#brick the slab king
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FAVORITE DRINKS OF THE VAULT HUNTERS
ROLAND doesn't drink much, but he'll drink a beer of some sort on rare occasions
MORDECAI canonically doesn't drink anymore as far as I remember, but he also canonically loved Rakk Ale. I'd say that and probably either whiskey or tequila.
BRICK also doesn't drink very often. He CAN drink, yes, but he likes to be in control. Likes the occasional beverage, like Roland, on special occasions. Likes sweet drinks.
LILITH also loves sweet drinks. Absolutely a fan of cosmopolitans.
AXTON likes to drink. A lot. Absolutely can't handle more than a few, but this man will drink anything. Prefers hard seltzer though.
MAYA is a Moscow Mule enthusiast when she does have a drink. Somehow always has a lime on her.
SALVADOR is, like Axton, a drinker at parties. Loves beer and tequila. Very picky about selection.
ZER0 doesn't drink. Sometimes they'll pour a beer out onto their helmet. *disclaimer I saw this concept in one of @sufroyo 's posts and inspired me to make this list lmao*
GAIGE canonically loves margaritas (and also can't handle them ily baby)
KRIEG doesn't drink a lot, but when he does, he's right alongside Axton and Sal. Likes Maya's mules and beer.
ATHENA tends to avoid drinking to keep her mind sharp, but when she's home with Janey? Wine girl. Just a glass. Or two. She's tired, guys...
CL4P-TP is a fiend when it comes to alcohol. Not because he's ever tasted it--because if he even gets a splash of alcohol on him, he acts drunk. Naturally, this gets on EVERYONE'S nerves.
WILHELM is a simple man. Beer.
NISHA is heavy into those "cask strength" bourbons. She likes her bourbon.
TIMOTHY is also a wine man. He's definitely tried other drinks but he absolutely cannot stand being drunk (metaphorically and literally).
AURELIA is, to no one's surprise, an absolute snob when it comes to alcohol. Expensive wine, expensive whiskey, sneers at people who don't spend three digits minimum. What is wrong with you girl
FL4K doesn't drink. Sometimes they'll be nice and feed their pets extra treats and that's their reward. (Has also poured a beer onto their face before.)
MOZE is a vodka lady. Also loves Moscow Mules for some reason who knows why right no correlation there...
ZANE is canonically drunk like, at LEAST 50% of the time. My man will drink anything but I'm getting big beer and whiskey vibes.
AMARA loves her gin. Usually mixes it in drinks, but sometimes she'll just knock it back.
#borderlands#borderlands 2#borderlands pre sequel#borderlands 3#roland the soldier#mordecai the hunter#lilith the siren#lilith the firehawk#brick the berserker#brick the slab king#axton the commando#maya the siren#salvador the gunzerker#gaige the mechromancer#krieg the psycho#zer0 the assassin#athena the gladiator#claptrap the fragtrap#wilhelm the enforcer#aurelia the baroness#aurelia hammerlock#timothy lawrence the doppleganger#nisha kadam#nisha the lawbringer#fl4k the beastmaster#zane flynt#zane the operative#moze the gunner#amara the siren
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Gaige, after Brick and Mordecai had an argument: So did they kiss?
Lilith: No...
Brick: I mean we have definitely kissed before.... 😳
Mordecai: We literally kissed like two hours after this.
#borderlands#tales from the borderlands#tftbl#incorrect quotes#s: tiktok#gaige the mechromancer#lilith the siren#lilith the firehawk#brick the slab king#brick the berserker#mordecai the hunter
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fables from the field
[written for ffxivwrites2024]
Day 2: Horizon
Rating: T Words: 1067 Pairing: none
Rows upon rows of grave markers line the entirety of Bloodhowe. Ordinary tombs lie dotted between modest mausoleums, all under the watchful eye of The Song of Kings.
In another world, her mother would have been buried within those hallowed halls, laid to rest with the rituals and offerings befitting her status as a primor’s daughter. In another world, Alyzen would have lived her life amidst the riotous, uncommon beauty of Gyr Abania, would have spent her life in modest luxury, mingling with fellow nobility within the halls of the palace. Perhaps she might have found contentment here, surrounded by the many towering peaks of Alabathia’s Skull.
Or perhaps she might have been stifled, caught within a gilded cage.
