#but! its never the only way it comes into play

[holybibly]

More food play, bunnies? You wanted it, now you get it. Unholy thoughts of the day, bunnies: The idea of serving a luxurious dinner on a naked, hot body has never sounded so appealing, especially when the main course comes with sweet, wet pussy for dessert. Or dirty, perverted idols Ateez discover the exciting, sexy experience of Nyotaimori during their schedule in Japan.

Nyotaimori - often referred to as "body sushi", is the Japanese practice of serving sashimi or sushi from the naked body of a woman. 

Yunho first heard about it from his friend the last time he was in Japan during a break between comebacks. His friend described it as the most vivid, hot, and incredibly sexual experience of his life. And incredibly expensive too. But as Minhyuk assured him, it was worth every damn penny, and he would definitely go back to this special restaurant again to get supplements. And Yunho thought about it seriously. He even did some research and watched some porn on the subject and some hentai videos, and he has to say that it turned him on so much so that he had to jerk off several times in a row to completely empty his balls and quench his need to fuck.

His dick was so hard and pulsating rhythmically as he watched several guys on the screen eating sushi and sashimi from the naked body of a pretty busty girl with a tiny, slime-stained pussy and then fucking her hard in all the tight, wet holes. They were pulling her onto their big cocks, after which they cum all over her body, covering her completely with their sperm. And fuck, now this sweet, haunting image is permanently lodged in his head. 

Of course, his friends weren't left out of Yunho's new dirty hobby. At first he only told Mingi about it, and, as usual, his best friend supported him enthusiastically, and soon they were both greedily glued to porn videos of this style. Gradually, it spread beyond the two of them, and soon the whole group was somehow drawn into Yunho's hot, perverse fantasy of nyotaimori and dirty gangbang.

It got to the point where all the boys unanimously decided that on their next trip to Japan, they would definitely visit this special restaurant that Minhyuk had recommended. And so Yunho found himself in the dark reception area of Deep Dive, one of the most modern and hyped places in Tokyo. And for good reason, as this restaurant offered not only a deep culinary immersion into a variety of exquisite tastes but also into the depths of various sexual practices.

"So, Mr. Jeong, do you have a preference for a host for your dinner?" The woman in front of him looks stunning, but so does the shark looking for its prey.

Yunho clutches the list of preferences that the other members have written down regarding the type of girl they would like to see on the table.

"Ahem..." He clears his throat before he speaks. His cheeks are slightly flushed, but the thought that he is about to make his dirty dream come true makes his dick tense. "We'd like someone juicy..." God, it sounds so stupid, and judging by the way the woman in front of him raises a questioning eyebrow, he is not the only one who thinks the same. So Yunho quickly corrects himself. "I mean with curves, big and heavy breasts, a fat ass, hips, but petite."

"Okay, I get it; continue." The lady encourages him, making notes in her notebook.

"If possible, we want a more submissive girl, maybe into pet play and daddy kink."

"We can give you exactly what you want. What about sexual practices? Do you have any preferences?"

Such a frank, dirty question should embarrass him even more, but instead Yunho's eyes darken and his voice becomes confident and hoarse.

"Voyeurism, size perversion, deep throat, spanking, spitting, objectification, possibly double penetration and squirt, plus of course fingering, cunnilingus, and other classic practices."

"Yes, I understand." She writes something on the notebook again and looks up at him. "Do you want to role play with coercion or are you more attracted to enthusiastic consent?"

"Enthusiastic consent, please. We want her to want it too. Maybe even too much." Yunho bites his lip and drums his fingers on his knee, either from nerves or excitement.

"You're in luck, Mr. Jung; one of our new girls is really into group sex; you'll love her." A dazzling smile appears on her lips, and she looks straight into Yunho's eyes as she begins to repeat his order loudly and clearly. "So, Friday night at eight o'clock, we're expecting Mr. Jeong Yunho, Park Seonghwa, Song Mingi, and Jung Wooyoung at private booth number 8 for a tasting dinner. On our part, we guarantee complete safety and anonymity of your data. The NDA file was sent to you in advance by email.

The menu consists of twelve starters and one main course, which will be served by Miss Y/N, who will also be your host for the evening. Dessert is included. You have chosen the full immersion experience with special services (which implies a full-fledged sex scene). The cost of your dinner is one hundred million yen. Will you confirm your order?" The lady pushed the ATM towards Yunho and batted her eyelashes cutely, waiting for the beep to inform her of a successful transaction.

Yunho nonchalantly swiped Hongjoong's black bank card at the terminal and pressed the confirm button. As soon as the machine made a cute "ding," the receptionist extended her hand across the table for Yunho to shake.

"I hope your Deep Dive experience is truly memorable, Mr. Jeong. See you on Friday."

[teencopandthesourwolf]

read on ao3 HERE

.

“I'm good, Stiles.”

Stiles thinks about the times when, all too often, he himself says I'm good in that particular way, and thinks about how it actually means everything in his life is currently lighting up like a dropped match landing in a trail of gasoline.

In the space of a single heartbeat, he knows he would somehow harness the contents of an entire fucking lake to dampen down that metaphorical trail for Derek, murdering the thought of that lost little boy playing Hide-Go-Seek in Derek's pale eyes.

Only he isn't about to start talking about things being on fire. Not to Derek, not ever.

Instead he says, “I always had this rule, you know, where I’d flat out ignore a problem and wait for it to—and I used to swear to myself that this would actually happen—” His lips drag themselves up one side of his face as he sweeps an arm dramatically through the drizzling rain and the pressing twilight. “—just go away.”

He then allows his arm to fall unceremoniously to his side, and the sound of hand slapping khakis rings out through the sparse and quiet branches of the preserve's stripped bare trees.

“Okay.” Derek says the word with an infinitesimal shake of his head, looking as if he wants Stiles to stop talking.

Thing is, if Derek wanted Stiles to stop talking he would say Stiles, stop talking.

So, Stiles troops on.

“And it kind of worked, a little bit. For a little while, at least. ” He takes a hit of chilly November air. Releases it slowly, enjoying the crazy plume of breath-smoke it creates. “Until I met you,” he shrugs.

Derek blinks and it's a betrayal, giving away his hard-won secrets.

Stiles briefly wonders who else—who left in the world—would know this about the werewolf standing opposite of him. Stiles doesn't need to be a ʼwolf to know this stuff, not when it comes to Derek Hale.

He tries not to look at Derek's lips when Derek licks them before asking, “What are you talking about, Stiles?”

“Magick,” he answers, his feelings and other things shifting underneath the layers of his skin, crackling away like a hundred tiny Roman Candles traversing his bloodstream and manifesting as gooseflesh.

Rolling his hoodie sleeve, he lifts a cold hand between the two of them and allows a miniscule fraction of whatever beats like a heart at the earth's core to flow up through the ground and into his feet and up his legs and down an arm, warm and thrilling, to then spring free out of his right palm.

A small sphere of pure light around the size of a tennis ball now glows about an inch above his hand, kind of like an oversized firefly—and just as alive.

“Cool as fuck, huh?” Stiles mutters, basking in its incandescence, super-proud of himself. Then he gets to his point. “Deaton showed me how to harness my spark, yeah? But I would never have found it in the first place, if you hadn't followed Scott and I into the woods that day.”

Derek blinks again. His jaw ticks like a clock.

“Stiles, that's a little like saying one, two miss a few, ninety-nine, a hundred,” he deadpans, and Stiles can't help but bark out a laugh.

Then he steels himself for one anticipatory moment before daring himself to take a step closer to Derek.

Derek stays put.

“Doesn't make it any less true,” Stiles shrugs.

Derek just stares at him for a moment, before peering down properly at Stiles's little orb, for the first time since Stiles summoned it.

“You've been practising,” he says simply, his eyebrows doing their thing.

He's now staring at Stiles's effort as if he wants to sink his fangs into it, like you would a quarter to test if it's real.

“Is it freaking you out?” Stiles asks.

“No,” he answers flatly. “I think it's cool as fuck,” and he looks up at Stiles like he might want to keep looking.

Stiles wants him to never stop.

“Then here, you can have it,” he says.

He takes another step closer to Derek.

They are toe to toe, now, and still Derek doesn't bolt, nor pounce, nor warn Stiles off.

So, Stiles—really slowly—reaches for Derek's hand.

Derek lets him.

Stiles then transfers the light to Derek's palm, cupping his hand around Derek's to ensure it keeps hovering there. He directs their hands to Derek's chest, stopping right over his heart and flattening them both there, he and Derek watching as Stiles's spark dissipates into Derek's body, leaving behind a few wispy tendrils of light that Stiles guides back into himself with a couple of waves of his free hand.

“Now, whenever you're good, I can be right there being good with you, even if I'm not around,” Stiles says, and then he hopes and hopes when he asks, “Is that okay?”

Derek smiles, and it's the first truly happy-looking smile that Stiles has been privileged enough to witness blooming on that beautiful, beautiful face of his.

“It's better than okay, Stiles,” he says. “It's magick.”

.

unedited, soz! this is for @dontcallpanic (pip knows why) <3

.

...edited version now found HERE on ao3 :)

[stoopidpigeonxx]

⋆˚｡⋆୨✧୧˚ 𝑶 𝑪𝒂𝒑𝒕𝒂𝒊𝒏, 𝒎𝒚 𝑪𝒂𝒑𝒕𝒂𝒊𝒏. ˚୨✧୧⋆｡˚⋆ (PT. 2)

OKOKOK I MADE THE PART TWO PLS STOP YELLING AT MEEEE

NSFW under the cut. MDNI.

Characters/fandoms: Captain Curly, Mouthwashing Content warnings: Smut, obvi, p in v whatt, curly being a SLOPPYYYYY eater, praise (from you and him), boobs, tits even, curly being 𝓯𝓻𝓮𝓪𝓴𝔂, alot of dirty talking, etc. Our boy curlys a bit of perv.

-Manners? What manners?

Curly is a, what do you kids call it... a munch? Yes. If he goes down on you, and he most likely will, he will be SLOPPY with it. I'm talking drooling all over your cunt, licking it from top to bottom, shaking his head side to side and pressing wet kisses to your clit. It's ironic, really, since he's so polite in and out of bed, but he doesn't really care about a mess if it means pleasuring you. What's a little mess? Sheets can be washed.

"Sorry *kiss* about the mess, sweetheart.. *kiss* can't *kiss* help myself."

-Beautiful tits. And rack. Love it.

When asked the question 'ass, tits or thighs,' he's gonna pick tits. He's a titty guy. Sure, your ass and thighs are nice too, and he gives them an equal amount of love, but nothing can beat the feeling of shoving his face into your boobs when he's thrusting in and out of you. It has something to do with hearing your heartbeat and how fast it is, but mostly he just likes suffocating between your twins. And if he's particularly stressed, he'll just set you on his desk and lift your shirt up and go to town. Sucking, squeezing, rubbing, all that. His favorite stress balls. And god forbid the day you get nipple piercings... He's mindlessly playing with the metal with his teeth, enjoying the feeling of the cold brass on his tongue. You'll have to wear bandaids. (which he'll apply, apologizing profusely.)

