#broadway bus stop

[youthchronical]

Chennai Broadway bus terminus to be temporarily shifted to Royapuram

The Broadway MTC bus terminus, Chennai. File photo | Photo Credit: Athullyea Padmanabhan The MTC bus terminus at Broadway, behind the Kuralagam building, will soon be shifted temporarily to a land belonging to the Chennai Port Trust in Royapuram. The terminus had to be shifted to a site that is 1.5 km away from Broadway as a multi-modal hub is set to come up at the location at a cost of ₹822…

[unloneliest]

woke up at 5:30 am! on purpose! fed cats! ate breakfast! emptied a litter box without wearing nitrile gloves and didn't freak out! left the house on time to be earlier to work than yesterday even! last night i did as much of my tarot homework as i wanted to! last night i realized my abiding force of will has gone nowhere and it can be what guides my actions still! i am practicing autononmy! i am beginning to answer texts! this morning by the bus stop i see the world through poets' eyes! this morning by the bus stop i see the world through poets' eyes and i take note! this afternoon i'm leaving work early for my tarot class because i asked and i don't feel bad at all! last night i dreamed in ASL. this morning the sun's out and it's still so early it's cold and i've got the mountain goats in my headphones and the wind back in my sails!

[newyorkthegoldenage]

Two people stop on Broadway and look at the bus fares to various destinations, December 1, 1944.

Photo: Associated Press

[mcflymemes]

VARIOUS SETTINGS / LOCATIONS PROMPTS *  location based prompts for starters, adjust as necessary

[ 01 ] a crowded masquerade party, on the dance floor

[ 02 ] the narrow space between two dusty bookshelves

[ 03 ] a shady spot in the sand under a boat dock

[ 04 ] the cereal aisle of a neighborhood cornerstore

[ 05 ] a one-stall, one-sink bathroom in a noisy bar

[ 06 ] standing next to the only car in an otherwise-empty parking lot

[ 07 ] a field of ready-to-pick corn, the stalks making it impossible to see the space around you

[ 08 ] the sun-dappled, grassy edge of a small lake

[ 09 ] intermission at a broadway show

[ 10 ] seated beside each other at a nail salon

[ 11 ] a desolate field in the middle of nowhere, just before a rainstorm

[ 12 ] a lonely bus stop at 2am

[ 13 ] the garden center of a home improvement store

[ 14 ] the only two people at a hotel bar on new year's

[ 15 ] on a bench beside a large fountain and its lit-up water display

[ 16 ] the messy chaos of an all-you-can-eat buffet

[ 17 ] a city rooftop with lightning in the distance

[ 18 ] a rusty fire escape

[ 19 ] inside an ice cream shop

[ 20 ] at the entrance of a lost temple in the middle of a thick jungle

[ 21 ] the waiting area of a busy doctor's office

[ 22 ] a city street teeming with news vehicles, camera crews, and reporters

[ 23 ] a hammock on the beach strung between two palm trees

[ 24 ] a locked door. the key is under the mat

[ 25 ] the large, ornate rotunda of an official building

[ 26 ] an empty, run-down subway car

[ 27 ] the only gas station for miles

[ 28 ] an airport café during the breakfast rush

[ 29 ] a wine tasting event for couples

[ 30 ] the cliffside overlooking a magnificent, roaring waterfall

[traveler-at-heart]

What we were

Summary: After losing Clint, your marriage and family begins to fall apart. Will Natasha be able to go back to what you once were?

A/N: This is going to be four chapters, but most of it is written. It’s a mix of angst, hurt and comfort. Obvious warning, there’s a major character death. Natasha and R have a daughter.

Time was unforgiving.

It had been six months since you lost Clint. Two since you asked Natasha to move out.

Four hours of sleep was the most you could get each night. 

Time heals everything, people say.

Then, how come, the more time passed, the worse you felt?

Thoughts like these invade your mind, even when doing the most mundane of tasks. Like now, when you’re waiting for your daughter’s school day to be over. Leaning over your black Mercedes, you wish that your injured leg could be less of a bother and instead of driving, you could walk to pick up Anya and get distracted by the sights of the city.

The school bell rings and the quiet classrooms are full of murmurs, books stored away and steps walking -some rushing eagerly- to the exit.

Impossible to miss, Anya’s red waves are the first thing you spot. Raising a hand, she says goodbye to her friends and walks your way. 

“Hi, darling” you sigh against her head. 

She’s getting taller and maybe next year she won’t let you hug her. Maybe she’ll even want to take the bus while you anxiously wait for her return home. But now, she’s still a sweet child and she still lets you run your hands through her hair. 

“How was Debate Club?” it’s the first thing you ask, because she’d been preparing relentlessly to beat the other team. 

“We won, obviously”

“We should celebrate” a voice joins the conversation. You’re so startled that you drop the car keys.

“Mom!” Anya says, wrapping her arms around Natasha.

It makes you happy that she’s not resentful even after everything that happened. That she can love so unconditionally.

She didn’t get that from you.

“I didn’t mean to interrupt” Natasha apologizes, finally looking at you. There’s a weak smile on your face, what else can you do? “I was thinking we could go shopping for that new game you wanted?”

“Can we please, Momma?” Anya turns to you.

“Sure. Have fun. But don’t spoil your appetite. We’re having lasagna” 

“Mom, our favorite” Anya nudges the Russian and you look away.

“I’ll have her home by 6” Natasha saves you the embarrassment of being forced to invite her.

“Have fun” you wave goodbye, heart beating fast.

Breaking the speed limit, you rush home. But the tears start running long before you’re parked.

You look at your sad reflection in the rearview mirror.

Natasha looks better than the last time you saw each other.

Maybe all she needed was to be away from you, to be happy again.

--

Two glasses of wine later, you’re curled up on the sofa watching your favorite comfort show and feeling better. 

“What’s up, Buck?” you answer at the second ring of your phone. 

“Are you ok?”

You look at the half empty glass of wine and decide that no, you’re most definitely not ok.

“Sure, why you ask?”

“I just saw her driving with Anya” 

“Mhm” you look at the clock. 5:55 PM. She’s trying to be a responsible parent, at least. “Yeah, she showed up at school today. It’s good that they spent time together”

“Want me to come over?”

“No, I don’t want you two fighting in my front yard. Thanks, though”

“I’ll stop by tomorrow, ok? And if you feel like it, we can go to that Broadway show on Saturday. I got us tickets”

“Thanks, Buck” 

“Ok, she’s parking outside now”

“You followed them all the way here?” you jump out of the couch, looking out the window.

“What? I was worried!” 

“Sometimes I think it’s not so great that you live a few blocks away, you weirdo”

“But then I bring coffee and scones and you change your mind” 

“Yeap”

“See ya, doll”

“Bye, creep”

“Oh, come on!”

You let out a laugh at his protest. Wanda and Yelena have been texting you, so you scroll, smiling at the silly pictures of Fanny or the videos of Tommy and Billy doing their crazy science experiments. 

“Hi, Ma” Anya rushes past you. “Gonna change for dinner”

“Mmkay” you nod, texting Bucky to make sure he’s actually back home, and not slashing Natasha’s tires. 

“So…” 

“Nat, jeez” you drop the phone, not even aware that she is still here. She looks at you across the kitchen island. 

Don’t think how sad it is that she looks out of place here, where it used to be home.

Don’t cry in front of her.

Don’t.

“Sorry, I’ll say goodbye and leave” 

“Anya, your mom’s leaving” you busy yourself in the kitchen, looking away.

“So soon?” the girl peeks around, pouting. “We haven’t even played the game yet”

“Would you like to stay for dinner?” you give up, unable to say no to your daughter. 

“You sure?”

“Yeah, I’m always making extra anyways”

Because you were used to cooking dinner for three. 

Anya is happy to set the table, but you sit next to your daughter, leaving Natasha in front of her. You try to stay focused on Anya and school: the debate club, sports activities, a month in Europe for the best students. 

“Mom, do you think I can reach out to aunt Carol? I have some Astronomy questions”

Natasha immediately looks at you, but you’re hyper focused on the bottle of wine and pouring the last of it until your glass is filled to the rim.

“Uh, she’s not... I’m not sure where Danvers is, sweetheart. She left Earth a while back” 

“Oh, ok” the girl nods, looking at you with a frown. ���Mom, what’s wrong? Is your leg hurting? What did Doctor Cho say?”

Crap.

“What’s wrong, det…?” Natasha asks, looking at you. The pet name almost rolled off her tongue.

Everything. Everything is wrong, Natasha. 

“That old injury from our outlaw days. Doctor Cho gave me some pain killers. But I don’t think I’ll take them, they make me too sleepy”

“We’ll do the dishes” Natasha jumps in. “Don’t worry about it” 

“Thanks”

The dishes are the least of your worries, but it’s still a nice gesture.

Maybe when she’s finally ready to ask you to divorce her, you’ll be able to coparent. 

“Here, let me” she asks as you approach with the empty glass of wine. “Did Doctor Cho say anything else?”

You sigh, leaning against the counter, watching as she washes the dishes.

“She said surgery might make the pain go away. Actually, there’s a 90% chance it will work. But Anya’s got school and I’d have to do bed rest for at least five weeks. Maybe during winter break” 

“I can take care of her. Drive her to school or cook dinner or…”

“You’re a terrible cook” you remind her. It’s meant to be a joke, but also a way to make her stop.

You don’t want to be a burden for someone who doesn’t want you anymore.

