#but I thought it would be Game of Thrones levels of bad

[jeena-says-hi]

So

Just finished Dexter

I’m gunna need a minute

[charlottesbookclub]

i'm here (ser gwayne hightower x reader) 💚💚

Summary: you have a nightmare, but gwayne is there to comfort you 💚

Warnings/Tags: spouse!reader; gn!reader; established relationship (marriage); nightmares; angst/anxiety brought on by the nightmares; absolutely catastrophic levels of tooth-rotting fluff; let me know if I've missed anything! ☺️

Words: 2870

Author’s Note: as I mentioned in this post, gwayne hightower has absolutely consumed my life and I am down sooooooo bad for him rn, so voilá, this fic has emerged as a result of that! 💕 as I also say in that linked post, I'm not super familiar with hotd, so I'm sorry if any of the terms I use aren't canon-accurate (I watched game of thrones a few years ago and I tried my best to make it feel authentic to the world of canon, but something may have slipped through 😅). and I hope this feels in-character to gwayne! I've rewatched the scenes of his that I have access to many times for...... uhh ~Research Purposes~ but I haven't seen all his scenes yet, so I apologize if it feels ooc at all – I did my best to make it feel like him! 🥰

oh and this is key: we've all seen the necklace, right?? we know about the necklace, right????? that fucking necklace makes me absolutely feral so I've given it a backstory, because it truly has me foaming at the fucking mouth 😌 (also, if you haven't seen the necklace, may I please direct you to this incredible gifset so we can descend into madness over it together?)

as always, I hope you enjoy!! 🥰🥰 (also please feel free to share any gwayne thoughts you have – I'd love to scream about the precious man with y'all! ☺️💕)

            The memory was not yours, but in this moment, it felt like it was. Gwayne had only told you the story once, with hushed words and averted eyes. You had asked, and he could never find it in himself to keep anything from you, even if it made his chest seize with shame. He told you that the whole ordeal had been a result of foolishness on his part, something he would admit only to you. He said that he recalled the memory with great embarrassment now. But you felt nothing but terror.

            You stood on a large, grassy plain ringed with trees, a few wispy clouds scuddling across the blue sky above you. This was a place you had never seen, never been – but one thing was familiar. As you struggled to gain your bearings in the strange location, you saw a group of men on horseback just a short distance ahead. You recognized your lord husband instantly: the delicate silver interlace of his steed’s armor and the auburn glow of his hair in the sunlight were as familiar to you as your own heartbeat.

            You called out to him, but he didn’t respond; he seemed to be in conversation with one of the other men. You ran toward the small group and cried his name again, but even at close range he appeared not to hear you. Panic grew in your chest by the moment as you hurried closer still, coming near enough that you could almost reach out and touch Gwayne’s mount. You stretched out your hand to do just that when your arm was stopped by some invisible force. There was nothing in front of you, just empty air that you should have been able to move through with no difficulty. But you were trapped mere feet from your beloved, unable to reach him.

            Something was terribly wrong. You screamed his name this time, desperation compressing your lungs with the force of your yell. But it was clear that he could not hear you, since neither he nor any of the gathered men so much as turned toward the sound of your cries. Real fear gripped you now, shooting ice through your veins as you cast about you for something – anything – that you could do. And that was when a new kind of fear crept over you, one so old and visceral you could feel it down to your very bones. Shudders wracked your body as you turned your eyes toward the sky, suddenly certain that you were being watched. But not just watched – no, you were being hunted.

            At a loss for what else you could do, you renewed your efforts to alert Gwayne to the danger that you could feel but not yet see. You screamed until your voice was hoarse, but you were forced to watch in horror as Gwayne continued his conversation as though nothing was wrong, even flashing that charming smile that you knew and loved so well. It was just then that the other man finally noticed that something was wrong. He cast his eyes toward the sky as you had mere moments before, saying something to the gathered men. A wave of fear seemed to run through the horses, as there was a flurry of shifting hooves and nervous snorts. You could only watch in terror as realization washed over Gwayne’s face, twisting his handsome features into a terrifying expression of horror.

            You screamed at him to run just as everything burst into motion, the horses tearing off across the plain toward the cover of the trees. You found yourself moving along with them, though you had no mount of your own. Instead, it was the same terrible invisible force, dragging you along, forcing you to watch as the scene unfolded before you.

            And then you saw it: the dragon. It swooped down from the sky as though it had erupted into existence from nothing, filling the empty air with huge grey wings that seemed to blot out the sun. You screamed again, but this time without the intention of forming any coherent words – the noise that escaped your throat was an expression of the fear that was buried deep in your bones upon the sight of the creature. Its lean body shot across the plain toward the fleeing men with a kind of focus and intention that proved what you had thought from the beginning: the dragon was hunting. And worse than that, it was hunting Gwayne.

            Voice rubbed raw from screaming, and realizing your cries to him did nothing anyway, you watched in terrible silence as his steed thundered across the ground, its legs eating up the distance as fast as it could. And yet the dragon gained. If this was some cruel trick played by the gods, you couldn’t think what you could possibly have done to deserve this kind of torment. You could do nothing but watch, utterly powerless, as Gwayne – your Gwayne – fled for his life, his beautiful face contorted into an expression of fear that cut you to the core like a knife to the stomach. You held your breath, fearing each moment would be the one when you were forced to watch your love be consumed by dragonfire, ending both his life and yours in one swift blow of unimaginable anguish and heartbreak from which you knew you would never recover. Just as you had resolved to try calling to him one last time – if nothing else, to assure him of your love – the treeline broke around you and the horses cantered to a stop beneath the cover of the forest.

            The world was still again, but the fear lingered. You could sense the dragon above you, even hear its thin, unearthly cries as it searched for its hidden quarry. Your eyes instantly found Gwayne, needing to make sure he had survived the ordeal. Indeed, he still sat upon his steed, and you watched his chest heave as he attempted to steady his breathing. The fear that still permeated the forest remained etched on his face as well, changing his features from those of the man you had courted and married to those of a young boy, trembling and horror-struck and so helpless and small.

            You longed with every fiber of your being to run up to him and pull him into your arms, to feel his warm breath on your neck as he folded into your embrace. You ached to hold his face in your hands and wipe away the single lingering tear he likely didn’t even know was still glistening on his cheek. You yearned to kiss the terror away from his brow and his nose and his lips, to tell him he was safe – to tell him that you were here. 

            But you were trapped just feet from him, all these longings locked into your body as you pressed toward him as far as the strange invisible barrier would allow. You watched as the fear slowly faded from his face, his features once again becoming warm and familiar. You couldn’t help but smile as he seemed to return to himself somewhat. Turning to one of his companions, he opened his mouth to say something when both of their eyes snapped up to the sky, reacting to some sound you must not have heard. You followed their gaze, and didn’t even have a chance to scream as a column of fire descended from above, ready to devour you all.

            You woke with a gasp. Your heart was pounding loudly enough that you could hear it in your ears, and you pushed yourself up into a sitting position as you struggled to calm your ragged breathing. The darkness in the room was soft, and your eyes adjusted slowly to your surroundings, only to find them all comforting and familiar – this was your room, your home. Instantly, you turned to your side, and let out a small sigh of relief when you saw Gwayne sleeping peacefully next to you. He was here, he was home, he was safe – you both were.

            When your breathing had calmed back to a normal rate, you eased yourself back down under the covers, burrowing into his arms as he sleepily adjusted his position to accommodate you.

            “Hmmm—is everything… alright?” he muttered, blinking his eyes open.

            “Everything’s fine,” you assured him, “I just had a nightmare.”

            He seemed to waken a little more at your words, propping himself up slightly on one arm as he reached the other hand out to stroke your cheek.

            “Are you alright? Do you want to talk about it?” his voice was still thick with sleep, but you knew the questions were genuine.

            “It was about you,” you reached up to cup his hand that still rested on your cheek, intertwining his fingers with yours. “And the dragon,” you added, your words barely above a whisper. Hearing his sharp intake of breath, you were certain he was reliving the memory himself, and instantly regretted your words.

            “But it was nothing,” you hurried to assure him, “I just—I just wish I had been there. Or that I could have helped or—” you were distinctly aware that your jumbled words made very little sense, even to you. “I just felt so helpless,” you ended with a sigh. Gwayne watched you with soft eyes, his fingers squeezing yours in reassurance.

            “You were there, though,” he responded, smiling gently, “and you did help.” You just stared at him incredulously, wondering if he was the one who was dreaming now. He read the question in your eyes with a small chuckle and disentangled his hand from yours, pushing himself up to sit. 

            Pressing a hand to his chest, his fingers found the chain of the necklace that he always wore. The charm was a delicate circle of beaten metal hanging from a simple coppery chain. You had bought it in the market one day when the two of you were still courting. The rich auburn sheen of the metal had reminded you of Gwayne’s hair, and you were determined to have it. The seller assured you that the little ring symbolized unending love and devotion – a never-ending cycle, an unbroken vow. You were doubtful that had been the original intention of the maker, but rather a ploy on the seller’s part to drive up the price after he realized you intended it as a gift for your beloved. Had it been that obvious how love-struck you were? 

            Regardless of whether it was intended or not, you liked the idea of the simple circle as a token of promise and loyalty, as well as a celebration of one of Gwayne’s most striking features. You had given it to him wrapped in a carefully-embroidered handkerchief when he had gallantly asked for your favor before a tourney. You cherished the memory of him asking you to help him put it on, and the fleeting touch of his skin and flaming hair you were able to steal as you clasped it around his neck. He won the tourney, and insisted that his victory was due at least in part to the precious charm you had given him, imbued with your affection and devotion. To your knowledge, he had never taken it off since.

            Now, in the dim light of your shared chambers, he held the little ring out for you to see. It was slightly more battered now than it had been, and though its original shine was gone, it still seemed to glow with a warm coppery light. Reaching out, you took the small circle in your fingers, feeling all the tiny knicks and ridges it had acquired over time, each one of them proof of Gwayne’s promise to always return to you – an unbroken vow.

            “See, you’re always with me, right here,” he gestured to the charm in your fingers. The feeling of the metal against your skin and the sweet memories that swirled through your mind caused tears to prick at the corners of your eyes, chasing away the lingering cobwebs of fear that the nightmare had spun. Gently, you released the ring and Gwayne’s fingers replaced yours on the circle, guiding it back to where it always sat on his chest, just above his heart. He pressed it there, emphasizing his words: “right here, right where you always have been – and always will be.”

            Ducking your head away, you tried to hide the tears that were now threatening to slide down your cheeks as his words. But before you could wipe them on the sheets, Gwayne’s hand caught your chin, gently pulling him back to you, the rough pad of his thumb banishing the tears from your face. His eyes sparkled with affection and mirth, and you found yourself unable to stop yourself from echoing his smile.

            “Hmmm… it’s more serious than I thought,” he said with mock-concern, tilting your face as though he was examining it, “you appear to be desperately and madly in love with me – a very serious condition indeed.”

            You couldn’t help the laugh that spilled out of your mouth as you nudged him playfully, causing him to break into bright chuckles of his own. Your chest, which just moments ago had been compressed with terror, was now so full of love and happiness you were certain it might burst.

            “And tell me, Ser Gwayne, what is the cure for this most dire of conditions?” you matched his tone of feigned worry as your laughter subsided.

            “Hmmm,” he rubbed his chin thoughtfully, unable to hide the dimples forming on his cheeks, proof of his barely-suppressed smile, “perhaps marriage? I have heard many esteemed lords claim that the institution of matrimony is bound to cure an ailment such as yours.”

            “Oh, but I fear I’ve tried that,” you exclaimed, “and it has only made my condition worse.”

            “Then this is indeed one of the most serious cases I’ve ever seen.” He pondered for a moment, then his eyes lit up: “There is one more cure, but it’s risky. You could try true love’s kiss. One does read about those sorts of things working miracles after all.”

            “What’s the risk?”

            “The risk is that the kiss renders your condition utterly uncurable by any other means.” Gwayne’s lips tilted up into your favorite lopsided smile as he grinned at you, dimples glowing like twin suns, sending the delicate freckles on his face colliding into each other like falling stars.

            “That’s a risk I’m more than willing to take,” you breathed as he reached out to cup your face and bring it close to his. You closed your eyes as your lips met in a burst of warm sunlight that seemed to fill your whole body with its radiance. You weren’t sure how long you remained pressed against him, feeling his heartbeat against your skin, his auburn locks twisted in your fingers, his necklace hanging between your entwined forms. 

            “Did it work?” he whispered when he finally pulled away, his forehead still resting against yours.

            “No,” you responded happily, your fingers once again finding the thin metal of the little circular charm, “I fear I’m even more madly and desperately in love with you than before.” You met his eyes, finding them bright and soft and just as madly and desperately in love as you were certain yours were.

            “Well, I like to think of myself as chivalrous, but I don’t think I can find it in myself to regret your condition,” he whispered, a teasing smile on his face as he reached a hand up to run his fingers through your hair.

            “Nor can I,” you whispered back, pressing a soft kiss to his cheek.

            He pulled you fully into his grasp then, maneuvering you both back under the covers without relinquishing his hold on you. You rested on his chest, head tucked under his chin as he wrapped both arms around you. Your fingers found his necklace, and you clasped it in your hand. He echoed your motion until both of your hands were intertwined around the metal circle, resting just above his heart. You could feel it beating against your skin, and you snuggled yourself even closer to him.

            “This is what I imagine,” Gwayne said softly to the darkness, “when I’m on the road without you, and all I have is this small charm to remind me of what it feels like to rest in your embrace. This is what I dream of.” He pressed a gentle kiss to your forehead and squeezed your hand where it entwined with his on the necklace. “You’re always right here.”

            “I’m always right here,” you echo, your words a promise, a vow.

            “But thank the gods I don’t have to imagine right now,” you felt his words as his lips moved against your forehead, “because I am right here.” Gwayne wrapped his arms even more tightly around you, and you gladly tucked yourself further into his warm embrace. You felt yourself drifting back into a pleasant sleep in the comfort and safety of his arms. You heard his words echo softly in the gentle quiet of the room:

            “I’m right here.”

[linkspooky]

The Supreme King Judai vs. Dark Deku: How To Do a Dark Deconstruction of your Shonen Hero!

Think of this as less me complaining about My Hero Academia, and more me taking a closer look at the writing of the Dark Deku arc and why it failed to achieve what it set out to achieve.

I like to look at writing on a deeper level than Thing Bad, and Thing Good. Imagine a story is a car engine that won't start, in order to find the problem you've got to disassemble all the pieces and look at them one by one to see what pieces aren't working. That's the kind of criticism I'm talking about, break storytelling down into different tools like parts of an engine, plot, world, characterization, ideas, actions and consequences and then look if the author is using those tools effectively to sell a story.

In other words we're talking about the difference in ideas and execution. All works of fiction have ideas, even bad anime can have good ideas inside of it. The idea in question is Judai's case is can exploring the dark side of a hero. Can a hero's positive qualities also lead them down a dark path? Yu-Gi-Oh Gx answers this in a satisfying way, and My Hero Academia I'm going to argue does not.

IDEAS VS EXECUTION

One piece of writing advice I heard from Brandon Sanderson of all people that always stuck with me is "Ideas are cheap. You can always come up with more ideas."

All works of fiction have ideas and themes no matter what the Game of Thrones guy say, but some works are better at communicating their ideas than others. I want to quote a Homestuck Ending analysis of all things to explain what I'm talking about.

When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling. There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way. Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.

Chief among these rules is buildup and payoff. In fact one of the most basic techniques of storytelling is foreshadowing, in screenplays you usually foreshadow one important twist, then add a reminder so the audience doesn't forget, before finally paying it off.

To simplify build up and pay off I like to refer to it as question and answer. Usually a story will ask its audience a question, and usually by the end that question is answered, unless the point is to leave that question unanswered / ambiguous.

Character arcs are examples of buildup and payoff too, a lot of characters, especially in serialized media are sold on their potential future development. Here's an example, how may people got invested in Dabi years in advance because of the Dabi is a Todoroki Theory? That's an example of good buildup and payoff, because the author sewed just enough hints to build up an audience expectation and then paid it off. People became invested in the story, because they thought their investment and theories would pay off eventually and it did - so hooray!

Both MHA and YGOGX dedicate an entire arc to trying to deconstruct their main protagonist. They also seek to deconstruct the "Hero Complex" or "Saving People Complex" that each protagonist has, and ask the question if those traits are really a good thing.

This post puts it better than me so I'm going to quote tumblr user rhodanum.

‘Hero complex’ or 'saving people complex’ — an obsession with rescuing people in the face of danger, often to the exclusion of all higher thought processes. All too prevalent among shounen main leads, especially hot-blooded shounen main leads. Yuki Judai is certainly no exception. What is interesting in his case is that the writers follow the consequences of his rash, reckless, often thoughtless actions all the way to their heartbreaking logical conclusion. For those not fully in the know, it involves spiky black armor, an army of sycophants and a fall from grace that caused as much damage as a thermonuclear bomb. Don’t make perky, happy shounen protagonists snap, people. First rule.