-Praise me for sin.

Call this man a good boy and he's whining and shaking. It goes both ways with him. He loves getting praised, and he loves praising. A few of his favorites.. "You're doing such a good job." "Look at you, taking everything like a champ." "God, you're gorgeous." "Good girl." "You're so pretty, baby.." "Atta-fuckin-girl." He knows you fold every time for that kind of talk, so he makes sure to say at least one while you're getting naughty. On the other hand, some of his favorites to hear.. "That's a good boy." "Thank you." (Manners.) "I love you so much." "You're too good." "Fuck, that's good." Hearing how good of a job he's doing is only fuel for him to keep going, and gets him hard as a rock. So, use that mouth. (Unless its occupied, wink wink.)

-He babbles when he comes.

When he's right on that edge, he goes a bit dumb. You feel so warm and good, and he's so fucking close, and his brain just loses all ability to form coherent thoughts. So he just mumbles whatever comes out of his mouth in that adorable whiny subby voice. (You know the one.) "Fuuuuck too good too good too good.. baby.. g'na make me come, coming, coming." Or just a chorus of 'yes' over and over. Its really cute because he tries to be quiet with it, but his brain is so broken that he can't control his volume too well. He has to shove his face into your shoulder or a pillow to muffle himself so the crew doesn't overhear.

-Can't stop, won't stop.

Will not give up until you come, no matter how sore his cock is or how cramped his legs are. He wants you to come as many times as possible before the night is over, and he's willing to overwork himself to achieve that. You've told him its okay, but he doesn't really care. Feeling you clench around him and ride out your orgasm is the best thing he's ever felt, so he's gonna have you coming at least 3 times each session. Unless, of course, you're begging him to stop since its too much. He'd never want to hurt you. He'd pull out and lay with you for a while and let your body calm down before starting up again. "Take it easy, angel. I'm right here. It's okay, you're doing so well." (Why does his dirty talk sound like him coaching you through birth?? 😭)

[3amfanfiction]

Thinking about a ghost who keeps his mask on because the face is the hardest part to keep human.

When he first came back he would spill out of his flesh at the slightest stimuli. A breeze had three arm-like protrusions erupting from his back. A dog bark resulted in his torso splitting vertically down the middle from his shoulder to groin. When he stepped on a stick and it cracked he lost his shape completely, sharp spikes ricocheting out of his body at random, elbows bending backwards before 5 hands grew out of his arm, head showing only teeth.

He’d come a long way since then.

It was slow work, learning how to control it when his body didn’t want to maintain its shape. Trial and error left bodies in his wake—people terrified of this thing walking around that looked like a man only some of the time. And we all know how scared people react.

It took time but he did it. He mastered it. All of it.

Except for the face.

His face had a habit of dropping its skin at a moments notice. Someone coughed and you could see how his back molars rested against each other, his cheeks disappearing.

Or the shape would morph. Nothing too dramatic but his nose would shift an inch to the side while his tongue stretched like hot taffy spun between hooks.

So he started wearing a mask to hide it. He had a job to get back to—a new team to meet and he couldn’t afford to waste any more time with this. Covering it up seemed the best option.

So he went about his life, starting with the 141. He fit like a glove and they never pressed about the mask. It was perfect.

Until the day one of them saw. An enemy had gotten too close, their knife made quick work of the fabric before ghost broke their neck. When he turned around it was gaz watching him—watching the way his teeth shifted to points before disappearing completely, leaving gaping, bloody holes in his mouth, watching the way his lips would peel back in a Glasgow smile before restitching themselves.

Ghost had come to expect the screams, the way people would ward him off like he was some demon, the aggression that wasn’t very far behind.

So when all gaz said was just a sec, lt, I have a spare mask in my pack just in case, after a quick double take, ghost was floored.

Where was the cursing and screaming and crying?

But gaz acted like it was just another day, pulling out the spare mask he’d stuck down in his pack ages ago just in case it was ever needed, handing it over to ghost once he shook it out.

And ghost waited for the other shoe to drop. 30 seconds, 5 minutes, 2 days—nothing. Gaz just didn’t care. He didn’t bring it up or make innuendos about it. It was business as usual.

And for the first time ghost felt like he might belong. That the 141 just may be the home he wasn’t aware he was searching for.

Now to break it to the other two. He bet he could make soap scream if he played his cards right.

[nodutra19]

I'll be damned if I said I understood this series, but I'll throw something in about what Kanba sharing the apple with Shoma means. As stated, this series is very much about love.

Now I ask you, what love is there in a world that puts continuous prices on human lives, as Sanetoshi and private health insurance do throughout the show? What love is there in a cult?

In short, I think the apple is a collective love.

We're often raised with the notion of "Blood is thicker than water." But really, it's "The blood of the covenant is thicker than the water of the womb." What it means is, the connections you choose to forge say more about you than the ones into which you were born. But it's also more complex than that. What you're born into shapes who you are and even what choices you make. Oftentimes, people who were abused as children will go on to abuse other people. And yet there are also many people who were raised with loving families who still go on to commit terrible things, and there exist many who are the inverse, people who were raised by terrible parents who still choose to do good. It's both true that we are molded by our surroundings, but we still make choices at our own will (if we ignore the extortion and violence of poverty).

We love to say "Disturb the comforted, comfort the disturbed," but the truth is we are all mixes of it. I'm NB but I was still raised a dude. I had to work out a lot of what I had been taught. And while I never physically harmed anyone, I still feel some dread and culpability hearing what women go through. As sympathetic and understanding as I am, I'm not beyond reproach. I "get it" from an outsider's perspective. I can still relate to anyone regardless of category, but I also must keep in mind how different experiences can be. I was still raised with the comfort of not being sexualized as a child, as little girls often are (obviously boys still face SV, I'm just saying that the experience isn't the same). I still get disturbed in a particular way when I watch something like Revolutionary Girl Utena or Moral Orel, because these are things I don't personally face. Even though I don't commit terrible acts like Akio and the residents of Moralton, I still have to confront these things in order to participate in its dismantling. I still have to reach out. The sacrifice is my comfort and previous understanding in order to grow as a person and help and understand others.

There's a fundamental contradiction to the human condition. The Takakura parents were seemingly normal and almost texbookly loving, and yet they were part of the Kiga group, and Kenzan went on to commit an act of terror.

This "comfort" I had, the "privilege" of more than likely not facing SV if I were to take a walk out at night, also comes at a "price": I had to conform to the ideas of "boy" and "man" which did nothing but stifle me.

I think the apple represents unconditional love, a Tolstoyan love, one not bound by personal biases. Tabuki had to conform to his mother's idea of talent, intelligence, while Yuri had to conform to her father's idea of beauty. But of course, these are all impossible standards set upon fluid, abstract concepts. They are inherently inhuman ideals born not from a love of humanity but the exaltation of a non-existent archetype, of a past that never existed, hence the dealing with the economic crisis.

Sanetoshi doesn't hold a gun to Kanba's head but he still extorts him to do his bidding, to carry out another cycle of violence for a fiery cleansing of the world. Sanetoshi permits Himari to live not because she is human, but because someone is willing to work for him in exchange. No one in this society is given that unconditional love. The condition is you must conform to the cogs which make the system turn.

Kanba asked nothing of Shoma when he split the apple and handed the other half to him.

A child is born with no state of mind Blind to the ways of mankind God is smilin' on you but he's frownin' too Because only God knows what you'll go through You'll grow in the ghetto livin' second-rate And your eyes will sing a song of deep hate The places you play and where you stay Looks like one great big alleyway You'll admire all the number-book takers Thugs, pimps and pushers and the big money-makers ---The Grandmaster Flash and the Furious Five

For as self-centered as children are due to their very nature, they're still purer, in a sense, than most adults. I've always had anger problems due to the environment in which I was raised, but people still call me empathetic and caring, because I still make that effort. Kanba made a grand gesture by offering Shoma the apple. It shows he cares. And there was no condition to it. Kanba asked for nothing in exchange. He saw a human being in need of help like him, and when he was blessed, he decided to share. As horse-girl-anthy writes, Kanba would later go on to resent Shoma due to the fact Shoma had such a loving family and yet Shoma disowned his parents upon learning of their original sin. Kanba, the orphan taken into the Takakura family, resented how Shoma disowned them because he saw it as ungrateful and selfish because Shoma possessed that of which Kanba had been dispossessed. For as illogical as it is, you and I can't fully blame him. We understand where he's coming from in spite of the Walter White of it all with his trapping and strapping.

There are many differences between them as little children and as we find them as teenagers in the show, but one of the main differences is that neither one of them had been shaped by society yet. That's why Shoma leant a hand to Himari, why Momoka leant a hand to Tabuki. We're told we're inherently selfish and cruel. I'd say humans aren't any one thing, neither inherently good nor evil. To subscribe to any essentialism is to erase any collective responsibility we have about the world and for each other.

I still have trouble understanding the sins of the father current of the series, but I think the ultimate punishment in life is how finite our existences are.

"Whenever I start thinking of my love for a person, I am in the habit of immediately drawing radii from my love - from my heart, from the tender nucleus of a personal matter- to monstrously remote points of the universe. Something impels me to measure the consciousness of my love against such unimaginable and incalculable things as the behaviour of nebulae (whose very remoteness seems a form of insanity), the dreadful pitfalls of eternity, the unknowledgeable beyond the unknown, the helplessness, the cold, the sickening involutions and interpenetrations of space and time." ---Vladimir Nabokov Speak, Memory

No matter what we do, we'll die. Death is the one guarantee in life. The greatest irony of life is the intensity with which we love, with which we burn, and yet it will all turn to vapors and disappear. We construct things like God in order to give our suffering meaning. But we also imbue God with our authority. God oftentimes becomes a thought-terminating cliche and ad hoc justification. But atheists also have similar mental workings, hence why the atheist movement in the U.S became reactionary after 9/11.

For as much as Sanetoshi talks about the cruelty of the world, for as right as he is to bemoan businessmen and the cogs of society, he is not a solution in himself. Atheists have a point in criticizing Christians and Christianity, but they fall into the same trappings. The Christian man says women belong in the kitchen because God decreed it so. The atheist says women belong in the kitchen because she has a womb. Both, in spite of their seeming opposition, believe in capitalism and complimentarianism and other institutions.

I think this is why Kanba ended up going Kiga rather than Shoma. You'd expect the biological son whose parents participated in the original incident to go that route, but no, it was Kanba. Everyone is fighting against the cruelty of the world and life itself. The core struggle is finding meaning and love. But we all suffer the collective punishment of death, of eventually turning to ash. We just also live in a world filled with inequality and alienation.

