#but also I think it’s funny to see. As a phenomenon. It’s just

[itspileofgoodthings]

shout out to the quote tweet of an edit of the Taylor and Travis first game that said “you are all experiencing mass psychosis”—-made me SCREAM-laugh

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[cowboy-robooty]

imma be real with u guys i actually unironically love danganronpa but only the source content i hate 99.99999% of fan content so fucking much.

LISTEN THIS IS A HETALIA BLOG NONE OF US ARE BETTER THAN DANGANRONPAERS AND EVERYONE WHO IS UNAWARE NEEDS TO UNDERSTAND DANGANRONAPERS TREAT KOKICHI THE WAY HETALIA FANS TREAT ENGLAND. EXCEPT WORSE. SOMEHOW 100000x WORSE

[romijuli]

Hello yes hi please give me the essay on why the myths of mankai are plot essential I would LOVE to read it

I actually wound up typing this in a friend’s dms last night, so I can gladly share! (With some tweaks cause I got a wee bit salty at the end and I’m not gonna post that publicly.)

Like, the thing with winter troupe is that they’re all obscenely emotionally constipated, like, they’ve been through their shit and need an extra push to start getting past it, which is what the torment doll and the loupe of sincerity and the unopening door do! They start that process of growth because the characters themselves are unable or unwilling to!

The time loop doesn’t solve Tsumugi and Tasuku’s latent issues, just pushes them to talk again so they can start to move on and become friends again (which is pointed out by them having a giant convo towards the end of act 4 without any supernatural interference). Homare doesn’t need to read people’s minds and know what they’re thinking, he just needs to know that they don’t hate him for being blunt so he can muster up the courage to make things right (which is why the loupe WORKS for him; the anime specifically made this point really clear for me, though I just might not have been paying close enough attention during that part in the game). The unopening door definitely doesn’t solve Hisoka and Azuma’s issues, either; it’s used for a completely different purpose for Hisoka (setting up his issues while he’s still generally unable to remember them), and for Azuma…okay, being totally honest, I haven’t read Nocturnality yet (I KNOW, I’m going to!) but the bits I’ve seen make it really obvious that that’s the point where Azuma’s issues get tackled in a meaningful way. (Which is also part of why, from my understanding, the troupe-unifying moment that most troupes get during their story doesn’t happen until Nocturnality.)

And like. The weird supernatural shit (plus everything about Hisoka and Chikage’s existence, actually) makes Guy being an android way more plausible—I don’t think I saw a single person actually question it when act 8 hit EN, even the folks who thought it was ridiculous—so the reveal that he’s not an android and is actually a normal human with a shitload of emotional abuse trauma hits that much harder, at least for me. It’s really neat storytelling imo! And I get really bummed that people seem to miss it!

(I think there’s some more to be said, both about the other Mankai mysteries—the fact that the dorm ghost (Misumi) and the utilities somehow always staying on (Syu) are just completely normal situations with normal explanations are REALLY funny to me—and about some of the other supernatural events that pop up, but I’d also need to read a couple other events + y3 first I think.)

[rotisseries]

what's the worst shonen ending? well😌 whatever shonen is ending right now of course

[tardis--dreams]

One thing you need to know about me is that I will never reblog anything that has the addition "this should be reblogged by everyone" or anything of the like.

[vilevampire]

it's so funny how I've seen multiple jazzllocer shippers say something like "I'm the biggest jazzllocer fan (because there's no one else to take this spot)" like I swear I've seen at least a few people say smth to that effect or something that implies it and I'm just like . guys . guys we can't ALL be the #1 jazzllocer shipper that's just not how it works

[hetalian-veteran]

The Draw of the Hetalia Fandom (and Why You Can Never Leave)

From the perspective of a fan of (technically) twelve years or so.

Something occurred to me a while back, and I wanted to share it to get other people's thoughts. I'll try to add funny pictures and gifs to break up the wall of text so it won't be as exhausting to read.

I made a post the other day about how the Hetalia fandom always draws you back in. This was, of course, based on the joke about how you can never really leave the Hetalia fandom. A joke you can find virtually everywhere you look in fan spaces online.

But this begs the question. Why? Why can't you ever truly leave the Hetalia fandom? What is it about this fandom that consistently draws you back in?

And note that people don't talk about Hetalia itself, but rather its fandom. You could stop watching the show or reading the comics for years, but the fandom is what won't fully leave you be.

(The Hetalia fandom every time you check to see if it's dead yet).

One answer I've heard has to do with the phenomenon known as Associative Memory, where you can learn and remember the relationship between unrelated items.

For example, you watch Hetalia, a series about the countries of the world personified as anime characters. These characters have their own personalities, traits, quirks, etc. And the more you watch the show and get into the fandom, the more you start to associate these things with one another.

For instance, someone can say the word Italy, and I'll start thinking about Feliciano Vargas. Or someone could say the name Matthew Williams, and I automatically associate that with Canada. Or I could see bushy eyebrows and immediately start thinking of APH England. Heck, someone starts talking about Vikings and my thoughts almost always go to the Viking Trio of Denmark, Norway, and Sweden. I could go on, but you get the idea.

And there's also the fact that we live in a world full of the countries that the show has personified characters of, which would in turn likely remind you of Hetalia.

But there's something more here going on. I've thought about it for a long while, and I think I've realized one of the biggest reasons why you can't fully leave the fandom.

It's because of how versatile the characters of the series can be in fan content. Allow me to explain.

(Me preparing to explain to everyone the epiphany that came to me one dark, stormy night).

Hetalia is a series with literally no plot. Like, zero. Some episodes may impact each other, but the overall series is episodic in nature. The only episodes you'd have to watch in order would be the ones going over the miniature love story between Chibitalia and HRE. And then there's the sequence of episodes going over the Industrial Revolution in season seven, and then the sequence of episodes explaining the relationship between Czechia and Slovakia. But that's it. And the Industrial Revolution and Czechia and Slovakia episodes aired in the latter seasons, long after the fandom was already very big and well established.

The episodes are largely adaptations from the original webcomic and thus are all a bunch of skits haphazardly thrown together. So I'll reiterate what I said earlier; there is no real, canonical plot to Hetalia. There are canon events and facts about canon characters, but seeing as the show is largely skits, they aren't tied down to any real narrative.

