#boat rocker media

[cyberpunk-20xx]

Kerry's situation is a very painful reminder of how fucked up the game's canon society is, even to the rich people. Which is maybe my biggest gripe with the game. A game where I'm not given even the slightlest chance to change shit around me, a game that's just so pessimistic and cruel in how it treats its characters, so hopeless, is not punk. but that's smth else entirely to talk about.

Back to Kerry. He's less suicidal at the end of the game when V reached out and helped some to sooth his trauma about Johnny, even if one could argue it's maybe just, well, putting him back where he started or indulging a toxic fixation. Depends on your interpretation. But his situation hasn't actually changed, he's still held by his label in a death grip, even if at least his current manager's supposedly out of the picture. But even that i don't believe. All we know for sure is that we burned his yatch. Like. Kerry tells us that his MSM Record manager (can't remember his name and be bothered to check) makes him drink on purpose to get him to sign shit, which is blatant abuse and all we get to do is fucking burn a boat? Let me make the dude a corpse, even if you make me have to work for it jfc.

I really love when fanfic writers actually address that issue btw, because it really hurts me to think about him being left in this bullshit. And in so many endings we know his situation is less than ideal even with V.

Kerry's profound unhappiness is visible in many ways: the state of his house, his insinuated addictions, his impulsive, self-destructive behaviors, his tendency to lash out and paranoia to assume people are against him, and overall defensiveness, his fear of the unknown, his clinging to fame, his refusal to see his kids, his mentioned and hinted suicide attempts. He's a guy who, at 89, doesn't seem to me like he knows what he wants, what he needs.

Personally, it both hurts me and makes me really like him, because I find him relatable in how he reacts to despair. In that aspect, I find him very well-written, even if a lot of shitty tropes and pop star stereotypes are used. Yes, pop stars one.

(One other thing that's devastating about Kerry is that he's a rocker, but he doesn't act like one, according to his own definition (which seems to really just be Johnny's shitty macho definition altho it's a whole label that precedes both of them in the TTRPG lore). Which wouldn't be a problem to me if he also didn't find the genre inferior to rock.)

But what fucks me up the most is that he's dealing with despair at all, when out of the four LIs, he's the one that has the safest, most stable life. Hell, he could even easily leave Night City and never look back, and still create, he's got the money for it, it might sound terribly materialistic of me but the man has enough money to just no longer be dealing with all this shit. But he's stuck there because even at nearly fucking nine decades of life, he's not yet felt seen, heard, or acknowledged. He's still scrambling for his roots and something to look forward at once.

Kerry is 89 and has the self-esteem of a 23 years old still.

If I just listen to my basest instincts, I blame Johnny for a lot of that, but that's the easy way, actually. If I actually think about it, Kerry's responsible of his own life too, and Johnny got nothing to do with how he feels out of touch with his Filipino roots, or him being a burnt out rockstar, Johnny is not that powerful at all, and mostly I blame Arasaka and the corps, and i blame the music industry in the game especially actually, i blame the media and the fans for how Kerry bit by bit stops feeling human in the spotlight, but the thing is, it's harder to be angry at those, even in game. Because we're not actually given meaningful ways to do something about inequality in game, and when you're unable to fight something, your brain becomes apathetic to it. It's just a survival thing. my brain does that a lot. i prize my anger a lot because of that (probably why i am so attached to Johnny tbh).

I think Kerry craves to be seen as the man he is, but his ways to try and fix that is to feed the demigod image his career upholds. I'm mad we can't do something about it, nor see the change he deserves happen. I'm mad a game with "punk" in its name is so hopeless and cynical.

[ptbf2002]

My Top 10 Netflix Characters

10. Mugman (The Cuphead Show)

9. Kid (Kid Cosmic)

8. James (Oddballs)

7. Sonic The Hedgehog (Sonic Prime)

6. Audrey Smith (Harvey Street Kids/Harvey Girls Forever!)

5. She-Ra (She-Ra and the Princesses of Power)

4. Lincoln Loud (The Loud House Movie)

3. Sandy Cheeks (Saving Bikini Bottom: The Sandy Cheeks Movie)

2. Mai Su (Next Gen)

1. Hilda (Hilda)

Original Template: https://www.deviantart.com/edogg8181804/art/Top-10-Netflix-Characters-Meme-854139578

The Cuphead Show! Belongs To Dave Wasson, Mercury Filmworks, Lighthouse Studios, Screen Novelties, Studio MDHR Entertainment Inc. King Features Syndicate, Inc. Hearst Communications, Inc. Netflix Animation Studios, Netflix Worldwide Entertainment, LLC, And Netflix, Inc.

