#but at this point in the story
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nychthemeron-rants · 7 months ago
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Maybe its just me, but its impossible for me to not see Izutsumi opening up to Marcille first and chosing to be around her more than the others at this point as "Teen girl with a very difficult past is suddenly in a group full of men and one woman. While the men seem nice and trustworthy, she is a teen girl and does not know them yet." Rather than anything influenced by her cat half or anything queer coded.
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yamatohomo · 10 months ago
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also i found this thumbnail and all i can think is "oh my god they were nakama..."
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poorly-drawn-mdzs · 13 days ago
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Penelope's final gambit, you will always be famous, no matter the subtext.
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platoapproved · 6 months ago
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What was that you said about memory? "A monster," was it?
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prouvaireafterdark · 6 months ago
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listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.
Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.
writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.
so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.
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she's the reason Claudia exists.
she's also the reason Claudia cannot be saved.
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gentil-minou · 2 years ago
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Everytime I see posts like this I get filled with such profound sadness
Cause you know who has the same brainrot as you? The same unhinged feelings as you after you've read the fic? The person who always wants to scream about the fic with you?
THE PERSON WHO WROTE IT
I never used to leave comments but since I got into the habit of commenting on everything i enjoy it's been incredible. Especially when the author gets back to me about it and we get to have a discussion of what other ideas they had. One writer replied to my comment with a 5 paragraph essay detailing the Floorplan of the building the characters lived in and it was incredible
Anyways this is all to say that if you find a fic that just makes you want to scream from the rooftops, leave a comment saying that to the author and maybe they will join you and you can scream incoherently together
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and-fishing-equipment · 4 months ago
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imagine being real rashid and you work for these weird gay vampires and one day they come to you like hey rashid we're gonna give you a little holiday! armand will take over your duties for the time being, for a cool disguise during my interview, not a kink thing :) and you're like okay these are my weird gay vampire bosses so it probably is a kink thing but who am i to judge. and then you find out they are roleplaying this weird exhibitionist slash master/servant scene with your own real actual government name. fuck interview with the vampire, interview with rashid WHEN??
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infinitelystrangemachinex · 2 months ago
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The stewards of the old world are always keen to give you a glimpse of their might... According to legend, the ancients built specialized chambers to seal away false prophets.
The Arcane is waking up.
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elexuscal · 1 year ago
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Danny Phantom, The Show:
geeky kid gets super powers from his parents' weird inventions! now he has to fight a rogue gallery of ghosts... but uh-oh! he still has to keep his grades up, deal with his embarrassing parents, and navigate girl troubles! rap theme song!
Danny Phantom, the Fandom, After 19 Years of Fermentation:
a child dies. but not quite. the inherent tension between life and death. the obsession of the dead for faded remnants of the living. warped green shadows on the walls of a dark laboratory. having to hide your true nature from those who should be your greatest allies. the fear of the monster you could become if you let yourself. being a ghost as a metaphor for the trans experience. a cold breath on the back of your neck in the dead of the night. rap theme song!
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iwasbored777 · 1 year ago
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We're not appreciating the Weird Barbie enough. It's said in the movie that she helps everyone who need help while they always see her as someone who's not as good as them. She was friends with all dismissed Barbies and Kens, was there to offer support and safe shelter for everyone who needed it in Kendom, without her nothing in the movie would've been alright. When Stereotypical Barbie calls her "ugly and unwanted" she still helps her.
She was representing a woman in women's world who was pushed aside by other women because she didn't fit in but still had more wisdom and kindness than everyone who thought they're better than her.
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aleatoryw · 2 years ago
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getting blazed as fuck in public, thinking "boy I sure hope no one knows how high I am right now", and then having the jumpscare of your life when duolingo gives you this notification
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blueskittlesart · 4 months ago
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figuring out designs while my switch charges 😭
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louisbxne · 4 months ago
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black vampires + witches
akasha, queen of the damned (2002)
louis & claudia, interview with the vampire (2022-)
tara thorton, true blood (2008-2014)
blade, blade (1998)
marcel gerard, the originals (2013-2018)
sarah fox, my babysitter's a vampire (2011-2012)
alex & camryn, twitches (2005)
rochelle zimmerman, the craft (1996)
bonnie bennett, the vampire diaries (2009-2017)
vincent griffith, the originals (2013-2018)
marie laveau, american horror story (2011-)
macy vaughn, charmed (2018-2022)
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bamsara · 6 months ago
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I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.
"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?
Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?
If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?
Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?
I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'
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descendant-of-truth · 1 year ago
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Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity
Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.
But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works
In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED
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