I'm going to quote another video too, to add onto the above quote. It's from this video, starting at around 39:52

"GX is kind of famous among fans for taking its happy protagonist and stripping him down to all of his worst qualities. And that's fun. So Judai is a character who's really interesting. He's definitely open to a lot of interpretation, and you know we're gonna be leaning on my interpretation of him. Sorry. It's my video. I think he's commonly referred to a "very typical shonen protag" probably one of the most shonen protag of the yu gi oh protagonists. He is headstrong and loud, and (makes punching noises while air boxing), he is a type of character who's like I'm gonna be the best and brings everyone along on the ride. He's the kind of protagonist that everybody loves him they're all fighting over him, and Yu Gi Oh Gx really puts him up on the pedestal, of like THIS GUY. THIS GUY DOES IT ALL. Then season 3 rolls around and dares to ask: but what if that's selfish behavior?"

That's the question both MHA and YGOGX are asking in Dark Deku arc and Season 3 respectively, what if all of those behaviors that make them the typical hot blooded shonen protagonist are actually selfish? Is their hero complex really a good thing?

Each arc is tasked with exploiting the main character's flaws, until they reach their emotional breaking point and lowest point in the story. Let's see how each story treats their main character and from comparing that I want to make a point about what makes effective storytelling.

The Supreme King Haou Arc

Instead of recapping the entire arc to you, I'm going to touch upon what ideas the story setup in regards to Judai's character and how it paid off those ideas. What are the questions the story asks and what answers does it give us?

I'm going to focus on the two questions I outlined above. Is their hero complex a good thing? and What if this is selfish behavior?

Yu-Gi-Oh GX is an anime where instead of using super powers, the main characters fight each other with a magical trading card game. Besides that fact there's a lot of similarities between GX and MHA. They both take place in an academy setting where the main characters learn about using their quirks, and playing the card game better respectively. It is a shonen battle anime where almost everything is solved with a shonen fight, they just use cards instead of flashy superpowers. The main characters are all students who have to grow up and enter the adult world.

Judai and Deku are both characters that deconstruct the "hero complex" of shonen main characters. Judai is themed entirely around heroes, he has an elemental hero deck where every hero is based off a hero that appears in popular culture, he is the best duelist in the school and the one everyone calls on to save the day over and over again. As stated above he is the most Shonen Protag to ever Shonen Protag, he's a warrior therapist who makes friends and saves the day because he's really good at the card game, and will always show up to fight for his friends.

For the first two seasons Judai is built up on this pedestal of the ideal Shonen Protagonist, and praised by basically every single character for being "childish" and "pure of heart" however when Season 3 comes around the narrative stops heaping endless praise on him and starts to challenge him. However, this doesn't come from nowhere there are signs of these personality flaws of Judai, they just get swept under the rug the first two seasons.

There are several moments such as the climaxes to season 1 and season 2 where Judai fails to grasp the stakes of the situation, saying things like "Oh, this card game is really fun" when he's dueling with lives on the line. Judai in fact has a pattern of "only wanting to duel for fun", he fights because it's fun to him not because it's the right thing to do. However, he's continually forced into high stakes situation where he has to fight for others just because he's the strongest character - and constantly having to carry that on his shoulders starts to weigh on him after awhile. Judai will show up to fight and save his friends every single time they need him, and that's the source of his hero complex because after a certain point his friends start relying on him too much.

In general he also doesn't have deep thoughts of what heroes are, he admires heroes but it basically boils down do "Heroes are cool." He's kind of like Goku where he doesn't really fight for any idea of justice or to save others, just for the thrill of fighting itself. He also has a tendency to be insensitive to other people's feelings and take things for granted. For example, in Season 2 like three of his friends get possessed and Judai doesn't even do anything about it for half a season because he's too busy participating in the dueling tournament.

In general though it's a pattern of Judai only wanting to "duel for fun" and him being forced to duel to save others instead, and be responsible for other people. Judai will show up to fight for his friends, but even then he falls back on just "dueling for fun" because always having to fight for others is too much responsibility to put on his shoulders.

There's a lot of hints of Judai's flaws, but they also tend to get brushed off because shonen protagonists are just like that. Like, Judai can say some insensitive things to his friends sometimes and be oblivious to their feelings, well he's just a book dumb shonen protagonist. Judai should be taking this fight seriously, well he's just being a happy go lucky shonen protagonist, etc. etc. A lot of these things are also just swept under the rug as him just being a child, a boy-at-heart like most shonen protagonists are supposed to be.

However, season 3 starts looking at Judai not as a shonen protagonist but as a person, and it all starts with the suggestion that maybe Judai remaining a child at heart is a bad thing, especially when his friends around him are all growing up. It all starts with the introduction of this guy right here - Johan Anderson.

Johan shares many things in common with Judai, he can see spirits, he's a duelist who loves to duel, he has a strong connection with his cards. However, the more you compare them the more you notice that Johan has a lot of things that Judai lacks. They are so similiar that they become almost instant best friends, but even then Johan himself notices there are a few things off about Judai's behavior.

Sho: Bro... I thought you would have something to say to me. Johan: He seems lost. I think he just wanted you to give him some advice. Judai: SHo will be fine. Johan: Judai, you're colder than I thought.

It takes someone completely new to the dynamic between Judai and his friends, who likes Judai but hasn't spent the past two seasons idolizing him to realize that some of his behaviors are kind of off. That Judai isn't really the most empathic, or even that good at understanding other's feelings.

Johan is the one to point this out because he has the emotional intelligence that Judai lacks. We've been told Judai is our shonen protagonist for two seasons, only for the real shonen protag Johan to step up out of nowhere and show them how it's done. Johan is good at seeing other people's emotions, and he becomes a near instant pillar of emotional support for Judai. More than that, he also is the first person to treat Judai like an equal, he never asks Judai to save him like all of Judai's friends do, if anything they both save each other.

Johan also exists to show what Judai is lacking, mainly a reason behind why he fights.

Judai: I do it because it's fun. Or because of the surprise and delight, I guess. Well, I guess that comes down to "because it's fun", huh? Sorry, I guess that's an awkward question to ask out of nowhere. Johan: What's wrong, Juadi? Judai: Nothing, really. Johan: I have a proper goal. Judai: Don't tell anyone. Even if people don't have the power to see spirits, they can still commune with them. That's why, for those people as well... (I want to be a bridge between humans and spirits).

Judai is someone who will always show up to save his friends when he is asked, but he doesn't really have a concept of what being a hero is or the repsonsibilities it entails, he just admires heroes in a pure hearted way. Johan on the other hand has a reason to fight and that's to help humans and card spirits get along, and Judai expresses admiration for Johan because he has a goal.

At the same time this is happening, Judai gets picked apart by two villains for his lack of reason for fighting. Judai has been praised to death for two seasons for being pure of heart, but now the villains are challenging him by saying he has no "darkness of the heart". That without it the reasons that Judai fights are superficial and frivolous.

We have something that you lack. Judai: That I lack? Yes the darkness of the heart that slumbers deep within a duelist. The burden that a duelist bears in his heart. Judai, you have none of that. Judai: A burden in my heart. I have nver, not even once, dueled for myself. I doubt someone like you, who only thinks of himself could udnerstand that. Judai: What would be fun about a duel like that? It isn't fun at all! You must bear other's expectations while remaining strong. That is what it means.

Judai is a bit of a blood knight, he will be dueling with his friends lives on the lines and stop to go "Wow, this duel is really fun" and it's usually just dismissed a shim being a shonen protagonist until suddenly it isn't.

I'm gonna draw a deliberate parallel between Deku and Judai here that I'll reference later on, they both don't understand "darkness of the heart" and they need to understand it in order to grow as people.

There's also the underlying notion that being a hero is not all it's chalked up to be, to be a hero, to fight for other people's sake means also taking on their suffering. As noble as that may seem suffering is suffering.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

In the context of this scene, Cobra has told everyone that he's currently enacting his evil plan out of the vain hope that he can somehow revive his son from the dead.

As insane as "I think I can revive the dead" is as a motivation, fighting for the sake of your dead son is a much stronger motivation than "I think duels are fun."

Judai doesn't have an appropriate answer as to why he fights when he's questioned by the villains, and instead of coming up with his own answer he relies on the answer Johan provided for him.

Johan: You idiot. Why are you so shaken Judai? You think you have nothing on your shoulders? Give me a break! You always bear other's expectations on your shoulders. When you have other people's expectations riding on you, it means they've trusted you with their hopes! Don't you always carry those? If you lose what will happen to us here?

Johan's words snap him out of it, but this isn't Judai coming up with an answer himself it's just taking the one that's provided for him.

This is also the point where we get start to develop an answer to our question. Is Judai selfish?

In action he's not. His actions are selfless. Judai is always fighting for others, even when he only wants to duel for fun. He will show up and fight if you ask him too.

However, in motivation he is selfish. His motivations are selfish. Judai isn't fighting out of some selflessness, but because fighting for the sake of other people gives him a purpose. He keeps fighting for his friends, because he's built all of his friendships around being the one to solve their problems. It's why he Johan's answer suits Judai so well, because he thinks that's how friendship works that he has to keep carrying everyone's burden for them.

Not only does it lead to unhealthy friendships (he sees his friends as burdens) but also it's unhealthy for Judai himself (he can't keep carrying other people's burdens without getting weighed down).

Judai's hero complex, this pressure he feels to save everyone around him arises from two things, it gives him friends when he'd been a lonely child before that, and it gives him purpose. Playing the hero is how he made all of his friends, and now it's how he keeps them.

However, in spite of doing all this to keep his friends, Judai's relationship with his friends is so all give and no take that he's practically fighting alone until Johan shows up. Judai doesn't form a healthy and stable relationship with Johan however, Johan just becomes a crutch.

In Summary:

Judai's actions are selfless.

His motivations are selfish.

Judai's purpose is to carry everyone's burdens on his shoulders.

Judai's friends exist to be saved by him.

The following arc is roughly divided into four sections. Everything I've covered above happens in the first section the Cobra Arc.

Cobra Arc

Zombie Survival Arc

Dark World / Supreme King Arc

Oh Shit, Yubel's Back

The cobra arc is the introduction and it sets up the basic ideas of Judai's character that I listed above, in addition it focuses on the question of if Judai is selfish, and the idea that being a hero is a burden. There's also the third question where Judai is called to understand darkness of the heart, something Deku will also be called to do.

The Zombie Survival arc is an arc where the school is teleported to another dimension and they have to survive for several days with a limited food supply, everyone fighting, and an outbreak of zombies.

The main setup of this arc is to show how everyone is working well together as a team, even in a high stress situation. Alexis, Judai, Misawa, Kenzan, all pull together with the help of new students Johan, Austin O'Brien and Jim Crocodile Cook.

However, I'm brushing over this arc because Judai doesn't actually do much this arc. If you analyze who does what, it's mainly Johan and Austin O'Brien who are in charge of the entire school. Johan demonstrates leadership skills, calls on everyone to pull together in a time of crisis, and most importantly emotionally supports Judai all throughout.

Even when Judai is confronting the main villain of this scenario Yubel, it's Johan who shows up to support Judai, and it's Johan who wins the duel at the sacrifice of his own life. Everyone gets through the zombie arc unscathed, but it's because Johan is the hero of this part of the arc, not because of anything Judai really did.

Judai who having gone on so long carrying other people's burdens to the point where he's made saving others his purpose, has for the first time experienced someone helping him carry those burdens only to disappear and Judai does not react well to it.

This is when the story has finished setting up all the dominoes that are about to fall. We have one mini-arc drawing attention to the dark side of Judai's personality and how he doesn't understand his own darkness, and one mini-arc showing Johan being a much more effective hero and leader than Judai, demonstrating everything Judai lacks.

You Either Die a Hero, or You Live Long Enough...

Yadda yadda you know the rest. A character being undone by the same traits that made them a hero, is classic tragedy 101. It's called the Hamartia or the fatal flaw. A character's greatest strength in some situations can be their greatest weakness in others. The Supreme King Arc is a masterclass in showing how the traits Judai had that led to his success in the first season, can lead to his total ruin, and even to him becoming the villain of his own story.

Hero and Villain are much closer than you'd realize, and this becomes especially true in the relationship between Judai and Yubel. Judai shares an extremely close relationship to his antagonist foil, just like Deku does with Shigaraki.

However, in Judai's case he's the reason that Yubel turned evil. While it's not entirely his fault, Judai's decision to abandon Yubel when he was a child, made Yubel go through ten years of painful torture all alone, which is the reason behind their current madness.

To summarize Yubel and Judai's story briefly. Yubel is a card spirit, the thing that Johan wants to serve as a bridge between card spirits and humans. Judai had an incredibly close relationship with Yubel as a child, but Yubel was overprotective and used their powers to harm anyone who came near Judai. Judai launched Yubel into space hoping the righteous space rays of justice would calm Yubel down (I know that sounds stupid just go with it) but instead Yubel was hit with the light of destruction a corrupting force that made them endure years of torture. They called out for Judai's help in their dreams only for Judai to eventually forget about them with a psychologist's intervention. Eventually the satellite they were trapped in made it's way back to earth, and they almost died burning up on re-entry. When they finally crawled their way back to Judai, they found Judai had been living the past ten years happy and surrounded by friends, while they had been tortured in space and nearly died all alone.

At which point Yubel snaps, hard.

While it's not Judai's fault entirely because he was a child and he didn't know what was going to happen, he still made the decision to abandon Yubel and stuck them in that situation. Judai's actions creaeted Yubel, and now Yubel is here broken and hurt and determined to hurt all of Judai's friends.

Judai doesn't know how to cope with the guilt or responsibility for either of these things. Both for creating Yubel, and for the fact that because of Yubel Johan might now be dead.

I'm the one who made her what she is!

This is where the show starts demonstrating that understand in darkness of the heart is necessary, because Judai can't understand two things, number one the fact he might have hurt Yubel, and two how to deal with the sense of responsibility he feels towards Yubel becoming what they are, and for Johan's apparent death.

He just feels a lot of guilt, and as someone who's only been the carefree hero up until this point he doesn't know how to deal with that guilt.

Judai makes a very similiar decision to Deku. He decides to go out and hunt for Johan by himself, leaving his friends behind so he won't risk their safety. Unlike Deku however, his friends immediately follow and insist on coming along.

This is when the problems start appearing, because the second everyone enters the Dark World to look for Johan, the show starts demonstrating clearly how different Judai's leadership is from Johan.

All of Judai's flaws start popping up, he's tactless, self-centered, and doesn't consider others feelings, and most importantly of all he doesn't look before he leaps. These behaviors that could earlier be swept under the rug, just become aggravated in a high stakes situation where everyone's lives are on the line. Judai came together with everyone to look for Johan, but he keeps acting like he's alone.

Another user's meta post here summarizes Judai's actions in the Different Dimmension, more succinctly so I'm going to quote them.

Shit Judai’s friends signed up for when they went into the Different Dimension with him:

searching for Johan

working as a team

deciding as a group what risks they’re willing to take

risking their lives together, on an even playing field

Shit Judai’s friends didn’t sign up for when they went into the Different Dimension with him:

having their input thoroughly ignored

being left behind while their friend recklessly charged ahead

having essential information kept from them (Judai didn’t tell them about the fatal consequences of dueling in Dark World)

being kept from dueling without their opinion on the matter ever being taken into account

having their physical, mental and emotional well-being be completely ignored by the de-facto group-leader

being relegated to secondary importance in comparison to Johan, in Judai’s eyes

having their group leader outright break the promises he made to them

To name a few things Judai does while in the different dimmension. Almost immediately after entering the dimension he runs away from the rest of the group, forcing Austin O'Brien to follow before anyone has even gotten their bearings or investigated where they are. Make an agreement with everyone to rest and wait for Dawn to search for Johan, only to run off into the middle of the night without telling anyone. Run off ahead of the group leaving several of their members behind, and when O'Brien tells Judai that members of their group are missing and that he should go back and search for them, Judai asks O'Brien to just do it instead.

Judai doesn't see the flaws in this behavior because it's how he's been acting all along, he always runs off into danger head first and he always fights on his own. Judai's never been good at considering the feelings of others though because he's a tad socially impaired, so he just doesn't seem to notice everyone's growing concerns with how he's acting.

Once again we are asked the question, is Judai's behavior selfish?

Judai deliberately abandons his friends three times, and the third time everyone stops to discuss his behavior.

Kenzan: True, we did come to this world to save Johan, saurus... Fubuki: He did find some minor clues as to Johan's whereabouts, so I suppose it's only natural, but... Asuka: But right now, I feel something is different about Judai. Menajoume: That's right. He got us all riled up about this, and now he's totally forgotten the comrades who came along with him. Kenzan: That's really irresponsible, Saurus. Fubuki: I don't mean to be a wet blanket, but I wish he'd realize the anguish he's putting us through. Asuka: Judai isn't doing this for Johan or us now. It's for himself. He just seems to be rushing forward, headlong, to forget the responsibility he bears on his shoulders.

The answer now is yes, his motivation is selfish because it's no longer about saving Johan, but just to stop himself from feeling guilty.

The stress of the situation is aggravating Judai's worst qualities yes, but Judai's always thought about himself first before others, he's always viewed his friends more as burdens / people to be saved rather than equals.

This all leads to a situation where Judai messes up big time. The same way he abandoned Yubel, he abandons the rest of his friends to run ahead and search for Johan.

They are all kidnapped - and it's Austin who notices they are missing Judai isn't even paying attention. Austin says they should head back and look for the others, but Judai asks Austin and Jim to handle that alone so he can keep searching for Johan.

