#but 10 is for softer things

[movedtodykedvonte]

Have been rewatching House md, stumbled upon the episode where there was a woman who couldn't fall asleep, no matter what she did.

So I thought, imagine if you couldn't fall asleep. But couldn't die either. The exhaustion, the trembling, hallucinations, nausea, headache, emotional exhaustion as well, absolutely torturous. All the pack, but you are not capable of dying, you live in this state for days. For months. For years. Forever.

This is the horror I was thinking about when I decided my Spamton had little to no needs or feelings as a puppet because it adds to the mess you mentioned above by the virtue Spamton longed for that.

There was no pain of agony for Spamton, maybe the memories of such but nothing that ever came close after that. He could not shiver or tremble, there was no exhaustion or sleep-deprived hallucinations. There was no physical longing for rest. The only thing there was, was nothing. For days there was nothing, for months there was nothing, for years there was nothing. No feeling of wind on his porcelain skin, no eyelids to get heavy less a mechanism was acting up, nothing. Not even the comforting in pretending he needed rest, closing his eyes to darkness, more nothing no light permeating his now solid eyelids, no phosphenes, just solid nothing.

It says something that Spamton would find her experience a more preferable fate... at least for a long while.

[forcebookish]

If you don't answer, I'll take that as a yes.

[maomango-doodle]

Inspired by @aidakhar 's dad!Knives AU (brainrot-inducing)

After venturing out, Azrael gets caught by ill-intentioned individuals

[pocketramblr]

Harvey: "The press called Harvey Dent "D.A. Don Q", didn't they? Deluded, certain to fail at a decrepit crusade to rid Gotham of it's monsters."

Bruce: "And they called me your Sancho Panza. I'm still willing to fight your windmills with you, Harvey."

[asofterutena]

(kill your darlings)

the tenth episode of revolutionary girl utena, nanami's precious thing, aired on this date 26 years ago.

[whatimdoing-here]

Made those whiskey smore cookies. I should have put in more marshmallow fluff, and obviously I didn't let it sit overnight in the fridge. Still delightful.

[agnimybeloved]

regarding that last post... not that black butler's canon has to be uplifting or have dadbastian or a happy ending to be "good" (i'm actually partial to tragedies especially the cyclical kind and would love for the series to straight up end with despair and the collection on the contract lol) but i do think that toboso's largely fumbled the found-family/interpersonal,/introspective aspects of her story and sacrificed a lot of narrative and thematic meat there for low-brow and off-putting comedy.... which is really exactly all she does with ciel's trauma as well-- shallowly using it for the purposes of trauma porn and/or comedy/inappropriate fanservice.

ciel only seems to have reasonable responses to his trauma when its aesthetically convenient if that makes sense. i honestly could go as far as to say that she depicts his trauma fetishistically-- every instance i can recall of ciel having an extreme traumatic response (i.e. vomiting, flashbacks, psychosis) is represented with (imo but honestly.... i'd be shocked if this wasn't intentional...) sexual undertones. his episode during the green witch arc doesn't have one of these moments within the episode itself as far as i can recall, but certainly i think the preceding/inciting medical emergency that forces him and sebastian to bathe together contributes to the reoccurring sexualization of "sickness" (physical & psychological).

not to mention ciel's subsequent episode is treated as the dramatic peak of his ptsd and something that he "overcomes" through sheer force of will (and the threats of sebastian... neither of which are a proper/reasonable way to handle such an extreme trauma response) and doesn't really battle going forward in the story. of course a lot of stories take this "one dramatic moment and then its fixed" approach to representing mental illness, and it makes narrative sense for toboso to want to more or less settle that thread to gear up for the important blue cult arc, but i think toboso's handling of mental illness in general goes so far beyond suspension of disbelief and tastelessness that i think she should lowkey be brained for it. the way she intermittently writes ciel's traumatic experiences as something horrifying and wrong and to be given sympathy meanwhile relentlessly putting ciel in inappropriate fanservice situations that diminish the severity of csa & pedophilia as well as disrespect the complexities of trauma and turn them into comedy... mind boggling...

overall though i think that black butler shows a real mastery of narrative arcs while falling short in terms of character arcs. most of the time these arcs are shown in retrospect with the addition of new backstory, but it feels as if the characters in present have barely grown at all... not that every story has to be character driven and a static character type makes sense for someone like sebastian, but for all that ciel is a unique and mature thirteen year old due to the circumstances of his life, he is still a thirteen year old, and one that has experienced a significant trauma quite recently at that. not allowing him coming of age-esque character arcs considering all that sort of breaks the believability of his character imo.

