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Kamen Rider X Finished February 14th, 2023

Here's your warning now: this one also got away from me. I BROKE 4k...

Kamen Rider X is… a show!

Look. I don’t know how to start this. I don’t know how many of you have seen this show. I don’t know how many of you saw me lose my fucking mind when I watched the first two episodes of this one. I had to kick myself out of the house and go get a breath of fresh air and went to H Mart and bought a shitton of side dishes. Just to cope, you know? Sometimes you need some fish cakes, for the soul. I ate great that whole week but that’s besides the point. X does have what I myself would describe as “a beginning” so let’s just recap that first, I guess, because it sure kicks the show off.

Pictured: welcome to Wet Boy Wonderland.

PART ONE: SETUP!

Before we begin fully: I think I would be remiss if I didn’t mention that there are… a couple issues with and themes in this show that I appreciated having a heads up on before I got to them. I think that what I might have to say might come off as far too complimentary without this disclaimer and to spoil my final conclusion, my actual feelings are a little mixed. We’ll be touching on this later with how it ties into what my thesis ends up being, but there’s a switch in the theme of the monsters part way through the show from Greek Mythology to Various Bad Guys In History and the thing about various bad guys in history and also shows that are made in, let I remind you, the 70s, is that sometimes things can be… well, I’ll be blunt. There’s a pretty racist caricature in there and some of the picks can be a little off color and also there’s Starfish Hitler which does feature swastikas and was a decision that the boys and I dubbed “sure a choice.” I mean yeah, he gets killed like all the other bad guys do, but still. Do you know the experience of watching Aristocats for the first time as an adult and being like “Hmm, I really do not remember this weird racist scene in the middle of this film, what the fuck? I mean I guess it was a different time, but still…” That’s kind of what this feels like in spots. Jin Keisuke also has maybe the world’s worst dad. This is a guy who seems to have decided that a “signs of parental abuse” checklist is a game of bingo and that somehow it can be won. This is most apparent during the first couple episodes for reasons you’ll see in like, a minute or so if you read at the same speed I do or faster, but it flavors the entire show in a way I’ll hopefully convince you of by the end. Trust me on this one. Those are the two big disclaimers I have out of the way; if either of those are non-negotiable issues for you, I recommend not finishing this and watching something that isn’t Kamen Rider X. For the rest of you? Buckle up.

Here’s (roughly) what happens in the first two episodes of X. Jin Keisuke comes back home for a visit. He gets jumped by some goons at the boat docks who want to kidnap him because of his dad and gets shot at and falls into the water. He gets out of the water and reconnects with his… fiancee? I think? Keisuke goes to visit his father at his lab in a seaside cave, says that again, dad, he has no interest in going into science, and gets promptly judo thrown in response. His dad then tells him to put on a vest, which he does. Keisuke and his fiancee (?) go out to eat dinner and she tries to guilt him into sticking around because his dad is lonely. Keisuke gets a message saying that GOD is coming to fuck his shit up. Oh, right, GOD is the name of the bad guy organization in this one. Just roll with it... Neptune and the goons (great band name, the more that I think about it) overthrow a ship. Keisuke’s fiancee comes to visit them at the cave-lab; Keisuke’s dad shoots his son. This is okay because it turns out that the vest was bulletproof. Everyone laughs at this. Keisuke presumably goes to sleep at some point after this but gets woken up in the middle of the night and attacked by some goons and oh look, one of them happens to be his fiancee! What a surprise! Keisuke rushes to his dad’s side to find the guy bleeding out on the rocks in front of his cave-lab. Goons pop up and shoot him too, killing him. Keisuke’s dad has enough fight left in him to drag his son into his cave-lab and borg him and somehow get him onto a boat, where Keisuke wakes up after an indeterminate amount of time, surprised to be alive. Keisuke’s dad left a message for him telling that he built a supercomputer that is also an island (the Jin Station) to house his consciousness on a computer now that he’s dead. He gives Keisuke a bike and a quick rundown on how to become the X Rider and then asks Keisuke to explode his corpse for him. He does this. There’s a flashback of Keisuke as a kid running to his dad and his dad grabbing him and just fucking slamming the kid down. Keisuke goes off and defeats Neptune and the goons and gets helped by a woman who looks exactly like his fiancee but isn’t actually her, who gives no explanation as to why this is the case.

