#but can we know for sure until I do the analysis?
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deadendtracks · 3 days ago
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Thanks for your thoughts! I'll start off by saying these are just my interpretations, so I'm not particularly looking for agreement or disagreement, but I do enjoy discussion!
I can see how you might interpret "Sometimes my horses stand a chance of winning" as concern for what a revolutionary war might bring, but I'm not actually convinced that fits with his character. For me, that line is more bitchy than anything else.
My post wasn't an in depth analysis of the scene so I didn't cover everything I think about what's going on there and the dynamic. I definitely see that line as primarily bitchy! But it's also a response to Freddie's accusation. This line in particular isn't really about concern for what a revolutionary war might bring -- it's about calling Freddie out for what Tommy sees as duping the working class factory workers into a scheme that isn't going to succeed, and will get them less than if they'd just bet on horses. It's both bitchy and I think an honest reflection of Tommy's world view at that point -- he sees Communism as pointless.
Tommy doesn't see Freddie's communist revolution as a threat because he knows it won't happen in Britian. He's disillusioned and bitter and traumatised by WW1, yes, but I don't think we have enough evidence to say he stopped being communist because of it.
Yeah, I don't necessarily disagree with you here -- there are lines in s4 or s5 to Jessie Eden about how Britons differ from Russians that support this. But I'm not sure Tommy intellectually thinking it would never happen in Britain and Tommy's PTSD are always on the same page, and I do think his reactions in s5 and s6 support the idea that underneath it all he has a running fear of the war coming home. He might not think there's *much* of a chance of a Communist Revolution in Britain, but even a slight chance (and Freddie exacerbating that chance) might be enough.
If you don't think he stopped being communist because of the war, why do you think he stopped? Everything we have in canon talks about how he was a party member when Greta died, and then he went to war -- there doesn't seem to be a lot of time for him to have grown disillusioned with Communism in between.
The other lines that lead me to believe he *does* see danger in "revolution" is when he talks to Polly about Freddie wanting the guns, and the way he accuses Freddie of seducing Ada to get them.
In season 2 we get textual evidence from Ada that he's a bad landlord who, if he gets complaints, will deal with them via gang violence. These are not the actions of a man concerned with the plight of the working man.
I can see how you might have this reading from those lines, but at the same time, we *don't* have textual evidence he's a bad landlord, we have Ada making a lot of assumptions. We don't even have evidence he owns rental properties in s2 -- we only see him buy houses for Polly and Ada. If you look at the rest of what Ada says in that scene, it's about her perceptions of him more than anything he's actually shown doing, it's about her own issues with him and the family.
I also never said he was concerned with the plight of the working man post-war, because I really don't think he is until maybe s5-s6. He's not at all concerned, and s4 definitely underlines this. When I wrote about how he might perceive the working man as canon fodder, it wasn't about concern for their plight, it was about how he would see the power dynamic of any actual revolution (or even union organizing) and why he sees it as pointless and sees what Freddie is doing as giving false hope.
(Personally I think his communism fades roughly when the family business starts turning a profit. That's what happens to a lot of people who manage to make it out of poverty, but that's not the point of this post)
I'm not sure I'm following the timeline here -- do you think his communism fades after the start of season 1 then? Or some time between the end of the war and the start of season 1?
I do agree with you that a lot of Tommy's attitudes have to do with his perception that he's able to pull himself out of poverty (he's a real believer in those bootstraps at least until sometime before s6). Tommy's internalized class issues are a big topic that exceed this post so I won't try to get into them, but I absolutely agree with you that he has no feelings of solidarity for the working class for most of the show, and alot of that has to do with the fact that he's pulled his family out of poverty. I don't think that's the *only* factor, but it's a big one.
i think i've posted about this before but one of the sources of conflict between freddie and tommy in s1 is that tommy legitimately sees what freddie is doing as irresponsible and dangerous. freddie wants a revolution -- he talks about Tommy being violent, but what he wants is civil war in England, a Communist revolution. I think Tommy may have even thought that sounded reasonable before the war; now that he's lived through five years of actual war, he's absolutely opposed to violent revolution. like you can critique his politics and you'd be right, but i also think some of his reaction to Freddie is coming from a real place of experience. tommy would do anything to avoid actual war again, i think, especially the spectre of war at home, and gang violence is nowhere near the industrial horror he experienced in France.
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highladyluck · 2 years ago
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Someday I’m going to examine every instance of ‘like a little girl’ in the Crazy Ex-Girlfriend lyrics because it shows up *weirdly* often. Like multiple times in every season often.
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aroace-number-eight · 11 months ago
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Drawing Five according to his canonical UaO epilogue description is so messy and saddening because there's so much to account for that got him physically fucked up and you know the writers were hammering in this whole disfigurement as punishment thing with him
Because first you have the eye hole where Marina pierced him, and I'm not sure if he's still wearing that gauze eye patch on the island because eventually it'll get dirty and he'll have to toss it
Then you have the scar marks from when Setrákus Ra clawed right through his metal skin "like butter" and it's not mentioned whether those marks are still there or they disappeared when he returned to his flesh skin (and it's doubtful those were healed at all, we don't even know if Marina had a proper visit and talked to him and possibly healed those away)
Then you have the goop that created some patchy spots all over his skin and show up all web-like on him
And then how it's implied he starved on the island because he lost weight so fast and is described to have flaps of skin on his arms and torso and a body so skinny you could see an outline of his ribs and spine
Bro he has so much physical trauma on him, like they did the most on him and left it like that till the very end
#number five#not sure whether to put the main ll tag on this#don't wanna put it out there to see but a friend hasn't read ll yet and blocked the main tag for now#well i already told em about five so i think this is fine#hmmm rereading the epilogue and i wanna write an analysis on the justifications of harm without closure#on everyone toward five but especially marina#because she had the most personal reason to hate five but she never got any closure or chose to move on#and it left her character arc hanging because she never found a conclusion to her moral dilemma#how to handle five and what do with her grief if it's painful and no one can relate to her on an empathetic level#because she was the 'moral compass' yet flet that title fleeting her sometimes and didn't know how to process these changes#and then john literally whisked her away from that instead of helping or letting her find a conclusion#and we never hear from her again until the very end of the series without any answers#she was literally the only other person to question these moral changes and aspects and the writers took that from us#similarly to five and his questioning of lorien treating the garde and their lack of will or identity beyond child soldiers#both had the questions but no one heard an answer#if that's intended by the writers I don't buy it because those are really cruicial to the themes of the series and it sucks to leave it out#they just punished and humiliated and disfigured five again and again and again to an excessive degree#dude what that's a lot to throw on him
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eudikot · 1 year ago
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It's all coming together
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alltimefail · 2 months ago
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ATTENTION DEAD BOYS FANDOM:
We have some unfinished business and a case to solve: The Case of the Curious Cancellation! 💀🔎
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Here are the ways you can help (be sure to read until the end).
I'm not sure how many people here on Tumblr are also over on DBDA Twitter, but there have been MANY developments in the last 24 hours and it's important for all of us to be on the same page if we're going to have a chance in hell of saving our show.
First and foremost, we need to get Dead Boy Detectives in the Netflix Top 10 again. This means running it as much as possible. Read about that below:
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(SOURCE x)
As the graphic says, the goal is to have it running on a loop constantly, as much as you physically can. Be sure to have some level of volume on or else it won't count. If you're on Twitter be sure to post your rewatch (photos of your tv, commentary, etc.) with the hashtag #ReviveDeadBoyDetectives !!!
Also, there's no better time to do this: the Tweet below brings up a great point! 👍
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(SOURCE x)
Second, and easiest thing: KEEP TALKING ABOUT THE SHOW AND CREATING CONTENT ABOUT THE SHOW. Analysis, fics, fanart, shitposts, gif sets, memes, tik tok videos, so on - do not stop! Reblog other people's stuff and talk about it! Give fics kudos, comment, make fic rec lists and post that WIP or sketch! The most important thing to remember is to TAG YOUR POSTS AND CREATIONS. We need to trend!!! On Tumblr make sure you continue tagging your posts as you probably already are (look at my tags on this post if you need help, and remember not to use "DBD" on here because that is another fandom! We use DBDA here). On Twitter you want to use the hashtag #ReviveDeadBoyDetectives for the rewatch and #SaveDeadBoyDetectives is a popular one, too. You can also use #DeadBoyDetectives. Hell, I usually use all three if I can! Hashtag every post you make about Dead Boys, no matter how annoying or "cringe" you may feel. Flood the fucking tag and do not stop.
Third, everyone needs to sign and keep circulating the petition. We've surpassed 5,000 signatures in a day which is fantastic, but we need more. Get everyone you know to sign it; tell them it takes no more than 15 seconds. Be annoying until they do it just to shut you up.
Fourth, request "Dead Boy Detectives Season 2" through Netflix's support website. It's a small thing but if we all do this a couple times a day it will get their attention. They really do vet these suggestions, and an influx of requests for a canceled show will raise eyebrows.
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Lastly, if you decide to write Netflix (via email or a letter - their office address has been floating around) please remember to stay concise and professional. Don't curse at them, don't call names. State that you are disappointed with the cancellation of the show, maybe add an anecdote about what it meant to you, and I would even recommend attaching some articles that emphasize people's displeasure with the platform abandoning shows on a whim and Netflix's flippant attitude toward queer shows in particular. Dead Boy Detective Agency on Twitter has retweeted every article on this topic so far, you can find their page here.
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You can also use graphics such as the ones below to affirm that the cancellation was unjust.
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(Source 1, Source 2)
I know this feels like a lot: know your limits and take care of yourself. Whether you do every single one of these things or just a few of these things, every llittle bit helps!
Even in the worst case scenario where nothing changes, this gesture will mean so much to everyone who made this show. We owe it to the writers, cast, crew, and each other to TRY. We can all agree that this show deserves at least another season and if Netflix isn't going to do it, they need to be open to selling it to someone who will. We cannot keep allowing them to axe these queer and diverse shows with little regard for their customers and their employees, but also because it sets a harmful standard in the industry that is destroying television.
Let's crack this case and bring our agency back! I truly believe in this community!! 💜 We can do this!!
If there are any spelling errors or issues with links let me know! I did this on mobile because I want to mobilize this information as quickly as possible! I'll be adding on to this with new developments and can answer any questions you all might have. Lets save our show!
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mntalbrakdown · 1 year ago
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doin’ time - C. Fisher
masterlist!
mentions of: cussing, makeouts, smut… 18+ MDNI. fem receiving (fingering), cum play, piv unprotected (wrap b4 u tap)
synopsis: at the empty house party you play a quick game of cat and mouse with conrad
wc: 3.5k
a/n: i haven’t proofread this yet
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gif from @thatonekimgirl
the purple pink and blue strobe lights that Conrad, Belly, and Jeremiah bought at Paty City made you look like you were glowing. the party was 70's theme and you were dressed in a lime green mini dress with gogo boots, you teased your hair to have a bump paired with a white headband. you had a graphic black liner and you felt beautiful. you were with Cam at the dj booth. you and Cam have always been close, you guys were touchy, but you never liked him, nor did he to you. in fact he told you about his feelings for Skye which you applauded to because you wanted him to be happy.
