#but *all* of that comes from my backstory. without it where would I be? probably nowhere

[protagonist-art]

"Uh- I'm Arnold. Bennett. It's profoundly difficult to get your lifes works and studies accepted if your name isn't... yes, oh! Are you a fan of moths, sir?"

NEW RDR2 OC!! a reclusive, clumsy entomologist and bug collector; cooped up in his study of uniformed clutter

[kikizoshi]

It's amazing how much of my progress with understanding and working with Nikolai as a character is predicated on his backstory. His backstory, which is exclusive to me, because I'm the one who made it. But every time I'm working on any questions to do with his philosophies or motivations, I have to delve into his past. It's so essential. No wonder I couldn't get anywhere with canon Nikolai--there literally just isn't enough there. Not enough for someone like me, anyway. I'm sure it's possible.

[confuzing]

I have this idea for an SVSSS fic where SQQ winds up regularly sharing dreams with both his LBH and OGLBH. I'd need to do a reread for it but I'm gonna post the broad strokes because I can't stop rotating it in my mind.

It's Abyss time but SQQ puts his foot down. No he's not pushing his Binghe into the Abyss, shut up System. Oh you're going to kill him? Then do it.

Then he throws his sword away and pulls LBH away from the Abyss.

SQQ: Ok honey I'm maybe about to drop dead but it's not your fault ok?

LBH: WHAT???

And then the System does indeed try to rip SQQ's soul out- except LBH, right there and terrified, mentally grabs hold of his Shizun's soul and won't let go.

MQF rolls up to a fucking nightmare, SQQ is in the process of having his soul ripped out by some kind of mystery curse? LBH is burning through his own supply of qi to stop it but that's a napkin on a stab wound- Liu Qingge put your sword down right now! Yes MQF can see LBH's part demon, now help him keep SQQ alive or fuck off - you too Sect Leader!

Meanwhile the System is glitching out, and decides to initiate a Punishment Protocol because this mess is all SQQ's fault and he won't die like a good user.

So it dumps him in the dreams of OGLBH, who's just been pushed in the Abyss by his own Shizun.

Faced with a very upset teen Binghe, SQQ does the only thing that he can. He hugs that boy and tells him none of this is his fault and he didn't do anything wrong.

It probably only works because OGLBH is very upset and desperate for comfort- and when OGLBH said "SQQ??" incredulously SQQ says "No, I'm sorry I know I look like him" and this man doesn't act like the SQQ he knows at all, and he gives really good hugs.

SQQ is stuck in OGLBH's dreams when he's not just... nowhere and after a few more short hug sessions (OGLBH can't usually sleep for long) OGLBH finally asks who exactly SQQ is then?

Right around this time MQF figures out how to stabilize SQQ without requiring LBH to be awake and actively channeling qi the whole time. So LBH passes the f out and goes to look for his Shizun, turning up right when SQQ is dreaming with OGLBH.

After a little Binghe stand off SQQ sits them both down and decides to just, tell them everything -he can here, the System can't stop him and it's already killing him what else can it do?

So he tells them about parallel universes, and his own original world, about Proud Immortal Demon Way, and his decision, upon waking up in his favorite book in the villian's body, to meddle every way he could. He tells them about the System and explains that it probably sent him here thinking OGLBH would hurt him, thinking he was OGSQQ. Everything.

Eventually MQF and a bunch of other cultivators untangle SQQ from the System, letting his soul come back to his body but leaving that door open between his mind and OGLBH's.

From there I just have ideas I'd want to explore, some of my favorites:

-OGLBH finding out about Without a Cure and that SQQ isn't telling his Binghe about the easy fix and having to decide if he's going to spill the beans or not.

-Every time I think about what to do with SQH I wind up thinking about what would probably be a whole side fic of court wranglings, political assassinations and interspecies dating drama after SQH runs away to hide with MBJ when SQQ wakes up and goes "you're cursed too right?"

-Both Binghes and their Meng Mos coming along on SQQ's scenic tour of SJ's traumatic backstory (I just need SQQ to hug that little tea-soaked Binghe only for him to split into the two older Binghes because when they entered this memory both of them inhabited the baby Binghe's avatar)

- The whole sect deciding that actually LBH is their half demon son and none of the other sects better even look at him funny. (The biggest reason for this might be SQQ waking up from being cursed and immediately threatening to kill everyone in the room and then himself if anything happens to LBH even though he can't even sit up. Also like, the kid's been crying nonstop for days now, not exactly scary demon behavior. Kid needs a hug and some juice)

-A very fraught conversation when OGLBH gets out of the Abyss where he tells SQQ he's going back to the mountain and SQQ refuses to ask him not to kill everyone because he knows exactly what OGLBH suffered at the hands of those alternate versions of the people SQQ loves.

-Every now and the the Binghes just meet up to hiss at each other like angry cats

[jasmine-does-wevertf-she-wants]

Can we talk about what a weird protagonist SY is?

Like LBH is a very typical protagonist, over-powerful, beautiful, inteligent, obsessive, with a dark backstory and a revenge/happy end arc. There's a reason PIDW is such a banger in the genre and SY is obsessed with him. LBH is all that.

But SY? He seems like a kind of normal guy, except that he is so fundamentally weird. Dude rage died because of an online novel he didn't even like. An online novel he religiously followed to rage and hate on the author. To then transmigrate into the novel's world and taking that in stride as well. Really slipping into the poser persona that SJ crafted for SQQ just much much kinder. To use the opportunity to hang out with all his favorite characters and be kind to them but never quite thinking of them as persons or really thinking about what his actions may mean to a person. Just hanging out having a good ol' time never thinking about anything ever, except beasts and what LBH may be up to. Purely out of intellectual interest of course. To repress his feelings so hard about everything some readers seem to get the honest to god impression SY doesn't like LBH. As the protagonist of a danmei!

It would be so easy if we knew of any trauma that caused SY's bizarre mix of obession/repression. But he seems to come from a loving family that he loved in turn. Not that he brings up their loss through the transmigration ever if he can help it. He didn't have to worry about money. His insane wifebeam must have been present in his first life. We have no indication that he changed his behavior as SY in the transmigration and this dude is charming to a degree that borders on protagonist halo. He seems to passingly resemble SQQ meaning he must have at least been handsome. I love fanon terminally ill or disabled SY because it does fit him so well but we have no indication that canon SY has had any issues with his health. His mental health seems okayish to the degree it is in SVSSS - which like the repression speaks of deep emotional issues. But nothing SY would have let himself think about, obviously.

My point is - I really like SY being so fundamentally weird without being given any proper reason. I don't think he quite realizes himself that he is weird. That it may be unusual to have your whole life uprooted, transmigrating into a fictional world (one that he at least knows well) as the main antagonist faced with a horrifying death and just shrug and go, well best I can do it malewife my way into living through this - without intending it in a gay way at all!!

He somehow dissociates so well from his own feelings that he dotes on LBH, truly to an extraordinaty degree that other peaks know of their close bond even before his year-long grief seclusion, without ever considering what such care could mean for a person like LBH. He repeatedly gets affectionate with men excplicitly because he's like we're all men here, this is not weird. I'd excuse SY if he were from a more repressed society where being gay would be a real social taboo that nobody speaks about. But he's from the modern world! He knows of gay people!

It may be that PIDW as a stallion novel never featured gay sex between men in the original - there was plenty of lesbian sex within the harem, although like probably only for Bingge's benefit. We don't know! Bingge's is portrayed as THE straight protagonist, it may be that SY just assumed being straight was compulsory for all men within the world as a result. But! Peerless Cucumber actively knew of people shipping the men in PIDW and even defended them against hate. But that of course cannot possibly apply to him so we're just not thinking about it :)

It's just... for a protagonist in a romance SY has such an active dislike for his feelings. And not even a conscious one! There are plenty of tsundere type protagonists out there who are very vocal about their emotional repression and dislike for expressing their emotions. That's not SY. Not even in his own internal monologue does he admit to himself that he is uncomfortable with his own feelings. He glosses over them with expectations no one actually demands of him - it's shameful for a man to submit to another man (is it shameful for a man to submit - not even sexually necessarily just being captured by an almighty demon king? is that truly a matter of masculine pride?), it's shameful to having his grief brought up in front of others, it's shameful to express anything beyond platonic or familial affection for a man, it's shameful to initiate sex, it's shameful to be loud during sex. He feels more comfortable putting himself into the female role in an interaction, which is also shameful but apparently less so than acknowledging that two men may be in a scenario that he feels would be romantically or sexually charged in a hetereosexual interaction.

SY is lucky LBH doesn't have the same hang-ups, which honestly I would feel would be more understandable from all of the abuse he experienced. SY has no apparent reason for being so emotionally and sexually repressed. He lived a pretty privileged life. And I think that must have been intentional on MXTX's part. It would have been so so easy to give SY a semblance of traumatic backstory that informs his weird hang-ups here. An absent family, bullying, an illness, depression, loss of a friend, truly anything would have given readers something to hold on to why SY has such weird hang-ups about his own feelings. But she didn't. And I think that serves even more to highlight how destructive compulsory hetereosexuality and toxic masculinity is. SY doesn't even read as a particularly toxic masculine man. He has no issues about other men crying (seems to enjoy taking care of them rather), he has no issue with being compared to women even outside of sexual or romantic context (think riding in the carriage while QQQ while LMY rides her horse), he acknowledges and defends gay shipping. He actively cheers for stronger women and a big issue of his with PIDW seems to be how one-dimensional the women were written, only serving as a new papapapa chapter.

And even as a not particularly toxic man, he has such deep issues with his own emotions, it causes most of svsss' plot to develop how he treats his own and other men's feelings. MXTX actively gave him a pretty privileged and open-minded starting position and still SY was so informed by what he expected of a manly conduct, thought and truly just a lack of feelings, he nearly caused the end of the world and the death of his boyfriend. It took him like 800 pages to have sex with a man and even longer to admit out loud that he is in love. Not even expressly. implied.