Jim: The others haven't arrived yet. Something might have happned to them on the way. Judai: I see. Sorry, but could you go back and fetch them? Jim: What? You mean you don't care what happens to them? Austin: Don't forget these are the friends that are in this with you. To fulfill our objective in this dimmension we need everyone working together. You wait here until we return. Judai: Okay, I will.

Austin and Jim agree to go back and search for the others, if Judai promises to wait for them here instead of going on ahead. A promise which Judai immediately breaks.

Which is how Judai walks right into a trap.

Judai abandons his friend so they get kidnapped. He doesn't go back to look for them, so he misses out on a chance to save them. He doesn't wait for Austin and Jim to come back, and because of that he wanders all alone into a trap.

That trap is a sacrifice ritual where the leader Brron challenges him to a duel, and every time Judai attacks one of his friends are sacrificed. Judai is forced to attack and each friend dies one by one.

Judai didn't want to attack, he didn't choose to sacrifice his friends, but he did make every decision leading up to that. The trap was easily avoidable if he 1) didn't leave his friends behind 2) went looking for his friends after they were left behind or 3) waited for Jim and Austin to come back.

Judai didn't mean to sacrifice his friends, but it's a result of his own bad decisions. It's the culmination of an arc where he's been selfishly taking his friends for granted. It's a consequence for Judai just choosing to recklessly barrel forward because he can't cope with his guilt.

Judai's lack of darkness of the heart really dooms him here, because he was blind to his own flaws until it was too late. This isn't even the part where Judai does the bad thing, Judai's careless actions lead to four of his friends dying but he doesn't learn from his mistakes. He snaps, hard.

Judai: But at least I avenged them. Sho I'm really glad you're alive. Sho: Those words... they're just lip service. Bro... bro, you're selfish. Before now, I thought of you as the sun. Someone who gave others energy and made the impossible possible. But, I was wrong. All you care about is getting your way. You don't care who you sacrifice. You'll do anything in the name of your goal. Avenging them won't bring back the people you sacrificed. You're just dueling to satisfy yourself. Judai: O'brien! Austin: I thought I told you to wait. Judai: Are you saying what I did was wrong? Austin: Think it over for yourself. Judai: Why? What did I do that was so wrong? I... I did the right thing! And yet... everyone keeps leaving me! What... What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don't have that much power... Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.

After this point Judai decides to sacrifice everything else for power, and to complete the Super Polymerization card he's already sacrificed four friends four.

It's the culmination of an arc where Judai's only been praised for his strength and his ability to win duels. Where he constantly has been called to win duels to solve problems, until that stops working. When everyone is gone, all that's left is his strength. He had to keep winning to keep people safe, but even that wasn't enough, he was still missing something.

He knew he was missing something, that there was something wrong with him and he didn't know where to look.

Conclusion?

He needed power. If he had power, then he wouldn't have lost. If he had power then everything would have turned out alright. He didn't have the strength to carry everyone's burdens for them, that's why he lost, so what he needs is more power. He's been demanded to win, win, and win again so now winning is all that matters.

Now we have our second question: Is Judai's hero complex a good thing?

That's a definite no, because the pressure to always win, to always save everyone and carry their responsibilities has now completely broken Judai. To the point where he now believes that the only thing good about himself is that he's powerful, but he now is willing to sacrifice others to gain more power.

My name is the Supreme King.

Now here's the best part about Judai actively having a villain arc.

He does bad thngs. He does a lot of bad things.

It turns out when you're abandoned and left alone to suffer you do bad things, crazy that, I'm sure Yubel would have a lot to say about that.

Judai is also not being possessed in this scenario. They state it several times. You could say he's Shadow possessed in a Jungian sense. The supreme King is the symbolic embodiment of all of Judai's flaws that he's been ignoring until now. You could say Haou is representative of Judai's subconscious that has been repressed for so long until all those flaws finally surfaced, and that the Judai we see on a day to day basis is his ego, that the relationship between the two is a metaphor for conscious and subconscious.

Jim does a deep dive into Judai's mind, where we're shown a symbolic sequence of what the inside of his head looks like. Judai witnesses his friends appear in mirrors before they shatter one by one, all while he mumbles about how he needs to get stronger.

These are all storytelling devices to show Judai's fractured psyche, but Judai is still in control of his actions. Judai talks and responds to questions when he's addressed. Judai's friends confirm that it's still Judai, he's not a puppet or possessed.

Misawa says later to Judai's face that he and the supreme king are the same person. Judai later is able to use the Supreme King's powers and maintain complete control, because the Supreme King isn't a split personality. Judai even says when Amon is sacrificing someone he loved for power, that he was doing the same thing as the Supreme King, sacrificing everything for power.

We later learn that the ritual that sacrificed four of Judai's friends was a part of Yubel's schemes, but that's the only thing Yubel set up. Judai made every bad irresponsible decision that led to his friends being captured. Judai was the one who snapped and decided to complete Super Polyermization after it was completed. Learning Yubel was behind the sacrifice ritual doesn't take away any agency from Judai at all, because Judai is responsible for his own decisions.

What it does do is create another parallel between them, because we learn the reason Yubel set up the sacrifice was to make Judai walk the same path that they did.

Judai is hurt, abandoned and isolated and in that situation he ends up lashing out at everyone around him in a similiar manner to Yubel. When Judai is put through similiar trauma, he doesn't overcome it in some heroic way because he's an innately good person, no he succumbs and behaves in ways that are incredibly similiar to Yubel.

Even when Judai's friends selflessly try to help Judai, he resists them every step of the way. He ignores their constant calls to him, their comfort, and he even fights them. Judai is eventually reached by the efforts of Jim and Austin combined, but they both die in the effort. Judai is saved because Jim and Austin were way better friends to him than he was to them.

Judai is effectively snapped out of his destructive spiral, but he's left alone with the sobering realization of everything he's done and the blood of two more friends on his hand.

When it's time for our hero to finally face Yubel, he no longer has the moral highground. Now when he faces Yubel it's not as hero and villain, they're just two sides of the same coin. Two people who when they were abandoned, lashed out and hurt everyone around them.

The question is no longer can Judai save Johan. The question now is whether Judai can live with the guilt he's carrying within him, and for that matter can Yubel live with the guilt of what they've done now too?

By this point Judai's been completely deconstructed. He's no longer the hero of the story, he's just a flawed person who needs to fix his flaws. He has the choice to live with his mistakes, and the biggest conflict now is whether he's going to save his villain foil Yubel, or strike them down in order to save the rest of his friends (the three that are left).

This also creates a much more compelling reason for Judai to save Yubel. Not just because Judai is responsible for Yubel's creation, but because they've both made the same mistakes, they have the same traumas and the same scars. Jim and Austin were willing to risk everything to save Judai even when he didn't deserve it, and didn't want it. Now is Judai capable of doing the same thing, of reaching Yubel the way he was reached, not for the sake of saving the world but for helping a friend?

I just want to save my friend. That's all.

This is to me a very compelling setup for the challenge of whether or not Yubel can be saved. Judai's not really saving a helpless victim, he's not acting out of a sense of duty to sacrifice himself for the world, he's being challenged to save someone who suffers from all the same flaws that he does. Judai and Yubel are so similiar at this point it's really just Judai saving himself.

The Dark Deku Arc - Setup

This is the part where I'm actually going to praise MHA. Shocking I know. Season 1 and 2 of Yu-Gi-Oh GX are about 105 episodes in total. The Dark Deku arc begins at about episode 131 with Deku's decision to leave the hospital by himself to hunt down Shigaraki and AFO alone and try to understand villains better.

The 130 episodes up until that point are much better build up, than the first 105 episodes of Yu-Gi-Oh GX. To put it frankly GX is paced like ass. There's far too much filler, and because of that the plot points the anime is trying to make are delivered less efectively. In fact 105 is a good example of what I said above, that ideas are one thing and execution are another.

Season 2 especially is a season filled with good ideas and weak execution due to pacing. Here's one I use as a go-to example. There's a character named Edo Phoenix who's on a quest to find who killed his father. The ending of his plotline is he discovers that in a twist, the man who adopted him is the one who killed his father, and he's been encouraging Edo to investigate because it lets him spy on the police investigation and keep it off his tail.

That's a good twist - however that twist happens in the same episode that Edo's adoptive father is introduced. The audience is given literally no time to even get to know Edo's adoptive father, or get invested in their relationship so the twist doesn't hit at all. A better paced story would show Edo's relationship to his adoptive father early on, get you invested in them, only to pull the rug out from under you so you would feel the shock of that betrayal alongside Edo.

GX establishes its character cast, and yes the filler does give the cast time to breathe and they're all well characterized but because the plot around them is so poorly structured, none of the plot points really hit. Okay, Edo's adoptive dad is evil. Next! You can have good characters, but if you don't put them in a strong narrative framework that challenges them then those characters are just gonna kinda sit there.

The first 105 episodes of Yu Gi Oh GX does succesfully characterize most of the main cast, but it also feels like everyone's just goofing around. In comparison the first 135 episodes of MHA much more successfully builds an escalating conflict. Each new arc either introduces you to a new facet of the world, makes the amin characters more complex, or adds to the conflict.

We basically go from arc 1 "The hero high school is fun" to Arc 2 "The villains are a serious threat" to the Camp Arc "Oh shit, Shigaraki is learning and the villains are getting stronger."

When Bakugo is kidnapped at the end of the camp arc, the tension is ramped way up with the appearance of AFO, and All Might's retirement.

After that point we're introduced to the Overhaul arc, which not only again makes the League of Villains more complex and sympathetic, but also introduces the audience to All Might's more flawed side - the fact that All Might literally worked himself to death saving others and it still didn't work.

Then My Villain Academia -> The Villains are now a threat and they have an army.

Each arc builds on a previous arc, the characters and the world grow more complex, and it feels like you're learning about these complex issues alongside the characters. It just makes Yu Gi Oh Gx look like the silly card games show by comparison, by setting up this very layered world, and conflict, and heroes that challenge the protagonists on what it means to be a hero and what it means to be a victim.

Then all of that great setup.

We are side by side with the proagonist. We, like Deku now want to see if someone like Shigaraki can be saved. We, alongisde Deku want to better understand the villains and learn to see them as people. We want to know if the corrupt hero system can be salvaged.

However, these are too many questions so let's boil it down to two once more, because this is looking at Deku's character.

Deku and Judai are in some ways different as night and day. Deku is an introverted nerd and the victim of bullying, and he starts out with no quirk at all. Judai is a self-confident, charismatic prodigy who instantly seems to charm and befriend everyone around him. Deku desperately wants to be the hero and works his way up there, whereas Judai is just kind of thrown into the school hero because he's the best at dueling.

Judai is kind of a mix of Bakugo and Deku's traits, he's a self confident prodigy who always wins, but he's also someone obsessed with heroes and who has a hero-complex where he's continually forced to save others.

The Dark Deku arc, like the Supreme King Arc looks to take a darker, more introspective look at Deku's character, while also exposing Deku who is a sheltered kid to the a very grey on grey world. It also seeks to deconstruct Deku's suposed "hero complex". Despite the many differences between Deku and Judai I believe the two questions an be boiled down to the same thing.

Is Deku Selfish?

Is Deku's hero complex a bad thing?

These are the questions the series itself is asking in the deconstruction of Deku's character. Deku himself is asking if there's a better way to save villains tha just beating them down or outright killing them, but we'll discuss that later.

Just like Judai there is some setup before this to give a previously very one-note Shonen protagonist mor depth. Deku and Judai are both people who fit the determined, punchy, solve everything fist fight shonen protagonist to a T, on top of being the one to always show up to fight for their friends. Just like in the beginning of season 3, we do have some hints before this that there's something wrong with this attitude. That there's something about Deku that's not entirely there.

There's a flashback of All Might talking with Bakugo where Bakugo discusses that the fact that Deku never takes cares of himself or factors himself into the equation when he always puts others first deeply bothers him and there's "something wrong with it" that's made him always push Deku away.

This flashback also leads into a scene where Bakugo pushes Deku out of the way of one of AFO's attacks, telling him to "stop trying to win this on his own." In an attempt to make Deku see that he's not fighting alone this time.

Deku has also been warned repeatedly about the way his power destroys his own body when he uses it, warnings he's repeatedly chosen to ignore. Saving others isn't just a goal for Deku, you could arguably say it's a method of self-harm and that's what unnerves Bakugo. Bakugo even gave a similiar speech in the past, about how someone like Deku shouldn't take all of the bullying that Bakugo has given him over the years and still try to be his friend afterwards. At this point it's not really like Bakugo's done anything other than tone down the constant insults a little bit, he hasn't apologized or anything but even this early in the manga Deku has a tendency to just let Bakugo's treatment of him go. It's not like they were super best friends forever before the bullying started either despite what the shippers might tell you. Bakugo is saying it's weird that this kid just takes it, and takes it, and takes it without fighting back like he doesn't care about how people treat him and Bakugo is right... that is weird!

Deku either has such low standards for how he's treated that he just lets Bakugo get away with it, or he just doesn't hold a grudge when he is mistreated because his pain and his suffering just always matters less. Either way it's not healthy, and it could be indicative of a deeper problem hiding behind the surface.

Either way there's setup here, because on one hand you have everyone and their grandma praising Deku for his "drive to save others that eclipses all common understanding."

While at the same time he's criticized by Bakugo for having no regard for others. This could be the setup for the character trait that led to his earlier success leading to his downfall later. In Judai's case, everyone praises his purity of heart, but then that purity is later criticized as childishness, naivete and a refusal to grow up.

As for Deku...

How can you protect others if you can't even bother to protect yourself? How can you save others if you can't save yourself? That's the question Touka asked of Kaneki in Tokyo Ghoul when she rightly called out his desire to protect everyone at the Anteiku Cafe as just a roundabout way of getting himself hurt by acting recklessly.

In Kaneki's case he's not trying to protect anybody, he's just picking battles against the doves and getting himself hurt. He's acting out a hero complex in the sense that if he feels like he didn't fight his friends battles for them like Judai then he wouldn't have any friends to begin with. That's why Touka also says "Besides that, everyone doesn't belong to you. You have no business protecting us."

Is Deku fighting for the same reason? Does he harm himself to protect others because he views himself to be worthless and the only way to demonstrate his worth is try and fight to save others?

We don't get an answer for that question. Judai thinks duels are fun, and he's really good at them, and because he's good at dueling he's made friends. He think to keep those friends he has to keep dueling for the sake of others.

Deku's not motivated by the idea of protecting or keeping his friends, that's a secondary motivation. All we have on Deku is that he feels a strong desire to save others, and that he worshipped heroes like All Might growing up but has a naive idea of what a hero is supposed to be. However, his lack of motivation could be the "something that's missing" just like Judai has.

The GX writers did some hardcore digging into Judai's character by focusing on how shallow he was in motivation compared to everyone else, and showing that to be a symptom of his childish naivete.

There's also the potential parallel between All Might and Nighteye's breakup, and Deku's decision to leave all his friends behind to hunt for Shigaraki himself.

Even if Deku doesn't have a deeper motivation than just "an unnatural drive to save others" then you could show the effects of Deku walking down the same path that All Might did, the belief that he has to be the one to save everyone singlehandedly and if he rests for a single moment than someone might die, leads to him not only destroying his body, but also doing permanent damage to all of his social relationships.

Even if Deku's motivation isn't too deep, you could still have the traits that led him to earlier success now driving him to ruin as the story punishes Deku for his excessive selfishness.

This is also where we finally get back to Deku's goal of understanding Shigaraki, and contemplating whether or not it's possible to save villains without killing them.

I draw a parallel between this and Judai's enemies calling him out on lacking "darkness of the heart" and that without understanding that darkness he can't win.

Judai's lack of darkness of the heart means two things, he's not mature enough to understand the reason why his enemies are fighting, and he's also not mature enough to se the darkness in his own heart which is why he ends up blind to his own flaws and making pretty severe mistakes later on.

For Deku, it's mainly a lack of understanding of the motivations of the villains he's fighting again, villains he's only ever really beat down with his fists until now.

However, for Deku lacking darkness of the heart you could also re-contextualize that as meaning because of his idealization of heroes he's never once looked at the darker sides of hero society that might have driven people into becoming villains.

Deku's lack of inner darkness may just come from the fact that compared to the villains he's fighting against, he's gotten to live a pampered life. Without understanding that darkness, he can't be a full person because he'll still be a naive sheltered child, and not an adult wise to the way the world works and the moral greys he inhibits. Either way, it's just as necessary for Deku to gain an understanding of "Darkness of the Heart' as it is Judai.

So here's all the setup for the start of Deku's Dark deconstruction arc. As different as these characters and scenarios you can still boil it down to those three narrative questions about Deku / Judai, is there behavior selfish? Are there hero compelexes a good thing? Do they need to understand darkness of the heart?

Before moving on I'm going to summarize Deku's setup as thus:

Deku's actions are selfless.

Deku's motivations are also selfless (a desire to save others).

Deku does not benefit from saving others in any way, if anything he actively harms himself in order to do so.

Bakugo finds this behavior incredibly disturbing.

All Might destroyed his body and burned all bridges because of similiar flaws to Deku.

So the answer to the first question is Deku selflish? No. Is his hero-complex a bad thing? Potentially.