"can you guys play" Jumper the one who allowed Belly to buy the liquor started his sentence. which was cut off when Skye pointed at the "fuck the requests" sign they made
"sorry the sign speaks" you say sitting next to Cam at a random table
"but" Jumper continues
"respect the playlist" Cam cuts Jumper off with that he walks away from his attempt
"Steven curated this playlist with great intent" Skye says making it sound like a great medicine that could cure all diseases
"to make boys get bitches" you say jokingly which was true you saw four guys within 30 minutes pull a girl upstairs
"rest in peace to their backs" Cam jokes since there were no beds in the house to have sex comfortably with
"so how are you and Conrad" Skye asks you
"what do you mean" it was out of the blue, you didn't know what they were talking about
"y/n you can't be that clueless" Cam pokes at you making you squirm
"i seriously don't know what your guys' game is right now" you say searching their eyes
"he so very obviously likes you" Skye says
"you have some nerve Skye" you say mocking them since they are also in a similar situation with Cam
"what does that mean" Cam asks
"nothing" Skye and you say in unison
"all im saying is that man is smitten with you" Skye says making Cam nod his head in agreement
"yeah right since when" you say taking a sip from your coke
"since you and I got close last summer, he got really stiff and would clench his jaw when we would hold each others hand or even when i had my hand around your waist, his whole mood would switch" Cam says pointing all the times Conrad has been tense
"all those times Belly would walk into the room" you rebuttal Cam’s so very wrong analysis.
"ehhh wrong" both Cam and Skye said in the same time making you laugh at how alike they are
"i've ran tests and experiments, that man always sits next to you and looks for your vote in a decision," Skye says
"fuck you both" you say flipping them off
"time and place" Cam says at lightning speed
"i don't want to get scoliosis" you mock the previous joke you said before
"don't think that's how it works" Skye retorts but nonetheless they laughed as well
"hey y/n let's get a picture" Steven says pulling you away from the two others as Conrad was hiding behind him
"yeah sure" you say hopping off the table saying you'll be right back to the others
as you were following the two boys through the groups of sweaty highlighter bodies you were almost lost and by each step the gap between you and Conrad grew bigger. he looked right behind and saw what was happening. he extended his hand out so the gap would close and you grabbed on. you walked until you were at the bottoms steps of the staircase. surprisingly there was nobody there
"ok stand right there" Steven says as he was looking through the polaroid lens
"did you set this up" you whisper in Conrad's ears as you tiptoe
"no" he says flustered
"he's lying" Steven says making you shocked by his good hearing
"good" you say as you smile wide for the camera as you try your hardest to give Conrad bunny ears. you wait for the flash but Steven takes his time. you could feel Conrad's eyes on you. as well as his arm snake around your waist. were they right? did Conrad really like you? as you get out of your own head you finally get the bright white flash from the camera making this go by faster
"let me see" Conrad says as if he was out of his spell and going over to Steven to see the photo, but the thing about Polaroids is that you have to wait a moment to see the photo develop
"stay with me" Conrad says grabbing you by the waist to take you to the bottom of the stairs and sit
"ok" it wasn't like he asked you to stay it was a demand and you weren't mad about it
"I'm going to find Taylor" Steven says as he walks away
"wear a condom" you scream
"fuck off" Steven screams back
"so how are you and Cam" Conrad asks through gritted teeth
"he's good, going to see if Skye already asks him out" you say trying to slide the fact that you and Cam aren't dating
"oh, I thought you two were a thing" Conrad says trying his hardest to bite back his smile
"no, we're just really close" you say meeting his blue eyes that were now dark with a glint in his eye
"cool" he says not knowing what else to say
"cooool" you say not knowing how to carry the conversation
"yeah" was the only thing muttered from Conrad
"why cool" you say trying to see his thought process
"cool in the fact i spent all of last summer wasting my time with Nicole, no offense to her she's cool, just wanted to talk to you" he says searching your eyes to see if he struck a nerve
"you're cute, dumb and oblivious, but cute" you say as your hand goes to his hair and push it to his ear, making him almost pur to your touch
"i'm the oblivious one" he says in a confused and questionable way
"yes, I'm the one talking to you" you say in the same tone
"you clearly never looked my way" he says pointing at your chest
"bullshit" you say leaning against the railing
"everyone else picked up on it" Conrad says
"ok fine, i was the oblivious one" you say surrounding "give me the photo" you say as enough time has passed so it would be devloped
"what would you give me if i do" Conrad whispered lustfully which caught you off guard
"pfft nothing" you says as you extend your arm to get the photo from his other side
"than no" he says grabbing the photo and extending his arm backwards so you couldn't reach it
"fuck your long arms" you say climbing over his lap and trying to grab the photo which made your boobs hit his face making him kiss them "oh shit my bad" you say retracting back to your previous seat
"no" Conrad says wrapping his arms around your waist to keep you on his lap
"oh" you say as you see Conrad lean in for a kiss and you go in, letting all your muscles relax and allow you to really enjoy this kiss, both your hands on each side of Conrad's face as his are trained on your waist and tangled in your hair
"i really like you" he says pulling away from the kiss to look up at your face seeing how swollen your lips have already gotten
"good, because i like you too" you say smiling at the fact some of your pink lipgloss got on his lips "let me see the photo" you says looking deep into Conrad's eyes as he hands the photo to you
it was you the highest you could possibly go on your tiptoes to give Conrad the bunny ears, but even than you could barely see your fingers. your face was looking straight at the camera with the most derpiest smile you could plaster on. he on the other hand was looking deep into you, he wanted to savor the moment of how you looked while someone takes a picture of you, no one ever does that, their main priority was to look at the lens. and even now as you look deep into the photo and analyze it. Conrad is looking at you seeing how you take something as small as a picture and critique it
"why are you looking at me in this" you say flipping the photo to him
"i don't know" he says, but he was obvlously lying, you could tell he was lying when he says those three words
"you're a liar" you say as you go in for a quick kiss which makes Conrad excited, but you quickly pull away
"booo" he says like a seven year
"not until you tell me the truth" you say looking deep into his eyes as he eyes your lips to make sure he catches everything over the loud music and also because he wants to continue kissing you
"i never get to be that close to you and i really liked you and thought you were dating Cam so I had to take advantage of my time with you" he blurts everything out ready to kiss you again
"awe" you say clapping both of your hands to your face making Conrad pull you into a kiss by grabbing you by the back of your head
"get a fucking room" Jeremiah says to the both of you
"we'll take yours asshole" Conrad says jokingly
"ewww gross" he says walking down the hall
"do you want to" Conrad says trying not to push anything, but he did really want you, but he wouldn't say anything because he didn't want to sway your vote
"umm sure" you say putting a piece of hair behind your ear
“here follow me” Conrad says as he carrie’s you off his lap so you could stand and than he got up.
he grabbed your hand in his and led you up the stairs. you were close with Belly so you knew enough about the house layout. but it was all empty now so it felt odd and anything but a home. it was just a house now. his room was empty. you tried to picture having a good comfortable time but you couldn’t. he could see the expression all written on your face.
“we could use a floaty” he says scratching the back of his head
“and pop it” you laugh thinking of the idea of doing it only to pop it in the middle of it
“i want it to be nice” he says trying not to have just a hookup. he really liked you. he wanted this night to be special. he finally got his girl
“it could be nice another day, hooking up at a party is already so unclassy” you say pulling him for a kiss
“ok but than where” he says in between your kiss
“what about the bathroom” it was the only place that could be remotely nice
“ok follow me” he says kissing you once last time on your gore head, lips, and lastly neck
Conrad grabbed your hand and took you down the hall to the bathroom. surprising it wasn’t busy. when you opened the door Conrad immediately locked the door. after he instantly cornered you at a wall so you couldn’t leave him. which you weren’t planning on it either way
“hey” Conrad said leaning his forehead on yours
“hi” you say leaning in to kiss him. leaned in for a kiss. it was deep and passionate. you felt yourself relax. your shoulders fell down as your hands followed his face to his jaw and let them stay there. as Conrad was deepening the kiss you let out a slight moan. it was music to Conrad’s ears. he wanted to hear more. he was hungry to hear more.
“i need you” Conrad pulls away from you with blissed out eyes
“fuck- me too” you say as Conrad picks you up and sits you at the sink
he lifted your dress up to reveal your dark red laced thong. he felt himself snap. he needed you. he needed to be inside you.
as he pulled the thong all the way down. “god you’re so wet” he puts the red lace in his pocket for ��safe keeping’
he licked his two fingers as lubricant and started to finger you. you followed his fingers as they disappeared and reappeared. sucking on your bottom lip to not draw attention to the bathroom. even though no one could hear you over the loud music.
“look at me when i’m fucking you” Conrad demanded. he wanted to see how your face contoured at his actions. making him feel good inside
if he could he would do this to you all day. he’s been dreaming about this ever since he could remember. he continued with his action. adding fingers as he goes. as he did you gasped into his forearm almost drawing blood with your red nails. Conrad was circling your clit with his other hand to speed the processes up. he needed you.
“Conrad” you whispered lowly and it snapped. Conrad and you. with the white liquid falling down his hand.
“god i need you” as he licks his fingers clean and leaning down to kiss you, tasting yourself
“you’re all i need” you say with fucked out eyes
Conrad unbuttoned his pants, dropping everything with it. making you take his shirt off. leaving him exposed. you opened your legs wider for him.
“fuck” Conrad leans in to kiss you biting your bottom lip as he pulls away “i don’t have a condom” he says flatly
“it’s fine, i’m on the pill” you say as you get the cum spilling from you and rubbing it on Conrad to lubricat him.
“i need to feel you” Conrad says desperately as he pushes inside you. kissing you to hide your moans.
he was huge. you don’t know what you were expecting but he was stretching you in the best way possible. the whole time knowing Conrad you never ever thought about his size. as he entered inside you, you leaned against the mirror and exposing your neck. moaning loudly to the way Conrad is making you feel giving him a confidence boost. as he continued his actions you would look down because you liked the view and every time Conrad lifted your head to see him. and when he did you moaned because he was the one fucking your cunt.
“let me hear you” Conrad whispered in your ear
“fuck Connie” you say grabbing Conrad and making out with him
something about you being fucked in retro clothes. and how Conrad liked the dress because he could see your boobs which allowed him to leave hickeys down your chest as a manrepelent. that he is the one for you and only you. you tugged on his hair to make him moan, which led to him kissing you deeply, hitting a new spot
“y/n you need to take a picture with me and Taylor” Belly says loudly through the door
“mm- yeah on it just doing some-e touch ups” you struggle to speak because Conrad just kept going deeper and circling your clit trying to make you mess up
as you heard the steps walk away you let out a loud moan which you weren’t expecting. the white substance running down your legs as Conrad just looks amazed at you.
