#but I'm not getting that from him either

[hellaverse-critical-confessions]

The point of Lucifer's voice is he's a goofy theatre Weird Al kid. He's not meant to sound a sophisticated oldie cuz thats not Viv' intention

He doesn't sound like either, though.

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[sergle]

Ah fuck ah shit we found a kitten again

dude screaming his LUNGS out in front of some random building in lawton. literally just screaming as loud as possible. his plan to cry for help worked flawlessly.

[starry-bi-sky]

"Stillborn? No, no, still born." -- DPXDC AU

Based off a comment I saw where Bruce knew about Talia's pregnancy in the earlier comivs, and was ecstatic to be a father. So much so that Talia feared he'd give up being Batman for it, so when she gave birth she put the baby (Damian) on a doorstep and (seemingly) told Bruce that the baby was stillborn.

Instead of Damian, that baby was Danny! Meet Daniel Brown, the 14 year old foster kid whose been living with the Fenton family for the last two years. He's about two years older than Damian.

His last name, "Brown", was a generic surname given to him because the note he came with didn't have one on it. It just had the name "Danyal" on it, but albeit 'Daniel' was the one that had been put into the system for, I'll be totally frank here, racism reasons.

(I looked it up to make sure, and it's generally not permissible for foster parents to change the names of their foster kids even if it's a permanent residency, and for that reason Danny doesn't have the last name "Fenton".)

Danny's got ✨~issues!~✨ He's been through a handful of homes growing up, most of them terrible for a variety of reasons. Which has, as a result, left lasting scars. He's generally a very sweet kid, just very distrustful and jumpy. He's got the signs of a kid suffering from PTSD, and a handful of other issues including attachment and insomnia. His inferiority complex could rival Damian's, and that's going to make for an interesting mutual hatred for when they finally meet.

(something I'll get into later)

He still has the blanket he was found in. It's made of a very high quality material and is a beautiful emerald green with little golden thread accents, it's high quality as a result has Danny clinging onto a desperate hope that his bio family might be out there, and the only reason they gave him up was because of some outside factor. It's been taken a few times in old foster homes, and he's flipped out each time.

While he still calls Jack and Maddie by their names, he likes them well enough. The bar isn't that high though, and while they're some of the better foster parents he's had, "better" doesn't equal "safest". Their laboratory malpractice. Basically, C- Fenton Parents. They're negligent by virtue of being engrossed in their work, but they do care equally about Jazz and Danny. So he doesn't hold it against them that much.

He kinda prefers it that way, their loud affection is overwhelming and Danny doesn't know what to do with their attention, even if he craves it. It's a bit of a complicated situation.

They took in Danny because they genuinely wanted another child, but didn't want a big age gap between them and Jazz. It was actually Jack's idea to foster, and they discussed it with Jazz beforehand. She was all for the idea. Thus, a handful of weeks later, a ton of paperwork, and inspection later, and Daniel Brown entered their household with a trash bag in one hand and eyes like shards of stained glass.

His relationship with Jazz is kinda strained, but that's by virtue of her constant psychoanalyzing and helicoptering. Like with the parents, Danny's overwhelmed by the attention and also just, straight up doesn't like the fact that she's telling him that there's something wrong with him. He knows that, thank you. He pushes her away when she does this.

Other than that though? When Jazz isn't smothering him and is acting like an actual sibling and not a third parent, they're pretty close, and Danny really likes her. They've hung out a few times on their own volition, and Jazz showed him how to take better care of his long hair.

His school situation,, pretty similar to canon with the bullying, albeit with a few more instances of him blowing a fuse and lashing out against his attackers. He's a rather angry kid, but it's quiet. It builds up, piles on top of itself, until eventually, like a volcano, it erupts and burns everyone within radius.

Danny's got a fire core, not an ice core. Phantom's hair is made of white magma; thick and heavy, setting itself on fire when his anger runs hot. When he gets angry, his skin begins to char and split open to reveal pulsating lava underneath, and he crackles and pops like a raging forest fire.

I haven't decided yet on how he meets the batfam -- i've got two ideas but they're both in opposition to each other, and drastically alter how the rest of the plot goes. But I do know that him and Damian hate each other in the beginning. And it has nothing to do with inheritance or "being the blood son" -- although their blood relation absolutely plays the major role in their disdain for each other.

