#but I cannot justify buying them all

[randomnameless]

Why do the FEH devs insist on ignoring Nabatean lore so much?

I recently had a surprisingly cordial discussion on redshit with someone about the "nabateans = colonisers" take, and one of the main points raised was that the game was purposedly foggy around Nabateans/Sothis/their story because it would obviously favor a certain narrative (and thus make another narrative look, uh, not that marketable anymore).

To be honest, we still ended up with a product that had a lead go "this race and its blood* is the reason why the world sucks" and yet that lead is still marketable enough to have raunchy cipher cards and 5 FEH alts, so I actually wonder if, while pissing on that lore had that purpose, it was ultimately pointless since Supreme Leader can still sell goodies despite her incarnation in FE16.

And not only Supreme Leader - but the entirety of WC where we basically have 70% of the cast crying/complaining about their "mixed blood" or lack of and basically adding their 10 cents to the "this race and its blood is the reason why the world sucks".

I mean, can you imagine Sylvain selling any goodies and alts if Flayn replied to his "wah wah people only are kind to me and want to fuck me because I have Nabatean blood :(" by some uncharacteristic "good for you, I have to hide my ears, had to dye my hair, have to lie about my family because if the truth is found out about my identity, I will be hunted and vivisected like an animal and harvested for parts by people who call my kin abominations - just like what happens in the game where the same people who call my kin "abominations" ally with a classmate who calls me a creature and pretends I am incapable of human feelings based on my race".

FE Fodlan's main selling point is its cast of students, for various reasons, but even if I tried to kid myself, Nopes and FEH made it clears : students are the main selling point.

If you spare more time and attention to the Nabatean plot/lore, the students either grow from "likeable" to "despicable" or worse, you won't gaf about them because yeah sure, Hilda might be upset because people expect things from her due to her crust, but it would feel like a "peanut" compared to Seteth's irrational (granted, it's not so irrational since GW exists) fear that Flayn's newest friends would dissect her if they learnt she was a Nabatean, and being conflicted by finally letting her have human friends and form bonds she crave, or protect her due to the trauma from the genocide of their species.

Don't get me wrong, I love peanuts, I mean, not everyone can have a tragik of loaded backstory!

And yet, given how this verse's DNA is "can you fight against the red emperor who uwus about you", they had to add copious amounts of Earl Grey to their games so there's no clear-cut factions :

The "Your alien blood and its influence on the world corrupted it, so I want to reform it under my command" vs "I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

is turned to :

"Your alien blood Crests and its your church's influence on the world corrupted it, so I want to reform it under my command"

"I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

Sprinkle with the cast's hammering here and there that the "reforms" might be needed - but never develop on what they are - and add a few baseless and groundless takes as a toping (basically everything Claude says about tolerance and the general "isolationism/foreign policy" stuff) and you get FE Fodlan where the Red Emperor's war isn't seen as the catastrophe it is in the other entries from the series!

Now, for FEH...

FWIW, the F!F!Billy's trailer had them try to explain that Sothis was a bit pissed about her slaughtered/massacred children when Nopes never gave any reason about why she was pissed - maybe on Billy's behalf bcs Jerry's dead, but come on, she would indeed deserve the medal of the worst parent in the franchise if that was the case, since Billy can murder her daughter without Sothis taking over ! - but given that they cannot write/go against the source game those characters are from.

They tried a bit, with B!Supreme Leader and Hegemongard's FB, but then it stopped (because she had no "new unit" released since then lol) and I can understand why : Hegemongard came out before the Supreme Emblem, and Hegemongard hates dragons who are seen/perceived as gods by some of their human followers. Come FE17, and now Supreme Emblem accepts Alear because they are "one of the good ones". We can come up with HCs and details and talk about what are emblems or if Hegemongard's views were only hers at the end of AM all day long... But imo, Doylist wise, it still feels it's a retcon because the devs from the main games tried to scrap and remove the most "controversial" traits she had.

For the other characters... Well, you see what Marianne is in FEH (but even in her base games), she's one of the few characters who reacts - in a way - to the partial history about relics and demonic beasts and all... only to give sad uwus to Maurice.

FE16 (and Nopes) refused to have any "student" character react to the Nabatean lore/reveal, about what are relics and all. There are no lines, Claude shared some knowledge in the explore section of VW's last chapter, but we don't have anyone muse or think or even talk about what are relics, what are crests, and what kind of fuckery their ancestors or the ancient humans of Fodlan did.

With that in mind, FEH can't do much : either they write Marianne in a retcon-y way like what happened for Hegemongard (and they're not afraid to piss on characterisation, look at Lyon!), or they flanderise her "character" and develop her around 3 lines she had in the game in her paralogue, and continue to give sad uwus about Momo when he was at best a guy who slaughtered and murdered so much that he abused the Nabatean turned into a relic to the point where he turned in a demonic beast even if he had a matching crest, or at worst, had been part of Nemesis's piñata party in Zanado and was something of a genocider.

Tldr :

Why FE Fodlan never gaf about Nabateans : earl grey + the marketable cast has to stay marketable and you can't sell peanuts at the same price you'd sell swordfish

Why FEH dgaf about Nabatean lore : they can't afford to retcon characters + they have to sell peanut alts with the same seasoning they had in their base game.

For what it's worth though, I think FEH is more daring than the base game(s) given how they gave more lines and screentime to Rhea - through her different alts - than GW. And they even designed her Halloween!alt's lines to piss on some of Claude's assertions, while the various FB involving members of the church also - indirectly - reply to some accusations thrown their way in FE16 when, FE16, never gave them an opportunity or lines to explain that those takes were full of dung.

*"but random, maybe she doesn't know that the crests she often decries is "dragon blood"!"

It's highly debatable, especially given what she and Hubert throw to Billy in CF - but even if she doesn't, Doylist wise we still have a character who, knowingly or not, says "this race and its blood* is the reason why the world sucks" and who is never called out on her prejudice. That's more of an issue regarding the general writing though, she has to be a red emperor and took pages from Ashnard's book, and yet, the player must still feel bad and want to romance her, so her mindest/goal cannot be looked at too closely, because, I guess, even the devs thought it would be difficult to romance her (thus sell goodies!) if more light was shed on the "blood from this race corrupts our people" schtick -> which in turn would also make characters whose backstory and gimmick rely on "crying about crests" be way less likeable, thus marketable and able to sell goodies.

[rancidiva]

no. they are not "like siblings". they are literally just good friends. not every platonic relationship needs to be tied or related to familial bonds.

[mumintroll]

i signed up for a library card and its ready for me to collect i just have to be brave enough to actually go in and get it and take out books <- huge news for those who remember all the times in the last like 5 years i have posted about wanting to be a member of the library but being too scared

[kashverse]

valentine’s day is a day of love, a day of romance, a day of thoughtful gifts and heartfelt gestures. at least, that’s what it’s supposed to be. in reality, it’s a chaotic mess of procrastination, poor planning, and half-baked ideas that somehow still turn out endearing.

gojo, for one, is convinced he’s got it all figured out—until he realizes a week before that he, in fact, does not. cue the absolute frenzy of online shopping, where express shipping fees start resembling down payments on luxury cars. you have never seen someone willing to pay $250 to ensure a singular plushie arrives on time, but here you are, witnessing gojo justify it with “it’s the principle, babe.” and when one of the plushies arrives looking like a legally-dubious cousin of hello kitty, affectionately dubbed "salutations feline," you know better than to ask questions. you just nod, accept the gift, and pretend it’s exactly what you wanted.

toji is really trying. genuinely. he even set aside money in a little envelope weeks ago, determined to get you something nice. unfortunately, he has the memory of a goldfish and cannot, for the life of him, remember where he put it. after turning the apartment upside down in a mild panic, he sighs, gives up, and buys you flowers instead. the disappointment in his eyes is real. but then, in a turn of events that could only be described as divine intervention, he finds the envelope wedged in the back of his underwear drawer while changing after a couple’s shower. he immediately drags you out for a fancy dinner, smug as hell, as if he planned it this way all along.

