#blind sherlock

[inevitably-johnlocked]

Hi!! Specific request, but do you perhaps have any fic recommendations with blind Sherlock? Maybe he went blind because of an injury or just yk is blind, I just got the question of how being blind would affect his defective work (or rather the inability to do it the same as before) and his general outlook on life.

Hi Lovely!!

I do, a list I've done in the past you may enjoy!

Deaf/Mute/Blind Sherlock/John (Dec 2019)

These are all great fics!! If there's anything new since that list, friends, please do suggest them!

[holmosexualitea]

Happy 14th anniversary to A Study in Pink!

(and fourth year of sherlock to me!!)

[buckingham-ashtray]

john and sherlock bickering over the head of a very dead corpse might just be the most ridiculous thing in the entire show

[bluebellinbakerstreet]

~

[winterdaphne2]

Gay Easter Eggs in BBC Sherlock

(I trust the above requires no explanation.)

Perhaps someone has done this before, but I wanted to put together a compilation of gay easter eggs in the show that I’ve seen other people point out and/or have thoughts on myself. So here it is!

When I say “easter eggs,” I’m thinking of small clues that the show creators included in the set designs, music choices, and other details of the show to reference that Sherlock and John are in love. I’m thinking of things you could miss at first, especially little clues that often require a bit of extra information or require observations across episodes to understand.

Of course, there’s also lots of subtext woven into the show, moments where interpreting the dialogue or visuals in a certain way tells us something about Sherlock, John, and/or the state of their feelings for one another. I’m not sure if I can clearly define “subtext” versus “easter eggs” and explain what distinguishes them, but at least to me, several of the things I’ve listed here seem a bit different from what people often refer to as subtext. Maybe subtext is about uncovering the layers to a piece of dialogue or an action that takes place in plain sight and seeing how that impacts our interpretation of the story, but easter eggs are about spotting smaller, hidden details. I’m not trained in literary or film studies, though, and I’m not trying to be doctrinaire about this at all! This list is just for fun, anyway. (The above image might not actually count as an easter egg, but I couldn’t resist including it here. Indulge me.)

The more I read about this show and the harder I look, the more I think that hardly anything is there on accident. All these easter eggs must have been included on purpose. The creators knew they were telling a love story all along.

I’ve linked to the posts where I initially saw people point these out or to other good sources, and for some of these I’ve added my own commentary/observations/interpretations. I’m sure there are many other easter eggs that I’ve missed! What have you spotted?

John’s PIN in TBB – When John tries to pay for his groceries at the beginning of the episode, we see that his PIN is 743. In ASIB, Irene’s code to unlock her phone is SHER, which would be 7437 on a phone keypad. So, John’s PIN is a clue that he is or will be in love with Sherlock. Source: @loudest-subtext-in-tv, here.

Shaftesbury Avenue, 20m from Piccadilly Circus in TBB – While investigating in Chinatown, Sherlock and John bump into each other at what used to be a cruising spot for gay men in London. Source: @the-signs-of-two, here.

Archer the American in ASIB – In the scene where the American CIA agents try to get Sherlock to open Irene’s safe, the head CIA agent pressures Sherlock by threatening to have one of his men shoot John. The agent says: “Mr. Archer, on the count of three, shoot Dr. Watson.” Ordering someone named “Archer” to shoot John could be a reference to Arthur Conan Doyle’s poem “The Blind Archer,” which is about Cupid and describes Cupid shooting two men who sound an awful lot like Sherlock and John. Source: couldntpossiblycomment, here.

“¿Dónde Estás, Yolanda?” in TEH – The song that plays during the scene with John and Sherlock’s disastrous reunion at the Landmark restaurant is a cover of the song “¿Dónde Estás, Yolanda?” performed by the band Pink Martini. The Spanish lyrics to this song are about searching for a long-lost lover, which is fitting for the scene where John sees Sherlock again for the first time since his fall. Notably, the creators didn’t use the first of the two versions of this song that Pink Martini has released. The band’s first version appears on their 1997 studio album Sympathique and features a man singing about a woman. Instead of using that version, the creators used the version from Pink Martini’s 2011 compilation album A Retrospective, in which China Forbes performs most of the vocals. So, the creators deliberately chose a remade version of the song in which a woman sings about a woman. They chose a gay song about searching for a long-lost lover for Sherlock and John’s reunion. abrae (@tea-and-liminality on tumblr) has a meta with more to say about the use of this song here.