“that was so hot” Conrad says hiding his face into your neck leaving new hickeys to decorate your body in the morning “turn around” Conrad demanded
“but-“
“please it’ll be quick”
and so you did. you didn’t know why but you trusted him with everything you had inside of you. maybe because you knew him amongst all your life, but either way he was making you feel so good today.
he turned you around so your face was looking at the mirror. it was fogged up from the steam coming from the both of you. Conrad aligned himself again going deeper and faster keeping the same pace he liked how your face would come close to the mirror almost hitting it. your eyes were watering and you were trying not to let them stream and ruin your makeup, but he just kept going
your hair was all sorts of tangled. your eyeliner and masacra running and your lipstick was smudged. your boobs were spilling out from the top of the dress as Conrad kept pounding inside of you.
“you look so fucking hot” Conrad says looking at you from the mirror
“yeah” you say half moan half question
“fuck yeah” Conrad affirmed
“take a picture” you say grabbing his phone from the counter and putting it on selfie mode. letting both you and Conrad in the photo as you but your lip and he concentrates on making you feel good
“fuck that was hot” he says as you put it in his hidden photos
you would look at his face from the mirror he was so focused on pleasuring you. and than another moment he would make eye contact with you through the mirror. his naked body heaving from the lost of air.
he leaned down to where your ear was nibbling at it and licking it to add more stimulus and make you come which was successful. you grasped into the sink so hard that you thought you would break it and moaned so loud that Conrad made you face him and kiss him to suppress the noise. because even though he liked hearing you, that was loud enough to hear over the music and didn’t want to stop the fun
“Conrad-” you say clenching on Conrad’s shaft
your stomach was tightening for the third time this night. you felt your body come to a stop, everything inside you started to tighten. you were sure your mascara was running
Fuck, fuck, fuck,” you ramble. He speeds his movements, knowing you’re close
“You’re so beautiful.” he thought. The way your head is titled back, your mouth wide open. He loves the way your eyes were screwed shut in pleasure. He couldn’t help but smile, not being able to stop admiring you.
He watches your face as you unravel, feeling him come close behind. “Ohmygod, fuck. Conrad, please,” you begin to pull away from him and look forward, the overstimulation almost painful. you came so hard tipping Conrad over the edge and following behind.
as he pulls out you felt the cold air hit you and you arched your back, Conrad looks at the sight and wishes he could take a picture. he uses his fingers to push the cum in.
“what are you doing” you ask standing straight but losing your balance
“i want you to walk around with my cum inside you” Conrad says leaning in to kiss you
“you’re so annoying” you say turning around to the fogged you mirror and cleaning it with your hand. fixing your eyes and smudged lips.
“i’m keeping these” Conrad pulls your underwear from his pocket
“no!” you yelp running to grab them but breaking your ankles
“did i do i that” Conrad asks at your lose of walking skills
“shut up” you say walking slowly to the door and walking away struggling
“two new photos today” he says referring back to the polaroid and the explicit version
“only for you” you say fixing your dress down your body as you take your shoes off to be able to walk a little better
“what now” Conrad asked
“i’m tired let me lay with you” you say wrapping your arms around his neck to kiss you
“ok” he says with a polite smile
you didn’t really understand how he could destroy you one moment and than the nicest person in the world. a person who would want to give you the world. and you enjoyed it. it kept you on your toes.
you quickly run to his room to make sure one one else could see your state of fucked up appearance. but your plan failed as Conrad quickly swooped you taking you in for a quick kiss making you smile.
“i have some extra clothes if you want” he asks pulling them out to you
“ooo give me” you say changing quickly in the corner of his room
“you’re funny” he says laughing laying down on his blanket and pillow
“what why” you say putting the shirt over your head and walking back to him
“you were all about yourself a second ago and than now you’re all shy” he says poking you
“oh shut up” you say moving your body so your back faced him
“make me” he says towering over your face so he could be kissed by you
a/n: i take requests!
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himegureisu · 3 months ago
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calls pt.2
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Author's Note: I present to you all part two.
< calls pt. 1
“Where are you?”
His voice in short huffs came through the speaker as soon as he answered your call. In a haze, a medic brought you to the side and wrapped a blanket around your shoulders. Your body trembled in response to the situation you’d been in.
“Just give me a location, baby,” he pleaded, eyes scanning the crowd for your physique, “I’m already here. I’ll come get you,”
“Outside the entrance, by the shrubbery,” you breathed out, barely could hold the tears in, and cracked, “Aaron, I need you,”
“I know, baby, I’m on my way,”
His movements rushed through the crowd almost frantic as you started to cry on the other side of the line. Your short breaths and hiccups increased but the moment strong familiar muscular arms picked you up from the curb the incoming panic attack subsided.
“You’re okay,” he whispered, arms tight around you. His scent and presence were the calm after the storm, “You’re okay. I’m here,”
“I was so scared,” you cried. His shirt was drenched in your tears as his started to fall upon the sight of you unharmed, “I forgot everything you told me. I’m sorry,”
“What matters is that you’re here in one piece, okay?” he stripped himself of his jacket, placed it on your shoulders, and handed over the blanket to the nearest EMT, “We can go home when you’re ready,”
In front of you, he knelt and wiped your tears as you gathered yourself together. Just waiting. Once you could breathe normally, you tiredly leaned against his chest, the steady beat of his heart calming you amidst the chaos.
“I love you,” you whispered, and he sighed, placing a small kiss on your forehead, “I love you too,”
“Let’s go home,” you said softly, he nodded and supported you as you made a move to stand, “Let’s go home,”
------------------——— 🔎------------------------—
In the morning tangled between the sheets, he’d laid on top of you. Your steady heartbeat was a balm for his frayed nerves but neither of you was able to sleep until the dawn broke out the horizon.
This tranquility broken in just an hour when his phone rang.
“Should I answer your phone?” you asked. His deep sleep-addled voice rumbled a barely coherent response but affirmed that you could, “Okay,”
“Aaron Hotchner’s phone. This is …” you introduced yourself.
There was a period of silence before a series of excitable giggles, squeals, and gasps came over. They take a deep breath and compose themselves before speaking to you.
“Good morning. We’re sorry to disturb you, but I’m Agent Jennifer Jareau from his team, the Behavioral Analysis Unit,” JJ politely greeted, as Penelope contained her squeals. We know that Hotch left for an emergency, but is there any chance you could convince him to come to follow us on our new case? We need his insight.”
“Oh, I’ll make sure to pass on the message,” you gently stroked his hair, faint snores escaped his lips as he slept soundly, “We had a rough night so I make no promises when or if he’ll come in,”
“That’s okay and we’re sorry for disturbing you,” JJ answered gratefully, as Morgan shushed Penelope and you assured them, “It’s okay he’ll call you for updates later,”
“Thank you. It was good talking to you.” JJ smiled, and unconsciously you did as well, “You too,”
------------------——— 🔎------------------------—
“Are you coming home in time for dinner?”
His smile made its’ appearance the moment he could hear the sizzle of the pan. Those awake in the cabin, namely Emily and Reid, horribly feigned disinterest in the conversation.
“For once, I will, yes,” he answered, staring at the passing clouds outside the window, “What’s cooking?”
“Your favorite for a job well done,” your smiles bloom. His dimples showed and a light tinge on his cheeks had Emily nudging JJ awake, “And me for dessert,”
He sighed.
“Baby, don’t do that to me,” he whispered, why were you such a tease? “I’ll see you soon, okay?”
“Okay, I’ll be waiting,”
Tags Requested: @aaronhotchnersworld, @burningsongtimemachine, @lillisummers @charmedkim @acn128 @kodzukenie333 @wittygutsy @saint-marvel
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whatudowhennooneseesyou · 3 months ago
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Could you Possibly do a Red and Green Flags or a NSFW analysis for Mingyu of SVT, Whichever you’d rather do if possible, Thank you
𝐊𝐢𝐦 𝐌𝐢𝐧𝐠𝐲𝐮 𝐍𝐚𝐭𝐚𝐥 𝐂𝐡𝐚𝐫𝐭 𝐀𝐧𝐚𝐥𝐲𝐬𝐢𝐬 𝟏𝟖+ (𝐋𝐨𝐯𝐞 𝐚𝐧𝐝 𝐑𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐅𝐨𝐜𝐮𝐬𝐞𝐝)
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Word Count: 2.5 K (circa)
Disclaimer: This analysis is for entertainment purposes only and should NOT be taken seriously or in a professional manner.
Methodology: Traditional astrology and Whole sign house analysis.
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Placements:
Aries Sun (11th House)
Pisces Moon (10th House)
Gemini Rising (Mercury Ruled)
Taurus Mercury (12th House)
Aries Venus (11th House)
Virgo Mars (Retrograde 4th House)
Fuckboi Rating: 4/10
Mingyu's Aries stellium indicates he THINKS he can have sex w/o feelings and be okay with it but his Pisces Moon betrays him every time and this leads to things being MESSY!!!
His 12th House Mercury can inhibit his communication style and therefore he might be the type to keep avoiding the issue and procrastinating speaking about his feelings until he's too far into the connection.
So, his energy is not giving me fuckboi but definitely the type to pursue fwb's/situationships and then it goes horrifically wrong.
Red & Green Flags:
Red:
The 12th House Mercury is going to be a nightmare to work with as a partner because you know that scene in The Notebook where Noah is like 'what do you want? WANT DO YOU WANT?'
That's what it's going to be like with Mingyu- an indecisive mofo who cannot reveal his feelings until he's practically pushed into a corner and you're having to force it out of him.
Definitely embodies the 'one that got away' trope as he confesses his feelings when it's too late because he's too busy overthinking in his head.
An emotionally sensitive teddy bear who gets upset and dramatic over any minor issue (which is cute in my mind but I need help...).
Green:
I'm an Aries and I'm constantly defending Aries placements because we get such SHIT but he has an Aries Sun conjunct Venus which is a beautiful placement imo because his whole desire as a partner is for you to love yourself as much as he loves you.
Being in a relationship with him would be an especially healing one because he would encourage you to heal and nurture yourself with him as a supportive partner.
His Pisces Moon encourages him to be super empathetic and even have psychic abilities as a partner and he has high intuition- he would probably know what got you upset before you do.
Service oriented and a provider, I'll include this with every person who's a Virgo Mars but they truly enjoy pleasing their partner because that's what helps them feel fulfilled as a boyfriend.
Ideal Type...If He's Into Women:
Physical Traits:
Venus in Aries is interesting because they don't tend to have a specific 'physical' type but more so are drawn to energy/vibes so his type physically is all over the place.
This man is so wattpad coded omg it makes me cringe so hard but I've noticed men with an Aries Venus are attracted to girls who can rock the baggy clothing/messy bun duo- particularly with his known love for his height omg if you look hot with his clothes on!!! He'll have his hands all over you all the time.
The 4th House Mars indicates he would love a woman on the 'curvier' side and is a total peaches man for sure.
Honestly, if I'm to be blatant, I feel like Mingyu would love a short, curvy, plus-size, voluptuous whatever term you desire partner that can wear his clothes and be constantly excited whenever you see him.
The ultimate golden retriever x sunshine gf energy.