nanami is not here to play games. doubting his valentine’s day preparedness is like doubting if gravity will continue existing tomorrow. the moment you started dating, he created an excel sheet of your preferences. the list includes everything—things you’ve mentioned wanting in passing, your favorite colors, gift ideas you’ve sent him, and couple activities you’ve liked on social media. by the time february rolls around, he is four and a half weeks ahead of schedule. while others are scrambling for last-minute gifts, nanami is already wrapping yours in high-quality, sustainably sourced paper with a perfectly tied bow. he will not reveal how much thought went into it—he simply hands you the gift, kisses your forehead, and tells you to enjoy.

geto does not do things halfway. when he plans a valentine’s day surprise, he plans a valentine’s day surprise. there is a live band. live dancers. a live chef preparing a five-course meal. for a brief moment, you wonder if you’ve stepped into a wedding reception. as much as you love the grandeur, a part of you wishes there was something more intimate—something just between the two of you. it isn’t until he gets down on one knee and pulls out a ring that it all makes sense. the hidden cameras, the elaborate setup—he wasn’t just planning valentine’s day. he was planning the moment he’d ask you to spend forever with him. naturally, you burst into tears, because what else is there to do when suguru geto proposes?

choso, bless his heart, approaches valentine’s day with pinterest. a mistake. the sheer volume of ideas overwhelms him, and suddenly, he has 598 saved pins and no clear direction. still, he tries. he does 60 of them—which is a lot—but somehow, he still sits there at the end of the night, shoulders slumped, muttering, “i should’ve done more.” you, surrounded by candlelit dinners, handmade gifts, and personalized love letters, have to physically hold his face and tell him he has done enough.

sukuna does not do valentine’s day. he has made this abundantly clear. and yet, despite his insistence that it’s a “pointless holiday,” you notice he’s a little different that day. his usual sharp comments are softer, his touches linger a little longer, and he does things for you without being asked. no grand declarations, no fancy gifts, just small acts of care—holding you closer, making sure you’re comfortable, easing up on the teasing (only slightly). and while he still grumbles about the holiday, you catch him staring at you a little too long, the corner of his lips twitching up in something dangerously close to affection. maybe next year, he’ll actually acknowledge the holiday. but for now, this is enough.

[pruneunfair]

Tropes in manhwa are awful yet people still defend them

I'm in a bad mood right now so what better way to release all that pent up anger by ranting on what can ruin a good story.

1: Slavery being inserted only for cheap plot and slaves being demonized as obsessive/greedy monsters for "not knowing their place"

Theres nothing wrong with wanting to insert slavery in your story AS LONG as it's not just cheap plot to make your MC look "better" by buying from a single to all of the slaves because let me tell you this: there is no such thing as a good slave owner, you cannot morally own another human being. A lot of manhwa like to have slavery be a part of their plot completely ignoring that just because the MC goes "wow this is terrible" doesn't make them a good person after they buy a slave.

Remarried empress does this with its villian Rashta by pushing the notion that she's being greedy for not wanting to stay in poverty so Navier won't suffer because apparently a slave wanting what the silver spoon mouthed nobles were born into is so terrible not to mention they justify slave owners and slavery in general as a punishment for criminals (neglecting the fact that children can be sold by their parents)

The villainess has fun again justifies a child slave being bought by the lead and he becomes an obsessive shouta love interest, fans continously justify by using the ancient lolicon excuse "he may look young but he's actually 99182823 years old!"

In divorcing my tyrant husband, Robelia buys 30 slaves and the only 2 that consistently show up have no other personality other then "we love you FL we will worship you till the end of time!"

There's a damn manhwa out there literally called the order of slave breeding and even when a story tries to do this correctly such as VADTD with Penelope being portrayed as a bad person for what she did to Eckles, fans have been so deluded by the idea that FL's buying slaves is "girlboss" that they think Eckles should be grateful to be Penelopes "pet"

2: ML's murdering innocent people after one guy hurts the FL

I already made a specific post about it before and I'll say it again: all this does is make your male lead/father figure look like a horrific monster. While you could say it's because its a medieval kingdom (objectively that is true that they would do this) manhwa and OI is the same place where despite in those times taking a mistress was considered normal they still view it as cheating and "how could you pick that slut when you have such a perfect wife!? 🤬" in most stories. So yes, modern morality is still inserted within these tropes. While I can get it's a way to show that the man in questions loves the FL so much he's willing to go to such lengths to protect her I think just mutilating the guy that actually did the sin would be enough because try imagining yourself as a faithful servant who was amazing at your job getting brutally slaughtered by the Emperor because your boss attacked his daughter or lover.

Into the light once again does this with Aishas dad murdering all the relatives and close friends of a count that tried to kill Ysis and Aisha, Aisha doesn't seem to care despite being in a situation where she was wrongfully executed in her past life.

Remarried empress does this too. After Navier is nearly killed by Krista's brother, Heinrey tortures and kills the dad and slaughters the servants of the zemensias. I can't remember if he also murdered the remaining family members but I wouldn't put it past him.

3: protagonist centered morality

Protagonist centered morality is the biggest indicator that a piece of media is dealing with a mary sue FL. Whatever the protagonist says is right is immediately morally correct. This is actually used to justify the last 2 examples with "it was for the FL!" Things like slavery, murder, workplace abuse, union busting, pedophilia, and being a POS to your loved ones are all justified if the protagonist finds a cheap way to justify it and you HAVE to agree with her because her backstory is very tragic 🥺. Protagonist centered morality also ruins the chance for good characters since the FL herself never has to grow as a person so she stays the same exact thing as she was just with more enablers and random characters will be treated as villains even if they aren't actually wrong about being suspicious of the Protagonist or calling out her behavior. It twists the narrative in such incomprehensible ways that you don't even know what your reading anymore. I can't even list all of the manhwas that do this given how many there actually are so I'll just list some that are at least self aware there Protagonist is awful/morally grey or isn't even a bad person but they still have flaws that can be pointed out

Villains are destined to die

My in laws are obsessed with me

Not sew wicked step mom

Depths of malice

The villainess turns the hourglass

Beware of the villainess.

4: villains being dumbed down to make the lead look smarter

This is unfortunately another common staple often used as a quick way to make the FL look smart and witty but is that really hard to look smarter when everyone else around you is an idiot? Not only does the FL not have to put in actual effort to best her enemies but you just start to pity the villain for basically being a punching bag. Dimwitted villains aren't always bad in fact they can be some of those most entertaining characters no matter much they lose but that only works when they are meant to be seen as a goofy character that your not supposed to take seriously. Villains that are written as extremely childish and stupid but your still supposed to treat them as serious antagonists on the other hand are just annoying since you wonder how the protagonist even got killed by them in the first life if they're so stupid.

Isabella de Mare while admitly having a good reason for being dumbed down (she's a teenager in the 2nd life so it's reasonable she wouldnt be as smart as her adult counterpart) is still a joke of a villainess who keeps flipping back and fourth from a snot nosed whiny brat to a mastermind only at convenient opportunities when the plot needs conflict.

Mielle from the villainess turns the hourglass was first portrayed as extremely conniving as she arranged for Arias downfall in the shadows but in the second life she fails at every scheme she has even though she has Emma and Isis to help her out.

Ragibach is a literal demon possessing the body of another woman with the goal of setting demons loose on the word to start another human vs demon war and she succeeded in that the first time, the devastation was all there so clearly she has to be a formidable antagonist right? Well no, she's another case of being dumbed down further and further so Keira can succeed and while they do understand some plot holes such as Ludwig not trusting her as much in the second life it doesn't change the drastic character change from evil genius to bumbling idiot.

In short: dumbing down your villains so your lead can look smarter is essentially going to give the equivalent of a hydrogen bomb vs a coughing baby.

5: feminine women being demonized as basic "other girls" sluts

Okay this one isn't nearly as terrible as the others on this list because we all love the good old "a demon makes itself look beautiful to deceive humans" kind of villain, in fact as you probably know by me by now, white lotuses are my favorite kinds of character and even in media outside of manhwa I always find myself drawn to angelic villains but it seems like this is less of that and more of "Oh those are all the other girls who just want a man to save them, look at how much better my badass rich boss babe is for working for herself while taking all of their men at the time 😎" in manhwa. As soon as a traditionally feminine girl shows up, comments are already calling her a two faced bitch and half the time protagonist is already skeptical of her. This is the opposite of what being a feminist really is, a real feminist wouldn't be putting down other women just because they dress with more pink with bows and skirts and while I do think for most manhwa this is unintentional I do wish that we could have more characters like Psyche, Helena, Athy, and Jennette that prove that being overly feminine doesn't make you a backpedal on feminism. This doesn't make the badass or sexy fl's bad either, it just means they can co-exist.