Kid Cosmic Belongs To Craig McCracken, Francisco Angones, Lauren Faust, Toon Boom Animation Inc. Nelvana Limited, Corus Entertainment Inc. Mercury Filmworks, CMCC Cartoons, Netflix Animation Studios, Netflix Worldwide Entertainment, LLC, And Netflix, Inc.

Oddballs (TV series) Belongs To James Rallison, Ethan Banville, Atomic Cartoons, Inc. Thunderbird Entertainment Group Inc. SEGA of America, SEGA Corporation, SEGA Sammy Holdings Inc. Nelvana Limited, Corus Entertainment Inc. TheOdd1sOut Studios, Netflix Animation Studios, Netflix Worldwide Entertainment, LLC, And Netflix, Inc.

Sonic Prime Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Joe Kelly, Joe Casey, Duncan Rouleau, Steven T. Seagle, Jam Filled Entertainment, Boat Rocker Media Inc. Flixzilla Aura, Sonic Team, SEGA of America, SEGA Corporation, SEGA Sammy Holdings Inc. Man of Action Entertainment, WildBrain Studios, WildBrain Ltd. Netflix Animation Studios, Netflix Worldwide Entertainment, LLC, And Netflix, Inc.

Harvey Street Kids/Harvey Girls Forever! Belongs To Alfred Harvey, Emily Brundige, Dave Enterprises, Digital Emation, Inc. NE4U, Inc. The Harvey Entertainment Company, Classic Media, LLC, DreamWorks Classics, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

She-Ra and the Princesses of Power Belongs To Larry DiTillio, J. Michael Straczynski, ND Stevenson, Dave Enterprises, NE4U, Inc. Mattel Television, Mattel, Inc. DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

The Loud House Movie Belongs To Chris Savino, Kevin Sullivan, Chris Viscardi, Top Draw Animation, Inc. Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Movies, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Players, Paramount Home Entertainment, Paramount Pictures Corporation, Paramount Global, And Netflix, Inc.

Saving Bikini Bottom: The Sandy Cheeks Movie Belongs To Stephen Hillenburg, Tom Stern, Kaz, Sinking Ship Entertainment, Pipeline Studios Ltd. Spin VFX, ReDefine Animation, United Plankton Pictures Inc. Nickelodeon Movies Inc. Paramount Players, Paramount Pictures Corporation, Paramount Global, And Netflix, Inc.

Next Gen (film) Belongs To Wang Nima, Kevin R. Adams, Joe Ksander, Baozou Manhua, Tangent Animation, Alibaba Pictures Group Limited, Alibaba Group Holding Limited, Dalian Wanda Group, And Netflix, Inc.

Hilda Belongs To Luke Pearson, Mercury Filmworks, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Nobrow Press, Flying Eye Books, Silvergate Media Limited, Sony Pictures Television Kids, Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

[loudlyhappycupcake]

Today's cartoon character for Fan Art Friday is Penfold. He is Danger Mouse's sidekick. Ernest Penfold (Danger Mouse) © BBC, CBBC, ITV, Cosgrove Hall Films, Fremantle, Boulder Media, Boat Rocker Media, Windmill Lane, Studios Credit to BBC, Drawing Tutorials 101, and Fandom for the reference images. No copyright infringement intended. @shironezuninja @evander2511 @diego-r-the-artist-2009 @homuncvlus @miniaturejudgeturkeytree @bitter-yet-civilized @soniathedangerhedgefox2015 @jazzyrazzy157 @bloodmoon24 @bossbabyfan2 @moonlighteclipse17 @kikikat09 @aamericanotaku @aaronzilla2007 @punk-63 @leo-x-u-raptor-fan @twiliartsdreams2017 @untitled14360

[blogger360ncislarules]

MGM+ is returning to Beacon 23.

The premium cable network formerly known as Epix has officially picked up a second season of the sci-fi drama series starring Stephan James and Lena Headey.

The news comes as MGM+ just wrapped the first season of the drama from creator Zak Penn and aired a teaser for the second season of Beacon 23 (watch it below). Season two of the series, which was originally developed for Spectrum Originals and was poised to have a second window on AMC before the former bailed on originals, was already completed as filming on both cycles of the show was done back-to-back.

“The creative team behind Beacon 23 has masterfully brought Hugh Howey’s best-selling book to life, and we’re excited for fans to continue this journey into Beacon 23’s��universe of suspense, emotion and unforeseen twists,” said Michael Wright, head of MGM+.