but i think that coattails does a lot in staying loyal to ciel's character and experiences while also respecting his trauma and bringing the depth and flexibility of adolescence to his worldview and actions that toboso unfortunately seems disinterested in. i love that aforementioned chapter of coattails and its sentiments especially with how it reexamines ciel's actions at kelvin's manor and the worldview that lead to burning it down with the children inside... not that it was an out of character decision for ciel in the moment, but i think it established a lot more severe facts about his character and worldview than toboso is willing to address in her writing and therefore feels unresolved. coattails' remedy to that awkwardness by coming full circle is so intriguing and fulfilling in contrast... it shows how adolescence and trauma can work together to so completely convince one of hopelessness and yet how just a bit of hope can change that worldview entirely. literally just the honest love of a random dog and the mundane care of a guardian... there is a cure and it is this..... what da helllll....

[opens-up-4-nobody]

hi so so sorry if this sounds genuinely deranged but I need to know did you write a fanfiction in like 2014 that was set during ww2 where zoro from one piece was sent to a japanese internment camp and sanji went to conversion therapy I remembered it recently because it blew my mind at age 13 and I had to reread it + need a kind of where are they now with the author so if that's you 1) what's your stance on the fic today 2) how much of the research was done during writing and how much did you just know beforehand and used as inspo 3) did you have any ideas for where the other characters ended up because I did always wonder if like idk chopper overcame the trauma of being in the war and also just what usopp's situation would be in general what with the political climate. once again. if you didn't actually write this fic so sorry this must look like the ravings of a crazy person. godspeed

Hi. Uh, yeah I did write that fic. I would have been like only 17 at the time. I did do A LOT of research, like the fic was basically an excuse for me to research Japanese internment and WWII history in general bc I thought it was super fucked up. I was absolutely hyperfixated on the topic and my parents probably thought i was nuts for my ability to talk at length on this particular area of history. I just finished skim reading back through the fic and woof. What a bleak fucking story. I was very cruel to everyone. It's frustrating bc I think it's an interesting and compelling idea for a story. But to me it feels like: here is all the research I did and also characters talking in what feels like a too modern way. Plus, I was 17 and didnt understand people very well. I wish I had the energy and motivation to rewrite it. Although, I forgot I used to do song lyrics at the start of each chapter and the tonal dissonance of Owl City lyrics at the top of a chapter of harrowing events around the time of WWII is unfathomablly unhinged.

[attila-werther]

you know what. it's been a hot minute since I've enjoyed and outright despised the ending to a story in equal measure. fascinating sensations! I am grinding my teeth!

[iminaworldofpureimagination]

ahh this reminds me of how while i might get annyoed with diane the very idea she is worse than bojack who i adore more is laughable to me. some fools even said she was to blame for penny and my brain was just... the heck ya talking about? girl was depressed as shit after leaving a war torn country he's a grown ass man thats his own doing

and

so many zutara shippers in the last airbender fandom hate Mai for not being Katara while having the wonkiest sexist takes about katara being a pushover for her friends / o

south park wendy/heidi got shit on and it was all due to ships when 99 percent of the time women hate is mainly about shipping in general . woman characters get so much crap while the dudes who i adore are excused for everything bad they do its crazy

whenever someone’s too enthusiastically hating on female characters I become a beacon of feminism, I put her on that pedestal and worship her because she’s divine (I also hate her but I don’t like the way you’re hating her so now she’s my favorite character)

[gojoest]

FIRST WORD — girl dad!gojo satoru

girl dad satoru, established relationship (you’re married, it is indicated that you have two other kids besides the little one that appears in this drabble), nanami cameo, suggestive credits at the end (breeding hinted, just to be safe), sry this lowkey sucks + not proofread, i typed it out in 10 mins but i hope you enjoy!

satoru is trying really hard to get his little daughter to say “papa”, but oh well

“come on, my life — say it”

satoru, crouched down before the baby chair where his little daughter is sitting, a picture of his face in one hand while the other alternates between pointing at the photo and then at his face, slowly repeats, over and over, with utmost perseverance and patience, the first word he wishes his little one would utter—

“pa-pa”, he carefully speaks, syllable by syllable. “pa-pa”, and again. “come on, baby — at least you don’t betray me, i know you’re papa’s girl — come on now, say it”, he pleads.

this has been going on for the past few weeks.

your entire house currently looks like the room of a teenager where it’s posters on the walls and little trinkets on the shelves, courtesy of heavy hyperfixations. but instead of posters and trinkets it’s your husband’s face, everywhere. kitchen, living room, hallways, your baby’s room — every-single-where and every-single-surface and wall has the photograph of your husband’s face on it. he even purchased custom-made plushies and toys of himself, some of which are hanging from the musical baby mobile above your daughter’s crib — but instead of music it’s his voice, teaching his toddler through made-up songs how to say ‘papa’.

