#but I'm still not over the end of nbc :(

[idontshitpostbuttheolympicpark]

if the next Off track episode is titled "Done." or some shit I just might be finished.

[pomefioredove]

OH MY SEVEN! PLEASE I NEED A PART 2 OF MC GETTING BOUGHT BY NBC (or maybe they get bought by rsa? By like Chenya or Neige?)

part two of the NBC ending is here! very intrigued by the idea of an RSA ending, especially since our knowledge is limited. I also kin snow white so maybe I have a little soft spot for neige.

bonus: I had to stop writing this to save another animal that got inside. second time this week.

parts 1 | 2 | 3 | kalim | 'bad' ending

summary: yuu transfers to RSA type of post: short fic characters: neige, chenya additional info: yuu is gender neutral, pretty platonic

This entire ordeal had been nothing if not shady.

From the purpose, to the "donations", to the absence of the prefect themselves...

...And now, the grand announcement- that of which Crowley had been hyping up for days- was cancelled.

"I don't get it," Epel murmurs, walking on a sideways footpath back to the hall of mirrors. "You really think he just took all the money and ran?"

Vil huffs, the disappointment heavy in his voice. "Well, it certainly seems that way. No one's seen him all day,"

Despite the sour mood over the trio of Pomefiore students, the day is bright and sunny. Birds sang, the sun shone, even the wind carried a suspiciously merry tune with it.

"We should not give up hope so soon. Anything could happen," Rook ponders. "Who knows? The day is not over yet."

"I'm starting to wish it was," Vil says. "It's far too jovial for such an underwhelming afternoon. And the whole purpose of this walk was to clear our minds... hmph."

Epel squints ahead, taking in the way beams of sunlight seem to shine through the foliage, casting rays of gold over the usually darker campus.

"Y'know, I betcha- I-I mean, I think you might be onto something. It is unusually cheery today, isn't it?"

Vil huffs. "Wonderful. Nature itself mocks me,"

"Non, it's not the climate which has changed... it's more of a presence. Monsieur Pommette is correct," Rook says. "Something has shifted here."

Vil rolls his eyes, not exactly in the mood to be playing word games with Rook again. He shoots a glare to Epel, warning the boy not to encourage him, and a silence falls over the three.

Though... he still cannot deny that something feels aloof. Something that isn't sitting right with him...

He sighs. "Perhaps we should check on the prefect. Just in case,"

And so the three stop in their tracks and awkwardly, though hurriedly, walk to Ramshackle.

Nothing is quite amiss about the building itself, though, still, there's something hazy and dreamlike about it. A warm, golden glow that turns the rough and brittle exterior into a quaint and charming home, full of light.

"I don't like this," Epel murmurs. Vil does not respond, but he understands. He's having similar thoughts.

Just as they're about to enter, someone tall and dark steps outside.

"Crowley!" all three snap, in varying tones of voice.

The man goes stiff and, for a moment, looks as if he's about to make a run for it- though he thankfully holds his ground. "Ah- good afternoon, dear pupils. Having a... studiful day?"

"That's not a word," Vil crosses his arms and glares. "Why are you here?"

"I was... well... just discussing some things... with... the prefect..."

He sounds utterly nervous.

Vil's eyes narrow. "What are you hiding?"

Before he can answer, the door behind him opens again, and you peer outside, giving Crowley a chance to escape. "Guys?"

"Trickster! We are relieved to see you in good health!"

"Hm? Why wouldn't I be?"

Epel shakes his head. "W-well, you just haven't been around much, and we saw Crowley- hey, where'd he go?"

Vil grumbles something indistinct, massaging his temples. "That man..." he sighs. "But back to business. Are you well? What's happened?"

You look away. "Well-"

Thankfully, before you have to explain it yourself, the door opens wider, leaving the Pomefiore trio face-to-face with the one person they least expected to see.

Neige beams. "Oh, my... hello, Vil! I didn't think I'd run into you here!"

The housewarden's eyes immediately narrow, and it takes him a moment to respond. "Yes, well, as you know, I go to school here. Would anyone care to explain this?"

A voice from behind the trio echoes. "Oh, I volunteer!"

Epel squeaks and jumps (much to his embarrassment) and the other two whirl around to an ever-smiling face they can't quite recall...

"See, we're on the moving squad," Che'nya giggles, slinking back to the front door of Ramshackle. "You wanna know why? I'm sure you're just dying with curiosity, aren't you?"

"I can put the pieces together myself, thank you," Vil murmurs. "But I do have a few questions."

Che'nya opens his mouth wide again-

"-Not for you," he turns to you. "How? And why, exactly?"

You shrug, looking to Neige for help.

Which he gladly provides, of course. "Well... it was more of a school decision. We heard what was happening, and held a vote," he says, speaking tentatively while under Vil's astute gaze. "We've heard lots about how much your prefect has helped here, and how unfortunate their circumstances are, and... well..."

"A person like that just doesn't go to NRC," Che'nya snickers.

Vil glares for a moment longer, and then sighs. "Well... this is certainly a turn of bad luck for the lot of us,"

"But I can visit!" you insist.

Neige and Che'nya both nod in agreement, though the latter's placid smile makes his approval seem less genuine.

"Well," Vil says, turning to the boys beside him. "Don't you two have anything to say?"

Epel clears his throat, trying his best to sound light and formal. "I think it's... it's... I'll miss you," he sulks.

"A magnifique opportunity! Think how much you will learn, how many new people you will meet- oh, you must allow me to visit often! I could not bear to let you make all these beautiful discoveries on your own!" Rook says, dabbing the corner of his eyes with a handkerchief.

"Why am I not surprised?" Vil sighs. "Well... I suppose I have a duty to inform the others. And, perhaps..."

He pauses, his watchful gaze fixed on you.

"...We might hold a vote of our own."

[desperatelyseekingcannibals]

Hannibal? Meeting Mads at RDC6

Following on from meeting Hugh in Boston and gifting him a copy of Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal, I wanted to gift a copy to Mads.

No disrespect to Mads, but I wasn't expecting (and didn't get) the same sort of interaction I had with Hugh. I've met Mads at many cons before, including one in 2018 right before I had top surgery where I had a lovely chat with him about queer and trans Fannibals.

But I've noticed over the years, including from accounts of other Fannibals too, that he's become much more guarded in his conversations. Which is fair, his star has been forever on the rise and he's been working for bigger studios and properties. But as a trans person, I am always very cautious when people become much less vocal about something they previously seemed to support - though I do acknowledge that some people just don't want to get dragged into what they see as a volatile issue. And I knew, given how much more stoic he's become, and the time limitations of signings at cons, that this would be the case regardless of his personal point of view.

Also (and I've mentioned this before in posts about his answers on con panels), Mads has a habit of just saying what he thinks people want to hear, and what will get the biggest reaction - he's a master at fanservice. Which even includes repeating the same stories (Fragile Little Teacup for example). Which again, is not a criticism, but an observation and another reason why I was pretty nervous about meeting him again. And that was BEFORE a couple of different Fannibals approached me with concerns that some of the things he'd said at RDC6 hinted that he might be making a movie that may include a trans character in an unflattering way. (I'm still on the fence about whether that was his meaning, but I'm glad I'm already pretty emotionally divorced from him since he did FB).

ANYWAY! I had talked with the fantastic wholeanddeadly before the event and we agreed on getting his brilliant "F**k transphobia Grindelwald" art print signed in order to auction it for trans charity (in fact we ended up getting two!). As we knew in advance we would be doing this, I wanted to let Mads know, because I don't feel right auctioning something without someone's knowledge if we had already made that plan.

So, this is what happened:

I was maybe third of forth in the queue (which was huge), so this was going to be a whistle stop and I'd thought carefully how to frame it and use my words wisely. So I walked up and he said "Hello, Sir!"

Which, thanks! (always love getting correctly gendered!)

I asked "May I give you a gift", and he said "Yes, of course!"

Whilst I was getting the book out of my back I told him that I met him in 2018 right before I had gender affirming surgery and he was very kind to me. His response was along the lines of "Oh yeah?"

I continued to tell him that since then, I have been involved a lot with of the trans and non-binary Fannibals and we made this book because of what the show means to us. He took it and flicked through and stopped at some of the art and admired it. He asked if it was just about Hannibal, and I said yes because I totally blanked in the moment, so the HEU stuff will be a nice surprise for him, lol.

Then the art print got passed over by his helper and I said I didn't want him to personalise the photo as I wanted to auction it to a charity that supports trans youth if he's OK with that. And he replied "you can do anything you like with it, man." I said thanks, and we were all done.

Whilst on the surface this was all good, I was definitely struck by the difference between this and times I'd met him before (especially in 2018). And perhaps it was just down to him being more guarded, but it felt very... standoffish. Which is fine, it is what it is.

The funniest thing is that Mads often signs the characters name on the things he signs, and the one we already had signed the day before via a friend, he didn't put the character name on it. On the one he signed for me, he did: Hannibal.

I saw him hesitate part way through signing the name but it just made me chuckle at the potential that this character meant so little to him he didn't recall his name and then the next day confused him for another character - Trans Rights Wizard Hannibal!

Anyway. I hope he reads the book. I hope he gets something out of it. I hope he's not making a transphobic movie.

And I hope you'll all check out @transhanniday on here (and on Twitter), where the two signed prints and some other bits will be going up for auction soon! The proceeds will be going to UK trans youth charity Mermaids, the same charity that Deadly supported with his original art prints.

