#britt nichols

[anyataylorjoys]

CARMEN YAZALDE in A Virgin Among the Living Dead (1973)

[weirdlookindog]

Britt Nichols in Drácula contra Frankenstein (1972)

[irina-irina-irina]

Britt Nichols

[videoreligion]

That’s it for this week’s #FrancoFriday !

Dracula, Prisoner of Frankenstein (1972)

[callunavulgari]

“I want him to get better. I want to watch him get better. I want to get better with him.”

a mix for @skitchskatchbat's fantastic @steddiebang2024 fic! Go give it a read!

langsam "we gave it a go" — nicholas britell // theme variation -piano, orchestra- — nicholas britell // islands — young the giant // i feel like i'm drowning — two feet // deadrose — unprocessed // fear of the water — syml // lovely — billie eilish & khalid // back to black — amy winehouse // where's my love — syml // in this shirt — the irrepressibles  // still don't know my name — labrinth // movement — hozier // my tears are becoming a sea — m83 // only — ry x // touch — sleeping at last // oceans — seafret // wash — bon iver // larghetto — nicholas britell // heal — tom odell // it's ok — tom rosenthal // can you hold me — nf, britt nichole // american prometheus — ludwig goransson // anchor — novo armor // let it all go — rhodes, birdy // already gone — sleeping at last // moondust — jaymes young // underneath the stars — the cure // haunt you still — softcult // don't haunt this place — yellow ostrich // i found — amber run // afterimage 3 — max richter // smother me — the used // i wanted to leave — syml // closure — michael giacchino // history is now — natalie holt

listen on spotify | read the fic

langsam - "we gave it a go" || nicholas britell *instrumental*

theme variation -piano, orchestra- || nicholas britell *instrumental*

islands || young the giant When no one's home, do they feel cold on your bones All the years I missed your warmth Have you missed my warmth?

i feel like i'm drowning || two feet You're a poison and I know that is the truth All my friends think you're vicious And they say you're suspicious

deadrose || unprocessed Like feathers on oil film You can cling to my neck Hands bruise in darkness Life fades to black

fear of the water || SYML If this was meant for me, why does it hurt so much? And if you're not made for me, why did we fall in love?

lovely || billie eilish & khalid Oh, I hope some day I'll make it out of here Even if it takes all night or a hundred years Need a place to hide, but I can't find one near Wanna feel alive, outside I can't fight my fear

back to black || amy winehouse You went back to what you knew So far removed from all that we went through And I tread a troubled track My odds are stacked

where's my love - alternate version || syml Cold sheets, oh, where's my love? I am searching high I'm searching low in the night

in this shirt || the irrepressibles I am lost, I am lost I am lost, I am lost I am lost

still don't know my name || labrinth What do I say To make me exist? Ooh, stranger

movement || hozier You are a call to motion There, all of you a verb in perfect view Like Jonah on the ocean When you move, I'm moved

my tears are becoming a sea || m83 I'm slowly drifting to you The stars and the planets Are calling me A billion years away from you I'm on my way

only || ry x Coming from the cold, buried under heat Lay you on the floor, heavy like the force between us Cut me like a rose, turn me like a beast Hold me on the floor, heavy like the force between us

touch || sleeping at last These moving parts inside of me Well, they've been shutting down for quite some time Leaving only rust behind

oceans || seafret I wish I can feel your skin And I want you From somewhere within

wash || bon iver I, I'm growing like the quickening hues I, I'm telling darkness from lines on you

larghetto || nicholas britell *instrumental*

heal || tom odell And take my mind And take my pain Like an empty bottle takes the rain And heal, heal, hell, heal And tell me some things last

it's ok || tom rosenthal Tell me true My heart is new My love has gone away It's okay I know someday I'm gonna be with you

can you hold me || nf, britt nichole Just wrap me in your arms, in your arms I don't wanna be nowhere else Take me from the dark, from the dark I ain't gonna make it myself

american prometheus || ludwig goransson *instrumental*

anchor || novo armor And I hear your ship is comin' in Your tears a sea for me to swim And I hear a storm is comin' in My dear, is it all we've ever been? Oh, anchor up to me My love, my love, my love

let it all go || rhodes, birdy There's a light on the road And I think you know Morning has come And I have to go

already gone || sleeping at last Remember all the things we wanted Now all our memories, they're haunted We were always meant to say goodbye Even without fists held high It never would've worked out right We were never meant for do or die

moondust || jaymes young And there's nothing, that I can do Except bury my love for you

underneath the stars || the cure Whisper in my ear, a wish "We could drift away so far"

haunt you still || softcult When you think of me, is it fondly? Or do I haunt you still? Do I haunt you still?

don't haunt this place || yellow ostrich I know it's right, I know it's okay And I'd like to see you now and again This was hard, it was dumb, we should do it again

i found || amber run And I found love where it wasn't supposed to be Right in front of me Talk some sense to me

afterimage 3 || max richter *instrumental*

smother me || the used Now I can breathe, turn my insides out And smother me Warm and alive, I'm all over you Would you smother me?

i wanted to leave || syml *instrumental*

closure || michael giacchino *instrumental*

history is now || natalie holt *instrumental*

[watching-pictures-move]

Looks like her real name was Carmen Yazalde and she was a model outside of the Franco movies.