Glen Mazzara (The Walking Dead) and Joy Blake (The Passage) serve as showrunners on season two, which will see James return alongside Natasha Mumba and Ellen Wong. Boat Rocker is the studio on the drama, with exec producers including Mazzara, Blake, David Fortier, Ivan Schneeberg, James Middleton, Nick Nantell, Katie O’Connell Marsh, Liz Varner and leading man James.

“We’re thrilled that Beacon 23 has found a loyal audience on MGM+ and look forward to sharing more episodes with fans in 2024,” said Fortier and Schneeberg, co-executive chairmen at Boat Rocker Media and co-chairmen of Boat Rocker Studios. “Thank you to our dedicated creative partners, the wonderful team at MGM+, and the talented cast and crew for helping deliver what is sure to be an unforgettable season of television.” 

Season one of the drama followed Aster (Game of Thrones grad Headey), a government agent, and Halan (James), a stoic ex-military man, whose fates became entangled after they found themselves trapped together inside one of many Beacons that served as a lighthouse for intergalactic travelers. Here’s how MGM+ describes season two: “Beacon 23 is now little more than a prison with Aleph onboard, and The Artifact provides more questions than answers. Without a clear path forward, the inhabitants of Beacon 23 must rely on each other, but their conflicting agendas may get in the way.”

“Beacon 23’s season two ups the game: more action, more mysteries, more twists and exciting new characters. It’s a thrill ride. I can’t wait for the audience to see it,” Mazzara said. Added Blake: “I’m so grateful to MGM+ for continuing the story of Beacon 23. What an incredible opportunity for us to tell the stories of such unexpected characters whose lives are inextricably linked by a place that few understand, and none can ever leave.”

At MGM+, Beacon 23 joins a scripted roster that also includes Godfather of Harlem, From, Billy the Kid, The Winter King and A Spy Among Friends, among others.

Here’s the teaser for season two of Beacon 23:

[bellmo15-blog]

Super Serious Borderlands 4 Teaser Breakdown

WOAHHHH! Holy shit you guys! A new trailer for a brand new Borderlands game just dropped just now on Youtube! So you know what that means!? Everyone’s gonna be doing trailer reaction breakdowns and trend surf for that sweet sweet ad revenue. SO OF COURSE I’M GOING TO TWO!

The trailer begins with a view of space. For those reading who are unaware of what space is, and I’m sure it’s maybe about like 95% of you, space is the expanse that exists beyond Earth’s Atmosphere and between celestial bodies and by extension, the expanse beyond the planet of Pandora which most of the Borderlands games are set in. Space has also been shown in multiple forms of media over the decades from stuff like Star Wars, Star Trek, Battlestar Galaxtica, Guardians of the Galaxy, Futurama, Super Mario Galaxy, Super Paper Mario, Sonic Adventure 2, Magic School Bus, Spla…

*1 hour later.*

Crash Bandicoot, Bayonetta and Firefly. However, do not think of going out into space in real life because there is no air in space and you will suffocate and die a slow and painful death including you head likely exploding. It is also made up of lots of stars which we can see ourselves in the trailer. Oh, you don’t know what stars are either. Well, you see, stars are luminous spheroid of plasma held together by self-gravity. The nearest star to earth is the sun. You know, that big orange ball you see when you look up at the sky every day that makes everything super-hot? Not to be confused with the game Super Hot with is a game that was release back on the 25th of February 2016 and was developed by the SUPERHOT Team. The game revolves around the idea that time only moves when you do, and you must clear levels by…

*2 hours later.*

And that’s why I think just by looking at this trailer alone we can tell that stars are likely going to play a massive role this new Borderlands game. And if they don’t, I’m going to boycott the shit out of this game and I’ll want my money back!

Anyway, now we get into the 2 second mark of this trailer and suddenly on the worlds flash “2K GAMES Presents.” Obviously, this game is being presented by 2K games but who are they I hear you ask? Well, 2K games are a gaming publisher that was originally founded as a subsidiary of Take-Two Interactive who you might recognise as the people who are also associated with Rockstar games. Who are Rockstar games you ask? Well, if you have ever played a Grand Theft Auto game in your life then you would of likely heard of these people as they are the developers…

*3 hours later.*

… and then certain user data got stolen and put up for sale.

