#but could also be read as platonic

[a-lost-crow]

Sniper accidentally flirts with Scout thinking he’s just another short homosexual in a gay bar. That’s it. That’s the context.

This is referring to the doodle in this post

[starlinkz]

Wild life ended months ago and I still can't get over this moment

[matchingbatbites]

Loosely inspired by this idea by @scoops-aboy86 but AU where you have a soulmark of an animal that represents your soulmate. People can have multiples, depending on if it's a romantic, platonic, or familial soulmate, and Steve is one of the lucky ones that has all three.

He doesn't know why they're crows, of all things (won't learn until later that it's because all three of his soulmates like shiny things and love to heckle him, lovingly of course). They hop around on his skin, sitting across his collar bones like a power line, nesting down in the shell of his ear.

The unique thing about the soulmarks, is the first time you touch your soulmate, your animals swap. It's only temporary, with them swapping again at the second touch, but it's a way to signify when you've found your match.

He realizes that Dustin is one of his matches during the season 2 mess, when he grabs Dustin to pull him from danger and later finds a fancy bird nesting with his crows. It has an orange face and a green body, and is incredibly vain. When he swaps back Dustin shows him the other one - this time yellow with a peach face and blue tail - and tells Steve that they're love birds. Steve thinks it's fitting, not just for himself, but for Suzie as well.

Robin happens during the Russians. Their hands brush where they're tied behind them and next thing Steve knows there's a fish swimming across his thigh, his crows hopping along after it, and he swears to do everything he can to get her out safely. It's not until the bathroom confession that he learns she's his platonic match, and he won't lie, he feels a little sad as he watches his betta swim up to another fish.

"A pinktail triggerfish," Robin explains, "They're protective and dangerous."

Steve smiles as he holds Robin's hand. "Can't wait to meet the girl that represents."

His swap with Eddie happens at the boat house, but Steve doesn't even realize it until after he's back home for the night and changing. There's a golden retriever bounding across his chest, chasing after the crows that are- playing with it. They're flying around it and egging it on, and he only worries a little until later, when he finds the dog sprawled out, relaxed even as the crows tug on its ears. It makes him happy to see the patience and joy the dog exudes, clearly at home with his birds.

They're walking through the upside down when Eddie holds out a hand and gives a hesitant "I uh, think this is yours." On the back of his hand is Steve's crow, and Steve smiles at the sight of it.

"Yeah, it is," Steve says. He brushes their hands together and the animals swap again. Steve watches as a different dog - a rottweiler, maybe - bounds up to the retriever on Eddie's hand and the dogs start to tussle playfully. He glances at his own hand to find his crows tumbling over each other, happy to be reunited.

"So, Jeff is my platonic, if you, uh-" Eddie starts, but Steve knows there's more important things to worry about right now. Even though all Steve wants is to know if Eddie wants Steve the way he wants Eddie.

"After," he cuts in as he takes Eddie's hand, the smallest relief he can offer right now. "We can talk after."

[miscellaneousrenaissant]

Thinking about how Chilchuck and Laios started adventuring at around the same relative time in their lives

There are a bunch of similarities to their backstories - leaving home at a young age (14, 12), starting careers in exploring dungeons as young adults (19, 22), developing a complex about the first monster that killed them (Mimics, Living Armor), getting scammed or taken advantage of by other adventurers (succubus-hunting party, gold-peelers) - that they give me "past and future" vibes

Chilchuck is the older mentor to the less-experienced Laios. He joined Laios' party when Laios had only been exploring the dungeon for a year, and Chilchuck regularly gives advice based on his own 10 years of experience in an effort to support Laios as leader. There are several occasions of Chilchuck either teaching or wishing Laios would learn something in particular that he thinks would help with the job

Laios is a reflection of Chilchuck's past from when he was just starting out as a naive adventurer, while Chilchuck is an example of the future that Laios is striving towards as a seasoned dungeon explorer and leader

But also, they can represent missed opportunities and paths not taken for each other

An example for Chilchuck is that he isn't treated with the same respect as a tall-man because he is a half-foot. He can lead a union of half-foots, but leading a party of other races, many of whom would infantilize him, is unlikely. There are limitations to what he can do (physically and socially) compared to Laios simply because of how each were born, and it's partly why he's so hard on Laios to make him a good leader and not waste the opportunities afforded to him

Meanwhile as an example for Laios, who left his family and fiancée behind when going out on his own at 12 years old, who wasn't shocked that Chilchuck became a father at 13, and who even mentioned that some tall-men get married at 13, too...