Britt Nichols! Star of- I really can't find alot of info on this lovely actress- I think she was in some Franco films.

Please help!

[legendofmorons]

Musical 500 (event) masterlist

This event is currently: OVER

It runs from 3/26/24 to 4/2/25

Wild ...Die for you -starset

Wild ...Weight of the world - Citizen soilder

Wild ... Best I can - art of dying

Legend Falling inside the black (Skillet)

Wild - Kokoronashi Sou version

Wild play with fire (Sam Tinnesz) (contains fire appreciation/ obsession)

Wild Hallelujah, I'm not dead (citizen soilder)

Warriors Say nothing (Citizen soilder)

Wild The Champion (Carrie underwood)

Legend Heart of stone (Britt Nichole)

Wild, Hyrule, and Legend We didn't start the fire (Billy Joel)

Legend 100 bad days (AJR)

Hyrule Sweet tooth (Scott Helman)

Twilight See you again (Carrie Underwood) ((Contains grief and implied death))

Cal Human (Christina Perry)

[antheminmyheart]

Hiiii, so… I do photography now 💜

Learn To Fly Photography

I’m on Facebook and Instagram!

I’m local to Dayton, OH for live shoots, but I also sell my prints online using a site called Darkroom!

All of my prints are currently 50% off now until January 2nd, 2025!!!

And I was just featured in my local paper!

[bookwyrmshoard]

Phasers on Stun!: How the Making (and Remaking) of Star Trek Changed the World, by Ryan Britt

Informative, entertaining, and delightful

As a lifelong Star Trek fan, I found Phasers on Stun!: How the Making (and Remaking) of Star Trek Changed the World both very informative and highly entertaining. The book covered things I already knew (for example, how Martin Luther King, Jr., told Nichelle Nichols that she had to remain on the show) , but also went into depth on things I hadn’t known (like the extent to which Nichols was instrumental in getting NASA to diversify the astronaut program, and her subsequent recruiting on NASA’s behalf.)

Like me (and my husband, Mr. Bookwyrm), Ryan Britt is a fan not only of Trek in its many iterations, but also of the ideals and underlying beliefs of Star Trek: its optimism; its vision of a future where all intelligent beings are respected and included regardless of race, gender, sexual orientation, gender identity, or even species; and its preference for diplomatic resolution of conflicts (although Starfleet is willing to fight to defend its member planets when necessary.) Britt looks at how those ideals have been represented throughout the various series of Star Trek, from the original series (TOS) to Strange New Worlds. The shows haven’t always lived up to those ideals—it wasn’t until Discovery that a Star Trek series featured openly LGBTQIA+ characters as regulars, for instance—but from the beginning, the Enterprise crew, and by extension Starfleet and Star Trek itself, was diverse in terms of race, gender, and species. (I suspect the original Enterprise crew would have included more alien crew members if the show could have afforded them.) And while Star Trek’s example of embracing diversity is very much aligned with the liberal and Quaker values with which I was raised, TOS and ST:TNG both had a profound effect in shaping my worldview.

In telling the history of the shows and how they impacted and interacted with popular culture and real-world events, Britt includes quotes and stories from a number of Star Trek luminaries, from writers and showrunners to actors. Some of these are drawn from interviews conducted for various articles Britt (a sci-fi and pop-culture journalist) has written over the years; other interviews took place specifically for this book. The interviews and quotes give an insight into the experiences and motivations of the people who made and remade Star Trek, and continue to do so to this day.

Whether you grew up watching one of the Star Trek shows, came to the fandom as an adult, or simply want to understand the wide appeal of the Star Trek universe, I recommend reading or listening to Phasers on Stun! It’s a warm, loving, but not uncritical look at a pop-culture phenomenon that, at over 50 years old, is still relevant, influential, and dynamic.