“Wanda could teach me” 

“She’s too busy making sure the twins aren’t building a nuclear weapon in the garage” 

“Is there anything I can do to help?” she asks, almost afraid of your answer.

“Can you take her to school tomorrow?” you finally say, without providing further details.

The truth is, you’ll probably cry until you fall asleep, because you miss Natasha and this is the first time you’ve seen her in two months. 

And it would be better if you could sleep in, make an appointment with your therapist and then find a way to look composed by the time you have to pick your daughter from school. 

“Absolutely” 

“Thank you” 

“You don’t have to thank me, Y/N” 

The way she says your name makes you want to scream. 

--

Natasha’s long gone, Anya sleeping peacefully back in her room.

You’re looking at the ceiling, tears rolling down your face and soaking your pillow.

You miss her so damn much. You love her so much.

And you also hate her. And you hate yourself for loving her.

There’s a soft knock at your door. You know it’s not Anya because she would have turned on the hallway light.

“Hey, weirdo” you look at Bucky from across the room, smiling sadly. He approaches you and wraps you in his arms. You sob against his chest, feeling like the sadness will last forever.

“I’m sorry”

“It’s ok. Let it all out. I’m here”

You don’t know when you fall asleep.

--

A lot has changed in such a short time, but by now, Anya is used to the sight of her uncle Bucky, rotating between the few breakfast foods he can make without burning everything.

“You read my mind” Anya watches as he makes blueberry pancakes.

“Has no one ever told you it’s rude to sneak up on people?” he mumbles, impressed at how silent she was.

“No, because my moms are spies and so is my uncle and my other aunt and basically half my family”

“Smart ass,” he chuckles. “Come on, eat your food before it gets cold”

“Did mom eat anything yet?” Anya sits on a stool, eating on the kitchen counter.

“Your mom’s asleep” Bucky says. In fact, you cried, had a panic attack, a couple of nightmares, woke up to drink some water and then fell asleep at 4 AM. 

Basically, the usual for the past two months.

He’s so caught in his thoughts that he forgets to flip the last pancake. A knock on the front door snaps him back to reality.

“Can you turn off the stove? And pack your bag, we’re leaving in five…” Bucky yells over, opening the door without looking through the peephole first. He’s surprised to find Natasha on the other side “Can I help you?”

“I’m here to pick up my daughter” 

“Does Y/N know?” He's holding on to the door so hard that the wood cracks.

“She asked me to drive Anya to school”

“Ok, I’m ready” Anya announces, aware that her mother and uncle aren’t on the best terms. She walks between them to make sure they won’t punch each other. “Bye, uncle, thanks for breakfast” 

“Have a good day, sweetheart. See you Saturday”

“Right, for that musical, Beaglejuice”

“Shut up” he chuckles, kissing her forehead. Anya leans forward and hugs him goodbye.

Natasha is silent for most of the ride. Anya is looking out the window, uncertain of her mother’s mood. Maybe not saying anything is safer.

Three blocks away from school and Natasha hears herself blurting out what’s been on her mind this whole time.

“Does Barnes stay over a lot?”

“I guess” Anya mutters, still looking out the window.

“Well, do you know…”

The girl has enough, turning around to face her mother. There’s nothing but resentment in her eyes as she tells Natasha everything.

“Mom cries herself to sleep every night. Ever since you moved out, it's been hard for her to get up in the morning and act normal, let alone cook breakfast. So yeah, uncle Bucky is around all the time, just to make sure she’s at the very least alive. You’d know if you still cared about us” 

“Anya…”

“I’ll walk the rest of the way, thanks for the ride” she mumbles, opening the door and rushing away. Natasha is stuck in traffic, so all she can do is watch her daughter from the car.

Just when she was starting to make things right, she fucks up again.

--

“Thanks for breakfast” you say, mouth full of pancakes.

“More like lunch” Bucky corrects.

You nod, reaching for the maple syrup. 

“So, why’d you ask Natasha to drive Anya to school?” 

“Is that why my door is almost broken in half?” 

“I’ll fix it”

“You better” you mumble. He is still staring and you shrug your shoulders. “Just experimenting how co-parenting is gonna be when we officially divorce”

“So, you are asking her to divorce you?” 

“She’s gonna ask me. Sooner or later” you keep your head down, playing with your food. You’re not hungry anymore.

“All things considered, the ball is in your court”

“Buck” you plead, dropping the fork.

“I’m just saying” he approaches your side. “You’ll only be able to heal once you know what you both want. But running away won’t help”

“You sound like my therapist”

“But does she cook you breakfast?”

“For what she’s charging me, she should, actually” both of you laugh. And damn it, you know he’s right. “Thank you, for worrying about me. And for taking care of us these past few months. I’m sorry I’m such a mess”

As if on cue, tears start streaming down your face. Bucky hugs you, kissing your head.

“It’s ok”

“I know you hate it when people cry, I’m sorry” 

“Yeah, but I hate it a little bit more when you’re the one crying”

--

Luckily for your therapist, you’re all cried out by the time you reach her office. Instead, you discuss how it would be better to approach Natasha, who has always struggled with communication around difficult topics.

“I’m very happy with this session. We’ve made great progress” Doctor Thompson says and you put your fist forward.

“Fist bump” you encourage her.

“I’ll get my license taken away if we ever do this again” 

For the first time in months, you leave her office feeling a little bit lighter. 

Until you check your phone. 10 missed calls from Natasha.

“Nat?” you answer as she calls again.

“Is Anya with you?”

“I was about to pick her up from school” there’s a pause. “You did drive her to school, right?”

“Of course, I’m not an idiot” she shoots back.

“Well, I’m very confused because she’s only about to end her last class. Why would she be anywhere else, then?” you retort.

“Just meet me back home, ok?” she pleads.

“Fine”

She’s pacing on the sidewalk as you park.

“Care to explain?”

“The school called me an hour ago. She sneaked out after recess” 

“Let’s just track her phone” 

“It’s off”

“Well, fuck” you run your hand through your hair. “Did she say anything to you this morning? Did she seem upset?”

Natasha looks away, chewing on her bottom lip.

“I asked her if Barnes was staying over often”

“Natasha, for fuck’s sake” you sigh, turning away from her. 

Don’t shout. You won’t solve anything by screaming at Natasha.

Your daughter is missing because your wife can’t keep her jealousy to herself. So fuck it.

“If you want to know anything, you ask me, Natasha, do you understand? You don’t go questioning our 13 year old daughter, who, by the way, has been through enough shit lately. I’m trying to protect her and you’re here implying I’m sleeping with the only friend who isn’t tired of me being a mess. Which, for the record, I’m not. And would never. Unlike you, I’m not going around fucking people outside my marriage because I’m having a hard time”

“I don’t know how to get close to you, Y/N. You pushed me out ever since…”

“No! You don’t get to put this on me. I tried for months. I tried everything. And you scoffed and ignored and stood me up. I gave up the moment I found you in bed with Carol” 

Your voice breaks at the last part. That memory has been buried for so long; you want it to stay hidden, forever. 

It doesn’t matter. You need to find Anya.

“What are you doing?”

“Calling Buck” 

“I’m here. I’ll help you find her” 

“I’ll find my daughter alone, thank you” you walk past her, waiting impatiently for your friend to pick up.

“She’s my daughter too”

“You sure as hell haven’t acted like her mother in a long time, Natalia” 

You walk away, your back turned to her. 

“Buck” you say, voice trembling.

“I know. She’s at the Met. Hasn’t left. I’m outside, just in case”

“How did you…?” 

“I’m sorry. I was hoping I could convince her to come back before you found out she sneaked out of class”

“I’ll be there as soon as I can” 

--

Again, those soft waves of red are the first thing you spot in the room. Her blue eyes are fixed on Degas and his Dance Class.

“Hey, kiddo” you stand next to her, understanding immediately why she’s looking at this painting. “We still have your ballerina shoes somewhere in a box. Your mom loved going to your recitals” 

“I’m sorry for leaving school” 

“I played hooky a couple of times. It’s part of life. I just want to make sure you’re ok” 

“She doesn’t care if you’re able to get up in the morning but gets jealous because someone is taking care of us” 

You sigh. Anya has Natasha’s heart, after all. She loves and protects fiercely.

“That’s not exactly true. Come with me” your daughter takes your hand as you leave the museum. 

Central Park is still looking beautiful, even as fall approaches. Anya plops down on a bench and you take a seat next to her. A small groan leaves your lips. This damn leg.

“You know your mother was raised to be an assassin. The Red Room taught her that love was a weakness. And that she was incapable of having a family or people that cared about her. Even after all these years, insecurity can get the best of Nat sometimes”

“Why can’t we just… go back to what we used to be?” she mumbles, a tear rolling down her face.

“Oh, sweetheart” you hold her against your chest. “I want nothing more in this world” 

“I miss her”

“Me too, Anya”

“It’s like we lost her the day uncle Clint died” she sobs.

“But she’s still here. And she still needs you, my sweet girl. I’m not saying you should forgive her right this second. But don’t build a wall around yourself, please”

“Ok” 

“You know I lost my mom when I was 15. And a lot of that time I spent it angry at her for staying with a man that wasn’t good to us. But once she was gone, all I wished was that I had made her life a little easier”

“I’m sorry” 

“It’s ok. I’m glad I’m here, to make sure you don’t make the same mistake I did. We’re gonna be alright, I promise” 

“I love you”

“Love you too, kiddo” you keep her in your arms for as long as you can, but a light rain begins to fall. “Come on, now. Bucky’s been waiting for us”

“I know. I saw him following me on the bus here”

“My God, I don’t know which one of you is scarier” 

Anya giggles, and you take her hand. 