This land, that had for so long been a name pointed at a direction in the horizon, is now- not quite home, not yet – maybe never – but it is no longer a story shared day after day with sorrow, with anger, with nostalgia. It is real, the crunch of gravel beneath her feet, the dust gathered on the hem of her breeches. This is what her mother had wanted for her all her life, and finally, finally, Alyzen is living her dream.
Her mother should be here. Should be, but isn’t. Should be, but will never get the chance.
There’s a gaping emptiness in her chest, a harsh, caustic grief corroding her lungs as she makes her way towards the cenotaph. Every footstep only highlights the one that is missing – that one that should be here, the one that had tried so desperately to be given a chance to walk the dust-covered road from citadel to graveyard, to gaze upon the unbroken salt flats and towering rock formations once more.
Oh, amme, sorrow leaches from her bones into her blood and her breath. That you could be here to see this.
The monument, which had been but a mere speck in the horizon from the palace balconies, grows larger and larger the closer she gets to it. A few steps further, and she’s covered by its shadow; she shivers, both from the sudden absence of the sun and the lonely, mournful atmosphere.
Worn cobblestone bricks form the path leading to the stairs. Gripping the bouquet of alyssum – collected by her own hand from the slopes of Mount Yorn that very morning – she climbs the first of the steps, a wet heat pricking her eyes and blurring her vision.
Malyna Kaide had been a great many things - stubborn and dogmatic, old-fashioned in ways that frustrated her, perceptive to even the smallest of errors; a demanding perfectionist who could not give up control. Yet for all her faults, she had been a loving, caring mother, one who had wanted nothing but the best for Alyzen. That they clashed often was but natural; she had, after all, inherited her mother’s persistence. But despite their many fights, there had been little doubt in Alyzen’s mind that Malyna loved her.
The sun starts its descent into the valleys of the mountainous landscape, the mist covering the slopes turning a beautiful shade of mauve to contrast the dark silhouettes of the tallest peaks. Heavy grey clouds accumulate in the horizon, flanking the setting sun; the sky begins to bleed glorious shades of golden orange. By the time she reaches the monument, the rust stone glows warm in the light.
It seems rather ironic that a monument dedicated to those who perished fighting for their country is build from red brick.
Or perhaps that was the intention.
Alyzen places the flowers – the flowers she was named after, the small, blue-petaled flower that, despite its delicate appearance, thrived in the harsh arid environment of Gyr Abania – at the base of the tall slab with the long list of engraved names. She recognizes none of them, but there are hundreds upon hundreds of those who had fought with fierce determination for this beautifully wild, untamed land.
“I miss you, amme,” she murmurs. “I wish you were here to show me all the sights that were familiar to you. I wish you were here to take me to all of your favorite, secret hiding spots.”
The tears she’d tried so valiantly to hold back now flow freely. “I may not have understood before, but I do now,” she speaks into the wind, willing it to carry it up, up, up into the sky so her mother might hear them. “It is a marvel, this homeland of yours…” she hesitates. “Of ours,” she amends softly. “I do not have the ties to it that you do, but I feel the strength of it in my heart. I feel the wonder of it in the breath I take. It is fierce, and proud, and willful. Like you,” she hiccups a wet laugh. “I know if you could see me now, you would tease me for all that I feel.” She curls her fingers into the brightly patterned cotton of her tunic. “And you would scold me for my outfit. I can hear you now, you know. One must wear dark colors for somber occasions. But…” she wipes haphazardly at her face with the back of a hand, “there has been so much violence, amme. So much death. I think, this time, you would excuse me.”
Alyzen stares at the peaks of Alabathia’s Skull, several of which serve as conduits for sharp, jagged lightning strikes. There will be a storm later in the evening; the air is heavy with moisture, and she can smell the faint scent of petrichor on the wind.
“I hope I made you proud, amme,” she whispers. “I hope I made you happy. And I hope,” she watches as a gentle gust of wind scatters the flowers about, a few rising up on a draft and drifting out into the mist. “I hope you’re with abbe again.”
The sun takes its rest, marking its absence with a rapidly-darkening sky and ash-blue clouds. The wind dries the tears on her cheeks. Alyzen takes out her little chisel and carefully, lovingly engraves her parents' names into the stone slab.
Some day, her name too will be carved into this stone, beneath that of her parents. But that day is yet to come, and until then… She traces the newly etched letters before rising to her feet.
Until then, there are places beyond the horizon she has yet to see.