If Laios had never left home, would he, at 13, have married someone from his childhood and also become a father of three?

[ghostly-bat]

How I imagine middle/high school jondami to be

Jon, sighing: Please don't fight him Damian (some bully)

Damian: Why not?

Jon, absolutely spent: Because that would just cause problems

Damian: I don't see how, I feel like I'd be dealing with the problem at its source

Jon, already done with Damian's bullshit: Because if you fight him then you'll get expelled, and then if you get expelled you'll be grounded,

Jon: And then because you're grounded we wouldn't be able to see each other, and because we wouldn't be able to see each other you're going to find some way to sneak over to my place or convince me to somehow sneak over to your place!

Jon: And because I snuck out to see you I'm gonna get in trouble and then I'm gonna get grounded!

Jon:

Damian:

Jon: I don't like getting grounded Damian

Damian:

Jon, just completely over it: I don't like getting in trouble!

[bloodydeanwinchester]

i still cannot believe that they wrote castiel thinking the line “still beautiful, still dean winchester” while he was confessing to Dean that he was in love with him. like that was kind of insane of them wasn’t it?????

[whitebookposts]

"First meeting"

Okay. Walk with me for a sec there. Hornet and Bretta 'childhood friends' au.

A lonely princess everyone avoids and a servant's daughter everyone despises, bonding over their weird shared interests.

hear me. listen to me. do you see the vision

[ghostofthepresent]

Why I think Shiguang can be canonically read as romantic

(I will only be using the donghua for reference, so no Studio Lan retweeting those fanarts (lmao) nor those especially gay manhwa panels (lmao x2) nor even the songs ("chase you to the end of the world, just to say your name once more" my beloved).

It's important to start off by saying that I'm aware Director Li said they ended up not making Lu Guang a girl because they didn't want romance to be seen as a must in Shiguang's relationship by the audience (and because he feels that "bros can have a good heart-to-heart connection with each other"). In my opinion that was a great move since it allows more freedom with how they write them than they'd have otherwise. I also think viewing Shiguang as queerplatonic is a great read too and it doesn't diminish their love for each other nor the importance of their relationship at all.

With that said, despite Director Li's words, there's been things that had me going 🤨 as someone who likes to adhere to canon relationships and read into the writer's intentions, so I wanted to share why I personally see them as romantic.

EPISODE 2

We've all seen this coming, right? Most obvious parallel ever, and in the second episode no less. We all know the similarities between both relationships, so I will just touch on those I consider the most important ones.

Lin Zhen and Yu Xia have gone to college together, and since then decided to start a business of their own - named after a mix of their names. They've been shown as being really close and having no romantic relationships. Lin Zhen also says that Yu Xia's happiness is her own, and then it's shown to us that she's gone through years of unhappiness just for Yu Xia. I believe you can replace their names with Lu Guang's and Cheng Xiaoshi's in your head without me writing all this again. And I'm not even going to get into the most obvious parallels like the special noodle recipe for each pair.

I think it's safe to say that Lin Zhen and Yu Xia are implied to be romantic. From that "one noodle" scene, to the close shot of Lin Zhen grabbing her hand, etc.

Now, I want to get into a writer's point of view and pose two questions:

1. What's the purpose of this episode, when even those which seem episodic connect to the overarching plot of season 1 (even the missing kid's case, as it leads to the involvement with the police)?

2. If we answer the previous question with the conclusion that it's meant to show us the nature/development of Cheng Xiaoshi's and Lu Guang's relationship, what does that say about it?

"Partner" in Link Click

Continuing with episode 2, what really got me thinking about the romantic intentions in their writing was the constant mention of marriage and anything in relation to it.

(may I remind everyone that the driver's comment was said when Cheng Xiaoshi was complaining about Lu Guang lmao)

They're telling us through "show don't tell" (for example, when Lin Zhen kept on eating the noodle despite knowing they'd kiss) and, also, connotations. They are presented to us as business partners, but then the entire episode goes on to tell us that there's more to them by tying their relationship to things percived as romantic. So what they want to really tell us is that beyond simple business partners, they're life-long partners.