Anyway a few seconds later when then get some more text telling us “A Gearbox Software game” and Gearbox Software are the developers of the Borderlands series starting with the first game in 2009 however there history actually goes a lot deeper than that as they were originally founded limited liability company in February of 1999 by five developers who were formally part of Rebel Boat Rockers. What are Rebel Boat Rockers? Well, they were a game development studio founded by a man named Billy Zelsnack who is man that…

*Seriously, if I actually went over EVERY bit of history behind this stuff for the sake of a dumb joke journal, I’m pretty sure the Bible would end up being shorter!*

Then, after the big text goes away, we see the Firehawks Insignia flame up in the space. As I’m sure most of us REAL FANS who have played this series since day one and have played nothing but this series for the rest of our lives know the Firehawk is what the character Lilith was called during the events of Borderlands 2. However, Lillith herself has a lot of history in the Borderlands series. She was one of the four playable characters in the original game and is widely considered to be the most overpowered character in that game thanks to her skills focusing on elemental damage. But she has an even deeper history in this series than that as her backstory is that she was a siren who were a group of supernatural beings gifted extraordinary powers which we are also told in a side mission in Borderlands 2 that only six of them can exist in the universe at any given time. That side mission being the one where you have to hunt down and kill…

*Is this joke about how long analysis videos can go on for un-funny yet?*

Then suddenly is transforms into Pandoras moon of Elpis. Elpis was a major key part of Borderlands The Pre Sequel which as you can tell from its name is a combination of the terms Prequel and Sequel.... Oh, what’s that? You don’t know what those terms mean? Don’t worry, that’s why I’m here to explain it. You see, a prequel is a new instalment in a franchise taking place before the events of a certain entry while a sequel takes place after one. Borderlands the Pre Sequel was released in 2014 by 2K Australia why as there name suggests were an Australian based studio. Australia is a country that while is was technically founded by some Portuguese guy that no one cares about it was truly founded by a British Sailor named Captain Cook. Captain Cook founded the country of Australia after…

*Okay you know what, let’s just skip to the end of this video, I got shit to do!*

And that’s why I think the writing at the end is saying “Buy Crypto Suckers!” And that’s it! That is everything I could get from this trailer after spending hours of my life going over every little detail. I’d like to thank you for reading this new journal and hope you all learned something new. Please remember to like and follow because I need that euphoria and attention and don’t forget to spam this in every Discord server you’re on because I need more views. Do you hear me? I need more! MORE! MORE ATTENTION MORE!!!!!!! … Oh right, you don’t know what euphoria means either do you? Well, it’s…

[teragames]

Netflix anuncian la nueva serie de acción real titulada BET

El manga Kakegurui del escritor Homura Kawamoto y el ilustrador Toru Naomura está a punto de tener otra adaptación. Esta vez es una serie de acción en vivo llamada BET, que está en desarrollo para Netflix con el creador de Warrior Nun, Simon Barry, como showrunner y Boat Rocker Media en la producción. Barry está desarrollando, escribiendo y dirigiendo la serie, cuya producción comenzó…

[dynared]

Hey, remember Kakegurui? It was a manga and Netflix anime oftentimes joked as “Horny for gambling - The series”.

Yes, this delightful little scamp, in a series full of innuendos and energy that is remarkably restrained in what it actually shows.

It’s getting a Western adaptation (when I would honestly want more anime) called BET (not that one) from the Warrior Nun people, fresh off that flop.

The live action series will be led by Miku Martineau, Ayo Solanke, Eve Edwards, Clara Alexandrova, Hunter Cardinal, Anwen O’Driscoll, Aviva Mongillo and Ryan Sutherland. The English language adaptation is set around an elite boarding school where everything, including the pecking order, is determined by underground gambling.

Well, it’s clear that between One Piece, Yu Yu Hakusho, and City Hunter that the floodgates have opened for manga and anime adaptations. But good luck to these kids. While Warrior Nun’s original comic didn’t have the biggest fanbase (but neither did the show) Kakegurui has had not only two seasons of anime but a Japanese live action show. And the comparisons are likely going to come in hard.

[d-blue02]

I wonder if any Danger Mouse fans here on Tumblr have heard the news about Danger Mouse yet.

[thoughtswordsaction]

Trash Boat Released New Track “Liar Liar”

Photo courtesy of the band. Trash Boat is blessing fans with one more epic single before the year’s end. The UK rockers released an all new single, “Liar Liar”, on Nov. 30, a track aimed at the dismay of modern media and cheap attempts at virality. Following the release of the single, the band is set to share the stage with Don Broco throughout late November and into December. “Liar Liar”…

[random-tree]

Re: Among the Imposters: The part I'm talking about is an incredibly minor part of the book. The book itself is the 2nd installment of the "Shadow Children" series, which is about a dystopia where having more than 2 children is highly illegal and the Population Police will hunt down and kill any third children. The PoV character is a 3rd child who's assumed the identity of a dead boy his age so he can go to school. Bc of his limited life experience he doesn't immediately realize that the school is actually not a "normal" boarding school, and most of the attendees have intellectual or developmental disabilities, severe phobias, or are other third children in his same boat. He notices that most of his classmates are "rockers," who don't engage with or seem aware of anything that happens around them or participate in class or socialize at all etc, they just rock back and forth endlessly, staring into space. They're repeatedly described as not seeming like human beings, having empty and soulless eyes like animals, etc and are essentially just used as background props for how "unsettling" the school is supposed to be. At some point another character does eventually bring up and explain how unusual the school actually is, and might in fact refer to the rockers as having autism specifically, or it might just be described as having something wrong with their brains, I don't remember exactly. As far as I can remember, at no point in the story are any of the "rockers" given names, much less any sort of role in the story. All of the main characters are the relatively "normal" third children who are attending school using fake identities, or people whose role in the story is to either assist them or to try and hunt them down.

