#but I did get some little Zuko and Azula in there

[peony-pearl]

*slides chapter 3 to u*

[nanabanonana]

my issue w believing that ozai held zuko's face when he gave him the scar is that i don't believe that's the type of person he is.

[p0ssywhippedcream]

zuko cuddles 🫶🏻

It had been a long day for everyone. Azula finding you all at the air temple and forcing you to evacuate. Once you had set up camp, you wandered off to go find something to eat while the others did some variant of a chore.

You cooked, laughed together and everything was good for a while. Then you realized as you were setting up your tent that there wasn't enough room for everybody. Katara decided to share with Toph and Suki decided she didn't want to be stuck with Aang and her boyfriend all night so she joined them too. That left you and Zuko with the last tent because everybody else was weary of him and Sokka had already closed off his tent.

Aang pulled you aside and asked, "Are you sure you're okay with this?"

"Yeah," You said, "There's no reason to not use our third tent and I don't want you or the girls to feel crowded."

Then, everybody had settled in, saying their goodnights and sweet dreams and it was just you and Zuko, alone.

Nervously, you smiled at him and asked if he'd like to help you set up the tent. He of course said yes and rushed forward trying to help. It only took a few minutes to realize that the former prince had no idea how to make a tent and you let him sit down as you built it.

"Sorry.." He murmured and you threw a soft smile at him over you shoulder.

"it's okay. I work best by myself anyway." You lifted up the tent door and motioned for him to go in.

You made your bed and then helped him make his gingerly and then curled up, trying to fall asleep. Like always, your luck was against your will. The fire had already been put out and a cold breeze was setting in. Your body heat quickly succumbed to the cold and small shivers racked you.

Looking behind you, you noticed two things. One was that Zuko was already looking at you with those intense gold eyes and two was that he was shivering as well. Well, you'd already been caught so you just rolled over to your side completely and gave him a shaky smile.

"Hey." You offered.

"Hey." He replied.

"You cold?" You asked.

"A little. You?" He supplied.

"Yeah." You said and then there was silence. You tried to think of something to say but most of it was nonsense. Luckily, he spoke.

"We could maybe light the fire again?"

You shook your head, "Aang gets nervous with it lit when we're asleep, Katara too."

"Oh..." He got that cute, thinking face on and pondered the options for a second. With a shaky voice, he said, "Well, I could try to warm you up a little.. you know, with my fire bending?"

Your teeth chattered as you giggled, "Yeah, I assumed... Sure, if you're okay with it?"

He nodded and you scooted your sleeping bag closer until you were a breath away. He gave you an awkward smile and let his hands become warm. Tentatively, he slipped them under your sleeping bag and rubbed them up your bare arms. Immediately, warmth filled your body and you subconsciously scooted closer with a sigh.

it was hard to tell in the dark but you thought you saw a blush on his cheeks. Slowly he moved his hands to your shoulder blades and then on your neck and sides. It was hard to tell when it happened but at some point between him warming up your biceps and your back, you gotten so close, your breath could be felt on his neck.

It made him nervous. Not only because of the times in the past he'd tried to kill you and how forgiving you were being but because with you this close, he could see all your beauty magnified. Your eyelashes trembled on closed eyes, lips stuttered and nose twitched. You were ethereal in the dim blue light of the moon shinning through holes in the tent. It was almost too much for him.

Then he noticed your breath had evened out. it was slower and smoother. You had fallen asleep practically in his arms. Just as he was about to retreat his hands, yours wrapped around his neck and settled on the nape. You were so close, so soft and gentle even In your sleep. Your fingers brushed the short hair as you let out small snores and held him so his chest was to yours.

The thing that really took his breath away was when your legs wove in-between his and your toes kissed his calves. Zuko might have died and gone to heaven. The prettiest person he'd ever met was curled up in his arms and sighing hot wisps of air over him.

Then you mumbled his name gently and squirmed a little, your nose tucked up in his collar bones and he felt himself swoon. How ever would he be able to face you tomorrow?

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[ben-talks-art]

Just let women be evil 😈

Been seeing some discussion around how the Netflix Avatar made some changes to Azula and tried to paint her in a less evil light and more as some poor child that got manipulated by her dad to be the monster she would eventually become.

And that's... Honestly a little lame imo.

Azula being a heartless monster was one of the many cool things about her, but now it feels like we're giving credit to her dad instead.

Like, she was the golden child, but she wasn't daddy's little submissive pet. A lot of what she did, she did it not because "she wanted to please daddy" but because she's just a little sh*t. Heck, she even manipulates her own father at one point, making him think Zuko killed the Avatar so she wouldn't get any blame when it was revealed he was still alive.

Ozai was the final boss, but Azula is basically the face of the show when it comes to villains. She was the bane of everyone's existence.

Having nuance and layers is nice, but sometimes I just want a lady who just loves being evil for the pettiest of reasons like wanting power, being salty for not getting what she wanted, or just because it's in her sadistic nature.

And, yeah, we have cases like Demona who you could argue is a victim of the circumstances she's in, or, again, Azula, who was practically raised to be evil, but you can't deny they clearly enjoy being bad and doing bad things to others.

Let women just be evil, and let them own their evilness.

[zvtara-was-never-canon]

Top 15 Maiko moments

Since I made a Kataang list, and I think it's only fair I do it for Maiko too.

#15 - Casually leaning against each other during a meal (03x05)

I'm starting off the list with the neverending trend that is "Maiko being unbelievably clingy."

I just can't deal witht he fact that these two both have demonstrated some difficulty/discomfort when other people get too touchy with them - yet you leave them in a room together and these motherfuckers suddenly think they're siamese twins.

They're not even trying to be romantic, they just... naturally gravitated towards each other and stayed in that position because it's what feels familiar and comfortable for them.

I remind you guys that The Beach is the episode in which they are at the most incompatible, yet even that episode is visually showing us "These dumbasses are so in love they just naturally act like a couple without even meaning to."

#14 - "It'll be nice to Zuko again. Won't it, Mai?" & Baby Mai's crush on Baby Zuko (02x03 & 02x07)

I know, I know, I'm cheating with this one because they are two separete moments from two different episodes, but SUE ME, I couldn't pick a favorite between them, and I also didn't want to remove the previous moment from the list, and "Top 16" just doesn't doesn't feel right.

I just love the way Mai is acting all shy whenever she so much as looks at Zuko in "Zuko Alone", how she clearly WANTS to hang out with him but doesn't really know how to start a conversation with him and feels all awkward.

And then years later, in the middle of a mission, she's just... happy that she might see him again, even if it's not in the most ideal situation. It's cute and I love it when Mai is happy and showing some of the emotions that hide behind her apathy for seemingly everything and everyone.

#13 - Grumpy dumbasses at the party (03x05)

On this one, those two just skipped several years ahead and went straight to "Bickering like a couple that has been married for fourty years, are clearly about to fight, yet refuse to get any space because WHY would they want to be away from each other? What a strange notion!"

