#but does anyone else use the storygraph and want to be friends on there or w/e?

[violetclarity]

happy new year, friends! NYE has been a tough one for me in recent years - it always brings to mind the things I didn’t accomplish, and the things that haven’t changed, over the past year. Plus it comes at the end of the christmas season, and while I love the festivity, that is also a hard time of year for me - especially this year - because it kind of sucks to be alone for christmas!

I don’t have any grand lists or 2022 recaps to share. I only wrote one fic this year - co-wrote, with the incomprable @yrfrndfrnkly - and though I finished my novel draft back in april, I’ve been struggling hard to make any further progress on it. I only picked it up to edit this fall, and I’ve gotten less than 1/4 of the way through. It’s definitely my goal in 2023 to crank out those edits, but other than that, who knows what the new year holds in terms of writing.

My main hope, going into 2023, is to take care of myself, to check some things off my to-do list that I’ve been meaning to do, to continue to make my home & my life more suitable. I started off strong on my apartment updates (by which I mean, finally organizing and doing a lot of things I’ve meant to do since I moved in) in november, and I want to keep that momentum going and hopefully have everything well settled by the time I’ve been in this apartment for a year.

For january though, I mostly want to hibernate, and drink a lot of hot chocolate, and read good books (one highlight of 2022 - I read many good books). I’m feeling rather frustrated, and also fragile, and I’m not sure if the perfect solution is to insulate myself for a few weeks, but I think I’m going to test it out and see if it helps.

I’m not sure quite why I’m sharing this - half accountability, more than half as some kind of antidote to all of the 2022 recaps and lists of awesome things that happened last year I’ve seen floating around on all platforms, but tumblr is the only place I feel comfortable being this honest? or something? no disrespect meant to anyone posting best-of lists etc, of course - I’m so happy for everyone’s successes this past year! - but I wanted to make room also for those for whom, like me, the new year is sort of meh, or complicated, or they don’t have a ton of solid things they can point to like “look at my year!” - I see you <3

resolutions or no, I am hoping for a joyful, creative, and restful 2023 for each one of you!

[tryslora]

Support your favorite creative(s) this season!

So, it’s the holiday season (for values of holiday which can be anything you care to celebrate during the winter months) and you would like to support your favorite creative(s). What are some good ways to do that?

Tell the world about them

If someone is a favorite of yours, there’s a good chance that you know someone else who will enjoy their work. Signal boost the creative’s posts. Create your own post with links to their work. Showcase some of your favorite pieces of theirs with a snippet and a link to the original. Talk about why you love the work (trust me, your favorite creative will love to hear this just as much as your friends will appreciate finding out about something new).

Important side note which I know you know but it bears repeating: please reblog and link to your favorite creative’s posts; do not repost their material. Reposting might sound like a great way to show off what the creative does, but it doesn’t help anyone find them. Please be considerate.

Post reviews of their work

Instructions for this depends on what type of creative you are following. If they are a writer, leave a review on Goodreads, Storygraph, Amazon, B&N, whatever platform you choose. Positive reviews are how writers get discovered.

If your creative is an artist and has a platform where they offer commissions, leave a review there if appropriate. Give them five stars. Help your creative climb the ranks from unknown to well-reviewed!

Follow them on social media

If your creative has a list of social media accounts, follow them! This gives you a better chance to help signal boost their cool stuff (as well as hearing about it when they post!). It also gives you a chance to interact, and to see what they’re like when they aren’t creating. If you like their creations, you might have other things in common. 

Does your creative have a newsletter? Subscribe! You can even forward copies to your friends if there’s something really cool you want to share. A Patreon? Check to see if they have free material posted. Many Patreons allow people to follow at a free level, and while there might be paywall-locked material, there might be unlocked material as well.

Social media is wide and varied these days, with everything from Bluesky and Mastodon, to old-school Facebook pages, to even older-school platforms like Dreamwidth. Don’t forget the little known Pillowfort, or the highly fannish Tumblr. Even better, be aware that your creative may present different faces in different spaces. They are just as human as the rest of us!

Talk to them

I’m serious! Being a creative is like shouting into the abyss… if the abyss happens to shout back, that’s emotional food that can sustain a creative for days. Most creatives have several places where they can be found, either for private communication (check to see if they accept messages/DMs/emails first, please) or for public conversation (social media can be wonderful!). 

Create a transformative work

This won’t work for all creatives. BUT. If your creative is a writer, I would place a bet that they would LOVE fanart of their work. Or maybe that’s just me.