(The Hetalia fandom whenever they're given a piece of canon they don't like).

This leaves a lot of room for headcanons. Which leads to fans sharing their headcanons online. And when headcanons get super popular, they become fanon. And when a piece of fanon gets super popular, where it finds itself getting mingled with fanart, fanfiction, and even fan theories, you'll have people who start to confuse it with actual canon. There's really a lot to be said for the wild fanon of Hetalia, but I'll get to that another day. I need to turn the focus back onto the characters themselves.

I'm just gonna put it out there. The Hetalia characters are largely one-note. This isn't to say there isn't some depth to a few of the characters, but these characters are largely the epitome of "what you see is what you get." Especially in the early days of the series. The characters all have a set of straightforward, basic character traits, with their interpersonal relationships often being displayed in a very simplistic manner.

For example, Italy is a pasta-loving coward who's a massive flirt. Germany is strict and authoritative with a no-nonsense attitude. Japan is quiet and soft-spoken, only speaking up when he feels the need. America is a bombastic dork with a hero complex. England is an arrogant stick in the mud. France is a hopeless romantic who flirts with anything that has a pulse.

(Me taking a moment to pause and push away the cringy middle school memories of me shamelessly fangirling in class).

And as I said, their relationships are typically portrayed as simplistic as well. Italy annoys Germany, but Germany doesn't want to get rid of him because he's one of his only friends. England and France hate each other. America is that hyper-extroverted friend trying to get his introverted friend, Japan, out of his shell. Switzerland and Lichtenstein have a sweet sibling dynamic. And Prussia and Austria are portrayed as old friends who like to antagonize one another.

Because of the way the characters and their interpersonal relationships are written, this also lends them open to a lot of headcanons and eventual fanon. Not to mention that most of the characters have canon, human names. So if you want to use these characters in a fanfiction, particularly one where you don't want to depict them as countries (which is most fanfics), you have names at the ready that you can use.

And because of the simple way the characters are written, you can potentially write or portray these characters however you want in fanwork without too many people complaining that someone "isn't in character." There is so much room for your own interpretations of the characters. As long as you keep some of their basic personality traits from the series intact, you can portray the characters however you want. Especially because there's no real canonical storyline to drag them down. Because of the lack of canon storyline, you don't have to worry about fanworks being canon-compliant, canon-divergent, or canon-adjacent.

(Fanfic writers when they realize canon cannot stop them from creating whatever they want).

Do you want to portray Romano as the notorious mafia boss, Lovino Vargas, in the 1930s? Go ahead. As long as you can keep some of his cowardly and stubborn nature intact, you can do what you want with little trouble.

Do you want to portray England as the infamous pirate, Arthur Kirkland, in the 17th century? As long as you maintain his disdain for France, have at it!

Do you want to write a college AU with all of the characters present? As long as you keep in mind their personalities and have a basic understanding of their interpersonal relationships, have fun!

Now you're probably sitting there thinking, "Big deal, people can create all kinds of fanwork, regardless of what its content is, or what property it's for. What makes the Hetalia fandom so special?"

It's special because, since Hetalia is a series with almost zero canonical storylines, and the characters are portrayed in such a simplistic way, both of which lend their way to boatloads of headcanons and fanon, as well as small scraps of canon information that we can choose to either ignore or elaborate like crazy on...

Hetalia is a freaking goldmine for creating all kinds of fan content.

(Hetalians when creating the 2p! variations of the characters, probably).

So much fan content is out there. From creepypastas, to Hetaoni, Dreamtalia, the 2p! characters, historically accurate AU's, school AU's, and so, so much more. All because the canon is just loose enough to allow all kinds of fan content to be created and not seem too far off from the series or characters.

And that fan content ends up being way, way more fun than the actual series itself! Don't get me wrong, I still love the show, but I'd be lying if I said I didn't (or currently don't) have a freaking blast every time I engage with fan content. The creativity is insane, and the fanon is even more fun and entertaining.

The reason you cannot fully leave the Hetalia fandom isn't just because of Associative Memory, but because of the immense amount of fan content and fanon where, because of the nature of the series, you can do, write, draw, and create whatever you want. You can project onto these characters and their stories and interpret them to your own personal tastes. And you know what? That's a heck of a lot of fun.

And there you go, that's my two cents.

[the-worst-person-u-know]

i get people not being happy about the watcher move. i get people mourning that they can't afford to follow the guys rn. but actually wishing they would fail? hoping watcher employees are stressed and anxious? i don't think you actually like them, i think you just like having your whims catered to and you just see the guys as your funny little puppet friends.

i get that parasocial relationships are a...complex topic, particularly when a specific kind of content pretty much requires fostering that vibe. even when you know it's a real phenomenon, it's really easy to fall into the trap of, "these people are really cool/funny! i wish we were friends" (and tbf, i think a "friend crush" is still a *little* different bc i think most parasocial relationships make you think, "we ARE friends...or would be if we met.")

BUT. the flip side is forgetting that these guys are people, too. people who gotta make ends meet, particularly if they want to keep providing great content. people with families, bills, expenses, and yes even little treats. like, shit costs money and we can't accuse someone of greed or hope they fail and then pat ourselves on the back for being anti-capitalist or something. this move is a risk but also surely not an impulsive one, and the guys feel this is the right move both financially and creatively then you should hope they succeed!

and, ftr—i already signed up, and i've already sent out my login info to friends who aren't in a place rn to pay. support the guys if you can, but i think the bare minimum is not hoping they crash and burn.

[tswwwit]

familiar!au thoughts:

i've been mentally handwaving all of dipper's reincarnations having the same names, bc it would just be confusing to read, if they didn't (and bc tbh i feel like bill would just ignore it anyway, lmao. this is pine tree! that's all that matters. what, is bill supposed to remember whatever dumb new thing his mortal parents have named him every lifetime?)