Even between all of this mess, she’s the one thing that makes everything worth it. 

--

Anya was the one that texted her mother, apologizing and letting her know she was ok.

You didn’t reply to Natasha’s text. “I’m sorry” isn’t enough sometimes.

After pizza and an intense game of Jenga with Anya and Bucky, you call it a night.

You know what you’ll dream of tonight, but you’re too tired to care.

[hlficlibrary]

HL Fic Library 🩷 Meet Cute Fics

Remember to leave kudos and a comment on the fics you enjoyed to show your appreciation! You can find the library's other recs here.

🩷 You Make Lovin' Fun by @homosociallyyours {E, 109k}

Harry is a 28 year old travel writer at a gay magazine who gets the assignment to go a lesbian cruise. She figures it's a nice chance to have some fun in the sun, but she's not expecting much else-- even if her partner and best friend are both encouraging her to hook up with someone while she's there.

When she locks eyes with a gorgeous silver fox from across the room, she starts to think she could've been wrong. There are lots of things standing in the way of anything real happening with her and Louis, but that doesn't stop them from falling for one another. True love isn't always easy, but they do make lovin' fun.

🩷 Quiet People Have the Loudest Minds by @2tiedships2 {M, 38k}

Broadway shows were one of the few things that could keep Louis’ attention for a full two hours without needing to move about. But not tonight.

The alpha next to him was both infuriating him and practically turning him on at the same time. He needed to leave. The alpha, that is. Louis was staying.

Or the one where Louis is a nonverbal omega who has accepted the fact that he will never find an alpha that will treat him as an equal. On the other hand, he’s never met anyone like Harry.

🩷  hymns for restless stars by @turnyourankle {E, 37k}

Every Holiday season Louis has his pupils write down their Christmas wishes for class. He's read almost every wish under the sun, but one girl's wish takes him by surprise. It's for her uncle not to be alone anymore. It's not a wild wish by any means, but Louis had no idea that former teen idol Harry Styles was lonely in the first place.

🩷 From the Start by @allwaswell16 {E, 32k}

Louis has no idea that one act of kindness will cause his life to spiral out of control. But that's what happens when his new friend fake proposes to him and a video of it goes viral.

🩷 On This Winter's Night by @reminiscingintherain {T, 27k}

When a random bloke offers his lap for a seat on a busy bus in December, Louis' Christmas ends up being much different, and far less lonely than he was expecting.

🩷 What Side Of Love Are You On? by @fallinglikethis {T, 25k}

Ever since Harry finally made the decision to come out to his mother as bisexual, she’s been foisting women on him left and right, determined it’s just a phase. But when she puts out a personal ad to find the perfect partner for her son, things really get complicated. Suddenly, Harry’s heart is being pulled in two very different directions. On one side is the sweet, caring woman he has fun with, but doesn’t know his mother chose for him. On the other is a man who seems to be his mother’s worst nightmare, but makes Harry’s heart flutter in ways he’s never felt before. When all is said and done, maybe they’ll all learn that when there is no clear path to go down, the best option is to follow your heart.

A Because I Said So Au with a bisexual twist.

🩷 A Road To Something Better by @taggiecb {E, 25k}

Louis Tomlinson, famous romance novelist, has just had the rug pulled out from under his feet when his boyfriend leaves him without notice. What's the most appropriate response to this? Move a thousand miles away and seclude himself in a tiny lake town, of course. But nothing is as he expects it to be in the very best way, especially not the handsome mayor of McAll, Idaho.

🩷 Naked & Proud by kiwikero / @icanhazzalou {E, 18k}

The town itself is tiny, as evidenced by the ten minutes it’s taken Louis to drive the entire thing. There’s not a single recognisable brand in sight—no Tesco or McDonald’s or even a bloody Starbucks. Lining the streets instead are mom and pop stores with names like ‘Jerry’s Burgers’ and ‘The Market Basket’ and…

“'Naked & Proud?'” Louis almost slams on the brakes at the outlandish sign, the name written in a seemingly innocent font, words curved around a large cartoon peach. He can’t help turning into the carpark, easing the car into a spot next to a beat up truck.

He isn’t sure what to make of it. Surely it isn’t a strip joint or sex shop, not with the families and little old ladies going in and out of the establishment. Some kind of nudist hangout, perhaps?

And, oh, God. Did Louis’ mother accidentally send him to live in a nudist colony?

In which Harry runs an organic store, not a nudist colony, and Louis doesn't know whether to be relieved or disappointed.

🩷 Single Bells Ring by nonsensedarling / @absoloutenonsense {M, 16k}

A holiday singles event is not where Louis wants to be tonight, but there he is, helping his best friend find love. Just as Louis is settling in, ready to have a terrible time, he meets the fittest alpha he’s ever come across.

🩷 love so soft, you ain’t had nothing softer (series) by @neondiamond {E, 15k}

Louis is an Alpha with an odd obsession for gummy bears. Harry is an Omega who makes friends a little too easily. They meet on the bus.

🩷 Breathe me in, breathe me out by @lunarheslwt {G, 14k}

Louis was just passing the autumn collection, when an unfamiliar but addicting scent tickled his nose. Cinnamon. He turned as he realised something. He felt calm. Relaxed. The permanent agitation that he carried was melting away the more he breathed in the scent, as faint as it was. Consumed by the crazed desire to seek out the specific candle, Louis began picking up candles and sniffing them madly, when a deep voice piped up, startling him. “Uh, sir, we don’t allow candle fetishists in here.” Louis froze mid sniff in mortification. Willing himself to not blush, he turned, a retort at the tip of his tongue. Except, it died in his throat as he took in the man before him. “I uh,” Louis blurted out accidentally, temporarily rendered speechless by the frankly unfairly beautiful man before him. Only at the man’s grin widening did he regain his wits. “You’re gonna kink shame me?”

Or, Louis is drawn into a quaint candle shop in his desire to find ways to soothe himself while struggling with touch depri. It takes him two more run-ins and with the lovely alpha sales assistant, and a drop, to figure out the source of the scent that imprints upon him and calms his omega. Idiots to lovers

🩷 Far Afield by QuickedWeen / @becomeawendybird {T, 11k}

Harry Styles is a witch who owns the best flower shop in Manchester. Lottie Tomlinson is planning her wedding, and brings her brother along to her first appointment. Both men have been having a bad day and sparks fly.

🩷 The Art of the Giants by asphodelknox / @iamasphodelknox {G, 10k}

Louis is dancing away from an old relationship when he meets Harry at a bookstore in the busy streets of Seattle. Harry is just a bookstore owner hoping his handsome weekly visitor could become something more.

🩷 All Shook Up by @littleroverlouis {T, 9k}

Memphis, Tennessee is looking to crown the Ultimate Elvis Tribute artist. A majority of the contestants are content to shake their hips on stage, but singer-songwriter Harry is taking it more seriously. He is confident his voice and charisma will send him straight through to the finals.

He is already polishing his crown before even setting foot on stage, until he meets a fellow competitor. Louis is talented, charming, and a natural born performer. He commands the stage— and Harry's attention.

Harry has his eye on the prize and the Ultimate title, but what happens when someone becomes the ultimate prize?

🩷 The Way to My Heart by LadyAJ_13 / @ladyaj-13 {T, 6k}

Louis' having a bit of a dry spell, until he bumps into an attractive alpha in the supermarket and leaves with his number. It was a hard bump. Very... muscular.

The only problem is, said alpha asks Louis to cook for him - which is not exactly his skill set.

🩷 Only Reason by @letsjustsee {NR, 5k}

“We are so lucky to have with us one of the leading experts on beekeeping in the modern age, Dr. Louis Draper.” No. No, no, no… “I know I speak for many of us when I say that this man’s books have guided our practice, or helped us get started,” Harry continued, and Louis watched as the crowd nodded their heads in agreement. Oh shit. No. What? No. But then Harry was gesturing towards him, saying “Dr. Draper?” into the microphone, the crowd was applauding, and Louis found himself walking up the stairs to the stage.

Or, Louis is most definitely smitten with Harry from the second he sees him, but he is also most definitely not the world's foremost expert on beekeeping. He decides to roll with it anyway.

🩷 Unplant by @hellolovers13 {M, 4k}

Please do not disturb my plant She needs 2 hours of sunlight a day and I live in a sunless flat I’ll be back to collect her soon Thank you and stay well.

or Louis should've looked where he was going, then he wouldn't have to desperately try to save a little flower now.

🩷 Validation by @lululawrence {NR, 3k}

“Hey, how are you?” Harry asked. He’d found that sometimes just a smile and a kind face was all that was needed to brighten someone’s day.

“Oh, uhm. I’m alright. Can you validate me?”

Harry chuckled inwardly, but decided to go ahead and take him literally.

Or the one where Harry worked in a parking garage and he totally didn’t mean for this, the whole validation of people as well as their parking tickets, to become a thing. It just kinda...did.

🩷 more than that by @nouies {NR, 3k}

Harry looks for the best bread in France. He finds Louis.

🩷 an honest mistake by @disgruntledkittenface {NR, 2k}

“You look different when you’re not covered in come,” he blurts out, immediately regretting each and every life choice that has led to this exact moment. Elevator Guy is going to hate him.

