5 Organic How-Tos To Engage Your Audience and Followers | Social SEO Version
• Host virtual listening hangout sessions to build with your already engaged audience and vlog the session
• Host virtual giveaways and Q&A sessions to get new followers more engaged. Poll your audience and followers.
• Go Live BTS at a show or share BTS leading up to your show, promote your "OTO" and share it on YouTube
• Create limited edition merch, visual content bundle with your song, then host a viral video contest for your most creative followers on whatever platform gives you the best response from your CTA
• Create your eBook showing your creative process, then run ads to your local market
your "OTO" is your organic community offer, a compelling offer for those who following your progress or to extend list exclusively for top tier, supporters.
Idk who needs to hear this but time and time again isn't over!!!
Webtoon removed the "time and time again will return!!!" Banner and I don't know why, but it's not over!!! There's still another 1/3 of the comic to go! There's a lot more stuff that I'm working on and it'll be coming back soon!
Please be patient with me, I know it's been a long time... But the stuff I'm making is really good and there's a lot of reasons it's taken this long. I promise I want it back more than anyone.
I'm trying to come back around the end of October. I'm doing my best to get everything ready in time, so no promises, but I'm on track to do so! I'm just one person writing and drawing everything, and my editor was fired so I'm not even getting any notes anymore. It's literally just me. I'm doing my best I promise!
I hate that they finally brought other actual established Pabu characters in only to immediately put them in danger.
Whether or not we stick the season landing, I will be salty until the end of time about the complete halting of momentum brought on by eps 8-9.
I would have killed to see Omega and Crosshair's first meeting with the cadets and some of their relationship. More brothers? Regs?? Other Hemlock victims???
Some actual convo between Hunter and Shep (absolute e11 VIP) about their presence possibly endangering Pabu?
Omega meeting Lyana after so long apart and grappling with being older and losing her childhood and building up to the Lula in the Archium moment?
Seeing Crosshair's attempt to find some inner peace translate into his first cautious steps into embracing a community beyond just 'carried crates onto boat'?
The ending of this season just makes Tech’s death that much more frustrating!!!
Like we, the audience, knew Brooklyn was alive, because that’s the way the story was set up. That’s the story we, as humans, like and understand and crave. We didn’t know when or how she was coming back, so it was still a surprise! And she lost an arm in the attack, so there were consequences! None of the tension or emotion was lost because she’s actually alive.
It just parallels Tech’s death so perfectly…except that in Chaos Theory they actually went with the story that both made narrative sense and satisfied the audience. There was still genuine pain and grief for her through the whole season, making her ‘death’ impactful (haha we didn’t even get that for Tech, so it was pretty much meaningless 🙃), but they’re still bringing her back into the story. It doesn’t feel forced or juvenile—it feels like the way the story is supposed to go.
It just feels like a kick in the teeth coming right on the heels of the end of TBB (mixing my metaphors a little lol) because yeah. This. This is exactly what I wanted: we get Tech back. He’s changed, irrevocably, but he’s back.
There just doesn’t feel like there was any point to Tech’s death except to hurt the audience—and it barely has any impact on the in-world story at all!!! A couple of almost throw-away lines over the whole third season. We don’t even see Crosshair finding out what happened.
TL;DR
The ending of the first season of Chaos Theory is exactly what I wanted to happen with Tech, and there’s no reason we shouldn’t have gotten him back.
Sometimes I think artists need to pull back on how many songs they release with a single, especially in the streaming age. Cause then when the album it's all supposed to be on drops and every other song is one I've already heard, the excitement of hearing new music wears out pretty quickly as your audience has already heard a majority of it.
How many are actively such compelling rpg’s with great production and writing and I’m wondering if it would be better for the gacha model to be non-viable and they were full price games, or if it is the business model that allow for the teams to take so many swings and make them good.
bruh idk what's the damage on all those spiteful writers who have to have a twist ending and change shit at the last minute when people guess what's going on. when someone speculates about an upcoming twist or catches on to what I've been doing I light up like the fucking vegas strip at dusk
itd be so cool to be able to monetize worldbuilding but i think unless you have a very specific industry job in something like roleplaying game development or something thats not rly a thing.. but if i could i would definitely spend years creating a wholly detailed fantasy world with maps, climates, countries, governments, cities, religions, magic systems, political, philosophical and artistic movements, conlangs, trade routes, flora and fauna, etc etc etc and then essentially make it available to purchase as a premade setting to use for writers or artists. unfortunately this isnt a thing afaik and i couldnt justify spending the time to do it just to TRY (and fail) to make that a thing lol
I haven't opened my game in a few days but I watched the new trailer and I can't stop laughing at how hard they're pushing being a landlord as the main feature and only highlighting property owning in the trailers when I have yet to see a single person actually excited about that part of the pack. Lmfao