HOWEVER, a funny alternative- do you think, after bill & dipper have gained enough notoriety for dipper to be recognized as a Big Heroic Demon Hunter, there's a sudden spike in people naming their kids "mason", and/or "dipper" becomes a new & notable given name?? are there magical families out there naming their baby boys mason or dipper, in the hope that they'll grow up to be powerful practitioners, or that they'll be especially resistant to demonic temptation? (lol. lmao, even.)

second: imagine familiar-verse's pop culture landscape once enough time has passed that bill & his mortal have passed into legend. 😭 what do you think it's like to be a teenager growing up in the Between Times, when there's mythologized history, daytime TV dramas, and bad historical romance novels about these two?

do you think there's like, tiktoks about how to tell if you're regaining past memories in dreams, of your time as bill's mortal? IG reels of kids who have Wildly misunderstood the situation, w/ captions like "13th bday, i think my birthmark is finally starting to come in?!! 🤯😱 #ChosenMortal #BeastWithOneEye #WelcomeBackDipper" and the comments are full of people going "bestie that is a rash, please go to the doctor 🙏😭"

Thank you for accepting my handwaving of Dipper's name in the reincarnations! A majority is of course the readability and understanding it's the same guy, but bit of it is 'I don't wanna come up with new names for each one'. I also agree with 'Mason' and 'Dipper' becoming much more common after Dipper's first life! Turns out he made quite the impression. That'll happen when you're a clever guy with the full power of Bill Cipher behind your spellcraft. God, though. The cultural phenomenon behind this weird Demon Bond. With how little information the public has on how things went down, imagine all the fictional interpretations. Dramas, of course. Soap operas, even! Horror movies! Tons of different versions of what happened! Of course there's tweens daydreaming about being next, it's a Pretty Cool Thing to happen to someone - if you don't know Bill very well. I will also take your rash story and invite another possibility - A Dipper who thinks he's totally gotten away scot-free from any involvement with Bill. After all, he doesn't have the birthmark.

Only to wake up one day, wash his face at the sink, and look up to see the damn birthmark plastered right on his forehead.

[ilovelyneysm07]

Shooting Stars - SAGAU!Lyney x Player Part 2

Summary: Shooting Stars were always a weird occurrence in the world of Teyvat, so when they suddenly stop, certain magician can't help but wonder if it has to do with the strange aching in his chest.

CW: Self Aware AU, NOT Cult AU or Creator AU, Angsty, the Reader is referred as Player, Based on my own Genshin Account, Pretty Self-Indulgent, GN!Player, Cross-posted on AO3, English is not my first language and I'm not an experienced writer

A/N: Heyy, I'm so sorry for the long wait! My hyperfixation on Genshin just died when I got Lyney and I didn't have the motivation to continue this, but I finally got myself to write this. Also, I'm really sorry if this is bad, I got sick last week and I'm getting out of it rn.

Taglist: @crazed-flower @yurislilygarden @yurislotusgarden

The day is finally here, after five months of arduous saving and skipping characters (it was hard), Lyney's first rerun finally sees the light of day. The Player, who’s been waiting patiently for the maintenance to end, opens the game as fast as they could, feeling their heart beat in their throat.

Three hundred and twenty seven wishes. All for that magician they love so much. Oh, how much they regret being inactive from the game when his banner came out. They can only wish that they get him now… and his weapon if they’re lucky enough.

It’s kind of funny how they had to contain themselves from pulling for anyone else (except for Furina, they only pulled because she looked pretty at the moment), it didn't matter if all the new characters powercrept Lyney or if they were better in terms of DPS, for the Player, he was everything they needed, everything they wanted. They just wanted that cat-themed magician in their party and their account.

Seeing the Geo logo finally load, they rush to finish their dailies and change their team to the duo, Freminet and Lynette, and rush towards the Opera Epiclese. It felt like a dream, but the way they felt the keyboard under their fingers told them otherwise. This is pretty much real.

After reaching the designated “wishing spot”, they opened the wishing menu, seeing his splash art alongside the chosen four stars, happy that they can at least get constellations for them. The Player took a deep breath and pressed the “10 pull” button.

—

Lyney was looking at the ceiling in his room, the ache in his chest suddenly feeling harder… painfully so. He sat down in his bed, feeling how the sheets moved due to his weight. The magician sighed, running his hand through his ashy blonde hair while his head was strangely silent, no thoughts, nothing. 

After a failed investigation into the phenomenon of strange falling stars, Lyney was beyond desperate, no one seemed familiar with the ache the magician felt in his chest, even some people looked at him weird, like he was crazy.

Why is it only with him?

Lyney's gaze returned to the ceiling, the zero hope he felt about a possible explanation seemed to fade with each passing second. Was it only his imagination? Was he going insane? It's been five months since those shooting stars last fell, maybe it's time to-

*WAM*

Lyney stood up immediately at the sudden sound that came from outside, quickly dressing up (somehow) and grabbing his bow, he walked outside to see what’s going on and-

The shooting stars were back. The colors returned to the sky and made it pretty again, a purple star falling directly in the Opera Epiclese as he looked in awe. The pain in his chest was getting even more heavy, but he ignored it, lost in the colors of those shooting stars.

Thinking it was over when the purple star fell, another wave came right after, and then another, and another. And another. It became a full shooting star shower, that never happened before

It’s been at least eight or more purple stars when a golden one falls. Its shine lit up all of Fontaine, as the people exited their houses to see the show happening in the blanket of the night. Lyney looked at the golden star with anticipation, while it became bigger and bigger as it fell closer.

Only for it to continue falling towards… Sumeru?

—

The Player stares at their screen in disbelief.

Reached 79 pity only to lose it to Dehya… They sigh in frustration while closing the results of the pull, they still have a lot of wishes left, and now with a guarantee, it will be a lot easier… right?

They sigh again as their friend laughs at their misery on the discord call, deciding to continue the wishing session.

“He will come home, whether he likes it or not…” they mutter to themselves, already feeling pissed off.

—

Lyney thought the shooting stars were over until even more fell from the sky, this time more… fast, than before. Like they were in a rush.

He looked at the purple ones as some fall in the Opera Epiclese and the others go all the way to what appears to be Liyue.

He was starting to get anxious as he then became aware of the pain in his chest again. He felt a pull, like someone was calling for something, calling for him.

And suddenly, another golden star fell from the sky. And instead of going to Sumeru, it was falling dangerously close to him.

Wait, was it falling towards him?!

His body stayed frozen in place as the star fell on him. A golden aura engulfed his entire body and his feet felt light, and… a strange voice appeared on his head.

“Fucking finally, dude. You took your sweet ass time.”

That… was new.

He opened his eyes when the light disappeared, and he found Lynette and Freminet looking at him with a smile. Lyney then realized he was in the Opera Epiclese.