To me that makes SY such a compelling character. Probably kind of reminds me of my own repressive tendencies but also because not even in the extras, during or after their wedding he really acknowledges it as a problem. LBH doesn't seem to mind, not that I think he would mind anything his shizun does. And their dynamic works well for them - the whining bingmei and SY can keep his poser act that makes him feel so secure. SVSSS to an extent is a story of SY growing into his own feelings but really only to an extent. He's far far away from having a healthy relationship with them. He may not be actively repressing them or wilfully ignoring LBH's but he certainly isn't willing to really look at them beyond the shame he so often carries and glosses over. He'll do it for LBH's sake but really only then. And I think that's why bingmei and SY work so well but read a bit off-putting maybe to many readers. LBH's whining forces SY to look at his own feelings in order to care for LBH. Which an emotional healthy person would probably be able to pretty easily do on their own. But for SY it's such a monumental task that only his very deep love and care for LBH makes him do it. And that's a decidely unhealthy dynamic but works well for both of them, I think. I'm gonna make another posts someday about what LBH's abuse and neglect means for his ability to accept love and care and why then SY's aloof persona and their shizun/disciple dynamic maybe gives him the framework to be able to accept that.

But yeah SY is a deeply repressed weird obsessive person which emotional issues the size of China but he hides it remarkably well behind his aloof act and humour. And I think that makes SVSSS all the more compelling as a commentary on gender roles, romantic fiction and social expectations.

[fluffyk97]

Sonic 3 spoiler rambling about Sonic and Shadow under cut !

Y'know something that I feel might go lil under-appreciated is how well they made Sonic and Shadow mirror each other in the movie.

Like something that always can easily irk me are people boasting one of the two over the other because from the very beginning of his introduction to the series, Shadow's character is meant to reflect Sonic. They're meant to be equals that are so similar and complete opposites at the same time.

With the movie, I honestly wasn't expecting it that much. Sonic actually has a backstory that is just like Shadow's: powerful little hedgehog that is wanted for his power, so the one he's known his whole small life that he loves sacrifices herself to save him.

I fr fully expected Sonic to learn about Maria and be like "I lost Longclaw, I know you're pain, but-" blah blah blah- BUT they don't do that??

Of course, we have Commander Walters first telling Sonic that Shadow's story is a lot like his but wasn't able to find family and friends, and Sonic does find Shadow had a family from finding a picture of him and Maria together. He never gets told what happened exactly though, although it wouldn't make too much of a difference with the fact they did change up Shadow losing Maria just a little bit.

Since they didn't live up in space, Maria didn't have a capsule to send Shadow off with sacrificing herself and instead they made it an accident. WHICH- can be understandable if people don't like that, however personally I don't mind it that much because honestly the intent to shoot Maria was there, but she ended up being lost from an accident caused by Walters.

Which, ties in to Shadow hurting Tom...

Walters in trying to help save Maria's, Shadow's and Gerald's lives unfortunately led to Maria's death and watching Shadow be put in stasis for 50 years where all he thinks about is that painful memory burned fresh in his head. So of course when Shadow sees Tom disguised as Walters, he takes his anger out on him by hurting him while also stealing the key for the ARK. Leading to unfortunately another scenario of where the intent of harm is there, but someone still got hurt from an accident because Shadow never really meant to hurt Tom. But he does anyway..

Which of course in turn, makes Sonic mad just like Shadow was 50 years ago. Only difference is Sonic doesn't get immediately captured by GUN and forced into stasis. Letting him able to go straight to Shadow afterwards for hurting his family.

We have Shadow take note of all of that himself, telling Sonic he's feeling exactly the pain he felt and Sonic being the one to say "I'm nothing like you!". Just like how I thought Sonic would tell Shadow about Longclaw in hopes of redeeming him, but reversed and both sides full of anger and grief.

One awesome super fight later though, we come to the talk on the moon. Probably my favorite part in the whole movie. outside of the super fights and Live and Learn playing lol

After mentioning Tom and getting uppercutted straight to the moon by Sonic, Shadow loses his super form, leaving him vulnerable, easy for Sonic to take his revenge on him. Only for all of that to be stopped because of Shadow pointing at his own chest which reminds Sonic what Tom told him at the beginning of the movie and calm down.

"You didn't let pain change who you are."

This completely baffles Shadow, with him actually wanting Sonic to finish it, but of course Sonic just refuses saying "No one wins with revenge". It just leaves silence between them, finally giving Shadow his own moment of remembering Maria outside of her death by looking at the stars he used to gaze upon with her.

He mentions it to Sonic how all he knew and felt was just the pain, and now finally- FINALLY, Sonic mentions how he shares that feeling of loss from Longclaw. Not in a moment of trying to just redeem Shadow without the full weight of it, but in a moment of understanding.

A strong moment of these two looking at each other in a mirror, eye to eye. Sonic, who was allowed to grieve all those years ago after losing Longclaw, telling Shadow the pain of loss will never go away, but the love will always remain.

"The light shines, even though the star is gone."

And through that shared pain and loss, now coupled with empathy and understanding one another through it. They truly connect.

Sonic and Shadow's dynamic was just done SO WELL in the movie and I couldn't be happier with it...

[lemon-shark-kat]

The Genshin Impact fandom is fascinating to me when it comes to fanfics, because I feel like I struggle to find any fics that really *get* the characterization of certain characters and I'm loathed to write my own because dammit I just want to read the specific itch I crave without resorting to creating it. Give me three more months and I'll cave in.

For example, Diluc is one of my favorites and I find his backstory fascinating in terms of his father Crepus possibly being more morally ambiguous than most fans are willing to admit and how little we know of Diluc's murder spree in Snezhnaya.

For example which Harbinger(s) did he have a run-in with? Will we find out more about the secret intelligence network that took him in, that he apparently had a high position in? Did he ever find the answers he was searching for? The list goes on.

It's hard for me to find the specific characterization of him I crave for in fics because I think his platonic relationship with Kaeya is incredibly nuanced and complex but I feel like his character often gets assassinated for Kaeya angst but like, the man had the worst birthday ever?

Imagine being Diluc, living through a literal worst nightmare. Your dad is dead after you failed to protect him yourself. Not only is your dad dead but he died after wielding a delusion--you dont even know what a delusion is but its clearly bad news. Why the fuck did your father have it and how?

On top of this, the Favonius Knights--the organization you proudly served and the very organization that your father heavily encouraged you to serve--insists on covering up the truth because it makes them look bad. The Favonius Knights, who are supposed to be honorable and uphold integrity, are anything but that.

Then your adoptive brother, who you've known for years and trust with your life, shows up and tells you he's been spying for a foreign nation since you were kids with the intent of harming Mondstadt and everything about your relationship is possibly all one big lie and well--how do you not snap??

Now, I'm also incredibly fond of Kaeya and he was just as traumatized by Crepus's death. He was wracked with guilt for *feeling* relieved that he didn't have to worry about betraying his birth father for his adoptive father since Crepus was dead. He anticipated Diluc's anger and felt like their duel was a punishment for his lies.

To me, it hints that Kaeya probably didn't reveal the truth expecting Diluc's understanding, but rather he knew how he would react and perhaps he wanted Diluc to strike him down in that duel. Or at the very least, he wanted to distance himself from Diluc and cut off ties in order to avoid emotional attachment stopping him from his mission.

I personally head-canon that Diluc withdrew upon seeing Kaeya's vision because well--why would the gods bless Kaeya with a vision if he truly had the intent to harm Mondstadt? So in spite of what Kaeya revealed, he isn't a threat. But there's still a lot of hurt there to navigate through.

I think it's fascinating seeing where they stand in present game because Kaeya obviously has the ideology of working the system from within. He stayed in the knights (even taking over his brother's position) and with Jean rooted out the Inspector and his cronies.

Meanwhile Diluc just isn't that type of person. He doesn't settle, he refuses to work in a system he views corrupt, he rather accomplish what he can outside of it. Curiously, he doesn't challenge the status quo beyond being vocal of his distaste of the Knights.

This is head-canon fantasyland, but I like to envision Kaeya and Diluc do use a lot of the same informants and collaborate on intel relating to the safety of Mondstadt (especially since Diluc can move in ways against the Fatui that the Knights can't due to political reasons) but they struggle to have the same connection as before.

For example, Diluc's story quest--Kaeya was essentially giving Diluc an alibi with the Knights. Even if Jean damn well knows who it is, they still have to have official documentation stating otherwise.

Kaeya is good at reading people, he has to be given how he was raised to be a child spy. But I like to think he struggles to read Diluc like before. Diluc is much more jaded, pessimistic, quieter than before. He prefers to work on his own as much as possible. From Kaeya's pov, the only person he's seen Diluc willing to fully trust enough to work alongside with is the Traveler, and he states as much.

The opposite is true of Diluc. Kaeya was his shadow, a quiet but inquisitive, witty observer. Cavalry Captain Kaeya is much more outgoing and friendly, his charm on full display. Did he ever really truly know Kaeya or did he only show Diluc what he wanted him to see? Is Kaeya happier this way?

Fanon often depicts Kaeya as essentially being barred from the dawn winery from the duel by Diluc himself, but I don't think that's quite the case. Much rather, given the reason he told Diluc that night, I think he views himself as undeserving due to unresolved guilt.

Canon seems to hint at all of this through his hangout and Hidden Strife, the latter of which is unfortunately a time-limited event that occurred before I even played (hoyo please stop having heavy lore drops occur in time limited events).

I think the two want to trust each other again, but both are afraid of destroying the tentative truce they have so they leave all of it unaddressed. Kaeya refuses to be completely truthful ever again and Diluc acknowledges the past but refuses to discuss it. The tragedy in their relationship that neither is at fault for what happened--it's a twisted emotional mess of grief and heartbreak.

The last point I'd like to touch on is the parallels between Kaeya and Diluc both being essentially child soldiers for their fathers' causes.

For Kaeya, being abandoned in Mondstadt to be a child spy is the most overt. For Diluc? Despite Crepus's strong ambition to be a Favonius Knight and to have a vision--neither happened for him. In Diluc's vision story, it states that he views his vision being a result of their "shared" ambition, hinting that his vision was granted after Diluc's strong resolve to achieve his father's dreams for him.

We know Crepus heavily encouraged Diluc down this path at very young age, given Diluc received his vision at age 10 and became the youngest Captain at age 14. In some ways, I'm sure Kaeya was a bit jealous of Diluc for having a loving father present in his life that was overtly proud of him.