While Deku himself decides that he needs to understand darkness of the heart in order to better understand villains. Deku is actually more set up to contemplate darkness of the heart than Judai is, because Judai charges into the dark world blindly with only the motivation of saving Johan not even caring for Yubel, while Deku has the explicit motivation of trying to understand the little boy inside Shigaraki.

DEKU LEFT THE HERO ACADEMY

Deku begins the arc by leaving alone to go searching for Shigaraki, with hand-written letters addressed to all of his friends that tell the truth about One for All and also say Goodbye. He makes the deliberate decision to leave them behind so they don't get targeted alongside of him. It's a pretty classical superhero motivation, I need to cut myself out of my loved ones life in order to protect them. Of course this sort of ignores that everyone in his class has super-powers too, but you know heroes they're all such drama queens.

Is this selfish behavior?

This is going to be the only time I'm going to solidly answer yes. Deku clearly did not take his friends feelings into account. His desire to protect them, is more important than their own agency. They also might want to fight alongside him, they'd be upset if they saw him die or get hurt trying to protect them. Deku thinks of his own feelings of wanting to keep them safe and not being able to handle the emotional burden of protecting him, more than he does their own personal feelings.

This is also something that All Might did they permanently burned all of his bridges with his sidekick and friends, and deeply hurt his sidekick who was just asking him to take a break so he did not get himself killed and quit because he didn't want to watch All Might slowly kill himself by inches.

Deku is being selfish here, and later on when he does face his friends he even acts pretty condescending belittling them and insisting they can't fight on their own or keep up with him.

However, I need to ask a secondary question.

Is there any lasting consequences for this selfish behavior?

Besides the fact that it hurt his friends feelings for a little bit, no. I spent a much longer time covering this in Judai's sections because Judai's selfish behavior led to character conflicts. Judai disregarding his friends led to everyone starting to resent him in the Dark World, and their once tight-knit friend group further falling apart.

Judai on three seperate occasions makes impulsive decisions to run ahead without consulting with the group. The second time he outright lies to the group and sneaks ahead without them. THe second time all of his friends are captured when they go after him and try to follow him to give their support because they're worried about him. The third time he makes the decision to run ahead, he knows about the danger they're in and the risk of getting captured and he just blatantly ignores them. When Austin notices they're missing Judai doesn't even go looking for them because they're not a priority at this point - saving Johan is.

This is something that has very real and lasting consequences in the story, they're captured because of his recklessness, and sacrificed in front of his eyes. Even though they technically come back in season 4, the trust between Judai and his friends is all but gone and he's alone for a lot of Season 4.

Judai's decision to abandon his friends has direct and lasting consequences. He is being punished for his hero complex. Running ahead, and fighting alone against the bad guys is what Judai has always done and what's worked before, but now in a more complicated world it's not cutting it and Judai is being challenged for his flaws.

Deku hurts his friends feelings a little bit, but even in that case the focus is on how sad it is for Deku, how hard it must be to be a noble hero fighting alone.

Deku's Mary Jane and Spiderman bullshit never impacts his friends directly, other than the fact that they find it slightly condescending. His "I need to keep secrets from my loved ones attitude" is challenged because his friends want to fight alongside him, but there's never any narrative punishment delivered to him. It's just solved with one fight scene and a character holding out their hands. Whereas, the consequences for Judai's rash actions last two seasons.

I call it "Mary Jane and Spiderman" Bullshit, because Spiderman keeping his identity a secret from all his loved ones is a big conflict in the comics. Something that got Gwen Stacy killed, because Peter Parker never told her his identity in order to protect her, and then that just ended up with Norman Osborne finding out about her anyway and kidnapping and killing her.

You might have heard of the "Death of Gwen Stacy" it's a pretty famous moment in comics. It's also a case where it shows that the Hero's failure to communicate honestly with their loved ones in the name of "Protecting Them" can actually get them killed.

There's even consequences in MHA itself for heroes choosing to sacrifice their personal lives to help complete strangers. Shigaraki literally made a whole speech about it. Kotaro Shimura is traumatized for life over his mother's decision to abandon him instead of giving up on being a hero. Nana Shimura believed she was doing something selfless in sending her child into foster care to keep him out of AFO's clutches, but that was shown to be wrong as AFO just found Kotaro's household and then destroyed him later on in adulthood anyway.

So in the story we are shown scenarios where choosing to abandon your loved ones in the name of "protecting them" can have disastrous and lasting consequences, but as for Deku himself, the decision to leave the school has basically no consequences whatsoever.

Well, Deku making the decision to fight alone is something that might lead to some consequences. After all, Judai's breakdown came about because he always felt the pressure to fight alone and carry everyone's weight on his shoulders until he couldn't.

Perhaps, with Deku fighting alone to protect everyone we'll reach a similiar breaking point. Just as Judai couldn't handle carrying everyone's burdens, looking for Johan, and leading his friends into the Dark World all that the same time and eventually broke down maybe we'll see Deku break down because he just like All Might can't carry the burdens of an entire nation - oh wait nevermind he's working with the Top 3 Heroes.

Even the premise that this is Deku leaving the school, to become something like a vigilante wandering the countryside trying to fight AFO on his own is just incorrect because Deku is receiving government assistance right now.

In the Dark World it was really just Judai and his friends, so every single bad decision Judai made had consequences because they were well and truly alone. Deku has backup so he's not even really "alone" in the arc that's supposed to be about him fighting AFO and trying to understand Shigaraki alone.

ALL YOU'LL FIND IS BLOOD AND VIOLENCE

Let's briefly focus on questions two and three, is Deku's hero complex bad, and does Deku need to understand darkness of the heart?

Judai's hero complex was based on the idea that if he wanted to have friends he needed to fight for them and solve their problems for them.

Judai got in such an unhealthy negative feedback loop, that he had to carry his friends burdens in order to maintain his friendships with them, but at the same time he couldn't receive any help from them because he made their friendship all about him carrying their burdens. He was operating underneath an amazing pressure to always win until he lost. The very thing he did to try to maintain his friendships, keeping his friends at arm's length and fighting alone is exactly what ends up driving them away and leaving him alone.

But, still...! They're all... They're all gone. There really was something missing in me. But what is it? What was missing? What should a duelist burden themselves with?

Judai paradoxically fights alone in order to keep his friend group together, which only ends up with him losing four friends and being abandoned by the rest when they're disappointed for him in his selfish behavior. Judai screams out why, realizing he did something wrong here, that something went wrong because he's been winning duels, he's been fighting the same way he did before only to end up with the worst option possible. The realization that he is truly alone breaks him down entirely.

Judai's hero complex unwravels when simply charging ahead to fight doesn't work for him anymore, because the situation becomes more complicated than that. Darkness of the heart can mean many things. Judai not understanding his own personal flaws. Judai not seeing how his flaws are affecting others. Judai not looking at other people's emotions, he doesn't hear or respond to criticism when his friends start trying to tell him how is selfish decisions making is making them feel.

I can't just stay and wait. All this time I've run on instinct, never second-guessing myself. If I just stand still now... I'm sure I won't be able to start running again. And I won't be able to get to Johan.

Judai's hero complex has a clear source - he believes he has to keep running ahead and fighting for his friends the same way he always has in order to keep those friends and if he stops he'll lose everything / succumb to the guilt he now feels about being uanble to save Johan. His Hero Complex also has clear consequences, him running ahead without thinking gets all of his friends kidnapped and used in a sacrifice ritual that could have been avoided if he had made different choices.

Spiderman kills Gwen Stacy because Peter Parker deciding to not tell her about his secret identity to protect her backfired and made her an easy target to the Green Goblin.

Heck, Spiderman's entire character is about how the burden of being Spiderman and his Hero Complex constantly sabotages any attempt he makes at having a personal life. Miguel O'Hara's catchphrase in the incredibly popular Spiderman movie is that "Being Spiderman is a sacrifice" and he's not wrong either.

SO, is the narrative punishing Deku's hero complex in any way?

Well, the one warning he did receive that if he kept fighting he'd lose permanent loss of his arms turns out to not matter anymore because his body is just stronger now.

So, even the phyiscal toll of fighting alone that's a consequence for Deku doesn't actually apply here.

I keep talking about consequences but what do I actually mean? Am I talking about strictly punishment? Do bad things need to happen to characters in order to get their lessons?

Not necessarily.

When I say "consequences" I mean in terms of actions always having consequences in a story. The best stories are succinct, that means you basically cut down in as many frivolous details in a story as much as possible so everything that happens onscreen is something that matters and contributes to the whole. Therefore, every action should have a consequence directly seen onscreen in story. Stories are all actions and consequences, the choices the characters make should have direct impact on the plots and the other characters because it makes those choices seem like they matter.

If the story constantly draws attention to the fact that Deku is afraid of ducks, but the story takes place on the moon and there are no ducks living on the moon then that's a wasted plot thread because there are no consequences. If a character does something bad, other characters should discuss it, or it should negatively impact them in some way.

When Judai decides to run ahead without all of his friends for the first time after they all agreed on a plan, the result is the next episode they all start talking about their shared doubts with Judai when he's not around. If they all just swept Judai abandoning them under the rug, then Judai running ahead and leaving the others alone doesn't feel like an impactful character flaw.

There's no lasting consequence for Deku's hero complex. It doesn't drive him to any kind of breaking point like it does Judai.

I think the reason why is because there's no real moment of failure for Deku. When he tries to ask Muscular why he fights, and Muscular rejects him and says that he was just born evil and has no deeper motivations, Deku's not frustrated at all.

Deku who feels a "unnatural desire to save others" isn't really bothered by the fact that Muscular insists that he can't be saved and that they can only fight. Despite this technically being a failure, Deku has failed to talk a villain down, failed to find a way other than fighting and also failed to understand the darkness in someone's heart it's of little consequence because it's not framed as a failure.

Deku just punches Muscular, back to the drawing board.

There's another manga called Choujin X running right now, where the main character is on a similiar quest trying to see if there's a way they can save the big bad Sora Shihouhin, and when he is forced to fight against a villain who won't back down, de-escalate, or listen to reason he has a complete emotional breakdown.

This is the reaction of someone who's genuinly invested in the idea of saving the villain, and frustrated with the reality that he might not be able to save her, that he can't talk to the villains or convince them to back down. Tokio's not even characterized by an unnatural desire to save others like Deku is, so why is he the one breaking down and not Deku someone apparently so selfless that he wants to save the mass murderer that's trying to destroy society?

If Deku's desire to save others is so strong why doesn't he show frustration at being unable to talk down, or understand Muscular?

Judai is stuck in a negative feedback loop where he's forced to fight for others, because he believes he has no worth to his friends otherwise. All we're told of why Deku feels the need to save everyone around him is that he's just like that, he just feels like saving everyone no matter who they are the moment they come into view.

If we're choosing to characterize Deku that way, then number one he should be attempting to save everyone, and number two the stress of having to save everyone is something that should get to him. His "Hero Complex" should be what's breaking him down at the moment. The unnatural desire to save everyone around him that led him to so much success should be what's punishing him this arc.

Judai felt pressure from two aspects, first the pressure to carry everyone's burdens, and second the lack of understanding of darkness of the heart. Unlike Judai who doesn't want to understand darkness and who avoids it as long as possible, Deku goes into this arc actively seeking to understand how his villains think.

Deku and Judai also suffer from a lack of darkess in their own hearts. This leads to them having empty motivations. Judai has a childish desire to enjoy fun duels. Deku has a childish desire to save everyone. Neither of them have tried to grow or change or even question those motivations in any way and because of that they're stunted people.

Judai doesn't know why he fights. He doesn't question why he fights. He just takes on the burdens of others to give him something to fight for. This all together leaves Judai blind to his own personal darkness, and also because of that blindness he can't grow in any way because he never evaluates himself, he never looks at himself and tries to change.

When he's on his knees and at his breaking point he screams at the top of his lungs, "WHY? WHAT AM I MISSING? WHAT DID I DO WRONG?" simply because Judai's never thought about these things.

Deku's asked these same questions both in the Dark Deku arc, and hundreds of chapters later he's asked what he's planning on doing as a hero in order to make things better and Deku never materializes an answer.

Pre-Dark Deku Arc, during Dark-Deku Arc and Post Dark Deku arc, Deku always solves his problems by recklessly jumping in and saving others. There's never any point where he's punished or criticized for this behavior in any significant lasting way. He never has to self reflect and develop a reason on why he wants to save others, or eve think about how he's going to save others, he can just keep acting as the rash, impulsive hero.

Judai and Deku are both characters who are empty, and lacking in motivation but Judai is ruthlessly criticized for that until he reaches his breaking point and is forced to look at his motives.

This once again comes from a lack of failure on Deku's part. Deku never fails the way that Judai does. There's a scene where you could have easily had Deku fail. The entire Nagant vs. Deku fight where Deku fails to give her any substantive answers to his questions.

Imagine if Deku's simple philosophy of always extending a helping hand failed here. Imagine if Deku actually got deeply ivnested in the idea of saving Lady Nagant, and did his beset to talk and reach out to her but his answers weren't enough and because of that she just chooses something like suicide. Imagine he has her by the hand, and she's dangling off of the roof and he thinks that his impressive move to save her should have been enough - he's reached out a hand like always. He thinks this should have won her heart over, by showing her that someone still cares in all of her despair.

Then, Nagant in one final spiteful move lets go. The person he heard her entire backstory, the person maybe he once was a huge fan of her when she wasa hero, the person he wants to save the same way he wants to save Shigaraki chooses to let go and fall to her death because dying would be better than living in whatever kind of corrupt world that Deku is trying to build.

This could be Deku's Gwen Stacy moment. Spiderman carelessly webs Gwen Stacy whe she's falling to catch her and for a moment he thinks he's saved her because he's overconfident and has caught people falling like this a thousand times, only to find out he's snapped her spine. His overconfidence, his hero complex making him believe everything magically would work out led Gwen Stacy to her death. This could show the simple act of just offering a hand out to someone in need isn't enough, without empathy and understanding.

Instead, AFO just blows Nagant up in Deku's face.

Except, that isn't even a failure bcause Nagant turns out to be just fine! There's no point in blowing up Nagant except for the spectacle of it, because she turns out to be fine five minutes later and even shows up to fight in the next arc.

There's no consequencs to anything that happens in this scene. Deku doesn't suffer any consequences for being blind to the faults of society. (He's working right alongisde a killer cop just like Nagant and he doesn't even care.) Deku isn't forced to reflect on what saving people or making society better would even mean. He also isn't punished for his lack of understanding the way that Judai is.

Afterwards, Deku denies help to a very mentally-ill Overhaul, who is apparently not one of the villains that Deku wanted to save. There's a whole buch of asterisks on that "Deku wants to save everyone***" goal. This also isn't framed or used to paint Deku in a bad light because Overhaul is unworthy of salvation in Deku's eyes for hurting Eri.

Is this action part of an arc? Is Deku reaching his limit with trying to sympathize with villains only to see people like Overhaul and Muscular fighting him every step of the way and telling him they don't want to change?

Nope, this scene is never brought up again.

Deku never fails, and he never does anything wrong. Even when there are situations where you could argue he does do soemthing wrong, like denying the armless, mentally ill Overhaul help - he's not painted as being in the wrong.

The entire arc is supposed to be about criticizing the protagonist for their hero complex, and their lack of understanding of the darkness of the world but for Deku there's no criticism to be had here.

Compare this to the sacrifice ritual in the Supreme King Arc, where not only does Judai fail to save his friends, but the friends that survive ruthlessly tear into him aftewards for his selfish behavior. THe actions of one protagonist matter, have consequences in the story and are criticized. The actions of another protagonist have no real consequences and are never criticized.

The whole mansion blows up and... nothing happens. No one's injured in the explosion. It may as well have not happened in the story because there are no consequences for Deku just continually choosing to blindly run ahead like his hero complex tells him to.

There's evena moment where Deku winds up in a similiar situation to the dark ritual. After receiving information from Nagant, he blindly wanders into a mansion in Haibori woods believing it to be AFO's base, only to find out it was a trap and AFO was waiting for him to blindly charge in all along.

THAT'S WHAT MAKES US HEROES AND VILLAINS

This is where I'm going to talk about another big similarity between Deku and Judai, and also the biggest point of divergence in the Dark Deku and Supreme King Haou arcs.

Deku and Judai are both character foils with Shigaraki and Yubel respectively. This is where I'm going to praise MHA again, surprising everyone.

The foiling between Shigaraki and Deku is masterful. They both started out in relatively the same place, as boys with dreams to become heroes who were softly told no by their parents. Tragedy struck Shigaraki and he killed his family on accident and wound up alone wandering the street for days until he was found by AFO.

They're both the students of the greatest hero and villain of the last generation. They both end up being surrounded by a group of close Nakama that they want to protect. They're both continually challenged to grow up, and show how they're going to be better than their predecessor for the hero and villain sides respectively. They both have to prove they are worthy successors. Shigaraki has all the heroic spunk and determination that Deku has but on the villain's side, and while Deku loves heroes, Shigaraki is hero society's critic wants to bring down the hero system that didn't save him.

You get the feeling that Shigaraki really is Deku just in a different situation, a same person on the opposite sides of the conflict kind of character foiling.

As the biggest Yubel stan here, in some ways the foiling for Shigaraki works better than the foiling for Yubel because Shigaraki isn't just Deku's foil, he's the foil for all of society. Yu-Gi-Oh Gx takes place in a society run where everything centers around card games, it's not really that deep. In My Hero Academia you have that 100 episodes of great setup where Deku is not only learning to look at the darkness within himself, but also the darkness within hero society around him.

