#but I still need to find a way to put it into coherent thought

[teethburger]

cosmo was a leash kid I’ve decided

[dandyshucks]

thinking thoughts but unable to put it into words... oughhh im just rotating scenarios and characters in my brain around and around and around

[eddiesghxst]

LIGHTS, CAMERA, ACCIÓN - AN EDDIE MUNSON X READER AU

credit for cute lil cut off divider: @cafekitsune

————

18+ — MINORS DNI

pairing: eddie munson x pornstar!reader

summary: eddie is short on rent this month and needs quick cash, luckily he stumbles upon an ad for casting in an adult film and finds himself shooting a porno with you

contains: strangers to lovers trope, drug and alcohol use, mentions of smoking, awkward situations, oral (f and m receiving), p in v (unprotected — be safe pls), mentions of people being judgemental of readers line of work, mentions of anal, slightly exhibitionism, lots of smut, a sliver of mechanic!eddie, and eddie being the charming loser he's always been <3

word count: 13.5k (i am so fucking sorry omg)

-masterlist-

Eddie might be way in over his head.

Eddie’s been naked in front of groups of people before (the high school boy's locker room is a scary place to be, honestly), but never in those awful days of forced physical education was Eddie’s dick the center of everyone’s attention.

It’s weird, no doubt about it, standing at the front of a conference room with a table full of producers and writers and whatnot just… ogling Eddie’s naked frame.

“Can you lift your dick, please? So we can see your balls.”

Yeah. This is definitely going at the top of Eddie’s ‘weird things I’ve done for money’ list.

Still, Eddie reaches down and presses his dick up against his lower stomach to give his audience an unrestricted view of his balls.

Jesus.

“Okay, you can put your clothes back on.”

Honestly, Eddie wouldn’t be in this situation if it weren’t for Robert, the manager at Eddie’s job— well, old job. 

Robert had some kind of weird fucking vengeance out for Eddie. Maybe it was because Eddie came back high from, like, most of his lunch breaks, but should that really matter if Eddie still got the job done? How coherent do you have to be to organize music records by name? Not very fuckin’ much.

Robert disagreed, though, so he fired Eddie.

Robert was an asshole, though, and whenever Eddie would nicely warn him, ‘Hey, Rob, I’m gonna be out of town next Saturday,’ Robert would still fucking schedule him to close on that exact day! 

Good riddance.

Except now, Eddie’s short on rent for the month, which is why he’s found himself standing fully naked in a room full of adult filmmakers.

Eddie’s almost dropped out of this deal ten times by now. He wasn’t sure if he was keen on the idea of his bare, naked body being out for the entire world and future generations to see. But then Eddie thought about it, and, well, he’s got a pretty decent cock. It’s an average size, and it’s not weird looking or anything, and his balls don’t sag— and, like, isn’t his dick primarily the star of the show? Eddie Jr. could pass for a star, Eddie thinks, and so do the people looking at it right now. 

And he also really fucking needs the money, so. Porn it is.

Whatever.

Eddie could deal with it as long as he gets enough money to keep a roof over his head. Which reminds him— “Hey, uh, how much will I be getting paid, by the way?”

Eddie’s now fully clothed, car keys in hand, and ready to go now that he’s been dismissed, and he’s scratching the back of his neck as he waits for an answer.

One of the men at the table (Eddie thinks his name is Brian, but he’s not 100% sure) glances up at Eddie from the pile of papers he’d been sorting through, “Eight hundred for the booking and ten percent from the sales.”

Which, yeah, that covers Eddie’s rent. It also leaves a little bit of change in Eddie’s pocket, so “Sweet.” Eddie nods.

So, Eddie follows one of the assistants to her office, where she hands Eddie a file with the word SCRIPT written in bold and red letters, “Read over it, practice the lines a few times, do whatever you need to do to prepare for Friday.” She kindly smiles.

She’s sweet. Short, stout, and pretty, and she has these cute glasses that remind Eddie of a ladybug. Eddie takes the manila folder, bowing his head with a cheesy smile, “Thank you, Emily.” 

“So, will I be getting a costume? Do pornos still have those dramatic plots with, like, pirates and shit?” Eddie rambles as he cracks the folder open to take a gander.

Emily snorts, “Sure, but unfortunately, you’re not a pirate for this one,” Eddie glances at her and dramatically pouts, “You will be taking on the role of a neighbor. Pretty simple and easy, not much setup needed, but I’m sure you’ll see that when you read over the script.”

Eddie looked over the script as soon as he got in his van, and Emily was right: there’s not much setup at all. There’s a few cheesy lines, cliche porno shit that definitely gets skipped over, and then they go straight to fucking. Eddie tries to run his lines a few times, but then he fails miserably, so he ends up tossing the script in his passenger seat and making a mental note to look at it later.

How hard can it be?

Apparently pretty fucking hard.

It’s Friday, and Eddie’s a chaotic mess as he walks in through the doors of the film studio. He’d just spent the last 30 minutes in his van trying to practice his lines, but Eddie was never the greatest theater kid, and the lines wouldn’t stick, so he ended up smoking a joint to ease his nerves.

People are bustling around the room, calling out orders and setting up lights, mics, furniture— the whole mile. It’s an entire ordeal that Eddie has walked into, and for a second, Eddie forgets that he’s one of the actual stars when someone walks up to him and says, “You're the new talent?”

“Huh?”

“New talent. Are you the guy we’re filming today?”

Eddie glances around and catches a glimpse of a half-naked girl eyeing him from across the room as a lady fixes her hair for the cameraman. She’s pretty. Gorgeous, actually. Nice body and soft-looking skin that Eddie would like to sink his teeth into and leave pretty little marks.

“Uh, yeah. Yeah, I’m Eddie.”

“Good. You’re late.”

Shit. Eddie must’ve lost track of time while practically hacking up a lung in his hotboxed van.

The person drags Eddie to a vanity and nudges him toward the high chair, “You’ll get your hair and makeup done, then we should be rolling in about half an hour.” 

It’s jarring, really, seeing the amount of work that goes into the shitty raunchy films Eddie jacks off to, but it’s captivating nonetheless. Eddie can see the movement behind him through the vanity mirror, but he’s more focused on the pretty girl still posing for the camera. If that’s the girl Eddie will be working with, then this will be way easier than Eddie thought it would be because he’s already getting hard. Some might call it pathetic, but oh well.

“Hiya, hon! You the new talent?” A chirpy girl walks up behind Eddie, pearly white teeth and glossed lips working in tandem as she chews her gum and blows a quick bubble. She doesn’t wait for Eddie’s response as she digs her fingers into Eddie’s curly strands, tossing and gently pulling them about to see what she’s working with. 

Her name is Nicki. She’s friendly and very talkative; Eddie comes to learn, because for the majority of the time that she’s working on Eddie’s hair, her mouth is running nonstop. Eddie doesn’t mind, though; honestly, it helps to take his mind off of whatever the fuck he’s gotten himself into.

Emily, the assistant from earlier, walks up to the vanity, her cute ladybug glasses slipping down her nose as she steps into Eddie’s view— and Eddie is happy to see a familiar and kind face. “Will you be needing a fluffer?”

Eddie blinks, eyes fluttering when the hairstylist dusts his bangs over his lashes, “Uh— a what now?”

Nicki loudly pops her gum as she shakes a can of hairspray, “A fluffer, honey. Someone to jack you off and get you ready for the scene.” 

Eddie’s eyes widened for a split second, and he made the mistake of glancing over at the girl who was still modeling across the room. Her tits are out now, and they’re perfect, and she catches Eddie’s eyes for the second time, and it makes his already stiffened cock stir within his pants.

Eddie shakes his head as he looks back at Emily, his voice higher when he responds, “No, I uh… I think I’m good.”

Which, duh. Eddie's dick is practically breaking the seams of his jeans because of the pretty girl, and it’s only getting worse because now she’s walking toward him dressed in a white robe. “You must be Eddie.”

Eddie’s surprised you know his name, but then he figures, obviously, you must know his name given the fact that you’re about to let him swing his dick near you. “That’s me,” Eddie smiles, “You must be… I’m sorry nobody’s told me anything.” He awkwardly laughs.

You nod with a shrug and tell him your name, “Is this your first time filming?” You ask.

Eddie nods, “Is it that obvious?” He nervously asks. You shrug, “Most guys in the industry need more than a pair of tits to get that hard.” You nod towards Eddie’s crotch— and oh god. How embarrassing! She knows you were checking her out!

“No need to be embarrassed though, Eddie. Pretty soon, you’ll be shoving your cock down my throat, so.”

Eddie’s cock may have gotten harder from those words alone.

“A rookie? Seriously, Don?”

Your makeup is being done, so you don’t see how your manager rolls her eyes at you. “When I said I wanted someone fresh, I didn’t mean never-been-under-the-camera fresh.” 

The makeup artist finishes with your touch-ups, and you take the opportunity to turn to Don and glare at her, “He doesn’t know what he’s doing, Don.”

The older lady waves a dismissive hand, “He’ll do just fine, babe,” she deadpans. You shake your head, turning to look at the man of the hour. He’s attractive; you’ll give him that. Tall, pretty curly hair, sweet brown eyes, a panty-dropping voice. Sure, he’s attractive, okay. But he’s got no clue how to do this type of thing. Clearly— I mean, you’re literally watching him gaze down at the dildos that have been lined up for you as if he’s never seen one in his life— which you doubt. If he knew how to find an adult filmmaking studio, then he’s definitely seen some fucking dildos.

You suppress a laugh when he accidentally drops a glass dildo, turning back to your manager as you ignore his chorus of apologies to the staff, “My case in point.”

Don fails to hold back a laugh, “So he’s a little off the walls,” she shrugs, “He’s cute though. And his dick is nice. Trust me.”

And, well, she’s not wrong.

Don’s never been one to lie without reason, so unfortunately, Eddie’s cock is nice. Pretty, even. Which is weird because after some time being in this industry, the thrill of a nice-looking cock has gotten lost on you because they practically all look the same— just different shades of colors, really.

But Eddie’s cock is nice in the sense that it’s real. He’s not shot up with steroids to make it overly veiny and big or cleanly shaved or any of that superficial camera-ready shit. No, Eddie is natural. He’s got neatly trimmed curly hairs across his pelvis that smell like his body wash when you nuzzle your nose against it, and he’s big enough to wrap your hand around, but you know the second he pushes inside of you, it will be a nice stretch. He’s cut, and he has a slight curve to the left, and he’s so sensitive his cock jumps when you tap the pearly white drop that leaks from his tip. You giggle, shuffling forward on your knees as you stroke him.

You’re already done with the opening scene, finally. Eddie couldn’t remember any of his lines, so it took a lot longer than it should’ve, but you think it was worth it either way because the way Eddie moans when you finally wrap your lips around his tip is the prettiest sound you think you’ve ever heard.

“F-fuck,” He quietly curses, hips shifting as you swallow more of him. He sinks a slightly shaking hand into your hair, gently cupping your head as you work your mouth over him. Your eyes flutter to gaze up at him, and your stomach flutters at the cocky grin he gives you. “You’ve got such a good little mouth on you, sweetheart. Gonna let me fuck it?”

You hum and nod as best as you can with his cock in your mouth, and he hums, “Open up for me, baby.”

You shift on your knees, finding a comfortable position for the action before blinking up at Eddie, indicating you’re ready. Eddie’s hands are steady and certain as he cups both sides of your head, holding you still as he draws his cock out once before slowly thrusting in until your throat tightens around his tip.

He fills your mouth so perfectly, just enough to where you won’t get bored, but you also won’t get an overly aching jaw, and you can’t wait to feel him inside you. Can’t wait to feel how his cock twitches when he first nestles deep in your walls or how much better the sounds he makes will be.

It’s a nice feeling, having Eddie fuck your mouth, and you usually don’t care much for shots like this because most of the time, it’s either underwhelming or overwhelming, but Eddie fucks your throat in a sense that’s dirty yet so caring. He’s spewing out filthy praises, and you're drooling onto his balls, but he’s looking at you with these soft brown eyes and caressing you so gently you might quiver. Fuck, you really wanted to hate him.

Behind the camera, the director makes a motion for you to cut to the next action, but since your back is to them, Eddie is the one that sees it and gently coaxes you off from his cock, cooing when you let out the smallest whine that only he can hear. He smiles, thumb running beneath your swollen lip to catch the strings of spit and cum, “What? You liked having me down your throat, sweet girl?”

You mewl, pressing your chin into his palm as you nod.

"Yeah. Want it, please?" You whisper. God, you didn’t expect to be fucked out within the first scene. "Aw, maybe next time, princess. You can keep me warm as long as you'd like."

It’s almost embarrassing, how much you like the sound of that and how it makes your tummy flip, but you don’t have much time to think about it because Eddie’s ushering you up from the floor to climb onto the couch and straddle his lap. 

You’re both bare now, and when Eddie had first taken his shirt off, you wanted nothing more than to run your hands down his graffitied chest, but you were too busy sinking to your knees. But now you have the chance, and boy, do you fucking take it.

You marvel as you coast your hands across Eddie’s body, fingertips gliding through fields of inked stories and vast skin. His breath hitches when you graze over his nipples, and his hips shift beneath you, wet cock slipping against your sticky folds. You whimper, grinding down onto him, and he curses as he grabs ahold of your hips. “Y’like them?” He sweetly asks, referring to his tattoos.

"Yeah," you nod, grinding down harder to have his cock nestled between your folds, his ruddy tip nudging your clit. “I can tell you all about them if you want.”

You giggle at his timing, but before you can respond, a director speaks up from the side, “Less talking, please.”

Eddie glances over your shoulder and salutes the man, “Roger that, sir.”

You can’t help but snort at his actions, but you’re quickly hushed when Eddie reaches down to paint his cock between your folds before lining himself up, “Go ahead and sit on it, baby.” He whispers.

You listen, nuzzling your face against his shoulder as you wriggle yourself down the length of his cock.

And god, you love being fucking right. The stretch is so good, better than you had imagined it to be, and you can’t help the high-pitched moan that slips from your lips when Eddie thrusts up into you. 

"O-oh. Oh fuck," You whimper. You’re practically boneless as Eddie fucks you, your entire body just draped over him as his hands dig into your ass to help bounce you on his cock. “Jesus fucking— you feel so good,” He pants, and you mewl, cunt clenching around his cock as he drills up into you. “You gonna cum for me, hm? Be my best girl and cum for me. I know you’ll sound so pretty.” He whispers.

Before you know it, you’re moaning out and writhing in Eddie’s hold, juices dripping down his cock and forming a sticky mess in the patch of curls at his base as you cum.

“Let’s have a shot from the back.” 

Your body feels weightless as you and Eddie change positions so you’re on all fours. You’re blinking through a hazy fog, and it feels so good. Eddie’s hands send chills up your spine as they grip your waist and tug you towards him. 

“Oh, baby, you’re shaking,” Eddie hums, running his hands over the fat of your ass, thumbs digging into the skin to spread you open. You’re so wet you can hear the sticky noise of your folds parting, and Eddie groans as he watches your pussy clench around nothing. “You open up so well for me, sweet girl.” 

Jesus.

You don’t get much of a warning before you feel Eddie lapping and sucking at your cunt, devouring you until you’re nothing but a mess of moans and quivering limbs.

Jesus Christ, that wasn’t in the fucking script. Half of the shit Eddie’s doing isn’t in the fucking script, and it's making your head spin.

God, who is this man?

You whimper his name, reaching a shaky hand back to grapple at his hair, and Eddie nuzzles his face deeper into your cunt, nose nudging your ass in a way that makes your toes curl. He’s good. He’s really good, you’ll give him that.

You and Eddie go at it for about an hour, switching positions and pausing every now and then to get a good shot of your cunt wrapped around Eddie’s cock, or Eddie’s tongue lapping over your clit or tits.

And it's fun doing this with Eddie.

Eddie is like a breath of fresh air. Most guys in this industry are stuck up and make things annoyingly serious, and most girls are either bitchy or just want to get it over with, which you don’t blame them for. 

But Eddie makes things feel so normal— like you’re just two best friends getting filmed having sex— because he keeps whispering tiny jokes to make you giggle. He tells you how pretty you sound and look, and he’s so incredibly clueless because he keeps leaning in and asking things like, “Is this, like, a good angle for the camera?” and “Should I maybe kiss you more?” and “Is it okay if I stop fucking you for a second? Because I’m about to blow.”

And all you can do is breathlessly moan and nod because he’s plunging himself so deep into you that it almost hurts, but it’s so good.

You’re so fucked out you barely even register Eddie’s words when he tells you he’s about to cum, but your body immediately reacts when he pats your hip, indicating for you to get ready.

You scramble down from the couch, limbs weighted from pleasure as you settle on your knees, batting your lashes up at Eddie as he towers over you, stroking his wet cock. Eddie rests a hand on your head, fingers grasping your hair to keep you still as he gazes down at you. You’re impatient, so you can’t help but let yourself sneakily lick the tip of his cock, and he grins, “It’s coming, precious girl. Stick your tongue out for me.”

You shuffle closer, sticking your tongue out as you eagerly await the taste of Eddie on your tongue— and when you get it, god, you never want it to stop. Everything about it is perfect: the way his face twists up, the way he tastes, the pretty moans he lets out. You want it on repeat.

You might buy this film just to relive it.

You take every last drop Eddie has to give you with a happy hum; a little bit catches your lip, and Eddie swipes it with his thumb before bringing it to his mouth and suckling. You whine, frowning and causing Eddie to laugh, “You got most of it, sweetheart. Can’t be too greedy, can you?”

It’s like you’re both in your own world. Only talking to each other and enjoying each other's bodies because Eddie just… it’s weird, but he makes the room go away. He makes things feel less performative— and maybe it’s just your hazy, blissed-out state of mind, but you think you might like Eddie.

You’re snapped from your trance when the director yells cut, and then everyone’s springing into action to tear down the set because another crew will be using it next. Eddie helps you stand on your wobbly legs, “You alright?”

You nod, “Great. You did good, by the way.”

Eddie leans forward and grabs your robe that had been pushed to the side. He smiles as he holds it open for you, “Thank you. You did pretty awesome yourself.” He responds as you slink your arms through the sleeves.

You turn to Eddie as you close your robe and tie it shut. Your assistant, Emily, hands Eddie a robe for himself, and he thanks her, curtly bowing his head as he grabs the plush article. “So,” Eddie starts as he slips on the robe. You both start walking towards the dressing rooms as he speaks, “Think I could make a career for myself here?” He asks. 

You halt at that, turning to Eddie with a confused look, “Is that… is that not why you’re here?” You ask.

Eddie shakes his head as he ties his robe, “Nah, I got fired from my job. Needed some cash for rent this month.” He explains.

Is it selfish to say you’re disappointed to hear this? If Eddie had been wanting to join this industry, you would’ve had the opportunity to work with him again. But maybe it’s more selfish to say you’re happy he isn’t joining this industry. Eddie becoming an adult film star would mean half of the time, he’d be fucking other people, and unfortunately, that idea alone makes your gut twist with jealousy.

You nod, pursing your lips as you fiddle with your fingers, “Well… would you be interested in this type of thing?” You try your best to sound casual about it, and you think it works because Eddie only shrugs again with a short hum, “I don’t know. Wouldn’t be opposed to it, I guess.”

Before you can respond, Emily calls your name, “Don needs to speak with you in the other room about your next shoot.”

You turn back to Eddie and try to commit his pretty brown eyes to memory, “I guess I’ll see you around, Eddie.” You smile. Eddie smiles back and does somewhat of a dramatic bow, and you snort as you walk off.

You glance over your shoulder as you walk with Emily.

���Could you do me a favor?” You ask her. Emily nods, and you take one last glance at Eddie before he disappears into the dressing room. 

“Get his number for me. And leave it in my purse, please.”

A couple of weeks have passed since Eddie made his big debut in the film world.

Eddie made a pretty penny from that film, enough to pay his rent and have some play money on the side. Thankfully, Eddie doesn’t have to scramble for cash this month again because he got a job at the mechanic shop downtown. It’s a lot of labor and a lot of hours, but the pay is good, and nobody gives a shit if Eddie comes back from lunch smelling like a dispensary, so.