And then, after establishing this kind of connotation to the word partner, Cheng Xiaoshi says this to Lu Guang in the next episode:

This doesn't stop at them. While it's the most obvious example, I think partnership in Link Click is intended to be seen as romantic, or at the very least dancing somewhere close to it. Let's go even further and take a look at our fully canon, heterosexual relationships and see briefly how their story is written:

1. Dong Yi and Xu Shanshan: both of them chose the comfort of each other's presence over moving on with their respective futures. Dong Yi had so much faith in their relationship and their love that he couldn't choose a life/future that didn't have Xu Shanshan - choosing to not go back to his family home nor go to that interview, and instead waiting for Xu Shanshan to define their relationship.

2. Liu Siwen and Ouyang: Siwen spent his entire life training with the purpose of getting his father-in-law's respect and marry Ouyang, going every year over and over to fight him. His perseverance and his undying love for her allowed Siwen to do the (seemingly) impossible.

3. Chen Bin and his wife: they're a tragedy. His wife understood Chen Bin the best, enduring feeling lonely because she loved him and wanted a future with him. But their relationship was cut short, so they promised each other to be together in a future life to make up for the time they wouldn't be in this one.

With this + the pictures I attached, it seems like Link Click has set this theme of "love is a life with you" for its romantic relationships, a partner that will fight to stay because they can't see a future that doesn't have their beloved. Going back to episode two, this applies even to the noodle ladies. When Yu Xia remembered what actually matters to her, she went back home - to the start, to her hometown. And, most importantly, to Lin Zhen.

So why is Shiguang romantic? Why aren't they queerplatonic, or just best friends, or bros or whatever else? Because besides what I said at the start of the previous paragraph, Shiguang's relationship mirrors a lot of the romantic ones. Each story and author writes romance and other kinds of relationships differently, portraying them in the way they perceive "this is what this kind of love is like". And beyond life-long partners, I think that the key elements of romantic relationships in Link Click are the ones I highlighted in bold above in the 3 canon relationships part - which Shiguang shares, too.

(I didn't mention this before with the het couples, but I find it a little amusing that season 2 happened because a man wanted to go to the past and get his wife back (still fuck you Qian Jin) and then we find out Lu Guang did go back to the past and got his boyfriend partner back lmao).

"Friend" vs "Partner"

So where is the boundary between platonic and romantic? What marks the difference between a (best) friend and a partner?

There is, for example, Liu Xiao and Li Tianchen's relationship. They aren't shown to have any kind of romantic undertones and there's even the very real possibility of manipulation on Liu Xiao's side. They're also never labeled as nor call each other partners, but instead Li Tianchen says he "met a new friend" and Liu Xiao says he's "going to meet an old friend" years later. So we could say for now that they have a somewhat close relationship (we see Li Tianchen go against Qian Jin to give the phone to Liu Xiao), but never cross that "friend" label.

We can even bring Qiao Ling and the boys' relationship. She's never labeled as a partner despite taking part in the side job and, more importantly, being super close to both of them. She is very important and a cherished friend to Shiguang, so why not call her partner too? I think it's intentional. Since she's been given a familial role already (calling Cheng Xiaoshi her brother when talking to Li Tianxi), she can't fill a partner role. I wonder why? because it's supposed to be a synonym for a romantic relationship. who said that.

So even best friends (Qiao Ling, arguably what Liu Xiao is to Li Tianchen) don't enter this close space that is being a partner. It's different, it's beyond platonic. Or at least that's what they've been showing us for the past two seasons.

I could go soo much more into this honestly, because I do think the little hints thrown here (the music videos) and there (tiny seemingly inconsequential details) are worth to be looked at too, but I wanted to get into the core reason that makes me go "woah so they're In Love fr". I hope I expressed myself well ^^

tldr; the series shows us a divide between having a (best) friend and a partner, giving "partners" romantic connotations.

[kernsing]

ORV as a story about fervid devotion through life and death/the desperate lengths taken to save the one(s) you care about more than anything/the paradoxically futile yet worthwhile endeavor to know and understand and love someone—all without ever developing into romance—is just so near and dear to my aromantic heart. Even past the grand gestures, the heroic journeys, the sacrificial acts, this one dream: “I want to buy a really big house and live together with everyone.” How do I encapsulate the amount of yearning inherent to my reading of that sentence. Like it was clawed out from the deepest parts of the soul. How wondrously heavy and real it feels, this hope for a future I can see much more clearly than any vision of dating/partnership/marriage.