Shoma felt responsible, because as a descendant he kind of is. What his parents did is his cross to bear. But he's the one who made Himari a Takakura. The Penguindrum ended up being the siblings' bond. This means what they had to sacrifice in order to keep Himari alive was the end of their bond. And yet in spite of that, in spite of the fact that they no longer know each other, a remnant remains, a spirit of their love. That's why the stuffed animal remains. The sacrifice was hard and unideal, but Kanba and Shoma truly cared for Himari. The true test, the true exhibition of their love, of their sharing of the apple, was sacrificing their bond in order to give her a normal life. There is no exchange there. There is no reward. They wanted to lift the curse of their parents and paid the price. And yet even in that do-over, Himari feels the spirit of that love, hence why she cries.

She feels love beyond a death she knows nothing about, a love that transcends space and time. That's the pure love we all seek. Kanba sharing the apple was the start of this. I think that's why that scene isn't revealed until so close to the end. It's meant to be paralleled.

I hope I made sense, My mind has been sloshing with this series, so I hope I managed to give my thoughts some sensical form.

Night on the Galactic Railroad, or the Apple, the Scorpion, and the Stars

From a series on Mawaru Penguindrum’s literary influences.

This place is cursed with spoilers.

Night on the Galactic Railroad (1927) is a novella by Kenji Miyazawa. It takes place in the fictional fairy tale country resembling Italy. There, on the night of the annual Centuarus Festival, two boys, Giovanni and Campanella, are whisked away on the titular Galactic Railroad to tour the heavens. While on this journey, they confront the nature of human connection, transience, and sacrifice. At the end of the story, Giovanni and Campanella part ways. Campanella was on the train because he drowned during the festival and was on his way to the afterlife, while Giovanni, still alive, was allowed on the journey with his friend.

Mawaru Penguindrum specifically seems to be influenced by the 1985 anime adaptation directed by Gisaburo Sugii. It’s a faithful adaptation, but it plays up the story’s somber parts. The darkness at Penguindrum’s core seems borrowed from this version of the story rather than the original. Shouma and Kanba resemble Giovanni and Campanella as realized in this version.

Giovanni (right) and Campanella (left) on the Galactic Railroad.

Like Giovanni, Shouma is associated with the color blue and has a sensitive, demure personality. Like Campanella, Kanba is associated with red and is determined, distant, but ultimately devoted to his friends. Unlike NotGR, however, Shouma and Kanba depart together at the end. It seems to me as if Ikuhara has dwelt on the sadness of Giovanni and Campanella’s parting at the end of the original story and, in Penguindrum, created a version where they could be together in the end. Penguindrum also explicitly references Kenji Miyazawa in its first and last scenes. Near the beginning of the first episode, a pair of children are walking out side the Takakura’s home discussing what the apple means in NotGR. You can tell because they mention Campanella and someone named Kenji - the novella’s author Kenji Miyazawa. This exact conversation repeats in the final moments of the last episode, but this time the boys have Shouma and Kanba’s hair colors and the audience follows them as they keep walking into the stars.

THE SCORPION FIRE

Night on the Galactic Railroad also contains the explanation for that scorpion metaphor! A lot of people get stuck on this - Kanba is referred to as a scorpion several times throughout Penguindrum, and allusions are made to him burning up. This is actually direct reference to NotGR, where the story of the burning scorpion exists as a fable told to the main characters as they’re on the train. You can see it in this clip:

“"My father told me its story: A long time ago in a field there lived a scorpion that ate other bugs by using its tale to catch them. Then one day he found himself cornered by a weasel. Fearing for his life, he ran but could not escape it. Suddenly, he fell into a well and, unable to climb out, began to drown. He started to pray then, saying: 

”‘Oh, God. How many lives have I stolen to survive? Yet when it came my turn to be eaten by the weasel, I selfishly ran away. And for what? What a waste my life has been! If only I’d let the weasel eat me, I could have helped him live another day. God, please hear my prayer. Even if my life has been meaningless, let my death be of help to others. Burn my body so that it may become a beacon, to light the way for others as they search for true happiness.’

“The scorpion’s prayer was answered, and his body became a beautiful crimson flame that shot up into the night sky. There he burns to this day. My father was telling the truth…”

From Night on the Galactic Railroad, translation by Julianne Neville. 

The fable of the scorpion fire is about sacrifice. The scorpion, who lived his life as a foul predator, faces something more powerful than him - the inevitability of death - and regrets that, after a life of heedless consumption, he couldn’t die in a way that aided the proliferation of life. The gods hear his prayers and set him on fire, turning him into the red star Antares, heart of the constellation scorpio, whose light aids life. 

From episode 12. Kanba offers his life to the Princess of the Crystal’s in exchange for Himari’s and, due to the purity of his sacrifice, it is acceptable. Unlike later on in the series, here Kanba is exhibiting the true nature of sacrifice.

This fable gives insight into Kanba’s motivations but not his actions. While the scorpion discovers his kinship with all life, Kanba is rushing headlong towards a sacrifice that nobody wants but him. Kanba views himself as a predator and wants his final, massive act of predation - the terrorist attack - to lead to some concrete good:  extending Himari’s life. His role as a man of action rather than a man of reflection (Shouma) binds him to Sanetoshi’s will, which offers a convenient means of achieving his goal. But those outs don’t exist in the real world, and these justifications can’t be made ahead of time. Shouma knew this and Kanba should have known. Maybe that’s why it’s Shouma, the brother with a more intuitive understanding of sacrifice, who bursts into flames and not Kanba, who fades away. Kanba’s identification with the scorpion represents misguided, emotionally selfish sacrifice - egoism - while Shouma, Ringo, and Momoka’s association with the purer flame represents true, transcendent sacrifice. 

From episode 24. Ringo casting the spell (“Let’s share the fruit of fate!”) and subjecting herself to the scorpion fire. 

THE APPLE

There’s a scene late in the novella where Giovanni and Campanella encounter some people who died on the Titanic. The trio consists of two children and their governor, who allowed them all to die to make room for more people on the lifeboat. These people tell Giovanni and Campanella about the scorpion fire, and this is also where apples come into play. A lighthouse keeper, traveling down the train, gives them some apples, which they disperse amongst themselves. The film actually makes it so that the flocks of birds that they see flying outside the windows turn into the apples - something that wasn’t present in the original story. Apples as a metaphor for live sacrificing itself for the sustenance of more life seems to originate here, since that wasn’t tied to the apples in the original story. 

Christianity, apples symbolize knowledge and defilement. NotGR however, reclaims that image. Here, they represent people understanding their limitations as individuals and accepting community - and the necessity of making sacrifices for humanity’s greater good -  as a way to make up for their flaws. NotGR stresses over and over again that people value humanity or some abstract conception of “life” over themselves, and that this path leads to profound spiritual contentment. Penguindrum borrows this idea and the apple symbolism wholeheartedly, but emphasizes valuing one’s interpersonal relationships as a proxy for loving all life. 

From episode 20. Himari reinterprets the biblical Fall of Man as a good thing because it allowed humanity to experience connection and joy, however transient, alongside pain. 

One of the biggest mysteries left in Penguindrum to me is what Kanba sharing the apple with Shouma represents. I know what happened between Shouma/Himari and Kanba/Himari. Shouma brought the abandoned Himari into his family and Himari brought Kanba into the family after his father’s death. But what happened between Kanba and Shouma? How did Kanba have to save Shouma by sharing his fruit of fate? It’s left purely abstract - Shouma and Kanba were starving, Kanba shared his fruit, and both were saved by the gesture. Maybe Kanba helped Shouma by being assertive and dedicated in situations where he wasn’t naturally inclined towards that? Like Giovanni and Campanella, Kanba and Shouma have complementary existences. Giovanni couldn’t exist on his own without adopting some of Campanella’s traits, while Kanba and Shouma, although they acquiesce to each other a bit, ultimately reaffirm their paired existence. I opened this up to discussion with some people on twitter and Bryan Baxter suggested that the two boxes Kanba and Shouma are in during episodes 23 and 24 are their mothers’ wombs, and that by sharing the fruit of fate they became spiritual twins (they were born on the same day). Yoni Linder suggested that Kanba helped Shouma survive the KIGA group’s brainwashing when they were children. It is odd that Shouma, the Takakura actually born into the cult, is the one least susceptible to it.

The idea that there’s something beyond what we consider life is central to NotGR, which uses Christian imagery and often seems overtly Christian in its themes. Kenji Miyazawa was a devout practitioner of Nichiren Buddhism, but like many Japanese people his life was saturated with Christian imagery and scraps of biblical scripture. Christianity exists and is portrayed positively in NotGR, but neither Giovanni nor Campanella seem to be practitioners. When Giovanni and the children get into an argument over whose god is “real,” the tutor reconciles them by raising the possibility that their gods are one and the same and reminding them that the point of religion is true faith in what you believe. NotGR is thus a neutral but positive synthesis of Christian and Buddhist images towards a more generically humanist message.

“"And who says he’s the real God? I’ll be he’s a fake!”

“How would you know? Maybe the God you believe in is the fake.”

“No! He’s the real one!”

“Then tell me, what kind of God is your God?” asked the young man with a gentle smile.

“Well… to be honest, I’m not quite sure… but I do know he is the one true God,” Giovanni replied.

“Of course he is. There’s only one true God.“ 

"And my God is that one!”

“I agree. I can only pray that the two of you are seeing us off before that true God now,” the young man said, clasping his hands together. Kaoru also clasped her hands together.

Everyone was sad to be parting, and Giovanni was about to burst into tears.“

From Night on the Galactic Railroad, translation by Julianne Neville. 

Over time, it becomes clearer and clearer that one of the railroad’s purposes is to deliver people to the afterlife, two of which are represented by giant glowing crosses. "Dying for love” thus means something more concrete in NotGR than it does in Penguindrum. There’s an actual reward for doing it - entrance into heaven. The same isn’t true in Penguindrum, where the existence of an afterlife is much more abstract. Sanetoshi and Momoka were humans with some supernatural powers who died and became ghosts, but that form of afterlife seems much more a curse than a reward. In the last episode, Momoka vanishes from this world for good through some sort of opening, but exactly where she goes is unknown. Penguindrum’s final shot is of Shouma and Kanba, having died for love, walking into the stars. While characters do allude to god, the show as a whole seems nonreligious, more concerned with taking the aspects of stories it deems meaningful and applying them towards a new, secular humanist message. Here, god is synonymous with fate, chance, or destiny - the circumstances outside human control that one is subjected to and dictate life. So what is Kenji saying? I think he’s saying that humanity’s survival up to this point has been due to our ability to love each other, to willingly sacrifice for the greater good, and that this is the foundation for human existence. That's where everything really begins. 