I am not saying Crepus wasn't a good father, I think he cared immensely for Kaeya and Diluc both, but I do think he did some morally grey shit.

Diluc abandoning his vision is fascinating and it's almost never explored in fics. He is the only vision holder we know of (aside from the Inazumauns whose visions were taken by force) that had their ambition for their vision shaken in such a way that they voluntarily discarded their vision for a time and only took it back after reigniting a new ambition to have it (and as far we know the only allogene that faced no negative setbacks from using a delusion long-term without their vision present).

I don't know where to end all of this, except if you have ragbros fic recommendations that you believe cover it in a more nuanced way, let me know!

[project-sekai-facts]

What grinds my gears is what when people say that the reason Kana5 is bad due to it trying to make Mafumon sympathetic.

A couple have even gone as far as saying that Kana5 is as bad as Toya5 for the same reason and I-

Look. I deeply understand the idea of abusers being more complicated than simply “evil trash” is hard to comprehend. And I may sound insensitive but,

They need to grow up. They should not let their biases cloud their judgement and assume something is bad just because a piece of media has something they personally don’t like

the difference between harumichi and mafuyumum is their awareness.

harumichi - fully aware of what he is doing, fully aware his son is his own person and does not stop him despite heavy disapproval

mafumum - completely oblivious to what she is doing to mafuyu, projecting an idealised version of mafuyu onto her (and possibly an idealised version of herself)

harumichi working toya to the bone is him applying how he learnt to toya. the intent was not to physically/emotionally harm toya but that is what ended up happening (physical exhaustion is to be expected, he should not have forced toya to keep working but he deals with the same so he probably doesn't think it's a big deal). that said, he is fully aware of the fact he is taking away from toya's childhood, and admits this in concerto that toya's life was not "normal".

mafumum is entirely unaware of her abuse to mafuyu. this is repeatedly made clear in events post sayonara persona. mafudad relays to her what mafuyu tells him and she's incredibly distressed to learn that she'd been hurting mafuyu and she doesn't know what she did wrong. she can be manipulative, but she's not aware that she's being malicious, she thinks she's genuinely doing what's best for her child who she loves. there's also some context clues such as her young age compared to other parents, the fact she doesn't have a job and the fact she's at a lower social standing to her husband that suggest she may also be projecting the life she didn't get onto mafuyu.

harumichi being given the attempted sympathetic backstory doesn't work. he is neglectful towards his son, but is slowly easing out of these ways a little bit. toya has already begun to make ammends without the need for making harumichi sympathetic. he's a bad parent who did a bad thing knowingly.

with mafumum it is justified. in her first appearance, we see her from the biased viewpoint of kanade, who sees her as a cold and neglectful parent towards mafuyu. however from mafuyu's pov, she is a loving mother who is misguided in how she shows this love. this is what unreliable notes is about. mafumum is a bad parent who did a bad thing unknowingly. she is sympathetic because she is a troubled mother coming to terms with the fact she ruined her child's life.

both characters are loved by their children by virtue of them being their parents. the story is going to convey that no matter how bad they are as people. yes, forgiving abusers in fiction is overdone and to some degree unrealistic, however we do not yet know if that is where the story will go. all we know is that there will be a reconciliation. but even if mafumum specifically gets forgiven, it would not be unjustified. i feel like the first impression we get of mafumum from Kanade POV left a strong impact on a lot of people that they can't let go of. the whole point of the current arc is to let that go. the game builds her up as this malicious antagonistic force so that it can deconstruct that when we get to see her from an unbiased POV. she's not a villain like many people make her out to be, she's a human who made a mistake. a very bad and very big mistake, but a mistake nonetheless. she is a loving mother who fucked up really badly because she was too obsessed over perfection to actually see her daughter for who she is.

if the writers try and make us forgive harumichi though fuck them he fucking sucks. like i feel like toya will because he's like that yknow but i don't think the audience should feel sympathetic towards him.

[the-deal-breaker]

Ace is my boy, and as all my faves without backstories I like theories

So just deal with my ramblings for a little bit please,

OK first of all I think Ace comes from something like a harbour town on the edge of the Queendom of roses. You know like the little fishing town close to a beach that is designed for tourists and stuff! It could explain why he's so good at keeping people distracted.

Like there's so much water around so I'd make sense, it would also explain his dislike of oysters. I mean people get sick of stuff there around too long for all the time.

Next! I like to believe that Ace was a smart kid, don't get me wrong he's smart now not Azul or Jamil's level but smart. How smart he is now is like half the reason a believe he was a super smart kid. I do however think unlike someone like riddle Ace dumbed himself down. I'm sure there were many reasons one of them could be he didn't like the pressure or something as simple as he wanted friends. Think something like Rio from assassination classroom.

C) The reason he's in heartslabyul is because he's doesn't have any rules or is ever strick on him self. It's quite a well known fact that Ace is great at coming up with plans it's the following through that messes it up. If Ace was ever stick on himslef to the point most housewardens are that'd be a problem. For others.

D) We know he loves all the movies. I personally like to believe that everytime a new one comes out he'll drag one of his friends with him to go watch them. He'll be Ace about it but he still wants them to go with him. Unless it's a childish flim yes he even goes to watch those but those are mostly a solo trip.

E) Ace should most logically have a familiar. It's stated time and time again (No book 7 spoilers) that between the first years Ace has like the weakest magic with Crowley claiming he will never overblot. He's also the only one without a UM so far. From what I gathered Familiars are for this purpose their supposed to pick up where their owner/master/friend is lacking.

F) If Yuu never showed up Ace probably would have been the MC. This one isn't a Ace theory but I wanted to share it for awhile so it goes here. It also kinda ties into my earlier point.

Also I do have some art coming soon

[inthehexcore]

progress day party

summary: Jayce convinced you to go to a Councilor Party as his plus one. You were terrified.

content: sweet jayce, shy/nervous reader, fluff, meeting some of the other councilors, fem! reader, little backstory part before the request! probably ooc jayce but im trying to get the hang of it!! <3

wordcount: 2.016

a/n: this one got requested! thank you so much, the request changed a bit i think, but hope you enjoy it nonetheless! not as long/exactly as i wanted but :)

⠂⠄⠄⠂☆

Piltover's Golden Boy. The man of Progress. Co-inventor of Hextech.

Your friend. Your partner. Jayce Talis.

The first time you met him, you nearly fainted out of nervousness. You had known about Jayce for a long time already. Sky, your friend and former roommate, had applied for an internship at Hextech. You were so excited for her to follow her dreams, to show the world what she could do. One day, she asked if you could come with her, something about needing help with research. Even though you knew close to nothing about all the difficult work she did, you agreed. Never would you have guessed for that day to turn your life upside down.

"They said that I could use their lab! With everything in it! Well, I can't use any of the Hextech without supervision, but that's no problem!"

Sky and you had a great bond. Friends - sisters, almost. Though both rather introverted, the two of you would always open up around one another. She already held a clipboard in her hands, crossing off random squares before turning the corner, you walking behind her.

"I still can not believe you did it! I mean, of course I believe in you, but wow! An internship at Hextech with Jayce Talis and Vik-"

The tall doors opened to reveal the huge lab behind it. Never had you seen something so grand, so bright. Your eyes were not even sure where to look. There were big chalkboards along the entire length of the wall, desks with tools, even a table filled with what seemed like new Hextech inventions. But something that might have shocked you most was the two men in the corner of the room.

Had you misunderstood? You thought it would just be Sky and you.

"Oh, Viktor!" she smiled, "Jayce! Could I still use the lab?"

"Ah, Sky!" Jayce looked away from his desk, smiling as he stood up and walked toward the two of you, "And your guest!"

"The unfortunate subject for my research," laughed your friend, quickly introducing you to Jayce as you stood there in silence.

"I tried to clean up as well as I could, but," Jayce chuckled, rubbing his neck. He could have swept one more time, "Anyway. Would either of you like something... to drink?"

Viktor looked back from over his shoulder, an eyebrow raised before he turned to his work again. Jayce, oh Jayce.

Ever since that day, both you and the golden boy kept finding one another. At the market you ran into him - quite literally. You did not pay attention to where you were walking, which ended in you on the ground and Jayce profusely apologizing. Then that time where you tried to enter the Academy without your special school card. The enforcers only looked at you with a raised eyebrow, not letting you through to retrieve the very card that you had left inside. Luck seemed to be on your side as Jayce just walked by at that moment, smiling at the enforcers before mumbling a 'she's with me'. Not to forget all the times that Sky invited you for more research, only to say that she needed to retrieve something from her new dorm, leaving you and Jayce all alone in the big lab.

All that felt so long ago.

Never had you expected that you would be standing in front of the tall mirror, nerves running through your body as you glanced at the floor-length dress again. 'It's just a small party with the council. We will meet some others, enjoy some drinks, and then I will do my speech!' Jayce had said, holding your hand as you walked through Piltover. Reluctantly, you had said yes, and the excitement in Jayce's face made you feel warm. But inside, you were terrified. The Council. Those weren't just any type of party guests.

"Hey," you heard a knock on the door behind you, "Are you dressed?"

"Yes," a shaky sigh left your lips as you furrowed your eyebrows, running your hand over your dress again.

The door slowly opened, revealing your one and only behind it. Dressed in a suit that was ironed to perfection, the red and gold colours of House Talis decorating it all over. No wonder that Piltover loved the man so much - so nice, so motivated, so gorgeous.

"My god," he smiled, walking closer to you to press a kiss to your cheek, "You look beautiful."

Your dress, too, was coloured red and gold. When standing next to Jayce, it was undeniable that the two of you matched. Belonged. Yet, you didn't feel like you did.

"Says you," it was impossible not to smile around him, "You look good in these colours."

"I have something for you," he hummed, revealing a small box that he had hidden in his pocket, "A little Progress Day gift."

"For me?"

He nodded, handing you the item with a big smile on his face. How could you say no? You opened the white box with a giggle, placing the red ribbon that was tied around it on the vanity next to you. The item inside the box made you let out a gasp.

"Do you like it?" Jayce excitedly asked, a big grin on his face.