Louis has ridden the elevator with his neighbor all week. The first time they speak, there’s a misunderstanding.

[aaknopf]

A poem of girlhood and after by Indigenous New Zealander Tayi Tibble, whose second collection, Rangikura, comes out in America today. In the dictionary of Māori language, hōmiromiro is defined as “a white-breasted North Island tomtit…a little black-and-white bird with a large head and short tail.” It is often used to refer to someone with a tomtit’s keen vision—that is, a sharp eye for detail.

Hōmiromiro

I used to dream about a two-headed goldfish. I took it for an omen. I smashed a milk bottle open

on a boiling road and watched a three-legged dog lick it up and in the process I became not myself but a single shard of glass and thought finally

I had starved myself skinny enough to slip into the splits of the universe but once I did I realised that the universe was no place for a young thing to be and there is always a lot more starving to be had.

When I was a girl I thought

I was Daisy Buchanan. I read on the train. I made voluminous eyes.

Once I walked in front of a bus and it exploded into a million monarch butterflies then I was ecstatic!

As a girl, I could only fathom

time as rose petals falling down my oesophagus. It tickled and it frightened me. I ran around choking for attention.

I had projections of myself at 100 my neck weathered and adorned like the boards of a home being eaten by the earth.

When I was a girl I would lie

on the side of that road in the last lick of sun and wait for the rabbits to come saluting the sky of orange dust

and then I would shoot them into outer space.

For many years I watched them bouncing on the moon. But then I stopped caring and so I stopped looking.

More on this book and author:

Learn more about Rangikura by Tayi Tibble.

Browse other books by Tayi Tibble and follow her on Instagram @paniaofthekeef.

Hear Tayi Tibble and Harryette Mullen read from their new poetry collections at Beyond Baroque in Los Angeles, CA on April 10 at 8:00 PM. Tayi Tibble will be joined by Sasha LaPointe in Washington for a series of readings and conversations at Elliot Bay Book Company in Seattle on April 13 at 7:00 PM, at King's Books in Tacoma on April 14 at 1:00 PM, at Bainbridge Island Museum of Art in Bainbridge on April 15 at 7:00 PM, and at Third Place Books in Seattle, Lake Forest Park, on April 16 at 7:00 PM. Tayi and Sasha will also be at Broadway Books in Portland, OR, on April 17 at 6:00 PM. Tayi will be at the LA Times Book Festival signing books at the ALTA booth (Booth 111) on April 20 at 11:00 AM.

Visit our Tumblr to peruse poems, audio recordings, and broadsides in the Knopf poem-a-day series.

To share the poem-a-day experience with friends, pass along this link.

[deke-rivers-1957]

King Creole Review

There's a lot of history with this movie. Based on the Harold Robbins book A Stone for Danny Fisher, Hal Wallis bought the rights to make a movie with the intent on casting James Dean in 1955. However, with the death of James Dean in that same year, this movie was initially canceled. It wasn't until Hal heard of the successful off-Broadway version in 1957 that Elvis was considered for the lead role. Production was very troubled due to Elvis getting his draft notice a month before filming began. To avoid losing money that was already invested, Elvis had to get a 60 day deferment.

With Elvis officially able to film, the plot had to be retooled to fit Elvis' southern roots including changing the setting to New Orleans as well as making him a singer instead of a Jewish boxer. This movie has the luxury of being filmed in New Orleans' French Quarter with the Fisher family living right on the infamous Bourbon Street. Given the nature of the original story, famous director Micheal Curtiz was selected in addition to well experienced cast. Once filming was completed, Elvis was officially inducted into the army only two weeks later. Considered by fans as the most cinematic Elvis movie, does it deserve the title as the best Elvis movie or is this movie overrated and a complete rush job to cash in on Elvis astronomical rise to fame? Let's find out.

We are immediately greeted by pure New Orleans aesthetics with various black street vendors singing about their wares. I know it's not on the official soundtrack so I'm lumping it in with "Crawfish" as it marks the first time we ever get a duet in an Elvis movie. When I think about that song, I actually don't think about Elvis. I think about Kitty White and all of the vendors vocals. I was impressed that we emphasize the history of New Orleans by focusing on the French Quarter as that's the oldest neighborhood in the city. I couldn't think of a better way to start the film off.

Danny and his family are introduced and we're told that both Danny as well as his sister Mimi have to work. Ever since their mother died, Mr. Fisher couldn't keep a job to save his life. You can tell this is a dated movie because programs that would've at least slightly helped this family wouldn't exist until the 1960s. Heck food stamps wouldn't even exist until 1964. While there were programs meant for unemployment and dependent children, it's obvious that they don't qualify for that. Even if they did, the apartment they live in is all they can afford. It's a very bad place to be in so of course you understand why Danny wants to graduate and start working full time.

Before going to school, Danny works a couple hours at a nightclub as a bus boy. We see based on the sign outside as Danny walks in that it's interestingly enough called the Gilded Cage. The name as we'll find out is more than fitting. Some men are completely drunk and one of them wants to dance with a woman named Ronnie. The interaction makes you feel very uncomfortable because you know that while Danny can just keep his head down to avoid trouble, the situation was getting wildly out of hand. So to avoid having to listen to Ronnie getting beat, he decides to sing. It's incredible how right off the bat, this movie doesn't hesitate to build off the gritty nature Jailhouse Rock tried to develop.

"Steadfast, Loyal And True" feels like a moment of irony. Danny is being made fun of for going to school. Ironically it also represents Danny's innocence. It still doesn't stop the man from hitting Ronnie again and we see Danny directly get himself involved so the situation doesn't continue to escalate. He makes sure that Ronnie is safe on his way back to school. Yet when he does get in trouble for getting into a fight, the teacher decides to fail him. The principal goes along with it as if there was no other alternative and he has no authority to overrule her judgement since they didn't even hear Danny's side yet. Danny wouldn't have gotten into that fight, if he didn't get Ronnie out of there. And now he's being punished by a system that's meant to keep kids off the streets. Had Danny been allowed to graduate, none of this would've happened. But because it didn't, we are seeing Danny come to a point in life where he's questioning if doing the right thing is worth it anymore.

Deciding to quit school, Danny runs into Shark's gang. Shark gets mad because Danny punched his brother. We get introduced to his two lackeys, Sal and Dummy. Naturally there's a lot wrong with a man being called Dummy when he's very clearly mute (or at the very least has severe issues with speaking), but this is 1958. People with disabilities were treated poorly on a regular basis to the point of it being normalized. While Shark wants to get even for what Danny did to his brother, Danny doesn't mess around by immediately pinning Shark against the wall. Having a certain amount of respect, Shark offers to let Danny in with the gang about a possible job. Danny still wanting to have a good moral standing of course says no and heads home.

As soon as he gets home, everyone's disappointed to hear that he wouldn't graduate. Somehow Mr. Fisher makes an agreement with the principal that Danny can graduate after one semester if he can get the job at the pharmacy. That's right his dad's a pharmacist and you really start to question what on earth he did with his life if they fell on hard times that fast. I know that they lived in the French Quarter for 3 years because he went into a depressive state and couldn't work, but you seriously have to question on how someone can go to medical school to get a pharmaceutical degree and not have any kind of nest egg saved up. Even back in the 1950s, people in the medical field would've been comfortably well off. But regardless, I get why you have this since you need to have Danny make it very clear why he's so aggressive. Mr. Fisher has no backbone or self respect that even when he gets punched in the face, he didn't do anything about it.

To prove his point that he'll never end up spineless like his father, Danny decides to join Shark's gang. While he doesn't actually steal anything, he does sing "Lover Doll" to distract the crowd. I have no idea why the entire store gets distracted by this but it works. I also have no idea why a nickel and dime store would have anything expensive like watches or jewelry but at that point you just have to say "whatever". So to avoid suspicion, Danny hangs around the counter where he meets Nellie. For some reason, she says that she knew he was in on it, but doesn't do anything about it. I admit this whole scene is just weird but we have so much movie left that you kind of forget about this. I'm also just realizing that if Nellie is just now meeting Danny for the first time, yet we see that she's in walking distance from her house, she's older than Danny. The Fisher's lived in that apartment for 3 years and that school looks small enough where everybody knows everybody. For all we know she could be Mimi's age.

Meanwhile we get a very blatant case of ageism in the workforce. Mr. Fisher goes to the pharmacy for a job and if it wasn't for the head pharmacist's boss saying if he's qualified he should get the job, he wouldn't have gotten the job. Mr. Primont outright says that he wanted a younger man to Mr. Fisher's face. Throughout the movie we see that Mr. Primont only wants a younger man so he can train them to do it his way. It's pretty progressive to not pull any punches when showing this. They do not hesitate to make it clear that Mr. Fisher is being discriminated because of his age as opposed to a genuine display of incompetence. In fact, Mr. Primont's boss makes it a point to say that Mr. Fisher shouldn't be judged by his age or by the quality of his suit but his competence and that they've gone through a lot of younger pharmacists that couldn't cut it. So Mr. Primont begrudgingly hires him.