An angelic villain should be treated as evil for being a well calculated schemer, not because they have a light colored color scheme

6: toxic relationships being romanticized as good

You know for a large community that claims to be about girl code a good chunk sure likes to look the other way when it comes to toxic relationships as long as the abuser is "hot" and theres always the terrible excuse such as "he has trauma!" Or "he doesn't know how to show his love normally!" No just no we aren't doing that here. Cry or better yet beg has this problem with not only the narrative claiming that Matthias graping Layla is okay because she actually loves him and doesn't know it but a large part of the fanbase also defends it, the same goes with try begging, a manhwa written by Solche who also wrote cry or better yet beg and once again despite Leon being an abuser everyone's ready to justify his actions because he's just a soft little boy who ends up falling in love with Grace awww 😍 (what the hell?) Everyones all about not justifying abusers because they had a sad past until it's the "sexy" male leads with daddy issues.

7: maid slapping

This shit isn't asserting your dominance as a boss bitch it's just work place abuse. This trope has gotten so out of hand of being justified by narratives and readers that there is an entire webtoon called this isekai maid is forming a union that's all about criticizing twisted manhwa tropes that get brushed off with maid absuer being at the biggest one. It's funny because a lot of people complain that Isekai maid union villainizes the nobles too much but they never ask the same questions when a OI is demonizing maids as greedy and lazy in order to deserve a beating. This doesn't just stop at hands either it can escalate to threats of mutilation just to assert dominice which is absolutely sick. Most of the time these leads used to be office workers or terminally ill patients, they know how terrible it is to be treated like garbage by their superiors yet they continue to absue every maid who isn't getting on their knees for them. Most maids in real history would not mistreat a noble even if they were the most hated in the house and even if they did they'd be fired without a letter of recommendation so why can't the FL's just fire the rude maid if they care about dignity so much because I'm pretty sure getting violent with a maid isn't very dignified either.

8: disgusting age gaps

Very similar to #6 but in this case while the ML/FL isn't a cruel monster to their partner it doesn't change the fact that grooming and pedophilia is still a crime worthy of life in prison. You'd think "oh no way, this can't be justified can it?" You'd be wrong. Now I belong to house of Castillo thankfully has a larger fanbase of people who think that a relationship between a girl who got groomed by her knight is bad but in cases like into the light once again a lot of people like to say "Well Aisha is technically 28 so it's fine!" When it really isn't since Aisha is still mentally 14. Taming my ex husbands mad dog is another one that does this with Reinhardt grooming a 16 year old boy and its apparently meant to be "cute".

9: claiming a character as unattractive yet giving them a perfect body and appreance

I just think this is a major cop-out since there's time where they want to make a realistic story yet also wanting a fantasy fufilment. I don't think its a coincidence that the only woman in tears of a withered flower that yout supposed to support is a Victoria's secret model body type. Even though she's meant to be an overworked exhausted 33 year old woman being mocked for losing her beauty she sure as hell isn't drawn that way, the only other women around hae soo are all women with smaller boob's and in general more common body types that are either classed as stupid or jealous that Hae soo is so beautiful that all the attractive men want her

how about we don't pit all the women against each other for once? And let's especially not villainize other women because their jealous they could never be have large boob's and tiny arms+waist at the same time?

10: the commoner protagonist actually being a noble rich person all along

Look I know most of us had loved those "the hated child is the lost princess" GLMM but we need to drop it because it's kinda disappointing that the nobody who had to work their way to the top is actually a secret magical princess who had royal blood in them all along. While I did think the villainess turns the hourglass was a pretty decent read I was super disappointed finding out that Aria was of noble descent all along. I liked seeing a commoner protagonist for once and it really felt like it was critiquing the idea that all commoners and poor people who want nice things like the nobility are greedy animals. Something similar can also happen with certain saintess manhwas that decide to twist itself into "the villainess was the true saintess all along!" And I'm just sitting here thinking "well there goes the hope that you didn't need the super duper rare power to be a strong character"

I feel way better now after writing all this.

[baeddel]

tirade on pirating software. 1.7k words.

i recently read a post by someone who is anti-piracy (better: against making copies of software). they said that if you can't afford something you should wait for a sale or find a free alternative. and then they said that the only time that they find piracy (better: finding a copy online) acceptable is for games that are so old that you cannot buy them from a licensed vendor, but only from resellers, because in that case the developer doesn't get the money anyway.

i feel like i could make a sort of loophole argument in this framework, which is that i can watch ebay until the game is listed by a reseller, and then pirate it, because i'm no longer making a choice between paying the developer or not paying, but paying a reseller and not paying, and i've decided not paying a reseller is morally permissable.

but i think it can go a little further. they specified developer. i should pay the developer. even though i don't buy directly from the developer, but a licensed vendor. but the vendor's surcharge is not worth bringing up.

this is because we don't believe in following the law, exactly, and thus you should follow all copyright laws for that reason. it's because of, usually, one of two reasons: developers deserve to be compensated, or that we have a moral obligation to support the developer.

on the first view, the "just deserts argument", it's not clear to me that the moral obligation to not pirate is watertight in this case (when i said "pirate" before, i made a silly gesture, meant to indicate that i'll say that for brevity, but am not acquiescing). a developer deserves to be compensated for their work; but what do they deserve exactly?

does every developer deserve to become as rich from their game as Notch, and every time they don't there's been an injustice? you probably don't think that.

do they deserve some particular amount that we would say is 'fair'?—it isn't unjust if they do better (although you might think so, and complain about how much of the spotlight they take up compared to others just as deserving), but we only require that much success of them. this might be dependent on the kind of game that it is, for example, a better game deserves more success. if that's the case, then we've exonerated at least some pirates; so long as the developer is as successful on the market as they deserve to be, we've done nothing wrong.

you might say that it's wrong to pirate games that haven't yet reached the threshold of just success, because you place them in jeoprady of never achieving the success they deserve. further, you might say that this threshold is epistemologically unknowable to human beings (see: click), and therefore in practice you can never justify piracy, because you never know if a game has reached the threshold of justice. pirates, therefore, gamble with justice, and only Minos will pay their winnings.

i think this would be a good argument, except that i don't understand why i, as someone who wants to download a copy of the game, am the one who bears the moral responsibility. if the success of this developer is a matter of justice, then surely we all bear that responsibility, even people who don't play videogames. therefore we should all purchase and promote every game, and so forth.

this isn't what any anti-piracy advocate believes, even if they seem to take a deserts line. instead they restrict our obligations to participating in ordinary market mechanisms. the game is being sold as a commodity; therefore people should buy that commodity from a point of sale apporved by the producer, and so forth. it's taken for granted that the anarchy of the market is the right way to guarantee justice, and other possibilities are never explored. ultimately, the deserts argument naturalizes capitalist relations. once you remove these blinders, the mechanism for delivering justice it actually proposes seems obviously unreliable and unsatisfactory (in fact, i believe this criticism applies to all deserts arguments).

here i will quickly add my complaint against the second argument, that we should support the developer. the argument runs: if you like a developer, you should support their work by purchasing their products. i am a lot more sympathetic to this argument and so i won't spend much of the post attacking it. it's enough to say that it suffers from the same problem we just mentioned: why is participating in ordinary market mechanisms the best way to support the developer? capitalism is likewise naturalized by this case when it is advanced as a moral argument against piracy. therefore we can run the same argument: if we have a moral obligation to support game developers, then it's not clear to me why only potential players have that obligation, and so forth (but this time the criticism doesn't apply to all similar arguments, just this one).

however, it often isn't advanced that way, and as a pragmatic argument i tend to agree with it. in fact sometimes they actually have a case for participating in normal market mechanisms: DMC fans want you to buy DMC games because then Capcom will look at their sales figures and decide it's worth making another game. you could argue that they still have capitalist blinkers on because they only advocate you buy one copy, the one you'll play, which is how the game is sold. maybe they should be asking you to buy a hundred copies or whatever. but we don't want them to do that, LOL. and the feeling is usually that there are limits of what you can ask out of someone; when one DMC youtuber was spending quadruple digits on a DMC-themed gacha, his viewers expressed concern and encouraged him to stop. so cheers to DMC players.