[hannibalruinedme]

Everyday I wake up and as soon as reality settles in, the very first emotion I feel is a deep sense of longing for hannigram. I'm in my fucking mid 20s with tons of real life responsibilities but my MIND literally lives with nbc Hannibal, a show that ended 8 years ago :""""). It's been more than a month since I finished watching the best show that ever happened to me and I'm STILL as devastated. (As expected, I just know I'm never getting over this). It's so surprising that I'm even capable of functioning like a normal human being irl while my mind is in a CHAOS over hannigram. I'm never NOT internally crying for these two, crying for a s4. When I ask for a s4, it's not because "omg getting a s4 would be so nice" it's more like "I GENUINELY CAN NOT LIVE MY LIFE WITHOUT MORE NBC HANNIBAL SEASONS FILLED WITH MORE HANNIGRAM CONTENTS IN MY LIFE." Despite the chance being extremely slim and close to none, I simply can not give up hope, that'd practically threaten my well being.

[afewproblems]

agree with steve not forgiving eddie! how do you think it would go when they see each other for the first time after everything? like.. I feel like steve would just tell him it’s over for good but :O

Part one, part two, part three

The record label releases a statement, something to the effect of privacy concerns, not to misconstrue or blow things out of proportion because photos can be manipulated. There is no firm denial, but no confirmation either. It's all wishy washy bullshit.

It's like Steve's heart breaks all over again.

He doesn't speak to the press, despite redoubling their efforts to talk to him, Steve unplugs their home phone permanently, wraps it up in the cord and puts it in the back of the bedroom closet.

Eddie does try calling Steve's cell, but he never leaves a message, as though he knows they would go unheard.

After the initial visit from Wayne he ends up calling his de facto father in-law once a week. It's nice, it's the one good thing that has come out of this whole situation.

And Wayne doesn't seem to mind being their go between, especially since he's a lot less subtle than he thinks, asking pointed questions about how Steve is feeling, how he's handling the LOA.

It's a relief to say the least, talking to Eddie without talking to him, it allows him to breath.

It's quiet for about two weeks, the coverage of the photo and the story has dwindled significantly and the media seem to have moved on from talking about them, finally.

Steve's LOA is almost over, he's confirmed with Liz that he can return to the classroom next week as planned which leaves him in the highest spirits he's been in all month.

But of course it can't last.

The first time Steve sees Eddie is on Conan.

It's a Thursday night, Steve channel surfs absently. He's left the living room dim, the only lights from the television and the Chicago cityscape glowing through the living room window.

He lands on NBC for just a moment and freezes when he hears Gareths familiar voice speaking.

Gareth, Eddie, Jeff, and Grant are all seated on the set couch with Andy Richter. Conan asks a few questions about their tour, their recent resurgence in popularity from the movie, their favorite Marvel characters from the franchise that skyrocketed them back into the public scene.

Its a standard interview, Conan keeps it light, easy-going, not a single mention of the infamous photo.

Logically Steve knows this is most likely a mandate from the band's manager but it doesn't feel that way, it feels like a slap to the face if he's being honest with himself.

Did he imagine it? Had he blown this whole thing out of proportion? Maybe he was overreacting.

His phone buzzes on the coffee table he's left his feet on, Robin's face and 'Thing One', brightens up the room.

Steve moves his feet to sit up properly and he mutes the television with the remote before answering.

"Are you seeing this shit?" she growls on the line.

Steve laughs, "Hello to you too," he leans into the worn cushions of the couch and tries not to think of the second empty divot in the middle next to him, "yeah I'm seeing it".

"And they're not going to talk about it at all? Like what about journalistic integrity and all that shit?"

Steve rolls his eyes and snorts into the receiver, "I don't think Late Night counts as journalism Bobs--"

"Still," she huffs out.

Robin is quiet for a second before she says softly, "you okay?"

"No," he whispers, "but I think I'm the closest I'll be for awhile," he draws a heavy hand through his hair and ignores the cameras which have now panned to Eddie who looks pensive on screen.

He's not speaking, in fact Eddie hasn't said a word the entire interview. He looks tired, his normally pale face has turned sallow and drawn with deep purple bags under his eyes that even the show makeup has not covered.

Steve looks away from the screen and ignores the dull ache in his chest.

"I'm glad that it's not all over the news anymore," he admits after a moment, "but, its almost like it never happened".

Robin hums sympathetically on the line, "Twenty-four hour news cycle, they've probably found some new scandle to follow," she's quiet for another second, "he looks like shit".

Steve barks out a surprised laugh that trails off sharply, he chews his lip for a second, "is it crazy that I'm worried about him? He looks likes he's not sleeping--"

"Steve..."

"I know, I know, I'm am angry with him and I don't think that will go away any time soon, but look at him".

The camera angle switches to a wide shot of the whole group and Eddie stands out so starkly amongst the other band members that are put together, smiling, engaged in the conversation.

Verses the silent, pale ghost that Steve doesn't even recognize.

"Do not let that kicked puppy thing let him off the hook Steve," Robin says, the words are sharp but the tone is still gentle, "he hurt you just because you had a fight--"

"Maybe it wasn't that simple!"

"Steve..."

"I miss my husband Robin, I can't, I fucking hate that he did this but I miss him so much," he says, his voice wobbles slightly as Conan holds up a large version of Corroded Coffin's latest album on the desk before gesturing to the stage area to reveal their setup to start playing.

"I feel like there's something wrong with me," Steve says, giving voice to the smallest parts of himself that have been festering inside of him the last couple of days.

The longer they're apart, the longer he refuses to speak to Eddie to more these thoughts have been creeping in. Maybe he should just let it go, maybe he can eventually forgive him and they can move forward again.

It's countered again and again by the image, the kiss.

Imagining the two of them together, Eddie with this stranger. Did he call them Honeybee, the way he did Steve? Did he hold them after and whisper other sweet nothings, promises into their ears?

It's enough to turn his stomach.

"I don't know what to do, I can't exist like this much longer, the tour is going to be over soon and then what?"

"I don't know Steve, you're the only one that can make that decision, but," he can hear the small reassuring smile on her face as she speaks, "we'll be here for you no matter what you decide, I promise".

"Thank you".

"Anytime Dingus".

***

The second time Steve sees Eddie is a month after the Conan interview.

Steve's back at work and the kids seem happy to see him, though they are sad that the 'easy' sub days are done. He's glad for the routine once more, especially with the end of the tour looming on the horizon.

Steve has spent the last week fretting over what to do, he's talked to Robin and Dustin about it, weighing the pros and cons. He's talked to Wayne about contingency plans for the apartment, if he has space for one of them to go there.

Steve is fairly certain Eddie would go stay with Wayne willingly if he asked him to, but both of their names are on the mortgage and he'd rather be prepared for anything.

It's Gareth that calls him, his name lights up the darkened bedroom while the picture of Gareth and Chrissy and Steve and Eddie at their place for Thanksgiving two years ago flashes on the tiny screen.

It's late, almost two in the morning, but Steve is awake. He hesitates before snatching the device with shaking hands and swipes a hesitant thumb across the screen to answer the call.

"Hey Gar," Steve says quietly.

He sits up, letting the covers pool around his waist and stifles a small yawn with his hand.

"Oh, Steve, I...fuck is it good to hear your voice man," Gareth breathes out, he sounds surprised, nervous, "I wasn't expecting you to actually answer this," he trails off and clears his throat.

"I wasn't asleep," Steve shrugs.

There's a pause on the line, Steve can hear Gareth take a deep breath and the hushed words of someone in the background.

"I, God, Steve, I'm so sorry, I hate that we weren't there for you," he continues, and Steve can't help but agree with that sentiment.

It's certainly felt like the only one of his friends from Eddie's circle in his corner was Wayne, he hasn't heard from any of the band members or Chrissy since this happened and he can't say it hasn't stung.

"And I know you must hate us for this--"

"Gareth, I dont--" Steve tries with a small tired voice but Gareth barrels onward, the words getting faster as he speaks.

"I won't make any excuses, we should have done better by you and the fucking label knew exactly what they were doing," he breathes out again and this time its infinitely more pained, "and I hate to do this Steve, I know you already told him that you needed more time--"

"You're coming back?"

"Yeah, we fly in tomorrow actually," Gareth says softly, "and we just, well we wanted you to know".

Steve feels his heartrate quicken, he swallows harshly against the sudden lump in his throat.

Tomorrow? Tomorrow, with no warning, no notice, and suddenly Eddie would be back. He'd be coming home...

"I want to see him," Steve hears himself say before he can clamp his mouth shut, "I...can you tell him that, I need to talk to him?"

"Oh, uh, yeah, uh," Gareth stammers out, then the sound is muffled for a moment as though a hand has been placed over the receiver, lowered voices murmur in the background and Steve feels himself drag in a sudden breath, as though he had forgotten to breath at some point.

"Okay, Steve?"

"Yeah," he whispers into the darkness of his bedroom.

"He'll be there".

***

The clock ticks slowly by, interrupting the quiet of the apartment and every time Steve looks at the clock face it's still only been forty minutes since Gareth texted to tell him they've landed at O'Hare.

It's like the clock is mocking him, the minute hand holding court over the kitchen where Steve has planted himself with a full cup of, now undrinkable, tepid tea.

He initially debated offering to pick them up from the airport, but the thought of their first meeting being so public, the thought of camera flashes and more people asking questions was enough to turn his stomach.

Even now Steve isn't sure how he'll react when Eddie walks through that door, his hands shake slightly and a flicker of anxiety runs through his chest because what if he's not alone? If he brought Gareth with him, or Jeff as some kind of backup or shield from Steve's anger.