Later that night Danny runs into Ronnie again but also finally meets his boss, Maxie Fields. Maxie being the jealous type, thought she was cheating on him with Danny. She tries to make it clear that things were innocent as she heard him sing and Danny of course goes along with it. After all, any decent human being who already saw someone like Ronnie getting abused would do what it takes to make sure it doesn't happen again. Calling his bluff, Maxie wants Danny to sing right on stage. I genuinely think "Trouble" has one of the most natural build ups in an Elvis movie. It's a character defining song as you get the idea that Danny is singing it directly to Maxie. The black jazz musicians also showcases the sense of scale where people of color aren't just used as window dressing to fill in the shot. If Danny was asked to sing a capella or with the Blue Moon Boys cameoing as his back up band, it wouldn't work. It would feel like an Elvis song. But because we did get black jazz musicians to reflect the New Orleans setting, this is no longer an Elvis song but Danny's. And he makes his point loud and clear.

He gets introduced to Charlie LeGrand who owns the King Creole and offers Danny a job. In an act of foreshadowing, Maxie comes in and says that even if Danny leaves he'll always get what he wants. Knowing that Danny can sing, Maxie of course would want him too. Danny leaves the club as he doesn't want to make a rash decision and we see more of Shark's gang as well as a blatant case of ableism. Shark doesn't want to give Dummy (which I'm not calling him for the rest of this review) his equal share of the money made from their theft and that he should be thankful to be getting anything. But that's where we get Danny making the decision to step up and take the money out of Shark's hand so he can give it to the man. This is where Danny shines as a character since we see that even when he does something wrong, he still has some morality to him. While he did participate in the larceny, he also made sure that the money was distributed fairly even though he knew this would put him in Shark's bad graces. There will be times when he very easily could've made a bad moral decision if it benefited him, but instead tried to keep kind.

Danny picks up Nellie after work and we get another instance of him making a bad decision but still keep kind. When he takes her to the motel, he pays the man at the front desk to get a room. Obviously his intention was to bed her, but Nellie starts getting nervous. Once he sees that she while she does like him, she isn't ready for that type of relationship he backs off. Even though he just paid for the room and there's even images of a deleted shot of them in the room, they leave. This is when we see Danny realize that despite his reputation of being a hoodlum, he really doesn't act like one.

When Ronnie shows up, even when he kisses her, I don't take it as him actually being interested. He just thinks he is because he thinks this is the type of girl that he deserves. A good girl like Nellie would just be wishful thinking since he was only minutes if not seconds away from bringing her down with him. Of course, Danny still has his moments of morality as he's willing to stick up for his father. After checking in on him at the pharmacy, he sees Mr. Fisher getting berated by Mr. Primont. While he doesn't reveal that he's Mr. Fisher's son, he does stick up for him by saying that his father saved his life after getting a bad prescription. Sure it's a lie, but he needs Mr. Primont to see that even though Mr. Fisher isn't a young man, he's competent. All he needs to do now is to get a spine.

Once he talks with Mr. LeGrand, Danny invites him to dinner so he can try to convince Mr. Fisher to let Danny work. Then we get a weird scene where he expresses interest in Mimi. If we're assuming she's in her 20s that's fine, but Mr. LeGrand looks way older than 40. I know people back then didn't put that much thought in preventing wrinkles, but it visually looks weird to have this man want to date a woman young enough to be his daughter. I don't hate it though since if Danny makes his club a success and Mr. LeGrand marries Mimi, she'll be able to stop working. Since we don't know exactly what she does, we can assume that she's really only working so they don't starve as opposed to genuinely being interested in it.

Despite his father's wishes, Danny has his first show at the King Creole. But first we're treated to Forty Nina in Hollywood's tribute to Josephine Baker. It's so on the nose that not only is she French, but her song is literally called "Banana" and she has that same strip tease outfit with bananas on it. I highly recommend looking up Josephine's story as she did a lot more than just work as an erotic dancer. My personal favorite factoid was that she was a prominent black figure who aided the French Resistance during WWII. Anyway, Danny has his first performance at the King Creole. At first the crowd sits on their hands, but after "Dixieland Rock" it's hard not to get the club buzzing.

With Danny being a success, he tries to take things a little further with Nellie. He goes on a ferry ride with her so he can show her the old house his family used to live in. You really get the idea that this house is his motivation to work so hard. He wants to be a success so one day he can buy that house back. And this to me also confirms that whatever feelings he has for Ronnie aren't that serious. He never opens up to her about this the way he does with Nellie. If anything this is a tieback to the mindset people had where good girls are for serious relationships. Bad girls were for fooling around and with how they parallel Nellie and Ronnie it's obvious that both represent the two paths Danny can take. At his second show he sings "Young Dreams" and I love how it fits into what we've seen about Danny so far. The songs really add to the narrative as they reflect Danny's emotional state.

After getting an update on his father and seeing that nothing changed about Mr. Primont, he runs into Shark again. No harsh words this time, but a way to get Danny in with Maxie. Shark proposes that if Danny comes with him, he'll help Danny take care of Primont. This goes about as well as you think as Maxie turns Danny off with every sentence he utters. The way he has Ronnie show off her legs makes him feel uncomfortable and I get why. The objectification of her when she clearly hates it, is enough to make anyone feel gross. Even if he did have feelings for her, watching her do this knowing it's because Maxie is baiting him makes him feel sick inside. Leaving the apartment with no deal made, Danny sings "New Orleans" and I just love how with every song, the atmosphere around him seems to get darker. That indicates that while things might look good, we're actually being led to something more sinister.

That something sinister very quickly comes as Danny leaves ahead of his next show to call the plot off with Shark. As angry as he was with Mr. Primont, he knew that he couldn't go through with it. He realized that if this success lasts, he can get his father out of this trouble on his own. Things go from bad to worse when we see that instead of Mr. Primont, Mr. Fisher goes to take the money to the bank. Even though they saw that it was Mr. Fisher, they still go through with it. They were already in too deep to quit and knowing Maxie and Danny, this is exactly what they need to get Danny under his thumb. Danny meanwhile just runs away feeling guilty about it. Mimi sends Nellie to get Danny and bring him to the hospital where they find out there's a lot of pressure in his brain. To save his life, a specialized surgeon will have to be brought in and it's very expensive. I'm well aware that insurance exists and it would've covered a good portion of it since this was a life or death situation, but even then the bill for his eventual recovery would still be a lot more than what they can afford.

Enter the surgeon courtesy of Maxie Fields who is willing to pay for everything. Naturally Mr. Fisher lives and we get the most vulnerable acting in any Elvis movie. Danny reminds us all that he's only 19. While men were expected to be mature by then, from a modern perspective you get the idea that this is a boy. Danny age wise might be an adult, but experience wise and emotionally speaking he's still a boy. He very much does his best to act like an adult, but this was his breaking point. I wouldn't be surprised if he actually fainted because of how stressful it was to wait all those hours. Thankfully he's able to go to another show and sing "Hard Headed woman". It's amazing how light everything is now reflecting how Danny thinks everything will be ok. We're treated to the titular song, "King Creole" and Danny's on top of the world.

That is until Shark shows up. Knowing Danny's in debt to him, Maxie asks for him to be sent to the apartment. That's when we see the trap being laid up when Ronnie is shown in an attractive dress and Maxie's dead asleep. She even makes it clear that her job is to seduce Danny so Maxie can then present him with a bill for using her "services". Every scene with Ronnie is sad since it's obvious that she's being abused. This clearly isn't a situation where she can go to the police. She does fight back against Maxie, so fear isn't the reason behind her silence. Maxie wouldn't be doing this without fear of being punished if he genuinely thought the police would do anything.

Danny of course empathizes with her since she was once a singer like him and tries to give her some affection in spite of it being a trap. And of course, Maxie wakes up in time to see Danny. While Danny does evade the bill trap, Maxie succeeds in trapping him via blackmail. I mean if it was just "sign with me or I'll tell your dad about your involvement with the robbery" Danny himself made it clear that he doesn't care about it. However, Maxie ups the ante by saying "sign with me or Charlie's place'll be filled with stink bombs. Maybe even real bombs. Anything can be made into an accident after all". That's right we got a threat of terrorist attack if Danny doesn't sign. Even if it is a bluff, you don't mess around with innocent lives like that. The meme above summarizes my thoughts on the matter since no rational human being would be able to make a good decision in that situation either.

We return to the dark scenery as Danny makes his final appearance at the King Creole. "Don't Ask Me Why" indeed. I don't think Danny telling anyone now would be any good. All it would do is drag them all down. Can you imagine having to look your sister in the eye as she chews you out for betraying everyone? Insanity. And yet Danny does this because he doesn't want anyone else getting hurt.

This includes Nellie. He breaks things off with her but can't tell her why. You just feel bad because as much as it's a self sabotage, you can't really blame him for doing this. Things continue to get worse as his mute friend writes a note saying Mr. Fisher is talking with Maxie. While he doesn't know the situation, he at least tries to support Danny's career by pleading for Maxie to let him stay. He's worried that the loss of Danny would result in LeGrand's club closing. That would mean his daughter's future would be in danger too. After seeing Shark come in, Mr. Fisher says that he's going to go to the police. That's when Maxie let it slip that Danny was in on the robbery.

The outcome is when things officially get out of hand. The look on Mr. Fisher's face when he found out Danny would sink so low. He's so angry that he doesn't even say anything. He basically disowns Danny for this. With the agreement being broken, Danny has nothing to lose. He attacks Maxie with such a ferocity, that you think he could actually kill Maxie if he didn't get hit in the head with a chair. Interesting fact, that chair was real. It was simply made of balsa wood so it wouldn't be as painful. Walter Matthau who played Maxie once said in an interview that during a practice shot, Elvis actually vomited after being hit because he just had lunch. And when you hear the sound of him hitting Danny with the chair, it sounds so real that you forget you're watching a movie.

