#bohren and de club of gore

[darkarfs]

100 Favorite Albums (2023 Edition)

No duplicate entries, only 3 Mike Patton projects, being honest with myself. This was hard and took a good long time. Be kind if you judge.

I've been really listening to music for over 30 years and I still know nothing. The numbers are just there for enumeration, this list is in no order.

The Flatlanders - More a Legend Than a Band

Opeth - Blackwater Park

Propagandhi - Today's Empires, Tomorrow's Ashes

Aphex Twin - Selected Ambient Works, Vol. 2

Alva Noto and Ryuichi Sakamoto - Insen

Black Sabbath - Master of Reality

Gillian Welch - Time the Revelator

Acrania - Fearless

Genghis Tron - Board Up the House

Mr. Bungle - California

Fair To Midland - Arrows and Anchors

Gorguts - Obscura

Harold Budd - Avalon Sutra

Loscil - Plume

Ben Frost - By the Throat

Type O Negative - October Rust

Songs: Ohia - Didn't It Rain

Emeralds - Does It Looks Like I'm Here?

Skeleton Key - Fantastic Spikes Through Balloon

They Might Be Giants - Flood

Cocteau Twins - Heaven or Las Vegas

Between the Buried and Me - Colors

Breeders - Last Splash

Gang Starr - Moment of Truth

Tom Waits - Rain Dogs

Bohren & der Club of Gore - Black Earth

Cryptopsy - None So Vile

Megadeth - Rust In Peace

Vince DiCola and Various Artists - Transformers: the Motion Picture OST

Judas Priest - Painkiller

Gwar - Carnival of Chaos

Mike Patton - Mondo Cane

Pyrrhon - What Passes For Survival

The Bug - London Zoo

Laurie Anderson - Big Science

Talk Talk - Laughing Stock

Venetian Snares - Rossz Csillag Alatt Született

Anaal Nathrakh - Codex Necro

Vangelis - Blade Runner OST

Killing Joke - S/T (2003)

Fiona Apple - The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do

Prince - Purple Rain

Brian Eno - Before and After Science

Bark Psychosis - Hex

Finntroll - Ur Jordens Djup

Life Without Buildings - Any Other City

Ephel Duath - The Painter's Palette

Tangerine Dream - Phaedra

Sawako - Hum

The Coup - Party Music

David Sylvain and Holger Czukay - Plight and Premonition

Grouper - Dragging a Dead Deer Up a Hill

Butthole Surfers - Locust Abortion Technician

Sade - Diamond Life

Esquivel - Latin-Esque

Kesha - Rainbow

Tindersticks - Curtains

Emily A. Sprague - Water Memory / Mount Vision

Demdike Stare - Tryptych

Kyle Bobby Dunn - Ways of Meaning

Electric Wizard - Dopethrone

Boards of Canada - Music Has the Right to Children

Pixies - Surfer Rosa

Boris - Pink

The Humble Bee - A Miscellany for the Quiet Hours

Captain Beefheart - Safe as Milk

Dream Theater - Awake

Madvillain - Madvillainy

Dillinger Escape Plan - Miss Machine

Cyndi Lauper - She's So Unusual

Deli Creeps - Dawn of the Deli Creeps

the Mountain Goats - All Hail West Texas

Animals as Leaders - The Joy of Motion

Yellow Magic Orchestra - Solid State Survivor

Taylor Deupree - Faint

Faith No More - Angel Dust

Diablo Swing Orchestra - Pandora's Pinata

Silver Jews - American Water

Sigh - Imaginary Sonicscape

Metallica - Master of Puppets

GAS - S/T

Charles Dodge - Earth's Magnetic Field

Gojira - The Way of All Flesh

Cattle Decapitation - The Anthropocene Extinction

Benoit Pioulard - Precis

Sparks - Angst In My Pants

Stars of the Lid - The Ballasted Orchestra

Daughters - You Won't Get What You Want

Exlimitir - It Weighed Itself In Silver

Defeated Sanity - Passages Into Deformity

The Mars Volta - De-Loused in the Comatorium

Belong - October Language

h hunt - Playing Piano For Dad

Oneohtrix Point Never - Garden of Delete

CRYSTAL - Reflection Overdrive

Sleepytime Gorilla Museum - Of Natural History

Ween - Quebec

Kurt Vile - God Is Saying This To You

Akira Rabelais - Eisoptrophobia

Twine - S/T

[cheddar-baby]

1. Sampha - Lahai 2. Kali Uchis - Red Moon in Venus 3. Marina Herlop - Nekkuja 4. CMAT - Crazymad, For Me 5. Kara Jackson - Why Does The Earth Give Us People To Love? 6. Flying Lotus - You're Dead! 7. grouptherapy. - i was mature for my age, but i was still a child 8. Magdalena Bay - A Little Rhythm and a Wicked Feeling 9. Yoni Mayraz - Dybbuk Tse! 10. Oneohtrix Point Never - Again 11. underscores - Wallsocket 12. The Lemon Twigs - Everything Harmony 13. Sea Power - Everything Was Forever 14. feeble little horse - Girl With Fish 15. Tears for Fears - The Hurting 16. Tears for Fears - Songs from the Big Chair 17. Dev Lemons - Delusional 18. George Clanton - Ooh Rap I Ya 19. Jessie Ware - That! Feels Good! 20. World's End Girlfriend - Resistance & The Blessing 21. Ana Frango Elétrico - Me Chama De Gato Que Eu Sou Sua 22. Bruno Pernadas - Those who throw objects at the crocodiles will be asked to retrieve them 23. Oneohtrix Point Never - Rifts 24. Quelle Chris - Lullabies for the Broken Brain 25. Danny Brown - Quaranta 26. Kate Bush - Never for Ever (2018 Remaster) 27. Oneohtrix Point Never - Magic Oneohtrix Point Never 28. Kali Uchis - Isolation 29. Kelela - Raven 30. Oneohtrix Point Never - Age Of 31. Shakti - Natural Elements (With John McLaughlin) 32. Urias - HER MIND 33. Big Thief - Dragon New Warm Mountain I Believe in You 34. Billy Woods - Maps 35. SLAUSON MALONE 1 - EXCELSIOR 36. Speakers Corner Quartet - Further Out Than The Edge 37. The Go! Team - Get Up Sequences Part Two 38. Ukandanz - Kemekem (ከመከም) 39. Yussef Dayes - Black Classical Music 40. Bohren & der Club of Gore - Sunset Mission

[commeantennastoheaven]

Quinta-feira, 11/07/2024, 10h31min Ouvindo: Bohren & Der Club Of Gore - "Piano Nights"

Eu preciso urgentemente aprender a viver, porque eu estou a viver. Preciso também ansiosamente aprender a sentir, pois eu sinto muito, eu sei que sinto, só não sei o quê.