“Wha- how did I-” Lyney muttered, confused at the sudden change in scenery.

“Welcome home, brother. We’ve been waiting for you.” Lynette said with a small smile, the purple aura around her not going unnoticed for Lyney.

“Home? What are you talking about? What is going on?” To say the magician was confused was an understatement. He was beyond lost.

“Uhm, it’s hard to explain but… you’ll understand sooner or later.” Freminet said with a nervous smile and he had Pers in his hands, the little penguin making sounds of joy.

Lyney didn’t know how to react to the confusing sentences his siblings were saying. Or why the world looked so different, so 3D… so- fake. Has the world always looked like that? And what are those numbers in his siblings' heads? Level 40 and Level 80? What in the world does that mean?

“He looks so confused… Do you think he’ll be okay?” Freminet whispered towards Lynette, who was pretty worried for her brother.

“I don’t know… he doesn’t seem to be taking it well.” she says back, and she hears the sounds from the player in her head.

“Aquila Favonia?! Are you serious?! I already have it R2- This banner fucking sucks!”

They must be pulling for Lyney’s weapon, it seems, and it also seems that they’re not doing so well. Lynette sighed when she noticed Lyney’s bewildered expression at the loud voice, before putting a hand on Lyney's shoulder.

“Listen, things might look a little confusing right now, but everything will be okay. The Player is someone really caring and nice, and they really like you.” Lynette says with a calm tone, but also a lot of reassurance. “Why did you think there were no shooting stars in five months? Because they wanted you.”

Lyney looked at her in shock, still processing everything. This.. “Player”, as Lynette called them, was the one behind the shooting stars apparently, and they… wanted him? Really-

“I hate this game, I’m never saving up for another character ever again. Fuck you, Lyney.”

Oh.

“They’re always like this, don’t pay them any mind.” Lynette says with a small frown before sighing again. “It seems their wishing session is over, you should feel some changes in a bit.”

“What changes-”

Before Lyney could process anything, the world around him changed again, the walls (or what he assumed were walls) around him became red, with some fire coming out of the floor, where did Lynette and Freminet go?!

Before he could feel even more confused, he saw them… a person was looking at him and pressing some buttons on what appears to be a… keyboard of sorts.

“If it didn’t take me more than 200 wishes to get you, I’d be happier.” they say with a serious expression but a tired smile slowly creeps in, and he feels himself getting stronger… somehow.

What is this person? And why does he feel so strange when he looks at them?

Even with their tired expression and dark room, he could see affection in their eyes. Affection for him. He remembers Lynette’s words about this “Player” liking him and wanting him for a long time. Was this person the so-called “Player” Lynette was talking about?

If so, then he might consider himself lucky to be favored by this really pretty Player.

“Yeah, I have everything ready to just Level him up and his weapon straight to 90, it did take me a while to get all of the Rainbow Roses though…” they say practically to no one in Lyney’s point of view. Were they not alone in that dark room? Or were they talking to someone via real magic?

Wait, Rainbow Roses? For him?!

Were they collecting Rainbow Roses for him?

The more he thought about it, the more flustered he felt. This person was collecting Rainbow Roses and… materials (he doesn’t know what that means) for him. For this moment alone.

“Hey, is it normal for Lyney to have this idle animation?” they asked when Lyney suddenly grabbed his hat to cover his face a little. He could hear them laugh a little. “That’s so cute, though! Look at him!”

Oh God.

—

[Little Extra]

“I still have a few wishes left, might as well get Lynette C6 since I’m at it.” Lyney hears them while fighting some Hilichurls alongside other people, Kaedehara Kazuha, a wanderer from Inazuma, Bennett, an adventurer from Mondstadt and, surprisingly, Miss Furina. What a strange bunch, Lyney thought.

While the Player made their sudden wishing session, Lyney sat down on a nearby rock. It’s been 30 minutes since he’s been pulled into this weird situation and he’s still processing everything. Heck, it feels even weirder to be in the same “party” as the former Hydro Archon. Was this even allowed? He's not sure himself, but he’ll just go along with everything this strange person does for the time being, Freminet and Lynette seem to trust them, so he might as well give it a shot-

“What the fuck?!” Lyney was startled when the Player suddenly screamed, he looked up and saw a sudden golden star fall on him.

He felt a burning pain in his right arm, he pulled up his sleeve to see a strange pattern in his skin. C1? What does that mean?

He remembers hearing the Player say something about “Lynette’s C6”, but he has no idea what any of that even means.

“Constellation.” He hears Kazuha say by his side, a calm expression on his face. “It means Constellation. When the Player gets lucky and the stars fall on one of us again, our “Constellation” increases. C6 being the highest.” Kazuha explains, although it’s just what he heard. “For example, me and Miss Furina are C0 since the shooting star only fell on us once. Bennett over there is C4 since the shooting star fell on him 5 times.”

“I see…” Lyney says with a smile. “Well thank you-”

“No fucking way!” he gets startled again by the scream. And before he could react, another golden star falls on him, and the pattern changes to C2.

Kazuha looks at him with a smile. “Wow, signature weapon, C2… you really are the Player’s favorite!”

Lyney just laughs, his cheeks a bit red. “Oh come on, they don’t love me that much-”

“I love you so much, Lyney! I’m so sorry I said otherwise!” Lyney gets even more flustered at that, making Kazuha laugh even more.

This was certainly a weird experience, but… it felt good.

[olderthannetfic]

Sending this to you specifically because I feel like you're the only normal brained person about this series.

I read Captive Prince a couple of years ago and liked it fine, as someone who doesn't have a strong preference for or against m/m and therefore isn't well-versed enough in its clichés to notice whether it reads like something full of cliché fanfic tropes. I really liked the use of language, some of the historical/political stuff, some of the ways that the characters are made complicated or unreliable.

The problem is, I've since coincidentally read most of the books that were Pacat's inspiration and. Well. Like 80-90% of the stuff in there has direct parallels in one of those. I'm not sure if there are more than three original thoughts in there.