…So that’s episode one.

Pictured: father-son bonding at its finest!

I’ll make episode two shorter: Keisuke has another run in with his fiancee and her doppelganger which doesn’t explain anything either. Our monster of the week plotline is about a kid whose dad was just killed in a car accident a couple weeks ago and who apparently fought with his dad a lot and doesn’t know how to deal with the guilt that comes from that. Keisuke tries to protect this kid from misinformed townspeople who think that he’s hypnotizing people and the fact that he’s a borg starts to sink in. Keisuke goes back to the Jin Station to experience his first bout of borg angst with some support from his computer-father, whose response to his son wanting comfort is to call him a weak bitch and tell him that he can’t rely on anyone, he has to fight alone, and insist that Keisuke blow up the Jin Station, killing him again. This happens. Keisuke manages to convince the public that the boy was being slandered by GOD and that he wasn’t actually hypnotizing people. He then beats up the guy actually responsible. Keisuke comforts the kid by straightening out his flute, which got bent in the fight, and contemplates that maybe there are some good things about being a borg after all.

Pictured: I might have understated exactly how the stages of grief impacted him on this one here.

If you think I'm exaggerating anything here you're more than welcome to fact check me. These first two episodes are available for free on the Toei Youtube channel, go ham! Good luck.

In any case, you might be seeing a theme emerging here. Don’t worry, we’ll get to that in just a minute. There’s a little bit of contrasting that I want to do first with the previous riders. Jin Keisuke is pretty different than the guys that we’ve had before and is especially jarring coming off of a dude like Kazami Shiro. Keisuke’s wet. He doesn’t have a support network like even Hongo did with at least knowing Tachibana from the start. Hell, it’s debatable that the guy even knows Kamen Riders are like, a thing, and not just some random shit his dad made up. He certainly doesn’t know them personally like Hongo was able to make sure both Hayato and Kazami did from the start. There’s a vague kind of uncertainty undercutting everything that Jin Keisuke does as a borg because he wasn’t borged in the same way that the other previous riders were. It was by someone who he ostensibly should be able to trust (unlike Hongo and Hayato) and for a fight that wasn’t at all his (unlike Kazami) and in a way that, because of these facts, comes off as more malicious and personal than Shocker’s sterile, random cruelty and while yes, his dad was technically saving his life, it doesn’t really seem to come from a place of kindness. It really comes off like his dad wanted to have just another way to control him after he was gone and when he realized that his son was still something that he viewed as “weak,” died to save himself the embarrassment. He explicitly requested that Keisuke not lean on anyone and instead take on the fight himself, despite doing exactly the opposite of that in giving the fight over to his son in the first place. What a hypocritical ass.

It’s not just that – there’s the way that he fights with a weapon, kind of like Riderman, but essentially fences, which is so unlike any of the boys previously. He just kind of coincidentally falls into fighting GODborgs for the first part of the show with no real rhyme or reason, not with any plan, not necessarily being targeted by them even, really not seeming like he has any stake in the fight at all. He kind of doesn’t. Everyone else had some kind of personal vendetta and sure, GOD killed his dad the first time around, but Keisuke also got asked by his computer-dad to kill him, and he did. So. I mean, he could have just kept his dad alive that way. This is explicitly not his fight. He just kind of ended up here. Once the show gets going and Jin Keisuke gets into the swing of things and we start getting back into something that feels… a bit more like the previous Rider seasons, there’s still this odd disbelief in his abilities that all the characters, including Tachibana and the rest of his allies, approach Keisuke with. With Kazami, he’d do completely off the wall shit and everyone would be like “haha, that’s our guy!” Keisuke will play dead to try and throw someone off his tracks and go a little overboard with the fake blood or something and it’ll work, but in the same breath Tachibana will just look at him all confused and question why on earth he decided to go that way in the first place. I feel like I’m going full Pepe Syliva; is this not meant to mirror his father’s disbelief in his son’s abilities/path in life and the subsequent control that he tried to push onto him? In fact, there’s really only one character who I can think of who doesn’t underestimate him near constantly: Apollo Geist, baby.