in fact, there might be ethical reasons to only ask someone to purchase a copy of something in the normal way: when i try to get you to buy one of Xraftstar / Charity / Porpentine's games, i am doing it because i personally want my friend to succeed, and i want to see their art recognized. this is a kind of moral motivation, but it's the morality of rendering personal obligations; you are not likewise obligated. however, i of course feel there are limits on what i can ask of you, and so, unlike when i make donation posts for my friends who are struggling, i'm only comfortable encouraging you to purchase a copy of something i think will actually render a use-value to you (even if you could still obtain it in other ways and get the same use-value).

but anyway, why specify the developer in the first place? the work put in by the publisher, the developers and maintainers of the platform its sold on, the bandwidth of the payment processor, and so forth, all get left out of the question, even though they are all more or less necessary parts of the normal market mechanisms we're encouraging you to participate in.

i think it's obvious that the anti-piracy advocate of this kind doesn't actually want to advocate for participation in the market economy, like Bush during the recession. they want to be just by the developer because they see the developer as a fellow individual like themselves; they actually want to cut through the market alienation and simply do right by another person. therefore all of the other capitalists who make money off the sale—publisher, platform, payment processor—are just more big companies, perhaps even leeches we'd be better off without.

it's funny, because historically this view was used to support piracy when it came to music. you used to see a lot of charts like this:

how much of a CD goes to the label, manufacturers and distributors, to show how little really goes to an artist, to shut down people who said you should buy the CD to support them. there's a sort of naive anarchism underlying this: i want to help the individual who made the music i love, who needs manufacturers and distributors anyway?

in this kind of simple moral reasoning, resellers really get shafted. they're seen as scalpers, taking money without producing any value. no one says: 'make sure to support resellers!' thus we never ask who the individual behind all of the market alienation the resller is. whoever they are they don't deserve the money. then, when you are poor and struggling, and cannot afford to buy things for yourself, what do people tell you to do? sell your games, CDs...

but i don't want to be too sarcastic here, because there is nothing funny about this impulse to reach through market alienation and connect morally with another individual. it is the essence of emancipation. but hear my argument: purchasing commodities from them is an unsatisfactory way to realize it. it's true that you can certainly help someone by buying what they sell; many of us rely on this to a greater or lesser extent, and, pragmatically, i hope we'll all buy Nadia Nova's next game and put food in her belly. but systematically, not in this or that case, but as a general moral principle, the commodity form, the exchange of cash for things or copies of things—this is the very thing that reproduces these conditions of alienation in the first place. and these relations—their predictability as a feature of the market, or even their scarcity as a part of a volatile and impermanent system—is what habitually places the developer in a condition of alienation from their labour, coaxing them to give up their so-called intellectual "property", then forbidding them from using the games they made; or by seducing them into placing their music on a platform, then offering them increasingly small margins and less control; or to post their content (qua sex workers) on a paywall platform, which then imposes complex payout structures to keep them from claiming their earnings. and so forth. the desire to reach through all of the noise and support the individual is inevitably captured, redirected, and fed upon in as many ways as it can be, until the whole thing crashes down and the cycle starts again.

therefore, should you purchase or pirate the next game you want to play? Remember Ptahhotep: "The noble who sitteth before food divideth it as his soul moveth him; he giveth unto him that he would favour."

[astrologythingzzz]

Astrology observations Nr. 5

Hello everyone! Here are some observations, please don't take them too seriously as they are my observations and not facts! 💞 I hope you have fun reading them. 🩷

Princess Diana was a libra rising. I am not going to discuss this in any way, but she screams libra rising. She was one of the most influential people when it comes to fashion, even people calling her the most influential fashion icon of all time.

Her grace, charm and sweetness, her love of dancing, her need for a stable and loving home (moon in the 4th house). Her cold and unstable childhood and the divorce of her parents that traumatized her for life (Capricorn IC, Saturn in the 4th house).

Sun in the 5th house folks love being photographed. They really love standing in front of a camera, doing lots and lots of photo shoots. They love portraying themselves and they love being the Center of attention. They're not shy or insecure about loving the spotlight.

Sun trine Ascendant need the admiration and approval of others. It makes a persons chart even more extroverted, they need attention like the air they breathe. For me, they are too braggy, almost snobbish because of their achievements. They are not the ones to be quiet about their life's, they will rub just anything under your nose if it makes them look good.

I can with almost 100% certainty spot a Cancer Moon. They have this half moon face, not as squishy and loveable like cancer risings have it. Their faces are more boney, more serious and almost hard. They do have big teeth though and big and wide smiles. They are always smiling on photographs.

Venus in Sagittarius will put money aside to travel the world, especially with a loved one or their significant other. They have no problem being away for longer for example to do a trip around the world for months.

Sister signs do have a magnetic effect on each other. I always see Leo's and Aquarius' in friendships, and also a lot of Scorpio and Taurus friendships. The sister sign doesn't have to be only the sun, but also involves the other planets and the moon.

Fixed signs attract each other a LOT! Especially Aquarius & Scorpio, Aquarius & Leo, Taurus & Scorpio, Taurus & Leo, Leo & Scorpio. It's like a moth to a flame, they need each others stability and fixed signs are more alike than most people think.

Libra Venus is the sweetest lover you could ever wish for. They'll buy you your favorite treats, always have flowers around for you and will always make sure you're alright and well fed. 🥺

Even though I am a Gemini Moon myself, I cannot stand other Gemini moons. They are somewhat self centered with a self-confidence that is absolutely not justified. They are the ones who are convinced they are the epitome of wisdom and knowledge. And Geminis are not the ones to do a lot of research, so most of their statements and opinions are false or not 100% correct. And it bothers me so much! 🙄

Anyway, that's all I have in mind! Hope you have a wonderful day, please read them carefully and with a bit of humor! Until soon, bye! 🩷

[silkjade]

alhaitham x mermaid!reader (3)

⤀ warnings: fem!reader, no pronouns mentioned, reader has hair long enough to be pinned a/n: recommended to read the previous parts first, since this is a direct continuation next ﾉ series masterlist ﾉ bonus (18+) ⋆.ೃ࿔*:･𓇼

When you first step foot into Sumeru City’s grand bazaar, you're immediately taken aback by the atmosphere. It's too loud, feels too stifling — a far cry from the vast and silent depths of the ocean, or the peaceful serenity of the forest. Even port ormos, had at least a lovely sea breeze. But you've come so far, it'd be a waste not to experience this lively city to its fullest.

“This necklace should only be worn by someone as beautiful as you!”

“Ditch those drab clothes and come see this new fabric from Liyue!”

“I guarantee these sunsettias are sweet like you!”

"Can I buy you a drink tonight?"

It's already a little dizzying to be so far inland, but the way all these humans vie for your attention, on top of the musicians and screaming children in the background… it’s a lot to take in so suddenly. Covering your ears helps a little, but not nearly enough to drown out the cacophony. You don’t even care to react when a strong arm wraps around your waist and leads you away.

Alhaitham guides you towards an isolated corner nearby, shooting a glare at any who dares look your way. He speaks to you in your native tongue; his pronunciation has become near flawless with your help.

“Are you alright?”

Both your head and your heart seem to settle a bit at the familiarity.

"It's a little much is all... just need some time to adjust."

To play it safe, Alhaitham removes his soundproof earpieces, placing them on you instead, and switches it on to the lowest setting. He's no fan of the noise either, but he's used to it; he'll be fine.

"Oh isn't this beautiful? And i'm sure it'll look even better on me!"

Alhaitham rolls his eyes. You're gushing over a hairpin while he stands beside you, arms full carrying assorted jewelry, trinkets large and small, a carpet, and a basketful of zaytum peaches. Mermaids and their vanity and their affinity for pretty things… at least you’re helping the local economy.

However, there’s currently only one issue and it isn’t the mora — it's the merchant who has him blacklisted.

"That'll be two million mora for the hairpin."

Now that he cannot justify. It's well crafted and beautifully embedded with crystal ore, but definitely not worth even half of what dori is asking for; only a fool would pay that price. Underhanded as it may be, he manages to swipe a similar hairpin that peaks out from under the large pile of accessories. Besides, all the times lord sangemah bay has overcharged him on information sales is far from a mere two million mora.