"Like it?" you looked up at him, eyes big and mouth wide open, "Jayce, I love it! This - This is amazing!"

"Made it all myself," he proudly said, "Though I'm not used to making hammers on this scale."

Inside the box sat a necklace with the most beautiful pendant you had ever seen. A little hammer, silver with red details, resting on top of silky fabric.

"Here," he reached for the necklace, unclasping the necklace to put it around your neck, his warm fingers tracing along your back as he kissed your shoulder, "Perfect,"

It made your face heat up as you only smiled, turning around to press a kiss to his nose.

"Ready?"

"As ready as I can be," you breathed in deeply.

It made his eyebrows crease - not because you didn't radiate the same excitement as he did, but because you almost seemed... worried. Maybe even scared.

"Would you maybe rather stay here?" he offered, softly taking hold of your hand, "I can pick you up after the party."

"No, no! It's just..." you sighed, shaking your head, "Just silly. I can't help but feel nervous. It's the Council, and I am not a smart inventor like you, or..."

He nodded understandingly - he himself was still not even sure why he was dubbed as the Man of Progress. As if he was the only person who had worked on Hextech.

"If you want to leave at any moment, you can tell me. Promise?"

"Promise."

So, hand in hand, the two of you made your way to where the party was held. The doors you stood in front of were huge and the hallways were decorated with gold and many more expensive materials. Yet, with Jayce's hand in yours, you felt less afraid.

The doors seemed to open automatically when the two of you arrived, revealing the bustling party that laid behind. People greeted him almost immediately, shaking his (free) hand and babbling on about everything.

"Ah, if you'll excuse me," he apologized, rubbing your hand with his thumb as he softly tugged you along, "Miss Medarda is right over there."

Miss Medarda as in Councilor Mel Medarda? The woman stood in front of the balcony, looking out over Piltover. She turned around as she heard footsteps approaching, and you felt even more nervous than before.

"Ah, Jayce! And your partner, from what I have heard?"

Jayce introduced you to the councilor as you shook her hand, shyly smiling and nodding.

"She is," he proudly smiled, "I thought to introduce the two of you - I think you will get along well. Plus, I can assure you, Miss Medarda is much more fun to speak to than... Them."

Mel let out a laugh, raising the cup to her lips.

"It is not hard to be more interesting than them. We can stick together," she looked at you with a smile, "That is, if you don't mind."

"I do not," you softly responded, looking at Jayce one last time as he pressed a kiss to your temple, breathing out deeply before letting out a chuckle, going back to his duty as the Golden Boy.

Mel plucked another glass off a tray, handing it to you.

"Now, I have heard so much about you from Jayce, but I would love to get to know you myself."

Time seemed to fly by as you stuck with Mel, holding onto your empty glass as you listened to one of her stories. Elora had also come to join into conversation, and you appreciated that they stayed with you.

None of you even realized that it was time to head to the Speech until you felt big hands on your shoulders.

"Ready to go? I promised Viktor that we would meet him there."

"Already?"

He hummed and nodded.

"Why don't you sit with us at the speech?" Mel offered, smiling as she looked at you, "Mrs. Talis will sit in the front row as well. I would be happy for you to join us."

"I would love to," you nodded quickly, giving both women a big smile, "Thank you Mel, Elora."

With your hand in his, Jayce guided you back out into the hallway and toward where Viktor would be waiting.

"Mel, huh? No more 'scary' Miss Medarda?"

You let out a laugh, covering your face with your hand as you shook your head.

"Looking back, I can't believe why I was so nervous. Both she and Elora were incredibly friendly and warm."

It didn't take long for the two of you to meet Viktor, greeting him before you split up from the duo to go and find a seat. It made your nerves heighten again - being completely separated from Jayce was something that made socializing harder than it could be. As you went through the security, you followed the groups of chattering people. Did it look silly, walking in by yourself?

The room was grand, and Councilor Kiramman was already standing at the side of the stage, talking to one of the Enforcers. You averted your gaze to the first row of the seats, most already taken. Was this where you were going to sit?

Mel saw you before you could spot her, walking over to the enforcer who guarded the entrance.

"She's with me," the woman said, holding out her arm for you to take before guiding you to your seat, "Don't want you to get lost."

You giggled, thanking her as you sat down on one of the plush chairs, right inbetween Mel and Mrs. Talis.

"Ah," Ximena excitedly exclaimed, smiling at you, "I was hoping you would be here. When Miss Medarda told me that she reserved a seat for you, I could not help but be happy! Oh, isn't today an amazing Progress Day? And the speech hasn't even begun!"

Jayce's mother was one of the sweetest people you had ever met - it wasn't hard to see that she passed all that love on to Jayce.

"He will do amazing, I'm sure."

And amazing he did. With the fireworks lighting up the sky and Jayce's bright smile, you could not help but feel your heart bursting. You had held Ximena's hand as she looked up at her son, her eyes shining with tears and a proud smile on her face. Illuminated with the colourful and bright lights, Jayce looked like an angel.

After shaking many hands and receiving many congratulations, you and your partner were finally back home. He let out a tired sigh, flopping down on the couch as you let out a chuckle, taking off your heels and pulling pins out your hair.

"You did amazing, Jayce."

"You think so?"

You hummed, nodding before also sitting down on the couch, snuggling against him as you let out a content sigh.

"As you said - the future is bright."

[saylor-twift]

“he loves you, but he would never say that to your face.”

“-but he would never admit that.”

“-but he would never tell you.”

???

Are you sure? I am an avid tumblr stalker, and I’ve read so many things on silly little hat man in my time. I’ve seen things that tore my heart to pieces, that patched it up, that made me want to rip my guts out and throw up, that made me feel on top of the world.

And yet this is the one thing that bothers me so very much. I know, everyone has their own interpretations and opinions on different characters. So let me share my own.

The Wanderer is such a deeply written and intricate character, strung together with deep fears and insecurities, tragic backstories, and a beautiful story of change, healing, and moving forward. (I hate hate hate it when he is forced down to the level of nothing but oversexualization and “uwu sexy anime boy”, but that’s a conversation for another time.)

I’m sure if you’re reading this, you’re probably acquainted with Wanderer’s backstory, so I’m not going to explain. A lot of shit happened that made him who he is, and ever since the events of Irminsul, he has taken on a new path that he cannot go back on. Not like he’d ever want to. He said it himself, he never had any intention of returning to the Fatui. (And also- why choose to go backwards when you’ve got such a nice path set ahead of you?)

Anyways, point is, he’s changing. Notice how I said changing. He’s not changed, he’s just starting to. He’s getting there. Which brings me back to my argument. In the case that Wanderer ends up with a partner, things are certainly not going to be like a normal relationship. (He’s got plenty of red flags, don’t even try to deny it. But he’s a fictional character, so I suppose we can let this one slide.) Is he going to make the first move? That depends on if you make him desperate enough. Otherwise, it’s all on you, babe.

He’s not going to take it well. He’s going to deny it as hard as he can. You don’t love him, how can you? He is the furthest thing from loveable as you can get on this godforsaken planet. (His thoughts, not mine) But he certainly loves you, and, albeit with some likely pressuring assistance from Nahida, he’s come to terms with that terrifying knowledge.

“But he wouldn’t admit that to you.”

STOP. STOP RIGHT THERE.

Here is where my controversial opinion comes in. Most people tend to portray Wanderer as this cold, cut-off, aloof and irritable man, even in a relationship. And before you say anything, no, I absolutely do not think he would be the lovey-dovey, sappy, overly caring and romantic type. He’s not on either end of the spectrum, but I do think he’s somewhere in the middle (but probably leaning towards the former side).

Love is so, so very scary to him. And downright unknown. He’s traversing into uncharted waters here, give him some space to figure things out. That being said, he’s testing these waters. He’s not going to say he loves you at the beginning of a relationship. He has to make sure this thing is going to work. Your relationship is a newly built bridge, and those three words are the heavy cargo passing through. Without a strong foundation, the bridge is going to collapse, no questions asked. The only problem is, it’s going to take a long, long time to build that bridge. It’s going to be more expensive, more time consuming, and cost more materials than you had originally bargained for.

But that cargo can’t sit on one side of the bridge forever, can it? No, it has to get to the other side at some point. So if you have the patience to give your time to this bridge, the cargo will find its way to the other side. The foundation may wobble, the planks may shake, but the bridge isn’t going down.

He loves you, and he would admit it out loud. He would say it to your face. Just maybe not as soon as you want it. It’s going to hurt, and you’re going to wonder if he actually cares for you or not. Fear not, because if you pay attention to those little things he does when you’re not looking, it will feed you those little crumbs you need till you can finally be satiated when the full meal is done cooking. He mends things for you, things you had given up on because you’d never have the time nor energy to do it yourself. He cooks, and surprisingly, it’s always your preferences. He collects things that remind him of you, some he keeps out of embarrassment, and some he leaves on your bedsheets whenever you’re not home.

He’s been hurt, abandoned, and betrayed far too many times to immediately let himself fall into something as complicated as a relationship. He’s going to be distant, you’re going to disagree, probably fight a bit. He’s just seeing how far he can bend the lines, how much you really want him. (red flag maybe!! but he’s working on it, it’s going to be okay. mayyyybe you can look past just this one…) If you won’t leave even if he does this, then he thinks, maybe you’re the one. Maybe fate decides to treat him benevolently for once.

And when you finally, finally get to that point, he’s going to drown you so deep you can never get out. He’ll say he loves you, does everything in his power to make sure you never forget it. (no, he’s not going to read you love poems in the moonlight and call you darling. sorry if that’s your thing, that’s not who he is.)

This relationship will never be perfect, but relationships never are. Just as long as the two of you are willing to be patient with the other and get through your differences and clashing personalities, you are going to mold together perfectly. And even if he doesn’t say it often, (which he probably won’t. he’s certain you know it. why repeat something already ingrained into your mind? he doesn’t use those words lightly), it’s not like he’ll never say it. He won’t leave you in the dark for too long. He loves you, don’t worry. He’ll say it, but he prefers to show it.

