Today's useless teen wolf AU is everything is essentially the same except they live in Louisiana instead of California.
Stiles' dad is the sheriff of their parish, somewhere inoffensively middle-north like Rapides so they're surrounded by the national forest and still close to the Red River. It's a perfect place to hide a giant magic tree, for the record, and the bayou is no place for two teenagers to go stumbling around looking for a dead body. Best case you find it before the gators find you; worst case, your best friend gets his ass chomped by a rougarou.
Everyone knows the legends - the stories older siblings tell you with a lot less warning than your grandmother ever did - but they're just stories, right?
Except now that Stiles is really paying attention, there's way weirder stuff in the medicine cabinets at the vet clinic than you'd really need for dogs and cats and the bright blue paint on the outside of the building might be more than just an aesthetic choice for the doctor who always seems to know more than he's willing to tell.
When a family comes to town with their pretty daughter and French last name, Scott's already head-over-heels before Stiles can point out that there's bigger fish to fry. Lydia Martin is hosting the annual crawfish boil at her family's manor ("for charity," like they don't have their hands dirty from running a chain of river-boat casinos on the Red) and Scott needs to get his new claws in check if he's wants to steer clear of Argent. The hunter's been asking around in quick, clipped creole about all the recent rumors of black panther sightings, but Stiles knows that's not what he's really asking.
When the kanima starts wreaking on the town, Deaton sends Stiles to the graveyard to fetch a bag of dirt from his own mother's grave. He promises it will protect them and keep the kanima from escaping the rave, but only after Stiles accuses him of trying to use Claudia's memory in a curse. It works, but nothing else does, and Stiles has to break the line of goofer dust to let Isaac and Erica escape. He's definitely remembering that for the future.
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A lot of people are missing that this whole situation is basically Daemyra's midlife marriage crisis. Their honeymoon stage is over, shit hit the fan, things got real, things got heated, they had their first major fight, they split apart for some space (well Daemon did), and now they're seeking connection and support and intimacy from other people, because they're struggling terribly alone. Mysaria and Alys are those other people. However, the elephant in the room is that they desperately need to talk to each other and work out their problems, like everyone has been urging them to, but they've been avoiding doing so like it's the damn plague. They'd rather twist and untwist themselves into knots that admit they need each other. But make no mistake: they will reconcile, it's just going to take a minute.
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Sorry but am I the only one that thought that episode…sucked? Like it was straight up bad. Horrible pacing, no wrap up of all the random characters and plot lines they’ve thrown around all season (the tuskegee airmen, Westgates spying, literally all the guys beside like the main 4). (Seriously it makes me so mad that the three redtails got all of 5 seconds of screen time, almost no lines. Literally what was the point of introducing them other than to pretend the show was iNcLuSiVe) Even at the end of BoB and the Pacific you get a much better idea of what happened to all the remaining guys. In this they’re like what happened to DeMarco or Hambone or Brady or (insert character here) we don’t know! ¯\_(ツ)_/¯ The concentration camp scene felt shoehorned in compared to how it was done in BoB. Unless that actually happened to Rosie (which i haven’t heard anything about) but it was just like.. ok? It all felt so rushed and emotionless to me. Maybe I’ve just fallen out of love with MoTA but it’s been downhill for me since episode 6 or so.
i already made a little (read: long) post-finale write-up here, where i talk about the use of the tuskegee airmen, l'sandra, and overall editing/pacing issues i felt the show had. but i don't agree with the notion that adding the redtails was in any way insincere or trying to halfass being "iNcLuSiVe", i just think they suffer from this show's obvious time constraints. and to summarize what i wrote in my linked post, there's a limit to what white writers/directors/producers can do when creating a story about black people. there are some stories i'd feel uncomfortable with them telling on their own, truth be told. dee rees wasn't the sole nonwhite director, but she Was the only black one. i think she did her job well given the limitations and i appreciate that they let her direct those episodes, rather than leaving it up to a team of white people trying their best to tell a black story.
the worst i can say about the finale is that it didn't feel like That strong of finale, tho i wouldn't go as far to say it "sucked" or call it "straight up bad". i liked it plenty, it's just the weakest of the hbo war finales imo.
as for the concentration camp scene, artistic license was taken with both shows. unlike what's seen in the BoB, easy company wasn't the first to arrive at kaufering, and there's 0 mention of the all-japanese american 552nd who helped them liberate it). similarly, rosie rosenthal did assist in liberating those camps, though it would've been after the events shown this episode. idk if he saw one in that up-close way seen in this episode, but he could've (i should research this when i have time). plus, it would've felt weird Not having him acknowledge them at all. "shoe-horned" is an odd term to use here imo, as both scenes more-or-less center a jewish character (BoB's liebgott and MotA's rosie). the former show has survivors the characters can help, the latter shows no one left to help. the former has all of easy company there, the latter has rosie there all alone. rosie's scene felt deeply personal in that way. at the end of the day, both scenes are communicating different things. that doesn't make one better than the other when they aren't trying to be identical. (disclaimer, i'm not jewish, so i'd be interesting hearing from the perspective of someone who wrt whether or not they felt it was "shoe-horned")
i can understand if you've disliked the show post-episode 6 (and episode 6 was a very strong episode i'm ngl). eps 7 and 8 were weaker in many ways, even to me, so i get it. everyone's entitled to their own opinion (i'd be a hypocrite saying otherwise). just understand that this blog is run by someone who overall enjoys this show despite its flaws! basically, i encourage you to take this energy and make your own posts.
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I’ve got Beehive Gear station brain worms again, and Bee Elesa brings in SO much angst potential for this au and I am here for it. So here’s a mildly angsty blurb.