Buy their stuff

Yes, this one requires money, and I am well aware that most of us don’t have the budget for monetary support. And that’s fine! As shown above, there are so many other ways to support your creative and help them grow. But if you do have the budget, picking up copies of their work means you can get great gifts for your friends (and help spread the word!). And if you’re up for it, monthly support via Patreon, or random tips are always nice and appreciated things.

Ask them what will help

In the end, every creative has their own list of things that will help them most, and almost every single one would be happy to tell anyone what would help Right Now.

I’m putting this next bit behind a cut/read-more/clicky-link — whatever is appropriate to the platform you’re reading this on. Because this is the personal bit where I add links to the places you can find me. 

And if you are a creative and you are reblogging this on a platform which allows reblogs, please add your own list of helpful information. If it’s a place with comments, please comment! I want to help by giving other creatives a way to get information out.

Where can you find me…?

TrisLawrence.com is my professional website, with blog posts, upcoming appearances, and links to where to find my Stuff.

I post blog entries on Tumblr, Pillowfort, and Dreamwidth (which mirrors on Livejournal and Insanejournal).

I babble randomly on Bluesky and Mastodon. While I exist on Twi-X, I no longer post there.

I have a professional Facebook page. I have an Instagram. I have a TikTok that I am trying to learn how to use.

I am also active in several Discord communities, if you happen to find me there.

Want to support me? -- Patreon | Ko-Fi | Reblog & Comment

Want to hear more from me? — Join my mailing list

[battyaboutbooksreviews]

Goodreads | Literal | Storygraph

🦇 I'll Get Back to You Book Review 🦇

❓ #QOTD What items from your childhood have you held onto? ❓ 🦇 Murphy was supposed to be settling into her junior year at the University of Illinois with her best friend, Kat. Instead, she’s stuck in a hellish suburban holding living with her parents, failing the same class that kept her from graduating the first time around, and making minimum wage at the same coffee shop she’s worked at since she was sixteen. That is, until a miracle appears in the form of Ellie Meyers, a former classmate who is way cuter and not nearly as straight as Murphy remembers. Their heavy flirting holds the promise of something more until Murphy learns that Ellie’s mom is the very professor preparing to flunk Murphy for a second semester in a row. Together, they hatch a fake relationship for a holiday weekend at the Meyers’ house. If everything goes according to plan, Ellie will be living her dream halfway across the country, and Murphy will finally be able to graduate community college and start her life in earnest. So what if they catch feelings along the way?

💜 The book had all the promise of a cute, cuddly coming-of-age story perfect for anyone looking for a queer holiday read. On the surface, it's exactly that; cute, albeit dense. Murphy is a college student on the brink of so much character development. She's a little stuck, clinging onto her high school years while desperately trying to pass her accounting class. Ellie, on the other hand, is rushing into the future and trying to get everyone on her page. It sounds like they'd be the perfect pair: Ellie could help Murphy focus on the future while Murphy could ground Ellie in the present. For the most part, they help each other get there...by lying.

💙 Usually, the fake dating trope is well-meaning. It forces to MCs together, helping them realize their feelings for one another. There's a spark between Murphy and Ellie at the story's start, but it's snuffed out the moment Ellie starts pushing the fake dating ploy. Her idea to take advantage of Murphy's need to improve her grade to get her way about going to grad school is a little too manipulative. It instantly put a bad taste in my mouth. Honestly, Kat is frustrating from the moment she steps into the bar, too. Creating a cast of unlikeable characters (instead of making them loveable characters with real flaws) from the beginning starts the story on a bad page. The fake dating trope doesn't help us fall in love with them; if anything, it shows us all the ways these two young women don't work well together. Then there's the bombshell from Murphy's parents, who are forcing her to grow up and move out. This would have been key to Murphy's character development if it didn't seem so unnaturally placed. Really, we should have seen Murphy and Ellie own the lie they told Ellie's family. We also needed so much more to build their chemistry. The tiny moments we get aren't enough to eclipse the lying. The prose is also very lackluster; it doesn't draw you in or paint the picture of the little town Muprhy is holding onto. There's no winter wonderland or holiday cheer here.

🦇 Recommended to fans of Sarah Dessen.

