#bronze chariot
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Annabeth: I know you, Percy Jackson.
Sponge Bob Meme: A few minutes later [in Tartarus]
Annabeth, terrified: What the fuck was that? Don't you ever do that again!
Percy: What, fight a god into submission, scare them and then threaten them into fleeing? I've been doing that every year since I was 12. Ares, Clarisse's dick brother, Hades...
Percy: How did you not know this Annabeth? I thought you said you knew me?
#pjo#incorrect quotes#percy jackson#annabeth chase#anti percabeth#tartarus#ares#bronze chariot#hades#powerful percy jackson
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The Bronze Chariot and Horse Museum of the Mausoleum of the first emperor of Qin Dynasty opened to the public on 18 May, 2021 - WANGDA SHOWCASES-CUSTOMIZED MUSEUM DISPLAY CASES|MUSEUM SHOWCASES|MUSEUM DISPLAY CABINETS|VITRINES
#museum display cabinets#museum display cases#museum showcases#vitrines#vitrinen#museums#museum vitrinen#museum vitrines#museum display systems#museum display units#museum display#museum exhibition#museum conservation and exhibition#museum proteciton#museum artifacts#classical antiquity#antique#antiquities#museum archeology#qin dynasty#qin shi huang#bronze sculpture#Bronze chariot
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~ Model of a chariot drawn by a horse driven by two men.
Period: Late Bronze III
Place of origin: Ras Shamra = Ugarit (Western Lower Town, Tr. Banquette, pt 40)
Medium: Earthenware (yellow, white and brown glaze).
#ancient#ancient art#history#museum#archeology#ancient sculpture#ancient history#archaeology#bronze age#model of a chariot#late bronze III#ras shamra
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Charioteer of Delphi
* 478/474 BCE
* Bronze
* Height: 1,8 m
* Delphi Archaeological Museum
Delphi, October 2008
#Charioteer of Delphi#5th century BCE#Delphi#Pythian Games#Sanctuary of Apollo#Polyzalus#Pythagoras of Rhegion#ancient#art#Greek#bronze#statue#sports#Delphi Museum#my photo
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Age of Heroes (Tempera version 2023)
Illustration for Homer's Iliad. War Cariot of Achilles and Patroclus.
#patrochilles#achilles#patroclus#achilles and patroclus#bronze age#mycenaean greece#ancient greek mythology#horse#chariot#iliad#marysmirages#troy#mycenaean#painting#trojan war
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Iron Tyre and Nave Hoop, East Yorkshire, 300 to 200 BCE, The British Museum, London
#ice age#stone age#bronze age#iron age#prehistoric#prehistory#neolithic#mesolithic#paleolithic#archaeology#wheel#cart#chariot burial#ancient cultures#ancient living#ancient craft#grave goods#status#ancient travel
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Why did bronze age civilizations go aminly on the direction of chariots instead of focusing their efforts into "true" cavalry?
Chariots were terrifying and, for most of their history, devastatingly effective war machines.
Also, it's difficult to have "true" cavalry without access to the stirrup or the saddle.
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Trundholm Sun Chariot (Nordic Bronze Age, c. 1500-1300 BC)
Source: Wikipedia
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Bronze Chariot Inlaid With Ivory.
Etruscan. 6th Century BCE.
The Metropolitan Museum of Art.
#art#culture#ancient history#the metropolitan#the metropolitan museum of art#the met#etruscan#history#chariot#bronze
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youtube
More cool history!
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War chariot axle (轴) of the Western Han dynasty. Bronze, inlaid with silver. It is a pity that modern chariot manufacturers, especially from luxury brands, do not see this.) Such a heart forward approach.
Photo: ©颐和吴老
#chinese history#ancient china#chinese culture#archeology#ancient history#han dynasty#chariot#bronze#bronze art#chinese warfare#ancient warfare#warfare#history#archaeology#silver#ancient warrior#the charioteer
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Can men see without eyes?
#adventure comics#dr midnite#charles mcnider#the sight stealers#chariot#lost story#John Brooke#Sal amendola#dc comics#comics#70s comics#bronze age comics
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Intriguing ‘Dionysus with Panther’ Chariot Applique Discovered in Bulgaria’s Skutare in Settlement Inhabited in Ten Different Periods
A likely chariot bronze applique showing ancient deity Dionysus with a panther (leopard) has been discovered at the prehistoric, Antiquity, and medieval settlement at Bulgaria’s Skutare near Plovdiv. Photo by lead archaeologist Elena Bozhinova, Plovdiv Museum of Archaeology A highly intriguing ancient artifact – a bronze applique depicting wine god Dionysus together with what is believed to be a…
#Ancient Rome#Ancient Thrace#Ancient Thracians#Antiquity#applique#appliques#Archaic Period#Bronze Age#bronze applique#Bulgarian Archaeology exhibition#Byzantine Empire#Byzantium#Chalcolithic#chariot#chariot applique#Classical Period#coin#coins#Copper Age#Dionysus#Early Iron Age#Early Middle Ages#Eastern Roman Empire#Elena Bozhinova#excavations#Iron Age#Late Bronze Age#leopard#Middle Ages#Middle Bronze Age
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2 Samuel 8: God Gives David Victories Over All His Enemies
1 In the course of time, David defeated the Philistines and subdued them, and he took Metheg Ammah from the control of the Philistines.