“satoru, don’t you think this is a little bit, um— “, you once brought up, pausing to clear your throat, trying your best to sound softer while you say this. knowing how sensitive he is about the matter, and how devoted to have this innocuous win — “…too much? hm, love? it’s like you’re… brainwashing the baby…”

lips immediately pursed, satoru pouted under his nose — “easy for you to say, our two other kids said ‘mama’ first — effortlessly, at that. let me have this one at least”

okay, you shrugged and backed off.

and this morning, as you sipped on your coffee, you silently watched your husband in the kitchen — kneeled down before the baby chair, going about his educational routine.

after he was done with the photos, he took your daughter’s hand and pressed her fingers on his lips, while he kept repeating the word ‘papa’. he said that this method allows the baby to see the way your mouth moves as you speak but also hear and feel the sound all at the same time. (he sure has read a lot of things on the internet)

but your little one remained silent, only giggling here and there as she poked around her father’s face, completely refusing to cooperate with him despite his desperate attempts.

it is an endearing sight, really. part of you felt pity for your husband, you cannot lie. he was trying so hard, and for what...

all of a sudden,

the doorbell rings.

“i’ll take it”, you quickly pad over to open the door.

it’s nanami — dropping by with some baked treats for the kids, as he often does. your children love him a lot. during dinner gatherings he always sneaks away to read them bedtime stories. even though he doesn’t look like the type on the surface, he sure has a soft spot for children. and, truth be told, they are all naturally drawn to him as well. maybe it’s his calm demeanor and the sense of safety he brings along with his presence.

“ah, thank you — these look so delicious, i am sure the kids will die for a bite”, you chime, as you guide him into the kitchen.

“oh— nanami, it’s you”, satoru casually points out without even turning his head to greet him, his eyes glued on his little daughter… who seems to be looking elsewhere, past her father…

…at nanami.

a bit bothered by that, satoru shifts a little bit to the side, to block the view — to, once again, be the main focus in his daughter’s eyes. but, alas…

she tilts her head, googly eyes glancing at the blond man behind her father.

she opens her mouth, a giggle first escapes, and then—

“na-na—”, she pauses… “—mi” — a beam of laughter and her hands reaching forward, pointing at nanami.

silence in the kitchen befalls.

you cover your mouth with a hand, trying to prevent yourself from bursting into laughter. it’s tragic but funny at the same time, and you know — in just a few seconds the real baby in this room will not be your daughter.

“nanami”, satoru slowly stands up, shoulders hanging low and voice — monotone and stern. “get out”

p.s.: satoru makes a scene. he is absolutely devastated. you have to drag him away and pick up the pieces and calm him down. and, of course, he thinks — the only way to make things better is to give him another child. a new opportunity…and you need to get down to business, now. while nanami is babysitting downstairs.

[mrshowlettsgarden]

Cherry Kisses - Logan Howlett: the one where he gets distracted from your ranting

─➭ pairing: Logan Howlett x professor!fem!reader

─➭ content warning: fluff, make out session, god bless this hunk of a man

─➭ take a walk in the greenhouse (master list)

●∘◦❀◦∘● ●∘◦❀◦∘● ●∘◦❀◦∘● ●∘◦❀◦∘●

Logan lets out a frustrated groan as he stands out on the balcony leading to the back of the mansion. “These damn shitass kids…,” he sighs aggressively as he pulls out a cigar and begins to light it.

He’s been teaching history to the students for years now and he still can’t get used to teaching the students. He doesn’t know how Charles, Storm, and you do it so easily - near effortlessly - and you have been teaching longer than him despite the fact he’s been living for almost 200 fucking years.

He lets out a puff from the cigar and blows it out to the air above him as he basks in the quietness of the outside. Everyone left for the evening since it’s a Friday night but Logan chooses peace and silence.