Suck that, Robert.

However, Eddie’s still thoroughly surprised to see you sitting in the shop office when he returns from a quick smoke break. “Woah, funny seeing you here. Car problems?” He questions. Eddie tries not to think about the fact that he’s seen you completely bare before. Tries not to think of how he’d spent over an hour in your guts last month or how you swallowed his load like it was nothing. Eddie fails miserably.

You shake your head as you stand up from the leather couch in the office, grabbing your purse as Eddie walks closer to you, “No, actually, Lola’s doing great.”

Eddie cocks his head, “Lola?”

You nod, “My car.” You gesture out towards the window where your car is parked. Eddie makes an understanding noise as he nods. 

“I was actually hoping to talk to you.” 

Eddie pauses at that, confusion settling over his body as he looks at you. You’re beautiful, kind, soft eyes with soft, pretty lips that Eddie thinks about kissing when he goes to bed. Eddie points to himself with raised eyebrows, “Me?”

You nod again, “Yeah, about like… my job and stuff.”

Oh.

Ohhhh.

“Oh, shit, yeah, um,” Eddie glances around the office and nods, “Yeah, we can step out and talk, like, in my van, maybe?” He offers. Not because he’s, like, ashamed to talk about porn or something, most people watch it! But a few of the guys that work here are downright dipshits, and Eddie won’t hesitate to punch one of them if they say some sly shit about you or your job. And, well, Eddie would like to keep his job, so.

You don’t take offense to it, though; you just nod with your pretty smile and tell Eddie to lead the way.

Eddie’s van smells like weed, cologne, and a hint of whatever he had for lunch.

“Sorry,” Eddie mumbles as he clears off the passenger seat that’s filled with bottles of different drinks, rolling papers, food wrappers, and things of the like. “She’s seen better days.” 

You smile nonetheless, thanking him when he steps away and holds the door open for you. You hop into the seat, glancing around as Eddie shuts your door and jogs to the driver's seat.

He gets in with a heavy sigh, hair unruly from the wind, brown eyes wide and excited when he looks at you. “Hey.” He huffs with a smile, and there’s a piece of hair in Eddie’s bangs that’s sticking straight up. “Hey.” You giggle, reaching out to fix the rebellious strand. Eddie softly thanks you, and you swear you see a hint of pink dust across his cheeks.

He shifts in his seat, rubbing his hands against his thighs as he sighs again, “So… what’s up?”

God, he’s so cute. So incredibly weird and awkward and cute. He looks handsome in his navy blue coveralls, grease stains smeared across his torso, and some sneaky smudges on his neck. “You’re very hard to get ahold of, you know?” You tease.

Eddie’s face twists in confusion, “Huh?”

You shrug, distracting yourself by poking around at his dashboard, sifting through the CDs and tapes he has lying about. Eddie doesn’t stop you; he only watches, and you give him a cheeky smile. “My assistant got your number, right? But then you, like, never answered my calls.” You shrug as you flip through more of his things. You hear Eddie mumble something about needing a new cord for his home phone before he asks louder, " So, how’d you find me?”

God, he must think you’re a stalker or something. You didn’t really think that through, honestly.

You hum, “Just asked around a bit. You’re a bit of a hot commodity around here, by the way. Heard you started a cult? What’s that about?” 

Eddie’s eyes widen at your words, and you laugh, “Oh god. Jesus, no, I didn’t start a cult. I just,” he groans as he pinches the bridge of his nose, “I was just weird in high school.”

“You’re still weird.”

Eddie’s face falters at your words, but you smile as you add, “I like it.”

Eddie blushes again, but he turns to look away this time, and you think he’s the cutest thing you’ve ever set your eyes upon. He turns back to you with a shy grin, “Did you come here just to flirt with me?” He teases, wrapping a strand of his hair around his finger to twirl in a shy manner. “Maybe… but I also have a question.” You respond.

Eddie nods, “Shoot.”

You take a deep breath as you shift in your seat, “Well, uh, I wanted to ask if you maybe…” You glance at Eddie, who's expectantly awaiting your question, and your stomach twists with nerves. Why are you so nervous to ask Eddie for something you’ve already done before?

“Well, I’m doing a shoot tomorrow,” you finally begin, “And I just found out the guy they paired me with is, like, a total asshole— I’ve worked with him before, he’s just… awful,” You explain. “So, I was just… I don’t know; I was just wondering— hoping— you’d be up for it, maybe? To take the guy's place, I mean.”

You finish rambling and glance at Eddie as his eyes widen, “Oh, um. Like— like, film with you again?”

Eddie could leap for joy right now.

Not only are you, like, the cutest, prettiest, kindest fucking human being to ever grace this earth, but you’re sitting in Eddie’s van, chewing on your lip and asking Eddie to fuck you for the cameras again.

Eddie must’ve done something incredibly right in his past life.

“Oh!” Eddie starts, “ Um… yeah, I’d love to!” What? Weird, take that back. “No, I mean, like, not in a weird way. I just— I’d rather not let the asshole do it if I can do it.”

God, could Eddie sound any more pathetic?

Still, despite how dumb Eddie sounds, you smile and clasp your hands together, “Oh, are you sure? I know it’s last minute, and it’s not really the ideal task—” 

“Woah, wait. What do you mean not the ideal task?” 

Because literally, what do you mean? How could that not be the ideal task? And who made you think that fucking you isn’t the ideal task? If it’s that asshole you were supposed to work with, then Eddie has a few colorful things to say about and to him.

You shrug, fiddling with your fingers in your lap, “Nothing, I just know my job isn’t… you know, traditional or whatever. And you had only done it that one time because you needed it, so I get it if you’re, like, not in the mood to fuck on camera for a bunch of random people.” You ramble. Which, uh, no. You could not be further from the truth. Eddie would love to fuck you on camera for a bunch of random people. Hell, Eddie would love to fuck you under any consensual circumstance, if he’s being honest, so. Yeah, he’s pretty excited.

“No,” Eddie shakes his head, “No, I— I want to, really, I do.” Eddie nods.

Your unsure frown spreads into the prettiest smile before you reach across the center console to pull Eddie into the most bone-crushing, you-scented, chest-warming hug Eddie’s ever been given as you spew out a chorus of thank yous.

“I brought a copy of the script for you to look over so you’re not totally confused,” Eddie watches as you pull back to reach into your bag and pull out a manilla folder. “I usually like to color coordinate my scripts, so I did it for you too. The pink is me, and the red is you, and the specific actions they want us to do are in blue.” You point out. And Eddie thinks he might kiss you right now— you’re so fucking cute!

“Wow, thanks, um… I wish I were, like… good with these types of things, but I think you saw how majestic I am with scripts.” Eddie huffs out a laugh as he scratches the back of his neck. You smile, “I can help you— if you’d like.”

Oh, you’re trying to kill Eddie at this rate.

Eddie nods either way, even though he’s six feet underground and knocking at the fiery gates. “I would love that, actually. I finish work in about three hours if you’re free.”

Eddie definitely broke a handful of laws while driving home.

Since you offered to help Eddie with his lines, you both decided to meet at Eddie’s place. He gave you his address, told you how to get into the complex, and said see you later. Now, Eddie is ecstatic to see you, obviously, but Eddie can’t remember if his home looked normal or like a Walmart clearance aisle after black Friday, so he ran through multiple stop signs and red lights to get home before you showed up so he could clear things up.

He’s hustling through his apartment like a madman, picking up strewn clothes and cat toys before speeding through the few dishes he had in his sink. Honestly, Eddie’s apartment has seen worse days, so there’s not much cleaning he has to do, but he’s still stressed when he hears a knock on the door. 

Eddie doesn’t even like candles, but he lit one just in case there’s a smell he’s grown used to lingering about. Eddie just doesn’t want you to think he’s a slob. Because he isn’t. He just has an orchestrated chaotic lifestyle.

Eddie couldn’t be happier when he opened his door because there you were, beaming with a smile and a bag of takeout, and Eddie thought it wasn’t normal to be this soft for someone you’d basically just met.

“Welcome to my humble abode,” Eddie dramatically bows with an extended hand to show the entrance of his small, homey apartment. You smile as you walk in, taking in your surroundings.

It’s nothing extraordinary, honestly. Eddie’s home is really just vomit of everything Eddie likes: favorite colors, favorite movies, favorite game characters, etc. It’s like Eddie’s brain exploded and painted itself all over the place. Eddie had a girlfriend many moons ago, and she changed things around to become more coordinated, so now it’s less of a shit show and more of an abstract museum sort of thing.

Whatever. Doesn’t matter anyway because you’re gasping and picking up the little roommate Eddie has. 

“Who’s this?” You coo at the little creature. You’re looking down at the furball as you scratch behind her ear, “That,” Eddie sighs, “Is the reason why I didn’t get your calls.”

You look up at Eddie, confusion written across your face. Eddie points across the room to the wall where his home phone hangs, except the wire is broken. “Little asshole chewed through the wire, and I’ve been slow to replace it. Her name is Banshee.”

The cat meows at the mention of her name, wide eyes blinking up at Eddie as you coddle her. She’s a fluffy cat with a black coat decorated with two white spots: one on her back and the other just behind her ear.

You hum, “So technically,” You drag, “It’s your fault.” You tease. You coo as you press your cheek to the tiny kitten, gazing up at Eddie with these soft eyes, “I don’t think you can blame this cutie for your laziness.” 

Eddie rolls his eyes, wills away whatever power he has to not kiss you, and gently takes the takeout bag from your hands so you have less to carry. “Fine then. Ask her what happened to the laces of my work shoes, too, since she’s so innocent.”

Eddie’s home is so… Eddie.

He’s got music and horror movie posters framed along his walls, cute little scary figurines randomly placed within his bookshelves, and there’s an overall smell of Eddie’s musk and the sandalwood candle he has burning. It’s cozy, a nice space for one person who enjoys their alone time, and he let you choose a record to play from his extensive collection, and he has the world's cutest little cat, so it’s safe to say you could spend an eternity in Eddie’s world.

“Shit, that wasn’t my line,” Eddie stresses. You smile as Eddie tosses the packet onto his coffee table and falls back onto the couch, “We’re wasting our time here, princess. I dropped out of theater for a reason.” He grumbles.

You sigh, tilting your head against the couch cushion as you gaze at Eddie, “You’re thinking too hard about it.” You say. “It’s a porno, not a Grammy-nominated film.” You point out.

Eddie snorts before giving a short shrug, “For the record, I think you could land a Grammy, sweetheart.” 

You roll your eyes, “Yeah, right. You don’t need to suck up to me, Eddie, you’re already gonna fuck me tomorrow.” You jokingly say.

Eddie waves you off and shifts into a more comfortable position. “So,” He starts, “What’s the asshole guy's deal?” 

Banshee has hopped onto the couch and made her way into your lap, tiny paws kneading the material of your jeans as she settles. You gently pet her as you glance at Eddie and shrug, “Not sure, he’s just a total dick,” You grumble. “I worked with him once last year, and he, like, told me I wasn’t the best or whatever— which, okay, I can totally understand,” You ramble, “I don’t think I’m, like, some sex god. I don’t expect to be everyone or anyone’s best fuck, but still! It just… it didn’t make me feel good, the way he said it.” You windedly explain. You distract yourself with the cute animal in your lap as you finish your explanation, “So, I asked my manager never to pair us again, but—” You shrug.

Next to you, Eddie shifts once more and scoffs. “He’s a fucking shitfaced liar, princess.”

You snort, playfully rolling your eyes, “Eddie—” “No, I’m serious. He’s a liar. Anybody who even gets the chance to touch you is a lucky fucker, okay? If anything, he probably begged your manager to let him work with you again.”

“You’re just saying that. I don’t need you to try and make me feel better, and it was so long ago anyway.” “Yeah, but that’s the thing, I’m not.”

You frown as you gaze over at Eddie, watching as he sits straight and looks at you with a serious gaze in his eyes. “I don’t know what’s up with that guy, maybe he was dropped as a baby too many times, but anybody with common sense and a properly functioning dick knows just how fucking amazing you are. End of discussion.”

And well, it’s pathetic how your chest warms at his words, but it does. And as Eddie goes on to ramble about his hectic week at work, you can’t help but let your mind spin with Eddie’s kind words until nothing is in your mind but the echoes of Eddie, Eddie, Eddie.

Not many times has Eddie woken up with a girl in his home. Well, at least not a girl that he’s actually liked for more than a one-night stand or a shortly-lived fling.

After running the script for the last time, Eddie suggested putting on a movie and digging into the takeout you’d brought. The meal was delicious, and the movie you’d landed on was hilarious, but it’s hard to keep your eyes open on a full stomach, so when Eddie felt your head drop onto his shoulder, he couldn’t help but let his body sink into the couch and fall asleep too.

You’d woken up about an hour later and tried to make your escape quietly, but Eddie insisted you shouldn’t drive in such a sleepy state, so he let you make yourself comfy in his bed. Banshee, the little traitor, trotted right behind you and left Eddie on the couch to snuggle up beside you for the night.

You’re cute in the morning, Eddie thinks. You have an adorable little pout, and you yawn about 80 times until you’ve had a sip of coffee. 

It takes nearly a lifetime to drag you away from Banshee so you and Eddie can head to the studio because you adore the little asshole, and Banshee loves anything that’ll give her the time of day. You make Eddie promise to let you see her again, though, so you sadly say goodbye with a soft peck to the fluffy area between her eyes and let Eddie drag you to his van.

The car ride is nice; Eddie lets you mess around with the contents of his van and go through the stack of CDs he’s compiled over the years. You land on one of Eddie’s favorites, an old mixtape Wayne made in college that Eddie spent most of his high school blaring loud enough to blow out a speaker.

Today, you’re shooting in a house— a nice one that Eddie could only conjure up in his dreams—but he doesn’t have much time to dwell on it because he’s being dragged over to makeup and hair as soon as he steps in.

“You thinking of joining the industry?” Nicki asks as she works a nice-smelling mousse into Eddie’s hair.

Eddie had been busy watching you talk to one of the producers, but he finds the strength to tear his eyes away and gaze at Nicki through the vanity mirror. “No, not exactly. Just… doing a favor for a friend, I guess.”

Nicki raises an eyebrow, “A friend? Don’t act like I didn’t see you two come in together.”

Eddie’s face warms at that, the tips of his ears turning red as he stutters, “Huh?” 

Nicki looks at Eddie with a ‘Don’t bullshit me’ look.

“I mean, like, yeah, we had breakfast together–” “Mhm.”

Eddie huffs out a gentle laugh, “No, really, we’re friends.”

“Friends that fuck on camera and look at each other the way you two do? Sure.”

Eddie doesn’t ask what Nicki means by that because— well, he knows what Nicki means by that. He’s caught himself looking at you like you put the stars in the sky one too many times, and it’s almost embarrassing. Almost.

But can you blame Eddie? Can you really blame him when you’re the prettiest girl he’s ever seen, the softest smile, the greatest laugh, and the sweetest personality? It’s not Eddie’s fault that you’re perfect.

Eddie just thinks you’re neat. 

He thinks you’re amazing, actually, and it’s hard to remember his fucking lines when you’re standing under a steaming shower, wet body glistening and pebbled nipples practically begging for his mouth.

He’s butchering the script, that’s for sure, but he figures it’s not too bad since nobody’s corrected him. 

The scene starts with you taking a shower and Eddie being a peeping tom, which ultimately leads to Eddie sinking to his knees and licking into you until you’re a quivering, sticky mess on his tongue. Eddie would spend forever on his knees, between your legs, if he could because you taste heavenly and sound better than any song Eddie’s ever listened to, and that says something.

Your fingers thread through the wet strands of Eddie’s hair, and Eddie rapidly blinks when he gazes up at you, only to get an eyeful of his wispy bangs. You smile, petting back his bangs so he can see, and he hums, nudging his face further against you, his tongue teasing more, fingers curling deeper.

It doesn’t take long to make you cum, and the second you do, Eddie is standing up, shutting off the shower, and ushering you out into the expansive main bathroom. It’s almost as if it’s just Eddie and you in the room. No cameras, no directors or producers, or that weird pervy lighting guy that compliments you way too fucking much for Eddie’s liking. It’s just you and Eddie.

“Let’s do an over-the-counter shot next.”

Fuck. It’s not just you two, actually.

What a buzz kill.

Either way, Eddie finds himself pressing your wet, naked waist down against the sink, smiling when you squeal at the cold marble touching your skin. “Stick your ass out, baby, let me see that gorgeous ass.” 

You mewl as you follow Eddie’s instructions, tipping your hips back to present yourself to him and the cameras. You’re dripping. Swollen and wet and throbbing, and Eddie— god, Eddie feels like a fucking animal.

“Got such a pretty pussy, honey. All wet and ready for me, hm?” He teases, gently running his fingers through the sticky arousal between your legs. You shakily breathe as you nod your head, “Yeah. All for you. Please.”

Eddie steps forward, grabbing his cock and painting it between your swollen lips as he hooks his other arm across your shoulders, pulling you back to press against his chest. He presses a wet kiss to the skin of your cheek in front of your ear, voice dry and needy as he whispers in your ear, “You’re so fuckin’ pretty,” His eyes catch yours in the mirror as you keen. “Ask me to fuck you.”

You whimper out loud, wriggling your hips back into his as your hands grip the counter, “P-please fuck me. Please. Need it so bad, want your cock so bad I— o-oh.”

The slide to home base is fucking otherworldly. It was life-changing the first time, and it’s life-changing now, and if Eddie ever gets the chance to fuck you again, he knows it’ll be life-changing then.

You’re so warm, and you're sucking Eddie’s cock in so nicely, so sinfully, that Eddie almost makes a deal with the devil right then and there. Your chest is heaving by the time Eddie’s pelvis presses to your bum, his cock nestled deep into your pulsing cunt. Eddie leans forward, pressing his chest against your back as he loops an arm around your shoulders, holding you tight to him as he gives one slow thrust. He coos when your eyes flutter shut, and your jaw drops, a shaky hand reaching up to sink your nails into Eddie’s forearm.

“S-so deep,” You slur, wriggling your hips back against Eddie.

Eddie grunts, “Fuck. You feel so good, baby. Always so warm and ready for me, hm?” Eddie’s lips are wet against your jaw as he whispers into your ear, and you nod with a mewl.

Eddie works up the pace relatively fast in favor of the cameras, and at some point, he reaches down to grip the thick of your thigh and haul your leg up to rest on the counter so you’re spread open even more. The angle makes it easier for him to catch your spot, and it’s better for the camera to capture the sight of your soaking pussy wrapped around Eddie’s cock, dribbling onto both of your thighs and creating a sticky ring of arousal at the base of Eddie’s dick.

Eddie’s hand is wrapped around your throat when you begin twitching around him, mumbling promises of your climax, and Eddie doesn’t waste time in sinking his hand between your legs to help you reach the edge quicker. Your moans fall silent, eyes squeezed shut, and jaw dropped wide open as Eddie fucks you through your orgasm— and fuck, you feel so good. Squeezing and pulsing and dripping around Eddie’s thighs, throat vibrating beneath his palm when air comes back to you.

“There we go, baby. Get it all out, push it out, honey.” Eddie encourages you.

You’re shaking, trembling like a leaf in Eddie’s arms, and Eddie wants to spend forever tucked into your pussy, warm skin sticky against him, pretty little whines and mewls coating his brain in this cutesy pink fog that makes him want to fucking marry you.

Get you a home, give you his babies, maybe even get you a fucking dog and just live happily goddamn ever.

Jesus, Eddie’s a goner.

“F-fuck, I’m gonna cum.”

Eddie pulls out last second, jerking himself off between your cute ass cheeks until he’s spurting white ropes of cum up your back.

Eddie, ever the considerate man he is, pushes your hair out of the way to avoid getting any of his sticky release in it. You’re breathing heavily, pretty eyes glazed over as you glance back at Eddie, a shy glint in your eyes at the sight of your skin painted in his cum.