#ffxivwrite2024#ffxivwrite#ffxiv fic#ffxiv fanfic#fables from the field#roguelioness writes#idk how i feel about it but putting it out there anyway lol
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Starting Something
//click for better image quality … Time: 6.5hrs//
Velehk: Bold n’ brave of you t’meet the Pirate King out alone this eve.
Rakell: That so? Well, I’ve never been known for my cowardice.
Velehk: Aye, n’ this landlubber has charm. I s’pose I could make use of a slab of landlocked brick fer more than a few sellsword’s septims worth. Though, I’d suggest becoming very familiar with swimming if yer not already. Be a shame to lose a fine face like yours to such a fool’s death. N’ I’ve no patience to wait fer yer flight from the Deadlands.
Rakell: Well and understood, Captain. (is this flirting … I cannot tell … I’ve been out of the game for too long)
~~~
Velehk and Rakell pre-relationship. This was inspired by a Pirates of the Caribbean movie night yesterday, particularly based on the impossible pirate speech in the dialogue.
Also, I’ve noticed that I’ve been drawing Velehk and Rakell being very cozy as of late, but not enough of either of them being bold and intimidating. My dang heart just loves the fluff, but soft moments are so much more impactful if a character is dealt the opposite treatment. All that to say: expect more unhinged Velehk content in the future.
//also, this is a re-upload bc the image file was acting up earlier, sorry if you saw this post beforehand//
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Some elucidating facts and comments on the Daiva and Harem Inscriptions of Xerxes of Persia
"The trilingual inscription attributed to the Achaemenid king Xerxes (ruled in 486– 465 BC), commonly abbreviated as XPh and also known as the “Daiva inscription”, was discovered in Persepolis in 1935 in the course of the excavations funded by the Oriental Institute of the University of Chicago and directed by Erich Schmitt 1 . The slabs with the text of the inscription were found in a rather unlikely location: two copies of its Old Persian version and its Babylonian version were found in Room 16 of the Garrison Quarters 2 . The four other slabs found next to them bore the text of another inscription of Xerxes, commonly abbreviated as XPf and also known as the “Harem inscription” 3 . Six of the seven slabs stood in an almost vertical position, while a row of three upright baked bricks stood parallel to some of those. The excavators quickly realized that the location and arrangement of inscriptional fnds precluded their meaningful display: as hypothesized in Schmidt 1953, 209: “the discarded royal records, as well as the bricks, had simply been used to face a bench or benches of mud”. As for the Elamite version of XPh, its fragments were found in Room 5 of the Garrison quarters, likewise in a secondary context. Furthermore, the excavations at Tall-i Takht in Pasargadae revealed an additional Old Persian version of the text under discussion, reused as a makeshift drain-cover 4.
Although the text of XPh is generally understandable at the linguistic level, its pragmatic content is arguably as obscure as the original location of the inscriptions. The usual set of formulae featuring the Achaemenid royal titles and the list of lands controlled by Хerxes are followed by the narrative part consisting of two episodes, which are apparently associated with two diferent lands. One of them is said to have been in commotion but was put by Xerxes in its place with the help of Auramazda, the turn of phrase that is compatible with an account of quenching a rebellion. Another land is presented as the place of worshiping the evil gods. The term daiva-, used by Xerxes with reference to these supernatural beings, represents a transparent Old Persian cognate of Avestan daēuua-, the designation of the evil gods in the Zoroastrian religion 5 . Xerxes remedied the situation by destroying the temples of evil gods (daivadāna-) and worshiping Auramazda in a proper way at the place of the destruction. The final part of the inscription contains an exhortation to future readers to worship Auramazda in a proper way."
"2 A copy of the Babylonian version of the “Daiva inscription” is now on display at the Oriental Institute Museum, Chicago."
"3 A brief remark on the abbreviation of Achaemenid royal inscriptions is in order. Their frst capital letter refers to the name of the king, while the second one abbreviates the discovery place. The final small letters represent indices refecting the order of discovery or publication of the respective texts. Thus, both XPf and XPh belong to the inscriptions of Xerxes found in Persepolis but XPf was discovered before XPh. The list of abbreviations used in the article: DB – Bisitun Inscription of Darius I; DNa – Upper inscription of Darius I from Naqsh-i Rustam; DNb – Lower inscription of Darius I from Naqsh-i Rustam; DPe – Inscription of Darius I on the southern wall of the Persepolis terrace; DSe – Inscription of Darius I commemorating the reparation of the city wall in Susa; DSf – Inscription of Darius I commemorating the construction of a palace in Susa; XPf – “Harem inscription” of Xerxes I; XPh – “Daiva inscription” of Xerxes I; XPl – Inscription of Xerxes I modelled on DNb."
