#bloomfield homes

[celebrityresidence]

Dennis Rodman's Luxurious Bloomfield Hills Mansion

Explore the grandeur of NBA legend Dennis Rodman's mansion in Bloomfield Hills, Michigan. This image captures the essence of Rodman's residence, showcasing its blend of historical elegance and modern luxury. The mansion, known for its European architectural influences and contemporary design, reflects Rodman's unique personality and taste. Nestled in the tranquil suburbs of Michigan, this property is a testament to Rodman's legacy, combining opulence, personal style, and eco-friendly features. Visit: https://www.omnihomeideas.com/design/celebrity-homes/dennis-rodman-house-in-bloomfield-hills/

[turnerlandin]

Ideas for a massive, timeless foyer renovation

[wtfem]

Music Room - Living Room

Example of a medium-sized contemporary open-concept living room with ceramic tile flooring, a music area, beige walls, a ribbon fireplace, and a stone fireplace.

[xmisschivousx]

Music Room - Living Room

Example of a medium-sized contemporary open-concept living room with ceramic tile flooring, a music area, beige walls, a ribbon fireplace, and a stone fireplace.

[sjzavala]

Music Room - Living Room

Example of a medium-sized contemporary open-concept living room with ceramic tile flooring, a music area, beige walls, a ribbon fireplace, and a stone fireplace.

[dirteaicecream]

Music Room - Living Room

Example of a medium-sized contemporary open-concept living room with ceramic tile flooring, a music area, beige walls, a ribbon fireplace, and a stone fireplace.

[realloveormadness]

Contemporary Entry - Mudroom A large, modern mudroom with white walls and a medium-toned wood floor as an example

[omarkeller]

Music Room - Living Room

Example of a medium-sized contemporary open-concept living room with ceramic tile flooring, a music area, beige walls, a ribbon fireplace, and a stone fireplace.

[middleland]

House — South Bloomfield, Ohio by Christopher Riley

[jltintandcustoms]

JL Tint & Customs | Window Tinting Services | Car Window Tinting in Waterford Twp MI

We are your dependable and trustworthy go-to for exceptional Window Tinting Services in Waterford Twp MI. Our skilled professionals utilize high-quality films to enhance the look of your windows while providing benefits such as heat reduction, UV ray blocking, and glare reduction. We offer customizable tinting options to meet your specific needs. Moreover, hiring us for seamless Car Window Tinting in Waterford Twp MI, can help you upgrade your ride. With precise installations, we ensure a customized result to make you experience the perfect blend of style, privacy, and protection. For your convenience, we have also kept our service charges low. So, if you need our expert assistance, call us today.

[m-mihalyiova]

Galley Home Bar Detroit Inspiration for a large industrial galley vinyl floor and beige floor seated home bar remodel with an undermount sink, black cabinets, wood countertops, red backsplash, brick backsplash and brown countertops

[hometoursandotherstuff]

You Never Know What's Going on Inside a House Dept.: This 1987 home in West Bloomfield, MI looks ordinary, plain, and white on the the outside, but it's "très elegant" on the inside. 4bds, 4ba, 6,605 sq ft, $925k reduced from $950k.

Open floorplan. Look at the gold light fixtures.

The floor is interesting. The way they laid it makes it look pieced together w/no cohesive pattern, though.

The kitchen is so plain. That cubby looks messy. I wonder what it's meant for.

The main floor bath has the same tile on the walls and floors.

Now, here, the flooring goes up one wall and there's a huge gold chandelier coming down to the piano.

Large home office. The shelving isn't built in, so it's really a flex space.

Upstairs on the mezzanine there's a seating area.

The primary bedroom is basically black and gold with a massive ceiling light. Does it bother anyone else that the light is off-center?

The ensuite has gold etched tile.

Both of these secondary bedrooms accommodate round beds better, b/c they're kind of small.

And, this one comes with a mural. Gangsta.

Check out the gold fixtures in this bath. What an impractical sink-

there's no place for the soap except in the sink.

And, this one has a gold tub.

Down the stairs there's a hot tub room. It even has a gold cover.

Outside, there's a covered pool.

They've got a very large outdoor kitchen setup and a fireplace.

Also, an elaborate white play set for children. I didn't even know they made these in white.

1 acre lot.

https://www.zillow.com/homedetails/3865-Stonecrest-Rd-West-Bloomfield-MI-48322/24474357_zpid/?

[criticalthinkingwitches]

Critical Thinking Witch Collective invites you to grow your magical practice in our FREE online event!

Our BritCritWitches are leading this one so the times on the schedule are GMT, but the registration will give you the proper time in your time zone!

SATURDAY!

January 11th 10 AM PST/ 1 PM EST/ 6 PM GMT/ 5 AM AEST (1/12)

We begin with a potion or two at the Gnome and Cauldron. What will our Potions Witch Jul Bloomfield brew for you to try at home?

Next @breelandwalker, host of Hex Positive Podcast challenges us to ‘Create You Own Correspondences’ with herb allies. Perfect to customise your craft!

Quickfire Correspondences Panel come next: The Geordie Witch joins @lozziestardust and Bree to a Witch-off. What herbs will they choose for what spell when Lee Ignire of Do The Magical Thing quizzes them?