[palesweetscherryblossom]

Prince Hawks info dumping

Warning: Possessive and abusive behaviors. Hawks threatens to murder your dad, blackmail. -Hawks was everything one could want in a betrothed. Strong, handsome and utterly loving -You and Hawks had met during a ball and it was love at first sight for him -Being the confident and Casanova figure he was, Hawks made quick work of making his move on your heart. -He waltzed with you, showed you how he worked with the raptors since he was a falconer. But you weren’t that placated. -Instead you bid him goodnight and walked away to your family. -But Hawks doesn’t give up easily -So, he tried everything to court you. Gifts, glamorous dates and everything your heart could want -But for some reason, it didn’t placate you. You looked at everything he gave you with an awkward grin or even exasperation -Of course Hawks didn’t understand why his pretty canary wasn’t satisfied with everything he did. -He took notes about all the things you adored and admired! He didn’t employ informants to spy on you just so you could reject his efforts! -His heart shattered into a million pieces when you gently rejected him, stating that you didn’t have any attraction to him. -“I-I’m quite sorry Lord Keigo but I’m just not interested in that sort of thing right now.” -Keigo never liked playing dirty but you just had to force his hand! -Your family was in debt to Keigo’s kingdom, your father was a poor lord who was at a loss. -He often dreaded seeing Keigo’s men come to his crumbling estate and bug him about the debts he owed. -But Keigo came to him with a solution, a stupidly simple solution. “I could give you way more than this and all your debts will be forgiven if you give me Y/N’s hand in marriage. If not I’d hate to get my hands dirty. It’d be a shame if Y/N didn’t have her father to walk her down the isle” -Everyone heard your heartbroken cries as Hawks’ men dragged you away from your room. -Your father stood by weakly as Keigo shoved a wedding invitation into his pocket as he went to go join his fiancé. -The joyful wedding planning and happy gossip of the castle and Keigo’s kingdom made you sick -He kept you locked up in a beautiful tower, catered to your tastes. All gifts reminiscent of your hobbies reminded untouched. -The only time he let you out was for wedding planning and for dinner. -You hated how he held you, kissed you tenderly and nuzzled your neck. You hated how Hawks acted like you were nothing more than a bratty child. -You let out a cry of anguish that was mistaken for joy when you saw servants prepping a nursery one night. -One night, a bird black as night had accidentally ended up in your tower. -It appeared dazed and confused and you couldn’t help but offer your gentleness and care to it. -You stroked its downy feathers from the rain, fed it some of the fruits that Hawks had generously sent up. Then the next day, it was gone.

-It wasn’t till the night before your wedding that you finally saw the bird again. Except downy feathers and gentle eyes were replaced with deep black hair, gnarly burns and enchanting blue eyes

“So you’re that pompous prince’s canary in a cage, eh?”

@gh0stgirl333

[animeshotsh]

Chubby Love | Various x Chubby!Reader

Summary: Sinners comes in all forms.

Warnings/notes: Chubby!reader - Mentions of insecurity - Reader has a body type - Reader sinner form is described!! - grammar mistakes -

Lucifer

He falls hard and does fall for real.

He was flying around, trying to clear up his mind when he noticed you. Your round cute form looked squishy from above, he took notice of your two reptail tails and how some other sinners seemed to be about to attack you.

In other times he would not care, but he decides to go down and put some orden.

Only to find out you are really badass and used your two tails to trow away these lowlifes.

Satan you almost hit him too.

And then he believes he has died. Because your suprised and blushed face greets him as you apologies to the king of hell himself for almost hitting him.

Him? He is in cloud nine. Please, he loves his S/O bigger than him, by all means hurt him, he is sure lust has made its away over him.

But no time for it!! He must be a gentlemen and says its alright then offers you help with your things.

And from there is all a love story. Lucifer is a gentle lover and a slow one. While he likes you he wants you to feel safe around him first.

His flirt is subtle yet noticianble so no one dares to try and get you.

When you two start to date this man is in cloud nine. He will hug you all the time, pressing his hands on your sides (asking if you feel ok with it) leaving kisses on your tummy and cheecks.

If he ever sees you feeling down then he is there to say the most cheesy yet loving things about you. Its not only your physical apparence but all of you. Your voice, personality, hobbies, likes...he could make up a song and play it for you.

Alastor / Cannibal tendencies

Listen. Alastor is cruel and actually likes big sinners because its more flesh. Its pure luck you meet him at the hotel where he cant hurt you.

But, heavens you have him salivating from time 0.

Your sheep like sinner form does not help. All that wool around you its making feel like a predator, eyes dark and theeth sharp.

Its only when he ends meeting you for real and having to pass time with you that his desire to eat you leaves.

His desire is different now. He cant put it in words but he cares about you. And only you.

His shadows are more open and will go after you to play with your hair and pull your wool. Hell they would even cuddle.

Alastor insists its them being them and will have a hard talk later.

Not that he dreams he could lay his head on your tummy and feel your soft wool. Nono, of course not!! Or how he wishes he could try just a bit of your flesh.

You would be part of him forever, right? Well he sees it that way.

Protective like hell. This man is know for being an ass to everybody so he wont let anyone be that to you.

No one will ever think on being that with you, everybody fears him.

Vox does a side comment about your body and his place gets attacked by a full form Alastor who does not kill him yet but does leave him pretty much hurt.

Vox

You probably work for him, having robot part did help you get the job. Plus you can turn yourself into a full ball and pretty much crush anyone and also go fast to pass messages that cant be trusted online under the risk of hackers.

Vox trust you so much and honestly never looked too much into how more or less chubby you are

You do your work well, amazing and he trusts you so much.

He would probably notice he is falling for you because of how you seem to appear in his records over and over.

Its not shy to ask you out and is rather direct about how he wants a serious relationship with you.

Stolas / Not married /

Imagine a big colorfull bird, with six eyes and two pair of wings.

Thats you.

Stolas falls hard. He meets you during a gala and does a double take when he sees you pass.

Its going towards you in seconds. And starts talking and falling over his words. Its only when you laught that he seems to relax.

Then he hears whispering from Stella and her friends (god he is so glad he was able to get out of that compromise). Turns to you to see you looking sad but trying to play it cool.

Decides to take you to a place with less peopel and asks his trustful servants to get him the best alcohol.

You two end talking and just talking, you open up about sometimes feeling bad because of what other says and how society expects you to be a centrain way.

He also opens up about his own insecurities and so you two bond.

You two start as friends but soon start dating. Its a fluff and soft relationstip. Stolas loves to show you his magic and also gets you the best clothes in the nine circles.

He is a cuddle monster and will pass all morning hugging you.

Getting his garden bigger and bigger its your favorite activity, you two can relax and be yourselfs.

Charlie x Reader x Vaggie / Platonic

Charlie meets you in the streets after a bad date. You have been crying a lot and its notable.

She asks you if you need help and offers you to stay ar the hotel with her and the rest.

Charlie knows you stand out, its not only your shape but also how colorfull for a sinner you are, while you are shy and quiet.

Vaggie also opens her arms to you. Maybe its her angel self looking out for you, but she just loves how you are.

Its normal to see you with Charlie or with her both inside and outside the hotel.

Husk

Dear satan Husk is lovesick the moment you walk inside the hotel.

Blames it to your mouse atributes and his own more like sinner form then accepts he is most likely bad heads for you.

Dating you its easy. He is actually an easy partner. Loves to cuddle and wrap his wings around you whenever he can. Whispers the most sweet thins so only you can hear. And when he can, he likes to tangle his tail with yours.

Angel Dust

Oh him....he sees you and says FUCK out loud.

Because DAM you do rock.

Maybe you dont think it yourself, but Angel tells you how sexy you are and dies inside seeing your blush.

Dies more if you flirt back.