I am not joking, if you read 1. The Lymond Chronicles and House of Niccolò by Dorothy Dunnett; 2. The Nightrunner series by Lynn Flewelling and 3. The Vampire Chronicles by Anne Rice, you will find that some of the scenes were ripped off beat for beat, many jokes were taken and just lazily reworded, a lot of the character beats and arcs are at best a mashup of 2 or maximum 3 things from those books with the serial numbers filed off really poorly. There's a scene where some characters discover a suicide victim whose structure and descriptions are completely ripped off from another series, except Pacat fails to see what made the original scene so impactful. A lot of the pretty use of language is also directly copied from those, including some really really specific descriptors. It's so blatant!

And I don't see how people are okay with this! I know people who are fans of several of these works and they're totally cool with it! And honestly if it were some rando's unpublished original project I'd be cool with it too, but as a published beloved worldwide phenomenon with rabid fans? C'mon.

And another thing is, all of the other series mentioned above are balls to the wall insane. She just... she just made it bland. She took off most of the edge and reshuffled the elements into a fairly straightforward MLM love story with some light kink thrown in. It's not a BAD series, but I feel like I'm disappointed that someone read all my favourite books and THAT was their takeaway?

--

I started reading, got to the name of the series and burst out laughing.

And, wow, you brought up something totally new that I hadn't thought about! I'm impressed. Genuinely. Usually, I rant about all the reasons I hate the series while debunking the standard anti talking points.

--

I've read the Vampire Chronicles, but that was in the 90s and I read Captive Prince in like 2016 or after. I had zero recollection of common points. I haven't read The Lymond Chronicles despite years of hurt/comfort fans bugging me to do so, and I think I got like a chapter into the Nightrunner series before getting distracted...

The reason I found Captive Prince annoying and derivative is that it also reads exactly like the original m/m that was available when it was first being written, most notably the work of P.L. Nunn who was extremely famous for horny fan art but who also wrote some original m/m fantasy novels. The scene where they finally bone reminds me heavily of the one from... uh... what's the P.L. Nunn one where the prince creeps on that archer dude and he gets raped because of course and then the prince has to be ~patient~ and it's peak boring 2000s rape recovery tropes?

The rape backstory is not only lifted from Fushigi Yuugi (the author's fandom at the time) but is shared with basically 100% of original m/m from that era. It's sometimes the uncle, sometimes the stepfather. One single time that I can think of, it was the foster brother, but mostly it's that "funny uncle" type. Unless it's gang rape from a bad Gundam Wing fic. That was also everywhere.

Once somebody told me the author had previously shipped Tamahome/Nakago, I realized that they'd taken what would be a kind of unusual anime ship and made it a thousand times more boring by dumbing down the scary, tall general with the tragic backstory into an uke-appropriate waif.

So I guess what I'm saying is that there may be some inspiration you aren't familiar with, but it's the same story as what you said above: this is the blander remix.

--

As for why people are okay with this... honestly, most of the people who really adore the series whom I've talked to point to how it encapsulates the exact tropes and tone they loved in anime fic circa 2000.

As a fellow weeb, I loathed the tone of said anime fic circa 2000 and could not wait for tastes to change, so Captive Prince is a hideous blast from an unlamented past for me.

I think most people who love the series aren't familiar with its inspirations. Those that are may have consumed them quite a while ago and don't realize quite how direct the parallels are. Or, for the inspirations that aren't overtly canon m/m, the lure of it being Exactly Right may overshadow other things.

(They also mostly haven't read 90s fantasy doorstops that actually contain political intrigue, tactics and strategy. Captive Prince is a piss poor entry into this genre and should be recced for m/m, not this other stuff people constantly think is in there. None of these characters can reason their way out of a paper bag.)

More than any of that, there's a lot of love left over from when the series was a serialized original story on Livejournal in an era when we had vanishingly few original m/m works, especially long ones in a fantasy alternate world.

I think that is what gets it a pass when a new m/m novel presented as "m/m romance" or posted on one of the webnovel sites would be mocked for unoriginality. Many Captive Prince fans aren't (or weren't when they read it) all that familiar with the smorgasbord of original m/m available today. Many are unfamiliar with anime fanfic circa 2000, so this feels adjacent to the fic they've read but a little fresher... instead of like the week-old sardine tin I found it to be.

[makapatag]

Tactical Combat, Violence Dice and Missing Your Attacks in Gubat Banwa

In this post I talk about game feel and decision points when it comes to the "To-Hit Roll" and the "Damage Roll" in relation to Gubat Banwa's design, the Violence Die.

Let's lay down some groundwork: this post assumes that the reader is familiar and has played with the D&D style of wargame combat common nowadays in TTRPGs, brought about no doubt by the market dominance of a game like D&D. It situates its arguments within that context, because much of new-school design makes these things mostly non-problems. (See: the paradigmatic shift required to play a Powered by the Apocalypse game, that completely changes how combat mechanics are interpreted).

With that done, let's specify even more: D&D 5e and 4e are the forerunners of this kind of game--the tactical grid game that prefers a battlemat. 5e's absolute dominance means that there's a 90% chance that you have played the kind of combat I'll be referring to in this post. The one where you roll a d20, add the relevant modifiers, and try to roll equal to or higher than a Target Number to actually hit. Then when you do hit, you roll dice to deal damage. This has been the way of things since OD&D, and has been a staple of many TTRPG combat systems. It's easy to grasp, and has behemoth cultural momentum. Each 1 on a d20 is a 5% chance, so you can essentially do a d100 with smaller increments and thus easier math (smaller numbers are easier to math than larger numbers, generally).

This is how LANCER works, this is how ICON works, this is how SHADOW OF THE DEMON LORD works, this is how TRESPASSER works, this is how WYRDWOOD WAND works, this is how VALIANT QUEST works, etc. etc. It's a tried and true formula, every D&D player has a d20, it's emblematic of the hobby.

There's been a lot more critical discussion lately on D&D's conventions, especially due to the OGL. Many past D&D only people are branching out of the bubble and into the rest of the TTRPG hobby. It's not a new phenomenon--it's happened before. Back in the 2010s, when Apocalypse World came out while D&D was in its 4th Edition, grappling with Pathfinder. Grappling with its stringent GSL License (funny how circular this all is).