I want to buy a really big house and live together with everyone.

Me too, Dokja. Me too.

[aroaessidhe]

2025 reads / storygraph

Something Extraordinary

historical platonic-romcom

an aromantic woman tired of feeling unworthy when the people closest to her leave her behind for romance, and a gay man in unrequited love who is planning on giving up and marrying a woman in misery and drunkenness

she kidnaps him the day before the marriage to stop him ruining his life, suggesting that they get platonically married instead - and on the ridiculous journey to scotland to elope, they have to convince each other if it’s what is best for them, and what they want out of life/love/and friendship

[threepandas]

Bad End: Eve

You know how most Otome games are vaguely historical? Usually some non-specific mishmash of European countries? But fluffier and with more bows? It had once "gotten" to me, I think. I remember looking for outliers. Non-joke ones. Something that wasn't just "but this time with hats!"

I found one.

And now? Now I'm not sure if I curse that day or thank whatever force of nature lead me there. I guess... I guess it depends. Would I still have ended up HERE? If I had not found it? If so, then I genuinely and actually fucking rue it. Like... like actual "you'll rue the day! Bwahaha!" Type rue it. That's me. Ruing.

But? If it was always going to happen?

Then I guess...

I guess I'm weirdly glad. Because at least I have some fucking idea of what's going ON. Terrible, as it all is. Fucked, as the situation is. At least I'm not... not confused. Blind and at the mercy of those around me. Ignorance truely isn't bliss. All it does is leave you to try an fill in the blanks yourself. Usually with something far worse.

Not that the situation could GET much worse, by much.

I was in an Otome game. NOT a flower, high society, and dragons kind either. No. I? Was in a Dark Sci-Fi otome game. "Fate of man" was thrown around a lot. Power of luuuuv~ and such. Also, you know, HORRIFIC ethical violations. Human experimentation. Cataclysmic events and humanity "starting over".

All the high drama sci-fi concepts you could expect. It was a romp. Had good art. I'd had fun! Which is why I remember it so clearly.

Less fun when you're IN IT.

When you AREN'T one of the characters you KNOW will survive.

In fact, are one of the characters you know WON'T fucking survive. And will probably die MESSY. Horribly. Cause see, our BELOVED Harem collecting Protagonist? She? Was AN Eve. "AN".

Take a wild fucking guess what THAT project is about.

Did you say "breeding a better race of humans"? Ding ding ding! With humanity currently fucked, they want to FIX the problem by FIXING humanity. And of course, fuck ethics! Volunteers? Why use those?! Let's horrifically mad scientist our way to atrocity-ville! Make it all the more "God rightfully punishing us for our unforgivable sins" when we get wiped out!

Fffffffuck YOU, plot! I have to live here too!

You may, in fact, be picking up a slight note of stir crazy. A "wow, this lady rambles like a mother fucker" vibe. You would TOO, if you were stuck in a FUCKING TUBE. All I can do, day in and day out? Is wake, think, observe, then go right back to sleep. I can't even eat! I got a TUBE for that!

I... I miss showers.

Everything is GOO.

I'm an Eve. And if it weren't for the air tube controlng my breathing? I'd laughing hysterically until I died. And no, not in the "oh how funny" way. God. Oh... oh god. What a way to die. NONE of the Eves survive "the program".

Those IDIOTS are so OBSESSED with making bigger and bigger, better and better, FUCKING JUGGERNAUTS? That the Adams? Have long since reached the point of "mindless killing machine". UNSTABLE is putting it lightly. There is sexual dimorphism and then there's literal incompatibility.

But GOD FORBID the scientists admit that THEY are the ones with the inferior product.

It... it was even part of the game's plot. The scientist who made "Eve" HID her while HE made an Adam. I do not have that luxury. Somewhere, there is an unstable BESERKER being told I'm his "wife". That we're going to be HAPPY together. That he'll get to put his bruising, blood soaked hands anywhere he WANTS... just after he WINS me from the other Adam's.