John’s “oscillation on the pavement” in TEH – In TSOT, John observes a potential client standing outside 221B and trying to make up her mind as to whether to come in. Sherlock tells John “I’ve seen those symptoms before. Oscillation on the pavement always means there’s a love affair.” In the previous episode, John came to visit Sherlock at 221B but hesitated on the pavement outside, staring at the door and trying to decide whether to go in. Sherlock’s comment, “I’ve seen those symptoms before,” is a hint that we, the audience, have also seen those symptoms before—with John in the previous episode. Source: @bidoctor, here. (I saw someone else point out that last part about Sherlock’s hint to the audience, but I can’t find that post, sorry!)

Lilac dresses in TSOT – While planning John and Mary’s wedding, Sherlock chooses lilac-colored dresses for the bridesmaids. When John tells Sherlock that he likes the bridesmaids in purple, Sherlock pointedly corrects him by stating that the dresses are lilac. Apparently, “In Victorian times, giving a lilac meant that the giver is trying to remind the receiver of a first love.” So by dressing the bridesmaids in lilac, Sherlock is trying to remind John of his first love: himself, Sherlock. My heart breaks. Source: @asherlockstudy, here.

Putting the horns on Mary and Janine in TSOT and HLV – In TSOT, there’s a shot where Mary gives Sherlock and John a thumbs up before they head out on a case. The way Mary is standing, the horns on Sherlock’s cow skull thing on the wall behind her are placed right over her head. (I always thought this shot looked pretty weird, but now I see that it must have been intentional!) In the HLV scene with Janine at 221B, there’s a moment when Janine steps in front of John in the frame to kiss Sherlock, and her movement positions the horns right over her head. “Putting the horns” on someone means cheating on them. So in both cases, placing the horns right above Mary’s and Janine’s heads indicates to the audience that Sherlock and John are the real relationship in this show. Source: this post from multiple users on the @sherlockmeta blog.

The architecture of Sherlock’s mind palace in HLV – In the mind palace scene after Mary shoots Sherlock, the architecture of Sherlock’s mind palace is based on locations from ASIP. Sherlock literally built his mind palace out of places from his first case with John, illustrating that his relationship with John is what grounds him and that it means everything to him. abrae has some very helpful screencaps of this here (and I would recommend that whole meta, btw!)

The glasshouse scene in TAB – In TAB, the Victorian John tries to ask Sherlock about his sexuality and sexual history while they’re sitting in a glasshouse. In Victorian Britain, “glasshouse” was another term for a military prison. So John, a military veteran, asks Sherlock about his sexuality in a setting that represents where he would have been sent if he had acted upon his homosexual desires at a time when homosexuality was criminalized. Source: @haffieliesel, here.

What do we say about coincidences? The universe is rarely so lazy.

[sherlockcorner]

Last edit of 2023!

[desiccatedthyme]

17th October

"Underrated Character"

sarah pogs!

[safedistancefrombeingsmart]

@giftober2023 | Day 28: Change.

Sorry! I still love him.

[lisbeth-kk]

Sherlock fandom

Big Brother’s Observations

Since the day I held Sherlock in my arms for the first time, I loved him fiercely and I instantly wanted to keep him out of harm’s way, whatever the cost. I was only seven years at the time, but I tried my best to keep my promise.

At first, it was easy. Child’s play, so to speak. He followed me with his eyes, always smiling, filling my chest with warmth and joy. When he learnt to walk, he never let me out of his sight. Where I went, he was close behind.

I taught him everything I knew about nature; biology, geology, meteorology, when we were outdoors, mathematics, languages, history, geography and logic reasoning when the weather was bad, and we stayed in Father’s library or in my room. He was like a sponge, and it became quite clear that he was above average intelligence; just like me.

However, there was a big difference in our personalities. Where I avoided other people, Sherlock couldn’t get enough of studying and talking to others. For a while… 

The other difference between us was sentiment. He was full of it, I was empty, apart from my undying love for my brother. I told him he would get hurt if he wasn’t on the alert. He was naïve and always thought every person was good and meant well. For a while…

***

My heart broke several times during the years, and in the centre of it was Sherlock. His tears and sobbing were unbearable to witness.

“Why do they hate me, Myc?” he cried so many times, I lost count.

“You must stop wearing your heart on your sleeve, Sherlock,” I told him. “Everyone will take the opportunity to hurt you if they know you’ll react like this. There doesn’t need to be a reason other than they want to see you cry. People are evil like that. Sentiment is never an advantage, brother mine.” 

He wouldn’t believe me. Not at first. It was a hard lesson for him, and I hated every single person who dared to give my brother such a difficult time, but finally he managed to put up an armour of indifference. I knew how much effort it was for him to maintain it, because I caught him more than once crying himself to sleep after the more trying days.

When he started university, the contact between us was sparse at best, but I kept my eyes on him of course. Alas, I was unable to foresee and stop his drug addiction before it was too late. By then he hated the sight of me, which broke my heart in a totally different way. He turned his back on the one person who wished him well. It was a blind spot he dealt with for years, put there by me.