Seriously, I lost count of how many times my grandparents had that exact same conversation when they're feeling the need to be difficult, and that scene made me have the same reaction I always have during these moments:

They're annoyed at each other, yet they just... refuse to not to be near each other. And Mai's first instinct when she wants something is to tell Zuko to go get it for her, and he does because, once again, they just have no freaking clue how NOT to be a couple (and it took what, fifteen minutes for her to go check on him after their fight because she just doesn't know what the fuck she has to stay for if he's not around? That's a marriage if I've ever seen one).

Also Zuko's line of "That food was for my cranky girlfriend!" makes me laugh every time and it's actually so cute that he wants to spoil his girl even when they're both in a terrible mood.

#12 - First date/kiss (The Lost Adventures Comic)

This moment is just SO. FREAKING. ADORABLE.

The way we see a bit more of Mai's prankester side (girl was friends with Azula and Ty Lee for a reason) and how Zuko can't help but find it endearing, the way they blush and act all unsure of themselves after he touched her shoulder, how Zuko can't even look at her when he admits that he likes seeing her happy and enjoying herself, Mai basically admiting that for a while she did the equivalent of "Little boy pulling at a girl's hair because he likes her and can't deal with it", and then, of course, the kiss. It's all just great.

And I gotta love how this date only happened because Azula set it up because Zuko was acting all angsty and saying he wouldn't go back to the Fire Nation - so she reminds him that something, or rather someone, he REALLY wants wasn't going to be around much longer, and that boy just doesn't hesitate to take the bait.

Also Azula and Ty Lee were HILARIOUS while spying on them, and the irony that Azula is basically playing 3D chess with her brother's love life for her own benefit, only to then accidentally shoot herself in the foot by the events she set in motion is just too good.

I really wish we could have seen this in a flashback during the actual show. It's just not fair that this little gem is hidden away in a comic.

#11 - Mai covering Zuko's eyes (03x05)

Yet another silly, very quick moment that I'm likely the only one obsessing over, but I can't help it, I live for stuff like that. Zuko is on full rage mode for being on the island at all and thus Mai is getting very grumpy and annoyed at him... yet the second they witness the gross sight of Li and Lo in bathing suits, she just covers her boyfriend's eyes to spare him of the horror that is old people who ran out of fucks to give (and that is totally not their own fate when they're Li and Lo's age).

The inherent cuteness of their relationship seeping into every scene, even when they are not on their best moment, is just one of the things I love the most about this ship. If they're not "meant for each other" like some dumbasses insist, then how come they're so married?

Plus it was really funny, and I like it when things are funny. The more it makes me giggle, the higher it goes on the list XD

#10 - First on-screen kiss (03x01)

This moment had me SHOCKED the first time I watched the show. I already thought Mai's crush on Zuko was cute, and I knew the series could make them a couple eventually - but I did not expect them to get together in between seasons. 7-year-old me was like "WAIT, THAT'S ALLOWED?"

Also, I've always loved how that moment started. Zuko is staring dramatically into the horizon, being angsty and walking right into an existential crisis - and Mai just goes "No, we're not doing that." It's just so fucking funny.

And it's also the first exemple of these two being completely unable to keep their hands to themselves. Mai just hugs him, touches his scar, and kisses him, and Zuko, who had trouble even hugging Iroh back, just... lets her. Because he doesn't mind it one bit when she does it.

I just really like how Mai's default way of comforting Zuko is by offering physical affection. It's freaking adorable. Also their "first" kiss happening in a gloomy day, with dark clouds everywhere, yet they're off in their own little world, just happy to be in each other's arms, is "Maiko in a nutshell." Add in some emo music and it becomes the most mid 2000s AMV ever.

#09 - "I'm sorry, Mai" (03x10)

This scene is one that just drives me up the wall with how much I love it. It's such a short little moment, but it's so significant to their relationship. Zuko wants to continue enjoying the life he has at the Fire Nation. He wants all the comfort that comes with being a prince, the approval of his father, the security of knowing he'll always have roof over his head and will one day be Fire Lord - and wants to stay and be with his girlfriend because he LOVES her.

But he can't. Because he knows innocent people will suffer and die if he doesn't stop his father. So he has to leave behind everything he holds dear, including Mai. He can't even say goodbye in person, both because it hurts and because what if something goes wrong and he ends up captured? He can't risk it.

So he leaves her a letter and says aloud an honest apology that he knows she can't hear, because he just HAS to say that he never wanted this.

More importantly though:

That boy heard Azula's mocking comment in "The Avatar And The Fire Lord" and decided "You know what, maybe I should go see the royal painter and bring Mai along so we can have a portrait of us as a couple."

I just love them so much.

#08 - Confrontation at the Boiling Rock (03x15)

This is a BIG one. Mai is obviously pissed at him because of the way he broke up with her, and she cannot understand why the hell ZUKO, someone who has always been so deeply patriotic and a very proud prince is suddenly leaving everything behind to go help out a bunch of traitors.

Zuko stands his ground, and tries to make her understand - and then out of nowhere he just HAS to brag about how awesome she is when a guard offers to protect her. He simply not hesitate to basically say "Oh yeah, she could totally give me a hard time during a fight, ain't that great?" (Also the fact that the show never gave us a moment of them throwing knives together even though Zuko has a knife too is a CRIME).

But, of course, real life has to "ruin" the moment. Zuko sees an oportunity to go help his friends, and escapes the cell, locks the door - and then they just stare into each other's eyes, for what they know might be the last time.

Mai's confusion and rage. Zuko's resolve to do what's right no matter the cost. Just that certainty that, whatever they both decide to do now, it will be final. There's no turning back from this. If their relationship ends that day, it ends FOREVER.

It literally lasts just a few seconds, but it's intense and does such an amazing job of allowing the characters to communicate with each other, and the audience, on what they're feeling.

And it's also the perfect set up for:

#07 - "I love Zuko more than I fear you" (03x15)

Literally NO ONE saw this coming, not even Mai herself, and if you tell me you did I'm gonna call you a liar, because OH MY FUCKING GOD!

Everything went wrong, the good guys are about to get captured, the situation is hopeless... and then in comes Mai, risking it all and taking a huge leap of faith.

She doesn't fully get why Zuko is so sure joining the Avatar will be good for their nation. She doesn't know if that will work out like he hopes. But she trusts him, and allows him to go for it, because she knows HIM, knows all the pain he went through trying to be Ozai's perfect son, and if he wants to throw his "perfect" life away just to be the one actually in charge of it, goddammit, she's on board and will do the same.

She knows there's no way she escapes that place with Zuko, it's too late for that. But she can allow HIM to leave "safely", while she stays behind and faces Azula's wrath - and she doesn't care, because she knows there's NOTHING Azula can do to her that would ever hurt as much as living with the knowledge that she just stood by and watched the downfall of the person she loved the most, that she chose to submit to Azula yet again instead of being her own damn self at long last.

It's the proof of Mai's devotion for Zuko, the moment in which her life became her own again, it's one hell of a plot-twist, and leads to yet ANOTHER epic moment of characters staring at each other with daggers in their eyes (and hands), and it's fucking beautiful!

#06 - Fight and reconciliation by the fire (03x05)

I can't lie, I'm a sucker for characters hitting their breaking point, confronting each other, letting all their rage and pain out - and then one puts everything aside to show some vulnerability and care for the other.