Personality Traits:
Aries Venus= humour and mischief! He wants a partner who's spontaneous, loud and sociable. The type to not take things too seriously.
Honestly, with that 5th house in Libra- he really would be attracted to the manic pixie energy type and be interested in someone who's 'quirky' and 'not like the other girls'.
The easiest way I can describe this energy is think of 2010-2018 Tumblr energy when John Green novels were at their peak in fame, the whimsical, adventurous, free-spirited type (I love and hate it at the same time).
Domestic, homely and orderly- he doesn't need a partner who's a neat freak but can clean up after themselves and doesn't need to be told or reminded constantly to do so.
Dom, Sub or Switch:
His Pisces Moon and Virgo Mars gives him a lot of flexibility with power dynamics and makes him a strong switch with dominant preference.
Mingyu is a gentle giant but he is a GIANT however and needs to feel like he is one to feel satisfied in his manhood, he doesn't care if you're the more decisive partner as long as he decides how to pleasure you in the bedroom.
He is an Aries stellium after all and the heavy Mars energy signifies he has a high drive and does still need to prove himself and show off just how hard he can have you trembling underneath him.
As a dominant, he's definitely more a pleasure-oriented soft dominant, he does love a challenge and to be teased but he's a service dom through and through.
Kinks...Just A Few Of Them:
Breeding/Pregnancy:
The 4th House is ruled by Cancer and represents domesticity and home life and I'm sure he's mentioned wanting children in the future because oh my lawdd- this is how he enjoys staking his claim.
He wants to see you full and swollen with his child, he wants to pump you full with his cum and see if it sticks because that's his way of gently claiming you and reminding you that you're his.
'My god you're a glowing sweetheart, you look so beautiful filled with me, I just want to lay you down and give you another baby'.
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Nipple Play/Lactation/Anything Boobies
The 4th House influence means Mingyu is a peach and cherries man which does go hand in hand with his breeding/pregnancy kink because anything with your tatas would drive him crazy.
So yeah, I do think he would prefer someone with a big bosom that he can bury his face and leave little marks and kisses all over your chest.
If you were pregnant or breastfeeding, I'm sure he'd love to clean your milk off with his tongue and I think if he were to enter into a submissive state, he would be the type to just fall asleep and feel completely ease with your nipple in his mouth.
'You're so soft and you smell so nice, just let me keep my face here for awhile mmmh?? I'll be good, this is my comfort zone'.
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Taglist: @scuzmunkie @marievllr-abg @umbralhelwolf @starsareseen @lino-jagiyaa @mischiefsmind @mrcarrots @junieshohoho @gyuhanniescarat @partywithgyu @whatsk-poppinhomies @hologramhoneymoon @staytinyinmybpack @necessiteez @wooyoungmybelovedhusband @berryberrytan @laylasbunbunny @bangchanbabygirlx @i-love-ateez @anyamaris @krishastumblernow @hexheathen @michel-angelhoe @northerngalxy @justaaveragereader @ja3hwa @silentreaderthings @daddysspecialdollyworld @abby-grace @wisejudgedragonhairdo @smilefordongil @writhingwrecked @hongthoven
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gin-juice-tonic · 3 months ago
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So, for Starters: Book Of Bill Spoilers warning. Another opinion from me below. (Here's my first opinion I shared, if you havent seen it) This new one is about the lost journal pages again, of course.
Originally, I wanted to make a super big crazy essay about all the reasons I think the journal pages in BOB (The Book of Bill’s given name) are fake, and show off my super-cool totally completely sound deductive reasoning techniques in the process.  
Unfortunately, knowing myself I’m not sure I’m actually capable of accomplishing such a feat. You all know how I tend to post things in parts, sometimes out of order, often never finished. However I would like to share something in particular that’s been eating at me that I’ve seen… partially discussed, but only partially. And certainly not the part that I would like to discuss. 
It’s about the rats.
You know, the rats.
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I saw these rats being talked about since before I was even able to have a look at the book myself. 
But before I get further into it all, I would like to start off with a joke: 
Why did dead rats, eggnog, a land orca, shrimp colors, It’s a Small World After All, and an Anti-Cipherite Suit cross the road? 
Well, that’s easy. To get to the other side. 
Of the book, that is. 
If you’re anything like me, you probably skipped right to the journal pages upon contact with the book. And if you’re even MORE like me, you were probably left a little confounded by them. Not only did they seem… wrong somehow. But they also felt random. Full of odd choices of subject that didn’t make a lot of sense. Could these pages really have come from journal 3? If so, why do parts of them feel so… completely out of context? 
And this is where the rats come in. As I mentioned before, I saw many people discussing them. In particular, they were noting their connection to this passage from earlier in the book:
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Many of the related discussions also felt odd to me. Though I lacked the knowledge to be able to articulate why at the time. UNTIL, I read the book for myself from start to finish. That's when I realized something:  This is not the only time something from earlier in the book connects back to the journal pages. In fact, it happens many, many times throughout the earlier passages. (Here is a small collection of them for your perusal.)
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And then it started clicking into place. The reasons the pages felt like they were so abnormally out of context… is because they WERE lacking context!
Now, before you can finish saying “Gin, you’re an idiot.” I would like you to ponder these three questions: 
1) Why, if these pages were taken from Journal 3, should they require context from outside of it to be able to be completely understood?
2) Why is it that this context can be found in what Bill Cipher has been writing in the preceding passages up till now? 
3) If you put food in a mogwai’s mouth at midnight EST but drive it over the CST time zone line back to 11PM before it can swallow, will it still transform into a gremlin? 
Okay, you caught me, that third one is unrelated. But the first two I believe require further thinking. So let’s delve a little further into the idea. Consider this the real third question: 
3) Are we to seriously believe that these, the only pages of J3 still lost to us, just so happen to tie into the new topics from the rest of the Book of Bill over and over like this?  
And since you’ve done so well thinking thus far, I’ll ask a fourth question: 
4) Are you aware of the concepts of Watsonian and Doyalist analysis? 
Assuming you don’t and you won’t google it, I’ll skip to the important part. Watsonian analysis is to analyze a story from within it, as if you yourself were Watson making deductions in a Sherlock Holmes novel.  
Now, from a Watsonian point of view, what happens when we try to answer our earlier questions? Why should it be that the Book of Bill provides so many of these points of reference to the journal pages? 
One possible line of thought could be that Bill wrote the earlier passages of his book *around* the idea of what was contained in the pages, but I think this doesn’t work for a few reasons. For one thing, the purpose of the book is to get the reader to make a deal, not to take a whole novel to set the stage for a 3 day mini Ford adventure. For another, not all of what I described prior is really fit to be called “context”, is it? The rats, the “Small World” cassette, and the Bill-Suit are one thing, but Eggnog? Shrimp colors? Land Orcas? I certainly wouldn’t define them that way. If anything, they’d be better suited to being called “references”. And unlike the more contextual ideas, there’d be no real need for Bill to sneak mere references to the pages into his grand story.  And lastly, there are a great deal of Bill pages that have nothing to do with the content in the journal pages at all.
So what exactly am I trying to say here? 
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If we do intend to think of the callbacks outlined above as references, the only logical conclusion within the story is that the journal pages themselves are referencing back to the Book of Bill, not the other way around.
But… how? And why? Something Ford has written in the 80’s shouldn't be able to reference something Bill is writing post-weirdmageddon certainly. 
That’s because “Ford” isn’t referencing it at all!
And as for why… Well, have you ever noticed when you're writing a story on the fly, things you wrote earlier all come crashing back to you as you try to wrap things up? I believe personally that the journal pages are nothing more than a strange endcap on Bill’s crazy train of thought! And the "references" are just fuel that further the pages creation. Almost as if, to quote someone much more knowledgeable than me on this subject…
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In the end, all I've described above (as well as other aspects of the pages I've not mentioned here) leave me with the impression the pages are not real.
As I stated only a bit earlier, the idea that these pages, the only pages of J3 purported to be lost, should be so connected to the rest of the book is beyond coincidence to me. Not to mention that in order to take these pages as total truth, you must give credence to several other passages of Bill's book as well. And I'm not too keen on having to trust him that much.
To all who have read this far, even to those who may have scoffed at the ideas in here or think I've only written up nonsense. Thank you for reading and considering my thoughts.
I am not saying anyone must agree with me on this. I know some people have found the pages to be important and meaningful to them, and I do not wish to give the impression that I think my view is the end all be all correct one, or that I think lesser of those who believe in them. I only want to share my own opinions. And to anyone else who found the pages to feel "off" somehow, possibly validate their feelings too.
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sashisuse · 6 months ago
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okay so what we’re not going to do is villainize shoko.
jjk 261 spoilers, thoughts, and a brief analysis of shoko. (and touching on some sashisu stuff. more specifically the sash part.)
i see a lot of people bashing her for not having a reaction to the body swapping plan and that satoru was like ‘i’m mostly surprised shoko didn’t object’ SO. here’s what i’ve got to say.
shoko didn’t object because she was fully under the belief that satoru was going to win. that it wasn’t going to happen. it was literally the worst worst worst WORST case scenario. she had SO MUCH faith in satoru.
let’s rewind back to the shibuya arc. what we knew about shoko at that time regarding her use of cigarettes was that she had quit five years (iirc) prior to those events. her smoking habits literally revolve around satoru’s wellbeing.
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mind you this was after she and yaga learned satoru had been sealed. she heard the news and immediately began smoking. why? because shoko is a person who masks her emotions and she does it well. she’s not the type of woman to break down in tears. she’s going to hide it and instead light up a cigarette.
we saw this with her interaction with suguru. she acted very nonchalant about his defection and the massacre he committed on the village and his parents. but when we fast forward ten years and go to jjk0, it’s made abundantly clear that she still cares about him. during the meeting where yaga declares they’re going to kill suguru — i’m pretty sure his words were ‘exorcise the curse that is geto suguru’ or something along those lines — shoko leaves. she flat out walks out. and during the night parade of 100 demons, we have a moment where see the most emotion out of shoko that we have for the majority of the series. she’s angry. she’s hurt. she has these thoughts of something along the lines of like ‘you sure made a mess for us’ regarding suguru. and it’s especially prominent because it’s the first time we’ve ever seen her like this and only time. the closest we get to seeing that again is during the sukuna fight.
she literally cares so much but she’s just emotionally constipated and doesn’t know how to show it 😭 it’s an issue both she and satoru have. they deflect. they mask. they move on and yet the carry it with them somewhere deep inside them.
so we go back forward to satoru and sukuna’s fight. where we do see emotion from shoko but what’s most important to note is the panels she’s in. when they focus on her, she’s either smoking a cigarette, lighting a cigarette up, or we see her surrounded by cigarette butts.
