#bless workshop
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asuddensway · 1 year ago
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BLESS Nº52 Present Continuous
100% Metal Gold
curved arrow to wear as an accessory over your shoulder
2023
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khornedog · 9 months ago
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The centerpiece of the Choir of St Barbara's, christened "Gallatea."
I reckon the name's accurate: if you haven't fallen in love with this beast by halfway in, you're wasting your life. And oh, she is beautiful. The Exorcist was the highlight of the old range and this new one is a work of art.
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There's so much going on here: the pipe organ, the rockets, so many icons, the keyboard, and even fresh-cut flowers on the altar. That tread with the rose and crossed swords? Only one on the whole vehicle.
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I know the Brits get real touchy about Warhammer being THEIRS AND THEIRS ALONE, but the Battle Hymn of the Republic makes such a great anthem. It's an abolitionist creation, but you'll be hard pressed to find a holy war hymn that sounds better on the pipe organ. If we're driving a mobile pipe organ into battle(typically they are a part of the architecture), we're not taking half measures.
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The box art is ridiculous. Why bury all those details in flat black?
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I left off the cherubs and Holy Vuvuzela. I needed parts for my original Exorcist rebuild and brother, they were made to snap off in transit.
Look at this cockpit:
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That keyboard! The hands in position to hit a chord! Who knows what those hatches in the deck are for?
I just want to point out another detail here: those roses below the icons. When 'Eavy Metal was putting this together for the box art, they painted over them to make them part of the bas relief. They are cowards and have undersold some details that serve the High Church/brutal war machine dichotomy that defines the Sisters.
Box art on the left, model in progress on the right.
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I am dying on this hill and you can bury me with my loupes.
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kitsumidori · 1 month ago
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Here we see the elusive Tiny Desk Engineer's preparing a sacrifice to please their all mighty engineer god
......I cannot be trusted with Garry's Mod without super vision.....
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honestlyvan · 1 year ago
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when it's been 30C at work for weeks and it finally starts raining feat @kermakatti
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tuiliel · 9 months ago
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Hail to Na Morrigna for abiding by my request, by taking the time owed them, and at the same time helping me lighten my load to avoid burnout this summer.
My trust in Na Morrigna expands, and my heart lightens 🖤
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radiaking · 24 days ago
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Hmm yeah smth smth smth human commoner origin. Smth smth smth. thought he was doing a Good Thing for some organization but was really just a fall guy. Smth smth smth. Was gonna be arrested for whatever he did but was instead conscripted to the wardens. Smth smth smth. HoF!coop.
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arytha · 2 years ago
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congratulations to me!! i can draw again!! and i started a new. wip because. i dont want to look at the other two things i still got to finish
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Amaranthe and Chorus! I haven't designed Chorus before (and ammy's design i am getting from an old tinnierme oc pic from logan) so this has been fun. Ammy is Chorus's proxy <333
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scalefeathers · 9 months ago
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Vierapril - 13 - release
Even with the aid of her new Eorzean allies, getting to Onti takes damn near everything Bylka has.
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dirtbra1n · 2 years ago
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hanzawa masato doesn’t like sundays.
the shrine won’t be performing any exorcisms today. to be more specific, the miko that greets him feels his forehead with a warm hand and decides that he’s in good health.
he doesn’t want her to know how little he values her judgment, so he bows to offer a prayer instead.
he’d woken up this morning without having had any dreams. he went out of his way, on a morning that was over-bright and unsettlingly still, to make a trip to the shrine. because he hadn’t had any dreams. for all intents and purposes, a full night’s rest.
a monument to the places his mind has been lately, that this was cause for alarm.
barring that, lack of dreams notwithstanding, masato woke up just before the sun rose. the statements made about darkness before dawn are wrong, but his house is old and construction in the neighborhood leaves it eclipsed by increasingly taller buildings that are increasingly growing occupied by increasingly unneighborly neighbors.
the statements made about darkness before dawn are wrong, but when masato wakes up his room is dark and somewhere between too cold and not cold enough.
he doesn’t think it’s particularly scientific—knows this, truthfully—but he’s become familiar with the following pattern:
open your eyes first thing in the morning; you don’t want to be alive. throw the sheets from your legs and feel as the warmth is leached from your body. roll onto one side and feel as your ribs resist the desire to cave in. check the time and feel as the numbers rattle hollowly, meaninglessly, in your brain.
your name is hanzawa masato. you don’t feel tethered to any of the unkind physicality happening to “you”.
you want to die more than anything.
and then he stands, finally, and moves to go about his routine, and if he wasn’t put through an especially brutal wringer overnight, he’ll forget his ideation and go about things the way he always does.
if he was put through that wringer, he can forget. he’ll make himself forget. he’ll learn how to make himself forget.
he doesn’t intend to die, is the problem. that simplicity would be a blessing.
the shadows cast before him were inky, stretched long. the trains rattle near-silently on the tracks, low rumbling swallowing the impact of his own footsteps. the footsteps of other people, though sparse, jab like sharpened stones into his ears.
days like these feel fake. days like these make his dreams feel real. days like these make masato feel a little less than alive.
he would feel stupid saying so out loud, but he’s starting to believe that no one’s as haunted by ghosts as ghosts themselves.
he doesn’t know what brought him to this conclusion.