Loves to use all his arms to hug you and pull you for kisses. When you two are in the open one of his hands will be on you.

~~~~~~~~~~

[crimson-and-clover-1717]

Jeff the Accountant breaks my heart. He’s born of such hope and innocence.

Accountant is the standard no-one-asks-you-any-questions-stock-answer-at-parties career answer. That’s partly the joke. But that isn’t why Ed says it. Ed’s in earnest. He thinks ‘accounting sounds fancy as fuck’. Genuinely. And his audience includes an aristocrat called Antoinette who asserts one should just ‘inherit money like a normal person’. She calls embezzlement ‘grubby’, not because of the morality issues, but because it’s having to do something for money. What must she think of working for a living?

Ed must figure these hoity-toity folk value money, so if I say I work in accounting, it’ll sound impressive. Instead he sounds like staff gone rogue.

Compare to Frenchie who wonders what the heck Ed’s thinking, and gets how to play the game. Go high! Crown Prince and Viceroy. Although Olu and he only get away with it because they’re working the sidelines and appealing knowingly to baser instincts. They have the upper hand because of Frenchie’s savvy. And of course they do receive racist comments despite deflecting class jibes through their elected personas. Ed doesn’t escape either ‘sin’.

Ed goes as high as he dares, which is professional middle class. And he likes the name ‘Jeff’, so that’ll do. No last name though. It’s as if he doesn’t have the schema or self-esteem to dream bigger.

It’s incredibly… pathetic. And I mean it in the poignant sense. Of course it all goes horribly wrong because it was never going right. Antoinette was always waiting to tell ‘Jeff the Accountant’ that he was going to ‘bore us to death’ once they’d had their fun. But he probably could’ve said he was Pharaoh himself, he was never going to win the approval of this particular set of white folk.

Objectification: the racism towards ed

In a way, though, there’s something so incredibly unspoiled about Ed here. ‘Jeff’ comes across as unworldly despite his anecdotes and japes, and misguided, unkind ridicule of Stede. Ed thinks he’s winning the interaction. Like a child who doesn’t realise the adult is deliberately letting them win; not in this instance though to build self-esteem, but rather to make the denouement all the more terrible when they finally turn the tables.

Ed has a recurring motif of not understanding what constitutes laughter. He does hear it correctly in this instance, but he cannot interpret that it’s mocking, othering, and not inclusive. And Ed only understands Gabriel’s tone quickly at the table because of Stede’s coaching.

It’s heart-wrenching that Ed thinks he’s accepted because there’s laughter and attention. That personhood is that easy to acquire in the eyes of those who have seized the power to decide its criteria and application.

[hoe4hotchner]

Bit of a fic idea (not necessarily a request). But what about a friends to lovers with Aaron Hotchner? Like they've been friends since childhood, she's a few years younger though. She was in the drama club with Hayley and is the reason the 2 met and she was the best woman at the wedding. But she's had a crush on Aaron for the longest time,t though always dismissed it as she valued the friendship more. She's Jack's godmother and is there for Aaron whenever he needs. She is a Sargent in the Marines, so gets the long hours Aaron does. She was deployed when she got the news about Hayley being killed by Foyet and rushed back as soon as possible. She didn't take another mission for a while after to be there for Aaron. Further down the line she considers maybe telling him her feelings but he starts dating Beth so she doesn't. Eventually she starts dating a guy in the army and Aaron is jealous though is in denial about why. It is only after Beth and him break up and he hears that readers bf might propose that he fully snaps out of his denial and confesses his feelings

That's such a good idea!!!! 💕 I don't know if I'll write the full thing one day but here's 1/2 and essay worth of thoughts I have about the concept!!

I imagine it would be even more heartbreaking and kind of a slow burn if you and Hotch knew each other before the drama club meeting with Haley. Like maybe you lived on the same street as kids and played together every day. And without realizing it back then, you were always meant to be together, because you just completed each other.

You would be a little jealous about Hotch starting to date Haley and eventually marrying her, as you had thought it would be the two of you one day. But since you value the friendship so much, you don’t mention it to him, just wanting him to be happy in the end.

The wedding especially hurt to be part of for you, but you pull through, keeping a smile on your lips as you attend, give your toast, and do everything you can to help. Hotch is so thankful for your support during the wedding.

You’re ecstatic when you learn about baby Hotchner, and when Jack comes into the world, you’re the first person he calls, seeing you as more like family than his blood relatives. And it might be the best day of your life (at the time) when Haley mentions they’ve been talking about godparents and then asks if you want to be Jack’s godmother.

When you start realizing that you’ll never be truly happy as long as you’re around Hotch almost every day, you decide to join the Marines, throwing yourself into the work and quickly moving up the ranks. And when Haley dies, you’re, of course, sad for Hotch, but somehow you feel kind of desensitized to death and don’t know what to say. Still, you drop everything and rush back to Quantico to be there for him—not so much emotionally, but at least to help him around the house and such.

Life eventually finds its rhythm again, and even though neither of you ever speaks about that time, you can feel something shift in him. But then Beth enters the picture. You see how his face softens when he talks about her, how he starts looking ahead instead of behind, and you can’t bring yourself to disturb that happiness. You tell yourself this is what you want—that his happiness matters more than yours.

You didn’t expect to meet someone else, but that’s how life works. You didn’t think much of it at first, but there’s a comfort in his company. Aaron notices. He doesn’t say anything, of course, but you feel the shift in the way his gaze lingers when you mention your boyfriend.

And when he hears rumors of an upcoming proposal, he can’t ignore it any longer. He shows up at your door one night. For a moment, you think he’s come with good news, but he only stands there, jaw clenched, his fists tight. “I don’t want you to marry him,” he says, and then, “I—God, I should have said this a long time ago. You’re more than just my friend. You’ve always been more,” he admits.

And then you kiss, and it’s really passionate.

[theoddest1]

Regarding Alastor's backstory and how he rose to power in Hell... it just kind of feels out of character to me.

Because he's more like someone who puts in the work for what he wants, because it would feel more rewarding than just asking for it on a silver platter.

Now, I can understand him making the deal if it was around the time he first arrived in Hell and tried to rise up, only to get curb stomped by demons stronger than him and did worse things. And he makes the deal to feel in control again like when he was alive, that I can understand.

But the leak just... completely destroys Alastor's character AND his role in the story.

If I were to write his character, I'd make it where he never really asked for such things because the thought of asking anyone for help was absurd and breaks his already set idea of himself. [outside of the spirits, he asks for help and protection though he sees then more as tools than gods.]

To him, being a Fawn was completely out of the question. No longer will he be under someone else's egregious, yet sloppy, thumb. He pulls the reigns, and so he shall always do so. This also plays a huge part in how I believed he performed his radio host persona when alive.

"Amongst the people, I am the announcer, the charismatic showman, the one who provides the latest news and tales to tell. I have made the stage and set the standards so no man, woman, or child could ever hate or doubt me in a world made against people who look like me. So how, then, would I be touched? I am no ordinary man, I am their star in their night sky, and they don't even see me! Hah! All they see is tale after tale, horrors that they had no rhyme or reason to believe could bleed into their realities. Yet, without a single thought, the one who marks each harrowing inclination that rattles within is the one who made sure each drop of blood stained their perfect white cloth. Oh, how I LIVE for the spectacle, and they live for me."

This is how I viewed him. Meglomaniac, who is assured in his strength, who doesn't think he needs to make deals, or feel threatened when another powerful foe comes to face him regardless if he were dead or alive during this encounter [He is too assured of his self worth to care about what another strong enemy thinks of him]. He is all about being "alive" in the moment and in control. He does what he wants and sees no hope in his well-being, and with that, he manages to at least gain wisdom in being honest with himself. He knows he's a shithead and understands that what he has done was with no remorse or care because he gave up on being a kind soul long....loooong ago. Someone made sure to seal that fate for him. Why should he care what people think when he already has a stubborn viewpoint of himself? It is what it is.

EDIT: I forgot to add that I also made this one of major reasons for why in Hell he is made into a buck/deer. It is a reminder of what he hates most: an animal known stereotyped as docile, a perception he once wore before he turned to a life of crime. This form is a mockery of his ideals and his self-image.

But nah, the show instead has him as a piss baby spouting modern terms like a braindead Twitter user losing an argument over subjective material. He feels far more insecure and irritable, making whatever rule he set up about his smile feel more like cope rather than a well-rounded point. He smiles, yet his irritation and need to prove himself lessens its impact. He laughs, yet will turn around and cuss at someone all cause they think his name for the Hotel is trash rather than making a confident witty comeback. He asserts "dominance" but the way he does this is by using pure force alone and barely any mi d games, making it feel as though he isn't truly as clever or well thought out as he had hoped. Everything we have seen of him in the show destroys what little he had in the promotion of the pilot AND the pilot. He was more witty and charming back when Ed was still his VA on Hunicast. A true waste of a potentially well-made character.

[anim-ttrpgs]

More rambling On the subject of TTRPGs as a disrespected artform.

There’s a bunch of reasons for this disrespect being present that I could get into but I’m going to focus on the most relevant one to this topic: TTRPGs are helpless.

To explain what I mean I’m going to make a comparison to video games, or at least action-adventure type video games. Those have a lot of similarity to “trad” and “neo-trad” TTRPGs, which are nominally the most popular style of TTRPG (even though it seems like half the player base would rather be playing something else but again another tangent). Both of these are usually about protagonists using abilities to avoid or defeat adversaries and avoid traps and progress through a series of hazardous areas.

Video games are not helpless. They can assert themselves on the player. When you lose in a video game and you’re like “Aw no way, I didn’t want that to happen!” The video game can say “No, Mario fell in the pit, Master Chief got blown up by a grenade, Pac-man got caught by a ghost, you lose. According to the rules of the game, you have to try again from a checkpoint.” And you have to do it. The game forces you to start over.

In a TTRPG, if your guy gets killed and you object to that, the TTRPG can at most offer a weak textual protest as you or the game master flips the die over to a more favorable number.

Of course plenty of video games have cheat codes, hacks, mods, etc. that can remove that power from the video game to force you to follow the rules of the game, but not everyone has the knowledge or skills to use those, whereas everyone can flip a die over or just lie about the number. Plus, doing this is looked upon less favorably in the culture of video games than in the culture of ttrpgs. I mean, it’s in the name. “Cheat” codes. You’re cheating.

If somebody brags about how they beat Elden Ring with no deaths but then you mention that you hacked the game to give your character infinite HP, people will go “hey wait a minute,” but if you brag about how your character was so badass when they defeated a hundred cultists at once in D&D5e, because the DM kept saying the cultists missed every time the rules say they should’ve hit and you kept saying your character hits every time the rules say their attack should miss, nobody bats an eye. It’s even more accepted and expected that a DMPC will materialize out of thin air to kill everything every time the party picks a fight they can’t win.

Ultimately, a lot of the urge to cheat like this I think comes from the fact that people are introduced to neo-trad TTRPGs like D&D5e through critical role and also its playerbase’s general fixation on pre-planned plots and heavily scripted scenes that rely on characters never dying(which was not invented by critical role but was heavily bolstered by them). The only way that these goals can be achieved is by cheating, since D&D5e really doesn’t support that kind of thing, so they get into a habit of cheating. They get into the mindset that the rules don’t matter and can only get in the way of their intended gameplay. Which is of course because their intended gameplay is not something D&D5e was made for.

Then gradually they trickle into other games besides D&D5e, and assume that those games’ rules don’t matter either, completely deflecting and disregarding the experience that the designer intended players to have with their art. Or worse, they become TTRPG designers themselves, and write their own rules based on the assumption that the rules don’t matter which not only results in shitty gameplay experiences for people who are trying to follow these thoughtlessly-written rules, but also further reinforces the infectious idea that TTRPG rules don’t matter. But dude. TTRPGs aren’t anything *but* rules. The rules text is the whole game. Saying the rules don’t matter is like saying the paint on the canvas doesn’t matter! Yes! It matters because those colors of paint in those places placed there intentionally by the artists are what makes it a painting and make up the whole experience of experiencing the painting!