Steve scoffs to himself at the thought, they'd seen a lot of Steve over the years, he's sure this wouldn't phase them. Maybe they'd even stand aside and let Eddie take his verbal lumps.

Steve sighs and grabs the mug from the counter before walking it over to the microwave. He sets it for thirty seconds and waits with his fingers drumming against the door handle. He opens the microwave before it beeps and presses the cancel button to reset the time before he walks back to the counter and stool he had been perched on.

Steve steals another glance at the clock and curses, make that forty-five minutes since Gareths message.

The sudden sound of a key sliding into a lock snatches Steve's attention towards the entryway.

Eddie steps through, wheeling his suitcase in behind him, he lets his backpack fall onto the doormat and softly closes the front door behind him. Eddie looks even more tired than he had during the interview, thinner as well and Steve feels that familiar pang in his chest at the sight.

Neither says anything for a moment. They stare at each other unmoving, and then...

"Hi Honeybee".

That's all it takes for Steve to jump off the stool and stride through the kitchen to the foyer, he stops just in front of Eddie, takes in his shining eyes and the sharp downturn of his normally smiley mouth and Steve's last resolve snaps into pieces.

He launches himself into Eddies arms and tucks his face into his neck, it's the first time he's felt remotely normal in the last two months.

"I'm so fucking angry with you," Steve hisses but the words sound more like a sob than anything else.

"I know, I'm angry with me too," Eddie whispers into his ear, he holds Steve even tighter as he speaks.

"I just, you're the person I talk to, about everything and," Steve bites his lip and curls his fingers into the fabric of Eddie's t-shirt, "I couldn't do that, I didn't have you, you’re my person Eddie and you took that from me, and so much shit happened here, you dont even--".

He's fully crying now, so much that it's harder to speak, but Eddie is holding him so tightly he can't catch his breath.

"I'm sorry, I'm so sorry," Eddie says, his voice wobbles and wanes as the words tangle in Steves hair, "if I could take it back I would, I wish I could take it back Stevie believe me".

"It didn't mean anything, it didn't," he continues, raising one hand to card through Steve's hair as he does, "I don't know how to fix this," he admits so quietly its nearly lost in Steve's sniffles and hitching breaths.

"I don't want to lose you," Steve whispers into Eddies shoulder, the material of his shirt is soaked with tears and snot but he raises his face anyway to meet Eddie's own red rimmed eyes.

"Then you won't," Eddie whispers again, he sniffs and moves his hand to cup Steve's cheek, "we'll fight, we'll fight for it and I won't give up, I won't run this time".

"I promise".

There is so much more to talk about now, so much to apologize for, but for now, they hold each other in the foyer, letting the golden Chicago light morph into the bronze orange of sunset wash over them from the kitchen window.

[pragnificent]

Tagged by @tina-mairin-goldstein! Tagging whoever else wants to play.

1.How many fics do you have on AO3?

78.

2. What's your total word count on AO3?

934,933. Wow, maybe I can break a million this year....

3. What fandoms do you write for?

Just HANNIBAL right now (and for like the last seven years or so). Been vaguely thinking about picking up a second but nothing has caught my interest strongly enough.

4. What are your top five fics by kudos?

Attachment - 7,592

The Fisherman and the Beast from the Sea - 4,565

Sashimi - 2,807

Hungry Ghost - 1,585

Identically Different - 1,382 <- This is my best series and yall should give it a shot <3

5. Do you respond to comments?

I try to, and I enjoy doing so, but sometimes the brainworms win and I don't get stuff done even when I really want to.

6. What is the fic you wrote with the angstiest ending?

Breathless

I don't love this story, but "Hannibal is effectively braindead after the fall, but Will keeps caring for the body and feels that Hannibal is there with him, up until the body dies and Will turns himself in because there isn't any point anymore" probably counts as the most angsty? If you are in the market for a "Hannibal receives a brain injury and he, along with everyone else around him, has to cope with that" story Tina's For Remembrance (Holes in the Floor of the Mind) is a much better pick. And as I continue to think about it, Means of Influence has a pretty angsty ending.

7. What is the fic you wrote with the happiest ending?

Most of my stories have slightly bittersweet but still mostly happy endings. Part of the thing about that is I think it's really hard to envision a situation where Will is like 100% Happy Happy, his own mind hates him too much and every little scrap of happiness needs to be fought for and then vigilantly guarded. But I put both him and Hannibal through so much that I always want them to be as close to content as they each can be.

8. Do you get hate on fics?

I have gotten two flavors of Fic Hate. 1.) People calling the five year old kid OC in ATTACHMENT slurs like "r*tard" and saying "he belongs in jail" and etc.

Every time Hannibal or Will fuck someone who isn't each other at least one person decides to Yell At Me.

I think I've gotten the old "you didn't tag for bottom Hannibal!!" nonsense once or twice too, but who hasn't?

9. Do you write smut? If so, what kind?

A little. I actually started Hannishark bc I was really intimidated by sex scenes and wanted to see if I could pull off a short monsterfucker story. I feel like I've gotten better at writing these but am generally more comfortable leaving them sparce on anatomical details and big on feelings/conversations.

10. Do you write crossovers? If so, what's the craziest one?

I've got a WRONG TURN crossover series that I'm very proud of here: Bear Mountain Road AU. You don't need to have seen any of the movies to read it, or anything, the movies' premise of "a clan of inbred mountain cannibals waylays travelers" is really just an excuse to put Hannibal (and Will and D, as child members of the cannibal family) In Situations. If I counts as a cross over, I've got a universe swap between the novels and NBC HANNIBAL here: Shiloh

I also have a vague idea for a SAW / HANNIBAL crossover but I've been sitting on that for so long, who knows if it'll ever happen?

11. Have you ever had a fic stolen?

Not so far as I know.

12. Have you ever had a fic translated?

Yes, several times.

13. Have you ever co-written a fic?

Yep, a couple of times.

14. What's your all time favorite ship?

Hannigram and Reba/D (guys we need a fuckin ship name).

15. What are your writing strengths?

Character, emotions, dialogue.

16. What are your writing weaknesses?

Sex scenes, pacing.

17. Thoughts writing dialogue in another language?

Fine by me, tho I only think I've done it one or twice.

18. First fandom you wrote for?

FARSCAPE.

19. Favorite fic you've written?

Identically Different AU !!!! This it the best thing I've ever written and probably the best thing I will ever write.

[transfloridaresources]

[Photo ID: A car's dashboard and steering wheel in the daytime. A semi translucent black box above the image has orange and white text that reads: 'Equality Florida Emergency Town Hall 02/01/24. Notes compiled by Trans Florida Resources regarding what we currently know about gender markers on Florida driver's licenses.' /End ID]

[Photo ID: A car's dashboard and steering wheel in the daytime. A semi translucent black box above the image has orange and white text that reads: 'What if my ID has already been updated? "There is no reason to believe whatsoever that a person who has a valid, not expired driver's license or ID, that reflects their gender identity, is at any risk of civil or criminal penalties." "You cannot possibly be charged with fraud or misrepresentation of information or withholding of information if you amended your gender marker in compliance with, according to, the policy that existed at the time." - Simone Chriss.' /End ID]

[Photo ID: A car's dashboard and steering wheel in the daytime. A semi translucent black box above the image has orange and white text that reads: 'What if my ID has already been updated? Do not return your ID, do not amend it back. If you are renewing your license, US citizens can do that online and the gender marker should not be affected. Non US citizens have to renew in person. In both US and non US citizen cases, as long as ANY federal document (birth certificate, passport, social security card) has the amended gender on it, it can be used to update a driver's license.' /End ID]

[Photo ID: A car's dashboard and steering wheel in the daytime. A semi translucent black box above the image has orange and white text that reads: 'What if my ID has already been updated? (A screen cap box of text reads) 'The provision that governs how the department establishes gender for a newly issued license won't change, according to the memo and Molly Best, the department's director of communications. Someone can establish their gender for a new Florida license using supporting documents such as a driver's license from another state, a US passport or a US birth certificate, among other documents." Yurcaba, J. (2024, January 30). Florida bars transgender people from changing the sex on their driver's licenses. NBC News. https://www.nbcnews.com/nbc-out/out-news/florida-transgender-drivers-license-sex-change-gender-identity-rcna136395.' /End ID]

[Photo ID: A car's dashboard and steering wheel in the daytime. A semi translucent black box above the image has orange and white text that reads: 'What if my ID hasn't been updated? As long as you have a federal document that states your gender, you aren't affected. If you don't have one at all, that could preclude you from changing the gender marker. Florida birth certificates are no longer being amended at this time (Feb 2024) according to Simone Chriss. Passports with updated gender markers are still possible to acquire. Check out floridanamechange.org for details.' /End ID]

[Photo ID: A car's dashboard and steering wheel in the daytime. A semi translucent black box above the image has orange and white text that reads: 'What if I'm pulled over? What about voting? The police or any individual cannot judge the validity of your ID. There are many layers & courts etc. that decide "fraud." If any pushback occurs, keep referring to the ID as your identity and don't escalate the situation. Make sure your voting information matches your current ID. Any further questions or situations that arise related to this, reach out to Simone: simone.chriss@southernlegal.org.' /End ID]

[Photo ID: A car's dashboard and steering wheel in the daytime. A semi translucent black box above the image has orange and white text that reads: 'What else? This is only a very brief outline of everything that was discussed. The full town hall recording is available across Equality Florida's social media. This is still an ongoing topic & will change as we know more each day. Lawsuits against it will occur. This memo defied many legalities. The key thing to remember is that these things occur & are phrased as they are mostly to just incite panic & fear. Try to relax as much as possible & remember you're in a community & we're all fighting like hell together.' /End ID]

Thank you so much to Equality Florida for putting together this town hall as quickly as they did. If any information here is incorrect or you have any further questions or need clarifications, please feel free to reach out.