And peace and quiet is what it is now. But there’s one more thing he needs in his arms and it’s-

“What has Charles told you about smoking here, my love?”

Ah…the only woman in the damned world that has kept him sane is here. You’re always there when he needs you the most.

His wife…

Logan turned around to find you standing tall and all in your glory. You have your arms crossed over your chest with your hip popped out and a faux serious look on your face.

“Seriously, Lo. After 10 years, you still haven’t broken the habit. Even just for a couple of hours during the day,” you exaggerate with a laugh.

Logan has a soft smile on his face as he listens to you rant about his smoking habit as he continues to take puffs out of the cigar. He was supposed to break the addiction a long time ago but he stopped listening to you rant once his eyes fell to your glossy lips.

Wonder what flavor it is…

“You also still leave ashes along the railing and it leaves burn marks.”

You’re still ranting with no true seriousness behind it but it still doesn’t hurt to keep trying to talk him out of smoking. Charles has threatened Logan that he’ll turn him into a six year old girl for smoking while he was using Cerebro. As you were about to go in that particular rant your words were caught in your throat when you noticed him stalking towards you with a curious but dazed look on his face.

You huff, “Logan, are you even trying to listen to - mph!”

Asshole, cut you off with a kiss but who are you to break that kiss? What kind of loving wife would you be and not enjoy the kiss?

You feel one of his hands cup your jaw to keep you close with his free muscled arm wrapped around your waist. You moan into his mouth when he pulls you tighter in his embrace. Your hands clutch his gray flannel as you try to ground yourself but he makes it so hard to do so, especially when he nearly whimpers in your mouth.

After what felt like a blissful eternity, Logan is the first to pull away still holding you firm against his body. You're both softly panting into each other's mouths trying to catch your breath.

“Wha-what was that for?” you breathlessly giggle, “Are you trying to shut me up?”

“Cherry,” he mumbles a whisper against your lips, “Fuck - your lips taste like cherry, baby.”

“Oh…,” you mumble as he continues to barely touch your lips with his. You feel an ache between your legs and you want more from his teasing. “I-I got it a couple days ago… You like it?”

He answers you with a softer kiss followed by another one and another then one more.

“I love it, baby,” a kiss.

“Fuck, gimme more, yeah?”, another kiss.

“My pretty wife…”

And another kiss…

●∘◦❀◦∘● ●∘◦❀◦∘● ●∘◦❀◦∘● ●∘◦❀◦∘●

[moonstruckme]

OMGGGGGGG

the first kiss was so cute!!! perfect!! james was so sweet and gentle w her😍😭😭

can’t wait to see there dynamic from now on

Thank you gorgeous! I held onto this so I'd have something to post this last part to, hope you don't mind <3

part 1 | part 2 | part 3 │ part 4 │part 5 │ part 6 │ part 7 │ part 8 │ part 9 │ part 10 │ part 11 │ part 12 │ part 13

roommate!James x fem!reader ♡ 1.5k words

James is buzzing while he makes breakfast the next morning. Golden morning light pours in through the front windows, brightening the kitchen and warming his back where he stands in front of the stove, the buttery smell of pancake batter wafting up from the pan. He’d gone to bed later than usual last night and slept hard but woke jittery, desperate to do something about the commotion in his chest. 

A run hadn’t done it, nor had replaying the previous night in his head, and now he’s convinced he won’t be able to rest until he can kiss you again. It’s your fault, really. Your little sighs, your careful touches, the way you’d tugged at the roots of his hair when he asked you to, like all this time you’d only been waiting for permission. You’ve fucked him. James will never be able to get over it. Now, all he can think about is getting more. 

He’s made more pancakes than a family of five could eat when he hears the stair creak. 

“Good morning,” he says, turning around just as you pad into the kitchen, quiet as a ghost. 

Your eyes are bleary, but they still manage to widen slightly as you take him in, along with the precarious tower of pancakes beside him. You’re in that sweatshirt he loves so much, sleeves hanging limply from your hands and hem hitting just above your knees. 

“Morning,” you say, softer than soft. 

“How’d you sleep, lovely?” 

You shrug, not quite looking at him. “Fine. You?” 

James grins. “Beautifully. You want some pancakes?” 

Your gaze goes again to the stack beside him, and he can practically see the quip brewing in your eyes. Doesn’t seem like I have much of a choice. Are you planning to feed an army?