So we have a huge demographic in the TTRPG fanbase that thinks that the very artform itself is, at best, valueless and at worst actively bad!

Reading comprehension check!

Things I did not say in this post:

“We need to expel any particular demographic and never let them play.” (But maybe if they don’t like our artform, they should try to find one more suited to their needs instead of twisting another artform into something else.)

“You’re never allowed to adjust or homebrew a rule to fit the intentional gameplay experience you’re going for.” (But if you find yourself doing this all the time, either before you have even played the game normally, or constantly on the fly in most or all sessions, maybe you need to find a different game altogether.)

Exerpt from Eureka: Investigative Urban Fantasy. (with art by @theblackwarden )

[leresq]

Finally watched Deadpool and Wolverine. First of all I was not coming into this with high hopes because even though everyone was talking about how good this movie is I've never found the Deadpool movies funny. To me they're just different variations of "You haven't seen this in an Iron Man movie" stretched into two now three feature length films. But honestly I liked it at the end.

- Why are Logan's ears and one of his eyes not decayed when no other part of his body is intact? Why does he have a beard on his jawbone?

- I'll bite, the Bye Bye Bye is a fun idea. The wintery forest setting is cool.

- I can't enjoy that opening fight scene because it's not how anything works. You don't get bludgeoned with a dull object, have your body armour completely give way, and have a pint of blood splash out. I understand the whole point of Deadpool is that it's over the top, but this is just so overly gratuitous it's insane. I feel like Marvel Studios felt like they had to make it so unrealistically violent to try and separate it from the mainline MCU to get the people who have Deadpool funko pops to guffaw in the theatre. It's "You haven't seen this in an Iron Man movie" with zero words spoken. Honestly incredible.

- The CGI is better than it's been recently but it's still noticeably bad

- Peter Parker's Iron Man mask is on the desk in the background! How did that even get there.

- Why is Tony's ARC reactor on the table, I thought that was pushed into the river at the funeral

- The timeline is just so incredibly fucked. I still don't understand how the X Men timeline reboot works, or how Logan fits into it; if Logan dying means Deadpool's universe collapses, that implies the Logan movie is in the X Men reboot franchise, but Patrick Stewart is in that and James McAvoy plays him in the reboot making me think it's a one off... Augh my head...

- Something looks up with John Favraeu. I don't know if his wearing a wig is supposed to be obvious, I don't know if he's just under a lot of makeup or it's CGI, it's just weird.

- Deadpool is never going to be an Avenger because Marvel Studios would rather execute everyone working for them than give up the licencing deals from making PG13 movies, and Deadpool wouldn't feel the same in a PG13 movie.

- I think any brand would let Ryan Reynolds walk all over them in muddy boots, for some reason he gets the pass to slander anyone he wants to and he gets paid by the companies to do it.

- 'I don't have a lot of v*ginal sex' 🤨 that has numerous connotations. Also can we not do sex jokes in front of 12 year olds

- I was not expecting a Deadpool movie to contain any hints of character development because the previous two instalments seemed to be hellbent on making sure I understood nothing of emotional value would ever be allowed to appear without being undercut by a sex joke.

- "I've never been a natural bottom" 🤨🤨 I thought Poolverine was just the average two male leads naturally gets shipped together thing but no they're sowing the fields

- If that Thor crying over Deadpool never comes back I will say something about it

- If they didn't want me to know Paradox was going to be a villain why would they make him British

- The 'Suck it Fox' cut to nothing being there is the only time I will accept something raising more questions than answering them at this level as funny

- "Your tailor is a predator" caught me so off guard I started coughing

- Wow I wasn't expecting them to pull the Paradox is actually evil card not even a third into the movie. Honestly a good subversion of expectations.

- How is Deadpool's universe going to evaporate in 74 hours, I thought time doesn't exist at the TVA?

- Are they going to explain why Deadpool's suit can just fix itself now. It used to keep its holes.

- Finally, I think the first time we ever hear Deadpool is from Canada in the movies! I wonder if Ryan Reynolds only wanted to play him in the first place because they're both Canadian...

- "You two gonna fuck or fight?" 🤨🤨🤨

- I actually understood the Honey Badger reference

- the FF floating platform thingy is another reference I'm surprised I got

- The Human Torch CGI is actually really cool

- "Not all of you was asleep" after waking up on his shoulder 🤨🤨🤨🤨

- Too many cameos in Cassandra's little alcove so I'm not even going to bother looking for them all

- I'm not sure if Johnny Storm's death was supposed to be played for laughs or just shock value, either way I'm not laughing I loved those movies ;(

- How does Cassandra know she's Xavier's sister if she was sent to the Void before she could walk?

- Wolvie being nice to Johnny post mortem is cool

- Nicepool having a stronger Canadian accent is a good joke, and Deadpool looking on in disgust as Nicepool talks about his dog's 'G-spot' is good. At least that's not played off as just a normal thing to say even if it is a joke

- "I identify as a feminist" could easily be misconstrued as an 'anti-woke' joke but all of the jokes of a similar calibre in this movie seem to be made ironically. Example: Nicepool is a creep

- "Where's your mask" and Nicepool points to his face actually implying his nice guy attitude is a facade for being a shitty person is actually really good

- Why is Nicepool's car surrounded by untrampled corn, how did it get there? Who grew the corn?

- Deadpool includes Colossus in his world 🥺

- Wolverine is nothing if not an excellent shit talker, and it's actually very out of character for Deadpool to actually get affected by insults

- I wish The Greatest Showman soundtrack was incorporated for more than just a third of a second

- 'Close up magic' ant man reference?

- 'There's only ever gonna be one Blade' about that...

- I think that's Apocalypse's throne in Cassandra's room? Or Thanos's

- I never thought about how both Cassandra and Xavier's powers radiate from their heads until the Juggernaut helmet scene

- Finally some real actual genuine character development that's not thrown away for a joke!!! The best part of the movie to me was Cassandra's redemptio-. Oh. Nevermind. Anyway I like it better than if it were just shoved away for a joke then she died

- Deadpool waiting for the 'extras' to clear was, to me, a good indication that he's a hero now. Caring about civilians is #1 on my makes you a good guy requirements

- "You smell something?" "Yeah you" 🤨🤨🤨🤨🤨

- And there it is. Nicepool's death is probably the most predictable death I've ever seen on film.

- Eastside Pharmacy?! Agatha All Along reference???

- Wolverine's helmet looks like a rubber playground ball

- Will Marvel Jesus come back in three days however?

- Staring at Hugh's abs? Same, but 🤨🤨🤨🤨🤨🤨

- That hand holding ending was actually impressive, I wasn't sure what was going to happen and it actually kicked ass

- Is the guy with the mug who stared at Deadpool in the beginning Marvel's first gay character

- The introducing Logan to Blind Al is so unbelievably 'the parents meeting the boyfriend' I could die there's no fucking way that wasn't on purpose

[deiastormborn]

Gale of Waterdeep; A much needed look beneath the surface 

Hey all. This is a script for the video I made in defense of Gale. I never had a place to put the text version of it anywhere else, but... if Tumblr isn't a good place for it, then what is?

Warning: Long Read!

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Hi, my name is Stormborn. I’ve been playing Baldur’s Gate for some time, enjoyed it quite a bit. As much as I can appreciate every companion that the game has introduced, Gale of Waterdeep, a charming lil’ wizard, has caught my attention the most. At glance, he is this sarcastic happy-to-go man, always joking around, trying to do the right thing. But, the more you get to know him, the more you slowly uncover his trauma, as much as he, himself, is trying to deny it.

Honestly, I thought that Gale would be liked by many people, I genuinely expected him to be one of the most chosen companions, and one of the most romanced ones. But, to my surprise, I’ve been seeing him getting more hate than I anticipated. Some people call his way of speaking way too annoying and complicated, some people call him clingy and creepy, mostly due to the glitch that would skyrocket his approval of you, probing him to romance you. Genuinely, it is okay to dislike some companion in favor of the other one. But I could not get rid of the feeling that people just despise his guts unjustifiably. 

One of the main reasons, besides the ones I covered earlier, is that people hate his ‘obsession’ with Mystra, the goddess of magic he happened to romance. I saw people complain that he just cannot stop talking about her, even while you romance him, and I can’t help but wonder if people were paying attention to his story at all. And I cannot blame them, as Gale always portrays his romance with Mystra as something so special, so unique, and as something to be proud of. But, let me explain to why you should be able to judge his story for yourself, rather than simply listen to what he is saying.

Gale is a talented wizard, so talented that he got attention from Mystra herself for his talent of channeling the weave. The story says that he is so powerful, that he could potentially destroy a whole village by basically sneezing in its direction. However, we all need to remember that he got attention from Mystra at the very, very young age. If I am not mistaken, the first time Mystra clawed onto him was when he turned 16. Ever since then, Mystra was feeding him all kinds of praise, prompting him to seek power, ensuring him that he can become Mystra’s chosen, and, mind you, *started romancing him ever since*. It is not a secret that Gale was not the first, however, if you really think of it, such revelation can seriously mess with a mind of a teenager. Not only it might boost the self-esteem, but also make him think that he is better than anyone else. And, I assure you, it is exactly what Mystra wanted. By giving him some form of attention, minimum affection, she had Gale on the hook. And Gale, as a boy obsessed with magic, who has been worshiping Mystra before he even met her, didn’t require much effort in getting hooked. But here comes the problem: as much as it is uplifting to get a praise from a literal Goddess of all magic, it is also as equally devastating to get any kind of critique or a cold shoulder.

Mystra was messing with his mind, making him feel like, no matter how well he does, he can always do better, as he has so much potential. With such authority, Gale would believe her. And it would make him always chase something more to impress her, rather than settle and appreciate what he has. It is also a reason to why the whole mess with the Orb began in the first place. People seem to call Gale power hungry, which, as any companion in the game, it is possible for him to go down that route. But they seem to forget one important detail: Gale thought that the Orb was a missing relic of Mystra’s magic, and he wanted to, yet again, impress her by bringing it back. Please remember that Gale was still a young adult, if not a teenager, when this happened. And it would all be resolved if Mystra would not shatter his self-esteem as much as she did. So, he made a mistake, and the Orb became his burden. And yet again, rather than explain this to her ‘chosen one’, she basically banished him, and left him with no answers for many years to come.

Gale isolated himself to keep people around him safe, with nothing but the books and the cat for the company. I think I do not need to mention on how that can play with your mind, too. But, in spite of all, Gale’s blind loyalty and obsession with Mystra kept him wanting for more attention, more answers, so he kept seeking more power, and more ways to get Mystra’s approval. At the day you first meet him, this is the first time he has been amongst people. Yet he still kept his jolly appearance, messing around with Tav, and appreciating everything that surrounds him.

I do not know if this is obvious just yet, but Mystra has basically groomed the kid. If we look at the very definition of grooming, Grooming is when someone builds a relationship, trust and emotional connection with a child or young person so they can manipulate, exploit and abuse them. And it is most prominent when it comes from the place of higher authority. I think I do not need to explain that, in the fantasy setting, there is no higher authority than the God or a Goddess. Yet, for one reason or another, this seems to not be taken serious. And I think I have an explanation as to why.

When you talk to Gale about Mystra, or when you let him talk about her first, he is still full of admiration, obsession, and the unending pride. There is still some bitterness lingering somewhere in him, yet it Is not as powerful as any other feeling he has towards her. I’ve noticed people basically hating him for saying something like ‘Yeah, I banged Mystra, that’s pretty cool, right?’. But think of it this way: wouldn’t Mystra *want* him to think that it’s ‘pretty cool’? And who are we to say that it was the real Mystra he had an intimate moment with? For all we know, she might have conjured an illusion, to satisfy him and feed into his ego. If the romance between them was as real as Gale thinks it was, do you really think Mystra would just abandon him with no answers for a mistake such as this? After all, Gale was young, and had barely any experience. All he had was wizards, such as him, or more powerful than him, and her. If she truly cared about putting him to a right path, rather than using him for her needs, the outcome would be ever so different. 