Os sentimentos vêm, mergulham em mim, assim como os pensamentos, porém eles mergulham profundamente, numa profundidade em que não me dá pé. Eu entro na água de mim, sinto, penso, vivencio; quase chego a tocar o eu com as minhas próprias mãos, mas logo tenho que voltar à superfície para respirar. E a superfície quase não me tem; tudo que há de mim na superfície é apenas um pequeno resquício de quem eu sou, e tenho que me contentar com isso, pois respirando estou.

O ar é mais vital do que o conhecer-me, o ar é inegociável, precisamos e ponto. Agora ser-me, conhecer-me, entender-me, amar-me, sentir-me, agradar-me, são, infelizmente, negociáveis pra mim. Não são vitais.

Uma vontade grande e pequena que esporadicamente surge é a vontade de mergulhar fundo, em mim nadar, em mim ser absorvido por mim, em mim afogar-me inteira e completamente. Ou aprender a ser peixe de mim, respirar dentro da fossa de mim; profunda, escura, inabitada até por mim mesmo. Fossa em que fica o eu mais verdadeiro, em que tenho mergulhado diariamente, com a caneta e o papel servindo como equipamento de mergulho.

E hoje mergulhei, momentânea e instantaneamente; e já voltei a respirar.

Preciso aprender a mergulhar profundamente. Peixe ser de mim e em mim.

[prettyinnoise]

Bohren & Der Club Of Gore – Bohren For Beginners (3LP) (10.02.2023)

Bohren & Der Club Of Gore – Bohren For Beginners (3LP) (10.02.2023)

Mit ihren dunklen instrumentalen Tracks konnten sich Bohren in den letzten Jahren eine beinharte Fanbase erspielen, und auch renommierte Musiker wie Mike Patton (Faith No More), Ry-X, John Grant, Soap&Skin als auch Thor Harris (Swans) sind den zeitlosen Songs von Bohren längst verfallen. Das wunderbar betitelte »Bohren For Beginners« versammelt nun erstmals Album übergreifend alle Highlights des…

[dustedmagazine]

Bohren & Der Club of Gore — Patchouli Blue (Ipecac)

A saxophone emerges from the velvet blackness; plaintive notes stretched, sustained, saddening the night above a barely brushed hi-hat and snare. Reverberating bass, shimmering keyboards, the pace slow, building tension. Christoph Clöser (saxophones, piano, Fender Rhodes electric piano, vibraphone, drums), Morten Gass (organ, synthesizer, mellotron, Fender Rhodes electric piano, eight-string bass, vocoder, drums) and Robin Rodenberg (acoustic and electric bass, drums) emerged from Germany’s hardcore scene in the mid- 1990s with a sound diametrically opposite to that from whence they came. Death Jazz, Jazznoir, Detective Jazz, Loungecore: call it what you will but after a six-year absence and having lost foundation drummer Thorsten Benning, Bohren & Der Club Of Gore are back with Patchouli Blue, a riveting addition to their discography.

Clöser has Dexter Gordon’s ability to play within the melody of a ballad, to physicalize every note, lingering for full effect. The self-control with which he, Gass and Rodenberg play is central to Bohren’s method. At times you wish they’d just let go, smash the keys, bash the drums, scream and squawk but that is not their way. It is not politesse, it’s a measured, deliberate approach that wants the listener to hear and feel each beat and breath, every sustained chord and all the keystones and buttresses in the vaulting space of their cathedral of sound. Subtle details abound, the machine rhythm and deep organ swells in “Vergessen Und Vorbei” which approaches a dramatically decelerated techno, a vibraphone on the title track, Rodenberg’s short upright bass solo in “Sollen Es Doch Alle Wissen”, the otherworldly romanticism of the mellotron and always the haunted saxophone, distant but inviting.  

Patchouli Blue is at once the perfect background for a Chekovian dinner party and the soundtrack for a particularly intricate torture session. The smooth veneer covers a multitude of sins and ecstasies, tension builds like a dysfunctional Thanksgiving reunion, all whispers, innuendos and sidelong glances simmering with emotion and all the unsaid with which people tear themselves and others apart. Bohren & Der Club Of Gore play the beauty of all that feeling yearning for expression with immaculate music that pierces the darkness with pinpoints of light. Put your sunglasses on and venture forth.  

Andrew Forell

[postpunkindustrial]

yl radio Pulse sur-mesure #1 Zoë Mc Pherson with guests: Jessica Ekomane & NVST @jessica-ekomane @ghettonast

XquisiteForce.collection/01 special tease s-f-x.space/XquisiteForce-collection-01

Tracklist Zoë Mc Pherson (all tracks are tastes from XquisiteForce.collection/01):

Désir d'enfant - Je veux bien que tu m'arrêtes Hulubalang - Cerca ELLLLL - SWEEPY Ciarra Black - Subject B Gramrcy - No Borders Superior Aho Ssan - Ondl Simon Grab & Zoë Mc Pherson feat. Dali de Saint Paul Flore - Peninsula Bonebrokk - Lightning ZULI - Cipher Glass - Multi. Holy Similaun - VEETCH KMRU - Nuada John Object - Strange Cares Katie Gately - Xquisite Force

Tracklist Jessica Ekomane:

DJ Marfox - Banda 52 Gooooose - Arp Kicks ZU - Tom Araya Is Our Elvis Bohren & der Club of Gore - Midnight Radio Track 4 KZLK - 77X Herbie Hancock - Hidden Shadows Art Ensemble of Chicago - Theme De Yoyo Theo Burt - Gloss pt 3 Duke - Beat Mixa Duke