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we see her genuinely fearful at this point. she had full confidence that satoru was going to win. that’s why she said ‘do what you want’ and didn’t object. because in her mind, it wouldn’t happen.
it’s very important to remember that sashisu, whether you see it in a romantic or platonic way, was a group that cared so fucking deeply for one another. their bonds were deep. their love for their found family was deep. it’s part of the reason why suguru defected in the end. which i can get it into but not at this time. but at the end of the day, sashisu had ass communication skills and failed to properly understand one another.
and that seems to continue on with the satoshoko side of that, which was left after suguru left. and after he died.
also, it’s really important to remember that shoko is not like satoru and suguru. she’s a healer. that’s it. that’s all she does. she doesn’t get to fight or be on the front lines like they do. she’s the one who gets to wait behind and wait until the damage is done to do her job. she’s been doing this since she was (probably) 15, maybe even younger since we don’t know her backstory. she’s going to be emotionally detached. also, keep in mind this page:
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specifically her first piece of dialogue. ‘it’s more like we have to do it.’
and that’s the bottom line.
whew. this was rough. shoko ieiri you will always be loved by me.
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thagomizersshow · 1 year ago
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Ranting about how JP is not a good critique of capitalism made me want to talk about a sci-fi monster movie that is an excellent AND highly relevant exploration of anticapitalistic themes: Alien (1979).
First I want to say that if you haven’t seen Alien, please do so before I spoil it for you. It’s not just one of my all time favourites, but also one of the greatest pieces of science fiction ever created. For real, please go watch it.
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The biological aspects of Alien are often the most talked about themes in the movie, which is fair, because they’re simultaneously very interesting and in-your-face. Most viewers remember the movie for the gory sexual imagery, not for an authentic depiction of class struggle. I actually wrote a video essay a while back that I never made about how our innate disgust and resulting fear of parasites/parasitoids is the primary driver behind the xenomorph’s ongoing popularity. I’m not immune to this aspect of Alien’s eternal intrigue, that’s for sure.
However, there’s one narrative element that makes Alien ripe for class analysis, especially today, and that is the film’s portrayal of artificial intelligence.
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AI in Alien is consistently shown to be hostile to the crew, but not because of a glitch, like HAL in 2001: Space Odyssey, or because they decide to rise up against their oppressors, like in Terminator. No, what makes Ash, the android, and MOTHER, the ship’s AI, so threatening is that they are doing exactly what they were programmed to do — whatever it takes to ensure corporate interests. In this case, they are programmed to ensure the survival of an extraterrestrial monster at the cost of the crew.
The audience isn’t privy to all the things that Ash does to meet this goal, but at the very least he breaks quarantine protocols, does a shitty job of watching the facehugger, lets Kane join the rest of the crew for a meal (when they still don’t know what it did to him!), plays dumb once the xenomorph is on the loose, and attempts to murder Ripley when she discovers his mandate. If it weren’t for Ripley being a determined badass, Ash might’ve gone unnoticed until the whole crew was dead and the Weyland-Yutani Corporation had their mitts on the alien so they can cause another catastrophe.
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This horror, that you will encounter AI whose programming doesn’t care if you live or die, is what makes Alien’s take on the subject so relevant. Dipshits like Elon Musk or some shitty tech journalist might try and convince us that ChatGBT scary because it can fake being human, as if Skynet is right around the corner.
No, the real horror of AI is that the people in power (our bosses, our politicians, etc.) are going to use it to exploit us, just like how they use everything else.
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In the end, it takes being skeptical of things that seem trustworthy for Ripley to defeat Ash. The audience finds out from the Nostromo’s captain, Dallas, that Ash was a last minute addition to the crew, as chief science officer. This is a role that inherently engenders trustworthiness in the face of the unknown, especially for a crew that is basically a bunch of working joes. It’s not unbelievable to conceive this was purposeful by Weyland-Yutani to make Ash above suspicion. That, combined with literally naming the ship’s AI MOTHER, of all things, shows that the company is deliberately weaponizing aesthetics to foster a positive relationship between the crew and their AI agents.
Alien serves as a reminder to be vigilant as we enter the AI boom, because these programs will be used to exploit us, and corporations WILL try to cloak this purpose behind relatability, convenience, and trust. The AI we encounter is more likely to be Ash or MOTHER than it is to be Data or Skynet.
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believemedarlin · 11 months ago
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The Perfect Man
Aaron Hotchner/Female Reader (3.9k words) Also available on AO3
Summary:
“You know, if you combined all the men on the team… they’d make the perfect man.”
“What?” Emily sputtered into her wine.
Penelope giggled while JJ looked intrigued
***
A drunken night out with the girls leads to some interesting revelations.
***
“Let’s play Fuck, Marry, Kill.”
A round of groans sounded from the table, but Penelope Garcia was not to be dissuaded. 
“Come on, ladies. It’ll be fun!”
Her best puppy dog eyes firmly in place, Penelope implored her friends and coworkers with a practiced look. You were holding strong until she brought out the big guns and pouted at you.
A mere ten seconds later you caved. 
“Okay, fine,” You sighed. “But can we use kick instead of kill? I always hated that option. Why do you have to kill them when kicking would be just as effective in showing your lack of interest? No death required.”
“Ooh, I like that,” Penelope immediately agreed with a nod. “You know I’m a pacifist at heart.”
She turned to the other two women seated at the table, pout back in full force. JJ gave in first, patting Penelope’s hand with an indulgent smile and a nod. 
Seeing that she was outnumbered, Emily shrugged. “Sure. But I’ll need another drink if we’re doing this. I haven’t played this since college.”
“I’ll get us all another round.” Penelope jumped to her feet to join her and they made their way to the bar, weaving through the other patrons.
It was a rare Friday night off and the women of the FBI’s Behavioral Analysis Unit had decided to go out for a much-needed night of ladies-only fun and frivolity. They had happily left the guys to sort out their evenings and escaped the second the clock struck five.
They were all a few drinks in at this point, which is most likely the reason Penelope had suggested the game. She always got a bit playful when she drank.
They returned a few minutes later, fresh drinks in hand. 
Once settled, Penelope leaned in, an eager smile on her face. “Okay. Fuck, Marry, Kick. Henry Cavill, Ben Barnes, Zachary Levi. And go!”
Emily took a sip of her drink and wasted no time in voicing her choices, followed by JJ and you. You took turns coming up with more and more outlandish options, and pleasantly spent the next hour drinking and laughing with your friends.
You had just finished giggling over Penelope’s reasoning behind her choosing to kick Willy Wonka and marry Jareth the Goblin King so she could enjoy a night with Conan the Barbarian when Emily leaned in with a smirk.
“I’ve got a good one. Hotch, Morgan, and Reid.”
The table erupted in a chorus of ooohs and laughter. 
JJ bit her lip in thought. “Okay, since we know them personally and I’m a happily taken woman, I’m going to change mine to kiss, because it’s weird to say I want to fuck any of them. So, uh, I’ll go with kiss Morgan, marry Reid, and kick Hotch. But only barely, because I do not want him angry with me.”
“Easy,” Penelope chirped. “Fuck Morgan, marry Morgan, and kick Reid and Hotch.”
You, JJ, and Emily burst into laughter, with JJ swatting Penelope on the arm. “You can’t double up like that!”
“Can too! My game, my rules. Besides, it’s special circumstances with Morgan as an option.”
Emily snorted, then grinned. “Hmm. I think I’d go with fuck Morgan, marry Hotch, and kick Reid.”
All eyes then turned to you as you stared into your drink, taking entirely too long as you overthought the options.
Eventually, Emily cleared her throat and you looked up to see her watching you expectantly.
“What?” You grinned sheepishly with a shrug. “It’s harder than you’d think!”
The ladies teased you good-naturedly until you finally said, “Okay, okay! Um, I think…” 
You blew out a breath in a long sigh. “Fuck Reid, marry Hotch, kick Morgan. No wait… Maybe fuck Hotch, marry Reid?”
Emily and JJ cackled while Penelope put on a fake offended air. “Why you gotta kick my beloved cinnamon hot chocolate Adonis not once, but twice? He’s the perfect man!”
"I mean, a lot of women would think that, yeah, but not me.”
Penelope gasped and pressed her hand to her chest dramatically. “Why, I never.”
You giggled with a shrug. “Sorry?” 
“You’re forgiven.”
“What I want to know,” JJ chimed in with a mischievous grin, “is why you can’t decide between Reid and Hotch on who to marry?”
You buried your face in your hands to hide your blush. “I don’t know! Both seem like solid choices. I think they’d both make good husbands.”
Emily smirked. “Sure it wasn’t because you couldn’t decide which you’d rather fuck?”
Penelope and JJ burst into laughter again while you groaned into your hands.
“You all are menaces. I don’t know why I spend time with you.”
“Because we’re wonderful people and you love us.”  Penelope teased.
“That’s debatable.” You mumbled.
“Oh, come on,” she leaned into your side and laid her head on your shoulder. “You know you adore us.” Penelope batted her eyes and you couldn’t help but grin.
“Yeah, I do.”
She cheered and called for another round of drinks.
The game wound down and devolved into a rather extensive list of men and women that each of the ladies wouldn’t mind enjoying some personal one-on-one time with.
You had been sitting in a comfortable silence for the past few minutes, chin in hand and elbow on the table, your mind pondering on something Penelope had said earlier. Your voice took on a contemplative tone as you mused aloud, “You know, if you combined all the men on the team… they’d make the perfect man.”
“What?” Emily sputtered into her wine.
Penelope giggled while JJ looked intrigued.
“Okay, just hear me out. Now, granted, everyone’s idea of the perfect man is different but for me… If we go by physical attributes first, you have to admit that each guy is objectively attractive on their own. I mean seriously, was it a prerequisite that everyone has to be outrageously good-looking to be a member of the team?”
The ladies heartily agreed with laughter and nods, but you gestured across the table to them. “I’m including you three in this too. Have you looked at yourselves? You’re all absolutely gorgeous.”
“Damn right, we are,” Emily exclaimed as she high-fived JJ.
You raised your glass to her and took a sip before expanding on your premise. “So by themselves, each man is handsome but combined…”
You tilt your head in thought. “For me, it would be Reid’s hair. I’ve always liked longer hair on a guy and have you seen those curls when he lets it grow out? And then add in Hotch and Rossi’s dark hair and … yeah. Next would be Morgan and Rossi’s facial hair. I don’t know about you ladies but I like a man with a bit of scruff, you know what I mean? Goatee or full beard or just a couple of days growth, hell even a good five o’clock shadow, as long as it’s maintained and not all scraggly, I like it. Oooh, remember when Hotch came back with a beard?
“Yeah,” you sighed, a bit more dreamily than you had intended, surely caused by the late hour and not the memory of a casually dressed, bearded Hotch. “Like that.”
All three ladies shared a knowing look, but you paid them no mind. 
“Though there is something to be said about a freshly shaved face. It’s so soft…” You sighed again.
“And then there’s height.” You knew you were rambling, but with the alcohol fueling you, there was little chance of stopping you now. “They’re all at least 6 foot so the height difference is perfect for both cuddles and forehead kisses.”
At this, Emily snorted. “Forehead kisses?”
“Yes,” you snipped primly. “They are the pinnacle of non-lip-to-lip kisses and they are my favorite thing. They just make you feel so adored. Now shush.”