Dinner at Lambad’s is interrupted by a trio of colorfully clad men who seem to be on familiar terms with Alhaitham. You had always read him as more of a loner, and had seemed to be correct in your assumptions until now.

"I have some business to attend to, but I'll be back shortly. In the meantime, these are my... acquaintances. You can trust them."

“Would it kill you to call us your friends?” says the intimidating, purple one.

The blonde one laughs into oblivion when he sees Alhaitham leave with his arms full of your many purchases in tow.

…

“Ah, so you’re a diver. There’s a specific deep sea coral I’ve been dying to study, but it’s been impossible to get a sample. Would you be interested in working together? I'll be sure to compensate you well.”

You agree to Tighnari’s proposal; it would be no trouble as the dragon bone coral he speaks of is easy to find if you know where to look. Across the table, Cyno let's out a chuckle.

“You sea…,” a pause for dramatic effect, “you said ‘sure’ which can also be construed as ‘shore.’ As in, the land along the edge of the sea.”

Kaveh orders a round of firewater shots to drown out the pain of cyno’s terrible sense of humor. Unfortunately, alhaitham returns to find out you’re quite the lightweight.

…

He carries you on his back all the way home, listening to your drunken rambles along the way. You seemed to have had fun with his friends, but there’s a corner of his mind that can’t help but wonder if you now find him boring in comparison.

“I’m glad you enjoyed yourself.”

“Wanna know a secret?” you slur, giggling. “I enjoy the time I spend with you the most.”

With that said, you nuzzle closer into the crook of his neck and Alhaitham feels his face heat up all the way to the tips of ears. Mermaids are proud and rarely ever reveal their true feelings, so he counts himself lucky to have heard yours. Your soft breathing tickles his skin. He’s glad you’re asleep now, knowing that you would’ve teased him again otherwise.

Once home, Alhaitham sets you on the living room divan before leaving to prepare the bath. The aforementioned business he had to attend to, was purchasing salt. In bulk. He figured you’d need saltwater to rehydrate, as it’s been a few days since you’ve last been in any water. And a saltwater bath would surely be less of a hassle to deal with than a shriveled up mermaid.

The way your legs meld back into a tail is mesmerizing, especially with how your scales shimmer to life in the water. It quickly sobers you up. He’s about to leave but…

“Not even going to keep me company? I stayed with you all night at the cove you know.”

There it is. Alhaitham turns back around just in time to see the little grin on your face, as you rest your arms along the edge of the tub while your long tail hangs over the other end. He doesn’t know much of mermaid physiology but it’s enough to assume the saltwater, makeshift as it may be, has successfully sobered you up.

“I’m going to bed. You should get some sleep as well.”

“But I’m not tired.”

“I am. Goodnight.” And he leaves. Though eventually, he does return with a stack of books and papers.

“These are old studies I pulled from the Akademiya regarding the dark sea. Since you’ve got the energy, mind fact checking? Just be careful not to get them wet.”

He sets them down on a nearby stool before a splash of water hits him right in the face.

“How about with some compensation then?” he says, pulling out the hairpin he had swiped from dori.

It’s similar to the one you had previously fawned over, though it’s laid with nagadus emerald instead, which he thought suited you much better than plain crystal ore. Unbeknownst to him, you had liked the first because its cyan stones reminded you of those he would toss in the water upon arriving at the cove. However, you adore this one for the way the emerald gems seem to match the very one sitting on his chest. You think you’ll cherish it forever.

“Will you put it on for me?”

His touch is surprisingly gentle, careful not to accidentally tug too hard. Alhaitham’s seen Kaveh put up his hair enough times to replicate a simple style. Easier said than done as it turns out to be less than stellar, sitting slant and loose. At least he tried.

“Well? How does it look?”

Light reflects off the gems in your hair and into the water, casting an iridescent glow that bounces across the room, dancing onto your skin. Anyone could say that even the brightest of jewels dull in the face of your otherworldly beauty. Only he can say that in this moment, in his bathroom, you look more perfect than the moon shining through the window behind you.

“I think it’d look even more flattering if you were reading,” he glances down, “Enigmatic Depths: An Empirical Study of the Ocean and Beyond.”

Another splash of water hits his face.

next (4) ﾉ bonus (3.5) n’sfw

a/n2: If you're already on the taglist, you'll be tagged for any future parts (just lmk if you'd like to be added/removed) ^^ I also kind of want to do an 18+ bonus part in the future, but no taglist for that since I don't want to jumpscare anyone lmao (unless you guys want one idk but have your age in bio pls) Anyways, thank you for reading ♡

© silkjade — do not steal, plagiarize, translate or repost any content onto any other platform

[kiefbowl]

What about amateur porn or drawn erotica?

"amateur porn" is mostly a marketing term. it's meant to convey an idea that the porn is "homemade." but what stops people from just producing and marketing content that looks like that? especially since the idea has been pushed successfully that this is "more ethical porn." That is capitalism 101 - find a market you aren't capturing, make them a product they'll buy.

Even in the event it's not actually a production by a studio, you cannot verify that the porn you're watching is not a woman in an abusive relationship with a pimp. Boyfriends become pimps all the time. I think people have this idea that pimps are caricatures that pop out of the ground organically and fully formed, like some sort of mythological "bad guy." They don't stop to think that any opportunistic man (or woman) can become a pimp easily by just having access to a vulnerable woman. If someone enjoys porn, I think it's easy and worthwhile for them to have a disconnect between what "real abusers" do and what happens in a mythical porn setting that's more convenient to imagine. Yet do you need to look far to find examples of couples either A) joking how much money they could make if the wife would get on OF B) fighting because the husband wants the wife to get on OF to increase their revenue and she doesn't or C) just flat out admitting the wife is on OF and how much money it brings to the table? Besides the fact that in any one of these situations, this could be a covert marketing tactic by OF working with a couple, but even if it's not...why believe in scenario C that the husband is just some good guy and this is just some normal situation they fell into? The difference between scenario C and a pimp is what? They're being public about it by framing it a certain way? Well if that makes the public normalize it, why wouldn't "real" pimps just take that lead and do the same? My point is that there is no distinction: a man (whether it's a stranger, a friend, a dad, a husband, a boyfriend) exerting control over a woman by making her perform sexual acts for his own profit is a pimp, and I don't see why we should trust the way he frames it publicly, even if he says "I'm just a progressive husband who isn't jealous and loves that my wife shakes ass online for our family" or whatever gets people to go "cool! I will not questions this."

I'm sure you're asking in good faith anon, so this isn't directed specifically at you, but often when porn watchers are engaging in debate about porn, they'll start bringing up things like 'drawn erotica' as if it's some sort of gotcha. To me, it's so revealing how little they care about the arguments presented about the harms of the porn industry because yes, obviously drawn erotica is different than filming real humans having sex. It also reveals some sort of assumed bias that the person presenting objections to porn without appealing to religious morality or puritanical ideas about sex are somehow being deceitful. As if once "victimless porn" is brought up, they'll be unable to lie and their true nature will be revealed because they'll have some thinly veiled excuses about how drawn porn is obviously just as bad, because it's so sexy!

Drawings of people having sex or being naked and sexual are not above criticism in how they replicate harmful ideas about sex, sexuality, and gender - but they also aren't literal forms of violence against real people. So, it's irrelevant to the discussion of vulnerable people being pushed into porn to perform sexual acts against their will to a point of ruination. If someone feels comfortable continuing to watch and masturbate to porn after this has been explained to them, I don't see why any thoughts I have on erotica written or drawn or otherwise really matters. They can't be convinced through that avenue, clearly. They're probably willing to take whatever thread they can pull on to justify their consumption and to assuage their conscience over watching porn. That to me signifies a porn addiction, because even a casual viewer of porn who's never come across any anti-porn arguments knows they can live without porn, knows they don't need to defend it tooth and nail, and will not play stupid about comparisons to real people having sex on film/enacting violence on each other to erotic drawings.

