#bonecas!!

[sailorjisunq]

sweetie but saltie

[brazaesthetic]

Casinha de Boneca Eliana, Grow (1998)

[murasakinocatt]

Desenho antigo da Adagio Dazzle :V

Old Adagio Dazzle drawing :V

[ondastropicais-studio]

Namoradeira

[ifordoll]

vsf essa mulher é linda dms n sei se eu quero ser ela ou ser dela

[artia]

Barbie In the world of Fallout

[fotografareupreciso]

[anne-beauvoir]

Celebrando mais um aniversário com minhas amigas 🎂✨️

[val-inositio201421]

I tried to use markers to paint the lineart (digital version coming soon)

🌽💚⭐🧡

[dragonmom-art]

One of my childhood dreams was to make clothes for my dolls myself. And since I started crocheting I wanted to try some dresses, but I didn't had any Barbie dolls. Until Katia showed up.

Katia is a crochet fashionista and she loves all the crochet looks I make for her. This first one is a teal short dress that was supposed to have long bell sleeves but I couldn't make it with that kind of yarn, so I turned it into a very light summer dress for her.

The second one I made is this GORGEOUS 70s inspired bell bottoms jumpsuit. I really love this one, super sexy with that mesh pattern... Luxurious 💎

And the last look I made her is this pristine dress, in my favorite color combo. She looks very country and pure in it. Her husband, Slenderman loved it.

I'm definitely making more outfits for Katia in the future and I'll be bring them here when I do so.

The patterns for the clothes were created by Dona Boneca Crochet

[maxwell-grant]

I can probably guess, but how would those individuals getting the Death Note make things worse?

Well,

While she probably should have the book over Light, Emilia is far more ambitious and dangerous that he could be even without the notebook. She's sort of this embodiment of a child's imagination/rebellion in that she's this rebellious firecracker that can do basically anything and has very little respect for grown-ups and very little tolerance for injustice, but she's also egotistical and stubborn and has very little breaks and a very stunted sense of morality, among many other flaws. She's not really that bad, she's a trickster with a big heart trying to make the best of a fiercely opinionated brain and a lease in life she was never supposed to have, she grows for the better but, she did think about cutting off an angel's wings just to see what happened (she later saved the angel by beating Popeye with food poisoning). She held the world hostage with a shrinking spell to try and force the U.S President into ending war forever. Her first appearence had her win a fight by carving out a scorpion's eyeballs with a barbecue spit. Again, she's not evil, but she tends to rejects concepts like "nuance", "social filter" and "not getting to do what she wants right now". She absolutely would have a list planned for the occasion, and there would be a lot of politicians and big shot important folks in there. I'm starting to reconsider my stance on whether she should have the book or not.

The Golden Amazon actually is just straight up evil though. In the first book, she destroys most of England and attempts to rule the world by replacing humanity with synthetic beings, by the second she's leading a secret society of superwomen from the Amazon, and in the following books, while she became an "anti-hero" in the loosest sense possible, that's more so because she succeeds in taking over things and so now has to defend her matriarchy from aliens and saboteurs (I think the books might have retconned some details as they went along but she seems to be either defending Earth so she can rule it or already being it's ruler). She is the Dominatrix of the Solar System, the greatest scientist who ever lived, a cruel, ice cold murder expert superhuman who pretty much doesn't need the Death Note in any way, she really really doesn't need any kind of help in killing/torturing people. The real danger here is her learning about the existence of the shinigami and the shinigami world and deciding she doesn't like death gods in on her territory (existence itself) and deciding to do something about it.

The Black Bat, I mean, Tony Quinn is kind of a piece of shit. He's a scarred and miserable District Attorney turned vigilante serial killer who brands the corpses of the criminals he kills, and unlike The Spider he's not exactly dealing with apocalyptic extreme circumstances to make this behavior less insane, he's just fighting mobsters. Passing the Death Note from the son of a cop, into the hands of a disgraced District Attorney who already decided to go out at night to murder crime with guns and has associates at hand to help him do it is just, well it's not exactly a step up from the threat Light Yagami posed.

El Sombra, look, Djego tried, he truly did. He did a lot of good. If you gave him the Death Note, he'd use it exclusively to kill Nazis and he'd mean it, because that's all he ever did, if you handed him the book during the events of El Sombra and Gods of Manhattan he could have done a lot of good with it. It's just, Pax Omega happened, and what became of him is absolutely not someone who you want to hand something like the Death Note to. He failed, and he failed where it mattered most, and his reward for failure was becoming version 2.0 of everything he hated most and nearly dooming the entire planet. Even if he could have used it to kill Hitler and every member of Untergang, there was no happy ending to the tale of El Sombra. He just failed too profoundly for that to be possible.

The Whisperer, see The Black Bat's deal but times ten, or really just read that editor note above introducing him. The Whisperer is "Wildcat" James Gordon, a handsome young dandy Police Commissioner who, once elected, turned out to be a total maniac asshole (famously burned down an illegal casino as Commissioner, didn't even put on a disguise to do it) and who fights crime by transforming himself into an unrecognizably older persona so he can murder people with impunity. I feel like I don't have to elaborate much here, what's wrong with this guy is fairly brutally self-evident.