Zuko has not been feeling great about himself, and is taking it out on his girlfriend. Mai is not perfect either, and can't see that even Zuko's more "clueless" actions like giving her a sea-shell that she obviously wouldn't like is just him genuinely trying to be nice to her despite his impulse to act like a jerk, because he CARES.

Zuko is feeling insecure, wants reassurance, but Mai doesn't notice, and so he starts feeling threatened by a guy she full on says might as well not exist in her eyes. It's bad, but it's yet more proof that he CARES.

She goes after him after their fight, they open up a bit, Mai reminds Zuko that his sad life doesn't excuse the way he's been acting and when she stands up for herself against AZULA it just makes Zuko go instant simp mode and try to act all smooth and pull her close with that "I like it when you express yourself" (I can never get over that - boy, I know you're a teenager on vacation with your hot girlfriend that looks so cute when she's mad, you two are not alone yet, keep it in your pants!)

And then it happens. Zuko just loses it, can't deny that he is feeling like he is betraying himself because he no longer knows right from wrong and that is freaking him out because, even when he is firmly on the wrong side, he had ALWAYS been sure of his convictions and what he stands for, but now everything is messy and he doesn't know what he should care for.

Cue Mai deciding to forgive him for his angry outburts, for the unfair accusations, for the general unpleasant atitute, and just give him a bit of the support she now sees he had been needing and wasn't getting. A simple, straight-forward "I care about you", and a kiss - which Zuko eagerly accepts, and he IMMEDIATELY just keeps holding her close, all the fighting forgotten because he still has one source of stability in his life, one person he can rely on to be by his side when he doesn't know what he is doing.

05 - Cuddles and dessert (03x09)

This is the point where it became borderline impossible for me to pick my favorites, and I'll probably regret the order a million times, but I gotta post this already.

I love this scene. I just genuinely adore it with all my heart. Them looking at each other all cute, smiling and unable to keep their hands to themselves, and Zuko just once again showing that he like spoiling his girl by asking a servent to bring something FOR THE LADY. Name literally one other character that has Zuko acting like that - YOU CAN'T! NOT EVEN WHEN HE WENT ON A CUTE DATE WITH SOMEONE ELSE!

The whole vibe is just so domestic and cosy. Literally the only thing that is missing is a cat purring next to them and it'd be my idea of heaven.

#04 - Supportive Mai (03x09)

Nightmares and daydreams really is THE Maiko episode. The fact Zuko goes to Mai's house for comfort and distraction when the meeting he thinks he's been excluded from is happening says a lot about how much she means to him (and for once her parents not being around is a good thing 👀), and then later he opens up to her about what bothered him about being Ozai's perfect son because he trusts her to be there for him. They've truly done some amazing progress after The Beach.

Mai's concern for him is just genuinely touching. Even when she doesn't know exactly what to say or do, she's still trying so hard because she doesn't like seeing Zuko truly down, and that is what made her his safe-space this entire episode.

#03 - "That gloomy girl that sighs a lot?" (03x14)

Look at that boy. LOOK. AT. THAT. BOY.

He is just so smitten and clearly missing her. He LIKES the traits that the fandom insist makes her "unlikeable", that led to characters making fun of her in universe, the coping mechanism she used to protect herself from being hurt by people like her parents - can't get hurt if you don't care.

And Zuko doesn't see it as something she needs to change in herself, something undesirable, something he puts up with. He likes what everyone insists is a flaw of hers, and will so even when being teased about it because he can relate to being moody and angsty and cranky and wouldn't judge her for it because she's the person that consistently likes that about him too.

#02 - "You're so beautiful when you hate the world" (03x02)

This was the moment that made them one of my favorite Avatar ships. These two just not giving a fuck if that they're being embarrassing and cringy and just judging the whole world together and being disgusted by everything except each other. Not only is it a funny, wholesome moment, it is THE most accurate portrayal of a teen romance I've ever seen in my life. Just two dumbasses being in love and saying whatever nonsense they want, and kind of relating to each other for it.

Also them just basically telling Azula to fuck off because they wanna keeping making out was amazing.

01 - Reunited at the end (03x21)

Once again. Look at that boy. Just you LOOK. AT. THAT. BOY.

AAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHH

They're so cute. They're so happy. It's literally what their entire romantic arc in season three had been building up to and I'm forever greateful that the writers didn't rob us, and them, of it just because the fandom can't appreciate a good thing even as it stares them right in the face.

They're both finally on the same page, ready to support each other no matter what, with nothing and no one standing on their way, and allowing themselves to just enjoy their love. It's what they deserve.

[hadesisqueer]

I'm not saying people must ship Kataang or anything, everyone here is free to ship whatever people want, but at the same time, some of the criticism I see of the ship is insane.

One of the softer ones (because today I saw some crazy stuff) is that they're sibling coded. Like, I watched ATLA several times, I kind of just rewatched ATLA, and yet I still don't get how exactly they're sibling coded? Aang pretty much had a crush on Katara from the moment he met her, and Katara at first saw him as a friend —she never said she saw him as 'her little brother', by the way, you guys need to learn the differences between sibling dynamics and friend dynamics—. That starts changing at the end of The Fortune Teller when she begins seeing Aang from another perspective, though. By the beginning of Book 2 it's pretty clear she has already started to develop a crush on him. If you think it's very 'sisterly' of her to blush while asking Aang 'we're in the Cave of the Two Lovers, so what if, you know-- what if we kissed 😳👉🏻👈🏻', then get upset when Aang said he wouldn't kiss her and then after they did kiss and were already out she blushes and gets nervous again-- or when she gets jealous in The Headband when he dances with another girl and then blushes again while dancing with him-- you're tuning into the wrong show, go watch Game of Thrones or something, because this is not it.

You can argue that Katara was 'like an older sister' or 'motherly' to Aang over the fact that she was often very caring towards him, but honestly, that's not it, either; otherwise, you could say that Katara sees Zuko as her brother because she likes teasing him. Do I think Katara and Zuko are sibling-coded? Not really. But if you say that Katara was sisterly or motherly to Aang because she's caring towards him, you can also say Katara sees Zuko as her brother because she often teased him the exact same way she teased Sokka, her older brother. (I do not think Katara sees Zuko as her brother, btw; just clearing this up. And I may not ship him and Katara but if that's your ship, you do you, I am not getting into a ship war here).