Tracklist NVST:

Dr. Walker & M. Flux - Intro Ryoji Ikeda - C2:: cacoepy The Ullulators - Improbable Muzicks Fake Phone Number - Day Drugs Cemetery - YAOYOROZU Filter Dread - Track Dump A.A.A.A. (Accelerated Audio Alpha Activity) - The Anti Group Zwings Zammers - C'est pour le re seau Ex-Terrestrial - Gguunngg

[baldophoto]

Gros mood sur la ville

Arrivé·e en TGV à Perrache, tu te rends au Transbo pour commencer ta soirée. Il pleut, mais les gens ont quand même décidé de profiter de la nuit. Dans ton Uber, tu penses aux poissons qui n’ont pas besoin de parapluie. Reco : l’album Sunset Mission by Bohren & Der Club Of Gore

[audiomatiquecfou]

Audiomatique 05-05-21 featuring : Depth Charge - Collocutor - Dos Santos - The Beatles - The Fall - Millenia Nova - Lindberg Hemmer Foundation - Bohren & Der Club Of Gore - Geneviève Pasquier - Thievery Corporation

L’émission de radio Audiomatique du 5 mai 2021 Transmission 340 présentée de 17 h à 18 h sur les ondes de CFOU 89,1 FM animée par Les Sonoristes

Radio show Audiomatique May 5, 2021 Transmission 340 aired from 5 PM to 6 PM on CFOU 89,1 FM hosted by Les Sonoristes

1) Depth Charge : « 21.3.1993 » (Lust)

2) Collocutor : « The Angry One » (Continuation)

3) Dos Santos : « Sole Party » (Logos)

4) The Beatles : « I Want You (She’s So Heavy) » (Abbey Road)

5) The Fall : « God-Box » (The Wonderful And Frightening Word of…)

6) Millenia Nova : « I’m Dead » (Slow E-Motion Sightseeing)

7) Lindberg Hemmer Foundation : « Sweden » (Brazilian Architecture)

8) Bohren & Der Club Of Gore : « Zombies Never Die » (Beileid)

9) Geneviève Pasquier : « Louche » (Louche Effect)

10) Thievery Corporation : « Sweet Tides (feat. LouLou Ghelichkhani) » (Radio Retaliation)

Écoutez en différé / Listen : https://archive.org/embed/audiomatique050521 www.mixcloud.com/audiomatique/audiomatique-05-05-21 Contact : audiomatiquecfou@gmail.com Facebook : www.facebook.com/audiomatiquecfou

[technicolortheshow]

BOHREN & DER CLUB OF GORE

My Bloody Quarantine part 1

The last six months have been pretty shit, hey? It looks like there is no future anymore... global warming, COVID-19, Australia on fire, wars... shall I go on?

ANYWAY, we are not here to talk about a stupid government led by a buffoon with a mop in his head (ops!) but to praise one of the bands who kept me company during this bloody quarantine of mine: BOHREN & DER CLUB OF GORE. This German act, in fact, hung out with me during the several nights of insomnia, which, trust me, were devastating, loooooong and cold. Cigarettes after cigarettes, wine after wine, I thoroughly enjoyed the discography of the quartet and I thought it was time to write something about them.

Because of the slow-moving and nocturnal nature of their music, a doom jazz plenty of end-of-the-world ballads, or, in their words "unholy ambient mixture of slow jazz ballads, Black Sabbath doom and down-tuned Autopsy sounds", I happily matched their records to these apocalyptic months. Just like a dark noir by Leo Malet, or a Terry Gilliam dystopian movie, Bohren & Der Club of Gore managed to convey, over the last 25 years, a deep sense of ethical abandonment and claustrophobic imprisonment. There is no future in the music of the German band, no escape from reality, which is doomed and looped into an endless limbo. A not long time ago - which now seems AGES ago, to be honest - I went to the White Cube for the latest Kiefer’s exhibition. I believe that the combination of BCG music and Kiefer’s artworks pretty well. 

Over the last months, while listening to them, between a Medoc and a Nebbiolo, I was picturing the band in a smoky “bar at the end of the world”, channelling some kind of Tom Hillenbrant’s dystopian political setting or a Lynde Mallison’s grey cold painting. The best description, though, comes from the band website: “Dear friends of nighttime drives, remote bridges to nowhere and empty multi-storey car parks”. Club Silencio state of mind, indeed.

The ensemble has constantly been releasing high-quality records since 1994, with the first doom jazz album called MOTEL GORE - albeit the first release was a 1992 cassette filled with post-hardcore noise published under the name of Langspielkassette. MOTEL GORE is, as someone brilliantly described it “audio pointillism”. I think this similitude is accurate: the band did draw tiny dots of obscure, eerie, music on canvases of sound. “Die Fulci Nummer” drives me mad, with its spectral adagio: it’s so good it would’ve been great in the Fulci’s masterpiece Non si Sevizia un Paperino. “Cairo Keller” is charming and evocative, reminding me of a possible soundtrack for Lovecraft The Nameless City. Extra points for the brilliant reference of the cover.

in 1997 BCG published MIDNIGHT RADIO, two hours of lynchian-LA-night-driving-without-a-destination soundtrack. if it is true that its predecessor "Gore Motel" is more song-oriented, and therefore a lot easier to listen to - it’s evident that Midnight Radio is more rewarding in its own special way: it’s a journey in the darkest corner of your mind. Yes, because the journeys BCG offers are not only external but often internal. The band has developed over the years a therapeutic dialogue between the listeners and their consciousness. Jungian jazz music anyone? LET’S DEBATE!  

By the way, while writing this article, I’ve realised how difficult is to talk about BCG music without quoting several cliches - everyone always ends up referring to the same stuff:” car parks”, “night drive”, “Lynch”. But I have to admit, in this case, it’s definitely true! Listening to BCG can really inspire these topics under our skins, as trivial as it sounds! The point is: they do it better than anyone else, they have been doing this forever and they represent the top in this particular sub-genre. With the results of a cinematographic component in their music that leads to these night drive scenarios, post-modern inner state of minds. Bravo!