[keri-mcberry]

helloooo I’m really late to the Lyla train but I love her so much already three minutes into scrolling here 😭 💙 and I would love to know as much as I can about her! Personality? Backstory? Favourite breed of dog or cat? Absolutely anything! ☺️

Thank you so much for sending this!! Sorry it took me forever to answer! There was so much I wanted to share, so here goes!

✨ TONS OF ART AND YAPPING BELOW ✨

Background and Personality

Lyla is a muggleborn who lives with her parents, Luis and Ava Estaris, and little brother, Alfred! Her parents run a bookstore in London, and they all live in a small apartment on the second floor. So naturally, she had access to tons of fantasy and adventure books and read them all as she grew up! That's why she views the wizarding world with such wonder and appreciation because it's a dream come true for her!

Luis Estaris

Lyla gets her playful and caring personality from her father, Luis. He encouraged Lyla to pursue her dreams but to never forget what truly mattered - love and kindness. When his children were younger, he always found exciting and fun ways to entertain them, whether it was an impromptu field trip or magic tricks during a rainy afternoon. Lyla was obviously always impressed. Alfred not so much 🤭

Ava Estaris

Lyla gets her talent for duelling from her mother, Ava. At a very young age, Ava taught her the art of fencing. That's why I believe a muggleborn like Lyla would be so skilled at wand duelling without having any experience with magic. I remember watching a Hogwarts Legacy live stream where they described wand duelling as "fencing from a distance", and I LOVED that!

Alfred Estaris

Lyla and her little brother, Alfred, have a close bond, as much as he denies it. She loves addressing him as "Alfie", and only SHE’S allowed to call him that!! 🫵 I based a lot of his personality off of Damian Wayne (my favorite Robin haha) I love how he always tries to appear tough and aloof, but underneath it all, he's still only a child.

Lyla's Familiar

As for her favorite breed of dog? Probably pugs or corgis. Silly little loaves of bread haha. Cats? All of them!! But a familiar that is near and dear to her heart is her Great Horned Owl named Owlfred. She named him after her little brother, Alfred, because they both wear the same exact expression - thoroughly unimpressed with everything and everyone around them lmao. I wanted to include @traceyc-uk's MC with their owl for fun. I've never seen an owl with so much personality and sass. I love it! 🦉 (I wasn’t entirely sure what type of owl she was so I just guessed, sorry!)

If you made it this far, then you're amazing! Thank you so much for sticking around and listening to me yap about Lyla's family! I adore them all so much, and I hope you do too 🥹💕

[qoldenskies]

Thinking about Rise Splinter hate… it always makes me kinda sad. Like YEAH, it wasn’t right the way he treated the boys. But like, Rise is really good at expressing subtle familial dynamics, and one of the big ones for me is the fact that like… there’s always an undercurrent of “It’s complicated” to their interaction with Splinter. IRL, it always pisses me off to see people casting judgments on people’s relationships with their family, because you don’t know!! Yeah, they hurt you, but not everything’s black and white. It’s complicated. Because you love them, and sometimes you get to understand a little bit better why things happened as you get older.

In a matter of smaller importance, hate for him loses so many opportunities in his character… even things that might just be kinda off-handedly mentioned.

He fought for SEVEN years—give me Splinter with chronic pain. Splinter relating to his boys with their neurodivergence—it’s HIS fault they have it!!!

That was seven years of imprisonment, or even simpler, an abusive relationship. What did he learn from that? How did he change? What things are skewed in his worldview?

His childhood! We saw his relationship with his grandfather a bit, but how did Splinter grow into his dream of being a movies star? HIM BEING A MOVIE STAR. He was both a rebellious team and a literal celebrity, this guy probably took empyrean at some point without knowing it, just like. Recreationally or something LMAO.

I maybe just need more of his old man knowledge. Him being so loser-core was a great move by the Rise team, and I could SEE where his story was going—ROBBED. We were ROBBED.

splinter hate is CRAAAAZY when he's such an INTERESTING character who does actually have a lot of obvious depth. like he's goofy and he's objectively flawed as a parent but he does go out of his way to improve himself and LEARN throughout the show, and he does listen and apologize when he knows he's messed up. his issues are so similar to leo's actually, leo's a kid so he's got more leeway to be shitty but idk when people act like its endearing on him and not on splinter. splinter's hilarious free my man

on the other side of the coin i dont really like when people make him a perfect loving parent either,,, i think people going for all kinds of interpretations in order to serve whatever story they need is fine but i do prefer kind of messy parent splinter, i think its kind of sad to see him reduced down to bad or good. he LOVES his boys so dearly and he would NEVER intentionally want to hurt them, but he's quick to cast judgement when he's angered/feels disrespected (evil league of mutants comes to mind, but also in turtle dega nights when donnie first stops the tank) and he's really a lot more inattentive than he should be. but there are REASONS behind this, coming out of an abusive relationship, fighting in bloodsports against his consent for years, you could probably count the whole draxum thing as traumatic (its presented as kind of silly in the show, but considering what it lead to,, its a pivotal moment in the backstory. its one of those things that i reasonably feel can be recontextualized because its so essential) and then dealing with crippling body dysmorphia and being forced into the sewers with no company other than his children,, it really adds up

idk like ,,,, you can still be extremely traumatized and be a horrible parent. in fact trauma can be a direct CAUSE of being a bad parent because that kind of thing influences every facet of your life and if youre unprepared emotionally, yeah. but splinter isn't the kind of person to double down and become more overtly nasty when he feels cornered. if he gets the feeling that his kids are actually upset with him, he backtracks. this is actually kind of a key trait of his, that he does try very hard to correct himself when he messes up. he's communicative and apologetic, and he tries very hard to be that way.

and also this is maybe something that i just have a wider problem with when it comes to the way people interpret things in cartoons at times but splinter's actions in eps like lair games (especially in lair games) and flushed but never forgotten are meant to be like. jokes. its absurdist comedy that's meant to catch you off guard. there are more serious emotional beats in rise you can use but i think when youre adapting this world and characters into a more serious tone you have to keep that kind of thing in mind because some things are meant to be surprising and absurd for the sake of making you laugh. i think the best comparison i can think of is how in musical movies they're not actually singing (in most cases, sometimes the fact that they actually are is played for laughs it depends. but yk what i mean). the joke is that this is kind of a shitty thing he's doing but taking the actions themselves seriously in a vacuum in order to cast shame on a character has always been odd to me. that'd be like calling raph abusive for rolling up the window on mikey's neck in late fee. or calling the teetz murderers because they caused a robot mass suicide that one time. it just doesnt make any sense

[anontheghost]

So... What is the deal with Blitz's and Moxxie's upbringing?

Let's start by saying the obvious: Blitz’s and Moxxie’s families are almost exact mirrors to each other: They both have terrible, greedy fathers who just enjoy making their lives miserable and amazing dead mothers who we know nothing about except their cause of death and how much they are missed by their sons. 

The only significant distinctions are that Moxxie's story is splattered with glossy mafia paint and that his mother was drowned while he was still a very young child. On the other hand, Blitz's mother, Tilla, died when he was a teenager and was burned to death. The rest? Pretty much the same.

However, the similarities between their backstories are not really the problem; after all, in real life, we can find people who lived through similar traumas and that is a pretty interesting aspect to explore in fantastical stories as well. 

Many other shows have done it incredibly well (Bojack Horseman) but Helluva Boss failed in that department. 

The very interesting family dynamics were only bought at the surface level, not explored in any meaningful way except to give the characters “cheap trauma moments” that could potentially get ruined by either the insertion of out of place comedy or never mentioned again. 

How am I supposed to treat Crimson’s abuse of Moxxie as something serious when the minute before dildos popped out the walls for a joke? How did Blitz’s guilt over the fire and his mother’s death truly affect his relationships—romantic or otherwise? Was it all just a narrative plot to drag the Stolitz charade for as many episodes as possible? Heck, we do not even see Blitz and Mooixe interact more about their shared trauma! Or about how much they missed their mothers.

It is a little depressing because, despite knowing nothing about Moxxie and Blitz's mothers, we, the viewer, are expected to care about them and see their significance. Instead we are left with a million questions that will probably never have an answer. 

Were they really good parents or are their sons only remembering the good parts of their relationship because they are dead? 

How did they truly influence their kids? Did Moxxie’s love for musical theater come from his mother? Did Blitz’s fascination for horses be because of Tilla or was it someone else?

How was their relationship with their husbands and why did they stay even after the marriage went south? What brought them together in the first place? Because, in all honesty, both couples just don't seem compatible in any way, that one just can help but ask how did everything worked.

Sadly, we can only speculate. 

So, without further due, these are my speculations. Part of the great rewrite that I am doing of the series. Because sometimes terrible writing decisions just move my creative juices in the right direction. 

Tilla and Cash Buckzo.  “I do love you, as much as I am capable of loving anyone, which is never enough.”

What would have happened if Princess Carolyn and Bojack Horseman ignored all the red flags in their relationship and chose to get married anyway? That wouldn’t have been good, but that is exactly what happened to Tilla and Cash Buckzo—the result was a messy marriage where love could not overcome their different views on life and incompatible personalities.

So... why did they stay in a marriage that was not working? Simple, a divorce would mean financial ruin for both of them.

Let me explain. 

(Worldbuilding note: How marriage functions and how people in Hell generally view it is one aspect of the Hellaverse that truly baffles me. To avoid confusion, each ring in this revision will have its own set of marital norms and perspectives.)

(In the Greed Ring, marriage is nothing more than another business transaction and is treated as such. Two individuals may absolutely hate each other, but if the marriage will benefit them economically, then they will go through with it.)

The sole compelling argument for Cash and Tilla's marriage was that it was the wisest course of action to maintain and save their respective livelihoods. Imps are not permitted to own companies (as I stated in the Stolitz Non-Romance rewrite.) and in the Greed Ring, Mammon owns ALL of the entertainment industry (circuses included) and he will not hesitate to shut down a circus if it is not bringing the profit.

The small circuses Cash and Tilla were supervising were on the brink of bankrupsy, so what better solution than to marry each other and combine their assets? It will give them more time to survive.

In hindsight, their plan worked perfectly; Tilla and Cash were able to build up themselves financially, and using their combined business talents, they were able to expand their new big renovated circus and turn in a profit that would keep Mammon off their backs. 