Katara in general is a very caring person, to the point that yeah, it comes off as 'motherly' sometimes. She was like that not just to Aang but towards Toph and Sokka as well. That doesn't mean she really sees any of them as her 'children' as well, guys, nor do any of them actually see them as their mother (well, Sokka kind of did, but that's another thing). And she's very protective of Aang, yeah. Try to switch Kataang's gender for a second; Katara as the boy and Aang as the girl. Switch it up and you have a girl with a cute crush on a slightly older boy who at first sees her as a friend but after a while starts reciprocating. If you saw that boy act more caring and protective of that girl, you wouldn't assume he sees her as a daughter, you'd just assume he is extremely protective because his feelings are strong. I once saw someone saying 'Katara acts like a Booktok boyfriend' and honestly? Kind of, yeah. A lot of Kataang is them being kind of a reverse of the stereotypical 'kind but stronger, older boy gets with sweet, younger girl' stuff we see in a lot of media. Both of them are very caring and supportive and constantly reassure each other, not just Katara to Aang, (and Aang is also very protective of Katara as well, we see it many times, most of all in The Avatar State), but Katara is the older one, and usually the most protective as well, the one who fought off Zuko at the North Pole to protect Aang, the one who almost lost it when she saw him literally die and fought off the Dai Li, Zuko and Azula to get him and get out at The Crossroads of Destiny, the one who grabs Zuko when he joins them and literally tells him 'hurt Aang and I will kill you'.

Yeah, I don't think Kataang is sibling-coded at all. That person is right, Katara is just Aang's 'Booktok boyfriend'.

[zukosdualdao]

i know some people take the moment of azula speaking up in the flashback to the war meeting in sozin's comet as azula trying to "protect zuko" after he starts (while carefully choosing his words) disagreeing with ozai, but i really can't see it that way.

even aside from the fact that i don't think we should ever argue that her advocating for genocide here was a good thing, based on everything else about their relationship, i can't see this moment as anything but her once again trying to establish dominance and superiority over zuko. it actually reminds me of a different scene, all the way back from the flashbacks in zuko alone.

in both situations, ozai is testing his children in a way, and when zuko can't or won't give the "right answer", azula interjects and is able to say exactly what he wants to hear.

in zuko alone, of course, ozai is asking them questions that seem to be related to whatever (heavily inundated with propaganda, clearly) schooling they get. something that i find really interesting is that zuko doesn't seem to only struggle with firebending, but with his schooling as well. which isn't exactly surprising: abused kids often have trouble in school, and that seems particularly likely when ozai is already treating zuko like he is weak, incompetent, and unworthy in other areas. it's a self-fulling prophecy, on ozai's part: he demeans zuko for not being good at firebending (and perhaps for not being good in school), and, because kids are very naturally going to clam up and not get better at something when they're treated as worthless for any perceived flaw, it affects his ability to build his skills or performance in school.

but i think there's also a way in which zuko probably struggles to keep up in school because he's receptive to the values ursa tries to instill in him from a young age. he probably doesn't realize the things they are learning are things that are morally wrong, but there's a way, at this point, in which he can't relate to them, can't understand the motives of why it would be considered a good thing to defeat an enemy in such a brutal way when it runs so counter to the values of kindness ursa is trying to instill in her children, be it by explaining that throwing bread at turtleducks is not nice or that we shouldn't wish death on other family members.

by contrast, the emphasis on azula here is that she's clearly fully bought into the propaganda, that she respects and admires the brutality of the tactics. (also, is it just me, or does she sound a little like she's reciting a textbook, albeit with a lot of glee?) and notably, at the end, when she gets the answer 'right', she side-eyes zuko with a smug smirk. just like she does in sozin's comet as she's told she's right.

just for comparison's sake:

the situation in the sozin's comet flashback is different, of course, because they're not being quizzed on their schoolwork so much as they are being asked to put what they've learned about war and tactics into practice. zuko has a lot more understanding now than he did as a much younger child of the realities of war because he's seen it up close. and because of that, not only can he not condone or suggest any of the brutal and egregious tactics that are clearly expected of him, but he actually says something in defense of the earth kingdom, albeit trying to choose his words carefully, and with ozai (quite possibly willfully?) misinterpretating them.

to suggest that azula is protecting zuko here is its own form of a willful misinterpretation. you have to ignore the entire context of their relationship, azula's established motivations, and the tone of the scene itself to come to that conclusion. she does not interrupt zuko to keep him from saying something that will get him hurt, but because she wants to prove once again that she's better, that she's right and he's wrong, that he’ll never catch up. but zuko is starting to realize that he doesn’t and shouldn’t want to.

[johnskleats]

Azula would have lost the Final Agni Kai no matter what. Here's why:

Azula is insecure. That's why she takes cheap shots. She did it with Katara, and she did it with Aang in CoD, AND she did it with Iroh striking him with lightning. One could even argue that her behavior in CoD foreshadows some of what happens in the Agni Kai, where in CoD, Katara fights Azula, and Zuko saves her, whereas in the Final Agni Kai, Zuko fights Azula and saves Katara. It's a little mismatch of dynamics.

Azula cheating (constantly), is a staple of dishonorable behavior, which I think is interesting.

We see her "play with her food" like a cat, with the Dai Lee and other opponents she encounters. She tricks them and manipulates them and there's no threat. Killing Aang with lightning was SUPREMELY stupid on her part, and she wouldn't have done it unless she was cornered. She didn't even stick around to make sure he was dead or have any of them followed-- because she was scared. Zuko NEVER flees in fights out of fear. He doubles down like a lunatic and tries to get himself killed instead. Azula is not willing to risk her life, and that's why she's a worse fighter. The insecurity gets to her head and she psychs herself out

Azula has a lot of fire power (lol), but Zuko has the heart and commitment to see actions through to the end. That's why he would have won, had Azula not cheated.

By the end, they were evenly matched in firepower anyway. They did the Raging Line of Flames Competing Colors thing and met in the middle, and stayed there. That's how animation tells us about their ability.

Azula's seat of power in her firebending is spite and fear. She's not even mad, bro.

Zuko's seat of power, at the end, is light and life and love. One is a powder keg that runs out after you blow it up once, and the other is like an oil fire in a parking lot. There's essentially infinite fuel there.

Zuko would have certainly outlasted her. And did, if you think about it. Because she panicked.

Azula's entire persona is a mask, just as Zuko's bravado and pettiness in the first season was a mask. (Funny, that he can only be himself when he's hidden the scar with the blue spirit mask, therefore freeing himself of the shame and the mark that brands him as a villain)

They show us that Azula's mask is not only slipping, but cracking, crumbling in the mirror scene. That's why it's there: to show the audience that all of her running has finally caught up with her.

This world that Azula created has been a sham from the beginning. Castles in the sky to make up for what she lacks: love.

Which is why she would never win against Zuko if they both reached their full potential, as they did during the comet.

[saijspellhart]

Things I liked about the Netflix ATLA and some critiques:

Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.

They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.

Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.

Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.

Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.

Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.

The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.

Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.

King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.

I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.

Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.

They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.

Emotional points in the show are now more intense and brought me to tears.

Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.

Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.

We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.

The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.

The shirshu looks fucking phemonal.

Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)

The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.

We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.

They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.

I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.

Some Critiques:

They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.

Katara starts off bland in the first episode and it takes a bit for her to grow into the character.

The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.

Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.

There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.

Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.

I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.

I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.

In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.

I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.

Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.

I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.

PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.

This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.

[ladyemberswrites]

For a guy that's supposed to be sympathetic and all knowing and knows exactly what it feels like to have your childhood ripped away from you and lose your loved ones. Aang was certainly written to be very ambivalent towards the agony Katara was going through. Even Sokka seem whatever about his mother's killer running lose and this the same guy that attacked Aang for burning Katara that one time and literally broke into an impregnable, high security prison to save his father and girlfriend. Lost his shit when Azula taunted him about Suki. I understand that Sokka didn't remember much of his mom, but you'd think that would make him angrier. That whatever relationships he could have with her was literally stolen away from him, leaving him to grow up with his mother or his father around.