Judai's narrative as much as I love it, is entirety about Judai.

Not only could Dark Deku arc develop Deku's character, it could also say something deeper about the world it's taking place it, because Deku has all these connections to Shigaraki, who also kind of represents the orphaned boy failed on all levels by the society around him.

Shigaraki is the shadow of -> Deku, but also Shigaraki is the shadow of -> all of society.

Yubel is the shadow of -> Judai, and only relates to Judai's personal growth.

Yubel is Judai's personal villain, and was created by his actions as a child. His decision to abandon Yubel into space, led to Yubel being tortured and their later madness.

Yubel is also Judai's shadow. They carry all the same flaws, but those flaws are obvious in Yubel and repressed in Judai. Yubel's belief is that Judai is someone who purposefully enjoys hurting their friends, and that's how he shows his love. While that's twisted it's not hard to see how Yubel came to that conclusion. After all, Yubel loved Judai so much only for Judai to abandon them and turn a blind eye to their suffering. In the Dark World, Judai abandons his other friends continually in order to search for Johan, and they wind up suffering too.

While Judai doesn't sadistically enjoy hurting others as Yubel put it, there's an element of truth to Yubel's criticism. Judai does abandon people, Judai isn't as empathic as he seems to be. When Judai is subjected to the same kind of isolation and abandonment that Yubel has endured for the past ten years, Judai loses his mind a whole lot quicker and starts lashing out at everything around him the same way Yubel has. Judai without the love of his friends starts to hurt everyone around him in his lashing out, the same way that Yubel desperate for love starts to inflict pain on the people she loves. Even before the ritual happened, Judai was unwittingly hurting his friends with his own selfish behavior.

Yubel's stated criticism is "of Judai is "Anguish and sorrow born from loneliness. That is the nature of love as you taught it to me" and further beyond that "When you forgot about me, I suffered. It's hot. It hurts. I am in pain. Why? You know how much I love you? Why did you do this to me, Judai? In that moment I realized that was how you showed love. Because you loved me, you hurt me and made me suffer."

That sounds crazy, but hasn't Judai been hurting the people he loved for his own selfish reasons this entire arc? Is it that crazy then to conclude that neglect and abandonment must be how Judai treats everyone he loves, so surely he loves me.

One of the biggest criticisms of this arc is how Judai's behaviors impact his relationships, so of course his most personal villain and foil is his jilted ex nonbinary dragon lover. On a less joking note, when Yubel was displaying troubling behavior as a child, Judai's first response was to abandon them. Which is ironic for someone like Judai so paralyzingly afraid of being abandoned that he became everyone's workhorse and worked himself to death solving their problems for them. Who when abandoned by those friends finally, snaps just as hard as Yubel did when they were abandoned.

Do you see the parallel I'm drawing here? Judai is slotted into the spot of the protagonist who's friends with everyone he meets, who loves and fights for his Nakama. Yet under closer scrutiny he's shown that he doesn't really understand what love or friendship is or how to give and receive love from others in a healthy way. His antagonist is his former childhood best friend, who is obsessed with love and demands that Judai love them back. Judai's lack of understanding of relationships and love takes a dark twist with Yubel, their shadow, foil and antagonist.

These are once again very personal challenges to Judai, society doesn't really factor into this equation. Though, Judai is somewhat challenged as a hero because there's an irony to Judai plunging into the world to save his best friend Johan who he's known for like three weeks, but not really lifting a finger to save the antagonist of the arc Yubel who he's known since childhood and is personal responsible for putting through torture.

That hypocrisy there too, is a personal challenge to Judai that paints him in a less heroic light. He wants to save Johan and ignore Yubel because it's easier, because saving Johan relieves him of his guilt. He doesn't even know what to do about Yubel, so he doesn't try and falls back on his previously established behavior of playing the hero.

The hero is really just a mask for Judai at this point, something the story has ripped right off of his face by the time it comes to face Yubel.

There are two ways in which Yubel serves as an ultimate foil to Judai.

Yubel acts like a callout post to all of Judai's flaws

Yubel represents a dark path Judai could have taken.

This second one is what Shigaraki and Deku have in Common with Judai + Yubel. There's something deeply tragic about the idea that while Deku was making friends, getting taught by a loving teacher like All Might, Shigaraki was all alone being pushed by a ruthless manipulator like AFO into becoming the worst villain.

Judai and Yubel's lives follow the same tragic parallel path. They began in the same place as childhood friends, but after abandoning Yubel, Judai spent the next ten years growing up, making friends in a healthy and safe envirnoment while Yubel the one who was abandoned was alone in space desperately crying for Judai to come save them only to be ignored because Judai has long forgotten them.

However, there's a striking difference there too. Yubel is created directly by Judai's neglect and actions. Whereas Shigaraki is created by the neglect of all of society, it's not Deku's fault directly.

#1 Shigaraki acting as a callout post to Deku's Flaws

However, this is where Shigaraki's callout post comes in. Shigaraki gives a long speech on how the existence of heroes itself, creates villains like him.

"You heroes pretend to be society's guardians. For generations you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you've built. That means your system's all rotten from the inside with maggots crawling out. It builds up little by little, over time, you've got the common trash all too dependent on being protected. And the brave guardians who created the trash that need coddling. It's a corrupt, vicious, cycle. Everything I've witnessed. This whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I take power for myself. Simple enough, yeah? You don't understand because you can't understand, that's what makes us heroes and villains."

To break it down simply, heroes look away from the faults in their society, they intentionally ignore the people they cannot save, and when those people turn into villains the heroes beat them down hard. The villain attacks then convince the common people of the need for heroes, and the cycle perpetuates itself. This is all powered by the people's blind, uncritical faith in heroes.

Deku is a person who has that same blind, uncritical faith in hereoes, and until this point has never thought of Shigaraki as anything more than a villain to be punched until he stops. Which is why this is still a callout post that applies to Deku, because Deku's blind admiration for the Hero System is part of the problem that enables the very flawed hero system.

Deku does not understand darkness of the heart, therefore Deku does not understand that heroes could possibly be bad, and he could possibly be supporting a bad system until he's slapped in the face with it.

However, is there a lasting consequence for Deku's blind support of the hero system?

Nope.

I just described up above what could have been a consequence, if Lady Nagant refused to have faith in Deku since he didn't back his words up with action.

Deku also clearly does not want to break away from the corrupt hero system that created Shigaraki, because the heroes that he brought along to fight with him are Endeavor, Hawks and Jeanist, a child abuser, a state sponsored murderer, and a guy who makes bad puns. He doesn't change any of his bahavior that enables the corrupt system to stay in power.

Not teaming up with the Top 3 heroes, and deciding to go full vigilante would have at least have been breaking away from that system.

This circles around to a big underlying problem in this whole arc in that Deku isn't really doing anything different from what he was doing before, and he's not punished for his character stagnancy either.

So we're left with.

#2 Shigaraki represents a dark path that Deku could have Taken

This is where Judai / Yubel succeeds and Shigaraki / Deku falls flat on its face.

When pushed to his absolute limit after failing repeatedly, Judai snaps. With no friends left he decides that all that matters is power. This path seems natural for him because we've already seen what being abandoned and left alone can do to a person and how it twisted Yubel. The story hints again and again at Judai's blood knight tendencies, and that he thinks the only thing he has of value to offer others is strength by fighting for them.

He loses his friends and the fighting is all he has left.

At the point of despair he decides to just embrace power. If he cares about nothing more than strength, at least that will give him some sense of control over his life after the out of control tragedy that happened to him.

"Yuki Judai. In order to defeat evil, one must become evil. In a world with the law of the jungle at work, one must rule with power." "Power? I don't have that kind of power." "In your hand lies the super polymerization card. Defeat any spirits who may oppose you, and combine their lives into it to perfect the card."

Supreme King is just a villain persona that Judai adopts to as a protetive blanket for all the hurt and pain they've gone through, just like ding, ding, ding, the villain persona Shigaraki Tomura is for Shimura Tenko.

Judai snapping under such intense pressure shows us that if even the faultless hero can snap, then how much can we blame the villain for snapping under similar circumstances? Maybe the reason both the hero and the villain fell is because they're both equally human and to fall down is human.

Deku never falls down as hard as Judai does. He doesn't even fall down and scrape his knee. There's no instance where he fails to save anyone. There's no instance where his actions hurt anyone. There's no instance where he takes things too far and hurts a villain. I kow it's unlikely for Deku to turn into a villain, but he could have at least gotten so frustrated he turned into a punisher style vigilante! Is that too much to ask?

There's not even a single moment where Deku goes too hard in a fight and injures or even kills a villain. They could have pulled an "I thought you were stronger" moment like in Invincible.

I don't know why this is called the Dark Deku arc because there's no darkness in Deku's heart for him to exploit, nor is he actually called to better his understanding of the darkness in others hearts. Judai understands Yubel's darkness because by the end of his personal arc he's been there, he's not the hero he's the atoner. He can either punish Yubel, or hold a hand out to help Yubel atone.

Deku's arc might as well be called the "My Little Pony Friendship is Magic Arc" because he never does or confronts anything dark. His worst crime is not showering. All that isolation and his repeatd failures in hunting AFO down should have worn Deku down, but it didn't because he's just that special of a boy!

Deku's hero complex also is completely uncriticized from beginning to finish. Judai's hero complex is an unhealthy behavior that utterly destroys him. Deku's hero complex is a job interview flaw.

FRIENDSHIP IS MAGIC

Just to hammer my point in I'd like to compare these two scenes. One is in the middle of the Supreme King Arc, the sacrifice ritual scene where all of Judai's friends are blaming him for the fact that they're about to be sacrificed while he's still trying to save them.

The second is the climax of the Dark Deku arc, where all of Deku's friends are showing up to fight him and convincing him to accept their help.

Just look at how vastly different these two shows treat their shonen protagonists when it comes to his flaws.

For the ritual sacrifice scene. This is immediately after Manjoume wakes up to find that he has been chained and kidnapped with Judai standing right there.

Judai: Sit tight! I'll save you soon! Manjoume: Wait, is he dueling? JUdai you damned idiot! Weren't you going to save Johan with us!? Getting yourself all flared up. You didn't even stop to think about us at all, did you? Judai: That's not it. Manjoume: That's just how you are! You were the only one in your kingdom from the get-go. We were the idiots for getting all motivated with you and feeling some sense of friendship with you being like that!

Then Judai watches helplessly as Manjoume dies. His other friends don't fare much better.

Kenzan: Big Bro? Why'd you want to save Freed's comrades when it meant sacrificing us-don!? Judai: You're wrong. That's not it. Fubuki: It's painful. This pain isn't just physical. It's the pain of a friends' betrayal that I have tearing my soul. apart. Asuka: I'm being betrayed and sent away by you. To think that I'll have to bear a sadness like this.

All of Judai's friends die spitting on him and telling him what a terrible friend he is and that this is all his fault. Which it is, because his decision to abandon them got them captured and led up to the sacrifice ritual.

Now, what scathing criticisms do our heroes have to give Deku after he left them all behind to fight Shigaraki alone?

Denki: Midoriya! We get that all for one is really importnat but you got something even more important in your life! Me and you we aint'g otta ton in common, but you're still a friend! Even if we gotta force this friendship down your throat. TodorokI: What a look you have on your face. Is this resposnibility so much that you can't let yourself cry? Seems like a burden you should share with the rest of us. Uraraka: The thing is Deku, we don't want to be protected by you and reject who you are and what you're doing, we just want to be with you (this part is narration).

Deku is told that none of his friends are mad, they want to be by his side no matter what, and that it's okay for him to cry.

I should also mention how underdeveloped this supposed nakama group is in the manga itself. The entirety of Season 3 of GX is tha the bond between Judai and his friends are more shallow then it appears, but he's also spent two whole seasons bonding with a group that consists of: Asuka, Sho, Kenzan, Fubuki, Manjoume. That's six people total including Judai who serve as is primary friend group. Their friendship is more unhealthy than it appears, but Judai has spent the past two seasons hanging out with one small friendgroup.

Meanwhile the entirety of Class 1-A shows up to tell Deku how much they love him and how much he means to them, and Deku's hung out with maybe like... four of them?

You have one bond shown to be how shallow it is, and one shallow bond treated like it's the deepest, most loving friend group in all of fiction. Deku doesn't even receive some lgiht criticism for how inftantalizing it was for him to abandon them for their own protection, because no one resents Deku or is capable of holding any negative or critical emotions towards him whatsoever. He's just told how much everyone loves him and wants him to come home.

And yes, Judai also does get two characters sacrificing themselves to try to reach him when he's the Supreme King.

However, as I stated above Jim sacrifices himself to help Judai because that's who JIm is as a person. Austin does it after Jim fails, both to honor his friendship with Jim, and also because of someone who got scared and ran he feels like he has to confront the darkness of the heart.

Jim and Austin O'brien's sacrifice is also a sacrifice. They died trying to save Judai, and Judai has to wake up with the knowledge that not only did he kill a bunch of people in his quest for power, he killed two more friends who were only trying to help him.

At the end of the arc, Judai has woken up with the knowledge that he has done bad things that can't be taken back and he's barely better than Yubel at this point.

At the end of the Dark Deku arc, Deku gets a speech from Uraraka about how amazing and selfless he is, and how he never gives up and how he always pushes forward, and how everyone at the UA shelter should appreciate him more.

The Supreme King arc exists to criticize Judai. The Dark Deku arc does nothing but flatter Deku from beginning to end.

Judai's hero mask is ripped off and he's forced to be a person. Deku's hero mask stays on, his hero complex is unchallenged, and he's praised for being teh greatest hero evarz.

I often get accused of not liking MHA simply because I expect it to be a different story than what it is. That I want it to be darker, when it's a more optimistic shonen manga.

However, here's my secret. I hate edgy superheroes. I don't like watching stuff like The Boys because it gets too dark for me. The oly reason I read invincible is because my friend told me that Omni-Man got a redemption arc. My favorite DC Superhero is Superman. My favorite Superhero of ALL TIME is Spiderman.

The thing about Spiderman though, is that it is hard to be Spiderman. The entire point of Peter Parker's character is that he has a terrible work/life balance and constantly loses people around him because being Spiderman is a sacrifice. The story doesn't bend over backwards to praise Spiderman as being a selfless hero, in fact it points out what a loser he is constantly. Peter Parker's friends are always frustrated with him and he's a wreck of a person.

Yet, the fact that being Spiderman is such a sacrifice and he keeps choosing to make it, shows what kind of person Peter Parker is, and that's just a person who does whatever he can to help out.

Even Peter Parker, the nicest, most well-intentioned boy ever has the Symbiote arc. One of the most famous arcs in comics dealing with Peter is when he lets Venom graft onto his suit, and even though the symbiote makes him violent, and makes his behavior change he spends the longest time not wanting to peel it off because the power boost the symbiote suit gave him made his life that much easier.

Dark Deku is an obvious reference to the Venom Suit, but a completely shallow reference because Dark Deku acts exactly the same as regular Deku the only reason he looks like that is he forgot to take a shower.

Superhero stories don't need to be Dark Deconstrutions, but they do need to be SOMETHING. They need to say something about the character. The problem with the Dark Deku arc isn't that Deku didn't experience a villain arc.

It's that nothing of consequence happened in the entire arc. Nothing changed. The story asked us if Deku's hero complex was a bad thing, and then it didn't deliver any answer. The story asked us if Deku needs to understand darkness better and then didn't answer that.

These are ideas that the audience promised were going to get answered. We were told Deku was going to get his development this arc that he was going to be pushed to the edge. The entire premise of this arc was that it was supposed to better help Deku understand Shigaraki and Hero Society only for Deku to not learn about either of those things.

Deku's learned nothing. We've learned nothing. Nothing has changed in the story itself. The only thing we've accomplished was wasting a lot of time that we could have been using watching Yu-Gi-Oh GX!

[deathvalleyqueen]

listen no matter how convinced in my bones it was Illario that betrayed our beautiful mullet man, it could be someone else. Maybe but really logically think about this. Who within the Crows would gain the most with Lucanis gone? Not emotionally - I am talking about position and power. Illario. Viago and/or Teia potentially but from what we have seen them already through the expanded media - they are so much lower on my suspect list. Honestly, Viago ain't even on it - if he really wants to bruh could become King of Antiva but that's whole different theory I have. Teia could, but she has never given me vibes of someone with a level of ambition for power that you would need to betray someone close to you like this and she calls Catarina 'Nona' so I am guessing she was close with the whole Dellamorte family. Illario though - from the wigmakers job to the scenes we have seen with him - he reeks of ambition. For all we know a rivalry could have been ingrained him by his parents when he was small - maybe Illario's parent and Lucanis's parent who were siblings were bitter rivals both grasping at the positon of their mother's heir - maybe there is more for us to find out why Catarina ended up raising both boys... I even think I remember one of the Devs mention we will learn more about Lucanis's parents in later parts of the game.

This isn't a new thought of mine. Honestly since the Wigmakers Job -I didn't trust Illario. The whole heir talk never sat right with me. Lucanis is either named heir or would be named Catarina's very shortly. While Lucanis doesn't want the position (and my guess the neon target on his back that comes with it) of First Talon, he would take it if that's what his grandmother wants (Wigmakers Job) even though Lucanis thinks Illario maybe is better suited for the position. But like the good Antivan Boy Lucanis is - if his Nona asks him - he will. Illario on the other hand seems to want this more than anything else. To me the whole 'who is heir' thing reads sooooo a Game of Thrones in my mind - it just gives me such strong Targaryen infighting energy.