At the end of the day, re: erotica, I would need to take each thing of media in it's own right and judge it for itself (like all film, books, and art). If it replicates pornographic images (i.e. the film language of porn that I take issue with vis-a-vis misogyny and violence against women), then yeah I'm going to have a problem with it. Not because it's sexual, but because it's content is disagreeable to me in that it's misogynistic. The scale for that is going to be sliding - the difference between a causal representation of unexamined gender dynamics and extremely violent CSAM is huge. I don't take issues with people finding, say, mild 18th century drawings titillating as much as I take issues with people acting entitled to violent images as if their masturbation depends on it and they're entitled to masturbate to whatever they want. Why? I masturbate to my imagination all the time. It's literally the easiest and most natural thing to do. If someone can't, it's probably because they're addicted to porn. If desperate poor women being pushed into drugs to continue making porn that becomes increasingly violent doesn't stop someone from watching porn, then maybe I should ask them to get angry at porn for altering their brain so badly. That's how desperate people sound when they have to scrape the bottom of the barrel in the face of facts about violence, poverty, suicide, and abuse.

[cute-firelight]

Wow! I am impressed to see how much the Caitlyn discourse is still burning in Tumblr, X and most of the arcane platforms.

I kinda just want to say that what makes me frustrated is that nowadays characters cannot fail or be gray anymore, not even redeem. People need to be able to label good/bad/antagonist and for a lot of people the redemption will never be enough.

Good intended people can do bad things, and for me this was Caitlyn in Arcane.

Some people that argue that what she did with the gas wasn’t as wrong as other things she could do have a point, but still, the gas thing was still pretty bad thing in my opinion. As a method to subdue the chems.

However, there is nuance in that decision. Seeing how she undo what her mother achieved to revenge her and to avoid a war that was going to be way worse than that, was a pretty ironic and tough decision at the same time. So at the end, what I want to say is that you can understand her thought process here even if you agree or not.

In her mind some things were combined: justify a bad deed to prevent a worse fate, and at the same time, use that to look for revenge. What was the decision that weighted more on her? We don’t know.

Can I do the right thing for the wrong reason?

Is it bad that I making friends with my demons

Living by a couple deadly sins

Just to make sure I finish what you began

These are the questions raised by this lines in the song.

I feel that people misunderstood soo much Caitlyn and Jynx conversation, and that conversation is hugely important to understand all of this.

Deep down Caitlyn hated herself and she felt responsible for creating the war.

At the end, she recognizes to Jynx that their shortcomings and failures caused everything and that both of them can’t do nothing to undo each of their crimes. But, they can learn and improve from now on and to do that they need to let everything go.

People justify Jynx more because she suffered more being an oppressed person. But please; she had an agency. All characters in Arcane have agency and are a product of their upbringings, and of course, Jynx upbringings and trauma is devastating and worse but guys, this is true irl too!

You will be charged for your crimes equally, no matter who you are and no matter if your trauma is worse than the guy in the cell next to you; and is also true that if you are a privileged person probably nobody will ask accountability from you, or you can buy your way out of jail. Piltover is not painted in the show as a perfect society and I hope you grasp that.

Arcane’s narrative centers more on the consequences, not much in the accountability of each character and consequences never forgive anyone. No matter how privileged or not you are, your actions will or can have consequences and you’ll have to live with the weight of them.

Arcane focus is not to align with a side, is more to show both contrasts and to create a nuanced story about each of the characters, their motivations, failures and struggles. Once you realize this Arcane becomes a good experience, trust me.

Making Caitlyn a flawless person wouldn’t make for a dramatic scale social class conflict and I am so glad that Arcane creators didn’t feared to do this. It would be boooring, it wouldn’t show how in real life this happens all the time. Caitlyn wasn’t prepared to do that role and wasn’t in a mental condition to do it but felt forced to. Because of her dad, because of how everyone else was behaving towards it, because in her eyes SHE caused it, and oh boy, since she had that much power and was so misguided she influenced everything for the worse…

We should center more in what Arcane has to say with Caitlyn and less in if she is good or bad. For me, she is a naive person for her upbringing that got caught up in something she wasn’t prepared for, and ended doing a lot of mistakes that caused a huge amount of damage that she regretted deeply but couldn’t undo.

[theyanderespecialist]

(Remake) Base Yandere Valentino Headcanons (Part 1) (Hazbin Hotel)

[Hello, My Sexy Muffins! I am here with a new chapter and this one is a remake of Valentino and a warning there will be toxic traits!] 

(Disclaimer: VALENTINO IS NOT A GOOD PERSON!!! HE IS A TERRIBLE PERSON AND AN ABUSER!!! It is fine to simp for him IN FICTION!!!! But DO NOT SAY HE IS A GOOD PERSON OR JUSTIFY WHAT HE DOES!!! 

Disclaimer 2: Valentino is not yandere in canon, this is just for fun and not to be taken seriously at all. Simping for fictional characters and yanderes is fine! Just do not be illegal or gross about it! Yanderes are not ideal partners to have in real life, he is also a horrible person in canon! Also, remember to separate fiction from reality and headcanon from canon!)  

-Remade Base Yandere Headcanons With Valentino Part 1-

.Valentino is the worst, very much terrible, the most disgusting man there is! 

.Though he can be very charming. 

.He is someone that a lot of people could hate fuck. 

.He is obsessed with you, he claims to love you, but his love is more of an ownership and control. 

.He would very much see you as his property. 

.He is possessive, controlling, and demanding. 

.He will use the pheromones in his salvia that he has to drug you into being a good darling. 

.He is going to manipulate you into being his. 

.He does not care if you want him or not, you are his and he owns you. 

.That is all he sees it as. That you are the love of his life, at least to him you are. 

.He would use other drugs to make you obey. 

.Keeping you dependent on them so that you stay in line. 

.He will use physical punishments to keep you in line. 

.He would not hit you like he did Angel Dust, more so he would grab you by the arm or hair. 

.Dragging you to his and your room. 

.Where he will punish you by using his salvia to put you in the mood and fuck the obedience into you. 

.Or spank you if he must. 

.He is not going to be abusive in the way of hitting you and being overall violent persay, but he will be rough with you if he needs to. 

.He is going to gaslight, manipulate, and blackmail you into being his. 

.If he can have his way he is going to get your soul in a marriage contract. 

.He will also most likely share you with Vox. 

.But there is the sort of Air Quotes around "good" side of him. 

.He is very much like an abusive husband in some sense. 

.Where he goes in the cycle of abusive but then loving. 

.He loves to spoil you cause he buys you all the things you could want and you know he will hold them over your head. 

.In his mind if he makes you feel loved with all the items he gets you then you cannot complain about not being allowed out of his tower. 

.You cannot complain about him anything. 

.He would also guilt you with it, How dare you ask to leave the tower when he does all this stuff for you? 

. do you not know how lucky you are to be with him?

.How much money and time did he put into you? You should be grateful. 

.Though there are moments where he can be soft with you, you always are on edge cause one wrong can make him in the mood for sex or can make him pissed off. 

.Having Valentino as a yandere if you do not have the power to stand up against him, is walking on eggshells. 

[This is just part one we will get more onto him later! I hope that you all enjoyed this and stay sexy, all of my sexy muffins!] 

[starkidsonnets]

edward nashton general headcanons

| contains : poor self image, disordered eating, sh if you squint

| note : misc. and disorganized edward hcs. probably ooc !!!!!! uh oh !!!!!!

⋆ he has athsma and needs a puffer. also needs it for his anxiety and panic attacks because obv it gets really hard / painful to breathe

⋆ short sleeve shirts make him wildly uncomfortable. he feels so exposed and he also just hates how his arms look

⋆ isnt too fond of how his body looks in general. it's not something he really thinks about, though, not unless he sees a really attractive guy on the street or in an ad and is reminded that he's not exactly the standard

⋆ he likes his height, though. read somewhere that "chicks dig tall guys: no lady wants a man under six foot" and he was like fuck yeah

⋆ bought red socks to be "adventurous" since he only owns black, white, and grey pairs

⋆ they turned one of his white button-downs a light pink in the wash

⋆ he won't wear it in public, but he really likes the colour, so he kept it

⋆ finds sped up videos of snails eating cucumber slices very entertaining. it's genuinely brain rot

⋆ will sit on the toilet lid or floor or his bed sopping wet and butt ass naked after a shower staring off into space

⋆ not even just cuz he's depressed it just feels nice

⋆ does not like tomatoes. it's the texture that throws him off the most and if he orders a burger and they mess up his order and he has to take them off himself, he'll still have a hard time eating it cuz he can "taste the remnants"

⋆ migraines so bad he gotta lay down and wait for himself to faint

⋆ struggles consistently with irregular eating habits. he can go days without proper sustenance, absorbed in whatever he's doing

⋆ on the other hand, if he gets too emotional he'll binge, eating whatever he can find just to fill the gaping hole inside of him. he always overdoes it, and either goes to bed with a godawful stomach ache or throws up

⋆ def a hair puller. he tries to justify it by telling himself that the pain is grounding, but he sometimes ends up ripping his own hair out entirely by accident. he feels gross whenever it happens

⋆ oral fixation in the sense that everything is going in his mouth. he's a nail biter, he'll chew on his hand/arm (at home), on his pen, on his glasses, on his phone charger, etc...