"5 The English translation of Avestan daēuua- as ‘evil gods’ follows the practice adopted by P. O. Skjærvø in his numerous contributions to the study of Iranian religion (see e. g. Skjærvø 2012). An additional reason why this translation is extended here to the Daivas of the XPh inscription is that they are explicitly called lemnu MEŠ ‘the evil ones’ in its Babylonian version (Filippone 2010, 70)."
"6 For the photograph of the relevant passage, see Schmitt 2000, plates 43b and 44a. The tablet on the photograph is XPh 1, one of the copies of the Old Persian version of the XPh inscription found at Persepolis. It is now kept in the National Museum of Iran (inventory number B.K. 805)."
First two paragraphs and some notes from the article of Ilya Yakubovich ""Daiva Inscription" of Xerxes: Historical Account, Ideological Statement, or Propaganda?", 2023, Journal of Ancient History -Вестник древней истории-, Moscow.
View of the eastern stairway and columns of the Apadana (Audience Hall) at Persepolis, Iran, 5th century B.C.
Persepolis was excavated from 1931 through 1939 by Oriental Institute archaeologists Ernst Herzfeld and Erich Schmidt. The team documented the site in dramatic black-and-white views of the architecture and the rugged surrounding terrain. The photographs capture the forest of columns that tower over the site’s raised terrace, which supported grand ceremonial audience halls, palaces, great stone portals and carved scenes of the kings and their courtiers.
Source: https://news.uchicago.edu/story/exhibit-features-archival-images-persepolis-royal-complex-ancient-persia
#ancient persia#achaemenid empire#xerxes of persia#persepolis#daiva and harem inscriptions#ilya yakubovich#erich schmitt
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get to know me(me) (heh)
tag 9 people you want to get to know better
tagged by @wizardofgoodfortune and @themirokai. many thank for the tag! :D
three ships: ah, oof. idk what to answer this based on, so I'll go with three ships that I've read a lot of in recent history: Zoscar (Zolf/Oscar from Rusty Quill Gaming), Marvin/Whizzer from Falsettos, and Dream/Hob from Sandman. (That also quite neatly sums up the different mediums I primarily follow now, heh.)
first ever ship: okay wow this took me back! Probably Dannyl/Tayend from the Kyralia series by Trudi Canavan. It was reading them during The Traitor Spy trilogy that helped my baby ace self first see the appeal of shipping. (man, I miss those books :') )
last song: probably Epic II from Hadestown. Was listening to that on repeat while baking earlier (I canNOT get enough of "the pickaxe flashes / the hammer falls" and the music during "king of mortar / king of bricks" <3)
last movie: 18 Pages, although tbh the movie was just an excuse to meet up with some lovely folks for the first time in yearssss :)
currently reading: mostly fanfic of late, but I'm also attempting to wrestle my attention span into letting me finish What Matters In Jane Austen by John Mullan. It is a delightful read digging into how Regency society functioned in order to better appreciate just how brilliant Austen's writing is, and I am LOVING it.
currently consuming: is this about food? media? idk, but I just finished dinner so my answer's going to be uppudu pindi with avakai. (I am. very telugu in some ways, yes.) (avakai is the most basic mango pickle and I have no idea how describe the former, so take my word for it when I say it is the superior low-effort comfort meal.)
currently craving: some direction in life would be nice, but I'll settle for some piping hot chocolate slab cookies. tried baking some earlier but they turned out brittle instead of chewy since my baking soda stabbed me in the back :(
zero pressure tags: @averythepirate, @shewantsitall, and @rosettarants! [and @permanentlyspacedout >:) ]
Not sure who else I can tag that I know doesn't mind getting tagged and hasn't done this already - so this is me @ing anyone else who feels like doing this!
#addendum to the currently craving answer: makhana [puffed lotus seeds] because a friend (you know who you are)#thank you for the tag! :D making this post got me diving into the kyralia wiki again and i'm having a great time reading all that again :)#placeholder tag
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I started Dungeon23 a little early. Dungeon23 is a room-a-day ttrpg megadungeon writing project. The premise so far is that there’s a floating chunk of mountain I’m calling “the Clod” that houses the megadungeon. I’m not attached to the name, but the etymology of “cloud” is related to “clod,” as anglo myth imagines clouds as floating rocks where you might, for example, encounter a giant after climbing a beanstalk.