Anyway, all of that is just to put in the groundwork. My problem with D&D Violence (particularly, of the 3e, 4e, and 5e version) is that it's a violence that arises from "default fantasy". Default Fantasy is what comes to mind when you say fantasy: dragons, kings, medieval castles, knights, goblins, trolls. It's that fantasy cultivated by people who's played D&D and thus informs D&D. There is much to be said about the majority of this being an American Samsaric Cycle, and it being tied to the greater commodification agenda of Capitalism, but we won't go into that right now. Anyway, D&D Violence is boring. It thinks of fights in HITS and MISSES and DAMAGE PER SECOND.

A Difference Of Paradigm and Philosophies

I believe this is because it stems from D&D still having one foot in the "grungy dungeon crawler" genre it wants to be and the "combat encounter balance MMO" it also wants to be. What ends up happening is that players play it like an immersive sim, finding ways to "cheese" encounters with spells, instead of interacting with the game as the fiction intended. This is exemplified in something like Baldur's Gate 3 for example: a lot of the strats that people love about it includes cheesing, shooting things before they have the chance to react, instead of doing an in-fiction brawl or fight to the death. It's a pragmatist way of approaching the game, and the mechanics of the game kind of reinforce it. People enjoy that approach, so that's good. I don't. Wuxia and Asian Martial Dramas aren't like that, for the most part.

It must be said that this is my paradigm: that the rules and mechanics of the game is what makes the fiction (that shared collective imagination that binds us, penetrates us) arise. A fiction that arises from a set of mechanics is dependent on those mechanics. There is no fiction that arises independently. This is why I commonly say that the mechanics are the narrative. Even if you try to play a game that completely ignores the rules--as is the case in many OSR games where rules elide--your fiction is still arising from shared cultural tropes, shared ideas, shared interests and consumed media.

So for Gubat Banwa, the philosophy was this: when you spend a resource, something happens. This changes the entire battle state--thus changing the mechanics, thus changing the fiction. In a tactical game, very often, the mechanics are the fiction, barring the moments that you or your Umalagad (or both of you!) have honed creativity enough to take advantage of the fiction without mechanical crutches (ie., trying to justify that cold soup on the table can douse the flames on your Kadungganan if he runs across the table).

The other philosophy was this: we're designing fights that feel like kinetic high flying exchanges between fabled heroes and dirty fighters. In these genres, in these fictions, there was no "he attacked thrice, and one of these attacks missed". Every attack was a move forward.

So Gubat Banwa removed itself from the To-Hit/Damage roll dichotomy. It sought to put itself outside of that paradigm, use game conventions and cultural rituals that exist outside of the current West-dominated space. For combat, I looked to Japanese RPGs for mechanical inspiration: in FINAL FANTASY TACTICS and TACTICS OGRE, missing was rare, and when you did miss it was because you didn't take advantage of your battlefield positioning or was using a kind of weapon that didn't work well against the target's armor. It existed as a fail state to encourage positioning and movement. In wuxia and silat films, fighters are constantly running across the environment and battlefield, trying to find good positioning so that they're not overwhelmed or so that they could have a hand up against the target.

The Violence Die: the Visceral Attacking Roll

Gubat Banwa has THE VIOLENCE DIE: this is the initial die or dice that you roll as part of a specific offensive technique.

In the above example, the Inflict Violence that belongs to the HEAVENSPEAR Discipline, the d8 is the Violence Die. When you roll this die, it can be modified by effects that affect the Violence Die specifically. This becomes an accuracy effect: the more accurate your attack, the more damage you deal against your target's Posture. Mas asintado, mas mapinsala.

You compare your Violence Die roll to your target's EVADE [EVD]. If you rolled equal to or lower than the target's EVD, they avoid that attack completely. There: we keep the tacticality of having to make sure your attack doesn't miss, but also EVD values are very low: often they're just 1, or 2. 4 is very often the highest it can go, and that's with significant investment.

If you rolled higher than that? Then you ignore EVD completely. If you rolled a 3 and the target's EVD was 2, then you deal 3 DMG + relevant modifiers to the DMG. When I wrote this, I had no conception of "removing the To-Hit Roll" or "Just rolling Damage Dice". To me this was the ATTACK, and all attacks wore down your target's capacity to defend themselves until they're completely open to a significant wound. In most fights, a single wound is more than enough to spell certain doom and put you out of the fight, which is the most important distinction here.

In the Thundering Spear example, that targets PARRY [PAR], representing it being blocked by physical means of acuity and quickness. Any damage brought about by the attack is directly reduced by the target's PAR. A means for the target to stay in the fight, actively defending.

But if the attack isn't outright EVADED, then they still suffer its effects. So the target of a Thundering Spear might have reduced the damage of an attack to just 1 (1 is minimum damage), they would still be thrown up to 3 tiles away. It matches that sort of, anime combat thing: they strike Goku, but Goku is still flung back. The game keeps going, the fight keeps going.

On Mechanical Weight

When you miss, the mechanical complexity immediately stops--if you miss, you don't do anything else. Move on. To the next Beat, the next Riff, the next Resound, think about where you could go to better your chances next time.

Otherwise, the attack's other parts are a lot more mechanically involved. If you don't miss: roll add your Attacking Prowess, add extra dice from buffs, roll an extra amount of dice representing battlefield positioning or perhaps other attacks you make, apply the effects of your attack, the statuses connected to your attack. It keeps going, and missing is rare, especially once you've learned the systematic intricacies of Gubat Banwa's THUNDERING TACTICS BATTLE SYSTEM.

So there was a lot of setup in the beginning of this post just to sort of contextualize what I was trying to say here. Gubat Banwa inherently arises from those traditions--as a 4e fan, I would be remiss to ignore that. However, the conclusion I wanted to come up to here is the fact that Gubat Banwa tries to step outside of the many conventions of that design due to that design inherently servicing the deliverance of a specific kind of combat fiction, one that isn't 100% conducive to the constantly exchanging attacks that Gubat Banwa tries to make arise in the imagination.