Let’s go back to Midnight Radio, to BGC and their discography. It’s undeniable that their music fits perfectly in the set of the SLOW TV/MUSIC/YOUTUBE movement. From The Norway train to this 1986 Canadian TV show called “NIGHT WALK” (which, by the way, looks freaking awesome), from Andy Warhol’ “SLEEP” to Kiarostami or Tarkovsky cinema, the slow movement has left an imprint to contemporary culture. Arguably, BGC, with their long holistic records, is part of the movement. Calming the listeners and bringing them into a meditative state of mind, without being mindfulness - luckily. The point is: BCG makes you think about yourselves, finding out that you are someone you should be scared of! Know yourself, fear yourself!

All that Jazz came in 2000 with the thrilling “SUNSET MISSION”, thanks to the help of saxophonist Christoph Clöser. In this record the band opened up the sound, literally letting some fresh air to enter their music, easing the claustrophobic moods of the previous albums. A hint of lounge-ness came in, due to the mellow, yet sophisticated, sax of Mr Clöser. It is still quintessential BCG, with the nihilism of the band raising up form the bass. Slow, reiterated bass lines are running through the record, giving to Sunset Mission a gloomy, hypnotic cadence. The liner notes include a quote from Matt Wagner's Grendel comic book, which reads: "Alone in the comforting darkness the creature waits. As confusion reigns on this hellish stage, the deafening grind of machinery, the odious clot of chemical waste. Still, the trail of his ultimate prey leads through this steely maze to these, the addled offspring of the modern world.

According to many people, 2002 ‘BLACK EARTH” is BCG masterpiece. I don’t know yet, as I REALLY like them all. What I can say is that Black Earth sounds a lot more accessible, with an even more developed sense of ‘lounge-ness’ which was not so evident in the previous records.  Blach Earth is a good record. Perhaps the trick here is the balanced tempo of the saxophone. Perfectly played within the songs at the right time, Christoph Clöser’ sax conveys an open jazzy sound. One of my favourite directors ever is Jean-Pierre Melville, his movies are everything I like in term of style and plot. Noir a là Dashiell Hammett, but French and without hope - give me more of this, Hollywood, please! Enough of fucking Marvel heroes, give me noir hard-boiled movies! 

Black Earth could have easily been the perfect great soundtrack for Mr Melville’s movies - especially, IHMO, Bob le flambeur. Think about it: a french man, with a cigarette in his mouth, gambling his life for a young woman, in a dirty Marseille, with the BCG slow tempo doomed jazz. yasss please, give me more. Or a glacial Alain Delon killing his lover for money.

Black Earth was followed up, in 2005, by “GEISTERFAUST”, which is considered a slower than ever version of the former album. In Ghost Fist (this is the translation) Bohren & Der Club of Gore has stripped down its sound to the bone, becoming more gentle and less aggressive without any compromise. 5 songs only, named after the 5 fingers of the hand, for an hour of dark jazz. Again, excellent quality.

I have been buying BCG on CD, I think this music on vinyl does not sound perfect UNLESS you have an extremely high-quality sound system, Like some classical music issue, where you need to hear the pianissimo of the piano and single notes, BCG music deserves a very clean medium, I would say CD is the best.

Jazz de nuit again on their seventh album “DOLORES” published in 2008. This record is pure Badalamenti, pure Lynch in the night. Within the ten songs of Dolores, the core idea of slow-music is even more highlighted, with no guitars at all on the whole album and a sedated keyboard-based mood.  In 2009 the band released a 10 minute EP called “MITLEID LADY”. it is strange, because, albeit recorded just after Dolores, it sounds way more gloomy and somehow different. It is BCG but has another level of sophistication compared to the previous record. This step further in the direction of stylistic accuracy is confirmed two years after, in 2011, with another EP, this one named “BEILEID”. The cover of the record is a reference to the famous Edward Gorey, or at least I believe. 

The record includes the cover of  "Catch My Heart" by German heavy metal band Warlock, with vocals from Mike Patton. I believe this is the only song with a singer in the entire catalogue of the band. Beileid is a cinematic mood-changer composed of pained saxophone solos, and ghostly string sections, an album that will sweep your mind away into dreamland. A must-have IHMO.

In 2013 the ensemble released “PIANO NIGHTS” probably the warmest record of the band. The Piano obviously helps a lot in making the sound softer and brighter - candle lighted rigorously. A German Gothic feast, with a touch of Teutonic expressionism - who remembers the movie The Hands Of Orlac. BCG should definitely play the soundtracks of this movie. A twisted, dark, thriller with Gothic and expressionist elements. After many years, the band introduces the 

Finally, in 2020, the band published “PATCHOULI BLUE”. A pristine, unique, summa of their work, which manages to sound similar to other releases of the band, yet unique, with something different, like a small accent. 50s noir glam, Badalamenti, German Gothic, Slow-Movement philosophy are all elements we can find in this record, but there is something else: a hint of electronic, which can possibly open new territories to the band. I am curious to see if they will become a techno ambient act in the like of Gas (joking).

Aristotle once said that the whole is greater than the sum of its parts. I guess this is the whole point in BCG’s music. The synergy the band has been consistently showing over the last 3 decades, and the constant refinement of their own skills. 

VIVA BOHREN! 