I would also like to address that people do not think of it as a simple coping mechanism. Even if you look at the society these days, most of the time, when a man comes with a confession of, say, a woman taking advantage of him, it is often met with ‘wow dude, you got lucky’, rather than with a serious concern. Who are we to say that Gale, rather than simply try to reflect and recognize his relationship with Mystra as an illusion, didn’t just decide to get along with it and be proud instead? Even then, when you romance him further, he is slowly realizing that it was not as real as he once thought. In Gale’s own words: ‘there is no love between us. I was not the first, and I certainly won’t be the last’. Gale finally, ever so slowly, starts to understand that he was simply used by Mystra for his talent. Being a deity means that you are only powered by the followers you still have. It is in the god’s interests to keep people interested in them, or they will loose power. Using Gale, knowing he was an extremely skillful wizard, was in Mystra’s interests. She does not give him answers, but keeps him interested in her enough to keep him in her claws, spreading more words of her, attracting more people to follow her godhood. There was no real romance, she was interested in his power more than himself. And you can help him realize that.

But, with such dynamic comes a price, which also becomes more prominent when you play the game further: Gale never feels good enough. With the first chance he can sacrifice himself for a greater good, he takes it. He has no real appreciation of his life, he does not take it as something valuable. He is deeply depressed and traumatized. When a person moves away from the environment that scarred them, it can become extremely overbearing, difficult, and overwhelming. People also seem to act as if it is weird that, with any kind of hurt, Gale’s first reaction is to ‘blow himself up’. It doesn’t take much to know that he won’t do it if it were to mean that someone can get hurt, but he is saying that because, maybe, partially, he *wanted* to die. He has finally found appreciation amongst other people, who are not wizards like him, people who do not know him well, and people who do not want him to constantly be the best version of himself. He falls in love with Tav, because Tav is showing him kindness, and proving to him that he does not have to be someone that he is not to be loved. In that very vulnerable state, any kind of hurt or rejection hits you more. Not to mention that, the only time he ever says it, was after the night he spent with you. After he opened up, shared his fears, more of his past, even said out loud that, in truth, he does not want to die. He let himself be vulnerable, the most vulnerable he has probably been in years, so it is not a question of his ego being hurt: it is a situation where a man, who always kept to himself, has finally let someone in, and got hurt. I am sure one of us, at one point in life, said something like ‘well guess I go die’ as a joke. This is the only way Gale knows how to respond: joking about his pain. He does not mean it, but says it anyway, because it is the first thing that came to his mind. He has been a very reserved companion through the whole time, always seemed to know what to say, and he acted on an emotion after a very emotional night. 

It is also a fact that, even while he is slowly realizing that Mystra used him, he does not mind dying because she asked him to do so. That does not only prove a point that Mystra does not have any real regards to him other than a tool, but also that she was using him for her own sake. With The Absolute getting more followers, her power also weakens. The Absolute is a threat, not only because of the infection and danger to mere humans, but also to her godhood. And who better to deal with it than the man she has so methodically conditioned to do as she wishes? You would think that, a goddess as powerful as Mystra, could try to take care of things on her own. And yet again, the only time Mystra ever gives him any answers, is when she needs him to be used. That is, yet again, a definition of the grooming.

Gale will do anything for a little bit of appreciation, anything to be noticed, and we cannot blame him. This is why you, a player, as a Tav, have a power in you to make him realize that he, as he is now, is valid. It is almost as if Gale forgot that he is such a talented wizard after all the stuff with Mystra. You, as a player, have it in you to remind him. And once you do, Gale slowly separated himself from Mystra as her ex-lover, and only answers to her as his deity. After all, she is a goddess of all magic, it will be hard to reject her entirely.

Victims of grooming or any kind of abuse often can’t let go of the person who harmed them. They will talk about them, they will mention them, they might even try to grasp onto good things, or make it seem like bad things that happened weren’t really all that bad. Combine that with a constant feeling of never being good enough, and not knowing a genuine kindness outside of his very small circle, and you have Gale. A charming, sarcastic, jolly Wizard, who is also as ever troubled. 

Moving on to other topic that people seem to judge Gale for, is that, once a chance arrives, he starts grasping onto Godhood, wishing to become a God himself. It is also in that situation where he starts to say that he would have the power to completely overthrow Mystra. People seem to criticize him for his hunger for power, and also, altogether, call him ungrateful. I would like to add another opinion on that: while Gale is slowly realizing that he was being used, he went through all 5 stages of grief. But here comes the other one, that is mentioned much less: revenge. He wants to show Mystra that she was wrong about him. He wants to prove to her that, after all this time, he *was* good, if not better than her. On top of that, he is still trying to fix his never-ending self-esteem issues. While he is seeking godhood, he still thinks that, him, as he is now, will never be enough, and only by becoming God he can truly become worthy… of anything. If you romance him, he later apologizes to you, but also asks to let him explain to why the Godhood would be good for him, and you, as a couple. Gale wants to give you everything. The entire world. He wants to be the very best version of himself, for you, his lover. He thinks that he can only achieve that by becoming a God. He doesn’t realize that, maybe, without it, he can still be a valuable partner. He even talks to you about it, openly, saying that you deserve better. It is, yet again, in your power to remind him that you do not need him to be anything more than he is now. And, rather than with anger, he answers to you with a surprise. He truly, genuinely, can’t believe that you would take him as he is now. This is how deeply his trauma runs in his mind. And, once he finally believes you, this is where he finally calms down. This is finally when he accepts himself, and lets it all go. He is not repaired, but he is on his path towards healing. All because you, a player, convinced him, and reminded him of his value.

I think Gale’s approach towards things have deeply changed the perception of the players. Because he is in so much denial, people seem to just go along with what he says. He is proud of sleeping with Mystra - so people take it for what it is. Gale might not be your type, or even the most interesting companion to you compared to others, but I truly, genuinely think, that the hate he has received has been a little too much. Every companion has a burden, everyone expresses it differently, on their own pace. Gale has chosen the approach that makes the most sense in his situation. He is just a guy who was thrown into a mess made by the Goddess he worshiped at the young age. He is just someone who is trying to do good. And I hope that a small essay such as this helped and shed some light on his story. 

Men can be groomed, they can be taken advantage of. I think it is our duty to also recognize it, and show a little patience. After all, Gale is not the first example of such abuse. And, sadly, won’t be the last.

Video: https://www.youtube.com/watch?v=HAnZHJtYkcg

[samk1tty]

I'm not a bad girl but I, do bad things with you (Pt.1)

Summary: Bjorn finds out what you do on the side for extra money. He plans to use this knowledge to his advantage.

contents: smut, cam girl reader, masturbation, not proofread, not accurate to alien universe

a/n: this is my first fic so ignore the bad writing (I suck at writing dialogue). Since I saw the movie in theaters i've thought about writing for Bjorn, but since i've always just been a reader for fics i've been hesitant to share anything with anyone else so this has been sitting in my drafts since early October. p.s. inspired by literally everyone who's already written for Bjorn/Spike

"Who's she then, you twat?" Bjorn scoffed, sitting in a group of other workers at lunch. "She's my girl. We've been messaging for a while now" smirking, the worker passes around his phone, one by one, the group of huddled workers taking bites of sandwiches or shoveling spoonfuls of food into their mouths, taking the phone and scrolling through the account for a few seconds. The phone lands in Bjorn's hands, and he looks through the content. "No way. She's jus' doing her job." There was a sense of familiarity with the pictures and videos. He'd thought maybe he'd used this girl's content to get himself off before, but he couldn't place the sense of recognition.

The phone, playing explicit sounds coming from the girl in the videos, gets handed back to its owner, though the conversation doesn't change, many shouting obscenities over each other about what they just saw. Soon after lunch is over and everyone gets back to their shift.

Bjorn is silent now, deep in thought. He can't get the girl out of his mind, though he has no idea what she looks like, as the girl's content never shows her face and only shows her from the neck down. However, upon seeing the moles and bits of hair that peeked down the girl's back in the videos, Bjorn felt a strange sense of closeness towards her. Despite only catching a brief glimpse of her, he had an inexplicable feeling that he knew everything about her, yet nothing at the same time. He memorized the account name, planning on visiting it later that night to investigate and pinpoint why she felt so familiar, of course, there was no other reason to go back to the account other than that.

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You walk to Kay's and Tyler's trailer later that night after work wearing the beat-up cargo pants handed down to you from Bjorn. Your belt is tight to keep the pants, which are two sizes too big for you, up. You sigh and adjust their hem, pulling it up to prevent the excess fabric from pooling around your ankles as you walk. 

You see Bjorn sitting at the entrance playing a video game with Navarro near him, fixing something like she always did. You greet them, saying hi loud enough for them to hear. Bjorn looks up for a second, then back down to his game. Navarro gives you a quick wave before you carefully step up the three steps to the trailer that are covered mainly by Bjorn. You pat his head softly, chuckling slightly when hearing the sound of him dying in the game and his slight cursing as he puts the device down. You plop down on the couch inside after greeting Kay, and then the rest of the group comes in to spend the rest of the night like you always did, as if it were routine now.

After a few hours, the laughter and conversation die as each friend vents about their rough day. The room is filled with understanding and camaraderie as everyone sips their drinks and passes around a lit cigarette. Soon after a second of silence, just when you thought there would be no arguing tonight, Bjorn brings up the pants you were wearing that belonged to him, saying they looked better on him, causing you both to disagree and leading to an argument that made your friends laugh due to the ridiculousness that the conversation has become as you all were in drunken states. 

Bjorn then shockingly says, "You gotta stop obsessing about my balls, man. It's unhealthy." You run an annoyed hand over your face in hearing his unimportant argument that had nothing to do with your last insult directed at him before spitting back, "Keep talking, and I'll chop 'em off." "Aw, you really want 'em for yourself, don't you? Hey, you want me to show you my balls or somethin'?"  Bjorn says pretentiously. You roll your eyes as a smile tugs at your lips. You down the rest of the liquid in your beer can before throwing it at him, the can bouncing off his head, making a bonk sound, leading everyone to laugh a bit more, everyone feeling hazy due to the smoke and drinks. "No one wants to see balls that tiny." Your friends can't help but laugh at the absurdity and humor of the situation while Bjorn wears a playful, sly grin in reaction to your words. "Oh, you're feeling brave, eh? Well, bring it on, princess." "Whatever, I should get home, it's getting late," you say after another dramatic roll of your eyes towards Bjorn. You bid farewell to your friends and headed home, ready to get online and continue working, although you had just finished working at the mines. Though it wasn't the type of work you desired, putting out content online to lonely men wasn't entirely unpleasant. You even found it somewhat arousing, imagining the countless individuals who had used your media in private moments. You speculate on the possibility of knowing these people personally if they could be people you know or interact with regularly.

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Later that night Bjorn rushes to his room once arriving at his trailer. He quickly goes to the account when he closes and locks his door. He plops down on his bed and lays back with a deep sigh, getting comfortable.  As he watched video after video, he lost his search for the familiarity of the girl and instead focused on his desires his hand went down, fiddling with the clasp of his belt and the zipper to his pants, and he eagerly pulled it off, leaving him bare. His hand went immediately down. He was already hard, his tip red and wet with precum. He skimmed several videos, each one of her doing heinous things to her own body. Thighs smothered with her juices. He throws his head back, his right hand pumping himself desperately, vividly imagining it was the girl whose touch he felt. Then suddenly he saw a notification drop down on the screen. A colorful circle surrounding your profile picture signifying you were live at that very moment, immediately he joined.