Simply put, they're jealous of each other for the same thing: thinking that the other was wanted.

Damian hates Danny because, unlike Damian, Bruce knew about Danny since conception and wanted him from the moment he heard about him. He had a whole nursery set up, and still does. He never took it down -- just locked the door. Damian was thrust upon Bruce without warning, and he feels like he forced himself into the family. And while on some level Damian knows and understands that Bruce wants him and loves him as much as his other children, that doubt and feeling of inferiority still remains. He looks at Danny and sees him with what Damian always feels he needs reaffirmed.

Meanwhile, Danny hates Damian because he looks at him and sees him with everything Danny's ever wanted. He hates him because Damian grew up knowing both of their parents, with one of them for most of his life, and then moved over to the other. There was never a moment where Damian was (seemingly) left to doubt his place within the family. Damian was raised with the very same woman who left Danny on a doorstep, with no clue to his identity beyond a little green blanket and a note with only a first name. Damian was wanted everywhere, and Danny was wanted nowhere. Damian is Danny's replacement in his eyes.

(It's the little revelation that Damian grew up with their mother that elevates Danny from being quietly envious of Damian to downright despising him. What did Damian do, that Danny didn't? He could live with Damian living with Bruce -- Bruce didn't know Danny was even alive. But him living with their mom? Are you fucking kidding him?)

Damian never outright attacks Danny physically, but it's not like he hides that he didn't like Danny. Meanwhile, Danny, in all his repressive anger, quietly despised him from a distance until finally one wrong snide side-comment has him blowing up and it becomes a screaming match. They're both just enough similar to each other that when they look at each other they really just see a mirror.

They'll work it out together, eventually. But it'll be ugly and cruel and explosive, and they'll start mending the bridge to become brothers in more than just blood relation in the end.

But yeah, stillborn Danny has... a lot going for him.

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[starcurtain]

Sometimes I think about the fact that we have absolutely no information on how long Aventurine actually spent in slavery.

He fled from the Avgin massacre as a young child, and we didn't see him again until he was a grown adult. I doubt he could have survived entirely on his own at that age and Sigonia's conditions seem too harsh for people to randomly adopt orphans, especially from a rival/outcast clan...

We do know that the master we see on screen was not his only master, because he was purchased from someone else, but we have no idea how many masters he had total before his final one, how many times he could have fled and been recaptured, how many times he was bought and sold...

We do know that Aventurine appears to have been kept on Sigonia or somewhere similarly tribal for those missing years, since his first request to the IPC is for Jade to take him to her "chief," but we don't even know how long Aventurine has been out of slavery. He doesn't look massively different in age from his "trial" with Jade to how he looks in-game now, and he did not rise through the IPC ranks over time like Topaz but won his role directly through his gamble with Jade and then later proving himself on Iymanika.

Basically, all this is leading to a big question: Is it possible that the Aventurine we know is only barely out of slavery? That there may be something like five years or fewer separating him from the wastelands of Sigonia? That he learned all these new behaviors, all this new information about how to operate as a free person in the universe, in what likely amounts to 2-3 years of Jade's guidance and his own hard work?

Man, what an incredible character. Really a standout among my very favorites.

[upsidedownsmore]

Tennotober 2024 Day 7: Kalymos

what a little stinker lol

Previous (Day 6: Bird 3) || Next (Day 8: Atomicycle)

my muses

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[chiropteracupola]

granby + iskierka + keynes

[ineed-to-sleep]

It honestly baffles me that some people are so casually dismissive of animals' feelings. Istg some ppl only see pets like toys and are barely able to hide it

[sysig]

Puts the “plates” in “Fellplates” (Patreon)

[fatedroses]

-An old-timer like me.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[piecanl]

Something about qTubbo not just going on a silent killing spree, but making sure it's equal and fair to his opponents sends chills down my spine.

This feeling of seeing someone devolve from hopeless diplomacy to mindless slaughter in just one day and STILL seeing remnants of that fairness yesterday's person so desperately hoped for just. Haunts me

This whole time he could've went for every single kill, could've struck and maimed, could've been showered in a bloodbath day after day

But he chose to farm impossible resources instead, nerfing his whole team to make everything fair.