“Sure,” you say in that same quiet voice. “Thanks.” 

James studies you, intrigued. “Great. C’mere, sweetheart.” 

He plates up a few pancakes, keeping one eye on you as he does. You seem disinclined to look even in his general direction, finding distractions with the stove, your plate, the weather outside. 

“How’s this?” He turns around with the plate. You take it cautiously, by the complete opposite end to avoid any possibility of making contact with his hand. James’ heart warms at the way your fingers just peek out from the sleeve of your sweatshirt to grasp the plate. He wants to kiss you until you don’t know what day it is. “Too many? Not enough?” 

“This is good.” 

“Yeah?” He doesn’t let go of the plate. He tilts his head, trying to catch your eye, but you evade him. He has a hunch that if he were to touch your face (and god, does he want to) he’d find it burning hot. “Are you alright?” 

Your eyes flit up to his for a half a second before fleeing again. You hum, the sound tense and pitchy. “Mhm.” 

“You sure?” he asks, matching your soft tone. “Don’t go getting shy on me now.” 

You look like you stop breathing. 

And ordinarily James might feel bad, but post-kiss James cannot be prevailed upon to treat you as cautiously as he ordinarily might. Unfortunately for you, your secret’s out. You’re lovely, you’d said, voice soft and breathy and mere inches from his own mouth, I like having you around. I do. I really like you. Also unfortunately for you, post-kiss James knows things. 

He slips his palm alongside your face, working his hand behind your ear and letting his fingers burrow into the hair behind it. You melt, leaning into the touch. Your eyes meet his. 

It’s grueling work to keep from smiling. “What’s wrong, angel?” 

“Nothing’s wrong,” you say, still quietly but now with more of yourself in your voice. 

“Really? Because you’re acting like we’ve just met.” 

“Don’t you—don’t things feel different to you?” You seem almost distressed, eyebrows hooking upwards just slightly, pretty eyes imploring. Your voice softens again, now more with intimacy than reticence. “I don’t know what I’m supposed to talk with you about.” 

James lets his smile loose, thumbing at the skin behind your ear before letting you go. “We can talk about anything you want,” he says simply, grabbing his own plate and leading you into the living room. 

You’ve got a perfectly good kitchen table but almost never use it, each preferring to eat your meals on the couch. He flops down, careful not to tip his pancakes onto the cushion as he crosses his legs underneath him like you’re at a sleepover. 

“So, have any fun dreams last night?”  

You smile. It’s as heart-stoppingly lovely as always, and James thinks his own probably doubles in magnitude in response. 

“A couple,” you admit. 

“Oh? What about?” 

Your smile goes sheepish, bottom lip slipping in between your teeth as if to impede its progress. You fork clinks against the plate as you start cutting up your pancake. 

James’ brain short-circuits. 

“You were in my dream,” he blurts. 

Your eyes flit up to his warily. “Yeah?” 

“Yeah. It was one of those weird, super vivid dreams where nothing really happens, you know?” You seem to relax a bit. James douses his pancakes in syrup, starting to cut them up as he talks. “We were here, and someone had spilled something on the rug—probably Sirius, to be honest—and it made this huge stain. I’d tried to pour baking soda on it, but the whole box had collapsed and it got everywhere. We were both sitting right there scrubbing with literal toothbrushes, and I think I was worried you’d be upset with me but you were just laughing.” His heart warms at the pseudo-memory, the hazy feeling of contentment that had permeated the dream. The sound of your laugh, exactly as sweet as in real life. “Your hands were totally covered in baking soda, and the rug was ruined, but we were both laughing our heads off.” 

You’re smiling again, a small, knowing thing. “Had you said something to make us laugh?” 

“No,” he says honestly, “I think it was you.” 

James is aware that he’s barely functioning. It’s almost too much to talk and cut his pancakes at the same time while you’re looking at him like that, like he’s the loveliest thing you’ve ever seen. It makes it both a relief and a disappointment when you drop your gaze. 

“Do you think the stain might’ve been a premonition?” you ask. 

He raises his eyebrows. “How do you mean?” 

You laugh, and he’s instantly spellbound, caught somewhere between fantasy and reality. It takes him a second to realize you’re touching the edge of his plate, tipping it up. James looks down. It had been nearly falling off his lap, his pancakes cut up into tiny pieces and syrup pooled near the rim. 