But anyways, but Aang going up to Katara and telling her how proud he is of her for forgiving the man that slaughtered her mother in cold blood and was responsible for robbing her of her childhood. 🥹 It makes it so much worse because Katara probably found her body too.

And Katara is literally like: the fuck I did? He's lucky he was too pathetic to be bothered.

Like this kind of further emphases that Aang is like 12. He may be the avatar and act as though he is all knowing, but lacks maturity and experience. Zuko was obviously aware of what Katara needed, he wen through a similar situation with his father, confronting him to find some sense of closure with an absusive authority figure.

I know people are gonna get at me about he's 12! I know, but judging from what little we are given about Aang as dad - um, well😅

[azulaaaaaaah]

atla/tlok characters that i think did *it* (but i just can’t prove it)

this is the most unserious post i’ve ever made. (AND I WANT TO PREFACE BY SAYING BY *IT* I MEAN KISSING)

Sozin and Roku

and history will say that they were just great friends…

this is the only one where ill legitimately die on this hill

like i’m 90% sure roku just showed Aang their friendship in the flashbacks to prevent awkwardly explaining to a 12 year old monk that he was romantically and/or physically involved with the person who committed a g*nocide against his people

LIKE CMON WHY IN THE WORLD WAS SOZIN SO PRESSED IN THE BACKGROUND OF ROKU’S WEDDING ??? AND FOR NO REASON?? WHY WAS THEIR FRIENDSHIP SO INTENSE?

sozin i feel loved roku (to an obsessive level) and roku literally dgaf. king shit

Wan and Raava

genuinely what the fuck was going on between these two. like i don’t even have any words

canonically at the very least it was a domestic partnership

S2 korra doesn’t make sense at the best of times. imagine trying to explain the intensity of this pair’s devotion to each other, to someone who hasn’t seen the show- all the while knowing raava is a disembodied spirit practically older than time

she’s the embodiment of everything good and light in the universe and he’s just wan. (and he’s wanough <3)

‘do you think we’re soulmates in every life?’

‘bet’

‘wait that’s not what i-‘

Cabbage Merchant and his cabbages (or at least a cabbage)

yeah i’m not touching this one with a 10 foot pole

Every member of the red lotus squad

ah yes it’s my favourite evil polycule

amidst plans to kidnap children and topple monarchies what else is there to do except… kiss.

let’s be real there’s something so inherently romantic about being apart of an elite, vaguely murderous anarchist squad

they all share one exact bed. it’s canon

(p’li somehow big spoons all of them)

The S2 Nomads

these dudes are the textbook definition of anti-monogamy

like they’re obsessed with love so i fully believe that they think ‘it should be spread amongst others’ or some shit

oh to be a travelling communist nomad in a band, wandering the wilds with my wife, and our several partners

they’re somehow the opposite of the red lotus and yet the same. they all share a single bed/sleep area

The dangerous ladies (but all separately)

i don’t ship any of these particularly and yet can still admit that it’s canon

ty-lee and azula have kissed bc azula probably made up a dumb excuse like ‘oh i don’t want my first kiss with a guy to be… erm… bad’

mai and ty-lee have kissed because they both probably have genuine, vaguely deep rooted romantic feelings for each other

mai and azula have kissed to purely spite zuko (and yknow what ty-lee too)

HOWEVER A KEY ASPECT TO THIS DYNAMIC: azula is completely unaware about the ty-lee and mai thing. it’s uh… better off that way.

Hakoda and Bato

i ship this about 50% but like… it’s got to have happened once right? considering all that down time they spent together on a boat away from the repercussions of water tribe society…

also considering they were leaders i doubt the other warriors were in a position to ever call them out on it

like cmoooooooon what’s a little kiss between the homies every now and again?

hakoda is where sokka gets his rizz/flagrant bisexuality from and i can’t change that guys

[the-badger-mole]

"While I appreciate that you did that for me, I don't appreciate the fact that you nearly died because of it." Possible part 2 to the "Katara kisses Zuko to distract him as she pushes him to safety and sacrifices herself to get captured instead of him" little tumblr fic you wrote? Mayhaps?

Got this request twice, and I like this idea. @lollipopsandlandmines

Part 1

What were they waiting for? Katara wondered this not for the first time. It had been three days since she'd been captured. Three days since she'd seen her brother and friends escape in their stolen Fire Nation air ship. Three days since she'd seen the shattered look on Zuko's face when she pushed him off of the terrace. Three days since she'd surrendered to the Fire Nation soldiers who'd been hunting Zuko. She'd expected to torture to begin immediately. She had expected to be dead by now, or on the way to it.

After she'd been captured, Katara had been taken aboard the airship the soldiers had managed to keep. After she'd been locked in the brig, she had been more or less ignored, to her mild surprise. Maybe, she thought, they were waiting to move her some place more permanent. She'd spend the trip imagining the horrors that were surely in store for her when they got to wherever it was they were going. Boiling Rock, she figured. That was where they had taken her father. Hakoda hadn't told his children what he experienced at the hands of his Fire Nation captors, but there had been enough for Katara to heal for her to form assumptions. The though made her shudder.

Yet, here it was three days later (by her admittedly imprecise reckoning), and she was still unscathed. She hadn't been taken to Boiling Rock. There wasn't enough water around for that to be where she was, but aside from that, she had no way of knowing where she was.

Her cell was as dry as a bone. The only liquid she had access to were the tight rations that came with her two daily meals. Her cell's toilet was no help either. She could feel the heat when she squatted to relieve herself. She figured that wherever the pipe ended up, there was probably a fire burning, evaporating her waste as it came down. How many waterbenders had tried to escape this prison until the guards figured that out, she wondered.

The next full moon wasn't for another two weeks. Katara wasn't sure what her fate would be, but she vowed to be ready, if they made the mistake of leaving her alive that long. That was all she could do. No one had given her any clues as to what the plan for her was, and she was still certain that there would be horrific tortured in store for her before long. For the moment, though, she was being surprisingly well cared for.

On the evening of the third day, Katara was finally clued into why she hadn't been subjected to the torture she had anticipated. Azula was coming. Princess Azula had specifically requested that Katara not be harmed before she arrived. The soldier who had delivered the news had given Katara the most pitying look in spite of himself. A shudder ran down her spine. She'd heard enough stories from Zuko and Suki (though she still wasn't ready to divulge the worst of what she had experienced in her time as Azula's favorite prisoner). Azula was no one to scoff at, and without access to water, Katara was more vulnerable than she'd ever been. She was suddenly glad that she had no idea where Zuko and the others had gone. There was no chance that Azula would get anything from her, even if she did succeed in breaking Katara.

-:-:-:-:-:-:-:-

Sneaking into the Desert Tower prison was much easier than breaking into Boiling Rock. Zuko told Sokka that it was because this prison hadn't been built with firebenders in mind. It was a simple matter to bypass the security of the prison by going in through one of the massive furnaces used to keep the stone prison free from moisture of any kind. Zuko bent a path that was cool enough to walk through, and Sokka stayed on his tail.