2 David also defeated the Moabites. He made them lie down on the ground and measured them off with a length of cord. Every two lengths of them were put to death, and the third length was allowed to live. So the Moabites became subject to David and brought him tribute.
3 Moreover, David defeated Hadadezer son of Rehob, king of Zobah, when he went to restore his monument at the Euphrates River.
4 David captured a thousand of his chariots, seven thousand charioteers and twenty thousand foot soldiers. He hamstrung all but a hundred of the chariot horses.
5 When the Arameans of Damascus came to help Hadadezer king of Zobah, David struck down twenty-two thousand of them.
6 He put garrisons in the Aramean kingdom of Damascus, and the Arameans became subject to him and brought tribute. The Lord gave David victory wherever he went.
7 David took the gold shields that belonged to the officers of Hadadezer and brought them to Jerusalem.
8 From Tebah and Berothai, towns that belonged to Hadadezer, King David took a great quantity of bronze.
9 When Tou king of Hamath heard that David had defeated the entire army of Hadadezer,
10 he sent his son Joram to King David to greet him and congratulate him on his victory in battle over Hadadezer, who had been at war with Tou. Joram brought with him articles of silver, of gold and of bronze.
11 King David dedicated these articles to the Lord, as he had done with the silver and gold from all the nations he had subdued:
12 Edom and Moab, the Ammonites and the Philistines, and Amalek. He also dedicated the plunder taken from Hadadezer son of Rehob, king of Zobah.
13 And David became famous after he returned from striking down eighteen thousand Edomites in the Valley of Salt.
14 He put garrisons throughout Edom, and all the Edomites became subject to David. The Lord gave David victory wherever he went.
David’s Officials
15 David reigned over all Israel, doing what was just and right for all his people.
16 Joab son of Zeruiah was over the army; Jehoshaphat son of Ahilud was recorder;
17 Zadok son of Ahitub and Ahimelek son of Abiathar were priests; Seraiah was secretary;
18 Benaiah son of Jehoiada was over the Kerethites and Pelethites; and David’s sons were priests.
#Lord God Jehovah#Holy Bible#2 Samuel ch.8#David#Israelites#Defeated#Philistines#Moabites#Tributes#One-Third#Zobah#Hadadezer#Monument#Restored#Chariots#Hamstrung#Aramean#Congratulations#Silver#Gold#Bronze#Dedicated#Garrisons#Victories#Reigned#Godly#Officials#Priests#Generals
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I’ve been watching Spartacus with my dad and I must share with you the vision I had.
Gladiator 141 and the sweet little thing they got as a reward after a fight well fought.
this is very old:
Sometimes he spends as much as an hour staring at you through the bars of your cell.
You haven’t yet worked up the nerve to say something to him. Not while he still wears the silver-plated galea that obscures most of his face. You can still see thin lips through the middle slit of his helmet, where the cheek plates don’t meet and the thin strip running down the bridge of his nose gives way to his philtrum, and the barest slivers of dark eyes.
Apart from his helmet, he wears little else—sometimes the customary leather pteruge around his waist or a simple tunic belted at the waist. Nothing that would hinder his movements. It keeps the bulk of him on display. A prized fighter then, you surmise, as if the helmet weren’t enough to make that known.
He still gleams bronze from his fights under the sun. Perhaps he’s counted at least a full hand’s worth this week alone. He comes to you sometimes after those very fights, still dripping sweat and prowling the length of your cell like one of the lions kept beneath the arena. You never know what to say to him then. There’s little you can do apart from curl up into yourself in the far corner of this cell you’ve come to know as a temporary home and eye him warily.
It’s hard to reckon with the size of him. That’s what keeps you wary, watchful of him when he comes to keep you company for reasons unbeknownst to you. He hasn’t made them known yet, in any case.
There isn’t an augur to warn you the day he chooses to speak.
“Where'd they take you from, pretty bird?”
You flinch at the sound of his voice. It comes from the pure depths of him, Tartarus deep. You think it would take nine days for it to reach you, like a bronze anvil falling alongside it. In the days that he’s spent at your side, haunting the length of your cell like a sentry bound to his post, you’ve never once heard so much as a whisper.
His words take a moment to register. Across from you, he sits back on his haunches, thick thighs bunched up under the fan of his pteruge. It’s hard to tell how long he’s been there—the hallway outside your cell is relatively dark, the only windows being on the leftmost side of the building, near the door where he must have quietly slipped in.
“East of here,” you answer hesitantly.
He hums, nods his head. Ruminates on your words.
