met him. I want to thank my lovely friend (who is not on here, but I'm still saying it because I care about him a lot) for gifting me this amazing game.

And I want to thank you for reading this mess of a post.

If you have made it this far, I want to show you one last thing.

[svartalfhild]

More thoughts!

Illario is extremely sus.

THE CAMEOS!!!!! IN MINRATHOUS!!!!!

I always knew from the lore that the First Warden was a little bitch, but actually meeting him is a next level experience. What a fucking asshole.

Taash is such a fun character. They're so delightfully blunt, but also sweet in their own way. The gamer bros are so mad about Taash and those whiny little pieces of detritus can go fuck themselves.

Every now and again, there's a wild Matt Mercer, and I'm delighted. He Has The Range.

I'm genuinely enjoying the puzzles, which is a wild concept for a BioWare game. Finally, some good fucking level design.

They keep dropping deep lore bombshells that have put years of me going full Pepe Silvia over this world to shame, and I'm so excited about it.

Ghilan'nain is a straight up nasty bitch in every sense of the term, which I already kinda knew from Tevinter Nights, but fighting her makes me think Rook should invent bleach just to deal with her mess.

Emmrich's personal arc villain has energy somewhere between Yzma and Doc Ock, and I am very entertained.

Emmrich may not wear black, but he's the gothest motherfucker in this entire series and I couldn't be happier.

Everyone is so concerned about Lucanis' pantry living and it's very sweet but also hilarious.

I love watching Lucanis develop friendships with everyone else. That's right; open your heart, sad bird man.

Love how Taash is immediately Lucanis' #1 fan for assassin reasons and he's so confused by it.

Unlocking the pieces of Solas' backstory is so fun because you get worldview-altering lore drops and then the Veilguard has a family meeting every time to discuss the new info and read Solas for filth.

Absolutely worth reading any codex entries related to the Lighthouse or companions, because you get fun insight into the daily domestic living of the Veilguard in the Lighthouse on top of whatever lines you already get about it when they're talking to each other at home. They really are like a household.

I enjoyed the Descent DLC of Inquisition, so Harding's personal arc is an absolute joy.

All the gamer bros complaining that the game isn't dark, mature fantasy like the rest of the series are honestly probably just mad at the lack of Desire demons, because there is absolutely no shortage of dark shit in this game, y'all. I mean, for fuck's sake, the major factions in the story include 1) a struggling abolitionist resistance movement that routinely tangles with people engaging in horrifying ritual murder, 2) a guild of assassins who have way too much political power but have also been forced to become a resistance group because their country has no army, 3) the supposedly apolitical army of people who poison themselves to fight evil until they inevitably die horrible deaths, and 4) straight up necromancers. And that's just the factions! That's not even getting into the plot!

Neve and Lucanis continue to have stellar chemistry.

Bellara needs so many hugs and it frustrates me that I can't provide them.

Experienced a very funny glitch during Harding's second personal quest in Act 2 where something seemed off about my Rook and then I realized that her left boob was missing. Her left boob was Sir Not Appearing in This Film. Straight up had decided not to participate in this conversation. I lost my shit. I may share a screenshot of it at some point.

Taash admitting in an argument with Emmrich that they don't like him because they think necromancy is freaky allowed me the opportunity to be like "Do you think that about me? 🥺" as a Mourn Watcher, which I'm so glad of, because a lot of the companions are uncomfortable with Emmrich's necromancy and I have been dying to get the chance to call them out for not considering how that would make Rook feel.

Emmrich made a move on my Rook last night and *fans self* hoo lord. Lucanis better show up with some extremely strong game very soon, otherwise he will have thoroughly lost to Thedas' very own Hammer Horror Man.

(Davrin fell out of the running pretty quick, since his personality ended up not fitting well as a romance for my Rook. Ironically, when they first announced the companions, I was almost certain I would end up being a Davrin girlie. Alas, he is not the type I'd thought he'd be. He also failed to show up in a waistcoat, unlike the other two, and we all know how weak I am for a good waistcoat.)

I love that Act 2 is just like The Gang Goes To Therapy. Sometimes this involves killing things. Or people. But not always!

Some fun DATV things I'm experiencing:

Playing as female Rook makes the first few quests until you get Lucanis very Girls Night, which I really started to notice after a friend pointed it out and she is so right.

Neve is bestie.

Lucanis' intro cinematic made me feel so attacked. That shit was so my brand lol.

Lucanis and Neve's banter is hilarious and if I don't romance Lucanis I may end up shipping him with Neve.

Did Bellara's first personal quest and almost cried. Hit me a little close to home.

Neve's hangout quest was delightful. I want to chat and snack and walk around with her all day.

Neve and Bellara's developing friendship is so fun. I want to see a scene where Lucanis gets involved in their cooking adventures.

Shopping and getting coffee with Lucanis was like Oh No He's Thoughtful And Charming And I'm Weak.

Chose Lucanis over Neve in that one decision that made me want to scream and now she's hardened and I'm so sorry bestie I was thinking of the defenseless people and I will never be okay again.

Varric playing mentor to Rook got me right where it hurts. He's there for when you need an adultier adult to tell you that you're doing okay and that he's proud if you. I cry forever.

Assan and Manfred are my SONS and I LOVE THEM and I make the most ridiculous noises when they are on screen. THEY ARE SUCH GOOD BOYS.

The quest to acquire Emmrich is fucking delightful if you're a nice Mourn Watcher and you bring Bellara along. Just three huge nerds enjoying each other's company while doing dangerous shit.

Davrin and Emmrich's banter is like two dad's comparing notes.

As a Watcher, Myrna kinda feels like my mentor-mom, which is funny.

More thoughts to come. Just wanted to scribble down a few things so far for the people to let y'all know I'm having a fucking blast.

[sandymybeloved]

the one thing they don't warn you about when your running a tournament is that your notes will go completely insane

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.