[djemerald]

My ‘sweetest’ Favorite 2019

もはやただのメモ！だけど、今年もやっぱりやっておこう。 ということで、2019年のスウィートな音楽をずらりと。 画像はアルバム・LP・EPのみの分をコレクションしてみました。 去年書いた「過去最高のスピードで世界中の音楽が聴けるようになった」のは、今年も継続中。 ただ、画面の中で自動的にレコメンドされるよりも、周りの友達に「これよかったよ〜」とか、「これ好きそう」とか教えてもらう方が、断然、うれしい。 ジャンルは相変わらずいろいろだけど、ジャズ的な要素が増えた気がする。（dublab.jpの影響か、原雅明さんの影響かしら、どうかしら） あと、今年はアルバム通して聴く機会が多かった、というか、その方がフィットしてた。もともとCDを買っていたときの感覚に戻ったようで、なんだかしみじみしちゃう。 そして、11月あたりからじんわりとミニマルハウス〜テクノに惹かれ中。シンプルがゆえに、好みを見つけるのがむずかしい、でも楽しい。新しい境地。 DJ MIXはほとんど聴かなかったなぁ。音楽の聴き方って、1年の間にこんなにも変わるものなのね。 dublab.jpでラジオ番組をはじめたことも大きいかな。 ありがとう、グッドバイ2019年。 2020年は、審美眼を磨きつつ、軽快に。生身の肌で感じたい。 *アルファベット順です *今年リリース以外のものも多くあります *Vanessa Paradis、Marlene Dietrichは常時アイコンなのではぶきます ＊ - My ‘sweetest’ Favorite 2019 - ▽▼▽ ALBUM / LP / EP ▽▼▽ AFK & Bludwork / Loyalty N Service [100% Silk] Akira Rabelais / CXVI [Boomkat Editions] Alexis Le-Tan & Jess present / Space Oddities [Permanent Vacation] Amazondotcom / Mirror River [SUBREAL] Ambien Baby / En Transito [FATi Records] Ana Roxanne / ~~~ [Leaving Records] Anna Homler ‎/ Deliquium In C [Präsens Editionen] Archie Shepp, Jasper Van't Hof ‎/ Mama Rose [SteepleChase] Bartosz Kruczynski, Poly Chain / Pulses [Into The Light Records] Basil Kirchin / I Start Counting [Trunk Records] Basil Kirchin / Primitive London [Trunk Records] Black Boboi / Agate [BINDIVIDUAL] C.Tappin / Ashes to Ashes [Melting Pot Music] Charlie Haden & Pat Metheny / Beyond The Missouri Sky [Verve Records] Chihei Hatakeyama(畠山地平) / Void XIX [White Paddy Mountain] Chocolate Lips / Chocolate Lips [Sony Music] Derric Gobourne Jr. / Supremacy [P-Vine Records] Deweekend / Deweekend [OutOfStock] Dome / Dome 2 [Editions Mego] Eberhard Weber / Encore [ECM Records] Eleventeen Eston / Delta Horizon [Growing Bin Records] Emahoy Tsegué-Maryam Guèbrou / Ethiopiques, Vol. 21 [Buda Musique] Eric Serra ‎/ Le Grand Bleu (Bande Originale Du Film) [Virgin] G.S. Schray / First Appearance [Last Resort] Giovanni Guidi / Avec Le Temps [ECM Records] h hunt / Playing Piano for Dad [Tasty Morsels] Helena Deland ‎– Altogether Unaccompanied Vol. III [Luminelle Recordings] Holdie Gawn｜Micawber ‎/ Gleech Huis｜Parsec Telemetry [Sylphe] infinite bisous / Period [Tasty Morsels] Ion Ludwig / A Better Future To Long [Metereze] J!N /pink stm & wite ptl [Hizz] JAB / Erg Herbe [Shelter Press] Jacqueline Humbert & David Rosenboom / Daytime Viewing [Unseen Worlds] Jai Paul / Do You Love Her Now｜He [XL Recordings] jan and naomi / Fracture [cutting edge] Jan Jelinek / Loop-Finding-Jazz-Records [~scape] Jeff Majors / Yoka Boka (For Us All) [Invisible City Editions] Joao Gilberto / Amoroso [Warner Bros. Records] Joe Tossini and Friends / Lady of Mine [Joe Tossini Music] Joseph Shabason / Anne, EP [Western Vinyl] Juan Hidalgo / Rrose Sélavy [Discos Transgénero] Kali Malone / The Sacrificial Code [iDEAL Recordings] Khotin / Beautiful You [Ghostly International] Kit Sebastian / Mantra Moderne [Mr Bongo] Leech / Data Horde [Peak Oil] Leonardo Marques / Early Bird [180g x Disk Union] Leonore Boulanger / Practice Chanter [Le Saule] Les Yeux Orange / Ghost Dog [Good Plus] Lifted / 2 [PAN] Liv.e / ::hoopdreams:: [Not On Label] Lloyd Miller / A Lifetime In Oriental Jazz [Jazzman] Loren Connors / Evangeline [Recital] Loving / Lately In Another Time [Last Gang Records] Lucas Arruda / Onda Nova [Favorite Recordings] Lunz / Lunz 3 [Curious Music] Mary Lattimore / Hundreds Of Days [Ghostly International] Mega Bog / Dolphine [Paradise Of Bachelors] Meitei(冥丁) / Komachi [Métron Records] melodiesinfonie / A Journey to You [JAKARTA] Molinaro / What The Future Was [Apron Records] Nadia Reid / Preservation [Basin Rock] Neu Balance / In My Life, I've Loved Them All [Budget Cuts] Nia Andrews / No Place Is Safe [rings] Nico Rico / Primitive Thinking EP [Not On Label] Nina Keith / MARANASATI 19111 [Grind Select] Nitai Hershkovits / Lemon the Moon [AGATE / Inpartmaint] Normal Brain / Lady Maid [Vanity Records] Olsen / Dream Operator [100%Silk] Operating Theatre / Miss Mauger [Allchival] Pejzaż / Pejzaż Remiksy [The Very Polish Cut-Outs] Powder / Powder In Space [Beats In Space Records] Priori & RAMZi / Jumanjí [FATi Records] Profit Prison ‎/ Six Strange Passions [Avant!] RAMZi / Multiquest Niveau 1: Camouflé [FATi Records] Regularfantasy /Sunsets & Sublets [Total Stasis] Repetentes 2008 / Galaxia Fini [Superconscious Records] Repetentes 2008 / Gelo Gerônimo [Gop Tun] RIP Swirl / 9TEEN90 [Public Possession] Robert Minden Ensemble / Long Journey Home [Otter Bay Recordings] Robert Minden Ensemble / The Boy Who Wanted To Talk To Whales [Otter Bay Recordings] Robert Minden Ensemble / Whisper in My Ear [Otter Bay Recordings] Robert Wyatt / Shleep [Domino] Rupert Clervaux / After Masterpieces [Whities] Santilli / Surface [Into The Light Records] Sarah Davachi / Pale Bloom [W.25th] Sebastian Gandera / Le Raccourci [Efficient Space] Simone De Kunovich / Mondo Nuovo Vol. 1 [Superconscious Records] Sipprell / I Could Be Loved [Sipprell] Sonia Sanchez / Full Moon Of Sonia [VIA International Artists] Sonny Sharrock / Black Woman [Vortex Records] Soundwalk Collective / What We Leave Behind | Jean-Luc Godard Archives [mAtter] Sparrows / Berries [flau] St. Joseph / Player Nr. 1 EP [Dokutoku Records] Stephen Steinbrink ‎/ Utopia Teased [Western Vinyl/Melodic Records] Takayuki Shiraishi / Missing Link [Studio Mule] Tamaryn / Dreaming The Dark [Dero Arcade] Teebs / Anicca [Brainfeeder] Teiji Ito / Music For Maya [Tzadik] The Caretaker / An empty bliss beyond this World [History Always Favours The Winners] Tim Hecker / Anoyo [Kranky] Tujiko Noriko / Kuro(OST) [PAN] Unknown Mobile / Daucile Moon [Pacific Rhythm] Vanishing Twin / The Age of Immunology [Fire Records] Various ‎/ I Am The Center (Private Issue New Age Music In America, 1950-1990) [Light In The Attic] Various / Visible & Invisible Persons Distributed In Space [Numero Group] Various / Wys! V&a Ep [WYS! Recordings] Various / زمان يا سكر = Zamaan Ya Sukkar - Exotic Love Songs And Instrumentals From The Egyptian 60’s [Radio Martiko] Various Artists / 4 Down [Deek Recordings] Various Artists / Turkish Hamam House Disco [Arsivplak] Viola Klein / A Passport And A Visa Stamped By The Holy Ghost [Meakusma] Violet / Togetherness [Togetherness] Voices In Latin / Voices In Latin [Morgan] Wilson Tanner / II [Efficient Space] Yasuaki Shimizu / Music For Commercials [Crammed Discs] Yohuna / Mirroring [fear of missing out records] Yoshiharu Takeda / Aspiration [METANESOS Records] Yoshinori Hayashi / γ [Smalltown Supersound] Zenit / Straight Ahead [P-Vine Records] 元ちとせ / 元唄 幽玄 ～元ちとせ 奄美シマ唄REMIX～ (Remixes) [Au(g)tunes] 孔雀眼 JADE EYES / 渴望 [香港商黑市音樂股份有限公司台灣分公司] ∞σ / DG Hadi [Hizz] ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ / ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლのʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ ꐑ(ཀ ඊູ ఠీੂ೧ູ࿃ूੂ✧ළඕั࿃ूੂ࿃ूੂੂ࿃ूੂළඕั✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑ(ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ [༈೧ູ≢)ꐑʅ(Ɵↂↂ. l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡.̸̸̨̨ ఠీੂ)༼ू༈೧ູ࿃ूੂ༽(ଳծູ l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡ ɵੂ≢)_̴ı ̡͌ ̲|̡̡̡ ̡ ̴̡ı̴̡̡ ̡͌l̡̡̡ꐑ*:･✧(ཽ๑ඕัළඕั)ꐑʅ(Ɵↂ๑)✧*:･ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡.̸̸̨̨ ఠీੂ)༼ू༈೧ູʅ(ƟӨ)ʃ ꐑ(ཀ ඊູ ఠీੂ)༼ू༈೧ູ࿃ूੂ༽(ଳծູɵੂ≢ↂ. l̡̡̡ ̡͌l̡*̡̡ ̴̡.]