Afterwards we cast a Conjuration of Community as we enter break-out rooms to chat with your fellow Witches. Don’t worry there are conversational prompts to get the magic of conversation going!

Next Lozzie Stardust, our glorious Goose Witch, gives us the answer to what Wool of Bat and Eye of Newt really mean!

Now you’ve got the green (witch) thumb, Lee highlights must-read herbals and summons up a history of Nicholas Culpemagicnaper.

Get your free ticket here!

Find out more about the Critical Thinking Witch Collective here!

[batteredshoes]

Like A Rolling Stone (Highway 61 Revisited, 1965)

Al Kooper on how he hustled his way into the making of Dylan’s cryptic fairy tale and all-time greatest song.

“I began my professional music career as a member of The Royal Teens in 1959, becoming a professional songwriter shortly thereafter and teaming up with lyricists Bob Brass & Irwin Levine. By 1965 I’d befriended producer Tom Wilson at Columbia Records at 799 7th Avenue in New York City. Tom was riding high as the producer of Bob Dylan, of whom I was a big fan. After a while, the others that worked on his floor got used to me coming and going whether Tom was there or not. Occasionally I’d “borrow” unreleased acetates of Dylan’s albums in progress and take them home overnight and make a tape copy for my own enjoyment. Tom would also invite me on occasion to the New York Giants football team’s Sunday games, where he had excellent seats. I was about 21-years-old but I knew when to speak and when not to.

Then one day, out of the freakin’ blue, Tom invites me to an afternoon Dylan session. It’s Wednesday June 16 and they’ve already done a day’s work on a handful of songs – one they’ve been calling Phantom Engineer but will turn into It Takes a Lot To Laugh, It Takes A Train To Cry; another they’ve started and have all of today to get right. I’m carefully instructed to sit in the control room and be as invisible as possible.

The session is to begin at 2pm. So I get there at 12.30pm with my electric guitar and amp and begin to warm up like I truly belong there. After about ten minutes, Dylan comes blasting in the door along with a guitarist who has his guitar on his shoulder like a rifle. Only it’s raining outside and the caseless guitar is as wet as can be.

The guitarist is Mike Bloomfield. I’ve read about him in Sing Out! magazine – he is in the Paul Butterfield Blues Band, whatever that is. The other musicians are mostly a crew of dependable guys that do this for a living: among them, drummer Bobby Gregg, pianist Paul Griffin and bassist Joe Macho Jr. The only one I know by sight is Griffin. I had hired him a few times for songwriting demos. An excellent player and a really nice guy.

Bloomfield comes over to where I’m sitting with my guitar and says hello – he wipes the rain off his guitar with a rag and plugs into a Fender amp and starts warming up. This shocks me as I have never heard someone my age play with the skill and tone he has. I quickly put my guitar in its case, slide it under a bench, and get my ass into the control room where I actually belong (and just in time as Tom Wilson enters five minutes later).

The band begins to rehearse the song Dylan wants to start off with. Wilson begins getting sounds on each instrument. Paul Griffin is playing organ and Dylan is playing an electric Fender Stratocaster! This blows my mind - acoustic Bob goes electric! The song is over six minutes long and Bloomfield is instantly mesmerizing. After three takes Wilson moves Paul Griffin from organ to piano.

While they are moving the piano around and miking it. Everyone takes a break. I go out to the studio and sit at the organ which is fortunately still plugged in and turned on. It’s very complicated to turn an organ on and I haven’t acquired that knowledge yet. The piano is tuned. Wilson starts over the talkback: 'This is Like A Rolling Stone Take 4.' He pauses and sees me behind the organ. 'What are you doing out there?' he says and the other musicians laugh and, thank God, so does Wilson. He appears to relent and says, 'OK, this is Take 4.'

After the intro, I wait until everyone else plays a chord and then I come in. Pretty quickly I memorize the chords - there’s only five! - and then I begin to play parts. This is the first complete take of the session, so they play back all six minutes of it. Now I go in the booth and sit at the end of a bench. After the first chorus Bob says to Tom Wilson, 'Make the organ louder.' Tom says, 'You know that guy’s not an organ player, right?' Bob says, 'I don’t care – just turn it up in the mix!'

And that my friends, was the beginning of my soon-to-be real career.”

[demons]

On Easter Sunday 1945, Harry Stewart Jr. and his wingman, Walter Manning, were part of a mission to escort a B-24 Liberator bombing mission over St. Polten, Austria. They were both members of the 332nd Fighter Group, the famed Tuskegee Airmen. While the legend that they never lost a single bomber isn't true, they were particularly good at their jobs; when the bombing mission ended, seven of the 332nd's escort fighters flew on to hit targets of opportunity as the B-24s headed home.

As they flew along the Danube River, nearly a dozen fighters appeared. In the dogfight that followed, Stewart would rack up three kills, and 10 of 12 enemy ambushers went down in all. But the Tuskegee Airmen lost two of their own. Manning was one of them. When all was said and done, Stewart would receive the Distinguished Flying Cross. Manning would be captured and lynched by enemy civilians.

Those were the stakes for America's first-ever Black combat pilots. But Stewart would survive World War II as one of only four Tuskegee Airmen with three air-to-air victories in a single day, leading a storied Air Force career before leaving active duty in 1950.

Stewart died on Feb. 2, 2025, at his home in Bloomfield Hills, Michigan. He was 100 years old.