It haunts me.

It makes me think about what put Tubbo in that ice prison in the first place, just how much is he capable of?

If pushed far enough what would he do?

I mean we saw a glimpse of the lengths he'd go to with Quackity, and even THEN he didn't lay a single finger on the duck.

He could've killed him over and over and over and overandoverandoverandover, but he didn't. He phycologically fucked with his mind.

Just who is Tubbo really?

An engineer, the youngest of the server, kind, slightly naive to a fault, trusting, selfless.

A better question might be "who WAS Tubbo".

[thepersonperson]

Sukuna's You Pronouns

Someone pointed out that Sukuna doesn't exclusively use the you pronoun Kisama for Gojo in the tags as a response to this post. Sukuna also uses it for Kashimo.

This prompted me to go back and double-check his you pronoun usage with everyone since I focused on people he openly likes (Gojo, Higurama, Jogo, Megumi, Maki, Uraume).

And that, of course, spiraled out of control. Please enjoy my findings. (Someone made a formal response to this post if you want an alternate perspective.)

-Written as of JJK 262.5.

-Mangareader(.)to for the raws.

-TCBscans for everything else.

(Click images for captions/citations.)

Preface

Here's a shorthand for how Sukuna addresses characters with you pronouns. Not when he's speaking about them to other people, but when talking to them directly.

No You Pronouns: Haruta, Higurama, Kenjaku, Kusakabe, Mahito, Miguel, Ui Ui, Uraume

Omae: Finger Bearer, Gojo, Jogo, Mahoraga, Maki, Mimiko/Nanako, Megumi, Ryu, Yorozu, Yuji, Yuta

Kisama: Gojo, Kashimo, Yorozu

What does 'no you pronouns' mean?

Not using you pronouns or someone's name is the most polite and formal way to go about addressing someone in Japanese. Using you pronouns invites certain assumptions about the relationship between the speaker and the addressee. In most cases it's informal or rude. Sukuna going out of his way not to use pronouns for someone suggests he views them with some amount of respect. (Except for Haruta. To this day, this is the only character Sukuna has called trash.)

What does Omae and Kisama mean?

お前 (Omae), often written as オマエ in JJK, is a masculine, informal, and indicates the speaker's higher status to the addressee. It can also be used as a causal you between peers of equal standing (Gojo, Yuji, and Megumi use Omae for everyone in this way).

There is a third use in the context of love. It's the male equivalent of あなた (Anata aka the wife pronoun you could translate as "You, Dear") when used by a man to their lover. This usage seems to have conflicted usage irl. It might be too intimate or informal depending on the relationship. (Basically it pisses some people off or is a massive turn on.)

貴様 (Kisama) is historically formal and respectful, and modernly an extremely informal and hostile insult that is far more rude than Omae.

Which way does Sukuna mean his Omaes and Kisamas? Well, context is everything. He is 1,000 years old, rude as hell, and a hater. In most instances, he means the rude version. Trying to figure out when he's not being a bastard is the hard part and what I'm interested in.

Why does this matter?

Pronouns in Japanese indicate how the speaker views themself and how they view their relationship to the addressee. In other words, pronoun usage in Japanese carries characterization that gets lost in translation. I'm trying to figure out Sukuna's internal logic and his particular brand of communication so this is a helpful thing to consider.

For example, when Gojo first trash talks Sukuna out of the box, Uraume gets pissed and insults him. And guess what they use as the insult—Kisama.

I put this side by side with an English translation for context. If you noticed, there is no kanji for "Swine" in the raws. That was added in by the localization to carry over the tone of the original. Since English doesn't have a you (derogatory), this is where localizations will vary the greatest. To get across the hostility of Kisama, translators will add extra things with or without the creator's direction for their language's audience.

Uraume is extremely polite to Sukuna and uses high level vocabulary in Japanese. The only time their politeness drops is when they're being hostile (especially with Kenjaku), but their elegant manner of speech doesn't deteriorate with their mood. In my opinion, "Swine" is a great word to pick that carries that insulting, yet dignified pattern of speech. Someone less snobby might use pig.

Gojo replies by referring to Uraume with てめえ (Temee) which is even more rude than Kisama. (Sometimes this you is spelled as てまえ (Temae) instead.)