[titleleaf]

Can you talk a bit about your introduction to the Hannibal Lecter tetralogy? Did you see any of the movies first or did you read the books and then watch the films? What drew you to the series initially?

Absolutely!

I was really really into Demme's Silence Of The Lambs as a preteen in the era where you could just turn on the TV and the same 20 movies would be playing on cable —it’s interesting to look back on those really naive viewings where I wasn’t really aware of the world enough to grasp the film’s themes around misogyny (or the turbo-problematic elements, never mind the literal edited-for-TV censorship) and also not really astute enough to grasp why Hannibal Lecter was supposed to be a frightening presence. Hopkins’ Hannibal is having so much fun in that movie and when you can’t really detect the layers of irony and cruelty at play it’s a really different film. (The big thing in hindsight that's strange is that I perceived the museum bug guys as much more threatening figures — and they certainly do represent an ambivalent part of Clarice’s experience moving through the world as a woman, including being flirted with when you're trying to investigate an active serial killer but Foster plays Clarice's responses to them very differently to me now. I also just took it as a given that Clarice and Ardelia were girlfriends, not in a “I ship it” way but where I didn’t understand how it would be intended otherwise. I do ship it now as an adult, ofc #clardeliahive.) Something about Hannibal's combination of prickly sparring and weird courtliness was a blast for me even at that young (and dumb) age. I watched the film Hannibal later, probably on one of the zillion illicit movie streaming sites that used to exist and only let you watch 45 minutes of video a day, pretty miffed at the actor change but enjoying the weird villain/heroine loyalty kink soooo much… cannot remember, for the life of me, when I picked up the film adaptation of Red Dragon but there's a nonzero chance it was because of a gifset of that stabbing scene back in, ugh, oh god, 2012? Still an absolutely delightful dynamic, ponytail and all. I'm meh on it as an adaptation of the novel RD now (the novel's grim ambivalent ending makes people so uncomfortable that it seems to be nerfed in every adaptation) but it really blew my little mind.

I was dubious of the NBC series when it was announced (as a big Clarice boi), then watched s1 and enjoyed it, then got as far in s2 as Beverly getting sliced up and bailed. I didn’t finish the series until some time last year, but I'm glad I came back when I did, having boned up on the books in the meantime. Some of my frustrations remain (short version, I do think the show’s writing has a sexism problem, and I'm never as enamored with Hannibal as the writing seems to be) but it’s still so compelling to me and it’s one of those things I can turn over and examine from a million angles. Also it is stacked with hotties from start to finish, and it introduced me to the finest wettest Will Graham. Brain chemistry-changing shit.

Books-wise, I think I read Hannibal Rising first, which is probably not the way people should engage with those books — I still think that book and its film adaptation have a lot of fun stuff going on with them, it’s just not necessarily… necessary. The rest of the books only came along for me after my most recent revival of interest in the NBC series. (Which… came about after I went completely off my shit about Primal Fear and joking with a buddy about Aaron Stampler's summer internship in Italy got me rewatching the 2002 Red Dragon film for the first time since college.) I think I was scared away by the way people talked about the book Hannibal, but it ended up being my second favorite of all four, it’s gonzo and turns up the Grand Guignol nastiness to 11 but it’s also terribly fun.

I was a latecomer to Manhunter also for similar reasons — people loved to call that movie cheesy or act like it was some strange early effort superceded by the obviously superior adaptation of a different book — but simply as cinema I think it’s the finest of all the film adaptations, and Demme's SOTL owes it a massive debt. Mann gives Dolarhyde a tragedy and a dignity that no adaptation is willing to give to Jame Gumb and I’m sore about that but also. Tom Noonan’s double-l Dollarhyde being the only blond Francis on film is so funny, and I love Will Graham's tiny purple shorts. I miss the things it cuts/changes, especially with the friction within Molly’s marriage and the location specificity of the book, but it also has such a wonderful encapsulation of what’s at the core of both Will and Clarice to me — you can’t save all of them, but you still have to try to save as many as you can. Brian Cox's Hannibal is his own beast, and really compelling.

The CBS Clarice procedural is such a fun idea but it gets so tangled up in rights issues and the CBS procedural-ness of it all that it really impedes things. Some of what it adds is brilliant imo (I love the character of Julia, a married trans lesbian in the 1990s corporate world who makes tough choices and brings a fun element of the novels’ boring RL forensics to the fore as well as exploring the in-universe consequences that Clarice's explosively well-televised confrontation with Gumb has for innocent people who have nothing else in common with a skin-stealing serial killer than being queer and societally despised) but other choices it makes are totally inexplicable. (Several questionable choices made wrt Catherine Martin, and also what the fuck are they doing with PAUL KRENDLER… it felt like a Mindhunter rehash, very much pejorative.) Other elements suffer from the absences dictated by the rights issues involved — not just no Hannibal Lecter but no Jack Crawford, no mention of Will Graham as the maimed and miserable failure-state for what Clarice is risking, no nothin'. I miss Jack! Also they just cannot commit to it being a full on 1990s period piece, which is a crying shame. If it were on another network, or made by a different team, it could have been really great, but it’s ultimately a frustrating watch for totally different reasons than NBC Hannibal is a frustrating watch.

I also listened to the musical parody of Silence Of The Lambs a lot in college and it's still major earworm material ten years later. I'm just trying to mind my own business and blammo, it's If I Could Smell Her Cunt on mental loop.

[mania-sama]

if you need me, dear, i'm the same as i was

Homesick - Noah Kahan

➼ 02 - motherfuckers here still don't know they caught the boston bombers ❧ Information (Summary, Tags, Chapters) ❧ Previous Chapter ❧ Next Chapter ❧ Word Count: 2,593 ❧ Cross-posted from Archive of Our Own

[1 Missed Call at 3:43 PM] [1 Missed Call at 3:44 PM] [Issei] Is Oikawa okay [Issei] Are you okay [1 Missed Call at 3:47 PM] [Issei] Sorry youre probably busy. Call or text when you get the chance

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THE KING RETURNS!!! @walterwhitevans The Olympic gold volleyball match??? I’m horrified and confused what is going on??? 0 Resposts 0 Quotes  5 Likes  0 Bookmarks

madison @maplefalling4 Pretty sure Tooru Oikawa, the Argentina player who collapsed, had a heart attack. Nobody knows why or how because hes a healthy athlete. The physical trainer from Team Japan performed CPR on him. Don’t know what was going on with him after though. It looked like shock but I can’t be sure. 0 Reposts  0 Quotes  2 Likes  0 Bookmarks THE KING RETURNS!!! @walterwhitevans Ohh okay. I was just hate watching because the US got knocked out so early, I didn’t expect anything like this to happen? I hope they are both okay :( 0 Reposts  0 Quotes  1 Like  0 Bookmarks

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[Takahiro] issei and i saw everything live. are you okay?? we’re worried [1 Missed Call at 3:45 PM] [Takahiro] answer the phone [1 Missed Call at 3:49 PM] [1 Missed Call at 3:50 PM] [Takahiro] please hajime [1 Missed Call at 3:52 PM]

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[Video Thumbnail Description: A large volleyball court with male players kneeling on either side of the net. One man, an athletic trainer, is leaning over another man, a player, with his hands on the player’s chest.]

[Video Description: Six minutes and twelve seconds. Video starts. Two teams of men, separated by a net, play volleyball in a large arena. Two men commentate the game in English. The ball goes back and forth over the net. Eventually, one player jumps up for the set but spikes the ball instead. At the same time, an athletic trainer on the other side of the net runs onto the court. The commentators wildly exclaim. The trainer grabs the player and screams in Japanese. The player collapses into the trainer’s chest. They both go to the ground, where the trainer starts to perform chest compressions. Both teams kneel. The men and women on the sidelines move hurriedly. The trainer performs mouth-to-mouth, then chest compressions again. The commentators are quiet and confused. Paramedics arrive with equipment. The trainer performs mouth-to-mouth again. The trainer and the paramedics load the player on the stretcher. The trainer is approached and surrounded by the player’s team. The trainer leaves the team and heads to his own team. He looks at an object in his hand before putting it in his pocket. He joins the team. His knees buckle and hit the ground. His team surrounds him, shielding him from the view of the cameras at every angle. They guide the trainer out of the arena. The commentators speak confusedly. Video ends.]

Star volleyball athlete Toru Oikawa from Team Argentina suddenly collapses from heart attack, Team Japan athletic trainer performs CPR | NBC Sports NBC Sports     Subscribe 10.6M views  17 Hours Ago  #ToruOikawa  #NBCSports  #TeamArgentina  #TeamJapan …More

4,681 Comments Add a comment…

@brentysolosonfn • 15h ago that shit was CRAZY. i can’t get over the fact that the JAPAN trainer saw it first and not anyone from the argentina staff. like don’t heart attack symptoms start showing weeks in advance? i know somebody from argentina is getting fired bruh 28.3K likes   Reply 209 replies

@1brniyu • 13h ago Wow… A heart attack can really happen to anyone. I pray Oikawa has a swift recovery and can return to playing. He is a truly talented man. 38K likes   Reply 300 replies

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[Takeru]¹ i know u haven’t talked in a really long time, but thank u for helping my uncle. idk what id do if he died [Takeru] thank you.