⋆ mouth breather when he sleeps, which also means he drools. wakes up with a little wet spot on his pillow and he gets grossed out

⋆ he cannot use chopsticks. gets really embarrassed when he has to go back and ask for a fork (save me white boy save me)

⋆ wants to play board games really bad, but has no one to play with

⋆ buys himself a nice little something that he's been saving up for for himself for christmas. every christmas. he uses the holiday as an excuse to indulge in something he wants, instead of need

⋆ wrapped it for himself one year. spent way too long tryna figure out how to wrap it nicely. felt so stupid once it was all wrapped up that he tore it open immediately. hasn't wrapped anything for himself since

⋆ a single peppercorn would put him in a coma i think

ok thats it :)

[holylulusworld]

Every Breath You take (1)

Summary: There is a shadow following you. He doesn’t know what he got himself into.

Pairing: Stalker!Bucky Barnes x fem!Reader, Bucky x Alpine (platonic)

Warnings: stalking, being stalked, loneliness, a man out of time, bitchy boss, secret admirer trope, voyeurism

A/N: We start slowly to get to know them and their backstory. In this part, we will get to know Y/N better.

A/N2: You all made me do it! Here’s the series to this random idea: Stalker Bucky & Crazy Reader

Catch up here: Every breath you take (Prologue)

Every Breath You Take Masterlist

You’re chewing on your lower lip, humming at something your boss said. He’s boring as hell and so demanding. With his hands on his hips, he glares at your lunch as if he wants to turn it to ashes.

All you want to do is tell him to leave you alone during lunch break. You’re just too polite and nice to do so. 

He can bug you during work time, but not in the precious moments you use to catch up on the latest gossip on your phone. 

You were about to read about an affair Tony Stark had with an intern. Fake news, you’re fairly sure, but it’s still entertaining reading all the furious and stupid comments.

“Sure,” you nod and make a mental note, hopefully not forgetting about his next demand before you reach your desk to write it down. “Right after my lunch break.” You point out and give him a fake smile.

“You better hurry,” he snaps at you and storms off. “If not, you can look for a new job.”

He cannot fire you per se. Your boss is not as important as he thinks he is. One word to the HR and he can kiss his ass goodbye.

You’re just indifferent when it comes to your boss and his antics. You prefer to ignore his sometimes nasty comments.

The world is cold and unfriendly enough. You don’t want to be the kind of person adding more hatred to this world.

Bucky aimlessly strolls through the streets. He prepared everything for tonight, and now he’s a little lost because you are still at work.

It became his obsession to make sure you came home safely. He’d kill the time, window shopping or imagining how’d feel to hold your hand.

Time. Bucky needs more time to prepare himself to meet you for real. 

He wants your first date to be perfect. Therefore, he must watch you a little longer to get to know you better. – At least that’s how he justifies he’s following you like a shadow for the better of three weeks.

Bucky stops in front of your favorite bookstore, he looks out the window, wondering if he should buy you a book and gift it to you this week, or wait a little longer. 

He shakes his head. No. Bucky will start with the usual gift. Flowers. He saw you carry flowers inside your apartment over the last weeks more than once.

You love flowers, and he will find out which ones you love the most. Bucky doesn’t want to gift you the wrong flowers and disappoint you.

He already has a plan. According to your schedule – which he knows by heart – you will go to the little café close to your home. The perfect opportunity to sneak inside your apartment and get to know you even better.

Bucky will take any chance to make you see he’s more than his bad reputation. To the people out there he’s still the Winter Soldier. He doesn’t want you to think the same about him.

All he wants is to keep you safe and happy. Bucky’s new mission is the most important one he ever had. 

For today, he will wait patiently to follow you home, making sure you’re safe. There are many dangerous people out there, wanting to hurt or take advantage of a lovely person like you.

“Phew, home sweet home,” you sigh and plop down onto your sofa. You’re tired, and hungry and would kill to have someone to massage your shoulders. “What a shitty day.”

You hate to get back up, but you need a shower and search your fridge to find anything eatable. Your boss made sure you were working overtime, and you didn’t have the energy left to buy groceries.

Slowly getting back up, you sigh. You’d love to fall asleep right here on the couch, but it won’t do you any good.

Instead of sleeping, you walk out of the living room to have a shower. There’s still enough time left to watch your favorite show and eat leftovers from your fridge.

“She looks tired,” Bucky worriedly watches you with his binoculars when you walk back inside your living room. You yawn and rub your tired eyes. “She’s wearing cute pajamas, Alpine.”

Your secret admirer swoons. “Isn’t our girl beautiful?” He dips his head to look at Alpine sitting on his lap. The white cat meows and rubs his cheek into Bucky’s shirt. “She’ll be such a good mommy for you.”

Bucky pats Alpine’s head, gently murmuring the cat’s name. Alpine is his only companion, and he wants the cat to love you too.

“Don’t worry,” he whispers while lifting the binoculars to his eyes again, “she’s a wonderful and kind person. Y/N will love you too.”

Bucky inhales deeply as he presses your shirt to his nose. He’d love to take it with him, but for now, the top and panties he found under your bed must do. Bucky cannot risk taking more of your things right now.

In due time, he will take more of your things to bring them to the house he plans to buy for you and him. He’s already ahead of his plans, but Bucky never felt like this again. Not since Hydra turned him into a monster everyone still fears.

“Soon,” he hums and walks around your bedroom. Bucky takes his time, and even risks lying in your bed for a moment. He sniffs at your pillow, inhaling your scent deeply. 

Bucky sighs. He can’t risk leaving his scent on your sheets and must slip out of your bed too soon for his liking.

Time. He needs more time. Bucky tells himself all over again. He cannot risk scaring you off, or that you’ll be afraid of him.

He’s a protector, not a villain.

Bucky slowly walks out of your bedroom and inside your bathroom. He wants to know more about the products you like, and maybe sniff at your perfume too.

You’re still at work, and he has all the time in the world before he will pick you up from work and bring you home. In his mind. – He cannot turn up at your workplace and offer you a ride home. Not yet.

Bucky lurks around the corner to watch you walk out of the building. You’re angrily wiping your eyes and even cussing. Something you never did before.

“Who hurt you, doll?” He asks himself, and the person delivers the answer on a silver plate.

Your boss storms after you, calling you a dumb bimbo while throwing a tantrum like a man-child. 

Bucky squares his jaw. He clenches and unclenches his metal fist, ready to beat your boss into a bloody pulp.

No—not now. Not here. He will bring you home first and come back. Bucky will avenge you, and make sure your boss will never dare to raise his voice around you again.

Every Breath You Take (2)

Tags in reblog.

[arliedraws]

I've seen your posts about AI. I also know it's a pretty polarizing topic and what the majority opinion is, especially in regards to art and writing. And being an artist myself, I totally agree that it sucks, like you have to pay attention and all, but.... I hardly dare to say this because I know how emotional the discourse around AI is, especially on a platform like tumblr, which sometimes seems so strong that I don't participate in a discussion about this topic at all because I feel like people here would hound me for it, but I still use different AI software, but not in the way that I use it to create something that I can publish and pretend that I spent hours creating it myself. I think it can be really helpful.

If I need information about something quickly, it's more efficient than spending a lot of time searching different websites for a particular piece of information.