This stands out because Gojo either uses Omae (friends and enemies), no you pronouns (everyone), or 君 Kimi (students—this one is cute because it's an affectionate way to dote on your juniors). (Gojo also exclusively uses アンタ Anta with Toji but that deserves its own post.) Not just that, but he ends his sentence with だよ (Dayo). This is a combination of the particles だ (Da) and よ (Yo) that emphasizes what ever the speaker is saying without respect.

Both TCBsans and Viz localize this as "Who are you?" That's a direct translation that in my opinion doesn't get across how pissed Gojo is. If it were up to me, I think it would be better as "Who the FUCK are you?"

Anyways I hope this explains why I'm so obsessed with how Sukuna uses you pronouns. There's characterization and tone that translators may or may not pick up on. Figuring out why Sukuna uses certain yous helps with understanding how he views others.

Omae

As you saw in the list, Sukuna uses Omae for just about everyone. It ranges from people he openly hates (Yuji) to characters he massively respects (Mahoraga). The easy way to resolve this is to assume that Sukuna looks down on everyone so that's what he means at all times.

I don't think that's the case. Sukuna is a very complex character with weird motivations that don't fit neatly into black/white boxes. Reading his words a single way at all times seems to be a disservice to him. So I'll be presenting my theories on what determines the meaning of Sukuna's Omae.

Omae (Deragatory)

Itadori Yuji

When Sukuna uses Omae for Yuji, it's coupled by insults. That's not surprising, Sukuna despises Yuji so much that he's devoted a good deal of his time to making his poor little nephew suffer. I can confidently say the Omaes are derogatory. Here is one of many instances.

No matter how angry Sukuna gets at Yuji, he has never deviated from Omae. This is interesting to me because the more hostile and ruder you pronouns Kisama and Temae/Temee exist. In fact, Yuji uses Temee for Sukuna most of the time. And he uses Temee for no one else, not even Mahito, who gets Omae like Yuji’s friends. This special pronoun usage for Sukuna shows how much Yuji hates him compared to any other character.

Anyways, this is a good starting point for determining how he means Omae. When Sukuna means Omae in a rude way, it'll be combined with an insult and/or accompanied by an aggravated facial expression. He also will avoid addressing the character by name and instead use nomers (such as Brat) externally and internally.

Finger Bearer

Despite trying to befriend this curse for the sole purpose of bullying children, Sukuna doesn’t show the Finger Bearer a lot of respect. He tries to kill it, insults it at every turn, and gives it a few nasty faces for attacking him. It’s no surprise he uses Omae for this thing.

He treats this curse like he treats Yuji, which is a pretty good sign that the Omae usage is disrespectful. This is also helps establish a pattern for Sukuna’s behavior when he chooses to engage with other beings. It should be noted that he calls the Finger Bearer an insect and refuses to address it by anything that's dignified.

Hasaba Mimiko & Nanako

Sukuna addresses Mimiko and Nanako as you kids and with Omae for bringing him a finger. He also demands they bow before him to acknowledge just how far beneath him they are.

He doesn’t ask for their names and he kills them the second he finds them too annoying. There’s a clear lack of respect for the twins here that makes the Omae appear to be very deragatory.

Jogo

Jogo starts in the same category as Mimiko wnd Nanako. That much is obvious with Sukuna cutting off the top of his head for mot bowing low enough. Sukuna uses Omae to both address and insult him, so it can be assumed he’s being deragatory.

But what separates Jogo from everyone on this Derogatory Omae list, was his fight changing how Sukuna viewed him and therefore the usage of Omae.

Omae (Complimentary)

Jogo

Jogo is never addressed by name, Sukuna never asks for it and refers to him as Cursed Spirit throughout their interactions. This seems more in line with something Sukuna does to someone he dislikes, however, he bothered with seeing Jogo off into the afterlife to gain a better understanding of him.

When Sukuna learns that Jogo and his friends wanted to become human, he doesn’t mock their dream but their methodology. The criticisms he levies at Jogo are constructive. If Jogo wanted to obtain his goals he should’ve been more like Gojo and burned everything to the ground, etc.

Sukuna goes onto complimenting Jogo using Omae, ending on the iconic, “Stand proud, you’re strong.”