IIRC, this is the only book in the series that has anything like this. A lot of them, I don't remember super clearly, but I did overall enjoy the books (as well as the rest of Haddix's works) when I was ~8 to 12 years old. They're much more willing to get dark than most books targeted at that age range, with child characters regularly being killed, tortured, imprisoned, etc. and dealing with the psychological and social impacts of having been raised in hiding, which is always something I appreciated as a kid (and still do). They were no Animorphs, but I did like them. Unfortunately the "rockers" in that book still haunt me and fill me with a really deep-seated self-loathing and internalized ableism every time I catch myself stimming, especially rocking or swaying, and so even like 15 years later I'm still unlearning that. Not to say the book is wholly to blame, I'm sure a lot of it came from the rest of society, and if that weren't the *only* depiction of autism in a book I liked, I'm sure it would've done a lot less damage. Sorry if this was wordier than you were interested in!

No worries, I like this sort of in depth discussion.

Anyways, even if it's a minor part I can definitely see how this would mess with someone. To describe a subset of students like that and then toss out the fact they're autistic without bothering to let these students be their own people is not only careless but also incredibly callous. It kinda sounds like the author just saw them as a set piece.

It's seems like a trend in media that involves autistic characters is that they only seem to exist as writing devices rather than as full characters. It brings to mind a book I read in my early teens (I think written by Jaquelin Wilson?, I read a lot of her stuff back then) about a girl with a younger sister that is obviously implied to be autistic (as in the author read the Wikipedia article kinda obvious) that is being drugged up by the nanny to keep her docile, with the entire book is about the older sister trying to convince her parents that her little sister should not be drugged up and about the older sis going through her own troubles (including a romantic subplot that frankly shouldn't exist), rather than showing anything about how the little sister feels about this entire situation??

The little sister is basically just there as a narrative tool so the parents and the older sister have a reason to argue with each other and as a reason for the older sis to hate the nanny.

[ptbf2002]

Everyone Hate Elsagate Cringe Videos

Original Template: https://www.deviantart.com/tagirovo/art/My-Characters-Hate-is-Who-983985997

SpongeBob SquarePants Belongs To Stephen Hillenburg, Rough Draft Studios, Inc. Carbunkle Cartoons, SEK Animation Studio, Wang Film Productions Co., Ltd. Rough Draft Korea Co., Ltd. United Plankton Pictures Inc. Joe Murray Productions Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Oggy and the Cockroaches Belongs To Jean-Yves Raimbaud, Big Star Enterprise, Armada TMT, Digital Emation, Inc. Neon Pumpkin, DongWoo Animation Co. Ltd. Gaumont Multimedia, The Gaumont Film Company, Xilam Animation, France 3, France Télévisions S.A. CANAL+ Family, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, Metropole Télévision S.A. And Groupe M6

Hilda Belongs To Luke Pearson, Mercury Filmworks, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Nobrow Press, Flying Eye Books, Silvergate Media Limited, Sony Pictures Television Kids, Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

The Simpsons Belongs To Matt Groening, Anivision, DR Movie, Film Roman, LLC Hanho Heung-Up Company, Klasky-Csupo, Inc. Rough Draft Korea Co., Ltd. Toon Boom Animation, Toonzone Entertainment, Wild Horse Animation Group, Gracie Films, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

The Woody Woodpecker Show Belongs To Walter Lantz, Walter Lantz Productions, Universal Cartoon Studios, Universal Animation Studios LLC, Universal Television LLC, Universal Pictures, Universal City Studios LLC NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, And NBCUniversal Media, LLC