Eddie’s obsessed with you now, no doubt.

His ringed fingers slide through the sticky mess on your skin as he grips your ass cheeks, gently spreading them apart and humming when you arch your back, proudly swaying your ass in front of him. The sight makes Eddie dizzy; pools of cum dripping down your back to slink its way through your ass and over your sticky folds. “You’ve got such a cute little hole, baby.” Eddie compliments, taking his thumb and smearing his cum over the puckered muscle, softly laughing when you whine. 

He lightly slaps your ass then, reaching forward to gently grasp your face with his messy hands and pull you back to press a firm kiss over your lips. His thumb, the one that had smeared his cum over your tight hole, sinks between your moving lips, pushing into your mouth and onto your tongue as he whispers a small command to taste it, and you mewl.

“So good, princess—”

“Cut!”

You both jolt at the booming voice, getting rudely snapped out of the daze you’d fallen into. 

These fucking cameras.

You smile, dropping your cheek onto your shoulder as you bat your eyelashes up at Eddie from over your shoulder, “You’re a natural, Eddie, you know that?”

Eddie huffs a laugh, thanking the assistant when they bring you towels and robes.

“Well,” He breathes as he slinks the robe over his shoulders, watching as you do the same, “I’ve got the best coach.” He winks.

Now that you and Eddie have done two films together and basically had a sleepover, you’re practically inseparable.

It’s funny, really. Eddie thought maybe the fact that you’ve seen each other bare and had sex on camera might hinder the aspect of any friendly connection because, well, Eddie’s never done this before! He’s not a pornstar, so he’s not sure how the friendship/relationship aspect of it works, but luckily, it’s easier than most normal friendships Eddie’s had before.

You talk almost every night over the phone (Eddie finally fixed the wire), going over one another’s day and laughing at embarrassing or funny moments. You go on for hours until either one of you falls asleep, and it’s usually you since Eddie has the sleep schedule of a newborn baby who doesn’t know the difference between night and day. All the better for him, though, because he gets to poke fun at you the next day and tease you about how you sometimes snore.

And Eddie loves listening to you talk— could spend hours cuddled up with Banshee as he listens to you ramble on about whatever new show you’re watching or the latest gossip at work. It’s Eddie’s favorite part of his day, talking to you, so he kicks himself when he realizes he forgot to call you last night.

He’s getting ready for bed when he remembers, and he practically sprints to his phone on his nightstand and dials your number in less than thirty seconds. It takes you three rings to answer, and Eddie smiles at the sound of your voice, “Hello?”

“Hi, princess,” Eddie responds.

You gasp, “Eddie, hi! Oh, I was just about to call you! Where have you been?” You ask. Eddie groans, dropping back onto his mattress with spread arms. “Working. I’m so sorry I forgot to call. I just started a new schedule at the shop, and the hours are awful.”

Eddie can hear your frown when you respond, “Bummer. I’ve got a way to cheer you up, though.”

Eddie’s eyes are closed, and sleep is so heavy in his bones he feels like he’s sinking through the mattress, but he smiles as if it’s second nature when he responds, “Hit me.”

You cheer, and Eddie hears the rustling of grocery bags on your end as you speak, “My manager gave me a shit ton of holiday chocolates she had left over, and well, I was wondering if you’d like to drown yourself in sugar with me?” 

Eddie softly laughs, folding his arm to rest his hand on his tummy as he nods, forgetting you can’t see. “You didn’t even have to ask.”

The drive from your flat to Eddie’s is typically around twenty minutes, but with the benefit of it being nearly midnight and most normal people being in bed by now, you’re knocking on Eddie’s door in just a little under twelve minutes. 

Eddie opens the door to let you in and immediately just wants to kiss you. You’re dressed in an oversized sweatshirt, loose pajama pants with cute little ducks printed on them, and fluffy house slippers. You grin up at Eddie as you lift a bag full of candy, “I come bearing gifts!”

Eddie had been exhausted all day, but now that he’s had two handfuls of sugary treats, he’s ready to run a fucking marathon.

He’s sucking on a sour apple jawbreaker and watching some shitty romcom with Banshee curled in his lap when he feels your head softly drop onto his shoulder. He glances down at you and sees the soft flutter of your eyes, “Are you tired? You can take my bed.” He offers.

You tilt your head to blink up at him tiredly, “Will you come with me?”

And well, Eddie was originally going to take the couch, but you’re looking up at him with these cute, bleary eyes, and Eddie can’t even imagine saying no. So, he shuts his TV off, makes a mental note to clean up the candy wrappers sometime tomorrow, and lets you drag him off to his room.

Banshee decided to take advantage of the new space on the couch and sprawl out, so Eddie doesn’t have to worry about asking if you’re okay with her cuddling up on his bed like she usually does. 

Eddie doesn’t do this very often— sleep with other people in his bed, he means. And sure, he’s had partners before that would stay the night here and there, but he hasn’t had that in over a year now, so it’s safe to say that Eddie’s a little bit nervous.

He doesn’t know if you want to be close, but considering how cuddly you are on a daily basis, he’s not surprised when you press yourself into his side with a content sigh, snuggling deeper into the warm covers. He turns, shifting to wrap his arms around your frame, trying his best to ignore the fast beating of his heart in his chest— but that’s not the main issue. The bigger problem is— “Eddie? Are you hard?”

Shit.

God, this is awful. Nothing even remotely sexual happened, and Eddie’s popping a boner and practically stabbing your stomach. Fuck, you probably think he’s a perv now. Nice going.

“No.”

It falls silent for a moment, and Eddie can feel the quiver of your body as you giggle into his shoulder. He smiles, an embarrassed blush rising over her cheeks as he lifts a hand to palm at his eye, “I’m so fucking sorry.”

You turn in Eddie’s arm, pressing a hand to Eddie’s shoulder to lay him on his back. You stay lying by his side, body pressed to him, head resting on his shoulder. You nose at the curly strands of hair on Eddie’s neck, and your hand runs down his torso, fingertips dipping beneath the waistband of his sweats. “O-oh. No, you don’t need to, princess.” Eddie says, yet his voice is shaky and holds anticipation as you drag your nails through the coarse hair leading to his cock. 

“I want to. Please?” You ask. And you’re so good, so obedient, not touching Eddie’s cock until he swallows and nods his head yes. You wriggle, like a happy pup that got a treat, and your hand sinks lower, wrapping around the thick of Eddie’s cock.

Eddie’s breath hitches, sinking into the feeling of your warm hand stroking up his cock, your thumb running over his leaking tip. Eddie curses, hips twitching up into your hold, and you press a kiss to his jaw, and Eddie nearly bursts into stars.

You press another kiss to his jaw, soft and sweet, and Eddie slinks an arm around you, sinking his hands into your hair and shakily breathing. “You keep kissing me like that, and I’m gonna— fuck.”

And it’s so pathetic; you’ve only had your hand down his pants for less than five minutes, and Eddie’s quivering like a virgin having their first time. God, this is so embarrassing.

You kiss Eddie once more, “Wait, wait. Not yet.”

And then you shuffle away from Eddie, and he’s frowning because he feels cold without you snuggled against him. But then you’re sinking underneath the covers, and Eddie’s cursing, “W-what are you doing, honey?”

He lifts the covers just as you wriggle your way between his legs and hook your fingers over the band of his sweats. You peel his sweats away, mouth opening like a hungry lion when Eddie’s cock pops out. You push the front band of his sweats to catch just below his balls, and Eddie’s hips squirm from the pressure making you giggle when his cock twitches.

You loop your fingers around his cock, twisting up on a long stroke, “Did I ever tell you how pretty your cock is, Eddie?”

Jesus Christ.

Eddie breathes shakily through his nose, tummy quivering as your gaze flickers; he shakes his head no. Eddie sinks a hand to pet your hair back, smiling when you nuzzle into his touch, letting your lips brush against his tip, “You think it’s pretty, baby?” He asks.

You nod, letting your tongue loll out of your mouth to catch the pearl of pre-cum dripping from his tip. You don’t say anything else as you lean forward and wrap your mouth around him, languidly taking him as far as you want and sucking him for all he’s worth.

Eddie’s head drops back then, his entire body just losing strength to do anything as you slowly fuck your mouth over him. The blanket falls over you then, and Eddie curses, scrambling to push it back over your head so you don’t, like, suffocate on his cock.

And Eddie was already close before, so it doesn’t take long for him to start cursing and warning you that he’s gonna cum. Before he knows it, he’s emptying himself into the warm cavern of your mouth, soft mixes of curses and your name tumbling from his mouth as you happily take every last drop.

You pull off of him with a small pop, licking up the small remnants of cum that drool down his cock. Eddie feels weightless now; the effects of sugar are long gone now that you practically sucked his soul through his dick. You tuck Eddie back into his pants, and as if you couldn’t get any cuter, any sweeter, you press a gentle kiss to Eddie’s tummy right where the waistband sits.

Eddie’s got a loopy grin on his face when you crawl back up to snuggle back into his side, mumbling something about how you love licking his cock. Eddie nearly dies, by the way.

He thinks he’s in love with you, maybe.

You breathe in deep, draping an arm across Eddie’s tummy and slinking your leg between his, and you sigh all sleepy and cute as you say, “G’night, Eddie.”

Yeah. Eddie’s definitely in love with you.

Weeks go by as you and Eddie become thick as thieves.

You carry on with your nightly calls, obviously, but now there’s a healthy mix of one of you going to the other's home and crashing there for the night, then that bleeds into the next day where you just spend hours with each other doing fuck all.

Eddie just likes being around you. You don’t have to be doing anything particularly fun or sexual; no, Eddie just enjoys your company. And most times, you and Eddie will be doing your separate little activities— you reading or watching a movie while Eddie writes up new campaign ideas for Dustin— and you will reach out to twirl a strand of Eddie’s hair around your knuckle and gently tug or poke your finger into his cheek where his dimples reside and Eddie just melts.

Most of the time, you’re only doing it for your peace of mind (Eddie knows because you told him when he asked), but something tells him maybe you actually have something to say when you poke Eddie’s cheek for the third time.

He turns to you, brows raised and hiding beneath his bangs that so badly need a trim, “Yes, doll?”

You smile now that his attention is on you, and you shift, careful not to wake Banshee in your lap from your movements. Eddie thinks Banshee might like you more than she likes him, which is just downright traitorous, considering Eddie’s the one who feeds her and keeps a roof over her head. He doesn’t really blame the cat, though. 

“What are you doing on Saturday?” You ask.

Eddie hums, closing his notebook and leaning back into his couch, “This Saturday?”

You nod, and Eddie shrugs, lips pouting as he speaks, “Nothing, I’m pretty sure. Why?”

You sigh heavily, sinking into the couch as you gently pet Banshee behind her ear, “We have an event for work, and I was just wondering if you would maybe wanna tag along?”

Eddie’s head tips in interest, “Sure. Is it, like, fancy dress shit?” He asks. Eddie thinks he has a tux somewhere deep in the trenches of his closet. Probably the one he wore to Wayne's wedding two years ago; he hopes he still fits.

You shrug, “Eh, nothing too fancy schmancy. Slacks and a nice shirt will do,” You mindlessly watch the television, gently rubbing Banshee’s ear between your fingers. “That I can do, princess. But uh,” Eddie pauses, “You don’t seem too ecstatic about this.” He points out.

You shrug, glancing over at Eddie, and Eddie wants to kiss your pouty lips because you look adorable swallowed up in a throw blanket with sleepy eyes blinking up at him. “S’cause I’m not,” You huff, “I hate those ignorant assholes— don’t get me wrong, some of them are good friends of mine! But most of them are just…” You make a face and roll your eyes, and Eddie softly laughs. You let your head lazily turn to gaze at him, “Don says I have to go, though. So I figured I may as well drag someone I actually enjoy being around.” You softly smile.

Eddie’s heart flutters and grows three times the size of his body.

Saturday night comes quicker than most, and Eddie spends nearly an hour digging through his closet. By the time Eddie finds a nice enough shirt to pair with his neatly ironed (to Eddie’s standard, which is probably not very high) slacks, he’s running behind and starts to stress that he won’t pick you up on time, and he’s just totally made an ass of himself.

It’s five o’clock when Eddie gets to your flat, and when he knocks on your door, he’s out of breath because he smokes more than a godman grill, and he skipped every other step on the staircase to get there quicker. He’s thinking of a million ways to apologize for being late, and he thinks he has it right when you open the door, but then— “Oh. Hey Eds! You’re early!”

Eddie huffs, nearly doubling over in exhaustion because he seriously needs to quit smoking, “Wha– early?”

You hold the door open for Eddie to step in and nod. You’re in a white fluffy robe with house boots on, and your hair is tied back, so you have a clear canvas to work with for your makeup. “Yeah, it starts at seven.” 

And, oh, what the fuck? Here Eddie was stressing and thinking he’d completely ruined his chances with you because he decided to be an asshat and lose track of time on his video games, but in reality, he’s nearly two hours early?!

“Oh, but now you can help me pick a dress. Come on.”

No, Eddie has zero complaints, actually. He’s grateful that he’s timely challenged, he thinks as you drag him toward your room.

Eddie spends the next thirty minutes or so seated at the foot of your bed, judging whichever dresses you surprise him with from out of your closet.

It isn’t easy to give a solid answer because, well, you look good in all of them. And Eddie’s not even being biased because he’s got a sickening crush on you— no, you genuinely look amazing in every dress.

“Eddie, you’ve said yes to all of them.” You huff. “Because they all look good!” Eddie exclaims.

You frown, resting your hands on your hips and tilting your head at him. Eddie shrugs, “I don’t know why you’re upset with me when it’s technically your fault.” He points out, to which you roll your eyes and jokingly throw a dress at his face.

It takes a while for you to decide; by the time you’ve figured it out, there’s about forty minutes until the event begins.

The dress you landed on is evil, to say the least.

It’s a black puffy babydoll-style dress, except instead of a poofy top half, it’s tight fitting and pushes your chest up to sit nice and pretty, and the straps are thin, and Eddie thinks about the sound you’d make if he just reached out and teasingly snapped it against your skin. Wants to coo when you squirm and mewl and press yourself into him.

And the dress is so short, long enough to cover everything, but you wouldn’t have to bend over very far to flash a lucky person, and the sight of your thighs makes Eddie’s head spin.

He doesn’t know where the courage comes from because Eddie is anything but bold when it comes to people he has ridiculous crushes on, but Eddie couldn’t help himself, watching you bent over the sink as you do your last touch-ups to your makeup, the way your silky thighs rub against one another when you shift to get closer to the mirror— Eddie didn’t stand a chance.

He’s behind you before he knows it, and you’re smiling at him through the mirror, “Almost done, promise.” You say.

Eddie lets his hand slink around your waist, dropping his head to nuzzle into your neck, brown eyes fluttering up to hold your gaze through the glass as he kisses your skin before playfully nipping at you. You squeal, curling away from him, and he smiles as you push at him. “You’re cute,” Eddie softly says, and he grins, teeth digging into his bottom lip when you shy away from his gaze, “So pretty.” He adds.

Eddie turns you to face him as he presses you against the bathroom sink. He seeks your lips, but you pout and shake your head, “My lipgloss.” 

Eddie huffs out a laugh, shaking his head before pressing a kiss to the corner of your mouth, careful not to catch any of the sticky application before sinking to his knees, hands gentle and greedy as they caress your thighs.

Eddie leans forward to kiss the inside of your knee, “Gonna let me taste you, honey?” He hums, leaning in the press a kiss further up the inside of your thigh. Your breath hitches, legs subconsciously spreading wider to accommodate Eddie. Your nails dig into the countertop as you shakily breathe, “W-we’re gonna be late,” You weakly say as Eddie lets his tongue draw shapes in your skin. Eddie hums, sucking the fat of your thigh into his mouth before leaving with a pop, lips brushing against your hot skin as he says, “I’ll be quick. Promise.”

He doesn’t wait for your response as he coasts his hands up your thighs to loop his fingers around the band of your panties, dragging them down your legs and helping you step out of them. 

Eddie doesn’t waste time then; he kisses a sloppy wet trail up the inside of your thigh, fingers digging into the fat of your skin and helping you spread open for him so he can nuzzle his head beneath the fluffy tulle of your dress and begin his task of devouring you. You’re wet, dripping, and throbbing for Eddie’s tongue, and this is the third time that Eddie has found himself licking into you, and god, it never gets fucking old.

The sounds you make, the way you writhe, the tiny gasps you give, and then the way your cunt pulses around his tongue— it’s the pinnacle of Eddie’s night, he already knows. 

“E-Eddie— oh,” Your breathy whine makes Eddie stuff his face further into your pussy, nose brushing against your clit as he thrusts his tongue into you, your hands scrambling down to sink into Eddie’s hair and tug.

And it took Eddie longer than he’d like to admit to get his hair slicked into the neat bun he’s sporting, but with his tongue plunged deep inside of you and your pretty moans filling his ears, Eddie can’t seem to care that you’re definitely messing up his hard work.

Eddie could spend eternity here, down on his knees, under the dress of your skirt, lapping at your pussy like it’s the last meal he’ll ever have. And sure, Eddie makes this conclusion, like, every single time he finds himself between your legs, but can you blame him? You’re the sweetest thing he’s ever had the pleasure of dealing with.

You lift a leg to hook over Eddie’s shoulder, the heel of your foot pressing into his shoulder blade and pushing a moan from the depths of Eddie’s chest as he snuggles deeper into you, licking and sucking and nipping. 

“S-so close…” You whimper, thighs beginning to quiver on each side of Eddie’s head. He fixes his grip on your hips because Eddie wouldn’t dream of letting you fall in his presence, and you’re standing on your tiptoes when you fumble over the edge, crying out for Eddie as you soak his tongue.

Eddie’s moaning into you, fingers massaging and caressing the thick parts of your hips and thighs as he continues working you through your orgasm. You’re twitching and heavily breathing when Eddie parts his mouth from your slick folds, strings of arousal and spit snapping and falling to his chin. God, it makes Eddie ache in his pants.

He presses sweet and sticky kisses to the insides of your thighs, savoring every moment he has here, breathing you in, tasting you, feeling you, hearing you. He doesn’t doubt for a moment that he looks like a madman when he brings his head out from under your dress, and you giggle, pressing your hand to your lips.

Eddie wants to hear that noise on repeat. Put his headphones on and, like, clean his house or something. Let your giggles play on a constant loop until they’re engrained into the grooves of his brain so he never has to go a second without hearing them.

“What?” Eddie smiles, hands still under your dress and soothingly squeezing the shaky muscles of your thighs. Your eyes are glazed from pleasure, and you look warm as you speak, “I– your hair,” You laugh. You press the wispy curls of Eddie’s bangs back, “I’m so sorry. It looked so nice, and I messed it up.” You happily frown.

Eddie huffs out a laugh, pressing a kiss to your knee and shaking his head, “That’s okay,” He responds, reaching over for your panties to help you slip them back on. “It was for a good cause.” He winks.

Eddie doesn’t frequent fancy parties.

The fanciest event Eddie’s ever been to was a masquerade-themed dinner that he and Jeff snuck into because there were rumors of a big hit producer being there, which, big fucking shocker, they never found him since everyone was in a fucking mask. It was a waste of time, but at least they ate like kings that night.

Besides that, Eddie doesn’t go to fancy places— it’s just not his kind of scene. And it’s not like the event you’ve brought him to tonight is, like, Buckingham Palace tier, but everyone here looks like a million bucks and up, and Eddie’s not quite sure he’s up to that standard.

He would be more worried if you weren’t clinging to him like a koala bear and keeping him in light conversation.

You introduced Eddie to a few of your industry friends, and one or two of them even remembered Eddie from the films he’d done with you, which, Eddie doesn’t know why, but his head grew three times bigger in size from that. And for the most part, you keep to Eddie’s side, pointing out different people from across the room and telling him the lore behind them and whatnot as you share a plate of snacks.

And you love grapes, apparently, because Eddie’s had to get up and refill on them about three times now. “Do you want more?” Eddie asks when he realizes you’re almost done. You glance at him with a small smile as you nod, “I’ll get it this time, though. I want to try some of the cheese.”