Room 1 28Dec2022 A dozen mythril braids anchored the Clod to the valley. One mythril braid anchors it today. Most are either scavenged (mythril is valuable) or their anchors in the valley have broken in the intervening years. One way to get to The Clod is to climb 600 feet on the surviving cable and then to scramble from there to the vines and odd perches. This involves at least one reasonably difficult check, whose primary dangers can be avoided with a climbing kit.
Room 2 29Dec2022 When the wind catches it, the Clod collides with the side of a mountain. Where it connects, both the Clod and the mountain are worn smooth. This has exposed a mining tunnel in the base of the Clod. Entrepeneurial sorts have dug foxholes into the side of the mountain, which offer an element of safety (being in one during a collision does modest thunder damage, preferable to instant death.) From the highest foxhole, one can leap into the mine tunnel. The darkness, tendency of moisture to freeze, smoothness of the contact surfaces, and angle of the slope renders the space between foxholes difficult terrain.
Room 3 30Dec2022 On the north face of the Clod, a conspicuously large hallway large enough for a gargantuan creature is visible. This is accessible to flying creatures, or to characters making the lengthy climb from the western cable to the hallway. Inside is a thick basalt door, and a series of levers and a button set in the wall, and the long-ruined remains of a camp site. The wall containing the levers has been partially opened, exposing the mechanism which has itself fallen into decay. Repairing the mechanism or finding a bypass requires an appropriate skill check. Blood inside the mechanism indicates the previous party attempted such a thing before being fatally attacked, though no bodies are visible.
Room 4 31Dec2022 The top of the Clod has copses of evergreen trees growing in irregular spots upon an eroded slab brick surface, and a gilded obelisk covered in draconic boasts. A dozen perytons exist up here, living off the wild goats, bears, deer, and other wildlife. Perytons, by their nature, take a special interest in humanoid travelers, and attack at night. At dusk they will harass humanoids with dropped stones, pulls and shoves with hooked sticks, and occasional attacks. They maintain smaller nests on nearby peaks and ridges, out to two days out, but return to the Clod regularly. Their continued harassment prevents restful sleep, and locals know to avoid this valley. Once a prey is deemed suitably vulnerable, they will commit to a fight to the death.
The golden obelisk proclaims the Clod as the property of Gozpoditakel, a dragon that boasts of their most valued hoard: the chiefs and nobles they hold for literal kings' ransoms. A history check against the names, or the obvious age of the space, indicates that the dragon seems to be gone. There is probably a direct way from this perch to the "hoard" itself, but it's not obvious.
Room 5 01Dec2023 Mt. Dlagan is to the southwest of the Clod, and it's peak sits about 400 feet higher than the apex of the Clod. 200 feet below the apex, observing the Clod, is a carefully obscured shelter. It houses two fraternal twin dwarven adventurers - Grake and Yurrow Ironboot. They are the hired guides of the party that failed to repair the door in the north hallway. They have a spell scroll of Fly which neither can use. Their deftness with mountaincraft is how they survive, but they don't have a clear plan out of the valley entirely. They have the skill to lasso a peryton, but they don't have the nerve or people to try the gambit. They may attempt to sign their location to players with a hand mirror at a distance.
Room 6 02Dec2023 A now closed entrance, covered in snow and moss, appear on the south side of the Clod. Once used as an exit for detritus from the mine, it has been closed with a round copper plug that has tarnished green over the years. A reasonably high passive perception score will notice a roughly circular patch of green-stained snow against the moss and rock. Climbing from the western cable, flying, or gliding from a higher point can access the spot, and clearing the snow reveals a five-foot threshold safe for standing. The plug has a fist-sized hole in the center and numerous matching holes near its circumference. Inset in the leftmost hole is a pin. Removing the pin and setting it into the center allows the plug to roll sideways, opening the space.
Room 7 04Dec2023 Sitting a bit north of the Clod's current location in the Ka'ahli Valley is an abandoned dwarven mining camp. What remains of it would require an organized excavation, but some features are visible and potentially useful. An earth and stonework ridge, once used for water diversion, surrounds the camp and sits three and a half feet tall. A large freestanding domed furnace can provide emergency shelter from the elements. Inside the furnace are lead pellets (suitable for use as sling bullets), bronze molds, bowls made from crushed bonemeal, and a short flat adamantine bar with a bifurcated hook on one end, and a hole in the other. Once used to fish material out of the furnace, the bar can now be used as an improvised grappling hook or as an adamantine sickle that does piercing damage.