Got to prove HE'S the best specimen, after all.

It makes my skin crawl. All I can hope, is that I can either provoke the bastard enough to kill me before they have a chance to stop him, or? I use my own enhanced strength to snap my neck. Maybe bite my tounge. Like HELL am I letting an Adam get near me.

The hiss of laboratory doors.

"Perfection at last..." Comes a relieved sigh. "All those HIDEOUS specimens. Why they make me suffer them, I'll never understand. We should have terminated them months ago. My poor project, they really think they're WORTHY of you..."

There's a derisive laugh. The scientist strolling into the lab I've been developing in, familiar. I watch him casually shrug off his lab coat and dump is bag. Hang his coat over the back of his chair. Turn, as he does each day, to STARE up at me. His eyes are a pale, pale purple the likes of which I've never seen before.

They're HAUNTING.

There is almost a red tint to them, though maybe that's the lights. The goo. I can never tell. He always looks ENTRANCED by me. Floating, visored, connected to far too many tubes an' wires. I'd think it was the fact that I was naked if it weren't for the way his gaze doesn't seem to drift lower then my shoulders. Seems more entranced by the way my hair moves, as though under water.

I've never once heard him talk about me lustfully.

But that doesn't mean he doesn't SCARE me.

"Let's begin, shall we? Time for your daily doses, mmm?" He says, voice dangerously affectionate. As though i had CHOSEN to do this to myself. As though he were merely reminding me of my morning medicine and not the hell ahout to come. "Going to be good for me? I know you shall, you always are."

He turned back to his desk, his computer. A few keystrokes... and I could feel the pod above me begin to hum, as it awoke. Oh god. Oh god it never got easier. From the corner of my eyes, bright chemicals slide down thind lines and into my veins. Like lines of lava. Bolts of electricity and pain. It was... AGONY.

My muscles seized. Brain screeched, first to the screaming I wish I could make... then static. With the long practice of daily pain, it took me far away. The click, click, click of keys. The sound of his voice, so terribly PLEASED, as I hung there and just TOOK it. No restraints, no strugging, no damaging myself. Just unbearable fire in my veins and a brain far, far away.

"Good girl~"

Distantly a phone rang. He made an annoyed sound, but picked up regardless.

"What. I'm in the middle of- ...Excuse me? I'm quite sure I did not hear you correctly. I said 'NO'. She's not-....I will NOT BE-...What. Are you out of your god damned MIND? That pile of scraps you call a project is coming NOWHERE near my-! ....you think you're clever, don't you?"

"Fine. You want to TALK? Let's TALK, Anderson. I'll be there in five."

From far away, past the pain, I watched him chance down at something at the screen. Back up to me. He hung up the phone but did not pause the program. Instead, calmly rising from his desk. Shrugging on his lab coat. Rounding the desk and striding towards my bio-tube.

"Hmmm, honestly, it should have been spaced out over a few more days... but you can take it. Endure a bit longer for me, would you, darling? Daddy's going to go deal with something for just a moment, he'll be right back, my perfect girl. Be good."

He leaned forward, pressing his forehead to my tank. One hand splayed next to it like he badly wished he could touch. Could stroke skin. Hold his creation close. It was not the first time he had done this. Small, covetous, little actions like he wanted to crawl inside my skin and STAY there. Like he cursed the glass that separated us.

He pulled back. Shifted to the side and kneeled. He... had hidden something behind my bio-pod? When? Apparently before I had become aware. Because I had not known about it. A black shoe box. I watched him open i-GUN. Thaaaat was a gun! Fuck. Well at least? By the time anyone thinks to look in on me? The overdose will probably have killed me?

There is a cold, terrible smile on his face as he rolls to his face. Tucking the gun into an inner pocket. It has a silencer. He leans forward one last time. Lightly kissing the glass of my pod, as though heading off to work and not to very obviously kill somebody. The pain continues. Builds. I watch him leave.

With nothing to anchor myself on... time blurs.

I think? There are alarms? Red lights flash. Then they stop. There is shouting at one point. But then silence. An explosion? Or am I hallucinating? Pain. My nerves are on fire. I don't want to have SKIN. Please... please make it STOP! Calm foot steps? Come to kill me? Please come to kill me. Make it STOP.