Danny of course recovers long enough to take out Maxie so he and Ronnie can escape. Maxie meanwhile, notifies Shark and his gang to attack Danny. Knowing that he's being followed, Danny tries to hide long enough for him to knock one of them out. Biding his time until Shark appears, the two scuffle with a knife. In a scene where you genuinely worry that Danny might die in this fight, the tension is through the roof. It gets so serious that while Danny does succeed in not dying but letting Shark stab himself in the chest by accident, the damage was done. Danny had been stabbed himself in the arm.

The cinematography of Danny trying to get back home is so beautiful. You know things are looking bad with how he stumbles just getting up the stairs. I was in total shock to see blood running down Danny's arm after Mr. Fisher turned him away. Based on the blood flow being that heavy that you see it already dripping down to his hand, you just know a major vein was severed. With the adrenaline waning, Danny starts to faint from blood loss. This is when you know if it wasn't clear earlier that this movie has teeth. It's not afraid to show someone die and also isn't afraid to show Danny almost die too. But this is when we get to see his fate turn around where as bad as things are, him choosing to be kind is being rewarded. Because we clearly saw that he wasn't completely uneducated, Danny's mute friend communicated to Ronnie that Danny was in trouble. If he didn't do that, Danny would've bled to death right in that alley because she wouldn't have known to look for him.

I don't fault Ronnie at all for not taking Danny to the hospital. While it was a big risk to not address his wounds as you have no idea how long Danny would last after passing out, going to the hospital would've made him an easy target for Maxie. Maxie already had one doctor in his back pocket, so he would've been untouchable and "made it look like an accident" when he would kill Danny. In Ronnie's mind, going to her hideaway was her best shot at saving him and giving them both enough time to recover. Danny was in no position to function so quickly after losing blood. We even get a cinematic shot that once they make it to her hiding place, he's sweating bullets and is so dizzy that he can't even see straight before passing out again.

After waking up, Danny realizes that Ronnie saved his life. They fool around for a while and at this point you just know that she's going to die. Every scene where she's talking about Maxie's abusive nature, you know that this story isn't going to end well. So I don't mind at all to have what feels like a moment of peace here because it serves a purpose. Ronnie and Danny would never get together even if she did live. She just wanted to know what it was like to have someone give her genuine affection. Even though Danny does feel conflicted, I don't think it's because he genuinely feels attracted to Ronnie. It's because he feels bad that she was in that situation and wants to comfort her.

Of course you have Maxie eventually find them. As confusing as that is, we just have to assume he had people follow her since it would've been very suspicious to have her disappear that long. She did say after that Danny was in and out of consciousness for the past 2 days. You know ahead of time that they couldn't just stay in that shack forever. Maxie with full intent on killing both of them brings a gun and starts to shoot at them. Danny's kindness is once again rewarded in a way as if his mute friend didn't warn him the best he could about Maxie, both him and Ronnie would've died. He even goes as far as to go up to Maxie to try wrestling the gun away. While he did try Ronnie gets shot in the process, but thanks to Danny's friend getting into the scuffle, Maxie fatally shoots himself by accident. Danny might have been saved but it was too late for Ronnie as she dies in his arms happy to know that at least for one brief moment she was loved again.

After Ronnie's tragic demise and Maxie's downfall, Danny is free to go back to the King Creole. Even though we don't know how much time passes, we don't need to for us to figure out that things have gotten better. Normally I would criticize something like that being resolved in a way that the audience doesn't get to see, but that isn't the case in this movie. Danny breaking things off with Nellie so he can keep her safe from Maxie is a justifiable action that she would easily understand. Her agreeing to wait for Danny to recover from the traumatic events shows that she's a level-headed woman. As for his father, Mr. Fisher almost had his son die. That's enough to erase anything that he didn't agree with. Unless he's inhumanly unreasonable, I don't think Danny explaining that if didn't sign with Maxie, actual acts of terrorism would've been committed would result in Mr. Fisher saying that he could've done anything different. Any normal human being would understand that this was a horrible situation that Danny had no way of preventing without completely throwing away his core values.

The bittersweet ending is very well balanced. Danny singing Ronnie's song "As Long As I Have You" makes for a nice tribute. I appreciate that the movie doesn't just time skip to Danny singing a musical number about how great everything is. It would be a severe case of emotional whiplash and would have gone against what the tone of the movie was. Danny went through a traumatic event most people can't even fathom happening. He should be allowed to grieve while also getting closure. Singing Ronnie's song on stage does both as it's making it so her song is heard and never forgotten. That being said, I wish we got to see what happened with Danny's mute friend. Knowing that he was only working for Maxie because he had nowhere else together really makes you wonder what will happen to him now that Maxie's gone. Either way, seeing Danny squint through the dark room as his father steps into the light is so beautiful. It shows that all was forgiven and his father finally approves of what Danny wants to do in life. Danny can finally have peace now that he has a support system who loves him.

This is the most emotionally complex Elvis movie I've seen that perfectly executed its vision. I have been waiting a full year since my Wild In The Country review to talk about why I didn't like Glenn's character arc. Danny is what Glenn tried to be. Danny is that troubled youth who makes bad decisions because there is no good decision to be made. There wasn't a single path Danny could take that didn't involve suffering. Even as far back as Danny sticking up for Ronnie wasn't an obvious choice to make. Sure not getting involved would've meant Danny wouldn't get into it with Maxie, it also would've meant that Ronnie would continue to be abused without ever getting a bone thrown to her. It wasn't until later on that he realized Maxie had an insane amount of power. Based on how Maxie operated, you already know that he's got the entire bureaucracy and law enforcement of New Orleans in his back pocket. Shark's gang being able to do as they please without a significant fear of getting caught under Maxie's command shows how Danny going to the authorities for help is completely off the table.

I know I had some complaints about some scenes not really making sense, but those are so easy to fix that I'm giving this movie my first 10/10. Those plot holes don't take away from the emotional impact of what we saw. The amount of songs felt natural as you can't have Danny working at night clubs without having him sing. The character interactions were perfect as you understand exactly what their motives are and have their actions reflect that. Shark looking like he's 35 doesn't matter either since the movie already introduced him as being an older brother of a boy Danny went to school with. Shark said he smokes and since we know smoking can cause premature wrinkling, I'll give him the benefit that he isn't more than 10 years older than Danny. I highly recommend watching it, but surprisingly to some as the last Elvis movie you watch for the first time. To me having it be first would give you an insanely high expectation for an Elvis movie. This movie best serves as leaving it for last as it perfectly captures why fans always talk about what could've been.

AN: Happy Birthday Elvis and RIP! Also shout out to @vintagepresley for writing a companion review of the book. I usually don't talk about the book when talking about the movie so it's nice to have the opinion of someone who read it. I can't wait for it to come out.

Tagging: @codalysssssworld, @presleysweetheart, @smokeymountainboy, @arrolyn1114, @peaceloveelvis,

@mercsandmonsters, @eapep, @atleastpleasetelephone, @without-him, @lucy114505,

@blighted-star, @rjmartin11, @elvisbdoll, @dragonkingsdaughter, @ifyouloveweedletsgosmoke,

@ilovequeen978, @fuzzymusic94, @halieghhh, @tacozebra051, @hooked-on-elvis,

@lola-1013, @father-of-2cats, @southcarolinawoman, @elvisflowerchild, @elviscinema,

@i-r-i-n-a-a, @jadeeloveselviss, @xanatenshi, and @thelonelyheart.

[chaifootsteps]

have you seen this?

https://www.tumblr.com/radiostatik/750045870512357376/major-loser-on-twitter-call-the-og-alasor-singer?source=share

feels like a real double standard that Viv can be as petty & aggressive as she wants on Xitter, forget to credit some of her artists, refuse to credit artists who provided her several major ideas for the pilot of Hazbin, block people for politely asking where playbills they paid for are, make a major public scene about Lackadaisy turning down her money because they don't want her name in the credits in the hopes her fans will throw mud at them (which they do) despite them trying to handle it with civility, have leaked discord DMs suggesting she totally pulled the rug out from the pilot cast with regards replacing them and that she tried to avoid sending them the audition material for as long as possible to stop them reauditioning

and her stans will bend over backwards to say none of that is in the least bit unprofessional. They also still love to throw A24 under the bus to say they had a hand in the casting process, when like - why would they? if you have a cast of VAs everyone already loves I'm sure they and Amazon wouldn't have minded keeping at least some of them to save some money, especially if they had any smart marketing reps who noticed how much of a bond the online fandom had already formed with them. Getting big Broadway VAs can attract an audience but stunt casting alone isn't enough and we've had the better part of a decade of bad animated movies proving that much; it's well known it was always Viv's idea to replace everyone

and Gabriel makes one tweet pointing out the obvious fact that the old cast might still be working on the show if it stayed indie (and after he phrased all the FAQs in that comment under 'thank you and goodnight' as diplomatically and nicely as possible towards Viv, & it still made her look bad not because of Gabriel, but because what Viv did to them was bad)

and he gets called unprofessional? make it make sense

It's disgusting. Gabe's been nothing but professional every single solitary minute since he was cut along with everyone else, even when he arguably should have been a little less so.

I'm glad people are realizing just how miserably Viv treated her pilot cast, and glad people are defending him.