▽▼▽ SONG ▽▼▽ Akis / New Age Rising (Part VIII) [Into The Light Records] Anatolian Weapons / Ofiodaimon (Tolouse Low Trax vs Anatolian Weapons Remix) [Beats In Space Records] Anna Karina / Pierrot Le Fou-Jamais Je Ne T'Ai Dit Que Je T'Aimerai Toujours (いつまでも愛するとは言わなかった) [Barclay] Baba Stiltz / Showtime [XL Recordings] Bartosz Kruczyński / Pastoral Sequences [Growing Bin Records] Beatrice Dillon / Workaround Two [PAN] Bee Gees / How Deep Is Your Love [RSO] Bell Biv DeVoe ‎/ Poison [MCA Records] Betonkust, Palmbomen II / Rejected Demo Tape [Dekmantel] Blue Gas / Shadows From Nowhere [Archeo / Best Record] Bobby Hutcherson / Tranquillity [Blue Note] Bohren & und Club of Gore - Karin [[PIAS] Recordings] Cécile McLorin Salvant / One Step Ahead [Mack Avenue Records] Cigarettes After Sex / Heavenly [Partisan Records] Cleaners From Venus / Corridor of Dreams [Man At The Off Licence] De Beren Gieren / Broensgebuzze 8.2 [Sdban Ultra] Dolphins Into The Future & Lieven Marten Moana / Lava (Long Version) [Edições Cn] DOS / Need U [Nerang Recordings] Dove, Le Makeup / Angel Diaries [Pure Voyage] Duval Timothy / DYE [NTS Radio] Eliza Dickson, Braxton Cook, Lauren Desberg / Gold [Tokyo Dawn Records] Emilie Levienaise-Farrouch / End Scene [130701 (FatCat Records)] Empress Of / When I’m With Him (Perfume Genius Cover) [Terrible Records] Fafá de Belém / Aconteceu Você [Som Livre] Gary Burton / Las Vegas Tango [Atlantic] Hanne Mjøen / Sounds Good To Me [Spinnin' Deep] Haruomi Hosono (細野晴臣) / 薔薇と野獣(New ver.) [Speedstar] Jay Som / Superbike [Lucky Number] John Cameron / Half-Forgotten Daydreams [KPM Music] John McLaughlin, Mahavishnu Orchestra / You Know, You Know [Columbia] Joni Mitchell / Shine [Hear Music] Karen Gwyer / Ian on Fire [Don't Be Afraid] Kelsey Lu / I’m Not In Love [Columbia] Klein Zage / Womanhood (DJ Python Remix) [Orphan Records] Kllo - Back To You [PLANCHA] Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith / Lotus Born, No Need to Fear [Smithsonian Folkways] Laurie Spiegel / The Unquestioned Answer [Unseen Worlds] Leon Vynehall / I, Cavallo [Ninja Tune] Lucrecia Dalt / Tar (Jan Jelinek Remix) [Rvng Intl.] mabanua / Call on Me feat. Chara (Knxwledge Remix) [Lawson Entertainment] Madeline Kenney / Nick of Time [Not On Label] Marc Johnson, Eliane Elias / Swept Away [ECM Records] Marcella Bella / Nell'aria [CBS] Mary Lou Williams / It Ain’t Necessarily So [Jazzman] Matthew Halsall, The Gondwana Orchestra, Josephine Oniyama / Into Forever (feat. Josephine Oniyama) [Gondwana Records] Mehmet Aslan / Beat Two Chase [Highlife] Mehmet Aslan / Lobster Is Coincidence [Planisphere Music] Men I Trust / I Hope to Be Around [Men i Trust] Michael Andrews / I’m Not Following You [Everloving] millennium parade / Plankton [PERIMETRON] Murlo / Ferment (Yamaneko’s Flashback) [Coil Records] Noname / Self [Not On Label] Nusrat Fateh Ali Khan / Mustt Mustt (Massive Attack Remix) [‎Real World Records] O Terno / volta e meia [Risco] Octo Octa / I Need You [Technicolour] Ralph Tresvant / Sensitivity [MCA Records] Ratna Das / Rajuan Bulan [Rice Records] Roberto Musci / The Advent of Rose + Croix [Les Disques Victo] Ronald Langestraat / Lowdown [South of North] Salami Rose Joe Louis / Nostalgic Montage [Brainfeeder] Simon Hinter / Makros [Purveyor Underground] SKRS / Dub Shoulda Known [Ancient Monarchy] Smoke Trees / Man in the Moon [Urban Waves Records] Steve Hauschildt ‎/ Strands [Kranky] Tash Sultana / Salvation [Mom + Pop] Tei Shi / Even If It Hurts (feat. Blood Orange) [Downtown] The Golden Filter / Autonomy [4GN3S] Tyme./Tatsuya Yamada / Catch A Fire [astrollage] Unknown Mortal Orchestra / Hanoi 6 [Jagjaguwar] Will Saul / Room 9 [Aus Music] WONK / Sweeter, More Bitter [EPISTROPH] Yo La Tengo / Eight Candles [Verve Forecast] ギターウルフ / バッテラ惑星 [GuitarWolf Records] ちあきなおみ / 泣かせるぜ [TEICHIKU ENTERTAINMENT] んoon / Gum [Flake Sounds] 近田春夫 / 超冗談だから [Victor Entertainment] 佐藤千亜妃 / Lovin' You [EMI Records] 小沢健二 / 彗星 [Universal Music] 大貫妙子 / タンタンの冒険 [Dear Heart] 中原理恵 / ヒーローはあなた [CBS/Sony] 優河 / June [P-Vine Records] (Sandy) Alex G / So [Lucky Number] ▽▼▽ DJ / LIVE ▽▼▽ Sapphire Slows at SUPER DOMMUNE [28 Nov] Nia Andrews at Blue Note Tokyo [31 Oct] Julianna Barwick / Mary Lattimore / DJ Shhhhh at Shibuya WWW ［1 Jul］ Meakusma X dublab.jp at Shimokitazawa Cage LỒNG VÀ QUÁN [28 Apr] 東京楽所第12回定期公演「奉祝の雅楽」 at サントリーホール［2 Feb］ 12月25日のdublab.jpの番組《In Every Second Dream》内で、一部楽曲をON AIRしたのでそちらも是非◎ アーカイヴはこちらから↓