✨ The Vibes ✨ ⚾ Queer/Sapphic Romance ☕ Young Adult Contemporary ❄ Holiday Vibes 🎀 Single POV ❄ Fake Dating ☕ Coming-of-Age ⚾ Closed Door

🦇 Major thanks to the author and publisher for providing an ARC of this book via Netgalley. 🥰 This does not affect my opinion regarding the book. #IllGetBacktoYou

💬 Quotes ❝ She tastes like coffee, and I’d drink her all afternoon if she would let me. ❞ ❝ Kissing Ellie feels like hope, like coming home, and I never want to go anywhere else. ❞

[soracities]

hi, m.! how do you discover new books upon removing yourself from the algorithm of goodreads / storygraph? my sister and i are currently evading book socials in an attempt to be more mindful of what we read, minus the ‘feed’ recommending us books. we want to read books because we choose it :) would love to hear your thoughts!

Hi, lovely! This will be a bit late since I've had this question a few times, esp. in regards to quitting social media, so I'm very sorry to anyone else who asked that it's taken me so long to get around to it!

I will be honest, this blog does make up a good part of how I find things -- my mutuals and other lit blogs especially (I also find works through the authors I follow online now and then); most often, though, these will simply put something on my radar so that I always have an ever-shifting web of disparate works circling through my head; titles will crop up when I'm looking for something, but whether or not I get around to reading those books sooner rather than later really depends on a lot of other factors: if it's an author I know or have read and loved before, for example, then I’m more likely to explore it -- the same goes if I spot something on a shelf or in an article that a mutual has mentioned!

Otherwise, the factors that really influence the books I find most often are a lot more personal and down to proximity: things close friends mention or recommend (Dostoevsky was on my list for years, but I bought The Brothers Karamazov without a second thought because of someone I love), the books I find in my local library or favourite bookshops, books mentioned in other books (I pick up a lot of titles through nonfiction / essays, or just stuff the authors I like enjoy), archives like Project Gutenberg, online magazines, journals, book presses, etc. These are the places I go to far more often and are probably what determine the books I actually read most of the time. Admittedly, it’s quite random and there is no set system for me aside from just following my own intuition -- that said, I think the last ones are especially good for discovering new works and authors, so while I don’t know what kind of books or genres you prefer (which means this will all vary of course), if you want to stay away from socials entirely, then I cannot stress enough: mailing lists & newsletters are your friends!! You don’t have to sign up to everything (I’d honestly recommend against it because I think you’d end up with the same situation I found on Goodreads which is far more time spent accumulating titles than actually reading them), but keeping up with sites whose content you enjoy, or signing up to the newsletters of local or independent bookshops is, I think, a really good way of coming across new things without an AI hobbling them together for you.

For me, a lot of what I come across has been assembled from a variety of places, but I have a handful of publishers whose content I love or am always intrigued by (like Tramp Press, Fitzcarraldo, Pushkin Press, or the Dalkey Archive) so I try to keep up with their releases every now and then (I’m also more likely to read random books I stumble across if I know they published them), as well as my favourite online journals, magazines, lit archives etc., As I said, I don’t know what kind of books you like, but for me sites like Electric Lit (because of them, I found out about Norah Lange), The Marginalian (Brainpickings’ new name, and it is an absolute treasure trove), The Paris Review, LitHub, Words Without Borders, or other poem-a-day / poetry archives (Words for the Year and poetry queen @firstfullmoon ig page grieftolight especially!) are wonderful, because they expose you to so many different voices and works. I’m not a huge fan of literary prizes for various reasons, but I do pay attention to the longlist and shortlist of the Dublin Literary Prize and the Booker International because they’re not as narrow or insular as others usually are; I may not always read the titles listed immediately, but they’re filed away in my head, because the most important thing for me is to read, or be aware of in order to read, as wide a selection of books as possible.

