#but TG has less such jarring moments

[teafiend]

Screenshots and gifs credited to @Nungchae (Twitter/X)

KGY is so, so pretty 😍😍😍

[murasaki-murasame]

Episode 23 of :re continues to be a really solid adaptation, even if it’s of some very flawed material. And this final arc at least feels a bit less exhausting and overdone than it did in the manga, so that’s neat.

Anyway, detailed thoughts under the cut, and spoilers for the whole manga.

As I expected, this episode covers the first half of volume 16. Like, literally half of it. The volume is roughly 320 pages long, and this episode adapted the first 160 pages, lol. And as I also expected, it worked out just fine, pacing-wise. Barely anything actually got cut. A few scenes got made a bit more concise, and Takizawa didn’t watch Donato and Amon fight, but that’s about it.

At least in terms of the stuff specifically from this part of the manga alone. I think it’s worth noting that they bring Ayato back into the story in this episode, but they don’t really talk much about what he was up to, and it looks like they’re completely cutting out the detail of him bringing back some feral children that lived underground.

I think I like this change a fair bit, even though I can tell it’s gonna annoy a lot of people. I always really disliked how Ishida handled the entire plot point of Ayato finding that underground city and the corpse of the old dragon, so I can certainly live with how the anime is removing a lot of the focus on it. The time spent setting it up in the manga just made it all the more disappointing when absolutely nothing of value came of it, so at least in the anime it’s upfront about how much of a background detail it is.

On the topic of things I didn’t like from around this part of the manga, I’m vaguely disappointed that the anime kept the stuff with Eto being brought back at the last minute, but I can’t really blame them for just being faithful to the manga. I still think that the anime is at it’s best when it’s actively going against the execution of the manga, and this is something where I think they could have easily just cut it out. I have a feeling it’s also going to be something where anime-only people wind up understandably assuming that the manga must SURELY have done more with this plot point, and taken even the SLIGHTEST effort to actually explain why the fuck it’s happening, but yeah no lol. The way that Ishida brought her back out of absolutely nowhere and then almost immediately kills her off was so awfully handled that most of the fandom genuinely hates it and wishes it never happened. There’s a lot of things where I’m in the minority for disliking some parts of the writing, but trust me when I say that nearly everyone hates what Ishida did with Eto here. I honestly still don’t fully grasp what he was even trying to achieve with this, other than him trying to bring the Owl back for the final arc just to . . . make some last-minute parallels to the end of the first series? Who even knows.

That’s actually my only real complaint about this episode, though. Everything else was very solid and well-executed. They didn’t really add anything or flesh anything out beyond what happened in the manga, but they just adapted what happened in the manga in a really solid, satisfying enough way.

I remember disliking how the Donato-Amon and Yomo-Uta fights were handled in the manga, but I think that was mostly a pacing issue. The manga devoted several chapters exclusively to those fight scenes, which just felt unnecessarily drawn-out. It feels a fair bit more natural in the anime, partly because both of those fights are a bit more concise than they were originally, and partly because I think the anime cuts between them a bit more than the manga did, which makes it feel less like you’re following one fight for a weirdly long time. I’d have to reread this part of the manga to remind myself exactly how I feel about it, but I also think that the resolution between Yomo and Uta felt more satisfying and less underwhelming than it did originally.

Also, I can’t really remember if an anime-only person would know about Amon’s history with Donato by this point. I never got around to watching Root A, so I genuinely have no idea if that season talked about their backstory. I know that it hasn’t come up in the :re anime, but even in the :re manga there’s barely any references to Amon’s childhood. So maybe that whole scene was something that wouldn’t work at all for anime-only people, but I can’t tell.

I still have a lot of complicated feelings about Amon’s entire place in :re’s story. It ultimately just feels really unnecessary, like he was mostly brought back just so he could wind up dating Akira and have a happy ending. There’s not really much that the story actually does in :re to substantially develop him or explore his character. On it’s own his whole confrontation with Donato is very nice and bittersweet, and it’s good to see him acknowledging that he’s a part of the warped world he lives in, and that he can’t avoid taking responsibility for that, but overall it feels particularly odd to have his big final moment as a character be focused on his relationship with Donato, given how little screen-time that plot point gets, especially in :re. It feels more logical for the story to focus on how conflict with Kaneki, but that whole thing just gets kinda . . . brushed under the rug in a really unsatisfying way.