They were great business partners, but as a couple, they lacked a lot. 

They did occasionally have tender moments, but they were squandered by arguments, lengthy silences, and extremely uncomfortable dinners. At one point, they even began sleeping in different beds, just to avoid fighting. Everybody who knew them could see that they were just not good for each other and could barely tolerate the other presence.

This begs the question: How did they manage to have Blitz and Barbie?

The decision to have a kid was straightforward and, like their marriage, based on business. They wanted a successor to take over their responsibilities when they died, as it was something now needed as the circus grew. So one night, they decided to get drunk and just get it over with.

But, to the surprise of themselves and everyone else, Tilla and Cash were their best selves throughout the pregnancy. 

During those four months that the pregnancy lasted, Cash and Tilla acted like a happy couple, anxiously waiting for the arrival of their beloved baby. They no longer fought; they were just too busy happily imagining a future where the three of them would be happy while preparing for their child.

Maybe everything would be okay; their relationship could only get better from now on, right? Once their beautiful little girl arrives, they will be a complete family of three with no intentions of adding more. 

Yikes.

In their defence, there are few medical facilities available to imps, and when they attended the controls, the physicians informed them that they would only be having one child, Barbie.

Their budget and plans were severely ruined by Blitz's unexpected arrival because they were only ready to provide full care for one baby, not two. If Mammon kept the majority of the profits, how would they be able to buy two of everything? 

They would endure a long period of hardship and didn’t they enter this marriage to prevent just that?!

Tilla, being the mother and the one who gave birth, accepted this change, promising to love both children equally; sadly, Cash didn’t.

It didn’t take too long before they started fighting again, even if it was in front of their kids. As you can imagine, growing up with parents who fought even for the most minimal of problems leaves a long-lasting impression on a child and how they will handle their own relationships in the future. 

To this day, Barbie still has problems telling her girlfriends when something is wrong or is upsetting her. On the other hand, Blitz gets overwhelmed when he notices things going south in a relationship and leaves it all together. 

Things didn’t really improve much as the twins grew up. 

Sure, the family had their relative moments of peace, but Cash only paid real love and attention to Barbie, being the child he really wanted while completely ignoring Blitz. Tilla, upset about this but knowing that Cash won’t change, tried to give more attention to her son, accidentally ignoring her daughter’s needs.

Yes, Tilla was not a “perfect, angelic mother," canon portrayed her as. If anything, she was a little bit overbearing when it came to Blitz, as she felt she needed to make up for his father’s abandonment. She genuinely believed that Barbie didn’t need her as much, and the girl liked to spend more time with her father anyway, who needed to train her to take over the circus.

At this point, their family was divided into two separate families that just happened to live in the same house: one consisted of a kind but overprotective mother and her son; the other, a strict but understanding father and his daughter/heir. The only point in which Tilla and Cash interacted was when they worked on the circus, or when they were fighting for the most minimal things. 

Their family dynamic was mostly like that... until Tilla died.

Blitz remembers only the good moments he spent with her, looking at her actions and life with rose-colored glasses of love. For him, Tilla was the perfect mother who basically could do no wrong. 

However, if you ask Barbie, she’ll say that while she is sad that her mother passed away, she is unable to truly feel devastated since she never knew the woman well enough. Barbie is even a bit resentful for the times Tilla chose to spend time with Blitz instead of her.

And with Cash... How would you think Bojack would react if PC died before him? 

Now… what about Moxxie’s family?

Crimson and Belia (Name I am giving Moxxie’s mom)

"You better grow up to be something great, to make up for all the damage you done."

One particular thing that I noticed about Crimson is how young he looks despite being Moxxie’s dad. If I knew nothing about Helluva Boss and someone showed me a picture of those two, I would 100% believe they are siblings, not father and son.

While we can attribute this to Vivzie's inability to draw older men, why not play with this?

Let's set up the stage.

When Moxxie entered the picture, Crimson and Belia were just seventeen years old and not even dating. However, I suppose that when you are a careless teenager, the consequences of forgetting the condom don't truly hit you until something goes wrong.

As one may expect, Crimson was not happy with the news and was even more angry when Belia told him that she wanted to keep the baby and sustained her ground no matter how many times Crimson told her to get rid of the pregnancy. Why not? They were both fucking teenagers, just fooling around and he had no intentions of becoming a father, at least not this young! What was truly stopping her?

Nobody truly knows why Belia chose to keep her son to this day. 

When alive, she would tell you without a doubt that she loved her child from the first moment and couldn't bear to let him go, even in the face of less than perfect circumstances. But Moxxie hasn't believed that version of the story in a very long time. 

Moxxie now thinks that the main reason why Belia had him was because she didn't want to endure the awful and harsh conditions of an Imp Health Center. Due to the horrible way the doctors treated the imp patients, lack of medicine and equipment, most imps avoided those places like the plage.

Unfortunately, sick imps had no other choice but to go to the centers for treatment. Because if an imp even dares to step a hoof on the more well equipped hospitals in Sloth or Lust, they would be immediately kicked out no matter the emergency.

For more serious issues, wealthy imps (like Crimson's family) would hire a private physician. However, Belia was aware that Crimson would never spend that kind of money on her. 

Or maybe Belia didn’t want to give Crimson the satisfaction of getting out of his responsibilities. 

When Crimson's own father learned about the, at that point, already advanced pregancy, he forced Crimson and Belia to get married. Given the Knowlastname family's significant power in Greed's imp neighborhoods, Crimson's status as an unmarried young father would be viewed as a shameful scandal.

Belia only consented to the marriage because she had nowhere else to go. When her parents found out that their seventeen-year-old daughter was expecting, they were so disappointed that they disinherited and prohibited her from ever returning home.

(Later, when I rewrite Exes and Oh's, I will go into more detail about what Crimson’s family does in the Greed Ring. They are still involved in “less than legal” practices and loan sharking, but is a little bit different than in canon since now I based the Greed Ring in the entertainment industry.)

Of course, as one may expect, things in that marriage went south real fast. 

Every time Crimson looked at Moxxie and Belia, he saw nothing but the two demons who took away his carefree teenhood together with the respect of his father, and with each passing year, he just became more and more cruel. At one point, he simply started physically abusing his wife, who always put herself as a buffer between Moxxie and Crimson.

If Belia dared to raise her voice against her husband, Crimson would merely tell her that the opportunity to leave him went away the minute she decided to bring “that brat” into hell without his permission. Now she was just reaping what she sowed.

Being physically and mentally abused by her husband (who, as a bonus, also turned everyone in the household against her) took a toll on Belia’s mental health. She still wanted to be the best mother she could be, but how can you raise a child in an environment where everybody sees them as the enemy? When your mind makes your body so heavy that getting out of bed becomes an impossible task?

More than once, Belia considered taking her son and moving back to Wrath. But then, to where? Her parents didn’t want to see her; she lost contact with her friends, and since she never finished school, she had no hireable qualities. How would she support herself and Mooxie if she decides to leave? Being a single imp mother in hell is not easy!

It was impossible! At this point, she just needed to endure. 

She will not let Crimson win; she will not let that man break her and Moxxie. While Crimson was definitely stronger than her, putting on a smile after a beating that sent Crimson into a frustrated frenzy was all she needed to feel she had won, even if her body stated otherwise.

There were also the times she and Moxxie went on hikes together, pretending that they were going on a grand adventure as far away from Crimson as possible. Being happy when Crimson didn’t want them to was the little act of rebellion she needed to stay sane.

However, Belia’s breaking point came after Moxxie’s seventh birthday, just a few months after Crimson’s father died, when her “beloved” husband brought home another pregnant imp. 

Belia was no idiot; she knew that her husband had been cheating on her for years, but she never said anything because she didn’t care enough to do it. So, Crimson had a side piece? big deal, she stopped loving him a long time ago. 

However, it was too much to bear to watch Crimson, a guy she believed to be utterly cruel, be a loving and caring partner to this imp and be so thrilled about the birth of their cherished child.

I mean, when you witness the same man who repeatedly denigrated your son, cursed and beat you for being pregnant, joyfully decorating a nursery while choosing baby names and spoiling his new partner, whom he never raised his voice at, it can and will break something in you. 

Ultimately, what could be worse? Accepting that your partner will never change? Or realizing that you were never worth the positive change they could bring about?

What did she do wrong?

Moxxie still doesn’t know what happened to his mom; what is certain is that one day he woke up and she was not there. While part of him is sure that Crimson killed her so he could marry his new partner, there is a part of him, small but loud, that tells him that Belia abandoned him at the mercy of his father. 

Why would she not? Moxxie knows that he looks a lot like Crimson, so it was possible that at some point, his poor mother couldn’t look at him anymore without remembering her abuser. He is also familiar with the sad reality that, if Belia tried escaping with him, the possibilities of re-doing her life with a kid on her toe would have been very slim.

Not to mention impossible.

After his mother disappeared, Moxxie became a ghost in his own house. Apart from giving orders and degrading him, Crimson was more focused on his new family and new children to “waste energy” in a son he never wanted. While Moxxie’s step-parent was not physically violent, their constant degrading of Belia and their attempts to erase all trace of her existence really put Moxxie on edge.

Sadly, he couldn’t say anything because the first and only time Mooxie tried to go against their wishes, Crimson put a stop to that real fast. 

Moxxie had to see firsthand how Crimson was a true, loving father to his stepsiblings. He listened to them constantly, never yelled at them, and never struck them—things he never did with his first kid. He also made sure to teach them how their big brother was nothing but a failure and to stay clear of him since “wimpyness” could be contagious.

Moxxie wishes he could know them better.

0o0o0o0o0o0o0o0o0o0o0o0o0o00o00

And this is all for today. I will give more information about Mooxie’s family (as well as his relationship with Chaz) when I rewrite Exes and Oh’s. Remember that these are mostly my first draft thoughts and can and probably will be changed for the final product. 

I hope you enjoy! I love when you comment!

[imbecominggayer]

How To Write Character Motivation

This little (not-so-little) post is all about how to give your character a motivation for that goal all the while taking into account important things like the backstory, worldbuilding, themes, and such.