In truth, you can only guess—the village where you grew up, where you suckled at your mother’s teat and played with the other children in the glen surrounded by mountains jutting up from the earth and ochre yellow and green wildgrass, the fog sometimes sitting so low in the valley that you could lose yourself in it, is far from here. At least a month’s walk, perhaps more (you lost time along the way). Your feet are still blistered from the march back to Rome, legs still covered in sores and bruises; even now your cell is a poor comfort, the dirt floors harsh on your knees and shins, abrasive to the partially healed skin of your feet.
You’ve never been very worldly though, never known more than the four walls around your bed. Perhaps the walk wasn’t nearly as long, as treacherous; maybe you came from the west instead, or the south. You can only guess.
“I came from the north,” he says, breaking the silence again. That startles you somehow. The thought of him under the thumb of another feels inexplicably gut-wrenching; if a man with a virile, sweat-laden chest like his, arms corded with muscle that yours will never see in a thousand years, has been yoked to Rome’s chariot, what hope do you have?
You wonder for a moment if he’ll tell you more, but he falls silent after that simple revelation. The weight of his gaze still pins you in place.
“…You’re a prisoner then?” you ask, considering briefly whether to say like I, before discarding the thought. Like I, like me. Are you too in a cage, like me?
It’s difficult to suppress the urge to ask him more, but you do. It does you no good to endear yourself to men that move and stare like beasts. There’s something malignant in him, you think, a rot burrowed in deep. You can feel it stir in you too when your eyes dip too low, halted by the muscles of his thighs and the thick slabs packing his arms. You’ve seen beasts copulate; you imagine he’d be much the same.
He tilts his head, considering your words. Wolf-like, and you’ve seen wolves before. Though the ever-present helmet obstructs most of his face, the sharpness of his eyes pierces through. “They don’t put me in a cage anymore. What would you call that?”
Your chest collapses under his words. Hopes dashed. Does he go in the cage of his own accord then? Does he lock the door himself, deliver the key to the guard standing watch? You think people taken from their homes should see their plight in each other, but the gladiator before you doesn’t look at you like the two of you share a fate.
“A slave?” you postulate, perhaps too boldly. Worry crawls inside the walls of your belly when his lips flatten, almost imperceptibly.
“Do I look like a slave to you?” he asks, and you can hear it this time. A gentle warning. A rebuke. A question that tells you all that you need to know about this man and how he sees the two of you.
You remain silent, cowed under his stare and the tone of his voice. Perhaps he’s right, in a way; he’s not the one in the cage. He seems free to come and go as he pleases, his movements unrestricted. Unlike your own. You’ve hardly left this cell once since a faction of the legionaries left you at the gates of the city to be handled by those in charge, watching slave after slave made empticii, helpless, until finally you were dragged to the stand for viewing.
You flinch when he grabs one of the bars of your cell, thick fingers coiling around the metal and overlapping easily.
“What did they take you for, pretty bird?” His fingers tighten around the bar, knuckles whitening. “Every day I fight and yet they never offer you as a prize.”
The new scars on his body make sense then, fresh lacerations across his arms and legs that have multiplied by the days since he started visiting you. Why he gleams with fresh sweat every day, correlating with the fights you hear in the arena above you, the cacophonous chants and stamping feet. You can imagine him in front of a crowd frothing at the mouth for blood and gore.
He comes stained in it sometimes. You hold your breath until he leaves on those days, reminded too much of your village in the aftermath of the plundering.
“I don’t know,” you whisper, tucking your legs into your chest and trying to get as close to the wall behind you as possible.
It’s the truth. No one tells you anything. No one told you what would happen when they ransacked your village and burnt it to ash, the bodies of everyone you’ve ever loved still burning char black in the tall grass, whittled down by the flames. No one told you what would happen after they dragged you back a thousand passus to a city scorched in white marble and stone and immaculate gold. They dragged you here and shut the door.
He seems frustrated at your words, lips thinning like he has to hold back his rage.
“I’ll slaughter a hundred more if that’s your price,” he says, his helmet knocking into the bars with a rough clang and making you jump when he leans in. His chest lifts with his quickened breaths, working himself up at the thought of more bloodshed. “Then give you their hearts. No other man will take you. I’ll rend their limbs if another man tries. Make you taste their blood on my fingers and lap it up when I split you on my—”
Your heel skitters across the ground, digging a small groove into the dirt and scattering small rocks across the cell. “I don’t k-know what they intend—”
You stare at him when he rises back up to his feet, words dying on your tongue. Standing, he towers over you, shoulders rolling back to puff out his chest.
“You wait, little bird. Flutter your wings. Soon you’ll see the sun.”
You can only imagine what he means. The thought of sunlight on your face fills you with dread for the first time in your life.
He leaves without another word, heavy footsteps carrying him to the door until you hear him pry it open, sunlight streaming in for a second before it slams shut. The silence in the absence of him feels monstrous, gargantuan.
All you can do is let out a shuddering breath.
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Today's Flickr photo with the most hits: a detail from the Charioteer, Archaeological Museum, Delphi.
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