So, Eddie nods and keeps an eye on you until the crowd obstructs his view. He busies himself with watching the room, tries to see if he can pick out anyone from any pornos he’s watched before he realizes that’s fucking weird and cringes at himself for being a perv. He finishes his glass of champagne, which Eddie isn’t a champagne guy, but it was either that or whiskey, and Eddie would rather not get shitfaced tonight.

And what’s taking you so long? You’ve been gone for a while now, and Eddie had first thought you maybe made a quick stop at the restrooms, but it’s been more than enough time, and he misses you (as fucking sappy as that is), so he gets up and makes his way to the food bar.

He’s got his empty flute in one hand and the other in his pocket, brown eyes softly scanning the room as he walks. And then he spots you, near the food where you said you’d be, with some guy talking to you, but something isn’t right. 

Eddie’s spent enough time with you now to be able to tell when you’re feeling uneasy just by the way you anxiously drag your nail against the length of your thumb, the way your eyes dart around, or the tense pull of your shoulders.

Your gaze lands on Eddie, and your eyes soften, and Eddie doesn’t even have to think twice before he walks over.

The man's back is facing Eddie, so he doesn’t see the curly-headed boy until he steps around and slinks an arm around your waist, pulling you close with a soft smile, “Been looking for you, sweets.” He presses a kiss to your forehead as you sink into him.

“Mm, just catching up with..a friend.” 

Eddie doesn’t miss the pause. He looks over to the man you’d been talking to, and you take a breath, “Eddie, this is Chris, a coworker.” You introduce the man. And Eddie remembers that name; he thinks he remembers seeing it on the script of the last film you and Eddie did together— the one where you’d asked Eddie to take over because the other guy was an asshole.

Chris reaches out a hand, “Chris. You must be a good friend of hers?”

Eddie doesn’t like that. Doesn’t like that he doesn’t refer to you by your name, or the smug grin on his face, or the sly tone in his voice when he says it. 

And Eddie doesn’t know why he does it, okay. He doesn’t know why the words fly out of his mouth or why he didn’t, like, think it through, but suddenly, Eddie’s introducing himself as your boyfriend. Which, Eddie is not your boyfriend. And you’re not his girlfriend.

Eddie would love to be your boyfriend, and he’d love for you to be his girlfriend, but— but you’re not. So, Eddie doesn’t know why he does it, but he does, and god, it’s comedic how the guy's face falls. Eddie can feel your gaze on him, and he panics a little because what if Eddie just crossed the line big time?

Chris’s gaze flickers to you, and his brows raise as you look at him, “So, I take it this is why you’re only doing solo content now?”

Which, fucking gross. That’s definitely none of this meathead guy's business! So what if you’re making solo content only? And why does he know, and why does he care? God, this guy’s a creep.

But also… why are you only doing solo content? Eddie can’t help but wonder. Did something happen? Was it this asshole's fault? Eddie will kill him if he has anything to do with it. You and Eddie have become so close; you tell each other everything about everything, so why didn’t you tell him about this? It’s not a big deal or whatever, but—

“Does it matter?” Shit, Eddie didn’t mean to say that out loud.

You’re both looking at Eddie in shock, and Eddie just blinks and waits for an answer.

You take in a deep breath, arm squeezing around Eddie’s as you answer— since this guy can’t take a fucking hint, “Yeah, actually, it is. Just didn’t feel right.” You shrug.

The guy nods, pursing his lips together, “Fair enough. Well, if that ever changes, you know where to find me.” He winks before turning around and leaving. Eddie cringes, and he almost steps forward to say something, to tell him to fuck off somewhere, but your grip tightens around his arms, and Eddie understands that you just want the conversation to be over.

Eddie’s quickly turning his attention to you, though, when you press yourself into his side, “Thank you.” You sweetly say.

Eddie nods, a warm hand reaching up to squeeze your hand that's resting over his bicep, “Don’t sweat it, princess. That guy’s a douche.” And you huff, nodding your head, “Yeah. You definitely scared him, though. It was pretty hot.”

Eddie tries not to let that get to his head. 

He fails.

The rest of the night goes well with fewer dickhead run-ins and more grapes, and Eddie is more than Elated when you say it’s time to go.

The ride home is pleasant, and you’ve been extra cuddly all night, so Eddie’s heart is practically the size of Texas when you bring his hand into your lap and slink your fingers together. You’re spending the night, so Eddie’s kind of excited to get in bed and snuggle until you both pass out— but then Eddie’s thrown in for a loop when you both get under his covers.

Banshee is busy in her bakery down at the foot of the bed, kneading little biscuits in preparation for her sleep, and you’re fresh-faced and wrapped in one of Eddie’s shirts when you look over at him with a teasing look, “So,” you start, “You’re my boyfriend.”

Eddie blinks at you, wishing the bed would just let him sink in and become one with the mattress. “Oh god,” He groans, pressing his hands to his face, “I’m sorry, it just came out! That guy was being a dick, and it was the first thing that I thought of, and— god, I’m sorry.” He drags his hands over his face and shoots you an empathetic look. “You can totally, like, kick me in the nuts.”

And Eddie kind of braces himself for you to chew him out or something; tell him he’s a weirdo, and he’ll never in a million years get to call himself your boyfriend because you’re way out of his league. But then you giggle. 

And it’s not the teasing ‘get a load of this loser’ giggle— no, it’s your sweet, kind, and adoring giggle.

“No, no. I was… I was wondering when you would ask, actually.”

Eddie’s never turned his head so fast. He thinks he imagined you saying it, like, maybe he drank too much champagne even though he literally only had less than two full glasses the entire night. “Huh? I– w-what do you mean?” Eddie gapes. “Like… like, ask you to be my girlfriend?”

And you’re so cute as you shyly nod, glancing at Eddie with this expectant gaze.

“Shit, well uh, I-I wanted to ask you in like a bigger way. Like flowers and shit because I… well, I really like you, and it’s what you deserve and—”

You cut Eddie off with a laugh and scoot closer to him, and if Eddie’s heart beats any faster, he might die. “Eddie,” You lowly and softly say, holding his gaze. Eddie nods, eyes darting down to your lips as he holds his breath. “Will you be my boyfriend?”

Shit, Eddie’s never said yes so quickly in his life.

————

a/n: HELLOOO! if you have made it to the end of this awfully long baby i am so thankful and appreciative of you, these two are my babies so I hope you enjoyed them as much as I've enjoyed my time with them <3 as always, thank u for reading and being here, i love and appreciate any feedback, ILYSM MWAH <3

————

cutie teeny taglist: @vol2eddie @paleidiot @hideoutside

[pucksandpower]

Just a Taste

Max Verstappen x best friend!Reader

Summary: you quickly learn that there’s more to the chocolates you devoured than meets the eye

Warnings: 18+ content, dubious consent (thanks to aphrodisiac chocolates)

You knock on Max’s front door, balancing a tray with four large lattes in your arms. “Max!” You call out, “It’s me!”

No response. You frown, knowing he’s usually back from his morning run by now. Shifting the drinks to one arm, you pull out your key and let yourself in.

“Max?” You call out again as you kick the door closed behind you. Still no answer.

You make your way to the kitchen and put the coffees down on the counter. Every Sunday morning you and Max have brunch together, a tradition you’ve kept up for years, ever since you became friends as kids.

As you take a sip of frothy caffeine, your stomach rumbles loudly. You glance at the clock — you’re a bit early today, so Max probably hasn’t returned yet.

Looking around, you spot a pink box on the counter that you don’t recognize. Curious, you open it up to find a dozen chocolates inside. A small note card reads:

For when you finally meet someone special - Lando

You chuckle to yourself, trust Lando to tease Max about being perpetually single. Popping one of the chocolates in your mouth, you savor the rich sweetness that melts on your tongue. Before you know it, you’ve eaten three more. They’re just so good! Max won’t mind if you have a few, right?

You’re nibbling on a fifth chocolate when warmth blooms through your body. You feel … tingly all over. And is it just you or did the room get brighter? You blink a few times then shake your head, trying to clear the sudden haze that’s settled over your mind.

Just then, the front door opens and Max calls out, “Y/N? You here already?”

“In the kitchen!” You reply, your voice coming out breathier than normal. You feel hot and flushed now, your skin ultra sensitive. What was in those chocolates?

Max enters the kitchen and stops short when he sees you leaning against the counter, breathing heavily. “Whoa, are you okay?” His brow furrows in concern as he takes in your disheveled appearance.

You stare at him, suddenly unable to form a coherent thought beyond how good he looks right now, sweaty from his run in just a compression top and shorts. You’ve always thought Max was cute of course, but now an almost uncontrollable urge to touch him overtakes you.

“Y/N?” Max prompts again, stepping closer and seeing the open box of chocolates beside you. “Did you … oh no. You ate from the pink box, didn’t you?”

You nod, not trusting yourself to speak. Max runs a hand through his hair. “Those were from Lando, they’re infused with … let’s just say they have special effects. I told him it was a stupid gift idea.”

He moves towards you but you back away quickly. “D-don’t,” you stammer out, worried what might happen if he gets too close right now.

Understanding dawns on Max’s face. “It’s alright, just try to stay calm. Come on, let’s go sit down.”

He gently grasps your arm and leads you to the living room couch. You sink down onto the soft cushions, resting your head against the back and closing your eyes. Your skin is on fire, you shift restlessly as desire coils hotly inside you.

Max sits down on the other end of the sofa. “This will pass, just ride it out,” he says soothingly.

You crack open your eyes to look at him. His face is etched with concern and something else you can’t quite place. “Max,” you breathe out his name like a plea.

He swallows hard. You’ve never wanted someone as much as you want Max in this moment. Scooting closer to him, you reach out a hand to touch his cheek.

Max inhales sharply at your contact but doesn’t pull away. His eyes search yours questioningly.

“Please Max, I need you,” the words fall desperately from your lips before you can stop them.

Max’s eyes widen in surprise before darkening with unmistakable desire. He’s silent for a long moment, emotions playing across his face as he struggles with indecision. You hold your breath, heart hammering in your chest.

Finally Max moves, shifting forward to close the small gap between you. His hand comes up to cradle your cheek tenderly as his eyes lock with yours.

“Are you sure?” He asks softly.

You answer by surging forward to capture his lips in a heated kiss. Max responds immediately, mouth moving urgently against yours. His arms wrap around you, pulling you against his strong chest.

You sigh into the kiss, hands tangling into his hair. His lips are even softer than you imagined. You swipe your tongue along his bottom lip and Max parts them with a low groan.

As the kiss deepens, your desperation mounts. You need more, need to be closer. Straddling his lap, you rock your hips against his, feeling his growing arousal.

Max breaks the kiss with a gasp. “We should stop, the effects will wear off soon,” he protests weakly.

“Don’t want to stop,” you murmur, trailing kisses down his neck. You nip at his pulse point and Max lets out a strangled moan, resolve clearly wavering.

His hands grip your hips tightly as you continue to move against him. “We shouldn’t, not like this,” he tries again, but you silence him with another heated kiss.

You pull back just enough to meet his gaze. “Max, I want this. I want you. Not just because of the chocolates. I’ve always wanted you.”

Max’s eyes widen at your confession, before a vulnerable smile spreads across his face. “I’ve wanted you too, for so long,” he admits softly.

Cupping your face in both hands, he kisses you tenderly. When you eventually break apart, foreheads resting together, Max asks “Are you sure this is what you want? I don’t want you to regret anything.”

You smile and take his hand, rising from the couch and pulling him up with you.

“I’ve never been more sure of anything,” you tell him sincerely. “Now take me to bed.”

His eyes darken and he laces his fingers through yours. “Gladly,” he murmurs, before leading you towards his bedroom and kicking the door shut behind you.

As soon as the door clicks closed, Max presses you up against it, capturing your lips in a passionate kiss. His hands roam your body eagerly as your own fumble to push his shirt up and off him.

Breaking the kiss, Max trails his lips down your neck, nipping and sucking at the sensitive skin. You gasp and arch into him, nails raking down his bare back.

Needing more, you reach for the hem of your own shirt but Max stops you.

“Let me,” he says huskily, grasping the fabric and lifting it up tantalizingly slowly to reveal your skin inch by inch. He pulls the shirt over your head and tosses it aside before returning his heated gaze to you.

Reaching behind you, Max deftly unhooks your bra, letting it slip from your shoulders to the floor. He hovers over you, grey eyes burning with desire as they rake over your newly exposed skin. “You’re so beautiful,” he whispers reverently before ducking his head to trail hot, open-mouthed kisses down your neck and chest.

Leaning in, he kisses down between your breasts before capturing a nipple in his mouth. You cry out, hands coming up to grip his hair tightly. He lavishes attention on your breasts until you are squirming against him desperately.

Sensing your need, Max scoops you up in his arms and carries you to the bed. He lays you down gently against the rumpled sheets before settling over you, the hard planes of his body pressing deliciously against your own softer ones.

You kiss feverishly as you fumble with the drawstring of his shorts, shoving them down impatiently. Max kicks them off before reaching for the button of your jeans. Soon the last barriers between you are gone.

Max trails heated open-mouthed kisses down your stomach until he reaches the apex of your thighs. He looks up at you questioningly and you nod eagerly. You arch up into his touch, gasping and tangling your hands in his hair.

“Please Max,” you beg desperately, needing more.

At the first touch of his mouth on your most intimate area, you cry out his name, hands twisting into the sheets. He takes his time exploring you with his lips and tongue until you are writhing and gasping beneath him.

When you feel yourself teetering on the edge, you breathlessly beg Max to be inside you. Needing no further encouragement, he moves back up your body, positioning himself at your entrance.

He pauses, meeting your gaze. “I’ve wanted this for so long,” he says huskily before finally joining your bodies in one smooth motion. You both moan at the feeling of completion.

Max sets a steady rhythm, angling his hips until he finds the spot that makes you see stars. You feel the pressure building rapidly within you. Sensing you’re close, Max increases his pace. His thumb rubs tight circles over that sensitive bundle of nerves until you shatter around him with a cry. He follows right after, burying his face in your neck and groaning your name as he finds his own release.

You cling to each other as you come down, trading soft kisses and whispers of affection. Eventually Max rolls off of you, gathering you close against his chest.

“That was incredible,” Max murmurs, dropping a kiss to the top of your head. “You are incredible.”

You smile up at him adoringly. “You’re not so bad yourself.”

He grins and squeezes you tight. You drift off curled safely in the arms of the man you’ve always loved, happier than you’ve ever been.

***

The next morning, you wake up to find your legs tangled with the man beside you. Last night had been incredible, even better than your wildest fantasies.

You feel Max begin to stir. Turning in his arms to face him, you meet his sleepy gaze.

“Morning,” Max smiles at you, brushing a strand of hair from your face. His expression turns serious. “How are you feeling?”

You know he’s asking about more than just the effects of the chocolates. You lift a hand to caress his cheek reassuringly.

“I’ve never been happier,” you tell him honestly.

Max’s face breaks into a radiant grin. He kisses you softly before pulling you tightly against his chest. You bury your face in the crook of his neck, breathing in his scent.

“I’m so glad you feel the same way,” Max whispers into your hair. “I’ve wanted to tell you how I felt for so long but I didn’t want to risk our friendship if you didn’t feel the same.”

You lift your head to meet his gaze. “Well you don’t have to worry about that anymore,” you say, leaning in to kiss him languidly.

When you eventually break apart, Max smirks at you. “Remind me to send Lando a thank you card.”

You laugh and snuggle back into his embrace, making a mental note to pick up another box of those chocolates. Just in case.

[http-shield]

you offering?- bucky barnes unhinged!avenger reader x bucky

a/n: this was the first draft of smash (in a loving way) which is why some lines are the same.

Moving day swiftly degenerated into chaos as more and more boxes were unloaded from the truck. Theoretically, Steve and Bucky should not have that many possessions, seeing as neither of them had lived very long lives in the new century; however, as box after box is carried in, you realise you couldn't be further off base.

Steve shouts down the hall, alerting you of their arrival (having smacked headfirst into you with a box full of record hours earlier, you had developed the system of very loudly announcing yourselves before walking into narrow spaces). You turn to the hallway, ready to semi-jokingly tell Steve off for all the free labour he had managed to squeeze of you, but your brain short circuits as Bucky walks in. The long-sleeved shirt had turned up in has long since been discarded. Instead, he is sporting a black tank top showcasing a stunning display of his muscled arms and shoulders. Unable to look away, you follow the veins along muscled forearms, sweat glistening in the afternoon sun, vibranium fingers humming as they glide over the tops of the box, his hair pulled back in a bun sitting low at the nape of his neck and those godforsaken strands that hang over his eyes leave you thinking about the way they would feel brushing over your thighs.

"You're drooling." You jump, startled by Steve's amused whisper, as he stands behind you, cast iron pot in his hands.

"Ha.Ha." The retort is weak, mind too preoccupied with thoughts of your friend to conjure a coherent sentence.

"Seriously. You gotta bit'a...." Steve wipes the side of his mouth with his thumb, smirk growing as he continues to tease.

"You need to get outta here before I punch you in the face." you whirl on him, warning through clenched teeth. "I will fight you, old man."

He backs away, raising his hands in defeat. "Kids these days, can't take a joke."

-----

An Ikea flatpack sits on the floor of the living room. The name and instructions unreadable as the three of your stare a the unbuilt couch frame.

"You bought a box?" Bucky turns to Steve, brows raised as he gestures to the floor.

"It's a sofa, Buck. We just need to build it." the former sighs, crouching down to examine the slip of paper it came with. "We just need to learn Swedish."

Bucky follows suit and squats, grumbling something about knowing 30 languages but unable to put together a stupid piece of furniture.

You debate joining them, adding a new brain to the equation, but as if it were your turn to take that single cell passed between the three of you, you reach for your laptop and begin your search.

30 minutes later, the frame is complete. The cushions, however, are nowhere to be found.

"Did you not order them?" you ask, eyes still trained on the screen as the two super soldiers stare at the incomplete project.

"I didn't know I was meant to!" Steve is quick to defend his mistake. "If you buy the couch, it comes with it."

It's not a completely irrational thought. It's common sense really. You buy a couch it must come with cushions, so why didn't this one?

Bucky sighs, pinching the bridge of his nose. "So we have one bed and couch frame? Where am I meant to sleep, Steve?"

"You can sleep with me." You mumble as you scroll through ikea website, searching for the accompanying pillows.

"Is that you offering?" Bucky asks, and for a second, you are confused by the question, but as you look up from the screen, you find both men staring at you. Ah, the super hearing caused by the super serum. Super.

"Offering what?" you play dumb, biting down on the tip of your thumb, hoping he can't hear your heart slamming in your chest.

"Just thought you were offerin' to have me sleep with you but I guess I heard wrong." Bucky smirks and shrugs. "Guess ill have to take all this " he begins to flex, making an obvious show of his muscles. "and sleep on the floor."

You bite down on your finger in a futile attempt to hide the smile that is forming. "Guess so."

Bucky frowns, sad, wide puppy eyes staring at you. "Come on, doll. Don't make me beg."

Heat flashes through you and your heart picks up speed again. "You can beg for it, Barnes, doesn't mean I'll let ya' " your voice shakes a little, but you can hide it behind a smug chuckle.

Bucky's tongue darts out to wet his lips as he begins to retort but Steve's cough stops you both. The Captain's face is crinkled in disgust as he stares.

"Could you save this till I'm not in the room?"

[stars4ani]

nsfw 18+

(i was picturing s1 rafe as i wrote this cos he’s so underrated)

rafe cameron is extremely short tempered, and jealous, especially when it comes to you..

you’re clinging onto his bicep and leaning your head on his shoulder, curled up next to him as he deals drugs.

“this is the- the best fuckin’ yayo around,” he’s telling the guys seated in front of him, “and it’s a damn good deal too, c’mon.”

you get stares from the people mingling in the same area, as you often do when you’re clung onto rafe. you’re known for being harmless, innocent even, so it always shocks people to see you with someone so… mean.

but rafe sees you as the sweetest thing ever, he always feels a need to protect you, especially from the very people he works with. when he notices one of the guys looking at you for a little too long, he pulls your shirt up to cover your cleavage and leans forward towards him.