Keep in mind the fact that there are billions of different goals and connecting motivations so this advice is probably not applicable for everything :)

Again, these are just some tips. I am going to be assuming that you have some basic information about your character like what they want and where they come from :D

A) Questions, Questions, And More Questions

Take your character and ask them what their goal is. Then ask them "why?". Force them to answer. Then ask them different "why" questions based on what they answer!

For example: "Character A wants to kill the dragon"

Why? The dragon killed my family.

Why did the dragon kill your family? My father was a monster hunter who was upsetting the dragon's food resource.

Why did the dragon kill your other family members? My mom and my sister were collateral damage in the dragon's attack.

You can do this little exercise with any type of goal from crime, adventure, romance, to any other genre I haven't listed yet!

B) Deep Psychology

Now you have ask yourself, actually your character but you know, "what is this really about"?

What does this goal symbolize for this character?

Character A wants to kill the dragon because she believes it will end her own nightmares about the death of her parents. This is a thoughtless attempt to grieve without grieving.

Character B wants to steal a treasure of their home village because he believes that by gaining the financial rewards associated, he will be adored by his new community of outsiders. This is a desire for belonging.

You get the point. These goals aren't just about stealing your home's sacred treasure for wealth or killing a dragon for revenge. It's about universal desires we all share. To be loved, to be strong, to be great.

This is necessary because most people don't live in isolated villages housing secret treasures nor do they kill dragons. If you want your audience to connect with your character, the audience needs something universal to latch onto.

C) Themes And Misbelief

Most great stories feature a "misbelief" or mistaken assumption. This is the potentially fatal flaw of this character who believes something that is either not reflective of reality or will endanger something they care about.

Even if Character A kills the dragon ten times over, their family is gone. They can't kill their grief. They have to authentically work through it. Besides, I can't imagine how completely f#cked the food web would be if an apex predator like the dragon died.

If Character B used the sacred treasure to gain untold wealth they most likely would gain the acceptance and support of the "outsiders". But isn't it more important to protect the tradition. Their culture? Their people? It's a good thing to protect things that need to be protected!

These stories can either end as a cautionary tale, a lifeless happily ever after, and an impactful happy ever after depending on the character arc and ending of these characters.

If Character A and B "succeed" in their goals but this ruins their overall life, it's a cautionary tale.

If Character A and B succeed in their goals and they suffer no consequences for their mistaken belief, it's a lifeless victory.

If Character A and B choose different goals as a result of a character arc then they will succeed and reach a true happily ever after.

[apoloadonisandnarcissus]

"What kind of trauma, pain and violence is so great that even death cannot stop it?": Reincarnation in "Nosferatu" (2024)

I already talked about this extensively in another post (and even did some brainstorming on Eggers' Orlok possible backstory) but I want to come back to this topic, because this is probably my favorite theme in this film, mostly because it’s left so ambiguous, and I’ve come across more interviews and got more evidence.

A little introduction: Robert Eggers doesn’t want us to know the backstory on his Count Orlok, but he wrote a novella on it and gave it to Bill Skarsgård, for preparation. We know he’s a 16th century Transylvanian nobleman, from the 1580s (“lord” and “lordship”), he’s not Vlad the Impaler (15th century), he was a voivode (warlord), a enchanter/sorcerer (Şolomanari) and he was married, and had a family. "That will never be shared because the mystery of the enigma is better for an audience, but it was important for Bill to have that history." Eggers needs to release his novella on Orlok backstory, because I want to know!

And this backstory actually influenced Bill’s entire performance, as Robert Eggers reveals in one interview: “And while Bill was also doing what I was asking for, he brought more to the table too, particularly with binding moments where Orlok was vulnerable. I was so sick of the tropes of the sad vampire that I didn't want to go there. But Bill knew that it was important to still have the vulnerability in some places. And I think it makes the performance.”

Including the ending: “I sent [Bill] a backstory of Orlok that I wrote. So we came to it together to achieve what I was after. Because I’m so tired of the heroic and sad vampires, I was just like, ‘He’s a demon. He’s so evil.’ Bill was like, ‘Yeah, but there needs to be some times where he has some kind of vulnerability.’ It’s very subtle, and it’s not there often, but it is enough. I think the ending of the movie is much more effective than it would have been without Bill’s acute sensitivity to that – while still delivering on this big, scary, masculine the vampire”.

We have Bill to thank for Orlok’s more nuance performance, because Eggers’ initial idea was cardboard demon, due to his aspiration of making vampires scary again. But this tell us something else (I already suspected): Orlok’s backstory is definitely tragic and sad. Hence Eggers saying he didn’t want the “sad vampire” but Bill said vulnerability was necessary to add depth to the character. And thank Bill for that, because, personally, I can’t stand one-dimensional characters, even “demonic” ones.

The prologue of the film (between Ellen and Orlok) is based on this material: “Most importantly, I was thinking, ‘Who are these characters, and how can I build out their backstories and make them real people?’ I also wanted our version to be Ellen’s story. The previous Nosferatu films start out as Thomas Hutter’s story, or Jonathan Harker’s, and then become Ellen’s story, but I wanted it to always be her story. Our film’s prologue comes from the work I did with the novella.”

When discussing the use of Dacian and the reconstruction process, Robert Eggers revealed Orlok is a very ancient being: "Orlok is an ancient noble, predating even the foundations of the Romanian Empire."

This tells us we are, indeed, dealing with reincarnation in this story, because the "Count Orlok" in the film is a late 16th century corpse, with a whole boyar and vovoide backstory, the sovereign of a Transylvanian county (count). But he’s also a priest-shaman follower of Zalmoxis, the Dacian God of life and death, and owner of the secrets of immortality. Reincarnation being true immortality actually makes perfect sense; and it’s also a theme in one of the most iconic “Dracula” films of all time, “Bram Stoker’s Dracula” by Francis Ford Coppola.

"Ellen’s most prominent evening dress is indigo with lilacs embroidered and beaded on the front and on the sleeves. This lavender hue subliminally underscores the connection between Ellen and Orlok, who remembers lilacs from when he was alive." Nosferatu costumes link Ellen and Count Orlok Interview

Ellen is the lead character, and Robert Eggers says he wanted to tell his version of this story "through the eyes of the female protagonist", and "it is a tale of love and obsession and a Gothic romance” and he even said Ellen and Orlok are "beyond love". What's intriguing to me is why is his Orlok so obsessed with Ellen, specifically. Why does he want her soul forever at his side? Why is he dragging her to her grave? Because this is his motivation in this story. He’s not after world domination nor anything. Ellen’s soul by his side for all eternity is what he wants (and gets, at the end).

I think the answer can be in his interviews about Balkan and Slavic folklore, because there is one idea that seems to be on his mind:

The most important thing was going back to the folklore and the early Balkan and Slavic folklore [...] Most surprisingly, many of these early folk vampires do not even drink blood; rather, they might suffocate their victims to death or spread plague and disease. Some early folk vampires when disinterred from their grave were noted for having erections. Some of them came back to fornicate with their widows until the women died of an excess of intercourse. If they did drink blood, it was generally not from the throat, but the chest – the victim’s “heart blood.” You can still find reports of vampirism from the Balkan regions, where the folklore is thoroughly enmeshed with local culture. What are we to make of stories like this? What kind of trauma, pain and violence is so great that even death cannot stop it? It’s a heartbreaking notion. The folk vampire embodies disease, death, and sex in a base, brutal and unforgiving way. ‘I had to make the vampire as scary as possible’: Nosferatu’s Robert Eggers on how folklore fuelled his film

Which is something he will mention again:

“You wonder what is the dark trauma that doesn't die when someone dies. […] [So you suspect something terrible happened between them in real life and that this story was a way of grappling with that?] That's my hypothesis.” Robert Eggers Reveals the Ghastly True Tales Behind His New Nosferatu

In Romanian folklore, when strigoi (which is what Orlok is and this is his lore) raise from their grave the first time, they return to those they have loved the most, because they wish to relive their life together. The strigoi usually torment them until they are dead, too. Which is exactly what we see in “Nosferatu” (2024) with Orlok and Ellen.

From the film itself we know he was dead and rotting since the late 16th century until Ellen brought him back from the dead and cursed him to be a strigoi. At the prologue. And, in true strigoi myth, he appears at her window, asking for entrance.

The evidence that Ellen is the reincarnation of Orlok’s wife or lover or bride is palpable in this story, not only in the entire folklore that inspired it, but in the dialogue itself. In another post, I already analyzed Ellen and Orlok’s backstory (after the prologue and before Ellen marriage to Thomas), and Orlok never actually took her as his lover, in the sense there was no “astral sex” going on between them, and what she was doing was masturbation and him as a haunting (still creepy, but he didn’t actually touch her).

But still she’s absolutely convinced he did, and then we have all the connection with the lilacs, from both of them; yes, it’s meant to be a visual storytelling device to represent their relationship, but these flowers are also connected to rebirth, and, according to Linda Muir, recall Orlok from his human life. Ellen is also deeply attracted to Orlok, and only him can understand and fulfill her, but she doesn’t know why. It’s unconscious.

“Yet I cannot be sated without you. Remember how once we were? A moment. Remember?”

In other post, I already discussed the use of the term "sated". Because Orlok (being from the late 16th century) speaks 16th century English; where this word is connected to the verb “sit”, as in “rest” or “lie”. What Orlok is actually saying is “I cannot rest without you”. Which makes sense with their covenant of being together ever-eternally. He can’t find peace in death without her.

Even the way Bill delivers this line “remember how once we were?” sounds haunted, and a profound yearning and desperation, almost, for her to remember something very old. To me, this is most likely one of those “vulnerable moments” inspired by Orlok’s backstory Robert Eggers was talking about in interviews.

“Remember?”

The option that makes more sense with Ellen and Orlok in “Nosferatu” (2024) is the myth of strigoi coming back to have sex with their widows until they died of excess of intercourse; which is exactly what happens at the end. And the sound design even made sure we, the audience, heard the penetration. Is this the reason why?

But then we have the idea that Eggers mentions twice: what kind of trauma, pain and violence is so great that even death cannot stop it? What is the dark trauma that doesn't die when someone dies?