愛を込めてxxx DJ Emerald

[csajomnemszereti]

 - jézusom, ez már névről is rosszul hangzik. “Bóren end der klub of gór”.

 - hogy tetszik?

 - tekerj bele

*beletekerek és hangosítok rajta*

 - hát halkítsd már le hát még a billentyűzet is elborul te vadállat - pedig nem volt rossz, de kezded elbaszni

[piasgermany]

[News+Live] Bohren & der Club Of Gores Werkschau jetzt auf Vinyl!

Seit ihrer Gründung vor knapp über 30 Jahren hat es kaum eine deutsche Band geschafft, sich einen dermaßen eigenen musikalischen Kosmos zu schaffen, wie die Mühlheimer Band Bohren & der Club Of Gore. Mit ihren dunklen instrumentalen Tracks konnten sich Bohren in den letzten Jahren eine beinharte Fanbase erspielen, und auch renommierte Musiker wie Mike Patton, Ry-X, John Grant, Soap&Skin, als auch Thor Harris (Swans) sind den zeitlosen Songs von Bohren längst verfallen. Das wunderbare »Bohren For Beginners« - 2016 nur auf CD erschienen -  versammelt Album-übergreifend als 3LP alle Highlights des Bohren Kataloges in z.T. neu abgemischten Versionen, und funktioniert damit sowohl als Einstiegsdroge für Neueinsteiger, als auch für die getreue Folgschaft.

Zudem wurden letzten Freitag noch folgende Show angekündigt: 17.05.2023 Reutlingen - Franz K Booking: BTA

[metalindex-hu]

Bohren & Der Club of Gore – Patchouli Blue

Bohren & Der Club of Gore – Patchouli Blue - http://metalindex.hu/2020/02/14/bohren-der-club-of-gore-patchouli-blue/ -

Sokszor előfordul velem, hogy eltelítődök a villanygitár zenékkel. Bele fáradok, hogy a hardcore zenekarok próbálnak minél keményebbek lenni vagy, hogy a black metal bandák minél gonoszabbak. Ilyenkor kell egy-két lemeznyi szünet, feldobok egy klasszikus hip-hop lemezt, egy kis blues-t vagy jazz-t. Egyfajta méregtelenítő procedúraként, hogy újult erővel, tiszta fejjel és fülel ugorhassak ismét fejest, az undorítóbbnál undorítóbb zenékbe. Egy ilyen alkalommal futottam bele, még régebben, a Bohren & Der Club of Gore-ba. Noha hatalmas rajongójuk sose voltam, mégis felkaptam a fejem az új lemez hallatára és így a sokadik hallgatáson túl, úgy tűnik változni fog a kapcsolatunk.