Also Illario while he has a very handsome face - it just gives me "don't fucking trust him" energy. Also from the recruitment mission video (maybe mild spoilers here) but that man is putting on act - he sounds way more upset than I think would be called for given the fact Lucanis is very likely alive now, there is this anger in his voice that feels out of place. Would you not be excited to find out your beloved cousin who was more brother to you - is in fact - not fucking dead? I also think the fact he doesn't go with Rook on the rescue - is so telling. The excuse made - super lame and I don't think it's bad writing. I think it's breadcrumbs and foreshadowing. And what has honestly been said about the Crow related questline - we are going to see the politics of it all...

Lastly - Why Spite? Wynn was a Spirit of Faith and she in fact had been a woman who believed in what the Circle was doing - Faith makes sense. Justice with Anders - makes so much sense because of who he is and what he experienced. Compassion for Cole also makes sense if you read Asunder. So why was Spite of all things able to be bound to Lucanis? They had tried others but Spite is what took. I think it's connected to the person who betrayed him, put him in the position that he was in for year... that whatever Love he may have had for that person turned into Spite... get what I am throwing down.

IDK this is living in my head in a nice 4 bedroom condo rent free right now.

[iam93percentstardust]

one of the things that really bothers me about modern franchises, and in particular over the last 5 years or so, is their refusal to commit. what i mean here when i say this is that it's not uncommon for a major franchise to make a decision, whether about the plot or the characters, that should have had huge, world-changing consequences... and then just never address that again or worse, immediately go back and undo it. and i'm gonna pick on star wars and the mcu here because those are the two big franchises i'm into at the moment (and i think they're kind of the worst at this), but i don't want you to walk away from this thinking that this is solely a disney thing. i've seen this happen with game of thrones and supernatural and plenty of other non-disney franchises. spoilers ahead, you've been warned:

in ant-man & the wasp quantumania, scott and hope make the life-altering decision to stay behind in the quantum realm and defeat kang instead of going through the portal to return to their world. this should have been a huge meta decision for the mcu, and when i first saw it in theaters, my immediate thought was wow, what is this going to mean for the mcu going forward? are we going to get a movie/miniseries about scott and hope helping to rebuild the quantum realm? how are cassie, janet, and hank going to react to the losses of their loved ones (in some cases, for the second time)? is cassie going to become the "first" young avenger because she has to take her father's place among the team lineup (and i only say first because as of this moment, none of the other young avengers introduced to the franchise are official avengers yet)? except nope, because less than 2 minutes later, cassie had fixed the portal that had broken way back at the beginning of the movie and brought scott and hope back.

and it felt like such a cheat. i was so disappointed in that theater, not as someone who was invested in these characters on a personal level (because yay, cassie gets her dad back!), but as someone who has spent years investing themselves in the story of the mcu. what was the point of wasting screentime on scott and hope accepting their new lives in the quantum realm if it was just going to immediately be undone? the entire scene could have been cut to scott and hope making it back bare seconds before the portal closed and it would have had the same emotional impact. there was nothing added by making scott and hope (and us) think that there was no way back only to rip the rug out from under us and go "gotcha! you really thought we were gonna give this movie a sad ending? haha! you're so dumb!"

and this isn't the first time the mcu has done this. one of the biggest complaints about endgame was the decision to set it five years in the future with no consideration for how that would actually change the setting of the mcu. characters were brought back to the exact place they disappeared from with no consideration for how things might have changed in the interim five years (like planes that weren't in the air anymore, buildings no longer standing, even just something as simple as a chair being unoccupied). and then the mcu didn't even really have the courage to address how this would have shaped the world other than a few jokes and making the bad guys in the falcon and the winter soldier people who cared about how the world had screwed them over during the blip.

and things like this happen over and over and over again. the accords are put into place in civil war, but by the time we get to she-hulk, they're gone with no explanation because, as best as i can tell, the writers didn't want to have to deal with the worldbuilding that went into the accords. gamora is killed in infinity war, but heaven forbid quill not have an emotional investment in a film he appears for maybe 10 minutes in so now she's back in endgame. steve got to go live in the past with his ex-girlfriend (which is in itself a refusal to commit after the mcu both gave her a different husband and had the woman herself tell him to move on) but we need to establish that messing with timelines is bad because that's what the entire next phase hinges on so actually his ending was predestined and it's only everyone else who can't change time. whoever took this entire town and also wanda hostage and forced them to live out a sitcom fantasy is bad and needs to be stopped but wait, it's actually wanda and she can't be the bad guy yet, we need her for doctor strange 2, so actually everyone's going to defend her now and say that no one else could ever possibly understand her grief. thor has decided to accept responsibility as king of asgard, but we can't use him for any more movies if he's stuck in asgard, so actually he's decided to pass it on to someone whose entire leadership capability is developed offscreen. i could list more examples but this is making me angry, so let's move on to star wars instead.

with star wars, i look at first the oft-quoted meme, "somehow palpatine has returned." yeah, i shouldn't really need to go into detail on how that counts as a refusal to commit but. the last jedi was a study in how johnson refused to commit to anything that abrams had laid down in the force awakens, but rise of skywalker was almost like abrams had looked at the franchise and said "screw you for taking it away from me, i'm going to come up with the most bullshit stuff just to spite you for doing that in the first place. and i'm going to start by undoing the most important plot point of the first trilogy: the emperor dies." and yeah, disney's kind of tried to salvage this by dropping hints into the bad batch and the mandalorian about cloning, but that only really works if you're watching the franchise chronologically and not considering that both of those series came out after rise of skywalker.

and then there's the mandalorian, my sweet summer child, who is, in my opinion, the worst at backtracking their plot points. i'm not entirely convinced that any of the higher ups for this show really knew what they were doing when they started working on it and i'm not convinced that they know what they're doing now. yeah, there's the tie-in to the last season of clone wars, but the mandalorian has managed to walk back pretty much every single major plot point it's had. din is this legendary warrior who can't be beat, but no one will watch this show if he defeats everyone too early, so he's constantly getting beat up (tbf, sometimes some of the fights he loses makes sense like the krayt dragon and the mudhorn, but a lot of them don't. at all). moff gideon is dead, no wait no he's not, now he's imprisoned, no wait no he's not, now he's definitely dead, you can totally believe us this time guys. grogu can use the force and must be placed with the jedi, but wait, the only person still actively teaching the way of the jedi is luke and all of his students will be brutally murdered ten years from now, and we can't have that, everyone will be mad at us for killing off such a cute character and no one will buy baby yoda dolls (and also we have to set up luke's character degradation from hopeful, believes-in-love cinnamon roll to "i'm going to kill my nephew") so in between seasons let's have grogu decide to go back to din (and don't even get me started on how frustrating it is that a casual mandalorian watcher also had to watch book of boba fett to understand why grogu is back). din has the darksaber now which makes him king of mandalore, that's totally going to be important and what the entire series has been building up to, right? wrong! he might have spent the first two seasons making connections, learning about the world outside his sheltered upbringing, and demonstrating the various qualities that would make for a good leader, but the entire third season will be about din realizing that actually he's super unworthy and the darksaber should actually go to someone who... saw an animal in the water.

and it's really, really frustrating as a viewer! because how am i supposed to get invested in any of these plot decisions when they almost always get reversed? why should i care that mj and ned have forgotten peter when ant-man 3 has shown me that they'll remember him the next time they're all on screen together? why should i care that tech is dead when half of the last season of clone wars was about how echo was actually alive? if none of these decisions have any permanence, then where are the emotional stakes? why should i watch your movie if all you're going to tell me is that nothing matters?

[sotwk]

Fanfic writer interview

Thank you @emmanuellececchi for the tag!! 💖 I've been tagged on this game a couple of times in the past, but I never answered them because looking at my Ao3 Stats just made me feel sad.

Stats are a little better now, and I have thicker skin about it, so here we go! :)

How many works do you have on AO3? 23

What's your total AO3 word count? 72,658

Your top 5 stories by kudos/likes:

Taken (Eomer x OC) *most popular by a large margin!

Greenleaf's Day Out (Child Legolas and family)

The Task of Living (Thorin x Reader)

Breathe (Boromir x Reader)

Dandelions (Boromir x Reader)

Do you respond to comments? Why or why not? Umm. I am shamefully REALLY bad at responding to comments. More often than not, I just don't get around to it! I know that's a terrible thing to do as a writer, because commenters deserve so much appreciation! It is definitely one of my resolutions in the coming New Year to improve on this flaw.

What's the fic you've written with the angstiest ending? The Broken Shield - It's a Thorin fic set during the War of the Dwarves and Orcs, and shows the death of both Elvenqueen Maereth and Frerin, brother of Thorin.

What's the fic you've written with the happiest ending? I like to think most of the fics I write have happy endings, but I've received feedback about Dandelions being particularly "feel good".

Do you write crossovers? Crossovers are not my thing, BUT I did receive a fic request for one from a friend, so I'm going to deliver it just because they asked.

Have you ever received hate on a fic? Never, thankfully. I don't think my reach is wide enough to attract the notice of haters.

Do you write smut? If so, what kind? Nope, I leave smut to the experts. M-level spice is the most I can manage.

Have you ever had a fic stolen? Not that I know of.

Have you ever had a fic translated? Nope, and I can't imagine anyone would want to.

Have you ever co-written a fic before? @scyllas-revenge and I sorta accidentally co-wrote a sort-of fic. LOL. Maybe we'll formalize the partnership eventually. @heilith and I have been discussing a (her)Lindir x (my)OC collaboration for ages now, but we're both so busy offline! I would love to co-write fics, but only with friends I'm confident can tolerate my slowness and focus issues.

What's your all-time favorite ship? I enjoy MANY ships across different fandoms, but none really stand out. On a personal level, I really love my Thranduil x Maereth ship. It means so much to me that I will forever be insecure about sharing it with others, for fear of rejection or criticism.

What's a WIP that you want to finish but don't think you ever will? I want to finish ALL my WIPs and I don't think about ditching any of them. Hope springs eternal!

What are your writing strengths? If you ask me? Worldbuilding and integrating my AU into canon. If you ask others? I've been told I can deliver a decent gut-wrenching piece of prose or dialogue here and there.

What are your writing weaknesses? I am the SLOWEST WRITER YOU WILL EVER MEET. Tons of WIPs. Updates on long fics are a miracle. I honestly question whether I'm cut out for multi-chapter fics, but I keep trying anyway.

What are your thoughts on writing dialogue in other languages in a fic? I only do it sparingly, usually using short phrases here and there.

What's a fandom/ship you haven't written for yet but want to? I am chomping at the bit to write for ASOIAF/Game of Thrones/House of the Dragon! I have fic requests waiting for HotD; I just need to get my butt moving on them.

What's your favorite fic you've written? I have yet to write a fic that stands out above the others; I love my fics equally for different reasons.

Bonus: Live shots of me trying to write:

Tagging: @hobbitwrangler @from-the-coffee-shop-in-edoras @heilith @lathalea @missiemoosie

@emyn-arnens @celeluwhenfics @dilettantefeminist @cycas @scyllas-revenge

@cuarthol @entishramblings @lucifers-legions @torchwood-99 @softboiledwonderland

....and anyone who wants to share! I'm not sure which of my writer Moots are on Ao3 or just on Tumblr. :)

[theragethatisdesire]

hello, me again 🙋‍♀️ not an anon but here to bother you on your fight 🥰

can you tell me what you think the boys would be like if they were jealous? any and all boys i just wanna hear ur thoughts

TIFF I DRAFTED THIS WHOLE THING OUT ON THE PLANE ON MY POS PHONE AND THEN IT NEVER POSTED. i literally JUST noticed and i am so frustrated, i'm sorry i literally didn't even realize!! but i never tire of talking about our boys so pls enjoy <3333

nsfw below the cut; jean, eren, and levi included

Eren

so eren to me is sort of a cocky little shit, but he's also a brat

if you're talking to a guy in the bar a little too much, eren's 100% charging right up to interrupt the conversation, throw his arm around your shoulders, figure out exactly what's going on here

but honestly? i think eren knows how much you love him and doesn't worry about you being attracted to others, he's just demanding when it comes to your attention

what makes him really jealous is when you start reading game of thrones alongside armin, and while eren's not unfamiliar with the premise of the books, he never could have imagined how intricate they are

intricate enough for you to be glued to your novel and your phone intermittently, surfacing from the pages with a squeal "oh my god i HAVE to text armin!" "armin's going to freak out!"

before he knows it, he's coming home to find you and armin, annotated novels spread on the coffee table, debating character arcs and laughing over funny moments

it confuses him at first. you love him, and he loves that you're friends with his friends, would never try to deny you a meaningful friendship, he knows that's all it is

eren's not a reader. too time consuming, too slow. but he wants to make your eyes light up like that, wants to hear you ramble on and on about your theories

he tries to get you into his story-based video games, but all he gets is a polite level of interest

when you finally confront him about acting like a fucking weirdo every time armin gets brought up, eren confesses, and it breaks your heart

"i mean, i know i'm not as smart as you or armin, but we could find something like that to do together, right? you just seem so into it..."

when you show him the tv show, eren's immediately hooked, and you stay up together for weeks on end binging it, eren watching you explain the differences between book and show with hearts in his eyes <333

Jean

jean is an egotistical maniac, you know it, he knows it

as your boyfriend, jean's never going to be one to throw a fit over the attention you get in the bar, in fact, he encourages it

it gets him off knowing that you're the girl everyone wants, that no one can take their eyes off of, and that you're going to go home with him and beg for him to fuck you

but if you're not his girlfriend? completely different story

when his roommate, eren, brings home his new girlfriend, jean is shocked

you're so...sweet. polite, beautiful, funny. what are you doing with eren? and not him?

jean has a case of the roommates-hot-girlfriend-itis, and he's got it bad

before he knows it, he's setting his alarm early, padding out into the kitchen where he knows you'll be making your coffee before work while eren snores in the other room

he's not shy about it either, openly flirting with you, teasing you about your messy hair, your tiny sleep shorts

he loves the way you blush when he says "you cold or something?", glancing meaningfully at your peaked nipples showing through your tank top

but you never falter, your eyes are only for eren. it drives jean insane.

he's going to the gym every day now, trying to work off this excess anger trying to get bigger and stronger so you can't help but notice him

he'd never admit it, but he listens in on you and eren late at night, imagining your breathy moans are for him

when he finds a pair of your panties in the dryer, he pockets them, treasures them

and when he finds you at a coffee shop in tears, a breakup text from eren on your phone? he has to hide his grin

jean may be a bad friend, but he'll make a great rebound

Levi

you're levi's, but he knows you're not supposed to be

he's still your captain, your immediate superior, and while that's exceedingly hot in the sheets, it's stifling outside the walls of your bedroom

he can't help but glance at you longingly across the cafeteria, watch your nose scrunch in that cute way it does when you laugh and when you cum

and when you brush a hand absentmindedly against miche's? bat your eyes up at hange, make them blush? levi knows you're doing it on purpose

he knows you well enough to know you can't help but antagonize him

he knows you belong to him, and you know you belong to him, but they can't know, and that's the problem. levi can't claim you in public, so he has to overcompensate when you finally sneak into his quarters at the end of the day, twiddling your fingers in anticipation

"can't believe you," he huffs, bending you over his desk, "thought i trained you better than that"

he did, you both know it, but you're a greedy, insatiable little thing, and you're good at riling levi up to get what you want

"don't know what you're-- ah! what you're talking about" you lie, gasping when he lands a sharp smack to your clit

"of course you do, you fucking brat," levi's not feeling as playful as you were earlier today, the hot lick of envy at the top of his throat "making those fuck me eyes at erwin earlier? you wanted me to see you, didn't you? whoring yourself out like you're not going to be begging me to let you cum later?"

your response is muffled by your panties in your mouth

"no excuses. beg all you want, but the only way this cunt-- my cunt-- is cumming tonight is if you admit it. admit you're mine, admit you can't get off with anyone else. you're mine."

and oh, do you cave. you're babbling apologies into the fabric in no time, tears streaming down your face

and once you're both shaking and spent, levi pulls you into his arms, cuddles you against his chest

he can't claim you in public, not as things stand with you on his squad, but for now, having you curled against him will have to be enough

THIS WAS SUCH A BLAST thanks for submitting tiff all my love <3

[lemonhemlock]

Adding to your nuanced discussion regarding Sara Hess. Although I have no personal vendetta against her orientation like some of these unhinged freaks, and can fully acknowledge her merit as a screenwriter when working within her area of expertise, I must admit that on the other hand, her bias against certain characters is sort of off-putting. The interviews that she did explaining her thoughts and feelings about Daemon (a character I personally dislike) as well as the decision (whether it was hers or not) to make Aegon the Elder a rapist, did have an effect on how I view her relationship to ASOIAF. The "civilians don't count" comment reeked of such flippancy that it only furthered my skepticism. I don't know that I would call it "unprofessional" but it does make me annoyed in the same manner I would be whenever engaging with a work of fiction wherein the author clearly hates a character and goes out of their way to paint them in a negative light. It's even worse when you remember that these are GRRM's characters and however limited their descriptions may be in Fire & Blood, it still requires a level of maturity to put aside one's own biases in favor of keeping their characterization consistent. Am I being too harsh? Does this even make any sense? Feel free to critique.