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Dr. James Bell House (Bell-Williams House)
1822 E. 89th St.
Cleveland, OH
The Dr. James Bell House, also known as the Bell-Williams House, a 1901 Richardsonian Romanesque home in the Hough neighborhood designed by noted local architect George J. Hardway that epitomizes the local reaction against the excesses of Victorian architecture, is a historic home located at 1822 E. 89th Street in Cleveland, Ohio. Designed by Hardway for Dr. James Bell (a local dentist), it was completed in 1901. The home is a prime example of the Cleveland-area reaction at the end of the 19th century against high Victorian architecture, utilizing elements of Richardsonian Romanesque architecture to create a highly individualized, severe style.
James Richard Bell was a prominent dentist in Cleveland in the late 19th and early 20th centuries. In 1900, he commissioned noted local architect George J. Hardway to design a large residence on E. 89th Street in the southeast quadrant of the Hough neighborhood, one of the city's oldest settled areas and which at that time was inhabited largely by white, middle-class and upper-middle-class residents. The block on which Bell chose to build was built up with a number of large residences over the past 30 years, ranging in style from Italianate to extremely elaborate Queen Anne style. The increasingly elaborate embellishments of Victorian architecture had fallen out of favor with homeowners and architects in northeast Ohio by the late 1890s, and Bell and Hardway agreed on a home that was simple to the point of being severe.
The Bell House is largely Richardsonian Romanesque in style. However, it deviates from this style by featuring a contemporary massing and relying on plain exterior walls. The three-story structure is constructed of stone and brick. The front of the house is roughly square, with an east-facing gable, a single dormer on the south side, and steep roof pitch. The third-floor windows are topped by round stone arches, with stone slabs constituting the lintel and sill of the first and second story windows. A rusticated stone porch with canopy provided the entrance to the house. The narrow-depth center section of the house features projecting polygonal bay windows on all three floors on the south side. This projection is topped by a hip-end roof. The north side of the center section is essentially a triple-wide dormer or gable facing north, with a gable roof. The rear of the building, which is about as large as the front section, returns to the square plan, although it features two dormers on the north side and none on the south. The home originally had 12 rooms, four baths, and a third-floor ballroom. By the 1970s, the ballroom had been divided and the house now had a total of 21 rooms.
Bell occupied the home until his death in 1912. The home was bequeathed to his wife, Anna Roeder Bell. She died in 1940, and bequeathed the home to her daughter, Frieda Meriam. Mrs. Meriam died in 1942, and the home was sold to John A. Smith in 1943.By 1947, the home belonged to the Sabo family, and by 1948 the Jaskell family. By 1956, it was owned by Enoch Spence, who sold it by 1961 to Harold C. Scheunemann, who in turn sold it to Raymond Beedlow by 1966. The Hough neighborhood became an overwhelmingly poor African American area by 1960. In May 1968, the mansion was purchased by the Berry Foundation. It became the home of the Martin Luther King Residential Youth House, a residential home for troubled black youth. The ballroom was probably turned into bedrooms about this time.
In the early or mid 1970s, the youth house closed, and the Lee Heights Community Church rented the structure for use by The Straight-up Half-Way House, a transitional residence for alcoholics, criminals, and drug addicts. The Berry Foundation sold the house in 1979 to a private owner, Margaret J. Williams. Because it exemplifies the local architectural reaction to the excesses of Victorian architecture, the house was added to the National Register of Historic Places on October 16, 1986, and it is part of a Register-listed historic district, the East 89th Street Historic District, which was added to the National Register of Historic Places on May 26, 1988. It was also named a Cleveland Landmark by the Cleveland Landmarks Commission, under the name Bell-Williams House.
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Amy’s long, amber-coloured hair smelled of fresh-crushed lavender, bluebells, meadow-sweet, popping up around the mellow red-brick stables of Kenilworth Castle – of home, halcyon days, the hum of bees and the fountainous trickle of their children’s laughter, rippling like a knight’s banner in midsummer skies. He breathes deeply the scent, strands of copper-silk cascading between the gaps of his long fingers like a river’s gentle stream. In the brightest gardens of England, won by fame and glory and devotion to the King and his family who now occupy its velvet throne; in the dark, stone-walled chambers of their keep, likenesses of that illustrious family dappling the tapestries, their black eyes, their spindly splendour.