Ha “metalos fejjel” kéne elmagyaráznom valakinek mi is az a doom jazz annyit mondanék, hogy klasszikus jazz hangszerekkel játszott funeral doom, egy jó nagy adag ambient-el nyakon öntve. Ennek a stílusnak egy vagy az is lehet, hogy egyetlen öreg rókája a Bohren & Der Club of Gore. Nem egy telített színtérről van szó, a Last.fm szerinti top 5 zenekarból kettő például már rég feloszlott. A Bohren mégis már lassan harminc éve alkot és jelen ajánló tárgya, már a tizedik lemezük. Pillanatnyilag az Ipecac Records-nál vannak, ami nem meglepő, hiszen Mike Patton kiadója kifejezetten az ilyen különleges, kísérleti zenékre specializálódott.

Ha meghallgatjuk a kezdő több mint hét perces Total Falsch-ot, kapunk is egy képet arról mi vár ránk a következő egy órában. Lassú, lágy jazz balladák, ambient motoszkálásokkal a háttérben. Majd Christoph Clöser szaxofonjával, mint egy domináns szerető átveszi az irányítást és innen már csak úszunk a simogató hangok hullámain át. A német trio szokványos jazz hangszereket használ mint dob, zongora, bőgő, vibrafon és orgona ezeket mint egy éj fekete szalag köti össze a szaxofon, mint vezér hangszer. Nem a dúdolható dalokon vagy a megjegyezhető dallamokon van a hangsúlyos, hanem a nagybetűs hangulaton. David Lynch fogja a kezünket és vezet ki minket a fekete-fehér, eső áztatta, kihalt utcákra. Néha-néha kivezet a fényre egy-két hangfoszlány, de legtöbbször mint mérges kígyó mar szíven az az istenverte szaxofon. Ez az ember meg csak fújja és fújja, már ha ember egyáltalán, lehet csak egy sötét öltönyös démon, aki a bűneinket rója fel a végítélet napján.

Ének az nincs, mégis olyan beszédes az egész, hogy szavakba nem lehet önteni. Súlyos, letaglózó érzések váltogatják egymást. Lassú megfontolt dallamok emelnek az ég felé vagy taszítanak a porba. A háttérben cincog a cin, mint egy a zokogásunkat tanúsító egér. Finom ambient futamokra felfűzött, lágy zongora szó, hasít a szaxofon, szaggatja a lelket, a dob lassan ver végi mint a szívverés. Bizonyosság, hogy még éppen élünk, de hogy ha nem az se baj, ennél szebb úgy sem szólhat a temetésünkön. Hangulat képek, füstös csehó, az elolvadt jégtől felvizeződött whiskey, alkohol és a füst maró illata keveredik. Játszik a zongora, mint egy cirógató női érintés.

Egyedül vagyok az albérletben, fejemen fejhallgató. Egy csöndesebb pillanatban, pont elszáguld egy mentő az M5-ös felé, visító szirénával. Kint a kerítés felet pislákol, a jelenleg éppen működő kecskeméti közvilágítás, a fülemben duruzsolnak a magány szimfóniái. Aludni kéne, holnap még munka, de nem enged, ölel magához, még egy dal és vége. Most ebben a pillanatban, nem létezik annyi pont amennyit rá ne tudnék tenni erre a komor utazásra. Holnap reggel ugyan itt, a süvítő kocsikkal az ablak alatt, a vakító napfényben február közepén, valószínűleg az első dal felénél kinyomnám. Érzelmes és mély utazás annak aki hajlamos az ilyenre, de csak is a megfelelő helyen és időben.

[postpunkindustrial]

PLAYLIST: ALEX TWOMEY - Red Zone Yann Tiersen (official) - Erc’h LYENN - Until We Blend CHANTAL ACDA - Marama Yu Su - Tipu’s Tiger (ft. Pender Street Steppers) Toshifumi Hinata - Broken Belief JUSTIN HOPPER & Sharron Kraus - Wanderer WATINE & INTRATEXTURES - Sur Les Crins Des Archets WarpaintT - Billie Holiday Joseph Shabason - Donna Lee David Allred - The Cell Matthew Halsall - Life Sam Amidon - Dry Bones In The Valley Greg Foat - Of My Hands BOHREN & DER CLUB OF GORE/ official - Street Tattoo MILES DAVIS & Bill Laswell's Material - He Loved Him Madly Hiroshi Suzuki - Kuro To Shiro Ethnic Heritage Ensemble - Black Is Back MILES DAVIS & Marcus Miller - Lost In Madrid Part II Portico Quartet - Signals In The Dusk briskey - Galactic Jack SPAZA - Magwinya, Mangola neWhite Liver Auntie Flo - Dance Of The Conch THEO PARRISH - Fallen Funk Harmonious Thelonious - Women’s Chorus From The Religion Of… Robag Wruhme - Ende #2 DOXA SINISTRA - The Other Stranger ZATUA - Camel Express (Alatas Version) 19 GADI PIRMS SĀKUMA - Aspekti (STROOM)

[idaradio]

C'est inédit sur notre antenne : les dix titres de Concrete & Glass, le disque de Nicolas Godin (Air) sorti ce vendredi, sont tellement excellents qu'ils font tous partie de la sélection des nouveautés et perles de la semaine. Vous entendrez aussi des extraits sompteux d'un live de Keith Jarrett, les vocalises étourdissantes de l'ami Hervé Loison (Jake Calypso), le jazz sombre et floydien de BOHREN & DER CLUB OF GORE et d'autres beautés. — view on Instagram https://scontent.cdninstagram.com/v/t51.2885-15/sh0.08/e35/s640x640/81401815_464494337554897_6280550796524204373_n.jpg?_nc_ht=scontent.cdninstagram.com&_nc_ohc=3jusjJbL8vcAX887gMC&oh=60c86e3fdc76a7d3cb62ac93e042fca1&oe=5ECA6E65