Pictured: the creature in question

PART TWO: Fuck it, call me a Jin Keisuke apollogeist

Sorry, I had to fit that joke in here somewhere. I’ve been trying for weeks to make it work. Apollo Geist is the leader of GOD’s secret police, a position that is basically analogous to any of the other commanders that we’ve seen before. Weekly monster gets sent out, he’s the one above them in the ranks so he oversees their progress, critiques them, ends up 1v1ing the rider at some point, gets their shit kicked in. We’ve seen this before, we’ve loved this before, it works so well and I think it’s definitely something that the beginning episodes were lacking. We have to get some structure in these evil organizations in order to be able to even start to think about tearing them down. Though – because of the aforementioned constant and relentless underestimating of Jin Keisuke, when Apollo Geist appears and becomes obsessed with taking him down and claims that he’s the only one who can actually defeat the rider and stands on cliffsides watching him fight it really comes off as way more personal than anyone else we’ve had before. He can transform, not really into a monster, but into something way closer to X or any of the riders than we’ve had with anyone else previously. Apollo Geist feels like he’s set up to be Jin Keisuke’s equal, and it’s mad yaoi.

Oh yeah, and totally forgot about this until I was looking back through my caps to write this, but Keisuke’s fiancee? Yeah, she was trying to do like whole double agent thing with her twin (who was the other one who looked like her) and it didn’t work out and she exploded mere minutes before Apollo Geist was introduced for the first time. She never really gets mentioned again. But that does leave the spot for a romantic interest open…

Pictured: special friends...

So. What the hell else am I supposed to think. Like, sorry, the man butts into pretty much every fight because he doesn’t trust his lackeys with this man. He wants to take X down in a way that’s satisfying to him. He checks in with Tachibana when Jin Keisuke fakes his death without telling him that he’s with GOD, leading Tachibana to think he must be one of Keisuke’s friends. He does the same thing when visiting the coffee shop later. He’s fucking obsessed with this guy. The two of them bike joust. Apollo Geist will jump onto his bike from 20 floors up, tenderizing his nuts into oblivion when he hits the saddle, just to show off. He’s obsessive and wild and wears a suit that’s all one color and man, I cannot imagine who else this might be reminding me of right now, but my word… and, both times he dies, he does so trying to take X down with him.

“Both times he dies?” Both times he dies. The man fails to hold down X the first time around when he tried to explode him with his arm bomb and following that gets rebuilt and upgraded in the process. Long story short, after donning his little cowboy fit and realizing that he has shit aim suddenly during his daily shooting practice to kill Jin Keisuke, he learns that he only has a day or two left to live and that the literal only way to reverse this is to take a piece of the X suit and have it attached to his heart.

Pictured: heterosexual behavior

Yes, you heard me correctly there: the only way for Apollo Geist to live here is for him to quite literally accept Jin Keisuke into his heart. Fucking incredible, isn’t it? He doesn’t do this, obviously, because he did die a second time, but look. The metaphor. It’s right there!! Maybe if Apollo Geist and Jin Keisuke had met under different circumstances, or maybe if they had a common enemy, or maybe if Apollo Geist wanted to admit his newfound weakness to Jin Keisuke or accept Jin Keisuke’s weaknesses as well (like the part where Keisuke didn’t want to transform because he was hurt, right, and Apollo Geist wanted to force him into changing so they could fight) and get into something that isn’t just this back and forth will they won’t they tension, the “what if we were two boys?” complex, the fucking starcrossed lovers of it all.

Pictured: he likes to be tall

Sorry, wait a fucking second, wasn’t there someone else who died a horrible explosive death because they didn’t want to accept Keisuke into his heart? Who also saw Jin Keisuke as someone who should be able to put up a good, satisfying fight, regardless of what his wishes might be? Does Apollo Geist… also tie back to the whole dad thing?

PART 3: The whole dad thing.