(a lie, mostly. if he had to hazard a guess: an answer lying somewhere between his exhaustion and reluctance to fall asleep, his wishing to die but fear of death, the restless shifting—currently absent—river.)
the thing about all of this is that masato doesn’t actually believe in ghosts.
not real ones, anyway. if anything—anyone—is going to drift aimlessly through the halls, holding a lantern or candlestick or knife, reflection held in its edge tortured and gaunt, it’s going to be him. an offhanded, deeply involved joke at which to have a sadistic laugh.
he has his obligations, though. of course, the knife would be fake—the edge of it dull and without character, not reflecting much of anything, harmless.
he thinks tashiro would think it’s funny. after the shock and fear and flustered anger wore off, at least.
real or not, the house he grew up in—the house he lives in now, the house currently, on only this day once a week, occupied by only him—is haunted.
he hasn’t forgotten. if it matters. he’s never been very good at lying to himself, and this one was an awfully slow sort of deal. the sort of deal that is just as much a pain to forget as it is to remember.
there was very little tenderness. he couldn’t quite stretch his legs all the way out, couldn’t reach his arms out over his head. his fingers were cold and useless, deadened, slow. the air pushing in and flowing out of his lungs seemed to whistle through the puncture wound in his chest.
he wishes that he could learn; there was no tenderness, in truth. time moved slowly, if at all, abandoning him to sit stiff in the water, soaked to the bone. abandoning him to finish dying in isolation.
he woke up, a few hours ago now, sweaty and splayed out, drowning only in his sheets, and it was an awfully slow sort of deal, but it couldn’t make him forget.
masato’s never been very good at forgetting things, either.
try as he might to toss them out, two facts cling like hooks to his skin:
1.    hanzawa masato is a still-living human being, and
2.    he doesn’t want to die.
(if he had to hazard a second guess, like he was on some sick introspective game show, masato would say that all anyone ever wants is to live, but living’s hard, and it hurts. it never stops hurting.
he figures—reluctantly, he doesn’t want to spend as much time as he does mired in unwinnable existential debates—that if it’s going to hurt living and hurt dying, he might as well live.)
masato doesn’t know where that puncture wound in his chest even came from.
I’m at the shrine
Like… for fun?
spiritual enrichment
Of course. Silly question.
Mom says to buy yourself a charm.
which one
…Health?
she said love. I’m buying YOU a love charm
I DON’T NEED IT.
poorer, he walks home as evening settles. the clouds that had been crowding the edges of the sky have hung themselves low over the city; no moon.
masato navigates mostly by bleeding sunlight and does not grieve. though his eyes insist otherwise, there is no river.
he carries three charms. good health for his mother, love for his older brother, evil warding for himself. he doesn’t know what compelled him to buy the third.
worn through by the prickly feeling at his skin, he turns his head stiffly to check—there is still no river.
at present, there isn’t anything worth his grief. one pocket lighter, the other heavier, but as insistent as his older brother was that he not buy the damned love charm, it’s not like masato doesn’t know that he’ll just as stubbornly insist on paying him back.
tomorrow, though. they’re not back until tomorrow.
abandonment, maybe. if he was grieving. he both had a dream worse than usual this morning and he didn’t. he was alone in that house and he wasn’t. it’s haunted when he’s there and not when he isn’t, but his mom insists that he house-sit every fucking sunday like the house would be the one pleading “how could you leave me here alone?” and not him.
but it’s not grief, and he’s not pleading. because he won’t let weird dreams count, no one even died.
it’s a pedestrian street, glossy shimmering concrete. everyone but him is walking right where the water would be.
there is no river. his chest aches. he knows better than to entertain the idea.
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xeneric-shrooms · 1 year ago
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I was randomizing the colours of that fodder primal in scrying workshop and landed on maroon/sunset/peach and ouuughh...
Baby. Oh baby..
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I really love that abbey.. too bad Ugly Blessed Child (unofficial name) isn't actually these colours u_u
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mosssunmaniac · 1 year ago
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FUCK I'VE GOT A BIG ASS THEORY FOR WELCOME HOME AND IT'S SUCH A MESS. I have such an autistic urge to do a google slides presentation/essay on it. I also have such an urge to draw so much Welcome Home art... I may do this. I am, a bit, if not entirely, obsessed.
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asuddensway · 20 days ago
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BLESS Nº65 Seatpadding Pebbles, Mohair Check
chair cover with seat padding sewn in-covers any chair. double sided. one side is grey check mohair fabric and the other is a stone print cotton fabric & can be used on both sides
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khornedog · 10 months ago
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TWO GLORIOUS COCKPITS.
I just love the original Exorcist. This model made me fall in love with Sisters of Battle. It's big, it's overwrought, it's mobile in a way that neither pipe organs nor artillery should be.
My faces still aren't great, but they're good enough for the tabletop.
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unofficiallystupid · 2 years ago
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Left 4 Dead 2 is a game where Jotaro Kujo, sans, Link and galactic bounty hunter Samus Aran fight off a hoard of Astolfos while performing a Pink Floyd concert to attract the attention of a helicopter pilot.
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titanomancy · 2 years ago
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A functional crafting system and reasonably achievable reward conditions will go a long way towards smoothing out the worst of the Darktide grind, but I don’t think it’s time to go back to Atoma Prime just yet.
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splendidemendax · 2 years ago
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one of the best workshop presentations i ever saw was about this, specifically in the context of vergil (and a bit of homer).
the coolest example came from robert fitzgerald's translation of the proem of the aeneid (lns. 1.5–8 in english):
...A fugitive, this captain, buffeted Cruelly on land as on the sea By blows from powers of the air...
"powers of the air" renders vergil's vi superum (1.4). the phrase comes from ephesians 2.2 in the kjv:
Wherein in time past ye walked according to the course of this world, according to the prince of the power of the air, the spirit that now worketh in the children of disobedience
and thus vergil's juno becomes the new testament's satan, just a little bit, just for a second.
all the memes about translation on this site are so depressing they're all about the inevitable loss of meaning or impossibility to communicate the original text. but like. surely on this, the transgender website, we should know how to appreciate the beauty and meaning to be gained in an act of transformation more
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