—

farminginsparta reblogged blorbo-central blorbo-central okay i swear this isn’t a racism thing, but you know how the japan trainer had that freak out after doing cpr on oikawa? well, is it possible they knew each other before all this? like maybe they are friends or smth. he certainly didn’t react like that when his own team’s player fell. farminginsparta You can’t just assume all Japanese people know each other blorbo-central YOURE GONNA TELL ME I’M CRAZY??? i keep rewatching it and i’m getting more and more certain that they are friends or were friends or something more. that trainer had eyes on him from the MINUTE they stepped out onto court. and he was on the court before anyone else was to save him. AND he had that meltdown (when he should be perfectly fine to do cpr like that). i swear on my life and future babies that i’m right!!! farminginsparta This is pretty disrespectful to the people in the situation to speculate like that. He’s just had a heart attack and you’re concerned about his relationship with another man? And the athletic trainer may have just experienced his first life-or-death scenario. Typical Tumblr user behavior

#Have some decency #This is unbelievable but expected from the hellsite 74 notes

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[1 Missed Call at 6:00 PM] [1 New Voice Mail]

[Audio Description: Forty-seven seconds. A female voice politely asks for an interview. She leaves her contact details.]

—

r/Olympics

u/LilacSweatshirts The Argentina Player and the Japan Athletic Trainer DO know each other (or at least did at one point) 9 Awards I’ve been seeing all the ruckus online about what happened during the Olympic volleyball gold matchup and got curious. I didn’t know anything about these people until now (I don’t really care about volleyball in general. I only ever turn on the Olympics for background noise, and I certainly didn’t see this incident occur live.) But because I apparently have little else to do with my time, I went on a deep dive.

I started with the Argentina player Oikawa Tooru first because I thought I might be able to find something about his past medical history that would cause a “sudden” heart attack like this. According to this interview from 2013, he states that he had a complex knee injury and corrective surgery during high school. He doesn’t feel any pain anymore in it unless he goes out of his way to “provoke it”. He also says that he wears eye contacts. I don’t know how bad his eyesight is, but from the photos I’ve found where he is wearing glasses, the lenses don’t seem to be insanely thick or anything. He’s been pretty open about his struggles and with mental health in recent years (this article is quite good. He reposts a lot of mental health awareness stuff on his socials too.) But there’s nothing about any heart problems, asthma, or even a history of drug or chemical abuse that could lead up to this problem. The heart attack seems to have come out of nowhere.

Because he talked about high school, I wanted to know where he went. I thought he was from Argentina and was just first or second generation, or had moved here when he was younger, like me (born in Argentina) to England, so I was curious to see if I would recognize the name of his school. Hey, maybe we even went to the same primary school! I didn’t know. Well, turns out he emigrated from Japan in 2013 and became naturalized as an Argentinian citizen in 2016 (he posted about it on Instagram, Twitter, and Facebook). Whatever posts he had from his life in Japan, he must have since deleted. Though his accounts are a few years older, his posts start pretty much the day he arrives in Argentina. He does have posts from 2016 with Hinata Shouyou, a player on Team Japan, since they apparently played beach volleyball together for a while in Brazil. He still likes some of Hinata’s tweets and posted a Tiktok with him a few days before the gold matchup, so I assume they are still friends. Unfortunately, Hinata doesn’t start posting on any socials until he meets Oikawa in Brazil (his first tweet literally says Oikawa made the account for him, and his Instagram post is the sun setting on the beach with Oikawa tagged) so I hit a dead end there.

Considering he’s an immigrant, I figured that if he was picked up by not only a pro team in Argentina but also the national team , he must’ve had some insane high school stats. That means lots of information should be floating around somewhere online. I found several articles on Japanese volleyball sites (never knew how popular the sport is over there until now) that talk about Oikawa’s feats. That’s how I found out he went to a high school called Aoba Johsai (also referred to as Seijoh). Their colours are teal and white, so it’s kind of iconic that he came to Argentina. I found this magazine² where he had a featured interview during his last year of high school. I translated all of it through Google, so I don’t know if everything I got was absolutely correct, but from what I gathered he really was crazy good. I also found a few uploaded volleyball matches. I won’t link them, but if you want to watch them, just go to Youtube and search “Aoba Johsai/Seijoh 2010-2013 Volleyball Tournament Matches”.

Since I got his high school and those articles, I was also able to get the names on his team’s roster. The only name that’s important to this topic though is Iwaizumi Hajime.

As some of you may already know (though most don’t), Iwaizumi Hajime is the athletic trainer for Team Japan who saved Oikawa Tooru’s life. From what I’ve been able to find, they did play together for every year of high school.

Then I got curious about Iwaizumi himself. He graduated at the same time as Oikawa, but he didn’t go to Argentina or anything. He actually went to Tohoku University as an undergrad, then went to grad school at the University of California in the States and interned under Utsui Takashi.³ This was actually pretty easy to track because he has two published dissertations regarding sports medicine. I skimmed the second one (because it’s in English) about how mental health can affect the physical health of athletes. It’s pretty good, honestly, especially for it being in his (presumably) second language. He’s a brilliant guy. After graduating and completing his internship, he worked as the primary athletic trainer for the pro volleyball team Tokyo Great Bears, then became the athletic trainer for Team Japan.

I haven’t been able to find them interacting with each other on social media at all. They both follow some of the same people, like the previously mentioned Hinata and Jose Blanco (volleyball coach for Team Argentina), but I think that’s simply by coincidence since they don’t follow each other. Curiously, Iwaizumi follows a good amount of people from his high school team still, but not Oikawa. He seems to be closer with the other third-year players based on his likes, responses, and reposts. But, Iwaizumi doesn’t post all that much on social media in general. His last post was on Instagram with a picture with Team Japan from a couple months back. He’s been tagged in a few photos and tweets from the players on various sites, and was in a Team Japan TikTok, but that’s pretty much it. Again, he has stuff with two of his high school teammates in his same year, but Oikawa is never talked about nor featured.

To tie this all back with the Olympics last night: It seems to me that many of those on Team Japan know Oikawa a little better than any of the other teams in the Olympics simply by chance; most of them played against him in high school. I seriously doubt Iwaizumi and Oikawa kept in contact since high school or were ever even closer than teammates/classmates. They probably don't even like each other (based on the social media situation.) But Iwaizumi is the only one who actually played with him in his formative years, so I guess that’s worth something. I imagine that saving someone you once knew as a teenager is a very harsh and traumatizing ordeal, no matter how long it’s been since you last saw them. Man, if I had to save one of my old classmates like that… Even the ones I didn’t like, I don’t know if I’d be able to sleep for a couple nights.

TL;DR: They played high school volleyball together, and I need a more social hobby.

Edit: Thanks so much for the gold! I saw that Kageyama Tobio (player for Team Japan) released a statement on his socials stating that he played with Oikawa in middle school. It’s been cool to see all the Japanese players wishing him well. Nothing from Iwaizumi, though. 409K upvotes  38.4k replies

u/WaxpoeticTome Batshit crazy behavior, but also very impressive. I expected nothing less from the Internet 36K upvotes  7.2K replies u/Jumbo_JC_L 1 Award They played together in middle school, too. https://www.kitagawadaiichi.org/championships/2008/volleyball/ 112K upvotes  10.1k replies

—

[Keiji] Hey, if you ever want to talk, we can meet up or you can give me a call. No pressure if you don’t want to. Just want you to know that I’m here for you.

—

teamargentina

[Image Description: A male volleyball player from Team Argentina lunging forward on a court. His face is tilted upward to the volleyball in the air. One arm is extended and his other is caught moving backward. He is ready to serve the ball. The edges of the image are faded to white.]

567,882 likes teamargentina   Tooru Oikawa is a beloved player on our Men’s National Volleyball Team. After achieving the winning point in the final set and bringing home the gold medal for Team Argentina, he collapsed from a coronary heart spasm. He is recovering in the amazing care of the Olympic Village hospital staff. May we all congratulate him on winning gold and wish him a swift recovery. #TokyoOlympics View all 743 comments bryanverden0907 May God Save Him 🙏🏻🛐

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he’s recovering fine. please don’t make the trip up here. I’ll bring your son home. we will see you soon, I promise.

—

[Video Description: Twenty-one seconds. Video starts. The camera is focused on a team of men in blue and white as they knock the volleyball over the net. It cuts to the team before the camera switches to the other side. They knock the volleyball over, and it cuts to the same team again. Two English announcers speak loudly over the muted audio of the game. The English announcers yell loudly in excitement at a play while the opposing team’s athletic trainer runs onto the court. It cuts to a close-up of the athletic trainer holding a player’s shoulders. It cuts again. The video darkens and blurs slightly. The audio silences and the sound of monitored heartbeats takes over loudly. The trainer presses down repeatedly on the player’s chest in slow motion. It cuts intermittently as he performs mouth-to-mouth. The heartbeat ends. The remaining sound is a heart monitor flatline. Video ends.]

mrblesnimop HE’LL BE OKAY GUYS TRUST (they are both so freaking attractive oh my god) #volleyball #vball #tokyolympics #2020olympics #oikawatooru #edit #olympicsedit #fyp Original Sound

3,674 comments

coco they are both SO attractive oh my god- 4h   Reply                4.8k likes — View 800 replies

sasukesleftfoot They way I'd give myself a heart attack so that man would give me mouth to mouth ohhhh 1h   Reply                3.9k likes — View 516 replies

¹ Originally, this was supposed to be Oikawa’s older sister. However, she is unnamed, and therefor does not get to be in this LMAO.