If this is enough to move Jogo to tears, the Omae here unlikely to be meant as something rude. This shows that Sukuna is capable of using Omae in a friendly manner and that the intent behind it can change with the same character over time.

Fushiguro Megumi

Before Sukuna realizes Megumi's potential with Mahoraga he is still quite friendly with him compared to other characters. (As friendly as you can get beating the life out of someone that is.) He compliments his Cursed Technique (CT) and shows interest in his internal logical as he tries to teach him how to be a better sorcerer. Omae is used as he does this.

When he senses Mahoraga, he starts calling Megumi by his full name, which is the most respectful way to directly address someone in Japanese. I'm pretty sure the Omae he uses from the start is well-meaning. It should be noted that he stops using you pronouns for Megumi after this, upping the ante when it comes to showing respect for him. (Outside of murdering his sister and caretaker with his body you know.)

Mahoraga

When Sukuna first fights Mahoraga, he avoids using you pronouns entirely. He has fun and very much values its strength so this is definitely a show of respect. The only time Sukuna uses a you pronoun for Mahoraga is during his fight with Gojo. He uses Omae after addressing Mahoraga by name. "You (Omae) are not Fushiguro Megumi's shadow, you're mine."

I'm pretty confident the Omae is friendly here, albeit very possessive. It almost reads like Sukuna's composure slightly breaking to show his excitement. His manner of speech does seem to get rougher the more into a fight he gets, and so far the wildest we've seen him is with Mahoraga and Maki.

Zenin Maki

Sukuna has yet to address Maki by name. He calls her The Woman when thinks about her or speaks of her to other people. However, since meeting her in Ch 215, he has always been impressed with her. Sukuna has not once insulted her prowess and has exclusively complimented her, just like Mahoraga. He dodges using you pronouns with her, a sign of respect, until he starts flipping out over her in Ch 253.

Similar to Mahoraga, his excitement appears to have made his manner of speech deteriorate. Combined with those expressions, the Omae usage here can’t possibly be coming from a place of hatred. Sukuna seems to like people similar to himself and Maki did “eat” her twin to gain power. She rejected her fate as a twin to survive. I think Sukuna recognizes that and admires it immensely.

Omae (Unknown)

Ishigori Ryu

When Sukuna first tries to kill Ryu, he doesn’t die. This impresses him so much that he apologizes for taking him lightly. The Omae he uses while doing this is probably complimentary.

However, Sukuna is kind of a dick and not above sarcasm. He doesn’t ask for Ryu’s name and doesn’t bother watching him die like he does with most other named characters. And if you noticed, he tried cutting him into 3 pieces like he did with the Finger Bearer to gauge his strength. That cursed spirit is barely above Yuji on Sukuna’s tolerance scale. I’m not sure if he’s being genuine here.

Okkotsu Yuta

Before Yuta takes over Gojo’s body, Sukuna doesn’t seem impressed with him. He doesn’t address him by name and uses the nomer Cursed Brat when thinking of him. Being called a Brat puts him on the same level as Yuji. I think the Omae here is derogatory.

He does seem to enjoy fighting Rika so there’s a little more respect than what he has for Yuji. But prior to Ch 261? I think he means it in a rude way.

Similar to Ryu, Yuta got Sukuna to apologize to him after impressing him. But unlike Ryu, Sukuna makes direct eye contact with Yuta and addresses him by name. The excitement on his face is almost identical to what he had for Maki. If Sukuna continues to use Omae for Yuta, it will be complementary. Especially since his internal dialogue now uses Okkotsu Yuta in the same way he uses Fushiguro Megumi.

For reasons I’ll get into, there’s also a strong chance Sukuna might swap to Kisama for Yuta. And if he does, it’ll be very significant.

Kisama

In a different post, I proposed that because Sukuna is old and hates Yuji the most, who he exclusively uses Omae with, that his usage of Kisama with Gojo is the formal version. But after learning that Sukuna uses Kisama with Yorozu and Kashimo, I want to reevaluate that interpretation.

Uraume using Kisama as an insult towards Gojo means that Sukuna is aware of and therefore capable of using the polite and hostile versions. If this is because of vessel memories or both meanings being present in Heian era I don't know. Regardless, just like Omae, additional context will be needed to determine which way he means it.