“y’know what, no deal.” he scoffs and grabs you by the arm, pulling you into the closest bedroom he could find.

“calm down rafe!” you giggle, you know how he gets when he’s jealous, as tough and cold as he is, he still needs the reassurance that you’re all his. the soft kisses he leaves on your neck grow more desperate as he bunches your hair into a makeshift ponytail, pulling your head back as he trails down your collarbones.

“rafe- someone could open the door any second and see.” you squirm slightly, putting your hands on his chest to create some distance.

“let them see baby, you’re lucky i didn’t fuck you in front of ‘em.” he chuckles dismissively, backing you up towards the bed and pushing you down softly. you don’t even know what to say, blushing at your boyfriends dirty words.

“yeah, you know you like that shit, what would your friends think huh?”

you grow slick, he’s right, you did like the way he spoke to you, the way he treated you in the bedroom was so different in comparison to the way he usually treated you.

with your legs wrapped around his waist pulling him closer, he’s impossibly deep inside of your fluttering walls. his big hands on your shoulders, almost covering them completely while his grip doesn’t seem to falter, strong arms never getting tired. you let out small gasps as he brings his hand down to your lower stomach, pushing down before he lets his thumb circle your puffy clit. your whines grow more desperate, moving your hips up to meet his as you get closer.

“wish he could- fuck- wish he could see you like this right now.” he pants, mind still stuck on the guy from earlier, thrusts remaining consistent.

“stop- stop talking- mmph- stop talking about him rafe,” your voice is shaky, you’re barely able to form a coherent thought in your head, “i’m all yours, okay?” you reassure.

that’s enough to push him over the edge, spilling inside of you. he pulls out and uses his fingers to push his cum back inside of you, pulling up your panties and giving your fucked out cunt a light tap. you shiver and shoot him a confused glance. he puts his clothes on, urging you to do the same before walking back out with a hand on the small of your back.

“gotta mark what’s mine baby.”

[familyvideostevie]

steel drum weight of me

joel miller x fem!reader, 18+ mdni

summary: joel comes back from his wall shift with hands in need of some serious tlc. but why stop there? | 3.2k

warnings: fem!reader, fluff turned to smut, a tender blowjob, p in v sex, unprotected sex, riding, creampie

a/n: this could be in the same universe as come care about me and watching you with wonder but who knows. what matters is it's a post-part i jackson au and all is well. this is my first fic in a while and i hammered it out today so hopefully it's coherent. <3 series masterlist here.

__

Jackson looks its best in the winter.

You've always thought so with its endless skies gone white, blending in with the grey clouds carrying the constant threat of snow. The peaks you never tire of, such ethereal beauty in a world otherwise gone to shit, looming over town with a steadfastness that you can fool yourself into thinking means protection, means safety. In reality, they're just something nice to look at when you have a free moment.

It's also fucking cold.

But you can deal with that. You've spent more winters in the last twenty years than you'd like to remember mostly outside, freezing your ass off, fingers so numb you could barely pull the trigger. But when it counted, you did.

Winter now means a town full of children laughing and having snowball fights. It means big pots of stew and your pick of hats, scarves, and a good pair of boots. It means a warm house to go back to every night, a bed to crawl into, and a man you love to hold you.

Things could be worse.

You're home first today. Joel and Ellie are on the wall and have been since mid-morning. The light is already going, the sun dipping behind the Tetons, sky that winter mix of purple and pink that makes the breath catch in your throat no matter how many times you see it. There's a flu going around and taking people out for a few days at most but it means fewer bodies free for the wall and for patrol. You're pulling a double tomorrow and you're already looking forward to the hot bath you'll take after.

Today, though, you change from your work clothes to something softer, a sweater that travels between your drawer and Joel's, thick socks Dina gave you for your birthday last year. It's hard to heat houses like yours the way you used to but it works well enough to fight the chill so long as you layer. That's the name of the game these days: adapting.

You set the kettle to boil and forgo thinking about dinner for a few hours. Joel won't drink tea with you but if Ellie stops by she'll have some. Maybe you can convince her to watch the movie you pulled from the library this week. You love him, but Joel just doesn't appreciate comedies.

The front door creaks, the bell you have hanging from the doorknob jingling.

"S'me," Joel calls into the house. "You home?"

"Making tea." The kettle isn't steaming yet so you lean against the counter and wait.

The sounds of his return are familiar even though you can't see him. He locks the door with a click, shrugs his jacket off with a sigh. He sits down on the bench you put in the entryway so he can take his boots off. The thunk of one and then the other. He'll tuck them next to yours under the coat rack. When the weather is bad you try to come in the back door so not as to track snow through the house but you don't want his back to get any worse so a bench in front makes sense.

The kettle screams. You pull it off quick and pour the water into your mug -- a chipped green one with a dinosaur holding a cookie that you find endlessly amusing -- and leave it to steep. The floor creaks under your socked feet as you make your way into the hall. Joel still sits on the bench digging into the meat of one palm with his thumb like he's working the feeling back into them.

He looks up and his jaw softens a little. His cheeks are rosy from the cold and his hair a mess from the wind. "Evenin," he says.

"How was the wall?"

"Fine." He stops messing with his hands and rolls his shoulders back with a grunt. "Ellie swears she saw a moose on her last patrol. Said to tell you. I think she's fuckin' with me. How was your shift?"

"Fine," you echo. "Is she coming for dinner?"

He shakes his head. "Game night at Jesse's."

You cross the remaining distance between you and he parts his legs automatically so you can stand between his knees. You run a hand through his hair, pushing the greying fringe back from his eyes. He looks up at you and finally smiles, just a little. You drag your hand down the side of his face and enjoy the feel of his beard on your skin.

"Maybe she did see a moose." He rolls his eyes and brings a hand up to cover yours. You lean down to kiss him but something catches your eye and you pull back, tugging your hand from beneath his to circle his wrist.

"Jesus, Joel." He makes a surprised sound.

"Hey now, what --"

You pull his other hand from his knee and hold them both close to your face, turning them over in the light of the entryway. "You didn't wear gloves, did you?"

He just shrugs. That means someone else on the wall -- probably Ellie -- forgot theirs and he handed his own over.

The skin of his knuckles is dry and cracked, the rest of his palm dry and cold to the touch. You've seen them bloody, broken and bruised, and compared to that, this is tame. Welcome, almost. But you know he won't do a damn thing about it, let himself bleed rather than take a second to make things better.

And you've never minded this part. Taking care of him, making him slow down and rest for even just a little bit. You both know you'd get your hands dirty or worse for him and he for you, but this is the part he has trouble with. So you take the reigns.

It's part of how you fit together -- part of how you look after each other.

"We've got something for this." Joel looks unamused. You press a light kiss to one of his knuckles and his nostrils flare. "Go sit on the couch," you say.

"I'm fine --"

"Joel, they'll bleed if you don't let me --"

"I said I'm --"

"Hey," you say. He hears the finality of your tone and lets you have it, sighing your name in one long breath.

"Alright," he says. "Move, then."

You press a quick kiss to his lips and release his hands to step back. He stands with his usual grunt and you have to stop yourself from leaning into the width of him, from wrapping your arms around him and slotting your nose in his neck and never letting go.

"It's that salve Dina brought over last week," you tell him. "The new one for the winter. Smells nice. Good for this kind of stuff."

Joel makes his way to the couch and you fetch the tin from the kitchen.

"What's it made of?"

"Uh -- oil? And some flowers, I think? Wax, maybe."

He's settled into the cushions when you return, smirking. "It's okay to say you don't fuckin' know."

You sit next to him and unscrew the top, folding your legs so you're facing him. "Well then, I don't fuckin' know." You're sure to imitate his drawl.

"Cute."

"Gimme those hands, big guy."

The salve smells faintly of lavender and it's cold on your fingertips. Joel extends his right hand and you work it into his skin slowly, extra careful around where it's cracked and split. You feel his eyes on you but you let him look.

"Feels good, huh?" He hums. "If you'd wear your gloves then --"

"What was I gonna do, let her freeze?" So it was Ellie, then. You flick your gaze up and find his brow furrowed. If you have a free hand you'd smooth the crease with your thumb.

"No," you say. "Guess it's a damn good thing you have me here, then."

He chuckles, a throaty, rusty sound. "Guess so."

You finish the first hand and motion for his second. He gives it to you and you dig your thumbs into the meat of his palm. Joel lets you touch him whenever you like, for the most part. Pressing into his side when you walk down the street in town, trailing your lips down his neck until he whines just a little in your bedroom. You've worked knots out of his shoulders and cleaned blood from surface wounds. You can never get enough of him, of his warmth, the expanse of his tanned skin all yours for the taking.

And, boy, he touches you back.

So you take your time. You rub the salve between his fingers, over the ridges of knuckles split so many times you don't even know about. His hands are rough even when they're not dry and cracking, callused from years of hard work. From years of violence and playing guitar, shooting a gun and holding the people he loves. Dotted with scars and nicks, hands that have touched every part of you.

Joel's slightly slimy finger taps your chin. "You okay?" You've been stroking the same bit of his hand for who knows how long.

"Yeah," you say and mean it. You rub your own hands together to soak in some of the salve before putting the lid back on the tin and standing. "Need to let it soak in."

"Feels soaked in already," he grumbles.

"Stay there." He purses his lips. "I mean it, Joel."

"Bossy today," he says. "There's wood that needs choppin'." You ignore him since he's just being annoying. The salve goes back in the kitchen and his voice trails after you. "And I told Tommy I'd --"

You turn on the tap. "You gotta let that soak in," you say again from the sink.

"What? Can't hear over the water."

You turn off the tap and dry your hands. Joel is still on the couch when you return. "Sorry," you say. You run your hand through his hair again and settle back down next to him. "I said be patient."

"Don't think that's what you said."

"It's what I meant."

And he looks at you in that way that always makes your face feel hot. Like he's seeing right to the bone of you, like he's laying you bare on the floor in his mind. Like he never wants to stop looking at you, next to him on the couch, leg pressed to yours. Like he loves you.

"Alright," he says.

You get an idea, the flames licking at your belly and your hands itching to touch him again, to touch him differently than before. That idea has you grabbing a pillow and tossing it to the floor, has you getting up and drawing the curtains before you sink to your knees before him.

Joel only looks mildly surprised, eyebrows raised, mouth tugging up at the corner. "Now, I ain't gonna complain but --"

"Then don't," you say. You tug his shirt from his waistband and start working on his belt. "Gotta pass the time somehow. And I don't know what we're doing for dinner yet, so maybe I'm just stalling."

"Hell of a way to stall." He reaches for you to touch your face, maybe, or help you with his belt, when you click your tongue. "We can just go to the community hall--"

"Don't touch," you remind him. "You have to let it--"

"Soak, Jesus, yeah, yeah." Joel tips his head back along the sofa and takes one deep breath. If he really wanted to he could ignore you and you'd let him get away with it, but if there's one thing you and Joel have solidified, it's trust. He trusts you to take care of him, to handle him with hands that love him.

So you do. He lifts his hips just a little so you can tug his jeans down, zipper undone and button popped. You pull out his cock, already half-hard at the promise of what's to come. You spit into your palm and stroke him once root to tip and he hisses. More blood flows and he stiffens in your hand.

"You just gonna look at it?"

You give him a squeeze for being a shit. He laughs but it sounds punched out, on the edge. Frankly it's an effort not to take him in your mouth right away. You've always loved this -- the exchange of power, the trust. You're the one on your knees but you're calling the shots. And he's mouthwatering. The way his cock curves a little, the vein that runs along the underside. The mushroom head a little pinker than the rest, the wiry hair at his base. The hefty weight of his balls in your hand, on your tongue. You know how to make it good for him and it's good for you, too.

Joel opens his mouth to no doubt say something else annoying so you finally drag your tongue along the vein, swirling a little at the top before taking just the tip of him in your mouth. His precome is salty. You work your hand along the rest of him as you start to suck in earnest, hollowing your cheeks and taking a little more each time.

"Look so pretty, baby," Joel says. His voice is gravely, broken in his throat. You manage to take almost all of him and you swallow, just once. Your reward is your name spilling from his mouth in a groan.

It's messy. Spit beads at the corner of your mouth and drips a little as you work him, breathing through your nose when you take him all the way. So good, takin' all of me, keep goin'.

Joel has clearly forgotten your directive as he winds one hand in your hair and pulls just a little, just enough to make you moan around him. You don't scold him for it, instead keeping your eyes on his face. His head is tipped back just a little, lips parted at he gazes down at you. His other arm is stretched along the length of the couch, his fingers digging into the fabric as you bob on his cock.

You know he's close. You can feel how he's trying hard to keep his hips down, trying not to fuck your throat cause usually he asks first. So it's only a little surprising when he pulls you off him, eyes a little glazed and some color high on his cheeks.

He wipes spit from the corner of your mouth with the pad of his thumb. "Why don't you c'mere?" he says. "Let me fill you up."

"Joel." This was supposed to be about making him feel good. You know even if he comes in your mouth he'll ask you let him touch you, so frankly you don't mind if he fucks you or not.

He smirks, presses his fingers into the side of your neck a little. You swallow so he can feel it. "We both know you can take it," he drawls, eyes dark. "Always gets you goin', my cock in your mouth."

You can feel the heat between your legs, the arousal pooling in your gut. He's right but he's also an asshole. "You're annoying," you tell him.

"So is that a no?"

You drag the flat of your tongue up his shaft one last time as punishment before standing, using his knees as leverage to get off your own. He shucks off his jeans the rest of the way as you drag down your pants, letting them pool with your underwear at your feet before stepping out. Joel holds out a hand for you to balance on and you take it, putting your other on his shoulder.

"Feels softer already," you mutter. Joel snickers and you straddle him. He uses one hand to drag his fingers through your cunt and you fail to swallow a gasp.

"Well, look at that," he says. "I was right." He pushes two fingers into you and they go easily, your hips jerking as he pumps them in and out once, twice, and then you're empty again.

"Smug bastard," you manage. He brings his hand to his mouth and takes a long lick before surging forward to kiss you. You can taste yourself on his tongue and it makes you even wetter.

Joel licks into your mouth and you kiss him back sloppily, desperately, in the way you know he likes. You're so busy with that hands on his face, his beard scratching your skin deliciously, that you don't notice what else he's doing. His hand presses into the bare skin of your back under your shirt and you lift up a little on instinct and then --

The head of his cock nudges at your entrance and his hand presses again and you meet the movement of his hips with your own and he fills you with just one stroke.

You moan in unison, Joel's arm wrapping around your back as you curl yours around his neck, mouths not so much pressed together as hovering as you pant, as you adjust. Even with how wet you are Joel is a stretch, a welcome one, but a stretch regardless. You shift your hips, roll them back and forth a little.

"Go on, then," you tell him. "Fuck me."

He laughs.

His lips leave yours and trail down your chin, sucking spots onto your neck and on that spot that makes you keen as he does what you ask. He goes slow at first, letting you meet him thrust for thrust. One hand snakes up your shirt, thumbs at your nipple when he finds no bra in the way. You wing your fingers in his hair and tug, tug until he picks up the pace, until all you can hear is the smack of his flesh against yours.

"Joel -- Joel -- right there --"

"M'not gonna -- I -- fuck --"

"Said you were gonna fill me up, didn't you?" you pant, managing to find a bit of cheek in the haze of your fucking. "C'mon, Miller. Don't keep a lady wait--"

His hips pick up the pace, his hands pressing into you hard enough to bruise. You give up trying to tease him and hang on for dear life, managing to snake a hand between your legs to rub at your clit as he pounds into you. The only thing you can say is his name over and over as you feel the hook pull taught, feel the head of his cock brush against and then pound that spot that makes your vision blur.

Joel comes just before you do, his thrusts stuttering and his name on your lips. You feel it, the heat inside you and it's enough to send you over the edge, your cunt squeezing him as he empties inside you.

You press your forehead to his and catch your breath. He palms your neck, your jaw, slides his thumb lazily under your eye and kisses the corner of your mouth.

"Hell of a salve," he manages.

You slot your lips over his. "Wear your damn gloves." Joel laughs and it shifts him inside you. Even softening it makes you both hiss a little. "Just gimme a second."

His hand drags up and down your back, pressing into your spine. "Take your time," he says. "M'clearly not goin' anywhere."

"You never stop, do you?"

Joel kisses you again. "'fraid not."

You laugh into his neck. "Good."

thank you for reading <3 reblog, send feedback, general masterlist here!

[loveshotzz]

Requesting an Eddie story that is hand fetish heavy? Teasing with a slow, single finger caress down the arm, intentional intricate guitar playing while you roll a joint.

Hands slowly caressing face, fingers tracing the lips, fierce hand holding during physical, light choking?

hey baby, sorry this took me so long. i hope you like it 💗

eddie munson x fem!reader

word count: 1.1k

warnings: 18+ hand kink, fingering (fem! receiving) slight dom!eddie if you squint, light choking, finger sucking, learning new kinks with your bf 💗

-———————————————————————

Eddie’s hands were the first thing you noticed about him. The gaudy silver rings that adorn almost every one of his thick fingers make them hard to miss. They demand your attention every time they catch the light, metal wrapping around them gleaming bright. They pull you into whatever story he gets carried away telling, gesturing wildly with excitement. You find them always squeezing at the plush softness of your thigh before searching for your fingers to tangle with on long drives, always bringing your wrist up to the silk of his lips that pepper kisses across your delicate skin, relishing in the way the gesture still makes you go shy.

You were always free to stare when he’d get you on his bed, practically vibrating to show you the music he’d spent the whole week working on. His calloused fingers moving expertly across the strings of his guitar, gliding over the neck with ease as he adds more rough softness to the touch your skin burns for, desperate to be the one he puts all his focus into like that. A small smirk plays hidden at the corners of his lips when he looks up at you from under the hood of his lashes catching the way you have your legs closed tight every time.

Little things he does makes you wonder if he knows about your little fixation. Fingers trailing the shell of your ear when he tucks your hair back, the rough pad of his thumb tracing your bottom lip when he pulls your attention up to his big auburn eyes by your chin. The warmth of his hand always swallowing you whole. Could he see the need blowing your pupils wide when your tongue pokes out to trace the tip? The shallow intake of breath that cracks through his confident demeanor tells you he can.

It’s not until you’re straddling his lap in his living room, a half smoked joint hanging loosely from lips with your skirt rucked up to your hips that you know he’s figured it out. Eddie smirks at the sweet gasp that escapes past your parted lips when he pushes two thick fingers inside your begging walls. Brows knitted together with fluttering lashes, the pad of his thumb starts working slow lazy circles around your clit when you feel the heat of his rings against your entrance. The stretch of them is almost enough to fill you to the brim.

Eddie loved getting you like this, legs spread with you dripping onto the dark wash of his jeans rocking against the palm of his hand chasing the kind of high only he knew how to get you too. Taking the joint out of his mouth, he holds it to your lips one last time, darkness flooding his eyes when they brush against the pads of his fingers as you take a hit. A small moan escaping with your exhale when he curves the ones inside of you hitting the spot that makes you say his name just how he likes.

Your palms find his shoulders, fingers digging into the rough cotton of his shirt pulling yourself closer while he snuffs the joint out. The sound of your slick fills the quiet of his trailer, and the lewd squelching from how turned on you are is enough to make you flush.

“Fuck, look at you. Makin’ such a mess all over me.” Slowly, he stretches you with a third finger and it makes your eyes roll into the back of your head. “You like my hands don’t you baby?”

Your walls flutter and squeeze him harder at his words, your body giving away your secrets to him like it always does while your pussy tries to pull him deeper. You don’t answer him, too fucked out to form a coherent thought but he doesn’t like that.

The hand that grips your hip holding you close leaves it home to try something new. His chocolate eyes telling you it’s okay to tell him no when his fingers wrap around your throat. He feels the way you clamp around him at the new sensation, a devilish smirk spreading across his face as he leans back against the couch to get a better view. He squeezes just hard enough to watch the way your eyes roll in the back of your head.