[slipping-through-my-fingertips]

Day six: snuggle

Ao3

Picture this: two perfectly content men soaked to the core from an unexpected rain storm; they take shelter under a bus stop and snuggle together for a bit of warmth. They kiss briefly under a streetlight tasting of chocolate milkshakes and maple syrup.

This unfortunately is not what happens with Kurt and Blaine.

They spend a good couple of hours in the diner, they do order milkshakes and drown their pancakes in maple syrup. Kurt’s sure his lips would taste like syrup if they were to kiss but they don’t.

The goal is to wait out the rain but it’s not letting up. The nearest subway stop is only a few blocks away but neither of them had an umbrella or a hood. So, they do get soaked on their walk. There’s no bus stop to take shelter under so they speed walk to the subway station.

“I can’t wait to take a hot shower when I get home,” Blaine comments.

Kurt is definitely not thinking about Blaine’s shower. He simply nods in agreement because Kurt’s not sure he can properly answer.

“I had fun tonight,” Kurt says.

He’s trying to come out of his shell more this year. Going after his dreams doesn’t end with Broadway and New York. Being able to express his feelings, his worries, and hopes with a romantic partner has always been a huge dream he never allowed to come to fruition in Ohio.

But now, tonight even, he dares to hope.

“Me too,” Blaine replies, a soft smile on his face. “I want to see you again.”

Kurt's heart leaps. Because yes, of course, he wants to see him too.

“I’d like that.”

The train arrives and Kurt gets halfway home because realizing he never asked Blaine’s phone number.

[broadwaydivastournament]

BROADWAY DIVAS SUPERLATIVES: And the Tony (doesn't) Go to...

Not even the greats have Tony Awards on their shelf. Here are just a small selection of women who have earned three or more Tony nominations, but have yet to (or never will) receive a win. These egregious losses keep me up at night and time is ticking.

*deceased at the time of this poll

Dana Ivey: 5 Tony losses, 2 categories. 82 years old, alive, retired

1984 Best Featured Actress in a Musical (Sunday in the Park with George)

1984 Best Featured Actress in a Play (Heartbreak House)

1997 Best Featured Actress in a Play (The Last Night of Ballyhoo

2005 Best Featured Actress in a Play (The Rivals)

2007 Best Featured Actress in a Play (Butley)

Jan Maxwell: 5 Tony losses, 5 categories, 61 years old, deceased (2018)

2005 Best Featured Actress in a Musical (Chitty Chitty Bang Bang)

2007 Best Featured Actress in a Play (Coram Boy)

2010 Best Leading Actress in a Play (The Royal Family)

2010 Best Featured Actress in a Play (Lend Me a Tenor)

2012 Best Leading Actress in a Musical (Follies)

Laura Linney: 5 Tony losses, 1 category 60 years old, alive, active

2002 Best Leading Actress in a Play (The Crucible)

2005 Best Leading Actress in a Play (Sight Unseen)

2010 Best Leading Actress in a Play (Time Stands Still)

2017 Best Leading Actress in a Play (The Little Foxes)

2020 Best Leading Actress in a Play (My Name is Lucy Barton)

Elaine Stritch: 4 Tony losses, 3 categories, 89 years old, deceased (2014)

1956 Best Featured Actress in a Play (Bus Stop)

1962 Best Leading Actress in a Musical (Sail Away)

1971 Best Leading Actress in a Musical (Company)

1996 Best Leading Actress in a Play (A Delicate Balance)

*2002 Special Theatrical Event (Elaine Stritch at Liberty) - Won a special non-competitive Tony.

Judy Kuhn: 4 Tony losses, 2 categories, 66 years old, alive, active

1987 Best Featured Actress in a Musical (Les Misérables)

1988 Best Leading Actress in a Musical (Chess)

1994 Best Leading Actress in a Musical (She Loves Me)

2015 Best Leading Actress in a Musical (Fiddler on the Roof)

Carolee Carmello: 3 Tony losses, 1 category, 61 years old, alive, active

1999 Best Leading Actress in a Musical (Parade)

2006 Best Leading Actress in a Musical (Lestat)

2013 Best Leading Actress in a Musical (Scandalous)

Julie Andrews: 3 Tony losses, 1 category, 88 years old, alive, semi-active

1957 Best Leading Actress in a Musical (My Fair Lady)

1961 Best Leading Actress in a Musical (Camelot)

1996 Best Leading Actress in a Musical (Victor/Victoria)*

Marin Mazzie: 3 Tony losses, 2 categories, 57 years old, deceased (2018)

1994 Best Featured Actress in a Musical (Passion)

1998 Best Leading Actress in a Musical (Ragtime)

2000 Best Leading Actress in a Musical (Kiss Me, Kate)

2018 posthumous Special Tony Award for her legacy as an advocate for women's health.

Rebecca Luker: 3 Tony losses, 2 categories, 59 years old, deceased (2020)

1995 Best Leading Actress in a Musical (Show Boat)

2000 Best Leading Actress in a Musical (The Music Man)

2007 Best Featured Actress in a Musical (Mary Poppins)

More Polls

[stillamassivedeal]

★“enjoy your eight minutes...”★

ew, why am i on tumblr?

ooc under the cut !!!

admin info ★

hey !!! im the admin for this account and i use she/they pronouns :D i feel more comfortable keeping my main blog private, so if you know it, you know it, please stop sending me asks about it, i will ignore them.

ill be using reneé rapp as a faceclaim, both from the 2024 movie and her time on broadway :3

this rp is set post-canon !!!

rules/boundary info ★

nsfw is allowed, but i may ignore it if im uncomfortable !!!

no limits to asks but im putting a three message limit on dms unless we're close !!!

ask about anything !!! no topics are out of bounds but again if im feeling particularly shit that day i might ignore it !!! tw for heavy topics from asks

im in gmt timezone and may not reply immediately so please just be patient !!! i have a life outside of tumblr but i will reply at some point :3

free to rp over dms or reblogs, whatever works !!! i usually do dms, works better for me personally and that is what im used to, however reblogs is fine too :D

general dni, just don't be an asshole pls :)

tags ★

#regina speaks ♡ ← normal posting

#regina's inbox ♡ ← asks

if im speaking ooc, ill use // at the start of whatever im saying !!!

character info/headcanons ★

her full name is regina olivia-rose george

she's 17, her birthday is july 24

she/her

she's a deeply closeted lesbian, absolutely terrified to come out, drowning in internalized homophobia. she's had a crush on janis since they were in middle school, and bullied and outed her because she was insecure and scared of herself. she dates boys to keep up appearances, and forces herself to enjoy it. if you bring it up, she'll shoot it down. she gets very worked up about it, drilling herself into a spiral so much she'll have a panic attack, but never in public, always in the privacy of her own bedroom.

she lives with her mom and eleven-year-old sister kylie. her mom and dad got a divorce when she was 12, and she doesn't see him anymore, she's practically forbidden to talk about him. she's got a pretty rocky relationship with her mother, but a really strong bond with her sister.

she suffers from chronic pain after the bus incident. most days she's fine but some days she physically cannot get out of bed. she refuses to take her medication because it makes her go “crazy” and she doesn't like to feel out of control.

adding onto the last point, crossing roads and driving etc. are really difficult things for her, and she usually needs someone to be there with her, but she'll never ask for it. she sometimes has panic attacks if she's in a car for an extended period of time, so she needs to travel with someone she knows.

since the accident, she also has frequent nightmares. they aren't as common as they used to be, after she got out of the hospital she would wake up screaming, but that rarely happens nowadays. they tend to happen when she's not in her own bed, so if she's on holiday or sleeping over at someone's house. she feels so embarrassed whenever it happens, because she physically cannot stop herself from crying.

she really struggles to regulate her emotions, and her mood swings are intense and frequent. she hates this, again because it makes her feel like she isn't in control of her own body, which has led her to do some things she regrets.

she puts up a front for others because she likes feeling cared about. she thinks that if people see the real her, they won't care. she's built herself up so high that she thinks if anyone sees her even slightly out of line, they'll turn on her. even after half the school saw her get hit by a bus, and her reputation was at an all-time low, she still felt as if she had to be tough to be cared about, which brings me to my next point.......

she's desperately trying to climb her school's social ladder again, and will literally do anything to get to the top, even if it means pushing herself to extremes. yeah she's. she's not a happy girl. ahahaha.

she'll get very jealous over the smallest things.

neurodivergent in some way, but she refuses to even acknowledge it. likely some kind of personality disorder.

she really struggles with body image and eating, more so than ever after the kälteen bar incident, and will avoid as much conversation about her body and food as possible. the pressure to be perfect has been placed on her from a young age, and that definitely plays a part in this. as usual, she will lie if you ask her if she's eaten or something along those lines.

she calls her mom ‘mommy’. she doesn't mean to but sometimes it just slips out.

she's secretly a theater kid. she used to be in shows when she was younger, but stopped because whoever heard of a popular girl doing theater? she used to want to be on broadway, but her dad told her to shut up, and that it was a dumb dream, so she dropped the idea pretty quick.

massive ariana grande fan. yes she has seen the wicked movie. yes she liked it. no she will not admit that.

she has interests believe it or not, she just hides them away because she doesn't want to seem “nerdy”. she's got a bunch of stuff in her closet to do with her interests and that's why she doesn't like people going in there.

more will be added as we go !!!