[weirdlookindog]

Britt Nichols in Les démons (1973)

[irina-irina-irina]

Britt Nichols

[palmviewfm]

sorry for the big ask, but i’m struggling to decide between a quinn james, donna sheridan or sophie sheridan counterpart!! what fcs could you see fitting for them? 💞

no  need  to  be  sorry  at  all,  love  !  we're  always  more  than  happy  to  help  out  with  these  questions  ! it  could  get  a  little  bit  lengthy.  but  anyways,  here's  some  fc ideas  for  you, just click onto the read more to find them  ! <3

quinn  james:  meghann  fahy,  daniela  nieves,  alisha  boe,  danielle  campbell,  anna  lambe,  katie  douglas,  antonia  gentry,  chelsea  clark,  ella  purnell,  ellie  bamber,  emily  carey,  chase  sui  wonders,  bailee  madison,  britt  robertson,  phoebe  dyenvor,  simone  ashley,  courtney  eaton,  fiona  palomo,  dianna  agron,  and  chloe  rose  robertson. sophie  sheridan:  meg  donnelly,  fiona  palomo,  maris  racal,  grace  van  dien,  bailey  bass,  priscilla  quintana,  jessie  mei  li,  sabrina  carpenter,  greta  onieogou,  sofia  carson,  rachel  hilson,  rachel  zegler,  zaria  simone,  miya  horcher,  halle  bailey,  melissa  barerra,  ashley  moore,  jenna  ortega,  gabbi  garcia,  jane  de  leon,  victoria  justice,  anya  taylor  joy,  auli'i  cravalho,  chloe  rose  robertson,  zendaya,  and  courtney  eaton. donna  sheridan:  michelle  pfeiffer,  nathalie  emmanuel,  gabrielle  union,  dewanda  wise,  nathalie kelley, candice king, angela  bassett,  candice  patton,  viola  davis,  anna  diop,  seychelle  gabriel,  lorenza  izzo,  karla  souza,  amanda  seyfried,  jennifer  aniston,  simone  kessell,  marisol  nichols,  nicole  kidman,  and  katheryn  winnick.

[signalwatch]

Vamp Watch: Daughter of Dracula (1972) Watched:  09/04/2023 Format:  BluRay Viewing:  First Director:  Jess Franco If the 1970's brought us anything in cinema, it was sexy vampires.  I mean, there's no shortage before.  Ask me about Brides of Dracula.  But by the time we got to the 1970's, we had moved into a weird twilight zone of art film/ exploitation film/ horror film where nudity was rampant and sex was not just implied in knowing cut-aways. As far as I know, of the Jess Franco movies, I'd only ever seen Vampyros Lesbos.  And, somewhat (in)famously, Franco was one of the foremost purveyors of cheap, wandering "horror" films that bordered on a Cinemax late-night entry and what cable would play on weekends in the 1980's while also absolutely existing as in-no-way-scary horror films. The movie is one of five directed by Franco in 1972 alone.  Whatever the market was, it was quantity over quality, and I suspect few scenes were actually scripted or anyone really did much to prep for the movies after getting a set of fangs, a Dracula cape and a location.  The movie uses a lot of 1970's film language, from racking focus into a scene (usually onto some natural object) and lots of lingering shots of people walking and not saying much. The basic set-up here is that Luisa Karlstein (Britt Nichols - aka: Carmen Yazalde) returns home to see her dying mother, who tells her where the key is to a family tomb, says there's an unspeakable horror there, and then immediately keels over.  Apparently ready for unspeakable horror as long as you look fantastic, Luisa heads into the tomb where she is immediately made into a vampire by Dracula, who has been locked down there for some time. Townswomen begin getting killed, a detective who really wants to be the love child of Columbo and Maigret, shows up and "Jefferson" (Franco looking like a dopey hipster) keeps telling everyone its vampires, and no one will buy it.   In between, there's lots of stuff like people playing pianos, a half-assed investigation, and Luisa making it with her friend, Karine (Anne Libert).   The movie wants to borrow from the novel Carmilla, but is clearly someone jotting down some ideas they liked in Hammer movies, not least of which was The Vampire Lovers and, even less like Lust For a Vampire, seeing what they could get away with not worrying about British certificates.   Like a lot of these movies, they use long takes to fill time and a wandering, semi-incoherent plot and suggest "it's dreamlike!" and maybe it is.  Maybe more like a real wandering, semi-incoherent dream than what we think of as "dreamlike" in most films.   Anyway, I won't go too far down the rabbit hole of these movies, but I figured being a little conversant in them couldn't hurt, and I picked this one as it seemed to want to be Carmilla, so I'd have a basic structure to compare it to.  But it really isn't that.   BTW:  their Dracula is just a guy who never does more than sit up in a coffin and eventually have a nude woman tossed on top of him.  Some days on a film set are just odd. https://ift.tt/bzt7rDn via The Signal Watch https://ift.tt/HUinMml September 05, 2023 at 08:31PM

[vsthepomegranate]

A Virgin Among the Living Dead (1973)

by Jesús Franco

[videoreligion]

Dracula, Prisoner of Frankenstein (1972)