“I said you like my hands, don’t you sweetheart?” He adds just a little more pressure, and it earns him the high pitch whine he was looking for.

“Yes, god, fuck, yes Eddie.” You’re babbling now, the first orgasm of the many you knew he was going to pull out of you quickly approaching.

He starts moving his fingers in the ‘come here’ motion, the tips of them brushing against the spot that makes you forget your own name. His thumb pushes harder against your bundle of nerves while his hips start rolling up to meet each of your bounces on his lap. His eyes growing darker when your velvet walls start gripping him the way they do when you’re about to cum.

“You like when they make you feel good like this huh?” The lewd squelching gets louder as the movements of his wrist start getting more aggressive, his chain slapping against your thigh. “Come on, don’t be shy. Tell me how good it feels, baby.”

The metal of his rings dig into the mouth shaped bruises all over your neck, and it’s enough for his words to make the coil that was being wound so tight inside you snap. A “So good! — fuuuuck!” coming out as a pathetic whine when you fall apart around him. His brows knit together as he watches you tremble around his thick digits, his jaw going slack when you start fluttering from overstimulation. He’s never had you cum all over his fingers this hard.

You can’t help but feel empty when he pulls them out. Shuddering, your own body betrays you when it tries to get them to stay. The hand around your neck loosens its grip before dropping down to your thigh, he palms at the soft fat still shaking from the intensity of it all. The air is electric when the realization of what’s been revealed settles between you.

His fingers shine with your slick in the low light from the lamp while his half lidded eyes read you like a book. He’s tentative when he brings them up to your lips, gauging your reaction. Your mouth opens just like he thought it would and he groans loud when your tongue slides between his knuckles collecting the sweetness left from your orgasm like a treat. They stretch your cheeks out while you suck them clean, and he looks at you mesmerized by what he sees.

“I fuckin’ knew it.”

[dracowars]

angel | annatar

pairing: annatar x elf!reader

word count: 3,1k

summary: where annatar fails to protect what is most precious to him

a/n: this man has me in a chokehold, writing for him is so much fun!! thank you for all the love and support on my first annatar one shot, i'm so excited to write more for him in the future. i hope you enjoy this one as well and ily all <3

warnings: angst, manipulation, violence, mentions of blood, mentions of severe injuries, mentions of death, character death

universe: the rings of power

You breathe in relief when you finally reach a clearing, the fresh air blowing through your hair, the sun high in the sky warming your face. Breathing heavily and holding on to the stones at the exit of the cave tunnel you just stumbled through, you leave the protective walls behind you with a few more steps. Your gaze wanders over Eregion, immediately diminishing the short spark of joy you felt. The beautiful city, your home, lies in ruins. Most of the buildings have crumbled or burned beyond recognition and even from up here you can hear the roar of the numerous orcs invading the city. The sun, which brightens yet another day, does nothing to cheer you up. It is merely a reminder of what you have lost in the last few horrifying hours. The night may be over, but the battle is not.

You take a moment to take in the disaster, but hiss when you suddenly feel a stabbing pain in your abdomen. The climb up here has cost you an enormous amount of strength and you can't even formulate a coherent thought anymore. You look down at yourself, your precious dress dirty and torn. Trembling, you remove your hand from the wound on your stomach, where an arrow had pierced your flesh just a few moments ago. You broke it off in agony and tried to stop the blood with your hand, but you continue to lose blood, causing you to stagger a little.

You are not a fighter, you are a simple elf and resident of Eregion. Never in your eternal life would you have expected to see Eregion fall. And its Lord with it.

Celebrimbor has been entirely dedicated to the creation of the Rings of Power. For the past few weeks he has been left in solitude to end what he started. You gave him the time and space he needed. And prayed that he finishes his work before it finishes him, as Lord Annatar put it. But what did all these precautions ultimately lead to? You stood there, watching your only home get destroyed. You stood there, watching your best friend fall to her death by the hand of Celebrimbor. You stood there and let him accuse Annatar of the most atrocious deeds.

Annatar, who sacrificed so much for him, for this city. Annatar, who always helped everyone in need, who did not shy away from standing up against the Lord of Eregion or fighting for the well-being of the elves.

Annatar, who captured your heart.

Which is why you find yourself on top of a mountain right now and not in the middle of a fight for life or death. Celebrimbor's mind is gone. And the proof lies right in front of you, your beautiful, breathtaking Eregion - nothing more than rubble and ashes.

All you knew is that you had to follow him.

'Stay', Annatar told you with his beautiful shining eyes in which you discovered the stars. 'You are safe here.'

You nodded. And still followed him.

And now you understand why you should have listened to him. As you turn around and look into the forest that is at the top of the mountain, you see him standing there, his sword drawn. But he is not alone. At first you thought that your eyes were playing tricks on you, that the heavy loss of blood was confusing your thoughts, causing you to hallucinate, but you actually see Galadriel standing opposite him.

Not only that, they are also surrounded by orcs who are just waiting for the order to attack. An order from none other than Adar, who is slowly walking towards Annatar now as well, with his weapon drawn.

"No", you gasp under your breath, stumbling your way toward them. You take one painful step after the other. They haven't noticed you yet, the trees covering you protectively. Breathing heavily, you lean against a broad trunk, a few steps already exhausting your weak body, Annatar's words wafting over to you more and more clearly the closer you get. You swallow hard, but as you want to turn to them, your gaze is caught by an orc lying dead on the ground, his blade capturing the sunlight breaking through the treetops.

Carefully, you approach the creature and grab its weapon in a swift movement. The handle of the sword feels heavy in your hands and you would rather drop it immediately. But you have to somehow make sure that you can defend yourself if necessary. Once again, you breathe in and move on.

Galadriel and Adar are facing Annatar together now, apparently coming to a silent agreement to focus their attention on Annatar for the time being. Once you realize this betrayal, your weakend heart beats faster. Because how can Galadriel of the Ñoldor, daughter of the Golden House of Finarfin, Commander of the Northern Armies of High King Gil-galad, side with this monster? With the man who is responsible for numerous deaths, for the destruction of Eregion? Whose orcs are currently ravaging an entire city, dividing families and carrying elven souls on their conscience.

Blinking your tears away that well up in your eyes at the thought and sight of it, you try to steady your steps. When you were just a little elf, you looked up to Galadriel, but now you don't recognize her anymore, from the stories you were once told. The only thing that calms you down a little is the fact that Annatar doesn't seem surprised by this turn of events at all. He stands there, his dark armour swallowing the rays of sunshine, his sword lying loosely in his hand. If you didn't know better, you imagine that you can even see a mischievous, knowing smile on his lips from the distance.

In a high arc, Galadriel swings her sword at Annatar and thus opens the fight. Annatar, however, dodges the attack skillfully, making it look like it was not even remotely dangerous for him. In contrast, Galadriel has to parry his blows with great effort. You didn't know that Annatar was such a good fighter, but it seems like he always has a trick up his sleeve.

Even when Adar joins the fight and Annatar now has to dodge two life threatening blades, he is not challenged at all. Although you wonder how long he can keep this up. No matter how good of a fighter he is, immortal or not, the odds are clearly against him. That is why you look around for help, searching for something that could potentially aid him in this battle. However, all you see is a lot of orcs standing at the other end of the clearing, idly watching the spectacle. Fearing that they might spot you, you step back in order to be hidden from their view by the thick trunk of a tree. Or so you hope.

As you move, a branch cracks under your boots. The sound is barely audible, but Annatar's gaze meets yours in an instant and his eyes widen almost imperceptibly. It only takes that one split-second glance for him to discover that you are badly injured. That you are bleeding. And that you have disobeyed his words, his direct order.

Although he is only distracted for a tiny second, Galadriel takes this chance and strikes, hitting Annatar's face with the tip of her sword, which inevitably makes you gasp aloud in shock. Now Galadriel and Adar definitely noted your presence, the orcs as well, but you can only watch in silence as a tiny droplet of blood runs from the cut on Annatar's cheek.

"Leave! This is not your fight", Galadriel calls over to you, breathing heavily, her face and golden hair dirty. Her expression screams at you to go. Adar, on the other hand, looks at you with pity. And Annatar looks like he is about to burn the whole world down. In one swift move, he attacks Galadriel again, unable to believe that she has actually shed his blood.

You are forced to tear your eyes away from the fight, however, when you suddenly hear snarling and footsteps on the leaf-covered ground to your left. Your presence on top of the mountain seems to have peaked the orcs' interest.

Sharp pain shoots through your entire body as you lean your back against the tree trunk in order to hide your body from their view. You close your eyes to be able to discern their sounds better, breathing heavily. Gripping the hilt of the sword tightly with both hands, pressing it against your breasts with the blade pointing towards the ground, you stand there completely motionless. At least you try to, but the sword almost slips from your hands, your palms slick with your own blood, making it all the more difficult to hold on to. Your breathing is still louder and faster than you wish and you know that the creatures can smell your blood from miles away anyway.

They talk to each other as they get closer to you, completely ignoring their father's fight in the promising prospect of prey. When they are about to reach the tree behind which you are hiding, a command rings out through the thicket and the orcs look to its source and so do you. Before you can even realize what is happening, however, a blade suddenly pierces through Adar's upper body, causing the orcs to roar loudly. In an instant, they all charge towards the two figures that are still standing, Annatar's sword stained with black blood. To your surprise, not all of the orcs attack their father's murderer; some of them suddenly stab Adar, who has collapsed on the ground, with their own weapons.

They stab him again and again, black blood splattering everywhere. Bile rises in your throat, which you quickly swallow as you turn away from the horrifying sight.

When you hear your name across the clearing, however, you spot Annatar, who comes running towards you, the momentary chaos apparently enabling him to escape from the action as he reaches his hand out to you.

"You need to leave. Now", he orders, but you just shake your head with tear-filled eyes, which earns you a stoic but compassionate and sad look from him. He opens his mouth to reply, but doesn't get the chance when you suddenly see an orc charging towards you. With all your strength, you push Annatar away from you, so that the orc's axe lands in the tree trunk between the two of you. The sudden movement makes you dizzy and you almost fall to the ground if Annatar didn't grab your upper arm in the last second and pulled you up against him. The orc, now dead by his blade, lies to your feet.

The battlefield that stretches out before you is terrible: Adar's lifeless, blood-soaked body lies on the ground, Galadriel has to defend herself against some orcs, but the majority of them are attacking each other, apparently not agreeing on which orders they should follow now that Adar is dead. Some of them come towards you as well, not understanding their dead brother's warning. Annatar quickly grabs your hand and walks ahead, his body serving as a protective shield for you.

If you can't protect yourself, he will have to.

Together you fight your way through the charging orcs, whom Annatar defeats without much effort, so that you find yourself facing Galadriel again. She stands in front of you, dead orcs to her feet, one hand on her hip as she is obviously quite out of breath. When she spots you behind Annatar's back, her eyes widen.

"You're on the wrong side", she whispers through clenched teeth and slowly moves to the right, as if she wants to circle her prey. Annatar squeezes your hand briefly and then lets go so that he can fully concentrate on the fight in front of him. Before that, however, he signals you to move a little farther away, which you do immediately.

"Where are the rings?", he asks her, keeping a close eye on her, waiting for her next move. Meanwhile, you are struggling to ignore how the remaining orcs behind them are still fighting each other to death.

Instead of answering him, Galadriel sprints towards him with a battle cry and their swords meet several times. The force behind it causes Annatar to stumble a few steps backwards, towards you. Your vision is now so blurred, the pain running through your whole body so numbing, that you hardly notice it. You only vaguely perceive Annatar moving on to the next attack. Exhausted, you squeeze your eyes shut in the hope that the fog will clear from your vision. But it is to no avail. Everything is still blurry.

What you do see, however, is a small pouch lying next to the spot where Galadriel and Annatar are currently fighting. Narrowing your eyes, you try to discern what it could be, until Annatar's previous words come to your mind.

The rings. Galadriel must have lost them in the fight without noticing.

Making up your mind, you stumble a few weak, trembling steps towards it, away from the seemingly endless fight. When you reach the small pouch, you fall to your knees and carefully take it in your shaking hands. When you peak inside, several beautiful rings shine at you, enveloping you in their spell for a moment.

A moment it takes for an orc to stand in front of you with his raised blade after spotting you with the rings. A moment in which you can only raise your head and look the beast in the eye. Then his blood splatters everywhere, covering you in it, when his head is suddenly separated from the rest of his body with a clean cut. He would have ended your life here and now. You let out a frightened scream and frantically scramble to stand up when you feel a gentle touch on your arm. Looking deep into Annatar's eyes, you try to thank him for saving your life once again, but your vocal cords are not able to form any coherent words.

Then, everything happens very quickly. Out of the corner of your eye you see Galadriel rushing towards the two of you, her sword drawn. As if time moves very slowly, your gaze wanders to the man in front of you, who is unaware of the impending danger. Because his focus was on you, on protecting you. Without thinking twice, you tug on his arm, pulling him in your direction, and walk towards Galadriel yourself, throwing your beaten body between them.

You exhale in shock as her sword pierces right through your middle.

"NO!", you hear Annatar cry out loudly, anger and sadness mingling in his voice which breaks at the end. Galadriel, who is just as shocked as you are, stands in front of you with tears in her eyes. Her hand around her sword is trembling.

"I- I-", she stammers, but doesn't get much further as Annatar pushes her away with so much force that she flies through the air. She hits the ground and remains there, motionless. Gasping for breath, you fall to the ground as well, no longer able to hold yourself upright. Involuntarily, your hand goes to where the sword is still sticking out of you.

It hurts. It hurts so much that you can't even shed a tear, your breath catching in your throat. Black dots appear in your vision, covering the blue sky like stars. But then Annatar's face appears in front of you and they suddenly disappear.

"Stay with me. You hear me? Don't go", he shouts at you as he kneels next to you and bends over your fragile body, gently lifting you so that he can place your head on his lap. "No, no, no", he whispers quietly to himself, his hand wandering over your upper body without touching it, as if he could only do more damage otherwise.

You can't do anything but lie there, your throat too dry to choke out another word. The sun shining from behind Annatar's head makes him look like an angel, bringing a gentle smile to your chapped lips. With a trembling hand you lift the little pouch, which you still had in a firm grip, up to him.

Annatar's eyes widen and as soon as he feels the rings in his hand, he discards them. He feels your willpower leaving. Desperate for help, he looks around, thinking about how he could help you, how he could save you. But Galadriel is gone, with her one of the elven rings which might have given you a slim chance of survival. And he can't use the Nine because he personally made sure that they were corrupted.

"Why would you do that?", he asks you now, sounding so defeated, not understanding how you could give your life for his so thoughtlessly. If only you had known that he is not easy to kill, that his immortality cannot be threatened by a simple sword.

And yet here you are, on your way to the Halls of Mandos in Valinor.

"You can't leave me", Annatar says almost reproachfully, his hand gently stroking your still soft hair. His eyes, which look deep into yours, are getting glassier each moment. He simply can't accept that you are leaving him now, that you are leaving him alone, the only person who ever truly cared for him. Who made his cold heart of stone a little warmer, a little softer.

You were supposed to be his. His and only his forever.

"Leithio nin¹", your weak voice whispers in Sindarin, your hand searching for his and finally enveloping it on top of your slow beating heart. You tell him to release you, to release you from this pain, and yet he can't fathom how he should ever be able to let you go.

"I will bring you back. We will meet again, I will make sure of that. I promise. Even if I have to burn down the whole of Middle-earth just to see you again", he says, giving you one last promise which you consider with a small smile, your eyes heavy. You look at him closely one more time, to memorize his face for eternity, your trembling hand reaching for him. Before you can touch him one last time, feel his soft skin beneath your fingertips, your eyes close forever.

"Gi melin²", Annatar sobs, the words following you along on your journey before your last breath finally leaves you and your body goes limp in his arms. He puts his forehead against yours, pulling you as close to him as possible, rocking you, and a single tear finds its way down his cheek.

After just a few seconds, the sadness inside him mixes with anger. With unrelenting, burning anger. He will make everyone suffer for his loss.

He meant every word he said. He will bring you back, no matter what it takes.

And the One Ring will help him.

¹ Release me

² I love you

[aluciahaz]

Sub Adam smut pleasepleasepleaspelalslePLEASEPLEASE i NEED that dickhead to be put in his place I am BEGGING (fem reader<3)

my favorite genre is putting adam in his place 🤝 also how do writers make text yellow on mobile all i could find was orange 💀

know your place

— adam x f!reader

—includes : pegging, crying, begging, bondage, edging, bottom!adam, dom!fem reader

he’s pathetic.

adam, the first man, seemed more like an annoying bird than an angel as he kept boasting about his status and yapping about his dumb stories. how could someone so renowned as him be such a brat?

it was clear he needed some training.

and if no one was going to teach him on how to shut up, you’ll do it yourself.

“mfph—! mmmh!”

adam’s incomprehensible whines sounded better than any foolish joke he’d try and tell you.

his mouth was covered, his hands were bound, and his eyes were blinded with the fabric ripped off of his ostentatious clothes.

the tears stemming from his woeful desperation soaked into the makeshift blindfold, but still streamed down his face like a weak river. the way his mouth quivered around the spit-covered cloth was so pathetic that it was almost endearing.

almost.

if only he wasn’t such a dick all the time, maybe you’d have some more empathy.

his body is trembles as he arches his back again, a loud cry leaving his restrained mouth once more as you drive your strap inside of him, constantly hitting the spot that made him feel like he was in heaven. or well, another heaven.

the vibrator on his tip certainly was helping him feel like he was ascending too.

although, unfortunately for him, the cock ring stopped him from truly meeting god. or maybe lucifer, considering how sinful this all was.

his wings would flail beneath him like a caught dove, flapping and batting against the soft bedsheets every time he got close.

which of course, you’d follow it up by slowing down both the vibrator and your hips.

it made him wail every time, slamming the back of his head down onto the pillow as he begged for you to let him come.

but how would you know? you couldn’t hear any words coming from his mouth.

“i didn’t quite catch that, what did you say?”

“mphf—mm!! mh—hm—hmm!”

he couldn’t speak even if he didn’t have the fabric between his lips. his mind was thoroughly melted, swirling with only thoughts of you and the pleasure he was experiencing. there was no way he could possibly be coherent.

the night keeps going like this. adam, the self-proclaimed best playboy around heaven, getting absolutely ruined by a woman. his weary moans and frail keens fell onto deaf ears. his begging, simply incomprehensible as you show him how weak he was under your touch. he doesn’t know how long it’s been, but surely too long!

too bad you don’t think so.

later, you finally pull off the makeshift gag after what you deem is enough time for him to remember that he’s just a feeble man when it comes to you. that you were the one who truly had the power around here.

“PLEASE! please—please please oh, fuck please—!” his voice would fray as it got higher, drool slipping down his bottom lip as he pleaded.

“please what?”

“plea—please…ha, lemme cum—ngh!” he grits his teeth as you thrust particularly roughly, raising the speed of the vibrator as you do so. it drives him insane, your cruelty.

“no.”

you could only describe his sound as a guttural scream, crying for you, his true goddess, to let him cum. it reeks of desperation, his writhing, his now jumbled mess of begging, his now breaking spirit.

he’s yours, yours, yours.

he doesn’t even realize he’s saying it out loud.

“i’m sorry—i’m sorryi’msorryi’msorry—PLEASE!” he whines, hoping that you’d take mercy on someone like him.

and finally, you do.

you were a kind angel after all, unlike him.

you rip the blindfold off of him, welcomed with his perfectly debauched face before lifting his legs over your shoulders—he really was flexible!—and taking the cock ring off, reveling in his beautifully demolished state.

“what do you say?”

“THANK YOU! thankyouthankyooou—fuckfuck FUCK!” he sucked in a breath before a long drawn out cry tumbles past his cracking lips, and for once, you like what’s coming out of his mouth.

with your word, adam finds his release, falling from his already corrupted grace. his eyes roll back like he’s died once more, his body, once so animated and jumpy, now stiff for a brief second as he rides his high.

you grab his chin, forcing him to look at you with that glazed over look in his eyes. you don’t even know if he can see you, but the action alone made him groan weakly in response.