² In this magazine, u/LilacSweatshirts found out that Oikawa’s favorite food was milkbread, and his personal motto was: “If you’re gonna hit it, hit it ‘til it breaks.” They thought this was funny.

³ I don’t actually read the manga, so when I was skimming through the various Haikyuu Wikis, I interpreted his time in America during his 2nd year of higher education to mean he was touring the campus and doing interviews with his prospective internship boss rather than him actually attending the university itself. Thus, we have this fic with Iwaizumi attending for grad school rather than a regular undergrad program. This makes more sense to me with the way the American education system works.

Author's Note:  i went back to the first chapter and changed how long it's been since oikawa and iwaizumi last spoke. it's eight years, not nine, because they graduated in 2013 and not 2012. i'm a fucking idiot.

[rabdoidal]

tag game! 🎧🎶 tagged by @theocannibalism shuffle your music library and share the first 10 songs that come up.

Thanks bud! Shuffling my liked instead of my playlists for fairness ✌️

Waiting For The Weekend by San Cisco: a decent song! I liked it more in uni but it's certainly still musically pretty - it's a little trite to write a love song about drugs being personified, but San Cisco can make anything a sexy indie jam (7/10) Favourite line: And when she's standing right next to me / She's never quite as close as I'd like her to be

Your Dog by Soccer Mommy: a STELLAR song by a band truly so close to my heart - my fav combination in music is a clean voice and dirty bass. also this song also has a fucked up relationship dynamic and its. very Izzy Hands to me sorry (10/10) Favourite line: Forehead kisses break my knees / And leave me crawling back to you

Pulaski at Night by Andrew Bird: another top tier banger but also (shout out to artificial ghost radio listeners) this is my NBC hannigram song its so. like the classical instruments and delusional sweetness makes it feel like a candlelit waltz in a blood splattered suit (10/10) Favourite line: I write you a story / But it loses its thread / And all of my witnesses / Keep turning up, turning up dead

Paint It, Black by The Rolling Stones: truly wild that this is in my likes because its a great song but its like. I don't think I've ever intentionally listened to the rolling stones apart from this? anyway bangers only I always love how dramatic and goth it is (8/10) Favourite line: No more will my green sea / Go turn a deeper blue

Androgynous by The Replacements: this song honestly makes me tear up sometimes, even tho its purely joyful, because it makes me think about how its a song from the 80s that has more kindness and love for genderqueer people than most people do 40 years later. It makes me love being t4t (9/10) Favourite line: Now, something meets boy, and something meets girl / They both look the same / They're overjoyed in this world

Cinnamon Spider by Jack Off Jill: nothing wrong with an alt/goth song about revenge and guilt with weird voice modulated screaming and creepy whispering (7/10) Favourite line: Consumed by hate and guilt, she'll never retire / Too old to fix, too dead to ever acquire

Human Fly by The Cramps: I've been listening to a lot of rockabilly/oldhead goth rock recently and I'm loving the cramps! I've only really heard the big hits until recently, but Human Fly is definitely my stand-out favourite, I love songs that are kinda nasty and maggoty or more conceptual or goofy! It makes it stand out to me (10/10) Favourite line: And baby I won't care / 'Cuz baby I don't scare / 'Cuz I'm a reborn maggot using germ warfare

The Price Is Right Theme Song by Antarctigo Vespucci: I'm a little over listening to indie emo at the moment so I do frequently skip this when it comes on shuffle, but the lyricism is honestly heartbreaking (5/10) Favourite line: Oh my lord, I wish that I didn't know they'll still make TV shows long after I go.

Big Bird by AJJ: I have thoughts feelings comments and critiques of AJJ, but I can't deny that if you want to be in a dangerously bad mood it hits. it completely hits. and I think its interesting that they make songs about taboo intrusive thoughts and criticisms they have of the world, even if i dont always love the song they make in the end (6/10) Favourite line: So I bought a knife / I am a knife / I am a Knife Man

Arty Boy by Flight Facilities ft. Emma Louise: a real vibey party song about being inexplicably into the guy taking photos and smoking at the function instead of dancing - to me it reads as a little comphet, or a little bit bisexual, because the way Emma Louise is singing about the ladies is a lil sus (7/10) Favourite line: And all the girls must be models here, sipping up on margaritas / Twist their bodies so beautiful, making shapes with the music

idk who to tag but if you want an excuse to do this, go with my blessing and pretend I tagged you

[alcalavicci]

This finale oh my God. So much to process.

One thing that sets neo!QL apart from the OG is its ability to pursue long arcs over a season. The OG had Trilogy and a few two-parters but opinions on Trilogy are very divided.

Martinez last season was pretty interesting but Hannah this season felt like a more rock-solid take on Trilogy. Have the leaper fall in love with someone while traveling in time? Yes please, but no creepy leaps from the person's father to their fiance this time! The people Ben leaped into were more removed from Hannah compared to the people Sam leaped into in Trilogy but they still made it work. And that finale takes so much more time than the OG could dedicate to make it work, with a better payoff. If you told me Sam leaped from the end of Trilogy directly into the middle of the Evil version of Project Quantum Leap and made the Evil Leapers go away, I'd think you were crazy. But that's pretty much what neo!QL did with Ben.

Like, y'all. Neo!QL gave us a much better take on Trilogy this season and I'm so happy about it. Also, Janis (who was positively affected by Sam) helping out Ben with Jeffrey (who was negatively affected)? 🤌

It's fascinating that Addison remembers both timelines, confirming in canon that Al also remembers everything. I want to say the OG was a bit more murky on this so it's nice to have some confirmation. And double leapers!!

I would love a season 3. But if we don't get one (curse you NBC!) I'd be okay with this as a series finale.

[letmelickyoureyeballs]

Beta Reader About Me

This is going to be a more in-depth post about me as a beta reader, which will be linked in my pinned post.

First off, hello call me Shark or Spruce! I'm 19 and go by he/they pronouns. I am open to beta reading for people, whether that's stuff on here or AO3.

What I'm willing to do:

Grammer/Capitalization/Punctuation

Cheer reading(pointing out what you did well and what I'm excited to see)

Identify plot inconstancies/where something needs to be clarified

Help with canon/characterization(if I know what/who it is)

American/Midwest information and more specifically Wisconsin information

Pretty much anything else you wish me to help with

*Depending on the fandom and length of fics, some of these will differ in doability*

I am generally ok with any kind of content that you write, but I do have some fic turn-offs. *Note that not everything on this list means I won't beta read for you, but I would like more info/details around them if they are in your fic to see if I'm still comfortable helping*

Mpreg/Anything pregnancy-related

Kid fics(when the main pairing has a kid, not kid-focused fics)

Really dark stories with no happy endings(depends on the story, but I'd prefer a happy/fulfilling ending)

Major Character death

Anything that is meant to hate a certain group/subgroup of people

Really long fics over 100k words

Some things that I am comfortable reading. *Not a comprehensive list*

Omegaverse

Reader Insert

G-E rated fics

Original characters

Canonverse

Alternate Universe

Gore and violence

Potentially triggering topics

I will again read pretty much any fandom you write for including original works, but here are some fandoms that I would be able to help more in-depth with:

The Witcher(Show, Third game, All the books), The Hobbit, Lord of the Rings, Halo(Game series), Marvel, Venom, Star Wars/The Mandalorian, Transformers, Call of Duty, How to Train Your Dragon(Iffy on third movie), Spider-Man/Deadpool(Spideypool), Percy Jackson/The Heroes of Olympus, The Hunger Games, The Divergent Series, Maze Runner, Narnia(Movies only, I don't know anything in the books), Pride and Prejudice/Emma, Disney/Pixar movies, The 100, NBC Hannibal, Rise of the Guardians, Good Omens, Our Flag Means Death, Beastars, Titanfall 2, Red Dead Redemption 2, Baldurs Gate 3, Divinity Original Sin 2, Hazbin Hotel, Critical Role(I've only watched Campaign 1 and 3, and the TV show), Once Upon a Time, Anne with an E, Harry Potter, Six of Crows, Twilight, Star Trek, The Conjuring series, Descendants/High school Musical, Guardians of the Galaxy, Oceans Trilogy, Andrew Garfield's Spider-Man, Top Gun, Stranger Things, Fast and Furious, Moon Knight, Bridgerton(Show only)

I will read WIPs/completed works, multi/single chapter works, original works, and anything in between.

If you are interested or have any questions you may DM me. If you do, please provide whether I would be helping with a WIP or completed work, and whether there are any deadlines I need to be aware of. Please also include any warnings I should know about, and what you would want me to help with. I would also prefer to work on Google Docs if possible.

*Even if you are not interested, please reblog for others to see*

Edited July 18, 2024

[codename-adler]

"nothing is going to be okay" sounds like it's gonna hurt... tell me more.

It's meant to hurt. You and me both.

Adler's PiPs ~ Project: Nothing Is Going to Be Okay

Also known as Adler-toys-with-the-Major-Character-Death-tag. This is an exploration of every universe where Kevin, Andrew and/or Neil do not make it out. Sometimes Kevin dies; sometimes it's Andrew; other times it's Neil. Someone always dies. Doesn't matter if it's Kandreil, Andreil, Kandrew, Kevneil. Sometimes it's because of canon going slightly to the left. Sometimes it's because it's a totally different universe. Every variation is always merciless.