Pictured: not a compliment

So. The whole dad thing. There are so, so many examples I could pull from, but lemme just run through what I specifically took notes on while watching the show as being repeated quite a distracting amount:

Human experimentation. My fucking god, X has a lot of it randomly peppered in throughout the show. Not even really things that GOD is doing – the one that comes to mind is in one episode when the GODborg was influencing a bunch of kids to commit suicide and the tie between all of them was that they were all taking an experimental drug because they’re all honors students or something and they wanted to boost their brains even further. Honestly sounds like some shit that would happen in the suburb I used to live in, which is why I remember this one so well. The person who developed this thing gets nervous because like, I believe that the last kid alive on this drug is their kid. Jin Keisuke does save them, but you know who fucking else experimented on their kid? Jin Keisuke’s dad.

Vampires. What the fuck, this show has I think at least 5 separate instances of vampires in it. In a 35 episode show. There are so many vampires. You know, the monster that’s notorious for infecting other people and sucking their life from them and changing them irreversibly in the process, making them stronger physically but also condemning them to living a hellish life. Wow, you know what that sounds like to me? Kind of like turning your son into a cyborg to save him and forcing him into a fight with a bunch of guys that were trying to kill you.

The switch in monster themes in the middle of the show. There’s a point post Apollo Geist where the monsters swap over from being themed after figures in Greek mythology to historical figures. Yes, like I stated in the warning at the beginning of this post. Almost as if Jin Keisuke spent the time up to Apollo Geist fighting the mythos of his father, his ideals and the impact that left on him, and then when Apollo Geist died because he refused to let Keisuke into his heart, swapped over to fighting the actual sins of his father’s past. As if Apollo Geist dying for a similar reason that his father did when he asked Keisuke to blow him up so that he could “build character” or whatever, make Keisuke then realize that his father’s beliefs were… kinda fucked. That maybe the way he treated him wasn’t right. That maybe after that realization, he can move on slightly and begin the actual work of taking GOD down.

[[Important to note but not a section in the dad saga – after Apollo Geist and the monster switch happens, the new guy leading the GODborgs is one big robolad named King Dark. Yeah, this thing has already gone on for too long and I didn’t want to recap even more of the show so I’m just giving you the context. Couldn’t figure out how else to do it and make it coherent and again, don’t know how many of you have actually watched this show. Okay back to the essay:]]

Kazami Shiro shows up and upgrades Jin Keisuke towards the end. After this point, Keisuke gets a perm (irrelevant) and his fighting style completely changes (very relevant) to be much more traditional Rider. The Ridol stick that his father gave him that he used to fight all the time with? Not used anymore. He has a new henshin pose and a new finisher. It’s just like, oh, I don’t know, being able to meet people he relates to and find a new family with the other riders is maybe helping him find his identity separate from his dad? While he is still obviously impacted by the trauma his father imposed upon him (in being a rider in the first place) he’s taking it and changing it into something his own? Quite literally, textually, physically changed by the people he’s met? Who would have thought!

The GOD leader? The one who we’ve been working towards fighting all this time? The person controlling King Dark? Yeah. That’s Keisuke’s dad’s friend, who was the one behind getting him dragged into GOD business, which of course is then in turn the reason that Keisuke got dragged into this mess in the first place. Remember above when I mentioned how the monsterswap lead to Keisuke fighting the actual sins of his father and his past actions? Yeah. That’s the final boss. Just to cement and drive home really how much of this could have been avoided. How much the entire thing was his dad’s fault. Keisuke gets stabbed all the way through his chest while in King Dark but still manages to come out on top. Yeah, it hurt him, but the man was finally cut off.

The ending scene of the show, where Keisuke rides off into the distance and Tachibana reads the note that he left for him explaining his plans going forward, is so much different than the end of V3. V3 ends with Kazami Shiro experiencing loss once more and going to go off to deal with that. X, on the other hand, ends on one of the most hopeful notes I’ve seen yet. Keisuke seems… really happy. He’s excited to head out on his own, like the other riders before him. He’s excited to experience what they’ve experienced. He’s finally shed the weight of his father and his expectations for him and he can figure out what being a Kamen Rider means to him, specifically. It’s really, really sweet. It’s the ending I want in a story about parental abuse. It didn’t make me cry, because I was too happy for him, but it really stuck with me something vicious.