Yorozu

That's surprising, Sukuna is using Kisama with Yorozu when he has otherwise demonstrated that his usage of it with Gojo is formal. Does that mean he secretly likes her? Sukuna outwardly despises Yorozu, so it wouldn't be wrong to read his Kisama with her as hostile. Does that mean he hates her more than Yuji? Does that mean he hates Gojo?

Let's start with how he greets her. Sukuna initially uses Omae and addresses Yorozu by her name with a slight smile. All signs that his Omae is further towards friendliness than hostility even though he's here to kill her. (Sukuna communicates with violence this is normal for him.)

But the moment she brings up love? Sukuna swaps to Kisama. He uses it to insult her love too.

Sukuna is not showing respect here, he is actively being hostile with this use of Kisama. Of all characters, Yorozu would be the one who reads into Sukuna's words the most if it would frame things more romantically. The fact she sees this pronoun change as a part of the rejection and pursues him harder further supports this reading.

As she's dying Sukuna switches back to Omae. This can be read as him believing he's effectively told Yorozu to piss off with the love talk and is being a little nicer as she passes. It wouldn't be out of character for him to do this.

Still, he's insulting her CT and lack of battle intellect. She's definitely not amongst the likes of Jogo. Yorozu reads into his parting words as affection anyways and this is how Sukuna feels about that.

I'm comfortable marking down Sukuna's use of Kisama with Yorozu as one of disrespect, and Omae as slightly derogatory.

Kashimo

For Kashimo, Sukuna exclusively uses Kisama when addressing him. Now that would seem a bit sus given the exclusivity, but once again, context is everything. What separates Kashimo from everyone else he uses Kisama with is Sukuna's refusal to know or even speak his name. And if he checked Culling Game player names prior as a participant, this is pretty significant.

When Sukuna really likes someone, he addresses them by their full name, if possible. In fact, he pauses his fight with Higuruma to ensure he got his name correctly.

No such thing occurs for Kashimo. Additionally, he brings up love, which Yorozu has established as something that makes Sukuna more hostile. His entire love speech uses nothing but Kisama and Sukuna goes from cordial to visibly irritated. There's a strong chance he meant it in the piss off way.

As an aside, Kashimo first addresses Sukuna with Omae at the start of their battle and switches to あんた (Anta) when they discuss love and satisfaction 満足 (Manzoku).

Now this fascinates me because Anta is a contraction of Anata. It usually indicates the lack of class in the speaker, but is otherwise used just like Anata. Since Kashimo is talking about love and uses Omae for everyone else, this reads as Kashimo hitting on Sukuna. (In other words: Are you, dear, satisfied?)

And this is Sukuna's response to that.

Rejection.

I'm mostly comfortable marking this down as a hostile use of Kisama. Not sure if this means Sukuna hates Kashimo more than Yuji though. They did have a civilized conversation that wasn't exclusively insults. The worst Sukuna called him was greedy, and he briefly expressed annoyance with the loudness of his CT. It’s not like Yorozu where he mocked every aspect of it and her love to the end. He humored the loved talk even though it seemed to make him miserable. Not really sure what to do with this.

Gojo Satoru

Well, now that I know Sukuna is aware of the hostile meaning, there is a good chance when he promised to kill Gojo he meant it in the piss off way for humiliating him earlier. He didn't bother addressing Gojo by his full name despite knowing it at that point.

If Jogo showed us that Sukuna’s use of Omae can change over time, this means that his use of Kisama is capable of evolving too. That being said, it is still pretty confusing when it comes to Gojo because Sukuna combines his hostile and friendly mannerisms at the same time.

The Gojo fish speech showcases this frankly bizarre contradiction the best. He addresses Gojo by his full name and then insults him for being a nameless fish with the use of Kisama.

Prior to this scene, Sukuna has been thinking of him and speaking to other characters of him as Gojo Satoru. When Sukuna thinks about Yuji? His inner dialogue keeps calling him Brat. Maki, who he likes, is just The Woman (so far). If someone is nameless to Sukuna, they stay just that—nameless. He’s blatantly lying about how he views Gojo here and I have no idea why.