[txttletale]

Your discussions on AI art have been really interesting and changed my mind on it quite a bit, so thank you for that! I don’t think I’m interested in using it, but I feel much less threatened by it in the same way. That being said, I was wondering, how you felt about AI generated creative writing: not, like AI writing in the context of garbage listicles or academic essays, but like, people who generate short stories and then submit them to contests. Do you think it’s the same sort of situation as AI art? Do you think there’s a difference in ChatGPT vs mid journey? Legitimate curiosity here! I don’t quite have an opinion on this in the same way, and I’ve seen v little from folks about creative writing in particular vs generated academic essays/articles

i think that ai generated writing is also indisputably writing but it is mostly really really fucking awful writing for the same reason that most ai art is not good art -- that the large training sets and low 'temperature' of commercially available/mass market models mean that anything produced will be the most generic version of itself. i also think that narrative writing is very very poorly suited to LLM generation because it generally requires very basic internal logic which LLMs are famously bad at (i imagine you'd have similar problems trying to create something visual like a comic that requires consistent character or location design rather than the singular images that AI art is mostly used for). i think it's going to be a very long time before we see anything good long-form from an LLM, especially because it's just not a priority for the people making them.

ultimately though i think you could absolutely do some really cool stuff with AI generated text if you had a tighter training set and let it get a bit wild with it. i've really enjoyed a lot of AI writing for being funny, especially when it was being done with tools like botnik that involve more human curation but still have the ability to completely blindside you with choices -- i unironically think the botnik collegehumour sketch is funnier than anything human-written on the channel. & i think that means it could reliably be used, with similar levels of curation, to make some stuff that feels alien, or unsettling, or etheral, or horrifying, because those are somewhat adjacent to the surreal humour i think it excels at. i could absolutely see it being used in workflows -- one of my friends told me recently, essentially, "if i'm stuck with writer's block, i ask chatgpt what should happen next, it gives me a horrible idea, and i immediately think 'that's shit, and i can do much better' and start writing again" -- which is both very funny but i think presents a great use case as a 'rubber duck'.

but yea i think that if there's anything good to be found in AI-written fiction or poetry it's not going to come from chatGPT specifically, it's going to come from some locally hosted GPT model trained on a curated set of influences -- and will have to either be kind of incoherent or heavily curated into coherence.

that said the submission of AI-written stories to short story mags & such fucking blows -- not because it's "not writing" but because it's just bad writing that's very very easy to produce (as in, 'just tell chatGPT 'write a short story'-easy) -- which ofc isn't bad in and of itself but means that the already existing phenomenon of people cynically submitting awful garbage to literary mags that doesn't even meet the submission guidelines has been magnified immensely and editors are finding it hard to keep up. i think part of believing that generative writing and art are legitimate mediums is also believing they are and should be treated as though they are separate mediums -- i don't think that there's no skill in these disciplines (like, if someone managed to make writing with chatGPT that wasnt unreadably bad, i would be very fucking impressed!) but they're deeply different skills to the traditional artforms and so imo should be in general judged, presented, published etc. separately.

[flavoredfaeman]

Okay making my own long post so that I can get out all my thoughts clearly

So to start off 1. I think that queer baiting is a completely useless term, in part because all it is used for is arguing whether or not something is queer enough (in part because queerbaiting is an incredibly rare phenomenon in western media), 2. I think that the way male queerness is treated in Deadpool is unfortunate, and 3. Gay people are allowed to find joy in goofy movies and it isn't that serious.

**this is all my opinion, a lot of these topics are up to personal interpretation just like with any other movies or media discussion (I am trying to also cover multiple perspectives here, but I am only one person)

Let's get one thing clear right off the bat, no one who is familiar with marvel and disney actually thought that Deadpool and Wolverine were going to kiss/fuck nasty/become an item. (Those were jokes guys.) Those of us who were hoping for queerness were hoping for some subtext at most or the Deadpool-typical type jokes where he smacks a guy's ass, makes a quippy comment and moves on. And within that context of expectation, we were given way more than we expected.

Now, I will say that it is absolutely sad that we can have these movies with gay jokes, but that actually portraying queer characters seems to be too much for them. As is typical (to my knowledge) of bigger movies, they were allowed to make a side lesbian couple (this is a much larger topic, but for the purposes of this conversation, let me add on: cishet men think lesbians are hot + women are not considered to be able to have "real" relationships without men. So they can get greenlit a bit easier.), but Deadpool is not allowed to have meaningful connections to other men.

Deadpool's jokes about gayness can be interpreted in different ways. To some people, they feel hurtful and deriding. To others, they are the jokes made by a man who is comfortable in his identity, and who makes jokes to take power away from people who may want to use his queerness against him. It's really hard to argue this one way or the other, since Deadpool isn't a real person who we can ask to clarify. As such, how one feels about these jokes usually sits within the context of how they view Deadpool and the movies in general. Personally, I think that these jokes are meant to shock audiences, but I don't think they are actually intended to be hurtful. Especially when the funny part of most of the jokes is when he is making them, not that it's gay. Like, straight or gay, it's funny to talk about sex in a really emotional/tense moment, or in the middle of a fight. Particularly when you see how he treats the other queer people around him, not to mention, you know, the fact that he's canonically pansexual. (Frankly I find it kinda weird to go "aah there's a queer man making jokes about being a queer man!! How terrible!!" but that's my prerogative)

From movie 2 to 3 there does seem to be a change in how queerness is being treated. A positive change, in my opinion. Because Deadpool isn't making all that many jokes in this one, he's got a few for sure (Wolverine has one or two as well!!) but a lot of what he's doing is becoming genuinely close to Wolverine. This shifts the dynamic, now it's not just Deadpool making gay jokes or advances to people who don't really reciprocate (to my memory, though I feel like Colossus may have flirted back at like the end of Deadpool 2?), instead the jokes are being reciprocated/responded to and the characters are being put on even ground. Wolverine is a realized character, just like Deadpool, so they are able to grow closer over the course of the movie, and form an actual connection and bond. (Also a lot of the gay jokes become "wow isn't wolverine so hot?" jokes)

Important to also add that yes, they do start the movie with a very fraught and tense relationship, they are both very violent characters, Wolverine has crazy anger issues, and Deadpool makes everything a joke. All of these things are important to their characters and story! If you took some of those early interactions out of context you could argue that Wolverine isn't reciprocating or something of the like, but that would require ignoring the majority of the film. They are kinda crazy and impervious characters who have opposite personalities in a high stakes setting, of course they are going to fight and try to harm one another.

As much as it's already been talked to death, it is genuinely important to discuss the metaphors in this movie. Because as funny as the Honda jokes are, that scene is heavily implied to be a sex scene. This is the art of film, what you cannot show the viewer, you must convey some other way. The fight happens to You're The One That I Want, they repeatedly stab intimate places (stabbing as metaphor for penetration), the way they position themselves in the car and through themselves at each other, and the camera panning towards the bumper as the car shakes (a classic fade to black sex move). This is all movie language, and it is vital to understanding what a movie is portraying.