The lights died a... time? Ago? Emergency lights on now. Generators in the room are loud. Why can I still hear the feet? Footses? Words. H..hurts. please.

Click.

The pain eases to a stop. Aching but nothing new. Over? Oh, thank god. I can sleep now, right? But... sound? New. At my feet. Gurgling. Wha-? The very top of my head feels cold. Then my forehead. Then my temple's and ears, cheeks, jaw... wait. Is? Is the tube...DRAINING? I open my eyes.

When did I close them?

He's back.

Standing right in front of the tube. Blood staining the hem of his coat, lingering marks of his massacre cleaned but not quite scrubbed from his body. There are little off red stains on his cheek, from what must be blood splatter. They look like tiny freckles.

I'm... I can't...

I reach as the tube down my throat is pulled almost carelessly away by the machine. Choke, suffocate, as the same is done for my air tube. But then it's done... and I can BREATHE under my own power. Gasp and splutter, as the goo sloshes around my knees. Then it's gone. And the tube I've been leaning my weight against is roughly pulled away.

I collapse forward, my muscles having never actually supported me in this life.

Arms catch me. Wrapping me in a possessive hug. A hand immediately burying itself in long uncut hair, even as the other wraps itself around my torso to lean me against his body in a cradle. My face is pressed to his neck by the hand in my hair, cradling my head and neck. I can feel breath against the goo wet crown of my head.

"Finally~" he breaths out, whispering it against me like a sigh. "My beautiful, perfect girl. My darling creation. It took so LONG. Those retrobates interfering at every turn, lusting after you like ANIMALS, trying to keep you from me. Then, worst of all, trying to toss you to some pack of savages? Oh, darling~ Daddy's been so worried for you."

"But we'll be okay now, won't we? I finally have you. All fresh and finally finished. My perfect Eve. You can pick any name you want, of course. You and I will be leaving this ugly little place. Daddy has PLANS. A fresh new world, just for you, sweetheart."

He laughed, his hug tightening in a way that would have left bruises had I been a normal human. Kisses were pressed to my temple. A cheek, rubbed against my hair. He seemed... seemed GIDDY with it. That nothing could stop him now. There was no glass in his way. I could not move yet. My muscles twitched when I tried, but that was it. I wasn't even sure I could talk yet, if I tried.

"Aaah~♡ Welcome to the World, Darling. My Perfection. My Eve. This time no snakes or Adams to tarnish you. To get in your way. Just you and your Father~"

"FOREVER~♡"

Next: ->

[paperultra]

eye to eye.

Pairing: OPLA!Monkey D. Luffy x Reader Word Count: 781 words Warnings: None

He’s been staring for five minutes now.

Five minutes and thirty-three seconds, to be exact. Twenty-seven more seconds and it’ll be six minutes, and you don’t know if you can handle six minutes of him looking at you; everyone on this ship has fallen prey to those big brown eyes, and you are certainly no exception – how many times have you scraped off the last portion of your meal onto his plate, or let him trail after you and chatter away while you did inventory, or sat on the figurehead with him despite your fear of heights because of those eyes? The answer is more than once, and you know you’d do it again in a heartbeat as you finally look up from your newspaper.

“You need anything, Luffy?”

“Nope,” he says.

He continues to stare at you, that achingly wide, sunny grin on his face. You blink. He does too.

“Are you sure?”

“Yep.”

“... Well,” you say slowly, more befuddled as the seconds tick by – surely, it’s now been over six minutes – “do you want something?”

(There is always a ninety-two percent chance that Luffy wants something, concrete or not. Seventy percent of the time it is concrete, and the thing he wants is food.)

Luffy shakes his head. He props his elbows onto his knees and rests his chin in his hands, and you swear you see his eyes sparkle underneath the tattered brim of his straw hat.

“I just like looking at your face,” he chirps.

The force of those few words is enough to stop your heart in your chest. It stutters in place, then starts again, jumping with glee.

“H-Huh?”

“I like looking at your face,” he repeats as if you didn’t hear it the first time.

You lick your lips, grappling for something to say in response to such a strange answer. “It’s … it’s not much to look at,” you finally say, curling up out of habit. “There’re better faces out there.”

“But I want to look at yours.” Luffy jabs a finger towards you. You shrink back a bit, cheeks beginning to warm. “And there’s lots to look at, like your nose and eyes and stuff.”