I also like to think of it as a group member when I'm working on projects. That doesn't mean that I get the ideas from it and then just copy them. In the same way that group work is beneficial, you pass the ball to each other with the AI and exchange ideas that you can then develop further. Or it can help you if you're looking for another word to describe something better, like a dictionary. And I still know how to use real dictionaries or do proper research, because I know that AI can make mistakes and you shouldn't believe everything. Just like it is with information from the internet in general. Anyway, now I come to the actual “confession”, which is that I also use it, not to let the AI create the art, but as a tool to help myself creating it. I usually use reference images for drawings to help me get the scene itself or the anatomy correct etc. Andy capture it properly. But sometimes I have a very specific scene in mind and can't find a suitable reference, and it can take me hours to find something that fits. So I like to use AI to create that reference for me, because unfortunately I don't have people modeling for me and personally it helps me extremely to have examples to work from.

Idk where exactly I'm going with this. But since the general opinion on generative ai seems very clear here, I wanted to finally get this off my chest because I always kept my moth shut being afraid of how others might react, even though I think that my methods are still quite legitimate, as I still do the real work myself. Anyway, I'm looking forward to your opinion.

Ahhhh okay, well, thanks for the vulnerability here.

You know my opinion on AI. I’m not going to tell you you’re a terrible person or anything for using it, but I’m also not going to justify your personal decisions. Instead, I invite you to change your perspective.

My opinion is this—and it’s more of a question: why are you creating the art? I’m going to hit a few of your main points and just pose questions because I think this gets to be more philosophical than a cut-and-dry “if you use AI, you are a bad guy.” Because I don’t think that—I also don’t think you should use it.

The reason I don’t blame people for being attracted to using AI is because as human beings, we’re designed to find the most efficient way to do things. Thinking and using creativity is a huge caloric expenditure. Right? Naturally, we’re attracted to ways that things can be done FOR us and reduce our cognitive load. Your brain is working as it was designed! But this is also a really cool way to take away your voice and mold you into someone who cannot think for themself.

(This is also what you’re doing by “confessing” to me. You’re unloading your cognitive/emotional burden so you can keep on doing the thing you know is probably a bit shady.)

First of all, I don’t know you, so I don’t know what your art training is. However, you need to train your brain to start coming up with stuff on your own. I am really sorry, but I don’t buy the “I don’t have enough references.” When there are free resources like Unsplash.com and even just looking at buildings around you, the furniture in your house, etc, you DO have the references. But you need to learn how to use them. This is a tool.

Second thing, if the reference isn’t exactly what you need, then you need to start learning volume and shapes. You need to study anatomy. Eventually, you will be able to look at a reference and understand how perspective works and be able to transform a reference in your head to what you need. OR - start combining references. If I’m doing a full scene, I probably have about 5-6 reference photos I’m working from. This is a tool.

Third, start taking photos of yourself for reference images. If you can’t find what you need, do that. I periodically have to go into my camera roll to delete the god-awful reference poses for myself. This is a tool.

Fourth, start a collection of things that “strike you.” Start a reference blog. Have a folder filled with images that intrigue you. Personally, I take an insane number of photos when I’m traveling. For example, I went to a mansion for a tour and took photos of all the early 20th century objects and rooms so I would have these in my arsenal. This is a tool.

My fundamental question is this—why are you having an algorithm create what’s in your head for you? Why not learn how to do these things instead? Your imagination is so cool. The process of creating is making happy mistakes. What do you think Bob Ross would say to you? When you use AI, you’re just copying. The imaginative part has been done for you. You’re just a tool of the robot.

We do so much to avoid frustration, but frustration is the part of creating. When we can see the skills we need to learn, that’s how we know we’re improving. It means you’re trying, and when you press through that discomfort, that’s when you grow. Stop seeing this as a block to your end goal but as an opportunity to continue your infinite journey as an artist. Celebrate that there are so many beautiful things to learn.

Additionally, please don’t see AI as a group project. A group project indicates that all parties involved consent to participate, and I know most artists do not want their art to be used in this way. Imagine if you learned to do all the things I’ve described above and taken time/years/frustration/love to develop these skills, and someone years later then took your work and said “It’s okay - we ALL contributed to this.” It’s just not true.

The artists you see online don’t simply sit down and draw a bunch of cool stuff without practice. I watch Youtube videos of professionals. I draw a gazillion sketches of just MOUTHS or hands so I can create my own references in my mind. Why would you deprive yourself of this?

Look, I think it comes down to this: if you’re looking for efficiency and ‘getting it done’ quickly, then why are you doing it? Are you enjoying the process? If you aren’t, why are you even doing it?

If you need a robot to imagine something for you, then you don’t actually want to do it.

[teaboot]

Hi! (just a personal ask. Sorry if it's not okay to ask for advice out of nowhere but I wanted to see an outer perspective and didn't wanna ask my friends. No pressure to answer of course but I would love to hear your thoughts!)

Is it normal for me to feel overwhelmed about something I want? I am just starting med school and it's a lot but I am fighting. And in my culture, parents buy their daughters their like things?? (like towels and bed sheets and a fridge. Anything they can buy except the apartment basically) for marriage from a young age. But my mom just started recently. And when she first bought me something. The idea of getting married & being a doctor (both things I want) felt like too much I teared up. My mom said I was being spoilers I guess?? Like I was ruining a good moment? Of course it is not that serious since I wasn't outright crying, and I just laughed afterwards as I felt silly lol ,but It got me thinking if I was being that dramatic.

This honestly felt like the moment in the movie where the mom hugs her daughter and says something like "oh how much you've grown" . Her retort felt like it was out of the script.

If you find time to answer, please be extremely blunt. Because I know for a fact I have a tendency to exaggerate things.

You are not overreacting. You are not exagerrating things. And I'm going to tell you this, because I experience this, the tendency to downplay your own feelings and recollections of events very often comes from having other people do it to you first. People tell you your feelings are wrong, or stupid, or irrational, and you learn to listen to them instead of yourself.

It makes complete sense that coming up on a major cultural milestone would make you feel excited, or scared, or overwhelmed. It sounds like you came upon the first step of a very big change and the reality of it all hit you at once, which sounds completely normal and expected!

Fuck, *I* used to get that about moving houses, and YOU'RE expecting shit like marriage? Holy fuck! I'd be a complete mess! The fact that you're level-headed enough to ask questions and process your feelings and talk things through is impressive, because I think I'd be losing my mind.

Personal story, but when I turned 17, my mom asked me if I wanted to go to a restaurant to celebrate. When I told her that it sounded nice, but I'd rather have dinner at home with the family, she told me I was a selfish narcissist, and that I was so busy thinking of myself that I didn't consider that other people might have been excited to go out.

At the time, I thought she'd been harsh but ultimately correct.

Now, I see that she had decided what kind of perfect evening she had wanted, and had expected me to play the part in the movie she had written herself. It had never been about what I wanted at all- it had been about her personal desires and expectations.

And it's normal to feel frustrated about things that don't go the way we want or expect, but lashing out at others is not an appropriate way to handle those emotions.

The way we feel cannot be controlled like a machine. The way we feel is usually not a problem. The problem is what we do, and the choices we make based on those feelings.

Children throw tantrums and sat mean things because they haven't learned better yet. They don't have the practice or experience. Adults like your mother and mine should have that on lock, but often don't, especially if culture or tradition or social expectations tell them their actions are justified.

If I had to take take guess, I'd say it sounds like your mom gave you this gift with an idea in mind of how she wanted you to react. She probably wanted you to be grateful and praising and sweet, so she could fulfill the role she envisioned for herself, and when you deviated from that picture, she was disappointed. From that perspective, it would seem that she felt slighted, and that she was owed your gratitude, and you were at fault for withholding it.

This perspective makes sense, in an emotionally immature sort of way, but would completely overlook your feelings, which are just as important.

Your exact situation is not one I've been in before, but if I'm correct in my assumptions (which I may not be) then I'd suggest keeping an eye out for other instances of your perspective and feelings being minimized.

Are you often told you are behaving irrationally? That you're over-emotional? That you're self-centered or greedy or entitled? Are you told that you don't remember things or do things as you're told? That you see problems where there aren't any? That you male trouble where there is none? That certain conversations aren't worth having, or that "you're always like this"?

It sounds like you know that something is off. I'd encourage you to keep asking questions and follow your instincts. At the end of the day, your life is your own, no matter where it came from.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.