Animaniacs (2020 Reboot) Belongs To Tom Ruegger, Wellesley Wild, Steven Spielberg, Digital eMation, Inc. Saerom Animation, Inc. Snipple Animation Studios, Tiger Animation, Titmouse Animation, Inc. Tonic DNA Animation, Toon City Animation, Inc. Yowza! Animation, Giant Ant Animation, Studio Yotta, Birdo Studio, Flystudio, Screen Novelties, Amblin Television, Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. Hulu, Disney Streaming, Disney Entertainment, The Walt Disney Company, NBCUniversal Media, LLC, Comcast Corporation, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Danger Mouse (2015 TV series) Belongs To Brian Cosgrove, Mark Hall, Cosgrove Hall Fitzpatrick Entertainment, CHF Entertainment, FremantleMedia Kids & Family Entertainment, Fremantle Limited, Boulder Media Limited, Boat Rocker Media Inc. CBBC Production, Windmill Lane Studios, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios, And British Broadcasting Corporation (BBC)

Rocko's Modern Life Belongs To Joe Murray, Animal-Ya, Klasky-Csupo, Inc. Pacific Rim Productions, Inc. Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. Sunwoo Entertainment, Co., Ltd. Shanghai Rainbow Animation Tama Production, Wang Film Productions Company, Joe Murray Productions Inc. Games Animation Inc. Nickelodeon Animation Studio, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Pink Panther and Pals Belongs To Friz Freleng, Toon City Animation, Inc. DQ Entertainment Animation Studio, DQ Entertainment International Limited, Rubicon Studios, Rubicon Group Holding, MGM Television, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon.com, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Avatar: The Last Airbender Belongs To Michael Dante DiMartino, Bryan Konietzko, DR Movie Co., Ltd. JM Animation Co., Ltd. MOI Animation, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Paramount+ Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Paramount Streaming And Paramount Global

The Legend of Korra Belongs To Michael Dante DiMartino, Bryan Konietzko, Studio Mir Co., Ltd. Pierrot Co., Ltd. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Cleopatra in Space (TV series) Belongs To Doug Langdale, Fitzy Fitzmaurice, Titmouse, Inc. Inspidea Sdn. Bhd. Digitoonz Media & Entertainment Pvt. Ltd. DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, Hulu, LLC Peacock (streaming service), NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, And NBCUniversal Media, LLC

Sonic Prime Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Joe Kelly, Joe Casey, Duncan Rouleau, Steven T. Seagle, Jam Filled Entertainment, Boat Rocker Media Inc. Flixzilla Aura, SEGA Corporation, SEGA Sammy Holdings Inc. Man of Action Entertainment, WildBrain Studios, WildBrain Ltd. Netflix Animation, And Netflix, Inc.

Star vs the Forces of Evil Belongs To Daron Nefcy, Mercury Filmworks Toon City Animation, Inc. Rough Draft Korea Co, Ltd. Sugarcube Animation, Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Family Guy Belongs To Seth MacFarlane, Film Roman, LLC CNK International, Grimsaem Animation Co. Ltd., Seoul, Korea, Sunwoo Entertainment, Co., Ltd. Rough Draft Studios, Inc. Yeson Entertainment, Yearim Productions Co., Ltd Fuzzy Door Productions, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

Rise of the Teenage Mutant Ninja Turtles Belongs To Kevin Eastman, Peter Laird, Andy Suriano, Ant Ward, Digitoonz Media & Entertainment Pvt. Ltd. Flying Bark Productions Pty. Ltd. Studio 100 N.V. Mirage Studios, Image Comics, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Amphibia Belongs To Matt Braly, Saerom Animation, Inc. Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Kung Fu Panda: The Dragon Knight Belongs To Mitch Watson, Peter Hastings, Technicolor Animation Productions, Mikros Animation, Dave Enterprises, Stellar Creative Labs, 88 Pictures, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, NBCUniversal Media, LLC And Netflix Inc.

Heroes of Goo Jit Zu (TV Series 2019) Belongs To Bang Zoom! Entertainment, Pixel Zoo, And Moose Toys

[frostycatblr-fandom-files]

It's truly unfortunate and sad that a lot of us do end up feeling this way... And that a lot of us try to bear it just a little longer just so we don't get called a boat-rocker (or whatever else) until we just can't anymore.

Tired of treading water and pretending that I'm still in my own rowboat paddling alongside everyone else, kinda thing.

The stories are very much still in me, perhaps always will be. I've enjoyed writing stories from a young age, and the plan is to continue to do so while I'm gone. Whether I'll share all of them once I'm back - whenever that is - outside of Poets and Painters will remain to be seen. (Maybe I'll focus more on my Clone OC projects for a time, once I'm back. Who knows.)

I have and will always deeply appreciate the people who have told me, at any point, how much they've enjoyed my silly little stories. You included, Merkitty 🩷 - I wish I could offer more than the hugest internet hugs to you after reading your own 'status update' some time ago. I'm wishing you all the best, and all the coziest Wrecker hugs for good measure. ☀️

I do agree that social media is not a measure of our real lives, as well, but it plays a large enough part that there will be times it is necessary to say it's time to disconnect for a while... Just no telling how long it'll be.