You shooed her and rested your chin back in your hand. “Let’s see… Eyes. Honestly, I think they all have lovely eyes. I’m not picky on eye color really but I think Hotch’s stand out the most to me. I mean, have you seen his eyelashes? It should be criminal for a man to have such beautiful eyelashes.”
Another round of nods and hummed agreements sounded from the table.
“You know,” you continue with barely a pause, “I’ve never been a fan of really buff dudes, which sorry Pen, but that’s kinda why poor Morgan got kicked twice.” You shrugged unapologetically at her. 
“I’ve always preferred lean guys. Not scrawny but not bugling out his shirt, you know? Strong but not shoved in your face. But!” You sit straighter in your chair, index finger raised to emphasize your point. “That’s just looks. Personality-wise, I’m drawn to kindness first and our boys all have that in spades. And they each show it in different ways, but it’s always present.”
You met Penelope’s eyes. “And Morgan’s kindness absolutely overrides his excessive muscle mass. He’s honestly one of the kindest people I know, even if he’d deny it. He’s not humble about a lot of things, but he is about that.”
Your eyes dropped to the table as your finger ran along the wood grain. “I also like intelligence and while yes, first thoughts go to Reid, the others are all brilliant too. Like, Rossi is so wise! It seems like he always knows what’s going on with someone before anyone else, and always seems to know just what to say just when you need to hear it. And they each have strengths that I admire. I genuinely like each of them as a person and I’m proud to know them and am honored they consider me a friend. Honestly, I feel that way about all of you.”
“Aw!” Penelope sniffled. “That’s so sweet. We love you too, you know.”
You gave her hand a quick squeeze and took another sip of your drink. 
“What about lips?”
You blinked at JJ. “Lips? I’m not sure. I don’t know that I look at them much.”
Emily tilted her head. “You seriously don’t look at men’s lips?”
“Not really? I mean, I notice smiles. And honestly, how did I not start with that? It’s usually one of the first things I notice about someone. Smiles make everyone look twice as attractive. Oh, and a sense of humor! Gotta love a man who can make you laugh.”
“This one is definitely Morgan,” Emily chimed in and you nodded in agreement while Penelope raised her glass.
“Absolutely. He always makes me laugh, but so do the others. Rossi is snarky, which I appreciate as a fellow snarker. I can’t tell you the number of times he’s made me hold back a laugh during a round table. Reid can be really funny, too. Especially when we’re making Star Trek or Doctor Who references that no one else gets. Except you, Pen, but you’re usually in your lair. And Hotch—”
“No,” Emily cut in. “No way you think he’s funny. The man barely smiles.”
You tsked and leaned in, your tone turning a bit haughty. “First of all, I think it’s a good thing that he holds those back because have you seen how handsome he is when he smiles? His whole face transforms and he has dimples. Dimples . It’s ridiculous and no one would be able to focus on work if he was blinding us with his smile all the time. And secondly, yes. He’s hilarious, actually. He has a dry sense of humor that gets me every time. And he is so straight-faced about it. I laughed embarrassingly loud once at something he said and I had to leave the room because I couldn’t stop giggling. And the man had the nerve to be smug about it later.”
You shook your head with exasperated fondness, not noticing the raised eyebrows and pointed looks the other ladies were sharing.
“Anyway,” You sighed and leaned back in your chair. “Morgan is my biggest supporter, Reid nerds out with me, Rossi gives the best advice, and Hotch makes me feel safe. All things that would attract me to someone. So, with their powers combined…” You spread your hands in a sweeping motion. “The perfect man.”
“Huh,” Penelope hummed. “You know, I kinda see it.”
“See?” You grinned triumphantly. “We really do work with amazing guys.”
A cry of ‘hear, hear’ sounded around the table and the four of you leaned in to clink glasses.
Emily settled back in her chair with a smirk, her eyes focused on you. “Okay, you waxed poetic about the guys. Now, what about us?”
You grinned. “You, my darling lady loves, all hold a special place in my heart. There’s no way I could choose. You are each the perfect woman.”
Another cheer went up and everyone downed their drinks, laughing merrily.
The outing wound down about half an hour later. You each stumbled your way outside, Emily and Penelope deciding to share a taxi.
You stood with JJ as you waved the other two goodbye; you waiting for your own taxi and JJ waiting for Will to pick her up.
“You know,” she said conversationally, her eyes on the street. “You mentioned Hotch quite a few times describing your perfect man.”
You blinked. “What? I did not.”
She turned to you with a wide grin. “Oh yes, you did. No denying it now.”
You sputtered, not sure how to reply.
She chuckled and laid a hand on your arm, just as your taxi arrived. “Seems to me like he ticks quite a few of the boxes for your perfect man.” She leaned in to whisper, “So what are you going to do about it?”
JJ winked as she stepped back to open the door of the car that pulled in behind your taxi and slid in. “Just think about it, okay?”
You nodded numbly, mechanically climbing into the back seat of the taxi while Will and JJ patiently waited to make sure you were safely on your way.
You mumbled out your address and barely noticed the drive home, arriving much sooner than expected, as your mind was focused on JJ’s words.
You shook your head as you entered your apartment, determined to think no more of it. It was just a silly statement born out of one too many drinks.
There was no way you thought of Hotch that way.
No way at all.
***
The rest of the weekend was miraculously quiet and work-free. You couldn’t remember the last time you had so much time to yourself, so you took full advantage of it.
As days off always tended to do, they flew by too quickly and Monday morning arrived before you were ready for it. You greeted everyone when you entered the department, nodding to Rossi and waving at Morgan and Penelope as you settled in at your desk.
No new case had come in, so today would be an in-office day catching up on paperwork and caseloads.
You were productive throughout the day, completing most of the pending work assigned to you, and you were feeling quite accomplished with the diminishing stack in your inbox.
Only a few minutes remained in the workday when you stood from your chair, stretching your stiff back, and made your way up the stairs to Hotch’s office to drop off an armful of completed reports.
You knocked on his door, only having to wait a second before he bid you enter.
He was focused on the open file in front of him and he didn’t look up until you spoke. “These are ready for you to review, Hotch.”
His eyes shot up to meet yours before dropping to the folders in your arms. He gestured to the corner of his desk nearest you and went back to scribbling notes on the report. “You can just leave them there, thank you.”
You set them down next to another stack and grimaced. There were multiple bundles of files littering his desk. While in-office days were great for clearing your desk of work, it unfortunately always added to Hotch’s workload.
“Looks like everyone had similar offerings for you today. Will you be able to leave at a reasonable hour tonight? I’d be happy to help with anything if you need it.”
Hotch finished the line he was writing and looked up at you through his long lashes, a small, shy kind of smile curving his lips. His cheeks were just a touch pinker than usual and you blinked because you’ve never seen that look on his face before.
He looked almost bashful, a word you would never have associated with Aaron Hotchner.
But damn, was it a good look on him. He really was a handsome man, wasn’t he? Kind, funny, successful, and a great father. He was practically the perfect man.
You froze and blinked again at the realization.
“Oh, uh,” his deep voice broke you from your thoughts. “I appreciate the offer, but I’ve got it covered. I shouldn’t be here too much longer.”
“Right, of course.” You nodded and prayed he couldn’t see the blush you knew was rapidly spreading across your face. “Well, good night, sir.” 
You spun on your heel and opened the door, ready to flee as fast as your feet could carry you.
His low, murmured good night followed you out the door and you nearly shivered because holy hell, even his voice was attractive.
You quickly grabbed your things and nearly sprinted to the elevators, not wanting to stay one second longer around skilled profilers who could read you so easily, knowing they would spot your flushed cheeks instantly and want to know what caused them. Or worse, they’d already know, and that was not something you were ready to discuss with any of them at the moment.
You had fully intended on ignoring JJ’s words from Friday night, but after your reaction just now, you knew she was right.
Hotch was pretty damn close to fitting the idea of your perfect man.
Or maybe, the idea of your perfect man came from Hotch.
You sighed as you entered the thankfully empty elevator, finally admitting to yourself the truth that had been staring you in the face for longer than you’d ever care to admit.
You had it bad for Aaron Hotchner.
Oh, you were in so much trouble.
***
Aaron watched as you left his office, your face a delightful shade of pink.
His eyes followed as you rushed to your desk, snatched up your things, and darted out the door.
He hadn’t meant to overhear Prentiss and Garcia’s conversation that morning as they reminisced over their night out last Friday. He certainly hadn’t meant to linger when they mentioned you and your adorable—according to Garcia—rant about the perfect man. And he most certainly hadn’t meant to lean in rather eagerly when they whispered about just how many times his name had come up as an example during said rant.
He had been pleasantly surprised and somewhat stunned by the information. He’d never thought of himself as an ideal for the perfect man. 
Sure, he supposed he had a few attributes that some women might find appealing. He had a successful career and tried to keep in shape, though that was more for his job than vanity.
But he never imagined that anyone would look at him and think that he was a paradigm of their perfect man. Least of all you.
You were a brilliant profiler, exceptional in the field and able to hold your own in a fight when needed, but you were also caring with the victims and their families. You were witty and kind and easygoing. You were someone who smiled freely and laughed readily and did your best to cheer and encourage the team on tough cases.
Not someone who would think of stoic, hardass Aaron Hotchner as the perfect man.
Still, he hadn’t been able to keep his eyes from drifting to the window of his office throughout the day, seeking you out.
He thought back to when you joined the BAU and how quickly you became not only an essential part of the team but a much-welcomed member of their little family. Everyone adored you and Aaron himself had to admit that you had wormed your way into his heart.
He loved the time he got to spend with you when the team got together to unwind after a case and the little moments of levity you all shared in between working. He recalled the times he managed to make you laugh and the occasions where he found himself chuckling as well. You were easy to talk to and more often than not, the two of you fell into conversation whenever everyone else was either asleep or preferred to be left alone on the jet going to and from cases.
He genuinely enjoyed your company and found himself wishing he could enjoy it more often.
His eyes wandered to the bullpen again, zeroing in on you almost immediately. Prentiss and Morgan were standing by your desk when one of them said something that made you laugh.
Your eyes squeezed shut and your mouth opened to release an enchanting sound of delight. Aaron couldn’t look away and had to admit that you really were quite lovely. Inside and out.
He wasn’t sure how long he sat looking at you but knew it was longer than appropriate. He shook his head and forced himself to focus back on his work.
He managed to shove all thoughts of you from his mind for the remainder of the day until a soft knock sounded on his door late in the afternoon.
He didn’t bother to look up from the report he was notating after giving a gruff come in until he heard your voice.
Aaron couldn’t keep his eyes from darting up to meet yours before dropping them to the large stack of files in your arms.
He gestured for you to place them on the corner of his desk next to the ones Reid had deposited earlier and thought that would be his singular interaction with you for the day.
But then your caring side came out again and you sweetly offered to help him, a proposition that both filled him with fondness and nervousness.
After all his wayward thoughts about you throughout the day, he wasn’t sure if being in close proximity with you was a good idea or not. 