The origins of such a fun project? Music. It all stems from my personal playlist of the saddest soundtracks or instrumental pieces i religiously listen to, which i won't share until i finally get to writing this collection of grief. So far i have 96 pieces on that playlist. Will i write the boys dying 96 times? i doubt it, but each piece represents a universe with a specific scene and vision. sometimes if it's a soundtrack, i put the boys in that universe and kill 'em. sometimes it's the title of the piece that awakes something ugly in me. sometimes it's a combination of words and vibes. the possibilities are endless. the grief is infinite, a loop, inescapable. yes i got mental problems. yes i got meds for it. why do u ask.

Why the fun title? Ask Andrew.

"Your parents are dead, you are not fine, and nothing is going to be okay. This is not news to you. But from now until May you are still Neil Josten and I am still the man who said he would keep you alive. I don't care if you use this phone tomorrow. I don't care if you never use it again. But you are going to keep it on you because one day you might need it. On that day you're not going to run. You're going to think about what I promised you and you're going to make the call. Tell me you understand." (TRK)

Now! Some of the wips in the collection:

So This Is Christmas: based on Happy Xmas (War Is Over) by Gabrielle Aplin, i revisit Neil's days at the Nest and add a few more casualties. the boys take their turn kicking the bucket. this one is multi-chaptered.

fun fact: there are only 3 songs in the playlist that have lyrics: one of them is in an Arabic or Persian language that i do not speak/read, the other two are in English (Happy Xmas + my tears ricochet)

i would also like to note that Gabrielle Aplin's Happy Xmas is part of my aftg soundtrack project where i'm trying to imagine the series as a TV show and assemble music for specific scenes in multi-episodes seasons. this one i imagine playing with slow-motion scenes cutting back-and-forth between Neil's torture in the Nest over the holidays and the Foxes celebrating in NYC. my magnum opus if you will. i'm not even kidding. all my self-confidence is in that divine mission.

Andrew's Farewell: Hunger Games AU. a classic. the song? iykyk. the victim? iykyk.

On the Nature of Day(light): based on the piece by Max Richter (all variations and covers, but i do favor the original and the entropy). canon divergence AU where Kevin also intervenes at the end of TKM, when the Foxes win the Championships and there's the Riko-Neil-Andew showdown. establishing then destroying Kandreil.

Tennessee: based on the Hans Zimmer soundtrack for the film Pearl Harbor. i took inspiration from the title and the music, not the movie. totally war-unrelated. excerpt (Andreil, other Baltimore AU):

"We could go... We could go... to Tennessee..." "There's nothing in Tennessee, Abram." "Exactly..." *shaky pained smile*

Thin Orange Line: based on Journey to the Line by Hans Zimmer & Gavin Greenaway, from the film The Thin Red Line. War AU + Kandrew + Soldier Kevin Day carrying injured/unconscious Soldier Andrew Minyard to safety. only one makes it.

Other inspirations come from the soundtracks of The Last of Us (1 + 2 + HBO show), The Haunting of Bly Manor / Hill House, Max Richter, Hannibal (NBC show), House of the Dragon, Dune (Denis Villeneuve/Hans Zimmer), and many other shows, films, video games and original compositions / composers.

this project is my beloved baby. i remember it being the first push to create since a long while. i know it is very very sad, and that MCD is very rarely liked/read. i'm still invested. maybe i'll try out NaNoWriMo for a 3rd time with this project. i'm not giving up!

thank you anon, from the bottom of my heart, for giving me the opportunity to info-dump and for allowing me to see that i actually have much more figured out than i thought. i'm glad the hurt/no comfort vibe bewitched you.

[dalt20]

Tooning In 12. Greg Bailey part 3 of 10

DL:So it says on your IMDb that you directed 52 episodes of a cartoon from CiNAR called We Are the Dogs in 1985. What was that?

GB:I have no idea! I started working at Cinar in Feb. 1992. I never heard of that dog show.

DL:Oh ok. Somebody musta vandalized your account. Moving on, Starcom the U.S. Space Force for DiC and Coca Cola

GB:I remember Space Force at DIC but never heard of Coca Cola

DL:They were the syndicator of the show.

GB:I didn't know that!

DL:They had a television department called Coca Cola Telecommunications. They had a relationship with DiC during The Real Ghostbusters until the film Ishmel flopped at the box office. Causing DiC to leave the partnership.

GB:Was DIC working on Ishmel? I don't know anything about that. I am not really aware of the property. Why did they leave the work relationship over the film or did Coca Cola close up their department? Sorry I guess I have more questions than useful answers.

DL:No, DiC wasn’t working on Ishmel but yes they left their work relationship over the film.And also I'm glad you ask for answers on my knowledge.

GB:Do you know why they left over the film? It was a live action film wasn't it. I was in Japan in those years so there are a lot of things that I seem to have a lack of knowledge about what was happening on this side of the world in those years. Especially in entertainment. It took me years to see films like Robocop after hearing everyone in the US talk about them all the time.

DL:It was because their deal was soured because Coca Cola was losing money from the film, a big loss. And they sold the film distributor Columbia Pictures to current owner Sony. Plus it was thought that DiC was eying a merger with Coca Cola.

GB:OK, I sort of understand now. I will have to ask around about it to see if anyone knows about it other than the executives. I believe this flop happened around 1987 if I see it correctly on Google in my quick look. DIC really went through a big upheaval at that time so it may be related. Jean Charlopin split up with Andy Heyward about that time. DIC Tokyo went with Charlopin and part of the split said that some work would be sent to DIC Tokyo for a season or 2 before DIC LA went off and did their work elsewhere. There was a lot of activity at the executive level and that ended my gig in Tokyo as well. The whole art department in LA also broke up and people went their own ways.

DL:Yep, that is correct.The ALF cartoons for Alien productions and NBC?

GB:I don't think I saw any Alf shows after they left DIC or did they end at DIC. Also Saban was part of the 3 way ownership at DIC. He bought out the music rights that DIC had and moved his company back to France. DIC really had no library to fall back on and soon had no more shows. Heyward had a lot of debt. 80 million seems to stick in my head right now and it doesn't sound like much now but with no library did it really have any value. Heyward promoted his golfing buddy Mike Moliani from director to an executive position. Mike over the years that I was there directed some pretty bad shows that were also very disorganized and had a lazy kind of pre production work done in LA. That's what I was saying last time that I would jump to do shows by Raynis because his shows were so great even if they were more challenging. The Mike Moliani directed shows were not interesting to work on as an artist and animator. It was ironic, jumping ahead 20 years later, the company I worked at Cookie Jar Toronto also bought out DIC and spent a lot of money for a company that still had no library. But I get ahead of myself.

DL:yeah. Saban bought the foreign rights to the shows only to sell them to C&D, the company of Jean Chalopin. Some jackass move.

GB:I don't know that it is a bad thing to have the rights. That's how animation companies make money. It was just questionable what Andy Heyward had after buying DiC without any rights to the music or any of the shows they made. Anyway, I am not the expert on all the executive dealings at DIC and I'm sure a lot of people have more insight than I do about that. So if Saban bought and sold the film distribution rights just to hold onto the music rights it sounds like he might have made a good financial deal pretty quickly. Sort of like flipping some real estate in a hot market.That must be how Charlopin had the rights to Gadget when they made the live action movie a decade ago.

DL:Yeah. And DiC brought Saban to court fighting with them about selling them to their former shareholder where they duke it out until it was settled in 1991 with Saban owning the rights to the pre 1990 DiC library.Revoking it from Jean Chalopin.

GB:That's funny. I believe Charlopin and Saban were old business partners at DIC France pre-LA days. I never heard that there was any bad blood between them. So I guess Saban just licensed the rights to Charlopin to make the live-action Gadget. I think they made a new animated series as well about that time. I didn't see the movie. One day I was listening to a culture critic talking about movie sequels. He said the worst movies are live-action movies based on animated tv shows. He said the Gadget movie was the worst one of those. So I guess he didn't like the movie much. I remember Bruno Bianchi's and Charlopin's names on the poster. Maybe Saban's name was there too but I didn't pay attention. I never met Saban but I had met Charlopin a few times in Tokyo just to be introduced basically.

DL:Actually they were as Saban would compose the soundtrack to Ulysses 31 and Mysterious Cities of Gold.Saban was not a producer on the film, but Chalopin and Heyward were.So how was the founder of DiC?

GB:What do you mean? "How was the founder"?

DL:Jean Chalopin,like how he was.

GB:Like I say I was only introduced to him briefly. He was kind of a nice-looking and amiable person from my brief meeting. He looked like someone very comfortable in his skin and well-suited to the jet-set lifestyle he was living. He was still quite young then. I would guess in his late 30's/ maybe 40 so he was an early boomer. I saw him last around the time the company was breaking up and he had come to Tokyo I guess to meet with Katayama and Bruno and discuss what the plan was.

DL:C.O.P.S. for Hasbro?How was working on that show?

GB:I think everyone in DIC must have worked on that series. It was another syndicated series of 65 shows so as usual they went through the studio at breakneck speed and the quality of syndicated shows was much lower than network Saturday morning shows. I didn't love the show much because it was kind of macho adolescent stuff with not much story value and no humor. I guess if you like that kind of thing it was fine but I never really liked the natural human-looking animated characters. It just looks like bad life drawing or something and makes me remember my early days animating at Hanna Barbera. I just read a byline when I searched on Google to refresh my memory. "Cops in 2020". So I guess it was a future cop show inspired by Robocop. Part of the pre-production work was done in Canada. In Ottawa I believe, because DIC had started doing some pre-prod work in Canada by that point.

DL:Yes, it was inspired by Robocop.As Andy would try to copy trends at the time.