You wonder if you should take that as a compliment. But Luffy doesn't do compliments; he only does the truth, and maybe that makes what he’s said infinitely more valuable.

"Thanks for noticing," you reply, awkward but fond. He nods happily, and you find yourself adding, "I like looking at your face too."

It's not a lie, nor an attempt to return the favor. You do like looking at Luffy's face. You like the wild, coal-black curls framing it, the perpetually goofy smile, the scar, the eyes that turn into dark honey in the sunlight. The eyes that look back at you and promise freedom and joy and everything good the world has to offer.

"You do?" He sounds very pleased and scoots closer. "That's great! We can look at each other."

"Won't that get boring after a while?"

"If it does, we can go and eat something."

You snort, face now very hot as you move to sit cross-legged. "You're funny, Luffy."

And so you look at Luffy, and Luffy looks at you, knees touching and the room still with a few rare seconds of contemplative silence. A few seconds, because that is all you can take before you dissolve into giggles, half flustered and half entertained. (This is how you often are around him nowadays.)

It isn't long before Luffy joins you, and the two of you end up lying on the floor, cackling until you're out of breath.

"Ahhh! That was fun," Luffy gasps once he can speak coherently again. "Now let's get something to eat!"

"You're bored already?" you ask in between gulps of air.

"No, but I'm hungry." With a grunt, he rolls back and catapults himself onto his feet, then picks you up and sets you down to stand before tugging on your arm. "Let's ask Sanji to make us a snack."

You nod, and soon enough, the floor of the Going Merry thrums with the sound of two scruffy pairs of shoes running over it, laughter bouncing off the walls as Luffy's hand grips yours. It's the same way he holds your heart, tightly but kindly. You squeeze back.

Three words balance on the tip of your tongue. You swallow them.

One day, you think. One day, he will look at you like he did today, and you will tell him how much a person like him means to a person like you.

But right now, you're going to ask Sanji to make you and Luffy something to eat.

[weremerricat]

they are lesbians

[urfavcrime]

dsmp is still SO insane to me. still not completely convinced it wasn't a social experiment. it is something that can never be replicated again due to the really specific circumstances that attributed to it's creation and popularity

[clowningaroundmars]

i still just... *clenches fist* CANNOT GET OVER how good of friends mike and chuck are like it makes me weep sometimes just remembering it you guys 😭

they're always there to support each other, and always have each other's backs... but most importantly-- they got each other even when they're slipping

chuck was the 1st character ever to question mike's leadership and battle plans in the very 2nd ep. wellll unless you don't count dutch's disapproval of mike's plan in ep 1, but that was more pushback than an actual fullblown argument

mike was acting rashly, not thinking out his plan to use the core's power to defeat kane's hounds, and chuck rightfully bickered with him abt it for like 2 precious minutes while their base was being surrounded

and he succeeded! mike did take the power core, but he didn't end up detonating it in the end even tho he wanted to! bc chuck's words affected him, saving motorcity-- and possibly the entirety of michigan as well

and on the flip side, chuck's insecurities get the best of him most times. this was especially devastating to mike in "fearless", and it all culminated in this big final fight they had where chuck almost killed mike

but they ended up reconciling, bc mike KNEW what was eating away at chuck and confronted him abt it. his words to chuck were "being brave isn't abt not being scared, it's abt waking up everyday and doing what you do anyways despite it"

which is very true! chuck was sick and tired of being the butt of the jokes, the scaredy-cat, the coward. but mike cut thru all that bullshit and in one fell swoop, chuck was removing his booster and he was comfortable facing the kane grunts to deactivate the KMG before it killed all of the cablers.

mike recognized chuck's insecurity and got thru to him with the cold hard truth-- chuck was already brave, even if he was screaming thru the majority of their missions lol

one day i hope to be in a friendship like chuck and mike's, but until then i'm just sitting here admiring them like a goober :')

[potato-lord-but-not]

I offer to you the ship of Roland Cummings, Delphine Cummings, and Charlie Dowd that has been absolutely rotting my brain and is ripe for Charlie angst. I talk about them a bit here in which I discuss multiple Charlie ships but I must spread the propaganda of them o7

Ohhhhhh despite not really being Roland/Noel girlie I can indeed see the appeal 👀