***

I couldn’t believe my luck when Sherlock met Gregory Lestrade of New Scotland Yard. The detective saw Sherlock’s potential and promised him work if he got clean, which he achieved in record time.

Despite the trust Lestrade put in Sherlock, my brother didn’t trust him fully. The police wanted results, which Sherlock was able to give, but it ended there. Lestrade was no friend in Sherlock’s eyes. He just used Sherlock for work, nothing more. My brother failed to see that the detective cared for him outside of crime scenes. He didn’t even bother learning Lestrade’s Christian name.

***

I saw a crack in my brother’s armour the day he realised that John had killed a man to save his life, mere hours after they’d met. When I mentioned it, Sherlock waved it off as John’s need for danger, excitement and his military background, but I observed a second of insecurity. It vanished soon enough.

My instincts when I met John Watson for the first time, told me he could be just what my brother needed, or quite the opposite. His loyalty baffled me, but spoke volumes, and it increased for every passing day. He protected Sherlock just like I had done decades ago. I wasn’t entirely sure what to think of that. Of course, I wanted my brother to be cared for and kept safe from the criminals he recklessly chased through London, but it should be me doing that. Letting go and placing my trust in an ex-army doctor with PTSD and a passion for danger, wasn’t exactly what I preferred, but it seemed I didn’t have much saying in the matter. John Watson was Sherlock’s confidant and friend now, and I should be glad, but my treacherous heart ached for the loss of my brother’s trust and love.

When it became clear to me how John felt about Sherlock, I prayed to the universe to let Sherlock’s blind spot disappear. It had finally happened; there was a way for Sherlock to gain happiness and love after all, and perhaps his hostility towards me would dissipate a little if he felt content and loved. My prayers weren’t heard, and John was too scared to jeopardise their precious friendship to pursue the matter. 

***

I never dreamt of that an Irish criminal mastermind should be the answer. When Moriarty kidnapped John Watson and Sherlock realised he might lose John when he emerged with that bomb vest strapped to his chest at the pool, the blind spot instantly vanished. When the danger was over, John had proved that he would sacrifice himself so that Sherlock could live.

“My life isn’t worth living without you, John,” I heard Sherlock say in the surveillance video.

I had ushered my men out of the room and watched the scene alone. It was a private moment I didn’t want anyone else to witness, and I turned off the recording once I was sure both men were safe and had finally confessed their love.

My mission was far from over, but my faith in John’s capability to keep my brother as safe as possible, was absolute.

@flashfictionfridayofficial @totallysilvergirl @keirgreeneyes @calaisreno @phoenix27884 @a-victorian-girl @helloliriels @safedistancefrombeingsmart @gregorovitch-adler @raina-at @topsyturvy-turtely @peanitbear @7-percent @ninasnakie

[loremori]

Martin Freeman (42/366)

Sherlock 2010–2017

Writer & Creator Mark Gatiss Steven Moffat

*Modernized version of the Conan Doyle characters.

T1.E2 The Blind Banker (2010) Directed Euros Lyn

**My only complaint with the episode: JW definitely should have saved Soo Lin Yao ;_; …or at least try. Infamous moment when the show forgets that he is a soldier and would know better than to leave a key witness alone with a ninja assassin around.

[inevitably-johnlocked]

Hey Steph, do you or does anyone still remember when Mofftiss dropped the CV of John Watson at a convention and everyone was outraged that it was just an A4 piece of paper? Does anyone still have this saved? I’m writing a fic rn and I wanted to have a look at the cursed CV once more, but I only came across posts that did meta on John’s CV from the blind banker, so I thought I’d ask you or your followers who might still have it. Thanks a lot!

Hi Lovely!

I was actually asked this YEARS ago and I ensure I filed it properly so that if this question came up again, I would have a ready response! It was found for me and it's actually up on AO3 Here:

Hope this helps!!

[sherlock-and-co-incorrect-quotes]

Sherlock: *glaring*

John: Whoa, what's got you so angry?

Sherlock: I am not angry, Watson. Archie has stolen my glasses, and I can't see

[buckingham-ashtray]

reminder that sherlock taught john how to dance.

[bluebellinbakerstreet]

96/100 Sherlock in black and white

[naefelldaurk]

This is my friend, John Watson

Is it any wonder that Sherlock is rather off-hand with John through much of The Blind Banker, after emphatically calling John his friend in front of his old uni enemy Sebastian Wilkes, only to be corrected, by John, who equally emphatically refers to himself as Sherlock's colleague. Not John's finest moment. But then he'd started the day with a row with a chip and pin machine.

(My clip)

That little hurt look as John walks past him is so ouchy.

[if-came-the-day]

BBC Sherlock Season 1-4