[vintagestagehotties]

Hot Vintage Stage Actress Round 1

Ruby Dee: Libby George in Jeb (1946 Broadway); Ruth Younger in A Raisin in the Sun (1959 Broadway); Lutiebell Gussie Mae Jenkins in Purlie Victorious (1961 Broadway); Cordelia in King Lear (1965 American Shakespeare)

Elaine Stritch: Pamela Brewster in Loco (1946 Broadway); Grace Hoylard in Bus Stop (1955 Broadway); Mimi Paragon in Sail Away (1961 Broadway)

Propaganda under the cut

Ruby Dee:

Beautiful and talented! She's in the American Theater Hall of Fame for a reason! And that doesn't even speak to her work as a civil rights activist and a woman who didn't back down easily.

Elaine Stritch:

[kaytheday]

What's outsiders musical thoughts about?

I listened to half of the musical on a bus ride the other day. I put my thoughts down on each song. They were originally for my sister (who is obsessed with musicals) but I figured I could share them too. However, I only got to Friday at the Drive-In before I had to stop. So here is my thoughts so far. I have also put a link to my complete and updated thoughts at the end!

Tulsa 1967:

- The start almost made me laugh.

- Small town bop for sure.

- I enjoy the succession of this song, most musicals opening number typically starts slow and progresses as they introduce the story.

- He did not have to introduce Johnny like that 😭

Grease got a hold:

- Being a greaser is earned? I kind of like that idea.

- Chicks love a busted up face? Soda right though.

- “I’m a latchkey kid but they keep changing the locks” I like this line.

Runs in the family:

- This is actually a bop despite how sad the lyrics are.

- Brent Comers voice is so big. He has a thinner frame than I thought he would but you can tell his voice really projects.

- He’s got that southern sort of charm.

- I’m glad they’re giving Darry more emotions and his side of the story more.

-Brent Comer is the best!

Great expectations:

-Brody Grant is a very talented broadway singer, he is very good at putting emotion in his voice. This song communicates overwhelmed to me.

- This song really communicates ponyboys inner guilt at his situation. How he wants to do well despite the hand he’s been dealt. He wants to make his family proud.

- the ensemble in the back of the chorus is a really nice touch. Gives the sense that he really is overwhelmed with peoples expectations of him.

Friday at the Drive-in

-Why does it feel like Ponyboy has like a massive crush on cherry?

- There is a big dance break so I’m sure the dancing is good in this one.

Thoughts have been updated here in an official post!

[klaineccfanficlibrary]

Klainebingo 2023

Thank you for hosting this event! I’m an old school reader and admittedly haven’t read much new stuff post-2016 or so, so it’s been absolutely lovely to find some new stories and authors!

1 Reverb (2018) by Fickelodeon

2 Wouldn’t Change a Thing (2020) by nontarelationship 

3 You Will Be Found (2020) by kurtswish

4 Avian Series (2020) by kurtswish (Occupation: Superhero Costumer)

5 Even Better Than the Real Thing (2020) by gleekto

6 Andante, Andante (2020) by fionapear 

7 Courting Royalty (2022) by hundredindecisions (Challenge: 3-2-1 Prompt Bang 2022)

8 (N/A)

9 Head Versus Heart (2020) by dizzywhiz (Trope: Hurt/Comfort)

Thanks for your list!!  Find them on ao3.  Rules here

1. Debut fic:  Reverb by Fickelodeon

Post-Michael thru Season 4, Blaine’s just a little unwell, and it’s not long before everyone can tell. Physical and Mental illness. Hurt/Comfort. If Robin Cook wrote for Glee and General Hospital, the story would probably go like this. Universe Expansion for Seasons 3 and 4 wherein I add some elements to canon and leave some out but manage to get everyone back to place where they can still have the endings they got in canon. Honestly, I just wanted to write H/C, but the more I hurt Blaine, the more I realized he wasn’t going to handle that very well, so I added in diagnosed mental illness. All in all, it’s everything I love to read in fic all in one epic story, just in case I don’t ever get the chance to write these characters again.

2.  Page turner:  Wouldn’t Change a Thing  by notarelationship

On the eve of his junior year at Dalton, Blaine’s dad kicks him out of the house, dumping him at the bus stop, cutting him off, and leaving him homeless. This is the story of how he survives, meets Kurt, and ultimately triumphs.

3. Need Tissues:  You Will Be Found  by @kurtswish

While on a National Broadway Tour, Kurt meets an intriguing man. With more than just miles separating them, they must make a choice. Will they go back to their different lives, or will they let themselves be found?

4. Unusual occupation: Avian Series by @kurtswish

Kurt Hummel always felt separate from his world and being the only one without a Soulmark didn’t help. Just as he is ready to end it all, something happens to change the course of his life.  Parts 1 - 3

5. Your choice:  Even Better Than the Real Thing by @gleekto

College AU/Famous!Blaine and Fanboy!Kurt - Kurt POV

Kurt really doesn’t have time to figure out the dating world between being a freshman at prestigious theatre school, LAADA, and his active but secret blogging life in the Sing!Fandom. So what if Sing! ended last year? There are still fics to read and actors to follow. Especially the uber talented heartthrob lead, Blaine Anderson. He can act. He can sing. He can even dance. He’s gay. He’s out. And he’s only 24. Kurt is willing to twiddle his thumbs and click refresh until Blaine Anderson’s next project.

He just didn’t expect the next project to be on his roommate Rachel’s new TV show.

6. Summer story:  Andante, Andante  by fionapear

Burt settles himself down in the chair of the vanity, peering up at the wall-mount TV at the movie. He fishes in his pocket for the piece of paper from the restaurant earlier. His fortune cookie fortune reads: “With time comes understanding.” It feels a little apt, even if he can’t place exactly why.

(Or: In which Burt Hummel, slowly, begrudgingly, grows to accept Blaine’s presence in his life.)

7. Written for a challenge:  Courting Royalty  by hundredindecisions  @thnxforknowingmeme

During Kurt’s senior year, his friend Rachel gets some surprising news: she’s the princess of a tiny European country, and she has a twin brother to share the throne with. The summer after graduation, Kurt visits his newly-royal friend in the country she’s heir to before they head to New York for college. Staying in a castle and rubbing shoulders with European nobility is pretty overwhelming, but the most remarkable part is meeting Rachel’s brother Blaine, the new prince who Kurt instantly begins crushing on. This summer is either going to be a fairy tale come true, or result in multiple diplomatic catastrophes.Inspired by Meg Cabot’s Princess Diaries series and the movie adaptations, but no background knowledge is needed to understand the fic.

8. n/a

9.  Genre/trope you wouldn’t normally read:  Head Versus Heart by @dizzywhiz

Blaine gets hit by a taxi and ends up in the hospital - so naturally, as his best friend and long-standing roommate, Kurt visits him at every possible opportunity until he gets to come home.

It only takes a couple of visits before Kurt notices something impossibly endearing: the beeping of Blaine’s heart rate monitor speeds up whenever his friends come to visit. At least, Kurt assumes it happens with all of Blaine’s friends, until Sam has no idea what he’s talking about.

#Jen

[fefnepz]

your human centipede drawing makes me think.

I CAN FINALLY SEW A MOUTH TO A BU-TT!!!!!

Now, my rendition of human centipede:

:33 < the date started off so well :33 < begin my night not expecting the furright of my life :33 < she was purrfect from what I could tell :33 < how could I not see the dangfur right in furront of me

My favorite food is fis)( (:33 < baby, thats my favorite too) I love cartoon cats (:33 < baby, i love firestar) :33 < hey girl, whats your favorite furr-ilm? :33 < she said the best movie of all, a masterpiece of art called

)(uman Centipede, )(uman Centipede! :33 < i think that I'm gonna get purrdered tonight! )(uman C-ENTIP-ED-E! Not ironically! :33 < she said, t)(e costume design was a )(ighlight

I like it for t)(e plot (:33 < tell me what the plot's about) German doctor sews t)(ree people ass to mout)( (:33 < cool) )(uman Centipede! :33 < please signless save me! :33 < i think thats a red flag, i dont want to get stabbed!

:33 < she said, ")(uman Centipede is a tour de force" :33 < i think, "holy shit, im gonna be the main course" :33 < she said, "I admire t)(e narrative of c)(aracter growt)(" :33 < i try to get the waiters attention by blinking in morse code!

W)(y are you blinking so muc)(? (:33 < ive got something in my eye) )(ere, let me get it out (:33 < no thank you, i dont wanna die) HEY THERE, NEP WAS BLINKING AT ME, IS THIS BECAUSE YOUR DATE IS A FREAK? (:33 < no) VERY GOOD THEN, BON APETITE

Stop )(iding be)(ind your silly made up red flags To not take a c)(ance on t)(e best relations)(ip youve never )(ad :33 < maybe youre right and im looking fur excuses :33 < my hearts got bruises but im ready to choose this love!

You could be my world, t)(e love of my life! One day we'll get flus)(ed and become matesprites!! :33 < within a tasteful quadrant and the wedding of our dreams! Only if t)(e wedding is t)(-EM-ED! :33 < tell me what the themes gonna be!

)(uman Centipede, )(uman C-ENTIP-ED-E! :33 < that way we could save on the catering bill )(uman C-ENTIP-ED-E! Only one mouth to feed! :33 < if you are the best troll, you know the deal, pucker up!

:33 < i can finally open myself up to love I can finally sew a mout)( to a BUTT! :33 < human centipede, )(uman Centipede

Broadway accounts get on this!! /j