All of this means I end up with a very chaotic mental map of the various things I want to read and explore, but the chief thing for me is that if I find something that piques my interest, I follow it -- if I’m reading an author of a particular nationality, for example, I often look up their contemporaries or others writing from the same or a similar tradition. Most of what I read is in translation also, so if a book has really caught me I look up not only the author’s other works, but the translator’s too. Because I read Adonis, I looked up Khaled Mattawa. Because I looked up Khaled Mattawa, I found Saadi Youssef and Maram al-Masri, both of whom I absolutely adored. Non-Fiction helps a lot in this too, at least for me -- as I said, I stumble across a lot of new titles when reading essays by authors I already enjoy, and it’s far more likely that I’ll pick something up if I’ve read about it beforehand. I read Geoff Dyer’s essays because I read Zadie Smith's review of them in her own essay collection; I read Natalia Ginzburg’s Family Lexicon and Enrique Vila Matas’ Dublinesque because I read Zambra; I discovered and fell in love with Stig Dagerman through a Siri Hustvedt essay and I don’t know if I have ever before felt the kind of stunned response I had when I read his writing in Burnt Child; it honestly floors me still. Again, all of this is a very random selection process but it works for me because I’m always looking to explore lots of various things at any given moment. That said, and while I don't know what facilities are like where you are or how easily you have access to them, I do genuinely believe, along with all this, that if you want to be more mindful then the most important thing I can say to you is to really, really, try to cultivate a relationship with your local library and bookstores, whenever and however you can. As I said, I accumulate a lot of titles through a lot of different places, but even through all of these, most of the books I've ended up discovering and loving have been through my local library because they're the ones who have put the book and me in the same room: I had Svetlana Alexievich on my list for a while because I came across excerpts on tumblr, but the only reason I finally got down to reading her is because the Fitzcarraldo edition of Second-hand Time was put on the display shelf. That display shelf is also the only reason I eventually discovered Zambra (also in Fitzcarraldo and so, by now, the only reason I'd discovered Fitzcarraldo). It’s where I found Camilla Gurdova, where I found Nabokov’s letters to his wife and therefore finally got around to reading him; it’s where I picked up Camus’ essays because -- again -- I know how much someone dear to me loves him; it’s how I managed to read Siri Hustvedt and therefore the only reason I found Dagerman to begin with at all. For me, that physical proximity is a vital part of the books I come across because they’re no longer something vague that I “might” read, but a real tangible thing that I can actually pick up and read right there and then; this is what makes the difference for me.

When I first started reading more seriously, I (very naively) collected so many of those ridiculous 100 Best Books of All Time Ever lists; I thought Tolstoy and various other bigwigs were something I needed to accomplish in order to be considered a Real Reader -- naturally, it was a disaster because books then became a massive and daunting chore; I couldn't finish Notes from Underground because, in reality, I wasn't ready for it -- I just wanted to tick it off a list. What I needed, and what my library allowed me to discover, were books that weren’t necessarily on those lists but that stayed with me and influenced the literature I did eventually discover: because of my library I found Helen Simpson, Ali Smith and Jenny Offill which is probably the only reason I gave up those lists and finally allowed myself to read what I wanted, when I wanted; it wasn’t the time for Notes from Underground, but it was the time to read the slim little Turgenev I found wedged on the Classics shelf and fell in love with. The first books that I ended up being challenged by were not the Big Books I always thought I had to tackle but rather things like Books Burn Badly or A Girl is a Half-Formed Thing which I never would have read otherwise. It’s because of my library that I found Mihail Sebastian, Andrés Neuman, and Tomas Tranströmer. It’s why I read Mrs Dalloway as early as I did -- because the book was there. The only reason I ended up finding Adonis (and subsequently, any of his other works as well as Mattawa’s) was because my library had him on their Poetry shelf. I very rarely actually bought books for the longest time because 90% of what I read was through my library, which I know is an insanely lucky position to be in; I lived in a well connected enough area to be able to find most of the books I was looking for (and even if they weren’t in my county, I could order them in from others easily enough).

And I think the exact same kind of unexpected but striking discoveries applies to bookstores (secondhand and independent ones especially, and I love them more for this very reason) -- again, I don’t know what you and your sister have available near you, but if you have the means to visit them then I genuinely can’t overstate how important they are, not only because of what you can find on their shelves but also because of what you can learn by forging a relationship and talking to the staff, or simply the comfort of having an emotional tie to some aspect of the community you live in. I’ve found books because the shops I love posted about a reading or book signing, or because looking up an author on their website led to suggestions I’d never even heard of but was endlessly thankful for. For me, even for all that my brain hops back and forth like a deranged little magpie hoarding new titles, the most important avenues for finding authors or works happens between titles given to me by those I’m closest to, and the places where the books are physically there. I can have a book in my head for months or even years but it’s seeing it in the bargain bin or in the middle of a precarious pile of faded spines in a secondhand bookshop that makes me bring it home, if that makes sense. This is not to detract from any of the other sources above because I understand that this is a somewhat privileged place to speak from and relies a lot, not just financially but also locally on where you are and what you have access to. But if there are local bookshops, or even just ones a short while away from you then I really think you will get so much from visiting them or placing your orders with them when you do discover new titles that have caught you, however that comes about.

In any case, this has gotten a lot lengthier than I intended, but I hope some if it has helped even just a little bit. Happy reading and (hopefully!) happy future discoveries to you and your sister xx