Oh, he kens well that she would rather be there – anywhere but here – where his heart is her domain and where he will gladly abscond to when plague and the summer’s stink runs riot in London and assume the role of a dutiful husband like a prancing actor in a paltry play – but never without mournful parting from she who’d pierced his soul, the Virgin who keened for his touch. He blinks away the film in his gaze, though a shadow of that regret – of that longing – remained scattered amid the gilt–flecks in his eyes.
Leicester transfers his hands from her arms to her knees as her fists knot at the linen of his shirt, craving his proximity, clawing at his shoulders. His fingers roam deftly across the softness of her skin, the winkling dimples embossed into the soft muscles of her thigh, each fleshy divot pressed firm into her leg – those small ripples and stretches of flesh ladies hid from their lovers with coy flashes of their skirts that made his mind drunk with lust. ‘If my wife will accept my presence as such,’ He murmurs, ‘and forgive me for not having the good sense to arrive at our chambers flush with gifts deserving of her praise, I would be most humbled.’ Pinching the plumy underside of her thigh, he murmurs, ‘I cannot make promises to you, wife, but I vow that if I must fight, I will carry our banners with pride.’
He nips, in turn, at her mouth, a mischievous gleam curving at his lips as their chins meet, a bumping of flesh and bone, her spine arching toward his body with movements feline. ‘Is that so?’ Robert hums. ‘I daresay, Lady Dudley, if you were not so chaste we would have long courted glory and fame. This body of yours would’ve taken you far.’ He tangles his hands in her hair, gripping a thick, silken clump of it and using it to tilt her head up to face him. ‘But then I would not have the pleasure of knowing your sweet virtues alone, for which I would happily die a poor man.’
His wine-dark eyes watch with thinly-veiled anticipation as Amy shifts back and falls against the pillows, her limbs fanning about her, enticing him with the outward fall of her knee, the coaxing of her arched foot. A quirk of his lips, a shift and a hardening beneath the belt, and he covers her body with his like a mighty marble slab, his hands mapping the mounds of her outer thighs, lifting her leg to drape effortlessly across his waist, his arousal finding perch in the honeyed gap between her knees. ‘I would be a fool not to.’ His breath coasts across her skin, his head bent to lavish her neck with his mouth. ‘We mustn’t wake the girls, Amy. Bite my shoulder if you must, or else they’ll have my head long before I can spill an heir into you.' His words – chaste and methodical – are a far cry from the vulgar passions shared with Bess, but no less heartfelt. 'Do you understand, darling? Believe you me, if we were at home, and not here...’
though amy robsart had come very far from where she had been raised as the daughter of a glorified farmer, granted a begrudging respect owing to the vast stretch of lands that he possessed and had passed into her hands, and then as the wife of a household guard, there had been very little attempt made to rise any further than where she was currently placed and one might even argue that she had shown very little interest in court life before her husband had been made master of horse ─ hopelessness and no small amount of guilt - stained grief had driven her into the arms of robert dudley all those years ago but affection now rooted her to his side through the best and worst of times. the proud girl that she had been, an unbroken mare that reared back at the slightest attempt to tame her, would have spat upon the spectacle that she had become, even if only a few people were aware of the shame that she was forced to constantly, silently endure, cursed by her love for him and the determination of a mother to spare her children from the truth. it was a truth that she desperately wished to forget as well and in the warmth of their chambers with her husband before her, it was seemed easier to pretend that they were at home with no god, king or council to steal his attention away from her.