Aaron looked up at you again, the late afternoon sun enveloping you, enhancing your features, and his only thought was that he’d been wrong earlier. 
You weren’t just lovely. You were stunning.
In that moment, he was completely captivated by you and his thoughts ran rampant as he cataloged every minute detail of you. Your beauty, your kindness, your brilliance, and all the little things that made you you . Everything that endeared you to him.
But his thoughts came to a crashing halt when he realized that he was staring at you. He felt his face flush and he stammered as he gently declined your help.
You bid him a good night, but Aaron couldn’t take his eyes off the spreading blush on your cheeks. It kept his attention until you were out of sight.
He blinked and dropped his eyes back to the forgotten report in front of him, a slow smile creeping across his face.
He may not have meant to overhear the conversation that caused him to think about you all day, but he was starting to be glad he had. It seemed it was all he needed to face a few truths he had been in denial about for a long while now.
He was completely and utterly smitten with you.
Now, he just had to decide what to do about it. 
Aaron sighed and ran a hand through his hair.
Oh, he was in so much trouble.
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i literally spend at least 2 hours a week just looking at various pictures of the terracotta army. utterly entranced. look at the details in the hair. you'd never see ANY of this when they're lined up in formation, but they're there.  
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theres about 8000 of these guys down there, no two faces are alike. they're works of art. they're the manifestation of a cruel despot's delusions of grandeur. a talisman against the terrible inevitability of death, both pathetic and strangely pitiful. like watching a child clinging to his blanket, begging you not to turn off the light. they were a bunch of insignificant clay statues from a side chamber that was so small and unremarkable, no one bothered to write down the location. they were modelled after real people. their only purpose was to serve qin shi huang in the afterlife, so he could reign in heaven as he did on earth. now the emperor is just a ghost and his pawns are immortal. my dad and i visited them in the dead of winter, on a weekday, just so we wouldn't have to deal with tourists like us. the place had easily 500 people--not including the ones below ground. we traveled to xian via the old "green skin" diesel train. there are faster means, like highspeed rail but dad insisted i try the authentic way, the same way he would have traveled when he was my age it was also like, a quarter of the price but im sure that had nothing to do with it! back in the 80s carriages would get so packed people had to have their luggage passed in via the windows. as we chugged along, i read my book and my dad made us cup noodles. car is just a shortened version of "carriage", the word is the same but the mechanism is different. it's the same in chinese. i think if i told someone from the warring states period i could travel from the Kingdom of Qi to Qin in just four hours with my metal carriage, i'd be laughed out of town--or accused of being a spy and sentenced to 'death by carriage.' we hopped off the train at 4am and took a different "carriage." the taxi driver joked; "basically every dynasty put their capital in xian, stick a shovel anywhere and you'll turn up some national treasure or another." i wonder what it would have felt like to be a farmer digging a well and then out pops a remarkably realistic human head. statistical analysis show the soldier's faces bear a strong similarity to people living in the region today. the taxi stopped in front of a jewellery-hawking tourist trap and refused budge an inch until we went inside. did you know the terracotta soldiers were originally multi-coloured and painfully gaudy, just like the greek marbles? they were made assembly-line style. the arms and legs were made from the same workshops that made clay plumbing pipes and roof tiles. for quality control, the artisans were required to stamp their names. the workers who built these tombs were executed shortly afterwards, because only dead men can be trusted with secrets. qin shi huang's mausoleum is unlikely to be excavated in my father's lifetime, or mine, not unless i'm willing to take a BIG ONE for the team... instead of the tomb, they built some kind of qin shi huang-themed theme park next to it. not only was it tacky as hell the entrance fee was like $50. we went to the museum and i looked at bronze tools and pottery shards for three hours. look why can't we just crack the thing open i can't be the only one here whos dying from curiosity what if we all just took turns digging
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fromchaostocosmos · 1 month ago
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Why Are Goyim Obsessed With Bad People Being The Fault of The Jews?
How many times have we seen the speculation that certain truly horrific historical people must Jewish based the stringing of threads. Or the that said horrific people are horrific because of the Jews.
How many times have seen Hitler was actually a Jew conspiracy or that Hitler only became the way he did because he denied entry to art school by Jews conspiracy?
Not just with historical figures we all have seen how often it gets mentioned that Roy Cohen, Jew, and they sure do make a point to highlight that Jew part was behind Donald Trump being who he is.
Think about Henry Kissinger and how much him Jewish gets highlighted when talking his influence on Presidents Ford and Nixon, even though he hated being Jewish.
And of course we can not forget the all time go to Christopher Columbus as the secret Jew.
And now that is being reported to be in fact true. Just look at how everyone is reporting it.
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Only that is not the case.
The documentary Columbus DNA. His True Origin, broadcast on Spain’s National Holiday suggests that the explorer was not Genoese and Christian but Spanish and Jewish. The absolute protagonist of the documentary, forensic scientist José Antonio Lorente, has not yet published any scientific study to back his claims. The documentary is presented in the style of a reality show in which Lorente systematically discounts other theories, including that Columbus was Castilian, Portuguese, Galician, Mallorcan or a Cagot. It culminates with a scene in which only one possibility remains, the one put forward by architect Francesc Albardaner, author of the book La catalanitat de Colom (or, The Catalonian Origins of Columbus).
But geneticist Antonio Alonso, former chief of the National Institute of Toxicology and Forensic Sciences, is not convinced: “Unfortunately, from the scientific point of view, no assessment can be made after watching the documentary, since it does not provide any data on what has been analyzed. My conclusion is that the documentary Columbus DNA does not show the DNA of Columbus at any given moment and scientists do not know what analysis has been undertaken.”
Forensic anthropologist Miguel Botella, also from the University of Granada, remembers that day in 2003 when he waited for the box containing the supposed bones of Christopher Columbus to be opened. “Everyone expected to be greeted by an intact Columbus, but there were only 150 grams of bone fragments,” he says with a smile. The largest would have been about four centimeters in length.
Lorente then said that he was going to analyze the DNA of the three alleged members of the Columbus family with the help of prestigious geneticists, such as Ángel Carracedo from the University of Santiago de Compostela; and Mark Stoneking, from the Max Planck Institute for Evolutionary Anthropology, in Leipzig, Germany, one of the world’s most prestigious centers for the analysis of ancient DNA. Carracedo recalls that the DNA that reached him was tremendously degraded, and he too distanced himself from the project. Moreover, he refuses to comment on Lorente’s new results until there is a serious scientific study published in a specialized journal. The response of the Max Planck Institute geneticist to questions from EL PAÍS were similar: “I am sorry, my group stopped working on this in 2005 and I have not heard anything about the most recent results,” said Stoneking.
According to geneticist Antonio Alonso, “It is not the done thing for data that the scientific community has not yet endorsed to be presented to society, as it puts the data itself at risk as well as the proposed theory.” Alonso is also surprised by the absence of experts from the U.S. and Australia in the film whose contribution Lorente describes as essential. “Here there is too much protagonism from only one scientist. Neither the Granada team nor the collaborating ancient DNA laboratories in California and Adelaide, which are said to be of great importance in the success of the analyses, appear in the film,” he points out. Recently retired, Alonso is one of Spain’s leading experts in forensic genetics. He worked on the identification of the victims of Madrid’s 11-M terror attacks; on the investigation of dozens of reports of alleged baby thefts; on the recognition of Spanish Civil War victims and even on the attempts to find the remains of the writer Miguel de Cervantes. He claims that the documentary Columbus DNA does not speak to him as a scientist. “We do not know which DNA regions were analyzed, nor the technology used in the analysis, nor the results obtained, which makes it impossible to make a correct assessment of the findings,” he says.
Alonso explains that there are clusters of genetic variants called haplotypes or haplogroups that tend to be inherited together and may be characteristic of certain family lineages, but he adds that they often coincide with those of other groups in historically Jewish or non-Jewish populations. “In any case, having a genealogy, a haplogroup or a haplotype of Jewish or Sephardic ancestry does not call into question Columbus’ birthplace in Genoa as stated by historical sources, nor does it tell us anything about the religious beliefs professed by the generations of relatives close to Columbus,” he says.
Rodrigo Barquera is a Mexican expert in archeogenetics at the Max Planck Institute for Evolutionary Anthropology. Barquera has conducted DNA studies of human remains prior to the arrival of Europeans in America, such as those of children sacrificed by the Maya at Chichén-Itzá in Mexico. The researcher is very critical of the fact the data have been presented via a documentary, and without the backing of a serious scientific article reviewed by independent experts, especially given the enormous interest in the figure of Christopher Columbus and his origins. “Normally, the article is sent to a scientific journal,” he says. “The journal assigns an editor and at least three independent reviewers who rate the paper and decide if it is scientifically valid. If it is, it is published, and then the rest of the scientific community can say whether they agree or not. Putting it on a screen, removed from this process and with all the media focus on it, makes it difficult for the scientific community to say anything about it.”
Antonio Salas heads the Population Genetics in Biomedicine team at Santiago de Compostela’s Health Investigation Institute. “The documentary promised to focus on DNA analysis, as suggested by its title Columbus DNA: His True Origins,” he says. “However, the genetic information it offers is very limited. Only at the end is it mentioned that the only thing that was recovered from the presumed remains of Christopher Columbus was a partial profile of the Y chromosome. The problem is that the Y chromosome represents only a tiny fraction of our DNA and our ancestry.” “The documentary rushes to a conclusion that Christopher Columbus was a Sephardic Jew originally from the Spanish Levant. This hypothesis is, to say the least, surprising: there is no Y chromosome that can be uniquely defined as Sephardic-Jewish,” argues Salas. “Even if all of an individual’s DNA were recovered, it would still be impossible to reach definitive conclusions about his or her exact geographic origin.
So when science seems to much more aligned with Columbus not being why then is everyone reporting him as Jewish. And why do goyim keep blaming every evil deed, every action, every evil choice and every evil person on Jews?
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hinalatte · 2 months ago
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An Attempt at Analyzing David Chiem’s Motivations
and a bunch of other stuff that got in there somehow
Ch2 Ep12 spoilers ahead! (And spoilers for the Literature Girl Insane MV picture if you haven’t seen it already)
So, Ch2 Ep12 changed some things about my perception of David. I was under the impression that the way he was acting in the trial was because of a self destructive breakdown, but the latest episode reveals that he’s making an attempt at altruism.
But I still think he’s having a self destructive breakdown. The end result is still the same—he dies, he ruins his public image. This is still, objectively, self destructive behavior. He just has a motivation to make it “worth it” now.
I believe David wants to be a good person. He just doesn’t know how to be one. He feels like he may never be one. Xander is that good person David wishes he was, so he’s dedicating himself to following what Xander would do. If Xander was good, he can also be good by following his example. (I made a theory about something like this a while back, go read my David Chiem and colors analysis if you’re curious)
So let’s return to that picture of David holding Xander’s jacket, with the context of this episode.
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First of all, the “you” in these quotes is most definitely Xander.