In “Nosferatu”, it’s Ellen who resurrects Orlok. It’s her sadness, loneliness and sexual awakening which brings him back from the dead. So, can this “trauma” be related to Ellen’s soul, herself? She’s the protagonist, and this is her story. The emotions we are dealing with at the prologue (inspired by Orlok’s backstory, according to Robert Eggers) are; deep loneliness, without a companion to give her comfort and tenderness. And even sexual desire. As a result she resurrects Orlok with her black magic prayer (necromancy).

He also calls her enchantress; and he was a enchanter in life. And indeed, Ellen displays insane spiritual power in this film; Herr Knock needs to assemble a whole ritual room to communicate with Orlok, and she doesn’t need any of that. Which might indicate, she was an actual enchantress in her past life; probably a Şolomonari like Orlok himself. Von Franz does say she could have been a “great priestess” in Pagan times.

We have a lot of Sex Magick in this film (pretty much every Şolomonari ritual is a Sex Magick ritual here). Which, again, can imply it was their “thing” in a past life, too, because their relationship is very sexual and passionate, which is probably how they were, previously, since they both have high sex drives (and this is what Orlok asks her to remember). Orlok the high priest, and Ellen the high priestess. Two freaks in the sheets (and probably in the streets too, Ellen appears to enjoy the outdoors). We are told she has a deep knowledge of the shadow side of life, after all, and she’s an outsider and completely misunderstood (except by Orlok and Von Franz).

Him being a demonic creature, means he cannot love her now (even though Eggers is also making a difference between Thomas (love) and Orlok (passion)), it doesn’t mean he didn’t love her in the past. Especially since this is a direct reference to the “Dracula” novel where one of the bride accuses Dracula of not being able to love, to which he answers; “Yes, I too can love. You yourselves can tell it from the past. Is it not so?” This can indicate that Orlok did love her in their human past life (or lives, even), and fiercely, deeply so.

Searching for clues in Orlok’s castle scenes with Thomas (I already talked about the multiple sarcophagus in the crypt in the other post), Orlok attacks him in a bedroom, and in a double bed, meant for a couple, and it has two pillows (unlike the Victorian couples here, who have separate single beds). Even at the end, Ellen and Orlok are joined in one bed, Ellen’s bed.

Since this was also a Sex Magick ritual to divorce him from Ellen in the spiritual realm, doing it in this specific bedroom (that Orlok selected for him in advance), doesn’t seem random. Maybe this was Orlok’s and Ellen’s bedroom? And she even makes an appearance here.

But Orlok’s soul did not “ascend” (sort of speak), because he says he was in the “darkest pit” as a “loathsome beast”. And, again, in Old English, “loathsome” has another meaning, connected to “grievous”, as in “grief”. He was in some sort of limbo, and when Ellen called out, he returned to his former body, and became a strigoi. So, their emotions match, at the prologue. And if Ellen is a reincarnation of Orlok’s wife or lover, this means her soul moved on to the next life, and his didn’t; causing their further separation. Which can be the explanation on why Orlok is so obsessed in getting her soul this time around; for them not to be apart, again.

And, if we follow this logic, he probably died before she did, in their past life. And that trauma endured on her soul. She probably tried to resurrect him in past, as well? Or was it the other way around? Either way, someone died first, probably in a tragic and violent way and it caused a huge trauma on their souls, for both of them. Since “sex and death” are the core themes here, it’s not unlikely to find them in these characters backstories, too, I would say.

And can this separation of souls create such pain and a trauma so dark it created an actual monster to bring plague and death upon civilization because of their yearning of being united, once again?

Ellen is also said to be “promised” and “fated” to Orlok. Even Von Franz says to Thomas “in vain, you ran in vain. You cannot out-run her destiny!” Is Ellen’s fate to break the curse (she put on him, herself) or for her soul to be united with Orlok’s for all eternity?

In my original post I talked about the hypothesis of human Orlok being among the boyar rebels supporters of Balthasar Báthory for the throne of Transylvania, and was arrested for treason and strangled in prison (he obviously wasn’t beheaded), in 1593. We also have a woman and accusations of witchcraft as retaliation for the death of these noblemen. This in the midst of religious turmoil between Protestants and Catholics (with Balthasar Báthory being on the Protestant side).

This hypothesis checks a lot of boxes; the dates we have for Orlok (1580-1590s; late 16th century); the age Robert Eggers says he is, at the time of his death (55-years-old); offers an explanation for his “asmatic” speech, Eggers was very particular about (his vocal chords are damaged); and fits the prologue (where Orlok “strangles” Ellen, when he reveals himself).

This would also fit the "revenge on Christian civilization" subtext of Orlok as a plague carrier, bringing death and destruction to the Christian West. Them being separated because of a Christian conflict, and Orlok executed at the orders of a Catholic prince, would add layers of “dark trauma” to this.

Count Orlok bust by Prosthetics and Make-up designer, David White; his neck does appear damaged.

At the prologue, we also have a sexual encounter (masturbation), in a garden of lilacs. And at the end, lilacs are placed by Von Franz around their bodies, symboling their return to their garden. Which is another connection to Orlok’s human backstory, further strengthening the reincarnation theme.

The last shot of the film (while being “Death and the maiden” motif) is also reminiscent of the ending of “Bram Stoker’s Dracula” by Francis Ford Coppola, where Vlad soul ascends to join Elisabeta’s. In "Nosferatu" (2024) it's both, Orlok and Ellen's souls ascending, together, finally united, which makes way more sense with the reincarnation theme.

[toon-tales]

Hiya! Ok, so, I'm here to analyze, again. But! Not a scene. I'm here to analyze the evolution of the one and only #Broppy, from the first movie. I've been planning to include the three movies and the holiday specials, but I figured I can't add that many pics in one post. I can only add ten, soooo-

Let's take it from the beginning: the first appearance for Branch.

If you ask me, he was being rude, maybe even embarrassed Poppy in front of everyone. Yeah, I love Branch, and he's my baby and all, but dude, you shouldn't have done that, especially not in front of everyone. Like, yeah, we later know his backstory and his grandma and his brothers, but still, it's not Poppy's fault, he shouldn't have treated her like this. Sure, her believing life was all cupcakes and rainbows might have been provoking to Branch, but he's still at fault, and I think more people need to make peace with that.

Also, something I noticed, is that Branch and Poppy were close even before the events of the first movie, cause, literally everyone calls her 'Princess Poppy', except the snack pack. They just call her Poppy, and the fact that Branch also calls her Poppy just proves they were close.

Now, later, we see Branch holding Poppy's scrapbook, then staring at even more scrapbooks on the shelves. Like, cute, sure, but it's not what you feel, it's what you show, Branch.

Okay, now, this scene:

The fact that Poppy was knocking on the rock just means she never got into Branch's bunker before. But she knows the address, so that counts. Maybe he had given it to her when they first met in case she needed something after he'd found her hurt with a broken arm or something then they became friends- I'm totally drifting from the post. Sorry about that.

Now, there are two theories:

Annnywayyyy, let's focus on the scene after:

"Which is why I have to ask you..." she hesitated, before continuing, "will you go to Bergen town with me and save everyone?"

She hesitated! She freaking hesitated! Meaning? She probably never asked Branch to help her before. She surely had problems in her life, but she also had her friends, so I belive she always went to them whenever she was in trouble. But now those friends aren't here, which forces her to ask the person who she trusts the most after them. Branch. And, disappointedly, he refuses, because of the fear he's living in.

Moments later, Poppy surprisingly invites the entire village to Branch's bunker to keep them safe. Which was wrong of her. True, she was trying to protect everyone, but using Branch's house without his consent was wrong. Sorry. Sure, it was the safest place for now, but that still doesn't justify it. You can see he was clearly annoyed (which she loved). But I don't really blame her, just like I don't really blame Branch. They both did wrong.

Skip, skip, skip, skip, skip- hold... rightttt here:

Ah, yes. That scene. Now, look. He showed up, because he knew there was no way Poppy could do this by herself, and he wasn't wrong. Poppy, in return, also knew he would come, because it was the third hug time by then.

"I guess we were both right." That line. It speaks volumes for their relationship, yet no one talks about it! They both look at things from different perspectives, BUT, it doesn't mean either of them is wrong.

Like when they arrived at the troll tree: "The troll tree." "Bergen town."

Or when they found out the others were still alive: "They're alive?" "And on a silver platter too. We were both right."

Please writers and artists, we need more content with this line. Add it to your fanfics/art!

Skip, skip, another skip (yes, I skipped the part where Branch tries to avoid talking about his feelings cause it's kinda... i don't know, i just don't know what to say about it. It's sorta obvious), skiiiiiip, annnndddd, right here:

THEIR. FIRST. HUG.

My babies, oh my sweet precious babies. They've been through so much together, and finally, Branch has found it in himself to actually open up about his past (mostly).

I've spoken about this scene in more details in this post.

Now, we're going to talk about one of the most important scenes in the history of Broppy. This:

Branch is talking. He's always used to being in the shadows, never helping anyone, and here he was, helping a Bergen. If that's not a big change, I don't know what is.

And let me tell you, not only Branch was changing in this scene. See Poppy?

She's learning to look deeper into things, even persons. She's finally realizing that Branch, the grumpy, sarcastic troll, might not be as bad as she thought. They're both developing.

Until the rules are swapped.

Branch is the one to find the bright side, and Poppy is the one to cover it. And you can see how disappointed he is.

"I can't wait to see the look on your face when you realize the world isn't all cupcakes and rainbows." But when it happened, Branch realized that this wasn't what he wanted. He didn't want her to be like him, because this was him - a person who doesn't see the cupcakes and rainbows in life, not even in the slightest.

The way he was trying to cheer her up

And the way she actually smiled. Poppy was still there, her happiness was inside, not gone but hidden, and Branch was trying to find it again.

Yet she didn't even notice her own colors returning. Maybe because she was focused on the change in Branch? She wasn't startled when he sang at first, she wasn't happy, just like he used to be. He didn't use to care, until later, when his feelings began to resurface again, because Poppy helped him. Just like he was doing now. Neither did he notice his colors coming back

Aaaaaand, I think the rest doesn't really need analyzing.

Feel free to add or comment on anything.

Part two

Part three