It was honestly just poor timing that Elesa “returned” to the hive while you had a belly full of eggs. You weren’t feeling that great about being so big and heavy to begin with, and having your Kings and Drones fawn over someone who would’ve been the Queen now were it not for the fact that the previous Queen was a complete sociopath, was NOT helping in the slightest. The hormones from the strange pseudo pregnancy were not helping either, and in fact only exacerbated your jealousy and feelings of low self esteem.
At the end of the day however, you were honestly more upset about the fact that you were even getting upset about this in the first place. It’s completely petty and unjustified, and you know it. Your Kings and Drones have never once given you any reason whatsoever to doubt their love and loyalty to you, and even now as you lay sulking in a blanket burrito and watching “The Real Housewives of Nimbasa City” in the dark, you don’t doubt any of them. So why on Earth were you getting so bent out of shape about this then??? No one has done anything wrong, yet here you are feeling like a bitter jealous cow. And you hate it. You hate it SO fucking much, and you don’t want to burden your poor hive OR Elesa with your petty sour grapes because they don’t deserve to subjected to that nonsense.
So instead, you stay curled around your belly and join the, admittedly bitchy, group of women on screen in reveling in the fact that the bitchiest woman in the group is currently making a complete fool of herself at a bachelorette party. No joke she’s about to get herself kicked off the yacht for her drunken bs, and at this point you’re just rooting for her to fall overboard before she can get kicked off because tbh, fuck her.
The Hive has obviously noticed your shift in mood though, and how you’ve taken to holing yourself up in your chambers and binging reality TV shows. However no one really knows what to do about it because you insist that you’re fine, and while you aren’t necessarily doing anything harmful or bad, something is very clearly bothering you but you’re refusing to talk to anyone about it. It’s making the Hive uneasy knowing that their Queen is upset about something, but they can’t figure out what it is and you won’t tell them either.
The Kings are especially distressed, they’re your Kings, your confidants! You’re supposed to be able to turn to them when something’s bothering you, yet you’re pushing even them away! This is completely abnormal behavior for you, and it has them worried about you and the eggs you carry.
Seeing her close friends and former Hive in distress, Elesa takes it upon herself to talk to you and try to find out what’s going on. You resist at first, insisting that you’re fine and just want to continue watching your shows. Until Elesa takes you by the hands and says “You don’t have to put on an act for me. I might only be a Princess, but I still know when a Queen is putting on a brave face to mask the hurt they feel deep down. I’m not going to make you talk about what’s bothering you, but if you need or want some support, I’m right here.”
Well that broke the dam, and now you’re openly bawling. Elesa doesn’t say anything, but holds you close and rubs your back in a soothing manner while you sob into her coat. After your initial sobbing dies down, you tearfully explain how insecure in your body and position you’ve been feeling lately. And how you feel so guilty for being Queen when it should’ve been Elesa in your place. You feel awful for even HAVING these feelings because by all accounts, your life is so perfect that you should have nothing to be upset about and you should be grateful for your current life.
Elesa comforts you through all of this, reassuring you that you’re a wonderful Queen who deserves to be where you are now and having these thoughts and feelings don’t make you a bad Queen. She does ask though why you kept this in for so long. You explain that you didn’t mean to but seeing how happy your Kings and Hive have been since she came back, you felt like it would be selfish of you to ruin that happiness with your negative thoughts and feelings by making everything about you. So it was easier to just withdraw and not voice how lonely and neglected you felt.
Elesa is still calm and reassuring to you, offering much needed comfort to you as she helps you get settled in for a nap. After that however, the shitstorm begins! Elesa storms out of your chambers and straight to the Kings (Insert the “menacing” Jojo meme), where after knocking them both upside the head, proceeds to give them the verbal buttchewing of a lifetime and she lays it on THICK; scolding them both for being so neglectful to their Queen, that she had to turn to a near stranger for emotional support!
“We didn’t know she was feeling so terrible, she never told us-“
“SHE IS YOUR QUEEN, YOU DONKEYS! SHE SHOULDN’T HAVE TO SPELL OUT EXACTLY WHAT SHE’S FEELING TO GET YOU TWO TO PAY ATTENTION TO HER! HELL, HAVE EITHER OF YOU EVEN BOTHERED TO VISIT HER TODAY??”
The Kings are mortified by the realization that they’ve been severely neglecting their poor Queen, and during a time when you’re at your most vulnerable no less! Their first instinct is to rush to you, to comfort you and beg for your forgiveness. But Elesa physically stops them, saying that you’re currently taking a much needed nap and that if they DARE wake you up, she will personally castrate them both. The Kings know well enough that Elesa isn’t one to make empty threats, so they back down and instead start working on putting together lavish little spa day of sorts for when you eventually wake up.
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thinking about the miravi first time (which is different and distinct from the miravi first time thats actually canon in my mind... i can give them as many first times as i want its my ship) where its one of the few times miranda is so awkward and flustered and how that matches aaravi's awkwardness and flustered state, and miranda knows that aaravi is having some trouble due to the whole... monster thing, so she offers to strip first and let aaravi touch her first. and it being very cute and sweet and awkward, only switching over into something with more passion and confidence right at the very end when theyve already had their dicks out for a good hour beforehand - almost certainly after aaravi cums inside miranda for the first time and realizes. OH. THE KNOT IS GOING TO BE AN ISSUE. and that she cant pull out afterwards and is just going to be stuck there for a bit. to which miranda's response is of course that this is no problem, gets aaravi to hold on so she can flip the both of them over so that shes on top of aaravi, and just goes ham rutting against her and making her cum over and over again with her internal textures and core muscles until they both pass out.
and then the morning afterwards, its the single best sleep aaravi's ever had, and her and miranda just kinda lay with each other in bed, kissing and being sweet and touching each other without going too far with it, and it's just cute and a fun time
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