The climax is also very important in this regard, because as camp as it is, they were willing to die for each other and in that willingness they were able to save each other. Like A Prayer is playing, they are holding hands, when Wolverine's shirt explodes Deadpool takes a moment to oggle him despite the fact that they're both getting absolutely electrocuted or whatever.

Now, despite all of this absolutely beautiful subtext, Deadpool and Wolverine do not get together. That is absolutely an important part of this conversation, their relationship is ultimately left ambiguous. But a queer man being in a homoerotic ambiguous relationship with another man, does not a queer bait make.

Vanessa is an important part of this discussion of course - though to preface this, I find their relationship really boring so I don't really remember a lot of what happened between them in the first movie. Deadpool is canonically pansexual, so his relationship with any woman does not make him any less queer. Though, it could be argued that she's been kept around as a character to make sure he's always in or longing for a straight relationship.

Some people have been arguing that the movie ends with Deadpool getting back together with her, which blatantly does not happen. They were in a weird stage of exes being friends at the start of the movie, where she was in a new relationship, and he was still pining. All he does at the end of the movie is go over to her to let her know he cares about her, which could be romantic or platonic - but IS NOT them getting together. And again - even if he still is in love with her by the end of the movie, he is still queer.

In addition, I don't think that Deadpool is monogamous. He's constantly flirting and showing interest in many different people. Now I don't remember if he ever has a conversation with Vanessa about monogamy, so I could be missing an important part of their dynamic. But as it stands to my knowledge, Deadpool being in love with Vanessa doesn't mean he's not in love with Wolverine.

Both of these potential relationships end in the air. And of the two (if we assume monogamy is important) Vanessa said she had a boyfriend, and Wolverine just moved into Deadpool's apartment. So Wolverine is in a much better position to end up with Deadpool than Vanessa is.

It's also good to note that everything we got in this movie was fought tooth and nail for by Ryan Reynolds and the movie's team. There is every chance that Deadpool and Wolverine's relationship would not be implied but rather outright in a world where studio opinions don't matter.

Everything that I've just described is not queerbaiting. A movie with queer people in it canonically, is not queerbaiting. Queerbaiting is when media sells a character/relationship as queer in order to get an audience and then tells that audience that they are not actually queer (usually done incredibly insultingly, think Sherlock). Marvel and Disney do not need to market towards queer people to get an audience, in fact marketing towards queer people is more likely to lose fans, and gain hate. It's also important to note that the marketing hasn't been marketing these two as queer, they aren't almost kissing in material, the cover is a friendship charm, the most they do is address the fact that Wolverine/Hugh Jackman is hot af. So it literally isn't queerbaiting.

Now, whether or not someone is disappointed in the level of queerness is completely up to the individual! Everyone is welcome to their opinions and feelings about the movie, disappointed or delighted. But a movie is not queerbaiting just because you are disappointed.

[weirdmarioenemies]

Name: Dubior

Debut: Kirby's Return to Dream Land

Kirby's Return to Dream Land is very realistic, because it accurately depicts the phenomenon that, when you go to space, you will encounter funny robots flying about! What is their purpose? We don't know! There is, however, a sort of controversy or misunderstanding revolving Dubior.

You see, Dubior grants the Spark ability. Because it is a robot that runs on electricity, and uses all sorts of electric attacks! However, many people do not like this, and think it should instead give the UFO ability.

Perhaps I am in the minority here, but I disagree! Dubior may be a flying machine in space, but at least to me, it does not seem all that much like a UFO! It is just a funny robot. The UFOs in this series have all had a very distinct design trend, which Dubior does not follow. Besides...

What is a UFO? An Unidentified Flying Object. Dubior is not unidentified. It's Dubior! It says it right there on its health bar! Objectively, Dubior is not a UFO. It is just a FO. And nobody says FO.

What Dubior HAS always reminded me of is those little handheld vibrating massagers! You know, the ones with a central round part and three or four orbs that vibrate and you rub it on your back? It is a fun thing to be reminded of!

Anyway, Dubior is a mid-boss, and a very special one! As Kirby and friends journey across Popstar, they will encounter various mid-bosses as usual, culminating in a classic Mid-Boss Tower Level in which they are fought one after another, each fight taking place higher in the tower.

This tower is so high that it pierces the atmosphere, and Dubior is fought last, on nearly the top floor! It is no coincidence that the most alien of foes is only on the closest point of this planet to outer space. This foreshadows that it will reappear, and more often, on the distant planet Halcandra! This seems to be where it was created, but for what reason? We don't know!

What we do know is that in Planet Robobot, the Haltmann Works Company uses Dubiors as part of their invasion! I assume they reprogrammed or recreated ones they found on Halcandra, since we know they have been there. It is the only of their returning mid-boss arsenal to not be mechanized, which is amusing. How are you going to mechanize a robot? You're not!

Geez. I can't believe I've said so much about Dubior and I have not even gotten to its wonderful antenna thing! It's clear by now I find Dubior delightful, but to me, the antenna is its best feature. When it first appears and sees Kirby, the three weird floating rectangles seem to freak out, growing and flashing red and white, as if it would be saying INTRUDER ALERT INTRUDER ALERT.

Dubior is also a parent! Happy birthday to Dubior Jr.! I love love looove when things are named like that. This is a machine! You would think it would be named something like Dubior Lite or Dubior Micro, but no! This was Born, and Named, after its proud robot parent. As were its many siblings, because many Dubior Jr.s can be spawned! Mollusc Fans may notice that Dubior Jr. looks quite like a nautilus, with a body like a curved shell, and a brim above its eyes like the leathery "hood" of a nautilus! It is a strange decision, since Dubior's design does not appear to draw from any real creature, but of course I am very happy about it. I'm Mollusc Fans!

Finally, we have Dubior EX, who I do not have much to say about, but am including because it would be wrong not to. This one is pink, and with only one eye, positioned to appear slightly menacing as opposed to regular Dubior's wide-eyed innocence! I prefer regular Dubior, but EX is very cool on its own merits, too.

If after all this you still consider Dubior to be UFO-like, I'm not upset with you.