“know your place.” you say, releasing his chin.

adam, once so full of himself, nods in agreement, sniffling as he tries to stop his crying.

a lesson well done, you think.

sorry if the words get repetitive ive been having headaches the past few days 😭 ill pull out my thinking cap soon

tags— @xx-all-purpose-nerd-xx

[quintinh43]

All My Heart | Quinn Hughes

Summary: Quinn has been off the ice for two weeks, and he isn't dealing with it well.

Pairings: Quinn Hughes x Fem!Reader

Warnings: Anxiety/panic (attack?), general questioning of existence. Feelings, Angst, the whole roster basically.

Notes: yall please be careful reading this one! I did not mean for it to go the way it did but here we are. Please please please keep the warnings in mind, and if ever you need to stop reading please do. Take care of yourselves first loves. More notes at the end!

Wc: 1.6 k

---

Quinn felt like he was going insane. He'd been off the ice for two weeks due to an upper body injury, and it felt as if the restlessness had buried itself beneath his bones. He currently lay in bed, staring at the ceiling with tired eyes and a mind that wouldn't relax.

His foot shook incessantly beneath the blanket as he tried to fall asleep, but the thoughts kept whirling. He had been having trouble sleeping since he'd been benched. The constant string of anxious thoughts preventing his mind from quieting down enough for him to slip into a blissful sleep.

"Quinn." You grumble, voice laced with sleepiness. His constant foot shaking had been pulling you in and out of sleep since the two of you had settled down for the night. But you had kept quiet in the hopes that he would be able to fall asleep eventually.

"I'm sorry," Quinn whispers sheepishly, his fingers start drawing soothing circles into your waist, from where his arm is wrapped around you. "I didn't mean to wake you," he murmers, pressing his lips against your hair in a gentle kiss.

"It's alright, love. But can you please please stop shaking your foot?" You mutter, still half asleep.

"Yeah, sorry baby," he murmers sheepishly. He stills his foot, and somehow, the thoughts become ten times more intense. He's going on a full week with a total of maybe four hours of sleep. It's fucking hell. He's been getting snappy during the day. Although you mostly leave it be, because he usually apologizes right after, and you know he doesn't mean when he says it, and it's just his anxiety about not being able to play.

Deciding that there is no use in trying to sleep, he waits until your breathing evens out into a quiet snore before untangling himself from you and slipping out of the bedroom quietly. Quinn finds himself in the kitchen, with no plan on what to do. It's nearly three in the morning.

He settles onto the floor in favour of stretching. Hoping that it will help calm him at least enough so that he's no longer obscenely jittery. Unfortunately, it does nothing useful for him. His next idea is to watch a movie. Maybe something stupid and mind-numbing will put him to sleep.

He makes himself a cup of chamomile tea and sinks into the couch, turning on the first Despicable Me movie. It's perfectly stupid enough to get him no longer thinking about hockey. Except, then there's a freeze-ray. And then Vector's in-house shark aquarium is reminding him of the Canucks.

He pauses the movie and puts down his empty mug on the coffee table with such a deep sigh. It feels as though his bones are rattling. He presses his palms to his eyes in desperation, wishing oh so terribly that he could be skating and playing hockey. He feels chained, having not been allowed on the ice for so long.

His second home, his freedom. Where it feels like he's flying. Where he feels invincible, like he can do anything. Quinn springs up from the couch, and he's pacing. He paces around the living room with such fervor that he might wear a hole into the floor.

He needs to get on the ice. Now. Or he's going to rip his hair out. And then, on top of being injured, he'll also be bald. Which would be the second worst thing to ever happen to him. The first being the fact that he hasn't been allowed on the ice for two full weeks.

With no coherent plan, he creeps around the apartment, throwing his skating equipment in a spare duffle bag. He's grabbing his car keys and slipping on his shoes when the bedroom door opens with a creek.

"Quinn?" Your voice is tired and confused. You're hugging your arms around your body to protect yourself from the chill of the apartment.

Quinn looks like a deer caught in headlights. His hair is sticking up in every which direction, his eyes are red from exhaustion, and his eyebags are so so dark. He's wearing two different shoes, and for fucks sake he's not even wearing a shirt.

You amble over to him cautiously, gently tugging the duffle bag from his hand. You can see the blades of his skates sticking out of the bag. "Baby, what are you doing?" Your eyes dart over to the time on the microwave. It's 3:47 am.

"Y/n" he breathes, it's desperate and pleading, and all you want to do is wrap him in your arms and take away all his pain and worries. "I need to go- I need to get out. I'm going insane." He whispers. There's a tremor in his hands as he runs them through his hair.

"Ok, my love, we're gonna go. Let's go put on some proper clothes first." You say lacing your fingers with his and tugging him towards the bedroom. He sighs, squeezing your hand tightly. Like he needs the physical reminder that you're with him. Otherwise, you'll disappear.

You successfully coax him into a hoodie and a touqe and pull a pair of sweatpants and one of Quinn's hoodies over your (his) t-shirt. Making sure Quinn is wearing the correct set of shoes, you grab the keys off the hook, sling his duffle bag over your shoulder, and grab his hand. As soon as your hands are linked again, his grip is tight. And you wouldn't have it any other way.

You throw his bag in the back seat and slide into the driver's side while Quinn slips into the passenger seat. As soon as he can, he grabs your hand again. You hold your intertwined hands tucked under your chin while you drive.

"Talk to me, Quinn," you murmur softly, stroking your thumb over the back of his knuckles.

Quinn sighs shakily. He wants to talk to you. He really does. But he's so used to burying everything down, to not be a burden. He's the oldest. He's supposed to be the leader, the strong one. He knows in his heart that if there's anyone he can talk to, it's you. You don't push. You know he'll talk when he's ready.

His leg is bouncing, and he's running his hand through his hair nervously as he formulates his thoughts into coherent sentences. "I feel like i'm going insane," he mutters. "i need - i need to get on the ice. It's my freedom. I feel chained to existence because I haven't been able to skate for so long."

Your heart breaks for him as you squeeze his hand, letting him know that you're listening.

"I'm sorry, that doesn't make any sense," he sighs.

"No baby, it does, I get what you're saying," you say softly.

"It's like, I'm being punished for something. Am I a bad person?" His voice is cracking, and if you thought it impossible for your heart to break further, you were just proven wrong.

"No, Quinn, you aren't a bad person. Injuries are inevitable. You didn't do anything to deserve this. I promise you, my love." You kiss the back of his hand, hoping that your lips can pour all your love and reassurance into him.

"Where are we going?" Quinn asks, squinting curiously at the rapidly passing treeline. You had exited onto the highway a little bit ago, with no plan or intention.

You shrug your shoulders, "No idea, I'm just driving."

Guilt washes over Quinn like a tidal wave. He tugs his hand from yours and covers his face, with embarrassment and exasperation at himself. He sighs into his hands, and all of a sudden, the emotions are too much again.

"Quinn?" You glance at him with concern. He's breathing deeply, trying to keep the anxiety from spiking again.

"I'm so sorry, I woke you up and dragged out at such an ungodly hour. And fuck- you have work in the morning. Baby, I'm sorry, I'm sorry -" he sounds like he's on the verge of hyperventilating.

"Quinn, baby, look at me." Your voice is so gentle as you wrap your hand around his wrist and tug it away from his face, "You are the most important thing to me. Forever and always, especially especially right now. Please, please, please, don't beat yourself up about it. I would drop everything for you in a heartbeat, my love."

His breathing is still shallow. You rest his hand on your chest and take deep, slow breaths. "Copy my breathing, Quinn."

It takes a minute for his breathing to match yours, "Good job Honey" you smile, keeping his hand pressed against your chest.

"Can we go home?" He whispers, intertwining his fingers with yours.

"Of course, baby, whatever you want." You take the next exit and head in the direction of your shared apartment. The drive is mostly silent, only the sounds of deep breathing and the occasional shuddering sigh fill the car.

As soon as you're back in the apartment, Quinn is pulling off his hoodie and toque, "I need you to lay on top of me," Quinn all but begs.

"Alright, lay down wherever you want." You say, stripping if your own hoodie and sweats. He lays on the floor. The bed is too soft. He can't handle the sinking feeling. You lay directly on top of him, and he let's out a relieved sigh, his arms tightening around your waist.

"Love you so much, Y/n," he murmers into your cheek.

"I love you too, Quinn, with all my heart," you say gently, stroking his hair soothingly. He falls asleep within half an hour, and you pass out right after him.

And when the two of you wake up, if you take him skating. Well, that's no one's business but your own.

---

I know I said I probably wasn't gonna post for like a week and a half cause of school, but the inspiration hit, and I wrote this in like... an hour. So if it's really bad, well...

And just cause I haven't said it before, everything I write is purely fictional! I don't know how the hughes act in real life! I am simply writing them as characters.

I might end up taking this one down, so...

Anyways. Please take care of yourselves, yall. Leave comments! And as always, Love Soph.

[grimesproperty]

“ FRIENDS “

part four.

jj maybank x reader

--

Later that night, the sun had long since set, and the group sat around a crackling fire, talking and laughing as the night wore on. JJ, who was uncharacteristically quiet for most of the evening, sat a little apart from the group. His leg bounced restlessly as his mind raced with thoughts of you.

You sat next to him and rested your head on his shoulder. As you settled in, the tension in his body began to melt away.

— He instinctively wrapped an arm around you, pulling you closer. His touch offered a small comfort to his racing thoughts.

He inhaled deeply, the scent of your hair filling his nostrils, and a wave of calm washed over him. "What's on your mind?" you asked as you turned to face him.

JJ was quiet for a moment, staring into the fire as he gathered his thoughts. He was never good at voicing his emotions, and even after the intimate moment in the bathroom, he was still reluctant to put his feelings into words.

"Just... thinking about stuff, I guess." he said to you, "About what happened in the bathroom?" you asked him.

He swallowed hard, the memory coming back in full force. He could still feel the feeling of yours lips on his the taste of you on his tongue, and how your touch felt.

"Yeah... about that," he said, turning to look at you. You wanted him to open up more and tell you what he wanted and needed from you, hoping all doubts in his mind would disappear.

"What is it that you want jayj?" you asked him, he took a deep breath. This was it. the moment of truth. He looked at you with a gaze with a mix of nerves and determination.

"What I want is you. I want... us. I want to be with you, in every way possible. I don't want to hide my feelings anymore. I want you to know how I truly feel about you."

You smiled softly at him, placing your hand on his face. "I do know," you said reassuringly. "You should have told me this in the bathroom," you teased.

jj chuckled softly, shaking his head at his own stupidity. "Yeah, I should've, but I was just so nervous that I couldn't even form a coherent thought in that moment, much less a sentence.""

You acknowledged his words, "Yeah, but you told me you loved me... that's something," you said to him. He ran a hand through his hair in a nervous gesture — looking a bit sheepish.

"Yeah, I guess I did. It just kind of came out; I didn't really plan it. But I meant every word of it. I do love you more than I've ever loved anyone," JJ said to you.

You took his hand in yours, bringing it up to your face — and pressed a light kiss to his knuckles. "I love you too, always," you said to him.

The soft touch of your lips on his knuckles brought warmth to JJ, making him smile at the tender gesture.

You flashed a smile, and he smiled back at you. His eyes sparkled in the firelight, and for once in his life, he was content to sit silently, holding your hand and basking in the quiet intimacy of the moment.

He leaned back slightly, finding a comfortable position, and continued to play with your fingers in a light and absentminded manner. The others continued their conversation a few feet away —

while the crackling of the fire provided a soothing background soundtrack for the night.

After a few minutes of the comfortable silence, JJ decided to speak up again. His voice was low and quiet. "Hey... can I ask you something?"

“Anything,” you say to him. JJ's fingers paused, his touch halting as he looked into your eyes, a flicker of uncertainty reflecting in his gaze. “Do you... do you ever think about the future? Like, where you see yourself in a few years?”

You paused for a moment to collect your thoughts before speaking. "Sometimes, why?" you asked him.

JJ nodded, his eyes darting between the fire and your face as he continued. "I've never been one for planning ahead, you know? But when I think about the future... I see you. I don't want to imagine a future without you in it."

Your heart swelled at his words, "I don't see one without you in it either, Jayj," you replied, looking at him with pure admiration in your eyes.

jj’s heart thumped in his chest as your words resonated with him. He leaned in closer, his gaze both intense and vulnerable. "Promise me... promise me you won't leave me. I don’t know what I would do if I ever lost you."

You gave his hand a squeeze. "I promise, Jayj, I'm not going anywhere."

Jj let out a sigh of relief as a weight lifted from his chest. He brought your intertwined hands up to his mouth and gently kissed your knuckles. "Good. Because you're stuck with me now, like it or not."

You let out a laugh. JJ grinned at your laugh, the sound like music to his ears. He gave your hand a light tug, pulling you closer to him.

"Come here. Sit on my lap."

You shifted your position, moving to sit on his lap facing him. his thighs felt warm and sturdy beneath you, and he wrapped his arms around your waist, pulling you closer until your bodies were flush.

"You feeling clingy?" you teased him playfully. Jj chuckled and ran his hands soothingly down your back. His gaze locked onto yours as he responded in a teasing tone, "Guilty as charged. I just can't get enough of you, what can I say?"

He leaned in, nuzzling his face into the curve of your neck, inhaling your scent. His breath was warm against your skin, and he planted a soft kiss on the sensitive spot just below your ear.

At that moment, JJ felt like his whole world was in his arms. He finally had you, and he wasn't going to let you slip away again, no matter what.

THE END.

[imaginedisish]

The Only Exception (Din Djarin x fem!Reader)

A/N: Hey guys!!! Ahhh here is the Din Djarin x reader fic I said I’d post. This has been sitting in my WIPs since late November/early December. This is what I was working on before I got sick. I’m so happy it’s done. I’m pretty pleased with how it turned out, although I may have written something similar to this already. It’s very much inspired by “The Only Exception,” by Paramore. I’m hoping I didn’t use this song as a title yet....Oh well. ENJOY!

Summary: Din has been wildly overprotective of you lately, but maybe it’s because there’s something lying deep below the surface that’s been threatening to bubble over...

Warnings: SMUT!!!!! 18+ Please!!! Oral (f!receiving), fingering, PIV sex, unprotected sex (wrap it before you tap it), cursing, canon typical violence, Jedi!reader, Razor Crest still exists (and it’s def bigger in my head than it is in the show), praise kink, friends to lovers, angsty but fluffy and smutty dw, I only proofread like 2 times so it may be bad (it’s 3:16am...so...we die like men!), AFAB reader, uhhh I think that’s it...

Word Count: 3,078

“I swear to the Maker, if you don’t get back on the Crest now, I’m gonna-,”

Din is cut off by the sound of your lightsaber clashing through the plastoid armor of the stormtrooper to your left. You swing your saber around, showing off more than you need to. You throw it down the alleyway, feeling through the force as it cuts through another stormtrooper before finding its way back to your hand.

“You’re gonna what?” You say, tilting your head to the side. You point your saber to the stormtroopers scattered around the alleyway. “I just saved you.” You close your saber and cross your arms cockily.

Din shakes his head, his gaze refusing to meet yours. “And where’s the kid? You just left him on the Crest?” You roll your eyes, turning your back towards him as you remove your cloak from your shoulders. There, in perfect condition, is Grogu, secure in a little carrier on your back.

“You really think I’d be that dumb?” Your words have a callous edge to them. Din had been far moodier than usual over the past few days, and with that came a strange overprotectiveness that you hadn’t seen before. It was starting to feel as if he thought you were going to mess up, that you couldn’t take care of yourself. “You think I’d put the kid’s life at stake?”

“That’s not what I meant.” The anger in his voice has all but melted away. You’re shocked by how defeated he sounds now.

You inhale deeply, taking a moment to calm yourself down. “So what did you mean, Din?”

“We don’t have time for this now.” He’s curt and almost a bit cold, his modulated voice echoing off the walls of the alleyway. “We need to get back to the ship.”

You hate the way he’s brushing you off, ignoring you, pushing you to the side. You didn’t need this; you didn’t need to put up with his shit. Not anymore. “What is going on with you?” The words come out louder, more aggressive than you meant them to.

Din takes a single stride towards you, his broad figure practically shoving you against the wall in the process. “We are not doing this here.” The feeling of him being so close to you clouds your mind. You can’t form a coherent thought, never mind a sentence. You want to say something, to stand up for yourself, but you can’t. “Now cut the shit so we can get back to the ship.” There’s that anger again, that finality in his voice.

In the distance you can hear stormtroopers chatting, whispering your name, mumbling on about Grogu, warning each other about the Mandalorian. Din was right. There was no time to hash this out here. You nod, finally caving in. Din takes a step away from you, immediately grasping your wrist in his hand before making a break for the Crest, just on the other end of the alleyway.

Somehow you make it without being seen. Din lets go of your hand, motioning for you to get on the ship. You make a b-line for the back and carefully remove Grogu from his carrier, placing him in his crib. You stand frozen in place in front of it, watching his eyes flutter open and closed as he slowly drifts off to sleep.

You don’t want to move. You rather watch the child you had come to care so deeply for sleep peacefully than deal with a massively enraged Din. The oncoming fight would most definitely wake Grogu, so maybe it was best for you to hide in the little corner that you had come to call Grogu’s bedroom, completely unnoticed. But obviously, that’s not an option. You begrudgingly step towards the end of the hull and decide to keep your hands busy by organizing the tiny stock of food that lined a makeshift shelf along the far wall.

You can hear Din’s heavy steps on the other side of the ship, presumably heading up towards the cockpit. After a few seconds and many annoyed grunts from Din, the ship is lifted into the air and away from danger.

You try your best to bring yourself to get angry at him, to yell some explicative across the hull of the ship and spit a curse in his helmet-covered face. You wanted the consequences, for him to storm over and scream back. But you couldn’t – because things weren’t normally like this. Din had always been kind, caring, protective even.

He'd leave the cockpit to grab a blanket from his cot when you fell asleep in the co-pilot’s chair. He’d come back and gently, yet silently, tuck you in with it. It was the only blanket he had. Sometimes you’d wake up in his bed, having been carried into it at some point during the night. He’d be awake, taking care of the child, flying the Crest, making sure nothing and no green baby woke you up.

You’d be lying if you said his doting behavior didn’t draw you to him, that it didn’t make you crave him. Every soft touch on your shoulder, every time you pretended to be asleep just to feel his arms wrap around you as he brought you to his cot. You’d let your stares linger a little too long from time to time, pushing past your reflection in his armor, searching for some sort of sign that maybe he feels the same.

You wanted him to come up behind you, rest his hands on your hips, squeezing softly at the exposed inch of skin where your top and your pants just can’t seem to meet, and whisper in your ear in that husky, modulated voice that he’s sorry, that he’ll make up to you by-

“Never, ever, do anything like that again.” You practically jump out of your skin at the sound of his voice. You quickly turn around, not realizing how close Din had gotten to you. His chest is practically flush against yours, the proximity causing you to stumble back against the shelf, threatening to bring it down with you.

Din immediately snakes an arm around your waist, keeping you from falling against the cold metal floors below. Your arms instinctively reach up around his neck to stabilize yourself. You’re glued to him now, and you don’t particularly want to let go. You swallow harshly, intimidated by the way the beskar clad man seems to tower over you, by the way you can smell him, by the way his forehead practically touches yours.

You take a deep breath, furrowing your brows and doing your best to collect your thoughts despite the fog that the moment seemed to create in your brain. “Do what? Save your ass?” You spit, instantly regretting the harshness of your words, even if he deserves them.

“You weren’t supposed to leave the ship.” He’s stern, his voice somehow punishing. “You were supposed to stay here with the kid.”

You shake your head, feeling far too much like a child caught playing in the front seat of their parent’s speeder. “You needed my help! You would’ve died out there without me! And I can handle myself,” You yell, trying to ignore how you could feel the rise and fall of his chest against yours. “If this is about risking the kid’s life, I promise you I wasn’t. I would never put him-,”

He cuts you off, “I know you wouldn’t, that’s not what this is about.”