1. I became a villain in pursuit of your dream.
We know what this means. David acted up during the trials to look guiltier so that the trial would end up with a misvote. He’s actively trying to end the lives of everyone there because of what Xander tried and failed to do in Chapter 1. But what I’m curious about is what Xander’s “dream” really was. He never said anything about wanting to end the killing game by dying. The only thing he tried to do was kill Teruko.
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David pauses before stating that his motive was to end the killing game by eliminating the entertainment value. His expression is also pretty suspicious. It sounds like something he made up on the spot. And if he wanted to end the killing game by not being entertaining, why did he go against everyone’s plan of doing nothing and killing no one? Why did he fan the flames by telling everyone to admit their secrets? The conflict that stemmed from his actions was what made the second chapter entertaining to begin with. So I don’t think this truly was his motive for trying to get everyone killed. I think he was following in Xander’s footsteps. He’s trying to kill Teruko.
We all remember the secret David got, right?
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I think most of us agree that him saying this was Xander’s secret was a lie. He waited until everyone was done talking so he could make sure no one had Xander’s actual secret, and then he pinned it on him. He also has an extremely high opinion of Xander and gets upset when people slander him, so I don’t think there’s any way he would admit to this being Xander’s secret unless it wasn’t actually Xander’s secret. I think he’s saying it’s Xander because he feels comfortable using his name for his goals, since they’re “partners in crime” in his mind. That secret is definitely Teruko’s.
I think when Xander initially attempted to kill Teruko, David was conflicted about how to feel. But once he got Teruko’s secret, it made sense. Xander was a hero and Teruko was a villain, and David had to do what Xander couldn’t. His ploy to get everyone killed is so Teruko has to be killed alongside them.
That’s my theory, anyway. I could be wrong, especially considering David could’ve tried to kill Teruko with his own hands if he really did want her dead. But it’s also possible he didn’t do that because he knew she would have survived it somehow.
2. I threw away my humanity for an ideal that I couldn’t understand.
What’s interesting to me here is the use of the word “couldn’t”. It’s not that he “didn’t” understand Xander’s ideals. It’s that he “couldn’t”, because he doesn’t understand Xander’s altruism. Every time he talks about his motivations in this episode, it’s about Xander. He even frames the moral dilemma of killing everyone there for the greater good from Xander’s perspective—16 lives, which was how many there were when Xander attempted murder, rather than 13, which is how many there are as David is saying this.
David doesn’t know how to be a good person. He believes Xander is the only good person he’s ever known, so he’s blindly following what “Xander would do” in hopes of doing something good.
This is especially interesting to me because becoming a good person has been a theme this whole chapter. Arei used Eden as a reference for what a good person looked like as well. But that’s an essay for another time!
3. But I don’t regret it. To “regret” is to imply that I could have done anything else.
I’m pretty sure the only thing keeping David going is Xander’s legacy. He doesn’t have much faith in himself as a person, so it’s either give up or give everything to the ideals of the man he believed in.
This line makes it pretty evident to me that even though he’s acting like he knows what he’s doing, he still feels lost. But at the same time, when you’re lost in a maze, the only thing you can do is follow the path ahead of you.
4. I never told you, but the truth is, I wasn’t capable of ever becoming human in the first place.
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The idea of being human is present in a lot of things relating to David’s character. This 4th quote in particular seems to be a response to this line by Xander, from their “role models” conversation.
David is also associated with the book No Longer Human by Osamu Dazai through the Literature Girl Insane MV. No Longer Human is about a man that feels so detached from other people that it’s like he’s not even one of them. To fit in, he pretends to be what they expect him to be, but he never truly feels connected to them.
“Mine has been a life of much shame. I can’t even guess myself what it must be to live the life of a human being.”
I think it’s safe to guess that David feels a similar way.
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David is disoriented by normal human interaction. The ways in which he interacts with people are entirely based on their perception of him. He’s an upstanding role model when that’s what they expect, and a callous villain once they accuse him of murder. He acts that way to further his goals, sure, but it’s still isolating. As he says, his relationships are fake, because he himself is a fake person.
He feels like he fundamentally lacks what other humans have. This could mean a whole slew of things, but I think the most relevant one right now is ideals. David doesn’t have ideals of his own in the way Xander does. Xander believes in fighting for what’s right. David is so disconnected from other people that he doesn’t even know what “right” is.
The line where Xander calls David “human” is in the context that David isn’t a perfect role model. It’s interesting that he seems to be arguing against that. Not because he’s perfect. It seems to me like he’s saying “I am not, and never will be, like you.”
And of course, the “I never told you” is because Xander is dead. He never got to know David’s true self.
5. So in the end, you are always—
I genuinely have no idea what this means. If somebody has even the smallest clue…my ask box is open. Please.
Conclusion
Is killing the entire cast really something Xander would do? Who knows! But David sure seems to think so, and he’s apparently the one who knows Xander the best. Nevertheless, it’s leading to a lot of interesting conflict.
I also want to note that I might be making it sound like David has low self esteem. I don’t mean that. Very little has been confirmed about David’s inner psyche. But here’s my interpretation, for fun’s sake:
David has a low opinion of himself, but he also has an ego. When you think of yourself as fundamentally different from other people, that can lead to you developing a sense of superiority over it. Like you’re the only one in the world with some knowledge others don’t have. This is a mindset people with depression can easily develop. Teruko acts this way as well, a little bit. She literally calls herself a main character. David also calls himself a main character in his MV, alongside Xander.
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He also doesn’t seem to respect Hu’s opinion, judging by this sprite. It’s like him and Xander are the only ones who know what has to be done, and everyone else just doesn’t understand.
But he still has low self esteem. He sees Xander as someone who is just better than him, and thinks he’s too bad of a person to improve. People can think they’re worse and better than others at the same time. It’s very interesting. But again, that’s just my interpretation, going off of vibes more than anything else.
I’ll also mention here that I think David knew Xander from news articles before the killing game started. Xander was an activist. David might’ve seen some of the things he did, like the Chariton case, on the news at some point. He might have admired him for it.
That’s all for today. They are very intriguing to me. I will be back later about non-Xanvid things.
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specific-dreamer · 3 months ago
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stay gold is for darry too
“when you’re young and the world is new / it’s easy to forget when you’re trying just to make it through”
bc, cmon guys, darry is twenty. 20, two-zero. idk how different college was back then, so bare with me.
he’s from tulsa oklahoma, the south, and he’s twenty years old. assuming he didn’t take a gap year (i’m going off the musical sayin he had to drop out, instead of not go all together) he would’ve been in his second year of school.
(i’m putting a break here because this turned more into a headcanon than an analysis i fear)
and we know darry’s a lil extroverted social butterfly, i’m sure he made so many friends. do you think he told them he was going home for the weekend but would totally be back for that frat party? or do you think he had a best friend on campus that he couldn’t wait to introduce to his family and the gang because he just knew how’d great they’d get on?
because he’s at a state college likely, there’s gonna be greaser/soc rivalries still but chances are so high that the max tension will be arguments. so it’s likely he even got to (freely, and guilt free) make friends with socs.
his biggest worries sophomore year was if he would finish his homework and papers before the weekend so he could go home for his birthday. his biggest worry was working up the nerve to still his dad he blew his allowance that month on some girl. his biggest worry was struggling with being a first gen college student, juggling his papers and football practice, and his work study.
i’m willing to bet he didn’t even tell his parents he’d be home that weekend. i’m thinkin he told dally, because dally would likely forget to tell the others he was comin and everyone else can’t keep their mouths shut for shit.
i think he went to Oklahoma State, which is only 2 hours from tulsa. so, i’m thinking he caught the greyhound really really early that morning, like crackass of dawn early. and when he gets there it’s probably 6:00 and through the window darry can see his parents rousing soda and pony up for school. (school may start at 8:30, but they got two rowdy teenage boys one of whom hates school to get ready, they’ll wake up an hour earlier than necessary)
darry, in all his older brother glory, probably waits for the perfect moment to make his grand entrance. he’d wait until he hears ponyboy loudly complaining that “darry doesn’t have to wake up this early” and he fuckin grins because that’s the most perfect entry for him.
but he can’t get excited, not yet. he’s gotta act like it’s no big deal that he’s here, so he opens the door all casual like and starts toeing off shoes as he closes it behind him. and in his arrogant, i’m-the-eldest-of-course-i’m-right voice he says, “you’re so right, little brother. i actually woke up three hours ago.” and darry tries his damndest he really does, but he can’t help the way his chest loosens and his grin widens and it feels like every stressful thing he’d been worried about rolls off back when he hears the gasps and “sweet mother mary” from his family when he announces himself.
he probably doesn’t even get his second shoe off before he’s knocked to ground by pony (soda would have too, if he was anymore awake, instead he’s just staring at darry in confusion).
i’m gonna write a fic BUT BACK TO WHAT I WAS SAYING
do you think darry feels guilty for not having called ahead of time? do you think he wishes he stayed at school that weekend so parents wouldn’t have gotten in that wreck? do you think a small of darry, a part that he hates as each day passes, wishes that he let the social workers take his brothers? only to instantly regret that train of thought when his brothers crawl into his bed at 10pm trying to stop shaking and crying so they don’t “wake” darry
do you think that it was in that moment, that all those childhood jokes with his parents and phony arguments with paul suddenly became real. that sodapop and ponyboy are his babies. they may not be his in the same way that curly and angela are tim’s kids, but his friends at school are always sayin darry needs to stop referring to pony as his “littlest”.
we know darry didn’t cry at the funeral (or at all, at least to pony’s knowledge) but i really think college was such a breath of fresh air for darry that he was probably holding back sobs when he called his schools admission office to drop out.
i think before they could bury their parents properly, darry had to convince his brothers to go down to school with him so he could pack his things up. (i say convince because i think pony might’ve cried himself hoarse thinking that darry was going back to school and leaving them alone)
do you think darry cried the night before they went down to oklahoma state? because his friends were finally going to meet his littles that he could never seem to stop talking about. he’d have to find some way to apologize for missin the frat party (and his 20th birthday, hell, darry thinks his might’ve been more excited than he was) because saying his parents just died and he legally became a father of two is a little too comedic to sound real despite things.
or do you think he avoided his friends like the plague because he knows he’d break down if he saw their pitying eyes? he knew he’d break down if that one girl he couldn’t keep his eyes off of from his psych class saw him and soda carry his boxes to the car and stopped and ask him why he was leaving.
do you think after the funeral when darry made sure his brothers were alright, tucked in for bed and knew they could go find him if they needed anything at all, instead of going to his room he went to his parents room? just to feel their presence one last time. he probably went under their covers too, in the middle like when he was a kid so he could turn left and smell his daddy’s cologne or turn right and smell his mamas rosy perfume, just so he could get one more hug from them. just one more hug before he had to let them go
(do you think when ponyboy inevitably came lookin for darry to scare his nightmares away later that night he got scared when darry wasn’t in his room? do you think he started crying all over again unable to be tough because what if darry’s dead too or worse what if he really did leave them? do you think that’s when pony started sleeping with soda instead. that that’s when his image of darry being a hero cracked because what kind of hero leaves when people are still needing to be saved?)
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