The Blue Morpho, because, well how long you've got? Even if you've never watched The Venture Bros and don't know all the horrible things he's done personally, I feel like "cartoon supervillain moonlighting as a dark violent pulp hero in order to kill all the other supervillains in town standing in his way" is fairly self-explanatory. Mr Fitzcarraldo here offed his world's Legion of Doom in one blow pretty much by accident. He's not really out to kill for killing's sake, he just wants to get one guy really badly, but he doesn't really care who he has to get rid of to do that, or even just killing people to solve minor dumb inconveniences like avoiding paying taxi fare or being annoyed by a henchman. He might have the biggest on-screen body count in a show that has Brock Samson in it and only became deadlier as The Blue Morpho, that's no small feat.

Hugo Danner, because there is not a single aspect of Hugo Danner's life that didn't suck and that he didn't find a way to make worse. Hugo Danner was every bad/evil/stupid take on Superman published years before the genuine article. Hugo Danner is the Garth Ennis Superman pisstake that Garth Ennis loved the character too much to actually do. Hugo Danner enlisted in WW1 and only realized he could have ended it single-handedly after he'd already slaughtered thousands and thousands of poor infantrymen with his bare hands and the war ended, and promptly hated himself for being such a colossal idiot. He could not conceive of solutions that didn't envolve "squeezing continents into submission" and punishing all the people too stupid and scared to love him the way he thought he deserved. He hated himself too much to even kickstart plans to create a master race. He got himself killed by cursing the skies and being struck by a lightning bolt on the final page. There's not a lot that the Death Note could have done to save his life from being a shit show, but all he ever did was perpetrate that shit show on others so, yeah, good riddance Danner you stupid bastard.

[garotaassombra]

Olá,

Decidi escrever esta carta, mesmo que tardia, para explicar os meus motivos. Após mais de oito anos, senti que era hora de colocar em palavras como me sentia e esclarecer o que levou ao nosso término.

Quero deixar claro algumas coisas, inclusive todas as dúvidas que ainda carrego. Também preciso falar sobre algo que foi inventado — não sei ao certo se por outras pessoas ou por você.

Essa parece ser a melhor forma de dizer tudo isso, mas confesso que ainda me sinto despreparada.

Você ignorou meus pedidos inúmeras vezes. Não importava o quanto eu tentasse, o quanto eu insistisse... Mas naquela noite, algo mudou.

Eu estava no meu limite. E, pela primeira vez, entendi que precisava fazer uma escolha: ou continuava aceitando você na minha vida, ou finalmente teria minha liberdade de volta.

Era isso.

Minha vida ou a sua presença sufocante.

Você controlava tudo: meus passos, meu celular, o que eu fazia, o que deixava de fazer. Para ter algumas horas de paz, eu precisava inventar desculpas — dizer que estava dormindo, tirar os últimos vistos, evitar as redes sociais. Cada movimento meu parecia precisar da sua permissão.

Mas naquela noite, eu decidi. Decidi por mim.

Você sempre achou que eu estava com outra pessoa, mas a verdade é que eu estava sozinha. Sempre sozinha. Eu evitava ter amigos porque sabia que você iria criar casos, desconfiar, inventar histórias. Eu não tinha coragem de dizer o que sentia, porque todas as vezes que tentava terminar, você simplesmente se negava a aceitar.

Você fingia que estava tudo bem ou me presenteava, ostentando para os outros o quanto me amava. E, cada vez, eu me sentia culpada. Culpada por querer ir embora, culpada por não corresponder ao que você esperava. Então, eu voltava.

Voltava também porque você dizia que iria morrer se eu te deixasse. Essa frase me perseguia. Era como uma corrente invisível, mas pesada, que me prendia a você. Você me manipulava de todas as formas possíveis, e eu acreditava, eu deixava.

No entanto, por mais que você estivesse ao meu lado, eu estava morrendo. Morrendo lentamente, todos os dias. Ninguém me consolava. Ninguém ouvia meu grito por dentro. Eu era invisível até para mim mesma.

Eu me sentia suja e envergonhada todas as vezes que você me tocava.

Inúmeras vezes chorei e rezei para que o sexo acabasse logo. Às vezes me culpo por não ter conseguido dizer não a você. Era tudo tão doloroso que eu desejava morrer.

Tirar você da minha vida não foi fácil, como talvez você imagine. Foi doloroso. Foi como arrancar algo que, embora me ferisse, havia se tornado parte de mim. Mas eu precisava fazer isso.

Naquela noite, quando você me ligou e fez a pergunta que sempre fazia — "Você me ama?" —, eu finalmente tive coragem de não mentir. Disse a verdade: eu não te amo mais.

Essa foi a decisão mais difícil da minha vida. Foram anos sufocando meus próprios sentimentos, mas, naquela noite, eu escolhi viver. Por mim. Escolhi parar de mentir, parar de agradar, parar de carregar o peso da sua dor como se fosse minha.

Talvez você nunca me perdoe. Talvez você nunca entenda meus motivos. Eu sei que fui cruel com você, mas era a única forma de ser verdadeira comigo mesma.

Peço desculpas pelo meu afastamento. E, de coração, desejo que você fique bem.

Com sinceridade, Garota Assombrada.

[anniecrocheter]

The Fox, from Little Prince ❤️🦊

Handmade by: @anniecrocheter

Buy Here 👇🏻

[newtomestive]

[milenamdiego]

By Melany dos Santos, via Facebook

[destino-terra-dos-sonhos]

Supergirl (Tradicional, Baile Intergaláctico & de Krypton) - Bonecas DC Super Hero Girls da Mattel (2016). 😎🤗🤩😃😍❤️💫🌟✨👩🏼💪🏻🫶🏻