"Breaking in is always the easy part, though," Sokka said. Zuko only grunted in reply. He didn't care how difficult it would be, he wasn't leaving that place without Katara.

-:-:-:-:-:-:-:-

Azula had arrived. Katara had been given a grotesque mockery of a preparation ceremony, where she'd been fed, bathed, and dressed in a rough sackcloth shift before being shackled in the room where Azula would soon arrive to begin the torture. Katara was on the verge of dehydration. She felt weak and parched. She longed for the sweat that usually accompanied the sort of anticipatory fear she felt in this moment. Why had she been brought here so early? No one had told her anything outright, but Katara paid attention, and she had heard the snippets of gossip in her prison cell. Azula's retinue hadn't arrived yet. So, why prepare Katara so early?

The door behind her opened a few moments later, and she tensed up, anticipating the sound of Azula's oily slick voice. Instead, she heard the sound of the soldiers bickering amongst each other behind her.

"I had direct orders to-"

"Do you know who we work for? Directly?" Katara had to force herself not to gasp. She knew that voice. She would know it anywhere. She'd argued with Sokka far too many times to mistake him.

"The message from the Crown Princess said very specifically to-"

"She did not mean that the prisoner should be here before her." The sound of this voice sent a pleasant chill through Katara. She knew this voice, too. "Prepared means ready to present when the princess is ready to have her brought in. Princess Azula likes to put on a show for her...guests. She would be furious if she arrived and found the prisoner already here.

"I-I didn't realize-" one of the other guards said.

"That was your mistake," Zuko growled at him. "You're lucky we're here to cover for your incompetence. We'll take it from here. Dismissed." Behind her, Katara could hear her captors murmur hesitantly among themselves.

"You heard him!" Sokka snapped. "Beat it, or we'll tell the princess of your incompetence." That was enough for the three soldiers. Once they were gone, and the door was shut, Sokka rushed over to Katara.

"Are you alright?" he asked frantically, but quietly. Katara nodded.

"I'm fine," she said. "They were given orders not to hurt me until Azula got here."

"That tracks," Zuko said grimly. He approached Katara more slowly, but with purpose. His eyes were on the chains holding Katara to the floor. His nostrils flared and his look darkened, but it was surprisingly the only show of emotion from him. He removed the pin holding Katara in place and helped her to her feet.

"Keep the shackles on until we clear the cells," he said. He glanced at her apologetically. "We have to sell it until they're not watching."

Getting Katara out of the prison was shockingly easy. Katara kept her head cast down, and Zuko and Sokka walked purposefully with their chins high and haughty. Had Azula arrived then, everything would've gone to chaos, but Azula did not arrive. She would not arrive for another hour, eager to make her grand entrance and begin torturing her brother's waterbender for information on his and the Avatar's whereabouts. By that time, Zuko and Sokka would have managed to get by all of the prison's guards and successfully slip Katara out and away to the relative safety of their airship. They would flee through the night, not stopping until the sun began to rise nearly seven hours later.

Miraculously, the only injury Katara suffered during her time as a captive were the abrasions from her shackles. She hardly noticed them in her eagerness to get water inside of her. Sokka and Suki celebrated her freedom with wild cheers and laughter made too loud by the anxiety of the previous week searching for her. Zuko was quiet in his relief. He barely said anything while Sokka had been eager to tell Katara how they'd come up with this daring rescue mission, but he'd stuck by Katara like a shadow. She could barely turn around without bumping into Zuko. They didn't have a chance to talk until Sokka, and then Suki finally drifted off to sleep sometime between midnight and sunrise.

"That was reckless," Katara said, frowning disapprovingly at Zuko. That caught him completely off guard.

"Me?" he sputtered. "I was reckless? Katara, you got yourself captured by my sister's soldiers. Do you know what she would've done....done to you if we hadn't found you?"

"Much less than she would've done to you," Katara retorted. "I did what I did to make sure you were safe. The Fire Nation needs you. The world needs you. As much as it needs Aang. Maybe even more."

"I don't care what the world needs!" Zuko snapped at her. "I'm not some pai sho piece."

"I didn't say you were." Katara sighed and sank to the floor of the airship. She patted the space next to her and and motioned for Zuko to sit with her. He hesitated, but soon joined her.

"I don't want you to think that the only reason I want to make sure you get on the throne is to protect my people," she told him. "I want to make sure you become Fire Lord because you're the only one who has enough love for your people and enough honor to do what's right by the other nations. The world needs you, Zuko. It needs your compassion, and wisdom, and honor. I would gladly do anything in my power to make sure you get there."

Zuko swallowed hard past a solid lump in his throat. For a moment he couldn't breathe. He reached out tentatively for Katara's hand. He squeezed it tight.

"I don't want it," he confessed. "I don't want it without you. Maybe you'll do anything in your power to make sure I make it to the throne, but I'll do anything in mine to make sure you're there, too. By my side, or in the Southern Tribe, or just going wherever you please. I don't care, as long as you're somewhere alive. I-"

The words died on his lips, and Zuko cursed himself for being a coward. But then she reached up for his cheek and made him meet her eye. She kissed him again. Slowly, this time, and lingering. Zuko had enough time to respond this time. He cupped her face, tangling his hands in her hair and did his best to pour out all the words he was still to afraid to say in that kiss. When they finally broke for air, Zuko had the satisfaction of seeing the dazed look in Katara's eyes. She held him tight, as if afraid he would pull away. As if he had any inclination of pulling away.

"Well," she said breathlessly after a moment. "I guess we have some things to talk about."

"I guess we do." Zuko let out a short incredulous laugh. Katara smiled at him, brushed his hair away from his face.

"Zuko, thank you," she whispered. "For saving me."

"Any time."

"I really do appreciate that you came back for me." She sat up, and the dazed, just kissed look faded from her eyes, leaving a much sterner expression in it's place. "But, I don't appreciate the fact that you put yourself in danger to do it."

"What?" Zuko sputtered again.

"Don't do that again," Katara warned him. Zuko glared at her. He started to argue, but she closed the distance again, and Zuko decided kissing was a much better use of their time. They could pick their discussion up again later.

[attackfish]

So everybody here knows that I'm notorious for being a massive defender of Ursa, and that I have no patience for the "Ursa was a bad mother, she favored Zuko, and was abusive to Azula and abandoned her kids, and made Ozai abuse Zuko," narrative. That narrative is vile, victim blaming, and deeply stupid on a number of levels.

With that out of the way, I want to talk about some really really bad parenting we see Ursa do during the series. And it is to be clear really really bad.

In the Book Two episode, "Bitter Work", Zuko and Iroh have a conversation:

ZUKO: So Uncle, I've been thinking. It's only a matter of time before I run into Azula again. I'm going to need to know more advanced firebending if I want to stand a chance against her. I know what you're going to say, she's my sister and I should be trying to get along with her-

IROH: No, she's crazy, and she needs to go down.