GB:There was some kind of immoral feeling working on shows that were glorified commercials for toys. It did weigh on you and destroyed your belief that animation should be a good thing for kids, not just something to exploit them or make them bug their parents for more terrible cheap toys.A salesman always proposes a show that was a success last year by someone else. It is counter to shows created in a more creative environment where copying something already done would be at the bottom of your list of what to do. Does that make sense? In later years working in development I would see a lot of ideas or suggestions from the sales team about making a show just like Spongebob, or just like whatever was a success last year. It is really anti-creative. But syndication was just selling toys that Hasbro was making. I guess I helped to sell a lot of toys at DIC.

DL:So how did you feel when you left DiC Entertainment in 1988?

GB:I thought my career would end because it would be hard to replace the job with something as high-paced and rewarding. It was also a matter of leaving a very financially rewarding position because we got paid well. I was going to have to leave Tokyo, which I liked a lot. Although in another way it was time for me to leave because I had put my family through 4 years of living out of a suitcase. It was time for things like school for my daughter and living somewhere that my wife could work and get on with her career. Living in Tokyo was definitely making that impossible. I didn't think I would find another job as interesting as DIC but I had learned a lot of useful skills and information about how to control a production and get more input into the show in a professional manner. A lot of skills that were not known in Canada at the time.

DL:So you worked on The Raccoons,your first Canadian production you worked on.

GB:Yes, the first after coming back from Tokyo. I was living in Ottawa for the first time and Hinton Studios was doing Raccoons. I never became much of an expert on it because my time there was short-lived before I went to Cinegroupe in Montreal. I did some Raccoons and I just started on Ren and Stimpy for a week or 2. I also did part of a storyboard on Where's Waldo in that period I believe. I don't remember how I found that job though.

DL:So at Hinton Studios, were they drawing dirty pictures of the Raccoons characters according to rumors?

GB:What?! Animators never do that.

DL:Well TV tropes said so and i just want to know to clear up rumors,that's all.

GB:I always thought those noses on the bad guys Cedric and Cyril looked kind of obscene all the time. It would be difficult to make them do anything too dirty with those flaccid noses. Come to think of it they all had droopy noses even the Raccoon characters except the females. Must have been from all those dirty scenes they were involved in that never made it onto TV that left their noses limp.

DL:Ah. so you work on the Ren and Stimpy pilot, Big House Blues. Were you working with Bob Jacques?

GB:I think I was supposed to but I only did about 2 weeks and then had to leave.

DL:How was the experience and did you like the program?

GB:Too brief to get much out of it. I was pretty excited about the design and method they were using to work. I loved the show of course and often wished I had had more time on it. The model sheets were really great and the show felt really fresh at the time.

DL:So when did you get to go to Cinegroupe in Montreal?

GB:I left to go there right after I did Ren and Stimpy for a few weeks. I was probably working the next week in Montreal and commuting back and forth to Ottawa on weekends. I had worked at Cinergroupe before going to Tokyo for a few months on Ovid and the Gang as an animator. Anyway, when I left Hinton Studios for Cinegroupe it must have been 1988 or 1989.

DL:So what was Ovide and the Gang?

GB:Ovid was a co-production with Belgium. It was an original series based on a comic book style of characters. I can't even remember what the point of the series was or the relationships between the characters. They were very cute-looking characters though and the studio was animating the whole series with about 5 animators and 5 assistants. When I went there after Hinton they were doing a few series. L'Aventure de L'ecriture a show about French grammar and a series Little Flying Bears which is just exactly as the name implies. Everything was little something or other in those years. The bears had dragonfly wings. These flying bears were saving the environment. But I guess they didn't succeed because it's still a mess. But saving the environment was big in animation in those days.

DL:So by the way, did you have cable in the late 90s early 90s? Because these shows were broadcast on The Family Channel.

GB:I do remember them on TV but don't know if it was Family Channel or CBC. I probably only had basic cable at home. I'm not sure when the series finished. Oddly it was a co-production with Yugoslavia. Unfortunately, a few years into production the Yugoslavian war began and that turned into a bloodbath. I remember before the war everyone was talking about what a fantastic place it was over there with all those people living in harmony. The breakup of the country and the massacres just went on for what seemed like more than a decade. Anyway, the show kept getting held up because the co-producing company was telling us about the tanks sitting out in front of the company and it just got impossible eventually. It's weird how all this bad stuff is going on behind the scenes in these innocent cartoons on TV.

DL:Oh yeah. Well can’t believe that the Yugoslavian war was tied to the production trouble of Little Flying Bears.Also before I go, one more question. How was it when you went to work for CiNAR and Young Robin Hood for Hanna Barbera and France Animation.

GB:I heard once that the producer over there wanted to have Cinegroupe's production money payment sent to him in a location in a neighboring country. But that didn't sit well with Cinegroupe. I don't know if they suspected he would run for it with the money and get the heck out of the way of that approaching war. It seemed like the country was unfolding in slo mo at that point. This was before the war in Kosovo and Serbia. The co-producer was in Zagreb. It was a pretty city that held the international animation festival every second year alternating with Ottawa.

DL:Interesting.

GB:Robin Hood was fine. The first job there was on White Fang. I was an animation posing supervisor. Then I did timing direction on Robin Hood. Robin Hood went by pretty smoothly and it was nice working in a familiar US production method. I was able to bring in some of those timing skills from Tokyo into the job.And then I directed a few specials on Munch. Murmel Murmel and Boy in the drawer.I think that is the correct order of work at Cinar. It was called Crayon Animation in those days but it was owned by Cinar.

DL:Wait CiNAR was called Crayon animation?Also before then CiNAR was a dubbing studio before it started to produce its own productions in 1988.

GB:Yes, the animation part of the company was called Crayon Animation. Cinar existed at a different location downtown. They did the post-prod mixing and sound work and recording at Cinar. And the executive offices of Ron and Micheline were downtown at Cinar. The animation studio Crayon was in an old industrial warehouse space in St Henri in the mid-19th century industrial part of Montreal. If you've seen the movie or read the book The Tin Flute that is where it was. Lots of rail yards and on the old Lachine canal.Yes they did the dubbing and all sound work at Cinar headquarters downtown. They owned the building there, which was originally an old convent. Later on we moved out of the Crayon building and moved to a new office tower around the corner from the Cinar headquarters and sound studio.Ron Weinberg would often talk about how he started Cinar by driving around the US with a trunk full of videotapes of the movie Wicker Man and he would sell this tape everywhere. I don't know how he did that but that was the story. I don't know if I ever saw Wicker Man but at Burning they used to burn wicker furniture in memory of that movie.

[mayasdeluca]

I’m not expecting a greys cancellation and it’s not even like I’m rooting for one but it’s so frustrating to see a show still going after 20 seasons that ran it’s course SO long ago get to keep going what looks like indefinitely (since they already threw the “it’s gonna end when ellen leaves” out the window) when s19 still has so much potential AND brings in just and many views/oftentimes more views and has a huge fan base as well. That’s not even to mention the 911 nonsense of it all, not evening airing on the network yet and somehow they’re getting prioritized over a show of their own that makes them money??

It's incredibly frustrating and doesn't make any sense at all. It's hard to not think about these things and compare it to other shows on the network when Station 19 is getting the short end of the stick for no good reason at all. It's been successful on ABC for years now and usually when that's the case, the show stays on air. Especially when it's part of a series too....like the Chicago series on NBC have been on together for years, the NCIS shows, Law and Order shows etc. I'm not sure why suddenly it's Station 19 that is getting pulled when there's nothing to justify it.

[ladyknightskye]

Hii for the fic recs ask: 🥰😊 👀 💖 👍🏽

No fandom or pairings - haha, random we be!

🥰 A fic that gives you warm fuzzy feelings.

felled by you, held by you by lowtides (Far Cry 5)

I just have so many thoughts about touched-starved characters in general, but this one has some good Jacob Seed touched-starved madness. The writing itself is very comedic in tone, but it ends up being very sweet in the end, but not so rushed to be out of character for either Jacob or the Junior Deputy (insofar as the author establishes the personality of the Deputy). So many cuddles.

☺️ A fic that made you smile on a bad day

Heaven is a Place on Earth by ArthursKnight (Supernatural)

So, I got to beta this one, and I distinctly remember a couple of times where I was in no mood to read anything (difficult mental health times y'all) and this one gave me so many feelings. So many. I don't usually stim when I read something good, but I was flapping my hands and smacking my desk over this one. It's beautifully written, and while I know Gadreel/Dean is not a lot of people's cup of tea, I think the examination of Gadreel's emotions surrounding his relationship to his Father and humanity is just, chef's kiss.

👀 A fic you love a normal amount.

Texts from Hannibal by textsfromhannibal (Hannibal NBC)

Look. Look. It's batshit unhinged and I love it, okay? It literally opens on Will Graham finding Clarice Starling ducktaped to a fridge with Hannibal's blood all over her mouth. And even in all the insanity, it does somehow manage to delve into deeper issues like self-worth and grief, while still being absolute crack on steriods. I love it.

💖 A drabble that made you want 100k more words.

Mine for the Taking by theinsaneseer (Supernatural)

I have so many, many thoughts about this one. I could have read all the gory details that are glossed over here, and wanted more. I have an affection for fics that look at the bad future of The End and play around with how Lucifer and either Dean or Cas interact after that. And yes, I'm total Ducifer trash, and this was right up my alley.

👍🏽 A fic you bookmarked recently.

Serpent's Tongue by bloodandcream (Supernatural)

So, I don't usually ship Lucifer/Anna but when I do I love it when it's a little off-beat and dark~ I also love that this one plays up the seductive part of Lucifer's personality. I love his manipulative little shit ways.