What’s even weirder is that for a single instance, Sukuna swaps to Omae for Gojo during their fight. The usage of Omae appears to be playful in this context as Sukuna uses an English word alongside it.

If you didn't know, it's cool to use English words in Japanese. Randomly sprinkling them in is something youths like to do a lot. Gojo himself is one of the people who does this. Not just in normal speech, but specifically when he’s engaging in “play” with other sorcerers.

What’s weird about Sukuna doing this to Gojo is the fact that English didn’t make it to Japan until the 1600s. Sukuna very much speaks like a weird out of touch old man from the wrong century. To my knowledge, (correct me if I’m wrong) he hasn’t used English like this prior.

Omae is the go-to you pronoun Gojo uses for most people. He also uses English when engaging in sorcery “play”. This almost seems like Sukuna is mimicking Gojo’s style of speech as either a form of flattery or as an insult (most likely flattery given that he is still copying Gojo's moves obsessively). Regardless, Gojo seems to pick up on Sukuna being playful since this is his response.

From his perspective, the guy calling him Kisama (aka you bastard) has started calling him Omae (you, but neutral), which would come across as Sukuna deliberately being more respectful towards him. It seems to put Gojo in such a good mood that loverboy Kashimo looks at this and goes:

Which starts to make me wonder. Did Sukuna mean Omae in the Anata way? After all, the previous chapter ended on this:

It ended on Sukuna thinking of Gojo as Anata. This fight can be framed as a date too, so it’s really sus that Sukuna swapped to Omae for an event that can be read as romantic.

The only reason I'm looking so closely at this usage is because it's sandwiched between Kisamas. It stands out enough for Gojo of all people to notice. To him it signified that Sukuna’s view of him had changed. That probably means this Omae is telling us something about Sukuna’s character.

Surrounding this Omae is the use of Kisama in the kill context a total of 8 times. Either as "I'm going to kill you." or "This is how I killed you." (Fish speech not included in this collage.)

What stands out to me compared to other characters is how happy Sukuna looks while describing how he’ll get past Infinity. It’s so persistent and detailed sometimes... (To be fair he did spend 6 months on this.)

The use of Kisama with "You cleared my skies." is definitely the respectful way. He addresses Gojo by name with a happy expression while showering him in praise.

The rest of the Kisamas? I don’t know. You could read it either way and it's not being used in the same way for Yorozu and Kashimo. The takeaway here is that Sukuna doesn’t usually use this pronoun, which means it’s significant when he does.

What did Sukuna mean by this?

The problem, once again, is Sukuna priming others to read him a certain way. Way back when Sukuna and Gojo first met? Probably hostile. During their rematch? Kisama was coupled with contradictory insults and/or death threats up until the very last second. And that still doesn’t explain the Omae.

He only used Kisama for Kashimo. Why did he briefly swap to Omae for Gojo? He swapped to Omae for Yorozu as she died. Why did he swap in the middle of their fight instead of the end for Gojo?

And this still doesn't address the massive elephant in the room—Sukuna only using Kisama for Yorozu and Kashimo because they had the audacity to bring up love to him. Gojo didn't try to do that. Not once. The only time the word "love" has explicitly come out of his mouth to another character was when he told Yuta love was the most twisted curse of all. What does this mean? Is this implying Sukuna has associated Gojo with love from the start? Am I reading too much into this pronoun usage?

One of the most prominent themes of JJK is love being a curse. Whether its Yuji's love for other people driving him forward after they die or Gojo's love for Geto screwing everything up. Yuta's entire deal is him cursing a loved one into a semi-immortal monster creature. It would not be out of the ballpark to have the main antagonist motivated by a very fudged up obsessive love in the same way Kenjaku's parental love speedruns Mommy and Daddy issues at the same time.

Yuta fighting Sukuna in Gojo’s body is significant for all these reasons. Sukuna is either going to stick to Omae, or he’s going to start using Kisama. With how happy he is at seeing Yugo, it’ll be meant positively.

If he keeps using Omae that’s not too weird. That’s normal Sukuna behavior. If he swaps to Kisama when it has been strongly suggested that in 2/3 instances it’s in relation to love… I’m going to be sus on why he’s using it for The Love is the Most Twisted Curse of All Poster Child, Yuta, who is piloting Gojo’s body.