What? You think to yourself, confused beyond belief. If this wasn’t about the child, then what could this possibly be about? “So then what’s the problem?” You ask, more aware of the way that Din is holding you against him now than you were before.

You can hear Din inhale deeply through the modulator. “You.” A shudder rolls down your spine. “You could’ve gotten yourself killed.” There’s still an edge in his voice, but he’s calmer now, almost pained, as if considering your death in some dark corner of his mind.

“Sorry that my death would be such an inconvenience for you,” You say sardonically. “It’ll be hard trying to replace me with some other force-wielding wizard that’ll be willing to babysit for you, since clearly that’s all I am.” You wanted the words to sting him, to hurt him, and maybe they did, but it felt like a punch in the gut to simply think them. You wanted to grab the words from where they still hung in the air and shove them back into your mouth, to swallow them so that they could burn in the acid of your stomach.

Din tilts his head down, crushed, defeated. Your heart winces. Fuck. “That’s not what I meant, and you know it.” His stare finds yours again, and you quickly look down at his shoulder, too embarrassed to have him look you in your eyes.

You shake your head. “But Din, that’s the problem,” You say, somehow finding the courage to meet his gaze. “I don’t know what you mean. How am I supposed to know what you mean if you won’t kriffing tell-,”

“Fucking hell, I don’t want to lose you!”

Your eyes widen. “What?”

Din looks around the hull, as if the words he was searching for were hiding, wrapped somewhere around its silver walls. “I can’t lose you. And before you ask, no, it’s not because you train the kid or whatever the hell you think it is.” You can feel the pain in his voice, guilt quickly filling your gut. “It’s just…” He trails off, silence hanging heavy in the air.

“Well…what is it?” You mumble, struggling to force down the lump in your throat. You wish you could see his face, to get a sense of his expression, an inkling as to what he was really feeling.

“You,” He says, as if those three letters held some secret, omniscient being or meaning. To him, they did. It was you. You were the thing that kept him up at night, the thing that made him want to show every facet of his being for the first time in his life.  “You’re reckless and careless and sometimes you drive me absolutely insane.”

You scoff. “Wow, what a glowing review of my services!”

Din shakes his head. “You don’t fucking get it. You’re so much more than that, because even though you drive me crazy,” He pauses; the modulator picks up his breath as it catches in his throat, “I know I’d never be able to spend an entire lifetime without you in it.”

You’re speechless. An entire lifetime? “Din I-,”

“Close your eyes.”

“What? You just said all that and you want me to close my-,”

“Just close your eyes. You trust me, don’t you?”

Of course I trust you, smart-ass, You think to yourself. So, you do what he says, shutting your eyes firmly. Then there’s a hiss, and then something clunks loudly against the floor. And then…

It’s warm, and soft, and smooth, and all those other perfect words someone would use to describe the perfect kiss. He has a mustache under all that metal, and now you know, because it tickles ever so gently just above your upper lip. His hands squeeze your hips just a bit tighter, pulling you further into his chest.

His lips press deeper into yours, hungrier. You keep your eyes closed tightly, your hands sliding up and into his hair, combing gently. He moans into your mouth at the touch as he guides you away from the shelf and towards his cot.

“D-Din,” You stutter in between gasps.

“What is it, mesh’la?” He presses a chaste kiss to your forehead.

You can feel the heat pooling at the bottom of your stomach, but there’s something stopping you, something telling you that there’s no possible way this could ever be real, that it wasn’t a set-up, that it wasn’t a dream. “Do you really want this?”

“More than anything.” You can hear the smirk in his voice, and you silently wish to yourself that you could see it. “Do you?”

You nod, repeating his words, “More than anything.”

His lips find yours again, his knee nudging in between your thighs as he pushes you down onto his cot. He’s on top of you now, his hands on either side of your body. “Wanted you for so long…” He whispers in your ear. “Wanted you this whole time.” Fuck, he was going to kill you.

Din presses sloppy kisses into the crook of your neck, leading up to your jaw. His hands stretch under the hemline of your shirt, his fingertips gliding across your stomach and towards the edge of your bra. You shudder as he reaches underneath, slowly inching towards your chest.

Something was changing within him, and that something was you. You made him want to throw his Creed away, to ignore all he had been taught his entire life. How could you ever possibly be something he shouldn’t have? He needed you.

More than anything. And you needed him.

“Please,” You beg. “I need you Din, please.”

And just like that, something within him finally switched.

“Open your eyes, cyare,” He’s so quiet you almost miss it. His fingers dip underneath your bra, rolling a nipple between his thumb and forefinger teasingly before doing the same to the other. “’Want you to look at me when I make you come.”

Panic rises to your chest. “W-what, are you sure? What about the Creed, what about-,”

“It doesn’t matter, not if it means I can’t have you.”

You wait a moment, giving him time to change his mind, but he doesn’t. You let your eyes flutter open, his curly hair and brown eyes flooding your vision. And Maker, there’s that smile, the smile you’d only heard through laughs and sarcastic, snide quips. You swear your heart skips a beat, maybe even two. He was perfect. Of course he was fucking perfect.

“You’re beautiful,” You whisper, your hands finding their way to his cheeks, his neck, your fingertips carefully running over his lips. His forehead rests down on yours, his eyes closing softly, reveling in the intimacy.

Din lifts himself off you and makes his way down your body, settling in between your legs. His fingers hook the waistline of your pants, tugging them down and throwing them somewhere in the hull. He feels your core through your soaked panties.

“So fucking wet for me, pretty girl,” He coos, practically ripping your panties as he pulls them down your legs. “Need to taste you.”

“F-fuck, Din,” You breathe sharply as his tongue laps at your clit, your hips lifting off the mattress. Din presses an arm across your hips, keeping you down against the cot, his free hand spreading your slick, teasing your entrance.

“’Tastes so good,” He rasps, his voice vibrating deliciously against your core. “Doing so good for me sweet girl.”

His mouth sucks harshly at your clit, taking the small bundle of nerves into his mouth, lapping at you like he was starving. You wanted more, needed more.

“N-need you, Din,” You whine, your hips fighting against the arm that held you down. He pushes you down further into the mattress, his mouth pressing even deeper onto your core.

“Not done with you yet,” He grunts, pushing two fingers into your entrance, pumping in and out, fast and hard. You could feel yourself growing closer with each thrust.

You moan his name like it’s a prayer, and in this moment it is. “Din, please, I, just…” But you can’t finish your sentence. It’s all too much, his fingers, his tongue, his voice, him. He was everywhere and everything all at once. And yet you needed more.

“Use your words, sweet girl,” He says patiently, nonchalantly.

“I want…” Your words fail again. “I…need you to f-fuck me, please.”

But he doesn’t stop, he keeps going. “I said I wasn’t done with you yet.” You could feel your walls fluttering around his fingers, teetering just on the edge.

“I’m so close,” You pant in between ragged breaths.

And then, abruptly, he pulls away, leaving you cold and empty. Before you can even think to sit up or reach out for him, he was back, his hips resting against yours, his pants and armor now somewhere scattered to the side. You could feel his cock throbbing against your inner thighs. He lines himself up with your entrance, teasing you.

“Din,” You whimper. “Plea-,”

He buries himself inside you, cutting you off, stretching you out. “So fucking tight,” He praises, pulling all the way out before thrusting back into you, filling you up again. “So soft, so perfect.” His fingers find your clit, circling the nerves roughly.

His forehead rests on your own as his left-hand searches for your right one. His fingers intertwine with yours just above your head, keeping you from drowning, cementing you there with him. It all feels so good, each pump, each circle at your clit. You can feel your walls clenching around him.

“Taking me so well,” He soothes, rocking into you. “Such a good girl.” It was all too much, his words, his cock.

“I-I’m gonna-,” You choke, white heat flooding your vision. You know Din isn’t far behind, his hips stuttering against yours.

“Come for me, sweet girl, that’s it,” Din moans, sending you over the edge. You feel yourself shattering underneath him, falling apart into a million pieces, only to be put back together again. His name slips off your tongue as he comes inside you.

His hips roll slowly against yours, gently rocking into you a few more times before pulling out.  

He shifts a bit so that you can comfortably lay on his chest. After all that, there’s only one thing you can think about.

“You wouldn’t be able to live without me?”

You look up at Din. His smirk stretches into a smile. He presses a kiss to your forehead. “I wouldn’t, no.” He says it so matter-of-factly, so simply, as if it was common knowledge. “I need you. I always have.”

“I need you too.” He was the only person you had ever needed, the only exception. You didn’t need to tell him. He knew. Always has, always will.

You are the only exception

You are the only exception

And I'm on my way to believing

Oh, and I'm on my way to believing

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[velvetsainz]

summary: [ cl16 x fem!reader ] charles is in maranello but that doesn't mean he can't help. part one.

word count: 1.3k

content warnings: smut under the cut (minors dni pls!), porn with a dash of plot, use of explicit language, phone/skype sex, masturbation, toys, overstimulation, praise kink, google-translated french (kay strikes again), fluff, i still really like em dashes

a/n: part twooooooooo! (you can totally read this before part i—this is just a sister smutlet ;) ) i've been really pleased with the response to part i, so i was super duper motivated to get this cranked out for you guys. there's mentions to previous encounters, and i'm very tempted to flesh those out in the future along with the allusions to future events. anyways, eat up! enjoy, loves! xx

You could be a tease, but Charles Leclerc was a bigger one.  

“Charles, I swear to God that—”

“That what, chérie? Hm?,” he asked as he quirked an eyebrow to you, waiting for you to answer as he watched over the Skype call.  You let out a frustrated sigh, sinking back into the bed and allowing your thighs to relax once more.

“So impatient, mon ange…,” he chided, hand working slowly, lazily over his length.  You were on the doorstep of your climax when he’d suddenly cut the power to the delicious little bullet in your hand.  He’d been teasing you for a solid thirty minutes now, listening to soft moans and needy whines as he built you up before allowing your orgasm to recede away once more.

You scoffed, brow furrowing and lid heavy with need.  “Well yes, but-but–,” you stammered as you tried to think of some good reason why you just needed to come.  You couldn’t—no reason that would be particularly compelling when he was like this.

As much as you enjoyed your games with your fiancé, your thighs were beginning to cramp and you swore you were going to have to change the sheets now, too.

You’d gotten on your usual Wednesday night call, mood worse than usual.  It’d been a long day and you were just ready to put it all behind you, bury yourself in the fluffy duvet of your shared bed, and scroll TikTok aimlessly for a few hours to allow yourself the time to rot in peace.

Charles, on the other hand, had other ideas.  If he’d been there, he’d have happily buried his head between your legs until you couldn’t put together a coherent thought and the tension had melted from your shoulders and jaw.  Seeing as he was in Maranello, though, he had to find another way to get you in a better headspace.

Enter: the vibrator.

Well, a remote-controlled bullet.  One that he could control with an app on his phone, the bastard. Some men found toys in the bedroom to be a competitor, but the Monégasque saw them as an accomplice of sorts; they were friends, not enemies.

In the moment, though, the little fucker sure as hell seemed like an enemy to you.

“Please, baby,” you whined for him, pouting with glossy eyes to the camera, “you already know it’s been a long day.”

Charles hummed, taking pity on you as he turned the vibe on once more to a low-power setting. You took a stunted breath, eyes closing as pleasure rolled through you once again.  The sound went straight to his cock, angry red in his hand as precum leaked over the vice grip he held it in.

“Thankyouthankyouthankyou,” you whimpered fervently as the toy kicked up another speed, sending you careening towards your climax.

“I wish I could be there, chérie,” he coaxed as he watched you start panting once again, breaths coming in stuttering bursts with whines trapped in the back of your throat. “J'adore entendre tous ces jolis sons, ma jolie,” Charles purred, pulling a particularly pitiful moan from you. He laughed as he ticked the power up another notch, “Oui—juste comme ça, chérie.”

You could feel your orgasm coming at you hot and fast, mouth falling open as your hips dug into the soft material of the mattress.  A tear spilled from the corner of your eye at the sheer sting of need coming into full view, one of your hands planting hard into the bed beside you as your eyes rolled back in reflex.

“Charles, please, I-I-I—”

“C’est bon, minette,” he soothed, his own desire starting to rear its head, “Let go—let it all go for me, mm?” He set the devilish little toy onto full blast, and you didn’t wait for him to rethink his offer.

You babbled half-coherently as something melted in the pit of your belly, washing over your senses until your ears rang and your legs buzzed.  You could feel your sweat pooling in the small of your back as loose strands of hair stuck to your forehead and neck from the matching sheen that covered them, and your partner had turned the bullet to its lowest power setting to nurse you through the aftershocks that rocked your hips.  You were well and truly dripping at this point, a small wet spot forming under you on the white sheets. You really should have put down a towel before you got yourself into this mess.

But with no warning, as you basked in the afterglow of a much-needed orgasm, the toy went into full power once more.  Your eyes shot open and hips jolted away from the sensation as you looked to the screen after a moment of realization.  “Baby, no, I–t-too sensiti—,” you started to whimper to Charles as you heard the sounds of his own pleasure growing more prominent.

“Yes, mon ange,” he said firmly, hazel eyes dark with pleasure, “Just one more—I know you can.”  He watches as your brow furrows once more and your hand disappears between your legs once again.  Never did he ever think he could be so jealous of a fucking hand.

You mewled as you fought the stuttering of your hips each time you pressed the toy to your already-aching clit.  Still, in no time you were there once again, and Charles cursed and muttered under his breath as he watched the show you put on for him.

“Merde—”

“Such a good girl, yes—”

“Going to fuck you so good—”

“Fuck…fuck—”

He grunted your name once more and came with a growl, jaw slack as he spilled over the fist that held him so tightly. Meanwhile, you were coming down with glazed eyes and parted lips, breathing hard as you let out a quiet “fuck.”

“Oui,” Charles agreed teasingly as his head dropped back behind him lazily.

Toy discarded onto the bed next to you, you rolled onto your side to face him on the video call. “Why do you have to work so far away sometimes?,” you grumbled rhetorically, pouting as your body pooled in one of his old t-shirts and your breathing started to match something more normal.  Your body had lost the tension it had been carrying, those dual orgasms working to relieve the stress you’d felt when you’d started the call.  Still, a toy was a poor replacement for the man on the other side of the call, and you wanted him there with you more than you’d wanted that first orgasm.  You hated making him feel bad about being away, but damn did you need to be fucked within an inch of your life right about now.

He tsked softly, lifting his head once more to see your pout.  “I know, mon cœur,” he nodded, adjusting the lid of his laptop to angle more towards his face, “but if I didn’t come to Maranello, I wouldn’t get anything done. We’d be like bunny rabbits—like Corsica.”

Memories of that trip came back, causing your tummy to flip at thought.  You really had fucked like rabbits on that trip, and no surface was safe from the fury of your shared lust. Nothing was sacred and anywhere that had just enough privacy was good enough for one to start tormenting the other with their fingers…their lips…their—

“I don’t see why that’s a problem,” you teased back, smile finding your lips once more as you shrugged your shoulders nonchalantly.  One elbow helped prop your head up while the other hand rested between the soft skin of your thighs.

“My sunburn disagreed,” Charles chuckled as you found yourself laughing with him.  “I looked like a…a—what’s the word? Homard?”

“Lobster?,” you chimed in with a smirk as you remembered just how red he’d been. You swore you‘d slather a metric shit ton of aloe on him during that holiday. The way he’d keep you warm in the cold showers, though…

“Yes, a lobster,” he sighed, dropping his head into his hands at the thought.  “Chérie, it hurt so bad—and Carlos wouldn’t wouldn’t stop laughing at me in the paddock in Spa!”

“But you would taste wonderful dipped in butter!”

“You are an idiot, chérie.”

“And knowing that, you still wanted me to be your wife.  So who’s the bigger idiot in this equation, baby?”

[howdoesagrapewrites]

𝙎𝙚𝙧𝙫𝙞𝙘𝙚

Cw: sex, smut, afab!switch!reader x Hobie Brown, vaginal penetration, pierced dick Hobie supremacy,riding, degradation, spanking, slapping, choking, hair pulling, teasing, porn without plot, almost immediate smut, I'm horrible writing Hobie's accent

Notes: inspired by a dream I had last night

It had been a really rough day, when you got to your shared flat, you simply collapsed on the couch like your muscles were jelly, didn't even have enough energy to reach for your pocket to look at your phone. After you regain enough energy, you go to bed and clumsily take off your clothes, leaving only a t-shirt and underwear, you rest comfortably, after a few minutes you slightly lift your head from the pillow to see Hobie getting out of the shower, rummaging through his clothes to find sweatpants to sleep on, when he bend over, you can see the curve of his lower back and the towel scarcely covering up his body. God, he was hot, you bite your lip and stare shamelessly.

"See sumthin' you like?" He asks with a cocky smile

"You know the answer"

"Maybe I don't need to put clothes on after all" he teases, but he's really asking if you're up to

"Unfortunately you do, I'm way too tired to, y'know" you roll into the other side of the bed to make room for Hobie

"I can always do all the work, y' can starfish if ya want"

And that's how you ended up like this, gripping for dear life into the sheets and muffling your sounds on the tear and drooled stained pillow, you don't know how long it's been, but you know this must be at least your fourth denied orgasm, for the entirety of you session has ignored all your desperate pleas of "c'mon", "please", "lemme cum", and like he has done before, he grabs your hips roughly and keeps you in place to impede you from grinding into his cock and getting the little stimulus left so you can climax.

"mnghh, teasing asshole" you murmur, your voice shaky and airy as the only thing keeping you awake is your frustration from all the ruined orgasms your loving boyfriend has decided to provide tonight. He hears this, and grabs a fistful of your hair to lift your head, "what'chu saying there, luv?" He whispers in your ear, the pain and the vibration of his deep voice makes you clench around him, he pulls out of you, leaving only the tip inside and making you whine at the feeling of emptiness, you want to reply to him, but he has fucked you stupid, you can't connect your brain with your mouth enough to form coherent words, and only let out an irritated sound. "Yeah, that's what I thought", he lets your head fall into the pillow, and slam his cock roughly into your guts, spanking your ass and making you moan loudly, you're so pent up you're sure you could cum from the pain alone, but he makes sure to keep you on edge, pressing himself deep inside and then putting pressure on your lower abdomen, you feel everything, every vein, every ridge, and most importantly,you feel his prince Albert piercing in your most sensitive spots, he bites your shoulder continuing his brutal pace, and like every time before, he stops when you're close. You continue uttering the orchestra of pathetic little whimpers at his mean antics, but you're determined to cum and not take a second more of this pleasurable torture. With energy you didn't know you had, you flip him over and steady yourself on top him while he's too shocked (and intrigued on what you'd do) to move. You set an irregular pace with your hips, between your desperate and uncoordinated movements you find the position that gives you the most stimulation, and start riding him furiously, tears blurring your vision, he moans too. "You gon' cum for me?" He's still so arrogant even though he's under you.

"Oh, shut the fuck up" you put your hands around his neck and lightly squeeze, you feel his cock twitch inside you, the knot in your stomach starts to untie and this time no one stops it, you feel your orgasm leave your body shaking and convulsing in bliss, Hobie grabs onto your thighs to keep himself from cumming too, leaving crescent moon red marks on the skin with his chipped black painted nails.

You take a moment to recover from the mind blowing orgasm, collapsing on Hobies chest, his piercen nipples grazing yours and making you shiver at the cool metal. "You want to sleep now, sweetheart?" Hobie asks you, massaging the supple skin of your ass and thighs. You look at him like he said the most inappropriate words someone has heard in twenty years, you sit, straddling him again. "I asked for one thing 'cause I was tired and you just acted like a fucking brat for god knows how long, you don't pull that shit and get no consequences. You said you'd help me out, so now you stay there and let me use this cock until I'm bored" you grab his jaw and slap him across the face, he excitedly nods and you can see the fucked up expression in his face, he's probably enjoying this more than you do.