You look up at him, seraphim with the morning light brightening your features and the hint of a smile playing on your lips. He thinks of how soft they’d felt on his the night before, the way they’d fallen open like welcoming him home. 

“You were almost spilling syrup onto the rug,” you say, that rare and beloved teasing lilt to your voice. “It would’ve taken more than baking soda to get that out.” 

“See?” he asks. “You know how to talk to me just fine.” 

You look surprised, then self-conscious, though not nearly as bad as when you’d come into the kitchen a few minutes ago. He covers your hand with his to keep you from going anywhere. Sets his plate on the coffee table. 

“Can I kiss you?” 

Your eyes are wide. “Again?” 

“Yes, again,” James laughs. “And again after that, preferably. Only if it’s okay with you.” 

You shake your head, looking something akin to bewildered. “Yeah. Yeah, please.” 

He starts to lean toward you, and you meet him halfway. Already, it’s a bit different. There’s no tentative stillness, no slow yielding. Your lips are pliant and eager, parting and closing around his like you’re trying to get as much of him as you can. Your fingers wind in his hair without instruction, and James responds by placing his hand in that spot you’d seemed to like it so well last night, the material of your sweatshirt soft beneath his touch. You taste like his pancakes, the syrup sweet on your tongue. 

“Keep talking to me,” he murmurs, kissing the corner of your lips worshipfully, “okay?” 

Your voice is breathless. “Why?” 

“Because I like you.” He tugs at you, wanting you closer. “And I think I’ve put in the work for you to warm up to me, if it’s all the same to you.” 

You make a tiny, amused sound. “Fine,” you say. You grow bolder, kissing your way up his cheek, the top of his eyebrow, until your nose is nestled in his hair and your lips are caressing his forehead. “Consider me warmed.” 

James grins, unable to help himself. He thinks that becoming your friend didn’t go quite as he planned, but he feels as though he won in the end.

[j1yasworld]

10:32 pm. — nanami ★

nanami kento was usually the aloof type, someone who couldn't be bothered to share his feelings with anybody, much less a romantic partner

well, this was his daily mask he wore in front of everybody else. but nobody could imagine the reality of all things, his eyes acquiring a softer gleam as soon as they met yours in the intimacy of your shared apartment.

you could have never imagined to be dating him, years prior, when the two of you first got acquainted through gojo. but here you were, sat on the couch and nestled against his toned chest while his arm was uncaringly thrown behind your shoulders, his hand latching on your arm.

he wasn't really talking, just humming in response to some of your questions as his tired eyes lazily went from the program on the tv to the documents on the coffee table that still needed tending.

"kento?"

"hmm? what's the matter, love?" you almost melted at the nickname

"are you sure everything's okay? you seem a bit... tired?" you tried asking, not wantint to be too invasive although you were actually very worried

"it's nothing... work's just been very hectic, let's say," he answered, meeting your gaze reassuringly as his palm went to caress your cheek.

"please, make sure to rest, okay?" he nodded. anybody else would've been convinced, but you knew your fiancé too well.

i'm not buying that, you thought.

you scooted away from him and tapped at his shoulder. "come, rest over here," your hand patted your lap. you had to get him to rest some way.

"please, [name], i couldn-"

"shh, it's alright, just a little," you whispered, giggling at the sight of his flushed cheeks, as if the two of you hadn't actually done more.

he quickly turned the other way and positioned his head on your lap, eyes inadvertently closed to avoid your attentive ones.

you placed a hand on his blond hair and gently stroked it, humming a lullaby from your early years of life and enjoying his soft breath rythm.

"alright, just for a little." he reinforced, a small smile finding its way on his lips.

© j1yasworld - 2024 / all rights reserved

[vinceaddams]

Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.

Thanks!

It IS up my alley, yes, I do most of my buttonholes by hand!

I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)

Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.

Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.

Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.

I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.

Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.

Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)

I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.

For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!

Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.

I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.

I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.

I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)

Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.

Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.

The knot should be on top of the cut edge of the fabric, not in front of it.

You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.

Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)

Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.

For a bar tack do a few long stitches across the entire end.

And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.

Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.

Then do the second bar tack once you get back to the end.

To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.

In my experience it stays put perfectly well this way without tying it off.

Voila! An beautiful buttonholes!

If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.

(I won't do that style in my video though, because they're not 18th century.)

Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.

Your first one will probably look pretty bad, but your hundredth will be much better!

Edit: Video finished!

And here's the blog post, which is mostly a slightly longer version of this post.

[asofterutena]

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