whether they were in kenilworth or in london, it had become one of her duties ( when she was not in attendance to her mistress anne ) to ensure that there was a warm room and a soft bed for him to sink into after a long day ─ though her vows had been made in some haste before the countryside priest, she had treated each uttered word with a gravity that she had not shown to her first husband. amy would never be clever enough to navigate the political intricacies of court but she would always try to support him and do her best to ensure the future of their children at the risk of her own morals, so she knew exactly what to say when necessary, well - versed in his idiosyncrasies after nearly a decade of marriage. ❝ my lord husband is most generous to allow his majesty to hold the victory as he does not yet have a wife to soothe his pride if he should lose to you. ❞ he was being smart, more likely than not, especially if william inherited the late king's appetite for flesh and a fight along with his red hair. ❝ what else do you hide up your sleeves ? a gift for your wife, perhaps ? ❞
as light as the legs of a spider, her fingers trailed up his arms as though she meant to unravel what other secrets he had kept hidden, calling him back to her with a considerable amount of success. the press of his mouth was received with a delighted hum, spine extending to push herself up further, closer even as he pulled away to leave her mouth parted and her eyes glazed with the beginnings of a carnal hunger that had quickly replaced exhaustion at the first touch of his hand upon her skin. ❝ if you mean for me to persuade him as i persuade you, husband, you will be glad to hear that such methods are reserved for your pleasure alone. ❞ one hand formed a fist in the billowing material of her shift, squeezing and twisting with impatience that mirrored the burning heat in her abdomen and lower as he disrobed until a pale knee is exposed to create a divot in the mattress ─ he captivated and manipulated her with an ease that would embarrass a prouder woman but she obliged his inspection, shifting her face in his grasp only slightly so that she might take the tip of his thumb between her teeth with a gentle bite, entrapping his gaze beneath her lashes.
❝ for you ? impossible. ❞ his finger was wet from her mouth as she moved to speak, relinquishing the grip on her shift. amy extended both arms until they rested upon his shoulders, leaning forward to line up the length of her torso against his own like a stretched feline. her back was kept arched, partially to add to the appeal as the swell of her breasts pressed against him and also to keep the small curve of her stomach as hidden as possible. ❝ you could never run out of good fortune, robert dudley ... you have always created your own fortune. you will defy men and challenge god and you will win. ❞ he was destined to rise to the heavens as a star and she would watch from afar, as dutiful as the astronomers that kept watch over the night skies. ❝ but perhaps it is time for you to take steps to ensure a stable future rather than pursue excitement ... we need an army full of dudley boys to conquer the fields of england, after all. ❞ perhaps one grew within her now ─ her mouth parted to tell him, fingers pushing at the loosened shirt around his shoulders. with her nose this close to him, amy could smell the traces of liquor and tobacco on his breath as well as something deeper, muskier and rich with a fragrance that nearly made her sneeze. it brought something to mind though she could not place her finger on it, mind clouded with a haze that compelled her to draw back, landing on the mattress and a pile of pillows with a soft laugh.
❝ don't you agree ? ❞ a foot flicked up daintily to beckon him closer, the hem of her shift rising to unveil more skin ─ a coquettish gesture, a deer teasing the hunter just seconds before she falls into his trapping.
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hello borderlands tumblr it's been a while since i drew my favorite couple
#borderlands#bl3#bl1#mordecai#brick#mordecai the hunter#brick the berserker#brick the slab king#the b team#mordick#morbrick#mordebrick#brometheart
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"Mordecai's been on my ass about getting a non-punching hobby, like gardening" how else am I supposed to interpret this quote from brick??? They're gay your honor, I don't make the rules
#borderlands#borderlands 2#commander lilith and the fight for sanctuary#brick the slab king#brick the berserker#mordecai the hunter#brick x mordecai#mordecai x brick
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Brick: Stress is caused by not enough front porch sittin and sweet tea drinkin.
#borderlands#tales from the borderlands#tftbl#incorrect quotes#brick the slab king#brick the berserker#s: tiktok#i think.
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I want to know context but at this point i not sure if i really do (it's all in Krieg's head so it's not really them and that's all i know and it raises even more questions i don't want to know answers to)
(the picture is from here)
#mordecai the hunter#brick the slab king#The most canon complaiint explanation is that Krieg ship them too idk
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please don’t tell me we gotta fight lilith, brick, mordecai, and talon...
#borderlands#borderlands 3#lilith the firehawk#brick the slab king#imagine them as anointed enemies?!#trying to do anything with mordy shooting at you and talon actively tearing your face off??#whatever STILL READY FOR THIS DLC
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St...Strawberry Brick....
#Aka my favorite Brick ever#borderlands 2#borderlands#borderlands 3#brick borderlands#borderlands brick#brick the slab king#brick the berserker#summer draws#my art#strawberry#pastel#strawberry aesthetic#pink aesthetic#pastel aesthetic#brotp: he’s a brick... house
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cute-n-deadly said: B-team?
the Best team
#brick the slab king#mordecai the hunter#tiny tina#borderlands 3#my art#request#cute-n-deadly#i wish they were in BL3 more ;_;#hope this is okay!!#answered#i have no clue how brick works
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