The update nobody likes seeing: I Think I'm Taking A Break.

"Fandom is a community" they said.

Funny - I've possibly never felt more alone.

Never felt so isolated and overlooked in favor of the familiar, the "famous", the friendly and out-going. Maybe it's all just the Seasonal Affective Disorder talking, and this is all momentary, but right now, it doesn't feel that way.

It sure doesn't feel momentary between how low my interactions have been on writing that I have put so much fucking effort into.

The community I foolishly thought I was a part of only ever seems to stick to reading their same circle of friends, endlessly, forever. Rarely ever do I see someone else gets given a chance outside of the friend group. And that's an "if" on if they reblog something a friend didn't write...

"Reblogging is important for everyone!! If you like a fic reblog it! Everyone in this community is equally important and valued."

Fucking is it? Am I?

Is it important for EVERYONE in this community, or it just applicable to your friends? Is it only your friends who get your reblogs, and your comments, and your reaction memes, and whatever else? Is it only your friends who are worthy of your time for a simple reply when it comes to thanking ""everyone"" who left you a comment?

If everyone is as valuable to this community as you claim... why aren't you acting a little more like it?

Why are there people like me who feel like they have to resort to "Put Yourself Out There!" type of posts in order to get absolutely pitiable levels of acknowledgement in return for time and energy that only ends up being a waste?

A waste of the organizer's time, and a waste of the participants' time.

Some sweet soul (and god fucking bless them) sent in my Last of the Pack artwork in for a previous Fandom Friday some time back and the interactions barely budged. I think I only ever got 2 additional notes from the recommendation...

I signed up for a follower appreciation event where people were supposed to submit their masterlists, and the participants were supposed to pick two (at minimum) items out of their assigned masterlist to react to/comment on in their reblog of either the work of fiction or piece of art...

... And I haven't seen a single reblog out of it from whoever was assigned to me (yet, I believe there's still time within the event deadline, to be fair).

Thing is: I don't know that I'm gonna be postponing this inevitable hiatus I feel I need to take in order to see those for much longer.

I'm probably going to stick around just long enough to post a Fives x Reader that an anon requested from me, and then I'm going to bounce. I don't know for how long. So that means I don't know when "Deep Night" to Poets and Painters will end up being posted.

That means I don't know when anything will be posted again.

But I think I need to perform a serious evaluation of the effort I'm expending for the turn out of any type of interaction I'm getting in return while lowering my expectations AGAIN before I come back to my sideblog.

[blogger360ncislarules]

Beacon 23 will finally see the light of day this year.

Almost three years after being picked up by Spectrum Originals, MGM+ has stepped in to provide a home for the Lena Headey drama series.

The series will debut on Sunday, November 12, on MGM+ at 9:00 p.m. EST/PST with the first two of eight episodes.

Zak Penn (Ready Player One, Free Guy) created the series and executive produced along with Glen Mazzara (The Walking Dead, The Shield).

"Beacon 23 takes place in the farthest reaches of the Milky Way and follows Aster (Lena Headey), a government agent, and Halan (Stephan James), a stoic ex-military man, whose fates become entangled after they find themselves trapped together inside one of many Beacons that serve as a lighthouse for intergalactic travelers," according to the logline.

"Every Beacon is run by one highly trained human and a specialized Artificial Intelligence. Aster mysteriously finds her way to the lonely Beacon-keeper Halan, and a tense battle of wills unfolds."

"Halan begins to question whether Aster is friend or foe, as her ability to disguise her agenda and motives could make her a formidable opponent."

"Beacon 23 is a series in the best tradition of thought-provoking genre storytelling," said Michael Wright, head of MGM+.

"With the incredible vision of Zak Penn and Glen Mazzara, riveting performances by Lena Headey and Stephan James, and an exciting world-building design, Beacon 23 is essential viewing for fans of premium science-fiction drama."

"We're delighted to bring Beacon 23 to MGM+ and introduce viewers to a world in the dark recesses of space where nothing is quite what it seems," said David Fortier and Ivan Schneeberg, Co-Executive Chairmen, Boat Rocker Media and Co-Chairmen, Boat Rocker Studios.

"Beacon 23 is a rare psychological thriller whose rich characters and gripping storylines take you to some pretty unexpected places. We're grateful to our creative partners for helping bring this epic story to life."

It's been a long road to the screen for the series, but hopefully, it performs well enough so that the creatives will see their vision fully realized on-screen.

Beacon 23 joins From, The Winter King, and Billy the Kid as some of the streaming service's original series.