I’ll at least say that the disappointing aspects of how Amon is handled as a character are much less obnoxious and jarring as they were in the manga, if only just because the anime has been covering like two thirds of :re in twelve episodes. It’s more reasonable for Amon to not have THAT much focus or development in a 24-episode anime than it was for his moments to be so few and far between across 180 chapters of a manga that ran for like three years. It’s still not the most satisfying thing ever, but at least people watching the anime didn’t have to spend literal YEARS watching basically nothing happen with his character, lol.

Oh right, I just remembered that V exists, and that I guess they’re another part of the episode I disliked. I mean, they’re involved with the whole Eto thing, but my reasons for disliking them are entirely separate. They’re another whole plot point that I think Ishida handled terribly, and there’s not much the anime can do to improve that. They’ve always just been this really lame, cliche shadow organization with murky goals, and nothing much ever gets done with them. I can’t blame any anime-only people for thinking that they’re really boring and under-utilized and unexplored, but the manga doesn’t do much more with them. To be blunt, the fact that I completely forgot about them right after the episode ended kinda says everything you need to know about how badly they’re handled even though they’re kind of sort of the Big Bads [tm] of the entire series, lmao.

I said before that this episode didn’t necessarily add anything new to what was originally in the manga, but after going back through my copy of volume 16 [I donated my English TG manga collection to my local library last week but I still own the last three volumes of :re in Japanese], it looks like that short scene with Mutsuki getting protected by Urie and Akira was anime-original. Which is a bit surprising since it was a fairly minor scene that didn’t impact much. I really liked it though. It’s just a neat detail to show Mutsuki’s friends and colleagues protecting him, and there’s something really bittersweet about how it comes across like he was willing to accept his fate and let himself be killed by the fake Owl, and was surprised to find himself being protected. It helps really hammer in the character growth and reconciliation that’s been going on with him and those around him lately, and it just works really nicely. It continues to be really interesting to me that almost all of the most major changes/cuts/additions in the anime thus far relate to Mutsuki’s character, and in general improving upon how Ishida handled him originally. I really appreciate it, but I’ve already talked about that a lot so I don’t need to go back over it.

Getting to the final part of the episode, the whole scene with Kaneki confronting Furuta wasn’t substantially different to the manga in how it plays out, and what sort of a note the episode ends on, but it’s interesting that the anime is portraying him in a more serious and genuinely threatening light, whereas this bit from the manga really played up his joke-y attitude. I think I prefer it this way, but it’s not the biggest change ever. In general I really like the note this episode ended on. I think the fact that they cut out one or two instances of Kaneki cracking his fingers previously in :re helped make this moment feel more important and surprising, so that’s cool.

Now that we’re halfway into the final volume of the manga, that just leaves the final half of it to adapt in the final episode, which should be totally fine. There’s a lot of scenes that can go by REALLY fast in the anime. Especially the epilogue, since a huge chunk of that can probably just be handled as a montage while the ending theme or whatever plays, rather than how we had to slog through so many pages of so many pointless narrative exposition boxes in the manga. Some of the final scenes between Kaneki, Furuta, and then Rize also felt almost comically drawn out in the manga, which always felt a bit weird given how rushed the overall ending felt, and how tight of a schedule Ishida was working on. You could really tell that he tried and failed to get the ending extended by an additional three chapters.

We don’t know what the final episode will be called yet, but they’ll probably have that sorta info up in the next day or two. I’m kinda excited to see what they call it, since the final episode of :re s1 ditched the naming scheme of the rest of the episode names to give it something more unique. So it’ll be neat to see what they do for the final episode.

I’m of course gonna hold back on giving my final thoughts on the :re anime until it all ends in the next episode, but I think we’re close enough to the end that my feelings on it won’t really change much, so I just wanna reiterate that I genuinely really love it, in spite of it’s flaws. I would have preferred something more . . . ‘transformative’, if that makes sense, but as an adaptation that takes the existing story and just tells it in a better way, I think the anime works surprisingly well. This final season in particular has been a big step up from the manga.

All in all I just have a lot of affection for it and what it’s been trying to achieve [especially with how they’ve done so much to improve the endless list of issues with how badly Ishida handled Mutsuki as a character], and I don’t think that goodwill could be tarnished at this point with just one episode left. I’ve jokingly said before that even though there’s more objectively good options, this is probably one of my favourite anime of this year, but I think I genuinely stand by that. There’s been some REALLY great stuff this year, even in terms of just stuff I’ve fully watched [like Devilman Crybaby, Revue Starlight, Planet With, etc etc], but I just feel really strongly about the :re anime. Also there’s some recency bias going on, lol. It’s been so long since I watched Devilman Crybaby. This year was a goddamn decade long.