It is genuinely so annoying when you can sense authorial bias emanating through the text, whether positive or negative, and it betrays an immaturity of craft. I have to take my hat off to GRRM here, because, as annoying as his boner for Daemon is, he does give Daemon plenty of unsavory traits and does narratively punish him. Not once in Fire & Blood is the reader invited to consider how poor Daemon was just a misunderstood scapegoat and never deserved the things that happened to him.

Considering Daemon as a whole, I think it's fair to say he is the type of character that GRRM wrote out of self-indulgence and just because he thought him >cool<. Which is honestly fair game - he is a secondary character in a background story and has no true bearing on the main series. I think he is allowed a little fanboyish service to his own preferences in a whole saga that spans thousands of pages.

However, when you make it the main story, you have to take a little care so that your biases don't make the end product look like wish fulfillment fanfiction. And, for all their posturing that Daemon is not a good person and how shocked they are he has so many fans, both Sara Hess and Ryan Condal have never given Daemon the same treatment they've reserved for the greens. Daemon is whitewashed in the show compared to his book!counterpart and, even when he pulls his fair share of shit, he never gets punished in the same way Alicent, Aemond or Aegon do (and for far less grievous crimes, too).

What consequences does Daemon face exactly at the end of Season 2? He's spent the entire season trying to mount an alternative claim to the throne to Rhaenyra, yet she immediately takes him back when they reunite. They made Blood & Cheese a misunderstanding to make him less culpable, even had Helaena guide him in a vision. Even Alys Rivers is just trying to help him get on the right path. They nerfed Nettles, so, unless they'll turn Rhaena into his mistress in Season 3 (which they don't have the balls for), they've pretty much removed any source of conflict between him and Rhaenyra. He'll go to his death secure in his marriage and fighting for >the greater good<, whereas the greens have had their family unit completely disintegrated with nonsensical narrative choices.

I just fail to see how that is balanced. How that is a "both sides = bad" narrative. The favouritism is so blatant; they're not even trying. If this were a Disney spin-off, no one would care to criticise such blatant bias, but Ryan and Sara are out there pretending they're making prestige television.

[saurongorthaur9]

ROP S2E7 Spoilers

So...the stupid kiss did indeed happen, and as promised yesterday, I need to vent and get it out of my system. It was every bit as stupid and unnecessary as I feared it would be; somehow, I was hoping if that was what happened, that somehow it wouldn't be as bad as it sounded? But yeah...it was. This is probably going to be a pretty long post, as I've been thinking a lot about what bothers me so much about it as a concept and I have a lot of Thoughts.

A disclaimer to begin with: yeah, part of me is disappointed that it wasn't the kiss I hoped it would be, but I knew from the start that a Sauron kiss would be very, very unlikely. If it had happened, it would have been less about a ship for me, and more about the validation for me of getting an onscreen Sauron kiss in a huge, professional production as I've written about in other posts. I would have loved a Sauron kiss, but that's not what is really bothering me on more than a surface level. So with that disclaimer aside...

I think I can break what bothers me down into two basic categories.

The first is more straightforward: it was SO unnecessary. Yes, there needed to be some way for Galadriel to get free, but there are so many ways it could have been set up without a weird, incredibly uncomfortable kiss that came out of absolute nowhere being necessary. He could have gently stroked her hair and slipped it behind her ear or into her hair itself (I used to have very long hair, and a pin like that would definitely get stuck if you tucked it in.) If they wanted to go the humorous, cliché route, they could have had him sneak it to her in a pie (that's a joke, I'm also glad they didn't do that, but my point is, they had options).

They could have set up the scene with a different tone and gone the Frodo-and-Sam-as-orcs route and had them fake a fight. I actually would have loved this. It could have been a culmination of the resentment and tension that's been building between the two of them all season to let off some steam at each other. It could have been one of those "we're fake fighting, but we're also real fighting at the same time" sort of scenes (which are delicious when pulled off right) where we could have gotten some real interesting character development and relationship development between the two of them before the orcs pulled them apart (but not before Elrond slipped the pin into her hand or tunic while pretending to push her or something).

The kiss however did nothing. Per my last two paragraphs, it being a kiss wasn't necessary for the plot. It didn't do anything to reveal anything about Elrond and Galadriel's relationship or develop it in any way. It didn't develop either Elrond or Galadriel's character in any way. It was purely and utterly for shock value.

And that's the first big thing: I really hate things used for shock value. It's a personal pet peeve of mine. And to make it clear, there's a different between using something for shock value and doing something shocking. Mirdania's death was pretty shocking, but it served the purposes of both showing how utterly ruthless Sauron is and solidified the elven soldiers' doubt in Celebrimbor's sanity. But using something for mere cheap shock value is so disappointing of the show. The writing had been SO good, everything had been so deliberate and intentional, that it made the sudden breach of that even more jarring and unpleasant.

And it makes me super worried for the future of the show. This show isn't Game of Thrones; it doesn't need shock value. But now they've set the precedent that adding pure shock value is okay for this show. It makes me afraid what else down the road will be thrown in the audience faces just to illicit an unpleasant reaction.

The second major thing that is bugging me about that scene is a little more insidious and subtle. I've seen people saying "it wasn't romantic", but the thing is, whether or not it was intended, romantic tension has now been introduced to Elrond and Galadriel's dynamic. Let me explain.

That scene was a pretty clear example of the Forced Proximity Trope. For anyone who doesn't know what that means, it's the trope of forcing two characters into a circumstance where they share space or physical intimacy that they wouldn't otherwise share. The most infamous version of it is the There Was Only One Bed trope. And the thing is, it's an incredibly romantic-coded trope. It's almost always used between two characters who have suppressed feelings for one another as a way to force them to confront said suppressed feelings. Even if it's used in a not explicitly romantic way, it still sends a subconscious message of romantic tension because that is what that trope is almost exclusively used for.

So yes, there is now romantic tension between Elrond and Galadriel, and I have a feeling they don't plan on doing anything about it.

At this point, I'd almost feel better if they went all the way and went ahead with the subconscious romantic tension. Like, putting Elrond and Galadriel in a romantic relationship wouldn't be my thing personally, but at least it would provide a sense that the writers had a purpose for the scene and for creating that tension. Dropping that and then not going anywhere else with it, and letting that tension fester for the rest of the series without acknowledging it or doing anything about it would be so disappointing and insulting to the audience.

But again, I'll be very surprised if they ever bring it up again.

And I'm sure the writers knew what they were doing. The only two options are that they were oblivious to the connotations of using that trope or that they knew full well, and used it anyway. And I suspect it's the latter. As good as the overall writing for this season has been, I just can't imagine the writers aren't aware of what they were doing in using that trope. I mean, they've deliberately used a number of romantic-coded tropes to build up the Galadriel/Sauron tension. They aren't oblivious, which means they used the Forced Proximity Trope deliberately and fully aware of it's implications.

It just really seriously damaged my faith in the writing of the show, just when I'd been building it up after some big disappointments from Season 1. Again, they've set a precedent, and I'm really worried this isn't the last time they'll pull something ridiculous like this.

Maybe somehow they'll turn it around. Maybe they'll have Galadriel and Elrond bring it up again and deal with the tension, maybe they do plan to have a romantic subplot between the two of them, or maybe they have something planned down the road that will put that moment in a light that shows it as something other than shock value. But I'm currently pretty pessimistic about that happening.

And it's extra disappointing, because the rest of that episode was absolutely amazing. That one bad moment stands out like a wine stain on a white dress because the rest of the episode was so good.

Anyway, that's my rant. I just had to vent and get my thoughts out of my head where they've been swirling. If anyone is feeling the same way and wants to vent with me, my inbox and messages are open.

[wannabanauthor]

So Tim Minear,

Season 7 had Buck heading out with a spend-a-night bag to be with Tommy after his shift, and all of a sudden Tommy doesn’t want to move in together?

Also, Bobby gave his blessing, so did Eddie, Tommy made sure to include Eddie as much as he could while he was dating Buck.

See what I’m getting at here?

If Tommy is truly gone from the show forever, you’re fucking idiot. A new kind of stupid. A “you didn’t think that through” kind of stupid.

I’ve given as many explanations as I can for your subpar writing, but in the end it all comes back to “you’re really fucking stupid”.

Not to mention the Abby retcon, which doesn’t even match up with previous canon.

You really thought 2024 was the year to play with queer people even though you pulled out some early 2000’s harmful queer tropes?

I can’t even ask if you have debilitating ADHD because I have ADHD Combined type, and your show writing is on the same level as me when I was an undiagnosed teenager writing fanfiction.

Do you not have a show Bible?

Are you not embarrassed with this half-assed storyline?

Did you think you were going to be viewed as edgy?

After Game of Thrones last season? After The 100 went off the deep end?

On the same network as Shondaland?

Do you realize how bad you look? Fans have to dig deep into psychology to make your storyline make sense to the general audience and shippers.

Do you know how bad that is?

We need to stop letting mediocre white men write for shows. Y’all don’t know how to handle it.

You had so many golden opportunities with Tommy, and you threw it all away. For what exactly?

I really want to know what your reasoning or plan is.

What was the whole point just to retcon everything?

What was your end goal?

Please don’t tell me you thought you were being clever.

Because you weren’t.

You’re just a fucking idiot.

Plot twists need to make sense and the groundwork needs to be laid before executing it.

I want to have faith that you’re not this fucking stupid, but half the country voted for a convicted felon to be president.

I think you’re just stupid. Which is sad because there are so many other people who would love to have your career and not fuck it up.

Fucking hell, you’re really fucking stupid.

Not even a new level of stupid. Using 20 year old harmful queer tropes kind of stupid.

You weren’t even being original kind of stupid.

So fucking stupid that Trump is going to hire you as part of his cabinet.

Were you one of the ones googling what a tariff was?

Because that’s how fucking stupid you’re coming across.

Goodness gracious, you are just the worst.

And really fucking stupid.

[pocketramblr]

Ask Game: Manuel brutally but accidentally kills All For One for good.

You have clocked my niche perfectly

1- "how the heck does that happen" well, during the Hosu chaos when it's all going very badly, another hero (mostly underestimating how much an asset Manual the Water Guy is at fighting fires) tells him to focus on finding his student and getting Izuku evacuated. Obviously Izuku will not evacuate, but he will get Manual to Tenya faster. So now there's two teenagers and the most chill pro hero in an alleyway fighting Stain, while Tomura and Kurogiri watch. And Tomura "fan of heroes with no merch" either recognizes Manual and knows he doesn't want to risk an actual pro ruining his fun with Stain, or doesn't recognize him and finds that even more suspicious as he has no clue what power level this npc is at. So while Manuel is trying to first aid Tenya and Native (oh yeah I guess there's a second pro in the alley too lol) while Izuku keeps Stain occupied and gets backup, he's also trying to figure out the Nomu thing. And then kurogiri appears, and Tenya yells because he recognizes him, but he can't move to shove Manual out of the way of the warp.

2- Manual is dropped in a very spooky lab with more nomu and some faceless creep on a throne. Manual does not judge the faceless thing, whatever some people look different. He does, however, Judge His Vibe. This guy clocked murderous intent from a teenager he barely saw on tv before it even happened, he Just Knows this guy is bad news. And in charge of the LoV, clearly, since Shigaraki didn't make sense as a leader and Stain just seemed mad about it. But Manual is also careful, and does not act on his vibe checks without further investigation. So he asks the suited creep "oh my god, are you the one that made the Nomu? Like the villain factory five years ago?" And AfO is just so pleased to be recognized as such a threat and confirms this, wondering what quirk he's about to steal from Manual.

And then Manual uses his quirk, and well, there's a lot of water in the Nomu labs. In the Nomu tanks. Running through the building, through AfO's medical equipment.

A lot of water.

3- Without the life-support equipment and half drowned, it is really really easy for Manual to hit him on the back of the head with a broken bit of pipe. This was not supposed to kill him- Manual saw a shape moving and thought it would not do much against a nomu, plus AfO is supposed to have a million quirks but- ah well. He's super dead now. And Manual is also surrounded by half finished nomu, also fairly dead now. And he's got to find the exit.

4- when Manual radios in that he's been warped under the Jakku hospital during the league attack in Hosu and he needs hero backup, now, he didn't expect all the backup he'd get. But all the heroes in Jakku were watching the news in Hosu and feeling useless, so they rush over and well. There's not much for them to do but cleanup nomu stuff and file reports. Manual appreciates the support anyway. And the blanket a nurse got him, and a coffee. And that everyone lets him focus on updates from Hosu, almost dropping his phone in relief that Stain has been taken in and the three -why are there three? There were two when he left!- teenagers are fine. The heroes offer to get him a ride to Hosu asap, but Manual stands up, pauses, and goes "wait, what about the mole? AfO had to have people working for him in this hospital to keep a lab like that under cover, right?"

5- with that terrifying thought, the Jakku heroes rush him out faster so they can figure that out, and Manual is on a train to Hosu. Once he gets closer to the city and two train switches later, he finds himself alone in the car with a tall, thin blond man. He knows the guy has to have some hero connection, because they were literally the only two people allowed on this train right now but he does not expect the guy to take a phone call, anxiously ask about a kid, get cut off, start swearing profusely in English, and then repeat "All For One? Are you sure????" about a dozen times before demanding around the clock watch until he can get there, and hanging up. The guy goes "Manual, huh?"

Manual looks up and answers, thinking he's being addressed, and the blond guy realizes it's him, and suddenly he's All Might and All Might is thanking Manual, bowing low. And that's just too much for Manual after the stressful week he's had. He passes out.

[fanficfanatic000]

Edward fucking munson

Eddie Munson x fem reader enemies to lovers 18+ TW no minors

Hawkins was a small town but you were always quiet and a loner you didn't really have many friends at all. You worked at the arcade and it was a decent job except for certain customers like a blonde haired basketball player to a adult slob that greased up the machines..It was a normal work day. You were on your lunch break on a normal Saturday the usual customers came and went until a shadow of a short frame came up behind you short curly hair and a lighter voice "hi um one of the games are not working can you check it out?" You were just about finished with your lunch and he seemed pretty kind compared to others you stood up "uh yeah sure just lead the way." He grinned "hi im dustin." "Im y/n glad to meet ya dustin""So do you like nerdy things?"he said walking slowly "mmm i guess yeah i am considered a nerd...." you thought he was trying to make small talk... "do you like dungeons and dragons?" "Well ive never really played but yeah it kinda interests me "He led you to the arcade machine and it wasn't processing the coins hmm there must be a wire loose or a jam but that wasn't in your skill level "sorry kid its jammed or something ill try to get it fixed tomorrow" he looked slightly disappointed You barely noticed the group of people looking at you 2 other boys younger than you and one much younger girl..all wearing the same t shirts Then you looked at dustin as he spun around to maybe his friends "guys this is y/n i think she should join hellfire" a taller much sarcastic boy says "what! But shes a random girl!!" A dark skined boy says back "but eddie said to recruit people he didnt say male gendered"The smaller girl shouts "look mike shes all we've got.. its better to show up with her than no one!" You just watching this happen not knowing what to say The sarcastic one Mike rolled his eyes "fine but if eddie says no im throwing you all under the bus!" Dustin nodded his head"So y/n hellfire is a dnd club at Hawkins high after hours every other day if you want to come play some dnd just meet me outside of Hawkins high at 4:00pm" you nodded "okay i will be there" they left after that and the rest of the night was pretty normal. Sunday passed so fast you basically cleaned your room and watched your favorite movie than fell asleep and it was Monday you got dressed in a tank top your favorite color some ripped jeans and your converse and your favorite jewelry and threw your jacket on. You put some black eyeliner on and you were ready You listened to one of your favorite bands on a cassette player and it was 3:40 so you drove to Hawkins high and you parked and saw dustin he was kinda like a little brother you stepped out of your car and "Y/N yes! You're here!" "Just on time " you look down at your watch and see it change to 4:00 "okay lets go" you followed dustin through the school halls you remembered see you went to public school until freshman year and you got bullied so bad you had to do homeschooling instead you were graduated now though. You watch the door open to reveal a dimly lit room full of people. Mike. Dustin. Lukas. Erica. And 4 others you walk in and dustin moves out from infront of you "eddie this is y/n."A tall handsome intimidating man stands up from a throne of some kind he stepped around the table and stands infront of you his frame slightly towering over you" this is who you found Henderson " he pinched his nose bridge "this girl is what you found she probably wouldn't know anything about dnd or anything!" You felt attacked but little did they know is that you can snap back " this girl probably would probably win anyways" you said with a smirk he stepped closer smugly bending slightly "you think so Princess?" His eyes meeting yours and they felt familiar for whatever reason. "Okay lets play!"

[thelostgirl21]

Well, here goes nothing! Wish me luck!

For those of you that are curious to see the articles I'm mentioning...

Collider article

Looper article

Screen Rant article #1

Screen Rant article #2

Screen Rant article #3

Dual Shockers article #1

Dual Shockers article #2

The worst (and most incendiary) of them is likely the "Looper" one, with claims things such as: Unlike Eskel's (Basil Eidenbenz) character, who had fans fuming during "The Witcher" Season 2, there is no point in introducing Radovid if we're not going to follow his villainous origin story. This is the man behind hateful anti-magic rhetoric that propels this universe to fight for magic users' safety.