This scene is a favorite of a certain type of Azula fan who wants to paint Iroh as a big meanie who didn't wave his magic redemption wand over Azula the way he clearly did over Zuko. See? See? He's writing her off here and calling her crazy.

This of course misses the context of that scene, which is that Zuko is taking care of a severely injured Iroh, who was injured by Azula, in what looked a heck of a lot like a murder attempt. Earlier in Book Two, in the episode, "The Avatar State", Azula unambiguously attempts to murder her brother after failing to capture him, and he is only saved by Iroh's quick reflexes.

But let's leave that argument aside for today because what interests me about this scene in the context of Ursa's parenting, is the line Zuko says right before Iroh's infamous declaration: "I know what you're going to say, she's my sister and I should be trying to get along with her."

Because in the context of Zuko and Iroh's situation, where Azula has recently attempted to kill Zuko, and just put Iroh into a coma that Zuko had to take care of him during, in which he has only just woken up from, this line from Zuko actually demonstrates some really warped thinking. It is not a healthy response to the situation at all. And his assumption is that a good caring parent figure like Iroh is going to respond to this situation by telling him that Zuko needs to get along with his sister, who is actively trying to hunt him down and capture or kill him.

So why does Zuko think that? What adult reacted that way to Azula's violence toward her brother in the past? It wasn't Ozai. Ozai is not going to use the language of getting along with one's siblings, when he is so bent on setting them against each other. So who was it?

The show answers this a few episodes before this scene, in the Book Two episode, "Zuko Alone." The answer is clear and heartbreaking: It was Ursa.

The scene in which this becomes plain, starts with Zuko and Ursa walking together. Mai spots them and smiles and blushes. Azula notices, and then turns to Ty Lee, and whispers, "Watch this!"

AZULA: Mom, can you make Zuko play with us? We need equal teams to play a game!

ZUKO: I am not cart-wheeling.

AZULA: You won't have to. Cart-wheeling's not a game, dum-dum.

ZUKO: I don't care. I don't want to play with you!

AZULA: We are brother and sister. It's important for us to spend time together. Don't you think so, Mom?

URSA: Yes, darling, I think it's a good idea to play with your sister. Go on now, just for a little while.

And then Ursa leaves Zuko alone with Azula and her friends.

There is a lot here that I want to talk about. I have in fact talked about this scene before, and what it tells us about Ursa's eagerness to reinforce Azula's seemingly kind and loving behavior: [Link], and even touched on why this is in fact an example of bad parenting from Ursa: [Link], but I think this deserves its own post, where we examine exactly what went on here, what this tells us about Ursa's parenting, and how this affected Zuko, and to a lesser extent, Azula.

In those previously linked posts, I talk about how this is clearly a pattern, that Azula has learned to predict and manipulate, and because we know it's a pattern, we know that this behavior on Ursa's part is repeated, and something her children have come to expect from her. Zuko and Azula know their mother wants her children to get along with each other, and love each other and have a good sibling relationship with each other so much that if Azula she plays into that, Ursa will force Zuko to spend time with his sister, and worse, that time will be unsupervised.

So, to be clear here, what Ursa is doing is giving Azula unsupervised access to her brother, against his will, as a reward for Azula momentarily acting nice. Or in other words, Ursa forces Zuko to spend time with his abuser against his will because she wants them to get along.

I think we can all see how that is some grade A terrible parenting.

And it does have negative effects on Azula. I think that we can see her learning how to manipulate people, learning how to lie and get what she wants from people, and that Ursa by giving her what she wants here, is showing her that this is a thing she can do to get what she wants. That is not a great lesson to teach your kid. I think it also feeds into Azula's possessiveness of her brother, and sense of entitlement towards him. She has learned that even the people who love and care about her brother, won't protect him from her. And she has learned that no matter what she does to him, he is supposed to try to get along with her.

These are some really terrible lessons, and we see some of the effects of them throughout the course of the show, so why is it that the "Ursa is a terrible mother" crowd never bring this up? I mean of course we know why, it doesn't fit their narrative. Their premise is not simply that Ursa is a bad mother, or even that her bad parenting explains Azula's behavior.

In fact frequently it isn't even about finding someone to blame for Azula's behavior, so that the responsibility isn't Azula's. (Which, to be clear is not how it would work anyway, because even if Ursa were exactly the type of horrible mother they said she was, Azula was still making the choices to do Very Bad Things, in the same way that just because Ozai is an abusive father, this doesn't mean Azula stopped being responsible for her own actions). It's more about proving that she has suffered enough that she deserves all the sympathy, and is allowed to be awful to other people, including Zuko, you know, as a treat.

The narrative that the "Ursa is a terrible mother" crowd are pushing is that Ursa didn't love her daughter, and thought she was a monster, Azula suffered so much, and it's so sad, and this is why she deserves to do very nasty things to everybody else, and no one should ever hold her accountable. Frequently there is some flavor of, "Zuko had a mother who loved him, you guys, unlike Azula, so he doesn't deserve sympathy, not like poor baby Azula!" Which is a deeply warped thought process on many many levels, but we're not going to go into that here.

The point is, that this type of bad parenting that I am pointing out here, doesn't fit this narrative, because this is not the kind of parenting mistake that a mother who doesn't love one of her children, and thinks that child is a monster, is going to make. This is the kind of mistake that a mother who loves her children very much, and wants them to have a good relationship, and doesn't recognize the threat that one of her children poses to the other, is going to make. In fact, the fact that she does it, proves that Ursa does in fact love her daughter and does not think she's a monster. So it does not fit the narrative these people are spinning, so they will never bring it up as an example of how Ursa was a bad mom.

Of course the other reason the "Ursa is a terrible mother" crowd aren't going to bring this part up is because it would mean acknowledging that Zuko deserved to be protected from Azula, and needed to be protected from Azula, when they were both children, which would go against the whole "she's a poor innocent child" thing they like to spin, and also because Azula is getting what she wants here, and Zuko is the one suffering, which is not going to get Azula any sympathy points.

And for the most part, Ursa was an excellent mother, who did the best job she could in horrible circumstances that she had very little control over, but she wasn't perfect, and she did make mistakes, which makes all of this a wonderful example of how even very good parents can make very bad choices that hurt their children and cause serious long-term damage.

I've talked some about the long term damage that Azula faces from this, learning about manipulation, and developing some really nasty entitlement issues with regards to her brother, but Zuko's long-term damage is if anything worse.

When we put this together with Zuko's line from "Bitter Work" quoted earlier, we can see that Zuko learns what Azula learns from the other angle, which is to say that he will not be protected from Azula by anyone, and not only will he not be protected, but he does not deserve to protect himself. Not only can he not defend himself, but he can't even protect himself by avoiding her. That's not allowed either. And in the face of her cruelty and violence towards him, it is still on him to make their relationship work, and to be clear, he should absolutely be making their relationship work. And the adults who love him are going to tell him this, no matter what Azula does to him.

I for one am really glad that Iroh is there to say no, that's a terrible idea, and you do not need to keep trying to get along with your sister who is trying to kill you. And it's significant that throughout Book Two, Iroh consistently protects Zuko from Azula, and teaches him what he needs to fight back.