Do I sound like I’m going off the rails? I feel like I am!

The thing is… most if not all of these things can totally be explained away in ways that don’t have a damn thing to do with Jin Keisuke’s dad. The change of the monster themes from mythology to reality? I know that one’s because the person who handled the monster designs for the first part of the show left and they had to bring someone new in. The vampires? I’m convinced they got a great deal on the fangs and just wanted to use them where they could. The human experimentation themes? Sure, that’s always been a theme in Rider, not really to this degree of lethality, but maybe they’re just trying to bring in a somewhat older audience or something. V3 upgrading him? Kazami Shiro fucking rules, of course they’d want to bring him back into the show, and why not have him give Keisuke something cool so they’d have an excuse to do just that. The contrast between the endings of V3 and X are super apparent to me because I’m watching them as an adult less than a month apart, but so many other characters also ride off into the sunset, it could just as easily mean nothing.

I don’t care, I guess; I can’t see it any other way. It’s about defeating his dad and learning to deal with the trauma that your shit parents gave you. It’s Saturn Devouring His Son. Jin Keisuke is battling GOD but really, he’s just fighting all the demons that his father passed down to him. He’s fighting his ideals and his past and his old friend. He was fighting his father’s fight, and he’s done now. He’s found people that are like him, who have similar ideals and can support him in a way that his father couldn’t, and so when he rides off into the sunset at the end of the show, it’s maybe the lightest that I think the show has ever felt. He’ll have to deal with the consequences of his father’s actions for the rest of his life, there’s no question about that, but at least now he’s shed most of the baggage he was saddled with and is all the stronger for it. And I really, really don’t think that their intentions going into the show matter, because I think being able to read it that way can be enough for me. It feels like the story itself wanted to be told. It might have been messy, but hell, what weird relationships with your parents aren’t, right?

Pictured: sure that was probably just a throwaway line but damn, I get why you would associate those things...

TL;DR:

Kamen Rider X is a show where I think that the curtains were blue because that’s what was on sale at the store; maybe yellow curtains were more in season so they got a good deal on the blue ones, and that’s why they used them. Still, whether or not they meant anything by them or not and again, let’s be real, I don’t really think that they did, sometimes they can blow in the breeze and catch the wind just right and ripple like the surface of the ocean, and maybe if you squint your eyes and think about it in just the right way, you can see the debris from the Jin Station floating by.

Would I recommend Kamen Rider X?

FUCKING UHHHHHHHHHHH look okay. Yes if you’re nuts like me and think that this sounds like at least an interesting ride to watch. I can’t say that it really ever got boring and the fact that it’s only 35 episodes? It goes by fast. I was entertained throughout… that entertainment however did range a little bit from feeling like I was watching a fun little toku show to sometimes maybe watching a car wreck. I might have been rubbernecking down the freeway. I wouldn’t recommend that you start with X. Please, for the love of god, start with something that isn’t X. Heed the warning I wrote at the start. Maybe skip this one if you aren’t interested in thinking about some dude’s dad issues for a few weeks! But… it’s still compelling. I still keep thinking about it. It did a lot accidentally and I like it for that. Jin Keisuke, I wish you all the best!

ONE MORE THING! I COULDN’T FIND A PLACE TO MENTION THIS BECAUSE THIS IS LIKE THE ONLY THING THAT DOESN’T TIE INTO KEISUKE’S DAD ISSUES BUT ALSO I STILL WANTED TO MENTION IT: THERE ARE LESBIANS!

LET’S GOOOOO CHIKO AND MAKO YEAAAAAHHH!!!

One last Apollo Geist for the road:

#official bugtransport 2023 media recap #again excuse any typos or whatever i can't be assed to read this over #please don't reply directly to this post i will not be reading it #I HIT IMAGE LIMIT ON HERE EVERYONE PLEASE CLAP #rider roundup #kamen rider x

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