[queerstuffonscreen]

RuPaul's Drag Race (2009-) [I]

Episode length: 42-60 min.

Country: USA

Genre: Reality

Language: English

Join RuPaul, the world's most famous drag queen, as the host, mentor and judge for the ultimate in drag queen competitions. The top drag queens in the U.S. will vie for drag stardom as RuPaul, in full glamazon drag, will reign supreme in all judging and eliminations while helping guide the contestants as they prepare for each challenge.

Season 1

Episode 1: Drag on a Dime

Episode 2: Girl Groups

Episode 3: Queens of All Media

Episode 4: Mac-Viva Glam

Episode 5: Drag School of Charm

Episode 6: The Absolut Ball

Episode 7: Extra Special Edition

Episode 8: Grand Finale

Episode 9: Reunited

Season 2

Episode 1: Gone with the Window

Episode 2: Starrbootylicious

Episode 3: Country Queens

Episode 4: Snatch Game

Episode 5: Here Comes the Bride

Episode 6: Rocker Chicks

Episode 7: Once Upon a Queen

Episode 8: Golden Gals

Episode 9: The Diva Awards

Episode 10: The Main Event Clip Show

Episode 11: Grand Finale

Episode 12: Reunited

Season 3

Episode 1: Casting Extravaganza

Episode 2: The Queen Who Mopped Xmas

Episode 3: Queens in Space

Episode 4: Totally Leotarded

Episode 5: QNN News

Episode 6: Snatch Game

Episode 7: Face, Face, Face of Cakes

Episode 8: Ru Ha Ha!

Episode 9: Life, Liberty and the Pursuit of Style

Episode 10: RuPaul-a-palooza

Episode 11: The Hair Ball

Episode 12: Jocks in Frocks

Episode 13: The Money Ball

Episode 14: RuPaul Rewind

Episode 15: Grand Finale

Episode 16: Reunited

Season 4

Episode 1: RuPocalypse Now

Episode 2: WTF!: Wrestling's Trashiest Fighters

Episode 3: Glamazons vs. Champions

Episode 4: Queens Behind Bars

Episode 5: Snatch Game

Episode 6: Float Your Boat

Episode 7: Dragazines

Episode 8: Frenemies

Episode 9: Frock the Vote!

Episode 10: DILFs: Dads I'd Like to Frock

Episode 11: The Fabulous Bitch Ball

Episode 12: RuPaul Rewind

Episode 13: The Final Three

Episode 14: Reunited

Season 5

Episode 1: RuPaullywood or Bust

Episode 2: Lip Sync Extravaganza Eleganza

Episode 3: Draggle Rock

Episode 4: Black Swan: Why It Gotta Be Black?

Episode 5: Snatch Game

Episode 6: Can I Get an Amen?

Episode 7: The RuPaul Roast

Episode 8: Scent of a Drag Queen

Episode 9: Drama Queens

Episode 10: Super Troopers

Episode 11: The Sugar Ball

Episode 12: The Final Three, Hunty!

Episode 13: Countdown to the Crown

Episode 14: Reunited

Season 6

Episode 1: RuPaul's Big Opening #1

Episode 2: RuPaul's Big Opening #2

Episode 3: Scream Queens

Episode 4: Shade: The Rusical

Episode 5: Snatch Game

Episode 6: Oh No, She Betta Don't!

Episode 7: Glamazon by Colorevolution

Episode 8: Drag Queens of Comedy

Episode 9: Drag Queens of Talk

Episode 10: Drag My Wedding

Episode 11: The Glitter Ball

Episode 12: Sissy That Walk!

Episode 13: Countdown to the Crown

Episode 14: Grand Finale

Season 7

Episode 1: Born Naked

Episode 2: Glamazonian Airways

Episode 3: ShakesQueer

Episode 4: Spoof! (There It Is)

Episode 5: The DESPY Awards

Episode 6: RuPaullywood Stories

Episode 7: Snatch Game

Episode 8: Conjoined Queens

Episode 9: Divine Inspiration

Episode 10: Prancing Queens

Episode 11: The Hello Kitty Ball

Episode 12: …And the Rest Is Drag!

Episode 13: Countdown to the Crown

Episode 14: Grand Finale

Watch on Hulu

See RuPaul's Drag Race posts II and III for more seasons

[wevelocityteampresents-blog]

Halloween is finally here! To celebrate, here's something that I've been working on before I had to shift my focus to midterms.

All of my favorite animal/Pokémon vampires getting together for a little fun!

The text above them translates to: Do not bother hiding. We know your every move!

Happy Halloween! (This might be the least amount of posts for October.)