[marymary-diva17]

Kindhearted princess

fire nation royal family x reader

The fire nation love their royal family as they had ruled the nations with pride and strength, making the fire nation proud and strong over the many years. From fire lord azulon to his sons and his grandchildren, everyone in the royal family had the respect of the nation. There had been someone in the royal family that seem to burn by her own candle flame, the youngest grandchild of fire lord and youngest daughter or ozai and ursa. The princess that seem to be called by her people and other the kindhearted princess.

y/n " ......" you are walking down the hallway of the palace heading towards, someone chambers. You had walked passed some servants and guards who are carrying some stuff, and stop and bow when they see you. You had give them a smile as you kept on walking until you reached the chambers of your older brother zuko.

????? " y/n"

y/n " zuko I came to see you ... you are really leaving I can go speak with father and he ..."

zuko " no I wish for you not to be brought into my issues anymore"

y/n " Zuzu you are my brother I will do anything for our family"

zuko " it will be okay if I return with the avatar everything will be fine"

y/n " ......."

zuko " it all will be okay if have all my stuff and anything else I will needed packed, come on we can go to dock together"

y/n " okay" you and zuko had walked towards the dock together making some small talk.

zuko " I will miss you"

y/n " I will miss you as well big brother"

iroh " wait up you two"

y/n " uncle"

zuko " uncle what going on here"

iroh " well I'm coming with you zuko as you will need all the help out there, and guidance as well and don't worry I spoke with my brother about this already"

y/n " uncle are you really going"

iroh " yes my niece but don't worry we will all stay safe"

y/n " good and I will pray for the safe return of you two and the whole crew, and hope you both come back with good stories to tell"

iroh " we will and I think the crew will be high hopes hearing, you wish us luck on our trip away from home"

y/n " thank you"

zuko " stay strong my sister and don't only our sister and anyones else, to break you spirt"

y/n " yes Zuzu"

iroh " yes remember my lessons with you and the advice I have given you, I will be hoping you will be doing well here as well when we are gone"

y/n " thank you uncle and brother I will make sure to make you both, proud and I will make sure I do well when I'm here" you had hugged your brother and uncle, right before they left the nation on their journey to find the avatar. It will be a very long time until you saw your brother and uncle once again.

many years later

y/n " ......" you are feeding the turtle ducks you had gotten sick of being stuck inside all day, the ducks seem to be having a good time with you until someone came behind you soon scaring the ducks away.

y/n " azula" you soon got up and hugged her you are the only few people that she only to hug her.

azula " hello little sister now may you tell me why you are feeding these annoying creatures"

y/n " they are not annoying azula I think they are cute and I love feeding them"

azula "sure"

azula " so how was the meeting with father what did he tell you"

azula " that choi failed him and now it my time to take matters into my own hand"

y/n " I didn't like the idea of the raid on North Pole"

azula " i don't get you my sister you are from one the most important and powerful family here, and you decide to be always peaceful even towards our enemies"

y/n " azula they are just like us and I don't like the who idea of using my title and bending to get people to do anything"

azula " so I will have to worry about you as well"

y/n " azula"

azula " i will be leaving to go look for the avatar and Zuzu along with uncle"

y/n " azula please don't hurt them they are still family"

azula " don't worry"

y/n " I have many reasons to worry azula I know you"

azula " i will be good for now but I still going after the avatar anyways I will tell Zuzu and uncle you say hello"

y/n " I wish I could come but father will not let me"

azula " we all know why you are not ready and you will be good here, father will make sure you stay safe and that means staying here ... but hey I will bring you back any gift I get on my travels"

y/n " yes sister please be safe out there and with anyone else who joins you"

azula " i will be good but I will come home vicarious"

y/n " yes sister" azula and you had spent some time together as she was planning her trip to leave, the next day she had left home to go after the avatar and the rest of the family.

ozai " my daughter I have called you here so we can speak"

y/n " yes father"

ozai " now that your brother and sister are gone, thing around here will be changing"

y/n " I understand father"

ozai " good as your duty if being princess of the fire nation, you have a image to uphold and duties as well ... I know you will do them well being their for the family and nation, but you need to know that your ability of kindness could be seen a weakness you can't always let your kindness rule over you when you are in changer of stuff my daughter"

y/n " I know father but this how I'm"

ozai " I know I know my child but I need you to know, that you can't always be kind when it come to our people or anyone else"

y/n " yes father but I will always make sure our family and people are good, even if they are fire nation or not"

ozai " that what I love to hear my daughter now you are free to go, as I have a meeting with the generals and sages"

y/n " yes father take care"

ozai " you as well my daughter" you soon bowed to your father as you soon left the throne room, as the meeting was getting ready to start. You are walking down the hall way of the palace looking at the portraits, of the royal family member past and present. You had thought about everyone words, and you were going to stick to being yourself as that is something you love dearly no matter what everyone else had to say about it.

[ilikepjo24]

On Azula burning turtleducks...

She doesn't.

That's it, that's the meta.

Of course that's not all, I have proof.

Some antis used Azula in the Spirit Temple as "proof" of her burning turtleducks because of her flashback from when she learned how to firebend.

And that's stupid.

Azula most definitely did set a turtleduck looking thing on fire. But it wasn't an actual turtleduck. You can tell by the way it's drawn.

It's laying down unnaturally and it's not trying to get up despite the fact that it should be startled by the person approaching it, especially if the person approaching it is someone that hurt it.

Despite the fact that is has been picked up, it doesn't react at all, doesn't try to escape and doesn't turn to look at the person that picked it up.

A new person has entered the picture and the turtleduck has no reacted with curiosity or fear caused by the new presence and motion, when other living creatures in the panel (Azula) have.

The turtleduck is literally on fire and isn't making any noise of pain, it's not trying to escape, it's not writhing, it's not reacting at all. It's just sitting there like "Is it hot in here? Are you hot?"

The turtleduck is making no attempts to nurse it's wounds of escape from the grip of the person that had set it on fire. It's showing no fear or pain or any emotion at all.

The mother of the little monster doesn't give a fuck about the turtleduck. You'd expect a woman that wants her children to treat animals and plants with respect, would stop her daughter from harming a turtleduck. Realistically, if it was real, Ursa would remove it from Azula's hands and try to nurse it to health or return it to its mother, but she doesn't. She doesn't even care. She only pays attention to Azula, because Azula is the only living thing in the picture. The turtleduck is not real. All Ursa cares about is Azula's firebending and it's what she's disappointed at. She can't exactly lecture a kid for developing naturally, so she stays quiet. But she very much can lecture a kid on setting an animal on fire, so if the turtleduck was real, she'd be scolding Azula.

To try and villainize Azula by painting her as a turtleduck burner is dumb when the turtleduck isn't even real. It's probably a toy of hers or Zuko's. Probably hers, since Ursa isn't saying anything about Azula stealing from Zuko, but it could be Zuko's too, considering we know Azula burned his toys.

She did do that, right?

Wrong, possibilities are she actually didn't.

But that's for another meta.

Anyway, Azula doesn't burn turtleducks, she only throws bread at them.

Thus proven.