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You were for the most part, a shy girl so this type of work was something not even you yourself could believe doing, yet here you were... laid out on your freshly washed and changed sheets, just as you pressed live on your website. The maid costume you wore tonight consisting of a black dress that cut at your mid thighs, with frilled edges and a white bib-shaped front. The sheer black stockings accentuating your legs. As people joined your live all commenting different things they wanted you to perform on yourself, you open your legs to your laptop that sat at the end of your bed, showing the panties you wore. You teases the audience for a long while, hearing all the alerts coming for the laptop you suck in a breath and seductively pull off the moist material. Your own two fingers dip into your pussy, squeals of delight coming out of you. Turned on by your own movements and knowing that hundreds of people were watching you making you wetter.

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Bjorn listens and watches immensely, beads of sweat formed all over his body. He closed his eyes thinking of what he'd do to the faceless girl had she been in the room with him. How he'd grind his bulge onto her, desperate for stimulation. How her hand would slip down his chest to palm him through his boxers, pulling the hem down just enough for his cock to spring out. He'd imagine her looking up at him with her innocently lustful eyes as she crawls down, then as she hollows out her cheeks and takes his cock into her mouth, bobbing her head up and down. Her eyes water as it hits the back of her throat. He grunts at the squelching sounds coming from the phone in his hands. His hands would tangle in her hair to continuously fuck in and out at his pace, pushing her head down and holding it in that position as he groans and shoots his cum deep in her throat. The praises he'd whisper, like how good she did for him. Just then, he is taken back to his reality where it is just him alone, his hips jolting up, needing more than just his hand. He tries to stifle his pretty noises, being mindful of the other person in the trailer. His fluids spray out. Bjorn, pants , coming down from his high, laying limp, waiting for his breath to steady. He brings his phone back up and he sees something familiar behind the girl. On her bed, resting against the pillows, was a stuffed animal that he instantly recognized. He recognised it because he remembered gifting it to his childhood friend. Remembering the scene that unraveled years ago, you, a bratty young girl with messy hair basically crying to Bjorn who was three years older than you saying you wanted the what he thought was an ugly stuffed animal. You whined until he finally gave in out of annoyance. He took the remaining money he had and used it on you. He came out of the store and shoved it in your hands upset at the scene you created out of yourself as you hugged the animal to your chest happily. He immediately sat up his hand on his lap as he thought. He quickly scrolls through more content trying to find something to hopefully prove that this wasn't his friend. Surely this couldn't have been you. But glimpses of familiar clothing and jewelry makes him more and more doubtful. It must be a coincidence he was sure of it. In fact, he was so sure it was a coincidence he decided to go to your place and speak with you in person.

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[experimentalmadness]

The Last of Regret

A little Emmrich/Rook fluff near the end of the game. I thought a certain moment could have used some more power so I gave it a go. We do love seeing a slightly more disheveled and panicked Emmrich, after all.

I'm being a bit vague on details because it contains massive endgame spoilers if you haven't finished the game. Suffice to say. If you want some good Emmrich and Rook hurt/comfort and angsty fluff, I've got what you need.

There was no air here. 

No sound. Not even the whisper of wind. 

All color had lost its saturation. 

There was no warmth, nor was it cold. And still Sivan shivered, hugging herself. This was not like the rest of the Fade. And this was all there was. All that there was ever going to be. Forever. One long endless looping staircase with only the dead for company. 

“I’m sorry, I’m so sorry,” she whispered, eyes closed. She couldn’t feel if she was crying. Her heart hurt, but all sensation had lost its bite. She wished she could cry. Or scream. How long had she been walking in circles?

Varric told her she had to let go. She had to accept what had happened, but how could she when this was all her fault? She should have stopped Varric from confronting Solas, she should never have sent Harding out with such a small team, and Bellara….she hadn’t been fast enough. She should have caught her, should have chopped off the blight tendril before it had snatched her away. 

Too late now. She was just some stupid city elf up against literal gods. Why did she think she could win? She was never good for anything. She’d failed Varric, failed her own city, failed…oh no. No, she couldn’t think of Emmrich. Not now. If she thought about him she’d sink to the ground and never get up again. 

C’mon kid, what did I just say?

”It’s too hard!” She cried. “I’m not ready!”

No one’s ever ready, but you can’t stay here. 

Varric wasn’t really here. It was only in her head. All of it had only ever been in her head. Stupid, stupid; should have known Solas would play tricks on her. Should have seen it coming. But the part of her that could hear Varric knew he was right. She couldn’t stay here. Even if she couldn’t defeat the gods she couldn’t fade away in this prison. A clean death, a good death in a fight, that was the way to go. Not disappearing like this. 

As if tugging her boots through swamp mud, Sivan made herself climb the endless looping stairs. She did not look up. It would be Harding’s face again, Varric’s, Bellara’s, even her own parents’ and she couldn’t face them. Couldn’t let them see her like this. Failure, worthless, mistake…

I thought I felt it over here!

The sound was far away. “Lucanis?” Just another memory, another lie. 

It’s faint, but he’s definitely on to something.

”Neve?”

Sivan stopped, looking around. But the expanse was as gray and devoid of life as ever. Maybe that was all there was. Echoes. But her heart stirred. 

The Fade is distinctly thin here.

”Emmrich?!” There was no mistaking it that time. She had heard his voice. Bright, with his usual encouragement, but with a note of unmistakable panic that sent her running up the rapidly forming fade-steps. “Emmrich!” 

Did you hear that?

That was Davrin! She could hear them! It wasn’t just the hollow sorrow eating her alive. 

The Fade shimmered ahead and Sivan felt air in her lungs for the first time. A sheen of white glinted against the gray. Just like the small Fade tears she had seen so many times before. There was hope here, fragile and wild and oh it was so good to feel something, anything outside of the crushing regret. 

She went running into the white tear and the solid arms that caught her. 

I’ve got her!

We’ve all got her. Pull!

Sivan spilled out into the bright light. Her heartbeat resumed in her ears, the blood in her veins moved again, and she could feel. Everything. The colors of the Lighthouse almost made her shield her eyes. Her lungs felt as if they would burst. 

But she was out. 

On the crumbling courtyard stones. 

And she was certain she was alive. 

“Rook!” Davrin laughed in astonishment and it was such a good sound, such a pure sound. 

It was then she realized the arms around her had not let her go, but were in fact squeezing ever tighter. “Darling, my darling…”

Sivan wrapped her still nerveless arms as tight as she could around Emmrich. He was real. Her hands went over the back of his coat, up to his jaw, her fingers skimming through his gray hair. He was here. She kissed him even though she knew how particular he was when it came to public displays of affection. She didn’t care. She had to feel him, had to make sure this wasn’t another one of Solas’ endless tricks. 

He returned her kiss with such fervor she was grateful she was already kneeling on the cobblestones. Her eyes spilled over with tears. He crushed her to him as if needed to check if she was as much a reality as she herself doubted. She didn’t care if she couldn’t breathe. 

“Think we could give ‘em some fucking privacy?” Sivan could have laughed at Taash’s words but her mind was far too jumbled. Everything was so bright, so loud, so solid. 

But Emmrich was all warmth and safety and familiarity. Already he pressed light kisses against her cheeks, the tip of her nose, under each eyelid, and with each she felt a little more real. “Extraordinary as ever, dearest,” he said softly. “Only you could return from the very Void itself.” 

“A prison,” she gasped, trying to order her thoughts. How to even begin to explain? “For the gods. Solas…he…”

”Breathe,” Emmrich commanded gently, a hand on either side of her face. “Slowly.”

His dark eyes were welcoming, guiding—was he crying? She flailed in a poor attempt to reach out for him again, but he held her still. His chest rose and fell in a deep rhythm that she felt compelled to mimic. The tightness in her lungs eased in pieces. Emmrich brushed the curls from her eyes and when she felt less like she was choking she let herself relax against him, tucking her head under his chin. 

“Darling, should I take us inside? You would be far more comfortable if—“

”No,” Sivan said against his coat, burrowing as deeply as she could, curling around herself. “Stay. Please.”

”But you’re shivering.”

”No’m not.” Her teeth chattered. 

“Rook, it is a delight to have you contradict me again, even though I admit I have no desire to let you go as yet,” Emmrich said with a laugh that sounded so tired, so grateful. “I thought that I might not…that—to have the last things we said to one another be that horrid argument…”

Sivan reached up and placed a tentative finger against his lips. “Love you too much to care about that.”

“What?” 

Her dear man looked so shocked. And how Sivan adored those looks of bewilderment when she would sneak in a compliment here and there. His tear-stained eyes went wide. “Was scared to say that before, too,” she admitted. “Everyone I ever loved, they’ve…”

It was his turn now to stop her thoughts from spirling. The blanket void of regret was going to be hard to shake, Sivan realized with a pang. 

Emmrich hushed her, his fingertips skating down her cheek. She knew when he was studying her. His deep look of intent and awe stilled some of her shivering. Perhaps she shouldn’t have said it so suddenly. Stupid! She should have planned it out better. Made some sort of occasion out of it as he no doubt would have.

“Say it again, dearest. Please.”

His faint, pleading voice undid the last string of regret tied about her heart. Sivan smiled. “I love you.”

Emmrich swallowed up her words with a kiss that nearly knocked her backwards. Heat pooled within her as she tried to match him. This, oh this was never something she would ever take for granted. The sterile edges of what that prison had done to her sloughed off. 

“To think you lost only to hear you say that,” Emmrich said as Sivan rubbed her forehead to his, taking comfort in simply sharing the same breath. “You truly are indomitable, Rook. One of the many reasons I love you, too.”

Her face hurt from smiling. When was the last time she’d heard those words? When was the last time anyone had ever loved her? Ghosts now, all ghosts, but Emmrich was here. Alive. And wholly hers. 

“I think I can stand now,” she said. Her body was still shaking, but from something other than grief. 

“Then I will help you up, my love.”

[the-s1lly-corner]

Wearing their jackets (CRP) (Part 3/3)

last part! yippie! since its finally getting colder i might do this with a few other fandoms i write here on the blog... maybe... well see! characters: eyeless jack, laughing jack, bloody painter, puppeteer notes: reader is gn, short post cws: none

EYELESS JACK

the jacket doesnt do much for him warmth wise, he often takes it off when hes not actively stalking someone down for some food. so its up for grabs a lot more often than youd think

aaaaand.... he doesnt care all that much. cool, you have it. just give it back when he asks for it. hes not going to take you playing games with his possessions, so its best not to joke with him that its going to be yours from now on

though... he will give it to you if you ask while youre walking together in the woods, the cold doesnt do anything to him all that much so its all yours until he needs it again

why not just get your own jacket though? that way you dont have to share... he doesnt get it... the idea that there could be any reason outside of being cold eludes him

LAUGHING JACK

he.... doesnt wear a jacket... on top of that i am under the belief that his clothing is stuck to his body so you cant exactly... steal anything off of him without skinning him- assuming you can even get the far. no point in getting a jacket for him because he doesnt seem at all phased by temperature outside of using it as a set up for a joke

the next best thing is a blanket but even then he would only snatch it out of your hands as a joke before handing it right back to you

the only time he uses it is when hes cuddling with you under it- ironically he is a blanket thief... though its all an act, hes not really sleeping

PUPPETEER

hes in the same boat as laughing jack- yes he does have a jacket but i also think its a part of his body. you cannot simply walk up to him and take it off of him whenever you please

the blanket compromise does not work either due to him not really using blankets- the cold never really bothers him. maybe that comes with being a ghost? he is rather cold himself... hmm...

he finds your struggle amusing if he ever picks up on the fact that you cant try to take his jacket vaguely distresses or upsets you

BLOODY PAINTER

sometimes wears a jacket over his coveralls/overalls, and he only wears it when hes going outside. why get paint and.. cough... his other supplies... on it when he already has something to wear to catch them all? doesnt make sense. leaves a wide window for you to take it

he is sensitive to the cold though so hes being very serious when he asks for it back when he needs to go out for one reason or another. he will not entertain you, you better give it back when he asks

he doesnt... get mad exactly... but you can tell hes quieter after you try to make it into a game of having him (albeit in your eyes playfully) fight for his belongings back... the back and forth of trying to keep his jacket- and his other belongings- will not go over well