Although the "Dual Shockers" one, starting with "Imagine if the cunning but despicable Cersei Lannister was made out to be a harmless love interest in HBO's adaptation of George R.R. Martin’s Game of Thrones – the fans would riot – and something similar is happening in Netflix’s The Witcher" isn't bad, either, by making it sound like Sapkowski devoted as much ink to buidling up his villain as R.R. Martin did building up Cersei! And that both share a similar presence and importance in their respective books series.

And the image I sent them a link to:

Am I too optimistic hoping this could be the beginning of a beautiful friendship?

Because, while the moderators (bureaucrats, administrators, specialists...) haven't been trying to necessarily imply that I was wrong with my edits (ex: adding a footnote specifying that Ciri was not officially engaged to Radovid in canon), there's been a lot of:

"This [picture making a compilation of everything Sapkowski wrote] isn't needed/we just cite books and page numbers."

"We generally don't put markers into the intros."

"The intro paragraphs generally will ref across lore particularly from well established chars but the first parts of his bio are from the books and the dynasty site."

"We don't really include a lot of quotes unless it's important."

Guys, I can fully acknowledge that this is how things have always been done.

But the way things have always been done is currently contributing to the spread of misinformation about the content of the source material, and making things very unpleasant for fans of the books and the TV show.

So, maybe we need to do things differently?

The dynasty site is not an issue itself because all of that extra information came from Andrzej Sapkowski himself.

An article stating "in the books, Radovid has two sisters" is technically talking about things that aren't directly stated in the books, true; but that are still featured in the extra information that was released to the public about those books by the author.

One would thus reasonably expect that such information be included in the introduction of the character on the Wiki, as it belongs to the same lore and the same universe as the books, and fully reflects the author's intent.

The videogames don't. They aren't a companion piece to Sapkowski's books. They simply use Sapdkowski's universe as a skeleton, upon which they built more material.

Having made sure to avoid contradicting (or not contradicting too much) what has already been written by the author in the books does not give you any license to appropriate his work, and then claim that what you've written exists in the same universe / belongs to the same lore as those books!!!

Especially when the author himself has already made his opinion very clear that the videogames can't be considered as being a prequel, sequel, or complement to his work.

And has had his own share of issues with the way the videogames rose to the level of popularity it has.

Full disclosure, the first time I heard about the books, I genuinely thought that Andrzej Sapkowki was the equivalent of David Gaider in North America (one of the lead writers for Bioware). I thought he'd written original material for the games and various books based on those characters, the same way David Gaider had written material for the "Dragon Age" videogames and extra books based on the videogame lore that he'd helped build and establish.

But Sapkowki's books were never written with videogames or TV shows in mind.

I'm a gamer. So, unlike Sapkowski, I do love when stories are told across a bunch of different mediums. I loved learning more about the relationship between Maric Theirin (Alistair's father) and Loghain Mac Tir in Gaider's book "The Stolen Throne".

But David Gaider is a writer that will collaborate with a whole team of writers to create characters and stories that populate that world across a variety of mediums.

It is normal and respectful for the Dragon Age wiki to integrate everything found in the books and the games together in the introduction the way they do on that page, as it is all part of the same world!

But not when they aren't.

I can fully understand that Sapkowski isn't a fan of that approach. I may not share his opinions about it making no sense and being idiotic, obviously; but I can understand and appreciate that he doesn't see any appeal to it, and has no desire or interest to participate in that kind of global world building.

And I especially don't think there's anything wrong with him wanting each adaptation of his work to be considered their very bown thing, rather than be all part the same lore / universe.

He's allowing other people to give him money to use characters and worlds he's built virtually any way they'd like, and enjoy themselves!

The least we could do should be to respect that "The Witcher" 's videogames and "The Witcher" 's books aren't tightly woven together the same way "Dragon Age" 's videogames and "Dragon Age" 's books are, and have it being reflected in the Wikipedia.

Or, at least, reflected enough that it doesn't end up generating such confusion that the actual content of Sapkowski's books series get substituted with CD Projekt Red's writings on entertainment websites articles, for frak's sake!

By the way, thanks @fishesfisher for having reminded me that there's literally no reason why one adaptation should be sharing the same page as the books, other than trying to pretend that they are both part of the same universe.

Not sure I'd be able to win that argument (about putting three different tabs rather than a single one: one for the books, one for the games, and one for the Netflix show), but I sure hope they (the mods, admins, specialists, etc.) should care enough that the situation is completely going against Sapkowski's wishes that his books and the videogames be considered as two different stories being told by different writers rather than part of a single universe; as well as causing needless harm to the fans of the books and the TV show.

And that they'll be willing to discuss potential ways we could use to fix this in order to allow the source material and its adaptations to coexist more respectfully on the main page, and avoid such confusion.

If they don't... Is there any way to ask for a divorce from the general wikipedia of the Witcher?

I mean the videogame also has its very own additional gaming wikipedia , on top of the one that was created for the books and its adaptations.

Can we create a "Books only Wikipedia" and a "Netflix only Wikipedia"?

Like seriously. Why should the game need its own wikipedia if they're going to be front and center on "The Witcher" 's general wiki anyway, and they don't give a damn about what Sapkowski wants?

I'd rather have each member of my Witcher family live in separate homes and go visit each one individually, than watch them constantly fighting each other and ignoring each other's needs!

If divorce is the only way to ensure that the books get accurate representation, and the media stops being confused about what goes where, sign me the fuck up!

Well, after I see if there's any opening in fixing things first. I mean, maybe they just don't know that Sapkowski doesn't consider the games as belonging to the same lore/universe as the books...

Like I said, this could actually be the start of a beautiful friendship!

[mejcinta]

I said thought the same thing regarding the Ser Harold scene. I totally understand why it was cut because Harold tell Harwin the same thing when he dishonored the Princess the 3 obvious times we know about?

This scene would’ve hit viewers over the head with a mallet showing the level of privilege and protection Rhaenyra has compared Alicent, which is not exactly Rhaenyra’s fault but should be recognized nonetheless. At this point Rhaenyra has had 3 of Harwin Strong’s bastards and everyone knows this. Has seen this man coming and going from the Princess’s private living quarters- he’s Captain of the city guard and not Rhaenyra’s sworn sword or member of the household guard, why is he there? There’s no reason for it, so their affair is this open secret yet no one (except Alicent in privacy) says a thing out of fear of repercussions

Yet Alicole share glances and inside jokes and Harold is there warning Criston with cautionary tales of gelding. Alicent can’t even have this friend and friendship with the person who guards her and her family every day. (While Westerling himself seems to have a close relationship with Viserys and Rhaenyra. He definitely has a bias that he shouldn’t have if he’s admonishing Criston, so much hypocrisy)

I’ve seen so many people say that Alicent should have had an affair of her own and that she’s just mad at Rhaenyra because she was bold enough to do it but 2 different sets of rules exist for Rhaenyra and Alicent. Imagine a scenario if Daeron had been born with olive skin and brown/black hair, shit would have hit the fan. “Viserys the Peaceful” would’ve sent Alicent to the same place Saera was or WORSE (remember how thirsty Viserys seemed at Driftmark or Aemond and Aegon to tell on their mother), Criston would’ve been gelded and sent to the wall or worse and little Daeron Flowers/Storm/Sands- an innocent in this whole thing would definitely not have enjoyed the privilege of a royal upbringing and protection from whispers. He would have been tossed out of the castle before he even turned a Moon old. Alicent would’ve been called every “whore” and “cunt” by Rhaenyra and Daemon because she dared cheat on their crusty butt Valyrian blooded Father/Brother.

Well said, anon. All this!

There's no point having morality or honour arguments because most of the hotd characters are entwined in scandal or know of them and are powerless against it.

For me, that is why Erryk looked stupid in ep 9. He walked out on Arryk and Aegon because Rhaenyra is a better person????

Seriously, the writers are so silly acting like there are nice guys and bad guys in this Game of Thrones.

Juvenile! Cartoon minded.

When Blood and Cheese happens will Erryk wear a Pikachu face and be like, "I thought you guys were the nice ones?" 🤡

They should've just left things as they were in the book! Arryk and Erryk were posted to the different monarchs from the beginning. And were forced to be on opposing sides despite of loving each other as brothers.

Not this nonsense of My Guy is More Principled than Your Guy.

Sorry for going off topic but point still stands that the concept of morality in hotd and GoT is so silly. These characters are knee deep in shady deals and activities. That shit can't be washed away.

[cake-apostate]

Four Akiras in a Trenchcoat AU: Crime

Something I think is inherently funny about pretty much any SMT crossover with Persona is that the Megaten heroes are just... more violent than Persona heroes. That is, I don’t think that darkness and violence makes a story automatically better; I just enjoy the dissonance. SMT is a game where humans are random encounters, friendship fades in the spirit of idealism/fanaticism, and there is no decision that won’t make you feel guilty afterwards. Meanwhile in Persona, your friends balk at murder and will always support you. 

(The premise of the Four Akiras in a Trenchcoat AU is that Akira Kurusu is the Persona timeline’s version of Akira from SMT4. Black Mask kills Joker in the Metaverse before the game even starts, so the Velvet Room tries to salvage their Wild Card by summoning the souls of parallel versions of him into his empty shell. Now King Aquila, Blasted Akira, Infernal Akira, and Anarchy Nanashi enact the plot of Persona 5.)

Premise

I think it’s hilarious that the four Akiras have definitely committed more crimes than most of the targets. Like, they’ve done a lot of the same shit as the villains, but they’ve not only done more of it, they got away with it!

Nanashi killed more people in five minutes than the actual hitman did over his whole career. King Aquila is beloved as Mikado’s perfect first king, but his throne was built on lies, betrayal, and propaganda. Infernal cobbles together multiple targets; he’s a gang boss, takes credit for other people’s accomplishments, and working conditions under him are literal slavery. And Blasted basically opened a portal to hell to stimulate the economy, an easy metaphor for corporate greed.

Except while they’ve done more evil on paper, they’ve also done a hell of a lot more good. Something I see in all of the Akiras is that they’re ruthless, not cruel; they do exactly what they think is necessary and no more. Whenever it’s possible to show kindness and mercy, they do. 

My take on Anarchy Nanashi is that he made all the Bonds choices, but destroyed the world because he sincerely thought it was the best way to save everyone. Time and time again, he saw gods and demons snatch hope from humanity; every time they think things will be okay, something new screws them over. Nanashi’s goal was to screw everyone over one last time, then ensure it will never happen again.

King Aquila’s similarities with Shido begin and end with how propaganda paints them as the perfect leader; where Shido just wants money and influence, King Aquila manipulated his way into peace, prosperity, and freedom for Tokyo and Mikado. 

Infernal looks bad without context, but the thing is that everything in Infernal Tokyo is was so much worse under Kenji. Akira brings peace and equality, ends starvation, and is almost universally beloved across Tokyo. It’s also telling that even though everyone know he’s weak, nobody wants to overthrow him. He found and enforced the minimum level of cruelty required for his society to function; to outsiders it’s horrifying because that level is not zero, but his citizens remember how much worse it was before.

Blasted Tokyo has almost nothing. Akira may be gambling with the lives of his people, but not playing at all condemns them to a slow death.

That’s also why I’m thinking that the Four empathize with the targets more than the other Phantom Thieves would -- but that empathy makes them despise them even more. They understand why the targets would resort to crime, but they also know there’s no need to continue. They have all the money and power they need; why do they trample on others for more?

Stealing Hearts

I was thinking that before Morgana reveals the change of heart, the Akiras already tried to kill Kamoshida. I originally considered that they succeeded, but I think it makes the most sense if they were still in the planning stage, and decided that the change of heart was a win-win scenario; it’s less risky, and if they screw up, Kamoshida dies anyways.

On another note, I was thinking that if anyone objected to meddling with hearts, it would be Aquila and Blasted. Nanashi’s done much worse to Flynn and the Goddess. Infernal knows that many of the problems with Infernal Tokyo start with how Demonoid’s emotions run rampant, and even if these corrupt desires are completely natural, he’s okay with doing away with them for the safety of others.

Meanwhile, Aquila is uncomfortable with magically messing with people’s minds, because he probably saw the angels do it firsthand. And Blasted saw Kiyoharu be driven insane.

A Different Awakening

When I was playing through Madarame’s dungeon, I was thinking about how badly it would affect Infernal. The whole second Palace is about someone who thrives by devouring the children in his care. Ryuji even suggests ‘Farm’ into the Metaverse App!

All throughout the dungeon, Infernal Akira sees his sins hurled into his face. Madarame’s crimes are uncomfortably close to his own, and whenever the party talks about how despicable the target is, Infernal is quietly listening.

At some point, Infernal cracks, and winds up telling the other Akiras about his crimes. Blasted and King Aquila are horrified, but Nanashi winds up defending him. He knows about Blasted and Infernal Tokyo because of Flynn, and he knows what drove Infernal to his crimes. Nanashi assures Infernal that there was no good way to fix Infernal Tokyo and he simply chose the least bad option; freeing the Neurishers looks good on paper, but it would starve the Demonoids.

It turns out that for the Four, their Personas Awaken as they cope with their own problems (except for Blasted, partially because someone has to rescue Ryuji at the start of the game, and partially because his crimes are the least heinous).

Where Infernal’s problem is that his guilt overrides what good he’s done, Aquila’s problem is that he doesn’t acknowledge any wrongdoings. He thinks he’s completely justified in manipulating everyone around him, founding a cult of personality, and lying to his own allies.

Nanashi, it turns out, has both sides. He accepts that he’s done a lot of evil and a lot of good, but his heart’s still in turmoil. Somehow, his Awakening involves balancing this.

Party Relationship Changes

A Joker who isn’t afraid to commit real crimes makes the story rather different. I was considering a bit where they break into Camp Ichigaya to steal their guns.

I do, however, think that the adult Akiras want to keep the hands of the Phantom Thieves clean. To them, the Phantom Thieves are children, and they shouldn’t have to dirty their hands.

Nanashi is different, because immortality aside, he still sees himself as the same age as them. He still suggests murder as an easy and permanent solution; the only reason why he doesn’t do it is because it’s much easier to get caught here. 

So I think it’s funny if the confrontation with Black Mask turns into a, “I’m more batshit than you” contest. 

[jaskierx]

sorry i've thought about it more and i know this is boring and will get screenshotted on twitter by people wanting to gloat about how 'iZzY aNtIs aRe SeEtHiNg' and there's still 3 eps left and yada yada but the way that izzy's wrongs have been completely glossed over while ed's have been condemned is making me feel like there's been a u turn and the show is not just handwaving what izzy did in e10 but is actually suggesting he was justified in acting like that

specifically, the scene with izzy and lucius where izzy talks about the shark and moving on - it really felt like the show is now placing ed throwing lucius overboard on an equal level as ed causing izzy to lose his leg, and as if they didn't really know what level of severity they wanted to treat these incidents as. because previously, it felt like they were saying that ed's harm to izzy was separate to ed's harm to the rest of the crew (in the sense that it's more severe, but more justified, and also unique to ed and izzy because of whatever psychosexual thing izzy has going on there). and this made sense with last week's episodes bc stede's crew are shown to be view getting marooned as if it wasn't such a big deal, and lucius's anger was directed more towards stede than towards ed

but this week it feels much more like the narrative's main takeaway from ed's response to izzy's threats in e10 and ed's subsequent depression and suicide attempt is 'ed harmed the crew and he shouldn't have done that and now he needs to earn everybody's forgiveness'. and that's it. nothing further

there's been no real acknowledgement of izzy's role in causing that, or izzy's role in the crew being caught by the navy in s1e8, or any of the other shit that izzy did to the crew in s1, and from what we've seen so far i doubt there will be. he's had an off screen redemption arc and the crew love him now and that would feel way less bad if:

ed's actions weren't under such scrutiny

there wasn't such a dramatic difference between s1 izzy and s2 izzy and their respective roles in the story

there weren't racist undertones in terms of how izzy faces absolutely no consequences for threatening ed bc he wants him to fulfil a stereotyped role, or for comparing ed to a 'wild dog' who needs to be put down, but ed does face consequences for responding to these

like. izzy got mutinied immediately after selling the crew out to the british. and in terms of fights it's currently 2-0 to stede. part of stede's ultimate fantasy reunion dream included stabbing izzy to death. stede appeared to be fully tired of izzy's bullshit last week bc he'd just tried to kill the guy stede loves. so why the fuck is he going to izzy for training? why is he looking to izzy for advice and approval about being a good captain? why is he trying to bond with him about ed? why are we now being told that ed owes his success as blackbeard to izzy?

and this isn't even a liking izzy vs hating izzy issue - i never hated izzy in the first place, his canon characterisation in s1 was really good, i thought he was a shitty little man but he was the antagonist so that means they did a good job. but even if i loved izzy and i was really pleased that he'd been accepted into the crew etc i'd be scratching my head about why it's just happened with no narrative explanation

yes it's the queer joy show. yes it's the 'everyone can change and get better and reflect on how they've hurt people' show. so how come ed's the only one who's having to work for it? how come izzy's entire redemption arc has been told and not shown?

and the rest of the show is so fucking good which is why it's so disappointing and why it'll really fucking hurt if we get like. s8 game of thrones levels of bad ending